nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
ABORIGINAL AND ANIMISTIC INFLUENCES IN INDIAN MUSIC
|
STRICKLAND, LILY |
|
1929 |
XXXIV |
3 |
p. 371-387 |
artikel |
2 |
ABOUT BASSES
|
MANSFIELD, ORLANDO A. |
|
1920 |
XXXIV |
3 |
p. 354-365 |
artikel |
3 |
ABOUT DANCE AND DANCE MUSIC IN THE LATE MIDDLE AGES1
|
GOMBOSI, OTTO |
|
1940 |
XXXIV |
3 |
p. 289-305 |
artikel |
4 |
A BRIEF STUDY OF THE RUSSIAN LITURGY AND ITS MUSIC
|
NORDEN, N. LINDSAY |
|
1919 |
XXXIV |
3 |
p. 426-450 |
artikel |
5 |
A BRIEF SURVEY OF THE WORKS OF GRANVILLE BANTOCK
|
ANTCLIFFE, HERBERT |
|
1918 |
XXXIV |
3 |
p. 333-346 |
artikel |
6 |
A COLOSSAL EXPERIMENT IN “JUST INTONATION”
|
PIERCE, EDWIN HALL |
|
1924 |
XXXIV |
3 |
p. 326-332 |
artikel |
7 |
A COMPARISON BETWEEN THE FRENCH AND ITALIAN MUSIC
|
RAGUENET, FRANÇOIS |
|
1946 |
XXXIV |
3 |
p. 411-436 |
artikel |
8 |
A Composer's Approach to Music, Cognition, and Emotion
|
KEANE, DAVID |
|
1982 |
XXXIV |
3 |
p. 324-336 |
artikel |
9 |
A Conversation, in Eleven-Minus-One Parts, with Lou Harrison about Music/Theater
|
Kostelanetz, Richard |
|
1992 |
XXXIV |
3 |
p. 383-409 |
artikel |
10 |
ACOUSTICS: SUGGESTIONS IN BEHALF OF AN UNPOPULAR SUBJECT
|
ELSON, LOUIS C. |
|
1915 |
XXXIV |
3 |
p. 410-415 |
artikel |
11 |
A Dallapiccola Chronology
|
SHACKELFORD, RUDY |
|
1981 |
XXXIV |
3 |
p. 405-436 |
artikel |
12 |
ADDENDUM
|
|
|
1975 |
XXXIV |
3 |
p. 502-502 |
artikel |
13 |
Adorno and Schoenberg's Unanswered Question
|
Dineen, Murray |
|
1993 |
XXXIV |
3 |
p. 415-427 |
artikel |
14 |
Aesthetic Value in Indeterminate Music
|
O'GRADY, TERENCE J. |
|
1981 |
XXXIV |
3 |
p. 366-381 |
artikel |
15 |
A FORGOTTEN MASTER OF THE EARLY 16TH CENTURY: GASPAR DE ALBERTIS
|
JEPPESEN, KNUD |
|
1958 |
XXXIV |
3 |
p. 311-328 |
artikel |
16 |
A FORGOTTEN THACKERAYAN EPISODE
|
LAWRENCE, W. J. |
|
1918 |
XXXIV |
3 |
p. 347-352 |
artikel |
17 |
AGAZZARI'S EUMELIO, A “DRAMMA PASTORALE”
|
JOHNSON, MARGARET F. |
|
1971 |
XXXIV |
3 |
p. 491-505 |
artikel |
18 |
A GREAT FRENCH ORGANIST, ALEXANDRE BOËLY, AND HIS WORKS
|
GASTOUÉ, AMÉDÉE |
|
1943 |
XXXIV |
3 |
p. 336-344 |
artikel |
19 |
ALFRED EINSTEIN AND CURT SACHS
|
HERTZMANN, ERICH |
|
1940 |
XXXIV |
3 |
p. 263-279 |
artikel |
20 |
ALFREDO CATALANI (1854–93)
|
KLEIN, JOHN W. |
|
1937 |
XXXIV |
3 |
p. 287-294 |
artikel |
21 |
A LIGHT OF THE FIFTEENTH CENTURY: GUILLAUME DUFAY
|
BORREN, CHARLES VAN DEN |
|
1935 |
XXXIV |
3 |
p. 279-297 |
artikel |
22 |
A LITTLE-KNOWN LETTER BY BERLIOZ AND UNPUBLISHED LETTERS BY CHERUBINI, LEONCAVALLO, AND HUGO WOLF
|
HOLDE, ARTUR |
