| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1001 |
The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare
|
Kramer, Lawrence
|
|
1995
|
XXXVII |
2 |
p. 256-280
|
artikel
|
| 1002 |
THE STUDY OF MUSIC AT THE UNIVERSITY OF OXFORD IN THE RENAISSANCE (1450–1600)1
|
CARPENTER, NAN COOKE
|
|
1955
|
XXXVII |
2 |
p. 191-214
|
artikel
|
| 1003 |
THE STUDY OF THE FUGUE: A DIALOGUE—III
|
FUX, JOHANN JOSEF
|
|
1951
|
XXXVII |
2 |
p. 203-219
|
artikel
|
| 1004 |
THE TARASCONI CODEX IN THE LIBRARY OF THE MILAN CONSERVATORY
|
BARBLAN, GUGLIELMO
|
|
1974
|
XXXVII |
2 |
p. 195-221
|
artikel
|
| 1005 |
THE TEACHING OF RHYTHM
|
STETSON, R. H.
|
|
1923
|
XXXVII |
2 |
p. 181-190
|
artikel
|
| 1006 |
The Thalberg Effect: Playing the Violin on the Piano
|
Bomberger, E. Douglas
|
|
1991
|
XXXVII |
2 |
p. 198-208
|
artikel
|
| 1007 |
THE TONAL SYSTEM OF BYZANTINE MUSIC1
|
STRUNK, OLIVER
|
|
1942
|
XXXVII |
2 |
p. 190-204
|
artikel
|
| 1008 |
THE TROPING HYPOTHESIS
|
CROCKER, RICHARD L.
|
|
1966
|
XXXVII |
2 |
p. 183-203
|
artikel
|
| 1009 |
THE TWO ATTITUDES
|
SCOTT, CYRIL
|
|
1919
|
XXXVII |
2 |
p. 149-159
|
artikel
|
| 1010 |
THE TWO PERSONS
|
CHĀVEZ, CARLOS
|
|
1929
|
XXXVII |
2 |
p. 153-159
|
artikel
|
| 1011 |
THE TWO TRENDS OF MODERN MUSIC IN STRAVINSKY'S WORKS
|
CHENNEVIERE, RUDHYAR D.
|
|
1919
|
XXXVII |
2 |
p. 169-174
|
artikel
|
| 1012 |
THE VANITY OF HUMAN KNOWLEDGE
|
FORSYTH, CECIL
|
|
1924
|
XXXVII |
2 |
p. 172-177
|
artikel
|
| 1013 |
THE WAR BETWEEN THE FIXED AND MOVABLE DOH
|
HARRIS, CLEMENT ANTROBUS
|
|
1918
|
XXXVII |
2 |
p. 184-195
|
artikel
|
| 1014 |
THE YARDSTICK APPLIED TO MUSICAL TALENT
|
MOOS, JEAN CORRODI
|
|
1930
|
XXXVII |
2 |
p. 238-262
|
artikel
|
| 1015 |
THE YOUTH OF MUSIC
|
MENDL, R. W. S.
|
|
1929
|
XXXVII |
2 |
p. 196-211
|
artikel
|
| 1016 |
The Znamenny Chant
|
ROCCASALVO, JOAN L.
|
|
1990
|
XXXVII |
2 |
p. 217-241
|
artikel
|
| 1017 |
THE ZNAMENNY CHANT OF THE RUSSIAN CHURCH
|
SWAN, ALFRED J.
|
|
1940
|
XXXVII |
2 |
p. 232-243
|
artikel
|
| 1018 |
THOMAS AND CENTRAL PARK GARDEN
|
RICE, EDWIN T.
|
|
1940
|
XXXVII |
2 |
p. 143-152
|
artikel
|
| 1019 |
THOMAS HASTINGS
|
SCANLON, MARY BROWNING
|
|
1946
|
XXXVII |
2 |
p. 265-277
|
artikel
|
| 1020 |
THOUGHTS AND REFLECTIONS ANENT MUSIC AND MUSICIANS
|
PROD'HOMME, J.-G.