|
1951 |
XXXIV |
3 |
p. 340-353 |
artikel |
23 |
AMERICA IN THE ARTS
|
DEUTSCH, BABETTE |
|
1921 |
XXXIV |
3 |
p. 303-308 |
artikel |
24 |
American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter
|
Perlman, Marc |
|
1994 |
XXXIV |
3 |
p. 510-556 |
artikel |
25 |
“AMERICA”: THE ORIGIN OF ITS MELODY
|
MAGINTY, EDWARD A. |
|
1934 |
XXXIV |
3 |
p. 259-266 |
artikel |
26 |
A MUSICAL FAMILY IN COLONIAL VIRGINIA
|
MAURER, MAURER |
|
1948 |
XXXIV |
3 |
p. 358-364 |
artikel |
27 |
AN AMERICAN COMPOSER VISITS LISZT
|
BOISE, OTIS B. |
|
1957 |
XXXIV |
3 |
p. 316-325 |
artikel |
28 |
“ANCIENT EUROPEAN MUSICAL INSTRUMENTS”1: A REVIEW
|
SACHS, CURT |
|
1942 |
XXXIV |
3 |
p. 380-383 |
artikel |
29 |
ANDREA ANTICO'S CANZONI NOVE OF 1510
|
EINSTEIN, ALFRED |
|
1951 |
XXXIV |
3 |
p. 330-339 |
artikel |
30 |
AN ENGLISH MUSICIAN AT THE COURT OF CHARLES VI IN VIENNA
|
NETTL, PAUL |
|
1942 |
XXXIV |
3 |
p. 318-328 |
artikel |
31 |
A NEWLY DISCOVERED ANTHEM BY PURCELL
|
ZIMMERMAN, FRANKLIN |
|
1959 |
XXXIV |
3 |
p. 302-311 |
artikel |
32 |
A New Wagner Letter, to a “Friend,” April 4, 1875
|
ALBRECHT, THEODORE |
|
1982 |
XXXIV |
3 |
p. 411-415 |
artikel |
33 |
A NEW WORK BY GEORGE PERLE
|
SAYLOR, BRUCE |
|
1975 |
XXXIV |
3 |
p. 471-475 |
artikel |
34 |
An Interview About Choral Music with Ned Rorem
|
|
|
1982 |
XXXIV |
3 |
p. 390-397 |
artikel |
35 |
Ann Arbor, Michigan
|
BORROFF, EDITH |
|
1969 |
XXXIV |
3 |
p. 396-401 |
artikel |
36 |
A NOTE ON FLORIDITY
|
HENDERSON, W. J. |
|
1916 |
XXXIV |
3 |
p. 339-348 |
artikel |
37 |
ANTON BRUCKNER AND THE PROCESS OF MUSICAL CREATION
|
WELLESZ, EGON |
|
1938 |
XXXIV |
3 |
p. 265-290 |
artikel |
38 |
ANTONIO CESTI ON MUSIC
|
BURROWS, DAVID L. |
|
1965 |
XXXIV |
3 |
p. 518-529 |
artikel |
39 |
ANTONIO LOLLI'S LETTERS TO PADRE MARTINI
|
MELL, ALBERT |
|
1970 |
XXXIV |
3 |
p. 463-477 |
artikel |
40 |
Appendix: Joseph Goebbels's Bruckner Address in Regensburg (6 June 1937)
|
|
|
1994 |
XXXIV |
3 |
p. 605-609 |
artikel |
41 |
A Return to Berlioz's Retour à la Vie
|
BLOOM, PETER |
|
1978 |
XXXIV |
3 |
p. 354-385 |
artikel |
42 |
ARTISTIC IDEALS1
|
MASON, DANIEL GREGORY |
|
1926 |
XXXIV |
3 |
p. 315-326 |
artikel |
43 |
ARTISTIC IDEALS1
|
MASON, DANIEL GREGORY |
|
1927 |
XXXIV |
3 |
p. 345-358 |
artikel |
44 |
ARTISTIC INTERRELATIONS OF THE BACHS
|
GEIRINGER, KARL |
|
1950 |
XXXIV |
3 |
p. 363-374 |
artikel |
45 |
Artists as Workers: Musicians and Trade Unionism in America, 1880–1917
|
Kraft, James P. |
|
1995 |
XXXIV |
3 |
p. 512-543 |
artikel |
46 |
A SELECTED BIBLIOGRAPHY OF IGOR STRAVINSKY
|
WADE, CARROLL D. |
|
1962 |
XXXIV |
3 |
p. 372-384 |
artikel |
47 |
ASPECTS OF MODE IN SIXTEENTH-CENTURY MAGNIFICATS
|
LUOMA, ROBERT G. |
|
1976 |
XXXIV |
3 |
p. 395-408 |
artikel |
48 |
A STUDY OF NEGRO HARMONY
|
KIRBY, PERCIVAL R. |
|
1930 |
XXXIV |
3 |
p. 404-414 |
artikel |
49 |
A TRIBUTE TO KOUSSEVITZKY
|
LOURIÉ, ARTHUR |
|
1943 |
XXXIV |
3 |
p. 270-276 |
artikel |
50 |
A TRUMPET BATTLE AT NIBLO'S PLEASURE GARDEN
|
HOOVER, CYNTHIA A. |
|
1969 |
XXXIV |
3 |
p. 384-395 |
artikel |
51 |
AUGUSTA HOLMÉ: A METORIC CAREER
|
MYERS, ROLLO |
|
1967 |
XXXIV |
3 |
p. 365-376 |
artikel |
52 |
AUGUST WILHELM AMBROS
|
ADLER, GUIDO |
|
1931 |
XXXIV |
3 |
p. 360-373 |
artikel |
53 |
AUSTRIA
|
LARUE, JAN |
|
1955 |
XXXIV |
3 |
p. 376-377 |
artikel |
54 |
AUSTRIA
|
JOHNS, DONALD C. |
|
1967 |
XXXIV |
3 |
p. 402-407 |
artikel |
55 |
BACH IN THE ROMANTIC ERA
|
BLUME, FRIEDRICH |
|
1964 |
XXXIV |
3 |
p. 290-306 |
artikel |
56 |
Bach: Progressive or Conservative and the Authorship of the Goldberg Aria
|
NEUMANN, FREDERICK |
|
1985 |
XXXIV |
3 |
p. 281-294 |
artikel |
57 |
BACH'S ATTITUED TOWARDS HISTORY
|
CHIAPUSSO, JAN |
|
1953 |
XXXIV |
3 |
p. 396-414 |
artikel |
58 |
Bach's Earliest Autograph
|
STINSON, RUSSELL |
|
1985 |
XXXIV |
3 |
p. 235-263 |
artikel |
59 |
BACH'S “MUSICAL OFFERING”
|
DAVID, HANS T. |
|
1937 |
XXXIV |
3 |
p. 314-332 |
artikel |
60 |
BACH'S SWAN-SONG
|
TERRY, CHARLES SANFORD |
|
1933 |
XXXIV |
3 |
p. 233-237 |
artikel |
61 |
BACH THE PROGRESSIVE: OBSERVATIONS ON HIS LATER WORKS
|
MARSHALL, ROBERT L |
|
1976 |
XXXIV |
3 |
p. 313-357 |
artikel |
62 |
BALLET ENTERTAINMENTS IN PITTI PALACE, FLORENCE, 1608–1625
|
GHISI, FEDERICO |
|
1949 |
XXXIV |
3 |
p. 421-436 |
artikel |
63 |
Beasts and Butterflies: Morton Subotnick's Ghost Scores
|
WHIPPLE, HAROLD W. |
|
1983 |
XXXIV |
3 |
p. 425-441 |
artikel |
64 |
BEETHOVEN AND THE PHILHARMONIC SOCIETY OF LONDON: A REAPPRAISAL
|
HADLEY, DAVID WARREN |
|
1973 |
XXXIV |
3 |
p. 449-461 |
artikel |
65 |
BEETHOVEN'S IRISCHE LIEDER: SOURCES AND PROBLEMS
|
HUFSTADER, ALICE ANDERSON |
|
1959 |
XXXIV |
3 |
p. 343-360 |
artikel |
66 |
BEETHOVEN'S PHYSICIANS
|
SCHWEISHEIMER, WALDEMAR |
|
1945 |
XXXIV |
3 |
p. 289-298 |
artikel |
67 |
BELAIEV—MÆCENAS OF RUSSIAN MUSIC
|
MONTAGU-NATHAN, M. |
|
1918 |
XXXIV |
3 |
p. 450-465 |
artikel |
68 |
Belasco and Puccini: “Old Dog Tray” and the Zuni Indians
|
Atlas, Allan W. |
|
1991 |
XXXIV |
3 |
p. 362-398 |
artikel |
69 |
BELGIAN MUSIC AND FRENCH MUSIC
|
BORREN, CHARLES VAN DEN |
|
1923 |
XXXIV |
3 |
p. 329-342 |
artikel |
70 |