|
|
1923
|
XXXVII |
2 |
p. 226-244
|
artikel
|
| 1021 |
THREE CENTURIES OF FRENCH MEDIÆVAL MUSIC
|
GASTOUÉ, AMEDÉDÉE
|
|
1917
|
XXXVII |
2 |
p. 173-188
|
artikel
|
| 1022 |
THREE NEGLECTED COMPOSERS
|
KIRK, ELISE KUHL
|
|
1978
|
XXXVII |
2 |
p. 229-237
|
artikel
|
| 1023 |
Three Points of View
|
SEIGMEISTER, ELIE
|
|
1979
|
XXXVII |
2 |
p. 281-295
|
artikel
|
| 1024 |
Tihai Formulas and the Fusion of “Composition” and “Improvisation” in North Indian Music
|
LIPICZKY, THOM
|
|
1985
|
XXXVII |
2 |
p. 157-171
|
artikel
|
| 1025 |
TONAL INTENSITY AS AN ÆSTHETIC DETERMINANT
|
ORTMANN, OTTO
|
|
1928
|
XXXVII |
2 |
p. 178-191
|
artikel
|
| 1026 |
TONE-PROBLEMS OF TO-DAY
|
CASELLA, ALFREDO
|
|
1924
|
XXXVII |
2 |
p. 159-171
|
artikel
|
| 1027 |
TOSCANINI IN AMERICA
|
TAUBMAN, HOWARD
|
|
1947
|
XXXVII |
2 |
p. 178-187
|
artikel
|
| 1028 |
TOSCANINI—THE FIRST FORTY YEARS
|
SEGRE, ALFREDO
|
|
1947
|
XXXVII |
2 |
p. 149-177
|
artikel
|
| 1029 |
Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht
|
ROSS, RONALD D.
|
|
1981
|
XXXVII |
2 |
p. 143-164
|
artikel
|
| 1030 |
TOWARDS AN AESTHETIC OF EXPERIMENTAL MUSIC
|
BALLANTINE, CHRISTOPHER
|
|
1977
|
XXXVII |
2 |
p. 224-246
|
artikel
|
| 1031 |
TOWARDS A NEW FORM
|
BLITZSTEIN, MARC
|
|
1934
|
XXXVII |
2 |
p. 213-218
|
artikel
|
| 1032 |
TOWARDS A PREHISTORY OF OCCIDENTAL MUSIC1
|
SACHS, CURT
|
|
1938
|
XXXVII |
2 |
p. 147-152
|
artikel
|
| 1033 |
TRANSLATING TO MUSIC
|
SPAETH, SIGMUND
|
|
1915
|
XXXVII |
2 |
p. 291-298
|
artikel
|
| 1034 |
TRIBUTES TO CARL ENGEL
|
PUTNAM, HERBERT
|
|
1945
|
XXXVII |
2 |
p. 137-140
|
artikel
|
| 1035 |
T. S. Eliot and Music: An Introduction
|
NICOLOSI, ROBERT J.
|
|
1980
|
XXXVII |
2 |
p. 192-204
|
artikel
|
| 1036 |
TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS
|
BABBITT, MILTON
|
|
1960
|
XXXVII |
2 |
p. 246-259
|
artikel
|
| 1037 |
TWO INFLATION SONGS OF THE CIVIL WAR
|
NATHAN, HANS
|
|
1943
|
XXXVII |
2 |
p. 242-253
|
artikel
|
| 1038 |
TWO SUMMERS WITH THE BLACKFEET INDIANS OF MONTANA
|
NEVIN, ARTHUR
|
|
1916
|
XXXVII |
2 |
p. 257-270
|
artikel
|
| 1039 |
TYE'S ACTES OF THE APOSTLES: A REASSESSMENT
|
WEIDNER, ROBERT W.
|
|
1972
|
XXXVII |
2 |
p. 242-258
|
artikel
|
| 1040 |
TYPES OF QUECHUA MELODY
|
SARGEANT, WINTHROP
|
|
1934
|
XXXVII |
2 |
p. 230-245
|
artikel
|
| 1041 |
Under the Eye of the Verdian Bear: Notes on the Rehearsals and Première of Falstaff
|
HEPOKOSKI, JAMES A.
|
|
1985
|
XXXVII |
2 |
p. 135-156
|
artikel
|
| 1042 |
UNITED STATES
|
CHANLER, THEODORE
|
|
1958
|
XXXVII |
2 |
p. 228-230
|
artikel
|
| 1043 |
UNITED STATES
|
BURKAT, LEONARD
|
|
1949
|
XXXVII |
2 |
p. 282-289
|
artikel
|
| 1044 |
UNITED STATES
|
PERSICHETTI, VINCENT
|
|
1950
|
XXXVII |
2 |
p. 282-285
|
artikel
|
| 1045 |
UNITED STATES
|
BURKAT, LEONARD
|
|
1950
|
XXXVII |
2 |
p. 259-268
|
artikel
|
| 1046 |
UNITED STATES
|
STERNFELD, FREDERICK W.
|
|
1950
|
XXXVII |
2 |
p. 274-276
|
artikel
|
| 1047 |
UNITED STATES
|
N. B.,
|
|
1950
|
XXXVII |
2 |
p. 276-282
|
artikel
|
| 1048 |
UNITED STATES
|
RINGER, ALEXANDER L.
|
|
1959
|
XXXVII |
2 |
p. 230-234
|
artikel
|
| 1049 |
UNITED STATES
|
HELM, EVERETT
|
|
1951
|
XXXVII |
2 |
p. 267-271
|
artikel
|
| 1050 |
UNITED STATES
|
LOWENS, IRVING
|
|
1965
|
XXXVII |
2 |
p. 396-399
|
artikel
|
| 1051 |
UNITED STATES
|
HANAHAM, DONAL J.
|
|
1967
|
XXXVII |
2 |
p. 246-250
|
artikel
|
| 1052 |
UNITED STATES
|
ELSTON, ARNOLD
|
|
1963
|
XXXVII |
2 |
p. 225-229
|
artikel
|
| 1053 |
UNITED STATES
|
LOWENS, IRVING
|
|
1960
|
XXXVII |
2 |
p. 264-270
|
artikel
|
| 1054 |
UNITED STATES
|
GOLDMAN, RICHAR FRANKO
|
|
1960
|
XXXVII |
2 |
p. 260-264
|
artikel
|
| 1055 |
UNITED STATES
|
COWELL, HENRY
|
|
1950
|
XXXVII |
2 |
p. 268-274
|
artikel
|
| 1056 |
UNITED STATES
|
COWELL, HENRY
|
|
1951
|
XXXVII |
2 |
p. 248-253
|
artikel
|
| 1057 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1951
|
XXXVII |
2 |
p. 253-260
|
artikel
|
| 1058 |
UNITED STATES
|
MELLERS, WILFRID
|
|
1951
|
XXXVII |
2 |
p. 264-267
|
artikel
|
| 1059 |
UNITED STATES
|
KOHN, KARL
|
|
1966
|
XXXVII |
2 |
p. 233-241
|
artikel
|
| 1060 |
UNITED STATES
|
COWELL, HENRY
|
|
1954
|
XXXVII |
2 |
p. 235-243
|
artikel
|
| 1061 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1961
|
XXXVII |
2 |
p. 233-239
|
artikel
|
| 1062 |
UNITED STATES
|
HITCHCOCK, H. WILEY
|
|
1962
|
XXXVII |
2 |
p. 244-248
|
artikel
|
| 1063 |
UNITED STATES
|
BURKAT, LEONARD
|
|
1948
|
XXXVII |
2 |
p. 249-252
|
artikel
|
| 1064 |
UNITED STATES
|
KREHM, IDA
|
|
1951
|
XXXVII |
2 |
p. 243-245
|
artikel
|
| 1065 |
UNITED STATES
|
TISCHLER, HANS
|
|
1951
|
XXXVII |
2 |
p. 245-247
|
artikel
|
| 1066 |
UNITED STATES
|
COWELL, HENRY
|
|
1952
|
XXXVII |
2 |
p. 285-287
|
artikel
|
| 1067 |
UNITED STATES: AUSTRIA
|
JOHNS, DONALD C.
|
|
1964
|
XXXVII |
2 |
p. 236-243
|
artikel
|
| 1068 |
UNITED STATES: ITALY
|
WEISSMANN, JOHN S.
|
|
1964
|
XXXVII |
2 |
p. 243-250
|
artikel
|
| 1069 |
UNITED STATES: Los Angeles
|
KOHN, KARL
|
|
1964
|
XXXVII |
2 |
p. 227-233
|
artikel
|
| 1070 |
UNITED STATES; Louisville
|
COWELL, HENRY
|
|
1955
|
XXXVII |
2 |
p. 223-225
|
artikel
|
| 1071 |
UNITED STATES: New York
|
GOLDMAN, RICHARD F.