BELGIUM AND THE NETHERLANDS
|
BROECKX, JAN L. |
|
1950 |
XXXIV |
3 |
p. 454-457 |
artikel |
71 |
Berkeley and San Francisco, California
|
WOLF, R. PETER |
|
1973 |
XXXIV |
3 |
p. 467-473 |
artikel |
72 |
Berkeley, California
|
HOLMES, WILLIAM C. |
|
1970 |
XXXIV |
3 |
p. 478-484 |
artikel |
73 |
BERLIOZ'S SONGS
|
DICKINSON, A. E. F. |
|
1969 |
XXXIV |
3 |
p. 329-343 |
artikel |
74 |
Berlioz to Ferrand: Eight Billets Intimes
|
Bloom, Peter |
|
1995 |
XXXIV |
3 |
p. 552-579 |
artikel |
75 |
BIZET, OFFENBACH, AND ROSSINI
|
CURTISS, MINA |
|
1954 |
XXXIV |
3 |
p. 350-359 |
artikel |
76 |
BÉLA BARTÓK
|
JEMNITZ, ALEXANDER |
|
1933 |
XXXIV |
3 |
p. 260-266 |
artikel |
77 |
BÉLA BARTÓK AND THE GRAPHIC CURRENT IN MUSIC
|
SAMINSKY, LAZARE |
|
1924 |
XXXIV |
3 |
p. 400-404 |
artikel |
78 |
Béla Bartók Fifty Years After
|
Botstein, —Leon |
|
1995 |
XXXIV |
3 |
p. 423-428 |
artikel |
79 |
BOHUSLAV MARTINŮ
|
ŠAFR Á NEK, MILOŠ |
|
1943 |
XXXIV |
3 |
p. 329-354 |
artikel |
80 |
BONNET—BOSSI—KARG-ELERT THREE APERÇUS
|
GAUL, HARVEY B. |
|
1918 |
XXXIV |
3 |
p. 353-364 |
artikel |
81 |
Book Reviews
|
E. S, |
|
1991 |
XXXIV |
3 |
p. 409-412 |
artikel |
82 |
Book Reviews
|
Dickinson, Peter |
|
1991 |
XXXIV |
3 |
p. 404-409 |
artikel |
83 |
Book Reviews
|
Stiller, Andrew |
|
1991 |
XXXIV |
3 |
p. 402-404 |
artikel |
84 |
Book Reviews
|
J. F., |
|
1991 |
XXXIV |
3 |
p. 413-417 |
artikel |
85 |
Boris Asaf yev and Soviet Symphonic Theory
|
Haas, David |
|
1992 |
XXXIV |
3 |
p. 410-432 |
artikel |
86 |
BRAHMS'S THIRD SYMPHONY
|
MASON, DANIEL GREGORY |
|
1931 |
XXXIV |
3 |
p. 374-379 |
artikel |
87 |
BRETON MUSIC
|
QUEF, CHARLES |
|
1918 |
XXXIV |
3 |
p. 402-408 |
artikel |
88 |
Britten's Death in Venice: Literary and Musical Structures
|
CORSE, SANDRA |
|
1989 |
XXXIV |
3 |
p. 344-363 |
artikel |
89 |
BRITTEN'S NEW OPERA
|
DICKINSON, A. E. F. |
|
1974 |
XXXIV |
3 |
p. 470-478 |
artikel |
90 |
B-side Sentimentalizer: “Tennessee Waltz” in the History of Popular Music
|
Manheim, James M. |
|
1992 |
XXXIV |
3 |
p. 337-354 |
artikel |
91 |
BUSONI
|
CHANTAVOINE, JEAN |
|
1921 |
XXXIV |
3 |
p. 331-343 |
artikel |
92 |
Carl Engel
|
BAUER, HAROLD |
|
1943 |
XXXIV |
3 |
p. 249-254 |
artikel |
93 |
CARL ORFF
|
HELM, EVERETT |
|
1955 |
XXXIV |
3 |
p. 285-304 |
artikel |
94 |
CARNIVAL SONGS AND THE ORIGINS OF THE INTERMEZZO GIOCOSO
|
GHISI, FEDERICO |
|
1939 |
XXXIV |
3 |
p. 325-333 |
artikel |
95 |
CELTIC ELEMENTS IN BEETHOVEN'S SEVENTH SYMPHONY
|
TRAVIS, JAMES |
|
1935 |
XXXIV |
3 |
p. 255-265 |
artikel |
96 |
CEREMONIAL DANCES OF THE SPANISH BASQUES