|
|
1956
|
XXXVII |
2 |
p. 236-239
|
artikel
|
| 1072 |
UNITED STATES: New York
|
GREISSLE, FELIX
|
|
1957
|
XXXVII |
2 |
p. 233-236
|
artikel
|
| 1073 |
UNITED STATES: New York
|
HITCHCOCK, H. WILEY
|
|
1964
|
XXXVII |
2 |
p. 233-236
|
artikel
|
| 1074 |
UNITED STATES: New York
|
TRIMBLE, LESTER
|
|
1957
|
XXXVII |
2 |
p. 236-240
|
artikel
|
| 1075 |
UNPUBLISHED LETTERS BY BEETHOVEN, LISZT, AND BRAHMS
|
HOLDE, ARTUR
|
|
1946
|
XXXVII |
2 |
p. 278-288
|
artikel
|
| 1076 |
U.S.S.R.
|
WÖRNER, KARL H.
|
|
1959
|
XXXVII |
2 |
p. 248-254
|
artikel
|
| 1077 |
U.S.S.R.
|
KRYOUKOV, V.
|
|
1950
|
XXXVII |
2 |
p. 302-306
|
artikel
|
| 1078 |
Vareè's “Awkwardness” and the Symmetry in the “Frame of 12 Tones”: An Analytic Approach
|
STEMPEL, LARRY
|
|
1979
|
XXXVII |
2 |
p. 148-166
|
artikel
|
| 1079 |
VARÈSE: A SKETCH OF THE MAN AND HIS MUSIC
|
WEN-CHUNG, CHOU
|
|
1966
|
XXXVII |
2 |
p. 151-170
|
artikel
|
| 1080 |
Venetian Commedia dell'Arte “Operas” in the Age of Vivaldi
|
WEISS, PIERO
|
|
1984
|
XXXVII |
2 |
p. 195-217
|
artikel
|
| 1081 |
“VENITE IN BETHLEHEM” — The Major Chord
|
HOWE, M. A. DEWOLFE
|
|
1942
|
XXXVII |
2 |
p. 174-185
|
artikel
|
| 1082 |
VERDI AND BOITO
|
KLEIN, JOHN W.
|
|
1928
|
XXXVII |
2 |
p. 158-171
|
artikel
|
| 1083 |
VERDI AND MANZONI
|
MAECKLENBURG, ALBERT
|
|
1931
|
XXXVII |
2 |
p. 209-218
|
artikel
|
| 1084 |
VERDI AND SCHILLER
|
BIENENFELD, ELSA
|
|
1931
|
XXXVII |
2 |
p. 204-208
|
artikel
|
| 1085 |
VERDI'S “LIBER SCRIPTUS” REWRITTEN
|
ROSEN, DAVID
|
|
1969
|
XXXVII |
2 |
p. 151-169
|
artikel
|
| 1086 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1922
|
XXXVII |
2 |
p. 296-311
|
artikel
|
| 1087 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1925
|
XXXVII |
2 |
p. 301-309
|
artikel
|
| 1088 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1928
|
XXXVII |
2 |
p. 297-306
|
artikel
|
| 1089 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1924
|
XXXVII |
2 |
p. 289-303
|
artikel
|
| 1090 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1933
|
XXXVII |
2 |
p. 214-221
|
artikel
|
| 1091 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1931
|
XXXVII |
2 |
p. 272-283
|
artikel
|
| 1092 |
VIEWS AND REVIEWS
|
C.E.,
|
|
1934
|
XXXVII |
2 |
p. 246-253
|
artikel
|
| 1093 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1935
|
XXXVII |
2 |
p. 230-240
|
artikel
|
| 1094 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1929
|
XXXVII |
2 |
p. 297-305
|
artikel
|
| 1095 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1932
|
XXXVII |
2 |
p. 338-348
|
artikel
|
| 1096 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1937
|
XXXVII |
2 |
p. 238-247
|
artikel
|
| 1097 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1938
|
XXXVII |
2 |
p. 219-225
|
artikel
|
| 1098 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1940
|
XXXVII |
2 |
p. 260-267
|
artikel
|
| 1099 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1943
|
XXXVII |
2 |
p. 234-241
|
artikel
|
| 1100 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1923
|
XXXVII |
2 |
p. 287-302
|
artikel
|
| 1101 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1926
|
XXXVII |
2 |
p. 299-314
|
artikel
|
| 1102 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1936
|
XXXVII |
2 |
p. 234-239
|
artikel
|
| 1103 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1940
|
XXXVII |
2 |
p. 243-248
|
artikel
|
| 1104 |
VIEWS AND REVIEWS
|
C.E.,
|
|
1942
|
XXXVII |
2 |
p. 248-257
|
artikel
|
| 1105 |
Views, Reviews, and Nonviews: Two Studies in Historical Performance Practice
|
Montgomery, David
|
|
1992
|
XXXVII |
2 |
p. 264-282
|
artikel
|
| 1106 |
VIRGIL THOMSON
|
GLANVILLE-HICKS, P.
|
|
1949
|
XXXVII |
2 |
p. 209-225
|
artikel
|
| 1107 |
VIRTUOSITY
|
PINCHERLE, MARC
|
|
1949
|
XXXVII |
2 |
p. 226-243
|
artikel
|
| 1108 |
Vive La France: Gallic Accents in American Music From 1880 to 1914
|
BRODY, ELAINE
|
|
1979
|
XXXVII |
2 |
p. 200-211
|
artikel
|
| 1109 |
WAGNER AND BRAHMS, WITH UNPUBLISHED LETTERS
|
GEIRINGER, KARL
|
|
1936
|
XXXVII |
2 |
p. 178-189
|
artikel
|
| 1110 |
WALDO SELDEN PRATT
|
KINKELDEY, OTTO
|
|
1940
|
XXXVII |
2 |
p. 162-174
|
artikel
|
| 1111 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1958
|
XXXVII |
2 |
p. 237-239
|
artikel
|
| 1112 |
Washington, D. C
|
EVETT, ROBERT
|
|
1965
|
XXXVII |
2 |
p. 406-409
|
artikel
|
| 1113 |
Washington, D. C.
|
MARGRAVE, WENDELL
|
|
1965
|
XXXVII |
2 |
p. 409-413
|
artikel
|
| 1114 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1959
|
XXXVII |
2 |
p. 235-237
|
artikel
|
| 1115 |
WAS MENDELSSOHN INDEBTED TO WEBER?
|
KINSKY, GEORG
|
|
1933
|
XXXVII |
2 |
p. 178-186
|
artikel
|
| 1116 |
What Motivated Charles Ives's Search for Time Past
|
Baron, Carol K.
|
|
1994
|
XXXVII |
2 |
p. 206-219
|
artikel
|
| 1117 |
WHEN IS A CONCERTO NOT A CONCERTO?
|
BOYDEN, DAVID D.
|
|
1957
|
XXXVII |
2 |
p. 220-232
|
artikel
|
| 1118 |
WHERE DO WE GO FROM HERE?
|
von LEWINSKI, WOLF-EBERHARD
|
|
1969
|
XXXVII |
2 |
p. 193-205
|
artikel
|
| 1119 |
Whither American Music Theater?
|
SALZMAN, ERIC
|
|
1979
|
XXXVII |
2 |
p. 230-244
|
artikel
|
| 1120 |
WHY DID J. S. BACH TRANSPOSE HIS ARRANGEMENTS?
|
SHANET, HOWARD
|
|
1950
|
XXXVII |
2 |
p. 180-203
|
artikel
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| 1121 |
WILHELM GERICKE A CENTENNIAL RETROSPECT
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BURK, JOHN N.
|
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1945
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XXXVII |
2 |
p. 163-187
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artikel
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| 1122 |
WILHELM MIDDELSCHULTE, MASTER OF COUNTERPOINT
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BECKER, JOHN J.
|
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1928
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XXXVII |
2 |
p. 192-202
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artikel
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| 1123 |
WORKS OF HORATIO W.PARKER
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Strunk, W.Oliver
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1930
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XXXVII |
2 |
p. 164-169
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artikel
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| 1124 |
WOYZECK AND WOZZECK
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PERLE, GEORGE
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1967
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XXXVII |
2 |
p. 206-219
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artikel
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| 1125 |
W. T. BEST: HIS LIFE, CHARACTER, AND WORKS
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MANSFIELD, ORLANDO A.
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1918
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XXXVII |
2 |
p. 209-249
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