|
ALFORD, VIOLET |
|
1932 |
XXXIV |
3 |
p. 471-482 |
artikel |
97 |
CHARLES AVISON, ENGLISH CONCERTO-WRITER EXTRAORDINARY
|
EDWARDS, OWAIN |
|
1973 |
XXXIV |
3 |
p. 399-410 |
artikel |
98 |
CHARLES GOUNOD
|
TIERSOT, JULIEN |
|
1918 |
XXXIV |
3 |
p. 409-439 |
artikel |
99 |
CHARLES MARTIN LCEFFLER
|
ENGEL, CARL |
|
1925 |
XXXIV |
3 |
p. 311-330 |
artikel |
100 |
CHARLES T. GRIFFES AS I REMEMBER HIM
|
BAUER, MARION |
|
1943 |
XXXIV |
3 |
p. 355-380 |
artikel |
101 |
CHERUBINI AND ENGLAND
|
SELDEN, MARGERY STOMNE |
|
1974 |
XXXIV |
3 |
p. 421-434 |
artikel |
102 |
Chicago
|
TISCHLER, HANS |
|
1955 |
XXXIV |
3 |
p. 363-367 |
artikel |
103 |
CHILE
|
ORREGO-SALAS, JUAN |
|
1948 |
XXXIV |
3 |
p. 419-423 |
artikel |
104 |
CHOIR-BOYS IN CATHOLIC CHURCHES
|
HENRY, H. T. |
|
1917 |
XXXIV |
3 |
p. 410-415 |
artikel |
105 |
CHOPIN AND JENNY LIND (London, 1848)
|
DOUEL, MARTIAL |
|
1932 |
XXXIV |
3 |
p. 423-427 |
artikel |
106 |
Claire Reis (1889–1978)
|
Copland, Aaron |
|
1978 |
XXXIV |
3 |
p. 386-388 |
artikel |
107 |
Clara Schumann: Old Sources, New Readings
|
REICH, NANCY B. |
|
1984 |
XXXIV |
3 |
p. 332-354 |
artikel |
108 |
Classic and Romantic: The First Usage of the Terms
|
Lenneberg, Hans |
|
1994 |
XXXIV |
3 |
p. 610-625 |
artikel |
109 |
CLAUDE DEBUSSY AFTER HIS CENTENARY
|
LESURE, FRANCOIS |
|
1963 |
XXXIV |
3 |
p. 277-288 |
artikel |
110 |
CLAUDIO MONTEVERDI OF CREMONA
|
MALIPIERO, G. FRANCESCO |
|
1932 |
XXXIV |
3 |
p. 383-396 |
artikel |
111 |
Colorado Springs, Colorado
|
GAMER, CARLTON |
|
1973 |
XXXIV |
3 |
p. 462-466 |
artikel |
112 |
COMMEDIA DELL' ARTE AND OPERA
|
PIRROTTA, NINO |
|
1955 |
XXXIV |
3 |
p. 305-324 |
artikel |
113 |
COMMENTARY
|
ROLLIN, ROBERT L. |
|
1980 |
XXXIV |
3 |
p. 429-438 |
artikel |
114 |
COMMUNICATION FROM MOSCOW—IV
|
BOELZA, IGOR |
|
1945 |
XXXIV |
3 |
p. 367-370 |
artikel |
115 |
COMMUNICATIONS
|
BOELZA, IGOR |
|
1943 |
XXXIV |
3 |
p. 356-367 |
artikel |
116 |
CONCERNING JEAN-JACQUES ROUSSEAU, THE MUSICIAN
|
TIERSOT, JULIEN |
|
1931 |
XXXIV |
3 |
p. 341-359 |
artikel |
117 |
CONCERNING THE ACCOMPANIED CLAVIER SONATA
|
NEWMAN, WILLIAM S. |
|
1947 |
XXXIV |
3 |
p. 327-349 |
artikel |
118 |
CONSTRUCTIVE AND DESTRUCTIVE INFLUENCES IN MUSIC
|
BLOM, ERIC |
|
1923 |
XXXIV |
3 |
p. 383-394 |
artikel |
119 |
CONTRIBUTORS TO THE ISSUE
|
|
|
1953 |
XXXIV |
3 |
p. 510-511 |
artikel |
120 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1972 |
XXXIV |
3 |
p. 517-518 |
artikel |
121 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1975 |
XXXIV |
3 |
p. 509-509 |
artikel |
122 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1976 |
XXXIV |
3 |
p. 469-469 |
artikel |
123 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1983 |
XXXIV |
3 |
p. 462-462 |
artikel |
124 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1982 |
XXXIV |
3 |
p. 441-441 |
artikel |
125 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1955 |
XXXIV |
3 |
p. 425-426 |
artikel |
126 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1958 |
XXXIV |
3 |
p. 428-429 |
artikel |
127 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1950 |
XXXIV |
3 |
p. 467-467 |
artikel |
128 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1952 |
XXXIV |
3 |
p. 515-515 |
artikel |
129 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1989 |
XXXIV |
3 |
p. 444-444 |
artikel |
130 |
Contributors to This Issue
|
|
|
1992 |
XXXIV |
3 |
p. 442-442 |
artikel |
131 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1965 |
XXXIV |
3 |
p. 594-595 |
artikel |
132 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1967 |
XXXIV |
3 |
p. 466-466 |
artikel |
133 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1974 |
XXXIV |
3 |
p. 514-515 |
artikel |
134 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1978 |
XXXIV |
3 |
p. 433-434 |
artikel |
135 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1979 |
XXXIV |
3 |
p. 469-470 |
artikel |
136 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1980 |
XXXIV |
3 |
p. 457-457 |
artikel |
137 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1981 |
XXXIV |
3 |
p. 456-456 |
artikel |
138 |
CONTRIBUTORS TO THIS ISSUE
|
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|
1984 |
XXXIV |
3 |
p. 422-422 |
artikel |
139 |
CONTRIBUTORS TO THIS ISSUE
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1985 |
XXXIV |
3 |
p. 397-397 |
artikel |
140 |
CONTRIBUTORS TO THIS ISSUE
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1956 |
XXXIV |
3 |
p. 436-437 |
artikel |
141 |
CONTRIBUTORS TO THIS ISSUE
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1962 |
XXXIV |
3 |
p. 425-425 |
artikel |
142 |
CONTRIBUTORS TO THIS ISSUE
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|
1949 |
XXXIV |
3 |
p. 494-494 |
artikel |
143 |
Contributors to This Issue
|
|
|
1991 |
XXXIV |
3 |
p. 418-418 |
artikel |
144 |
Contributors to This Issue
|
|
|
1995 |
XXXIV |
3 |
p. 580-581 |
artikel |
145 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1964 |
XXXIV |
3 |
p. 420-421 |
artikel |
146 |
CONTRIBUTORS TO THIS ISSUE
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|
|
1968 |
XXXIV |
3 |
p. 408-408 |
artikel |
147 |
CONTRIBUTORS TO THIS ISSUE
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|
1973 |
XXXIV |
3 |
p. 495-495 |
artikel |
148 |
CONTRIBUTORS TO THIS ISSUE
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1957 |
XXXIV |
3 |
p. 437-438 |
artikel |
149 |
CONTRIBUTORS TO THIS ISSUE
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|
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1951 |
XXXIV |
3 |
p. 446-446 |
artikel |
150 |
CONTRIBUTORS TO THIS ISSUE
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|
|
1990 |
XXXIV |
3 |
p. 489-489 |
artikel |
151 |
Contributors to this Issue
|
|
|
1993 |
XXXIV |
3 |
p. 560-560 |
artikel |
152 |
Contributors to This Issue
|
|
|
1994 |
XXXIV |
3 |
p. 640-640 |
artikel |
153 |
CONTRIBUTORS TO THIS ISSUE
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|
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1966 |
XXXIV |
3 |
p. 408-408 |
artikel |
154 |
CONTRIBUTORS TO THIS ISSUE
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|
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1970 |
XXXIV |
3 |
p. 503-503 |
artikel |
155 |
CONTRIBUTORS TO THIS ISSUE
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|
|
1971 |
XXXIV |
3 |
p. 534-534 |
artikel |
156 |
CONTRIBUTORS TO THIS ISSUE
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|
|
1977 |
XXXIV |
3 |
p. 457-457 |
artikel |
157 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1987 |
XXXIV |
3 |
p. 427-427 |
artikel |
158 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1954 |
XXXIV |
3 |
p. 495-496 |
artikel |
159 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1959 |
XXXIV |
3 |
p. 438-438 |
artikel |
160 |
Conversation with Nicolas Slonimsky about His Composing
|
KOSTELANETZ, RICHARD |
|
1990 |
XXXIV |
3 |
p. 458-472 |
artikel |
161 |
COUNTERPOINT REVOLUTIONIZED
|
SANDERS, HERBERT |
|
1919 |
XXXIV |
3 |
p. 338-347 |
artikel |
162 |
Cowell's Clusters
|
Hicks, Michael |
|
1993 |
XXXIV |
3 |
p. 428-458 |
artikel |
163 |
CRITICAL YEARS FOR HAYDN'S INSTRUMENTAL MUSIC: 1787–90
|
BROWN, A. PETER |
|
1976 |
XXXIV |
3 |
p. 374-394 |
artikel |
164 |
Cues
|
Oliveros, Pauline |
|
1993 |
XXXIV |
3 |
p. 373-384 |
artikel |
165 |
CURRENT CHRONICLE
|
IMBRIE, ANDREW W. |
|
1958 |
XXXIV |
3 |
p. 370-373 |
artikel |
166 |
CURRENT CHRONICLE
|
D'AMICO, FEDELE |
|
1953 |
XXXIV |
3 |
p. 437-441 |
artikel |
167 |
CURRENT CHRONICLE
|
GOLDMAN, RICHARD F. |
|
1955 |
XXXIV |
3 |
p. 373-376 |
artikel |
168 |
CURRENT CHRONICLE
|
DORIAN, FREDERICK |
|
1953 |
XXXIV |
3 |
p. 432-435 |
artikel |
169 |
CURRENT CHRONICLE
|
COWELL, HENRY |
|
1953 |
XXXIV |
3 |
p. 426-432 |
artikel |
170 |
CURRENT CHRONICLE
|
HELM, EVERETT |
|
1967 |
XXXIV |
3 |
p. 408-415 |
artikel |
171 |
CURRENT CHRONICLE
|
GOLDMAN, RICHARD FRANKO |
|
1958 |
XXXIV |
3 |
p. 382-384 |
artikel |
172 |
CURRENT CHRONICLE
|
POWELL, MEL |
|
1956 |
XXXIV |
3 |
p. 383-386 |
artikel |
173 |
CURRENT CHRONICLE
|
GOLDMAN, RICHARD F. |
|
1956 |
XXXIV |
3 |
p. 390-394 |
artikel |
174 |
CURRENT CHRONICLE
|
ROSENFELD, PAUL |
|
1939 |
XXXIV |
3 |
p. 372-381 |
artikel |
175 |
CURRENT CHRONICLE: New York
|
COWELL, HENRY |
|
1956 |
XXXIV |
3 |
p. 386-390 |
artikel |
176 |
CURRENT CHRONICLE: Pittsburgh
|
DORIAN, FREDERICK |
|
1956 |
XXXIV |
3 |
p. 394-396 |
artikel |
177 |
CZECHOSLOVAK COMPOSERS AND MUSICIANS IN AMERICA
|
LOWENBACH, JAN |
|
1943 |
XXXIV |
3 |
p. 313-328 |
artikel |
178 |
“Dear Bob[sky]” (Stravinsky's Letters to Robert Craft, 1944–1949)
|
CRAFT, ROBERT |
|
1979 |
XXXIV |
3 |
p. 392-439 |
artikel |
179 |
DEBUSSY AS CRITIC
|
PALACHE, JOHN G. |
|
1924 |
XXXIV |
3 |
p. 361-368 |
artikel |
180 |
DEBUSSY OR BERG? THE MYSTERY OF A CHORD PROGRESSION
|
STUCKENSCHMIDT, H. H. |
|
1965 |
XXXIV |
3 |
p. 453-459 |
artikel |
181 |
DELIUS AND AMERICA
|
BLOM, ERIC |
|
1929 |
XXXIV |
3 |
p. 438-447 |
artikel |
182 |
DIE WAGNERD âMMERUNG
|
ENGEL, CARL |
|
1928 |
XXXIV |
3 |
p. 438-455 |
artikel |
183 |
Doctor Burney and Padre Martini: Writing a General History of Music
|
BROFSKY, HOWARD |
|
1979 |
XXXIV |
3 |
p. 313-345 |
artikel |
184 |
DOMENICO SCARLATTI
|
MALIPIERO, G. FRANCESCO |
|
1927 |
XXXIV |
3 |
p. 476-488 |
artikel |
185 |
Domestic Music Making in Early New York State: Music in the Lives of Three Amateurs
|
BARNES-OSTRANDER, M. E. |
|
1982 |
XXXIV |
3 |
p. 353-372 |
artikel |
186 |
DVOŘÁK'S VISIT TO RUSSIA
|
CLAPHAM, JOHN |
|
1965 |
XXXIV |
3 |
p. 493-506 |
artikel |
187 |
EARLY CRITICISM OF ITALIAN OPERA IN ENGLAND
|
MONTGOMERY, FRANZ |
|
1929 |
XXXIV |
3 |
p. 415-425 |
artikel |
188 |
EARLY GAFFURIANA: NEW ANSWERS TO OLD QUESTIONS
|
MILLER, CLEMENT A. |
|
1970 |
XXXIV |
3 |
p. 367-388 |
artikel |
189 |
EARLY IRISH BALLAD OPERA AND COMIC OPERA
|
LAWRENCE, W. J. |
|
1922 |
XXXIV |
3 |
p. 397-412 |
artikel |
190 |
Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century
|
DREYFUS, LAURENCE |
|
1983 |
XXXIV |
3 |
p. 297-322 |
artikel |
191 |
EARLY SPANISH MUSIC FOR LUTE AND KEYBOARD INSTRUMENTS
|
APEL, WILLI |
|
1934 |
XXXIV |
3 |
p. 289-301 |
artikel |
192 |
Economic and Transmission Factors as Essential Elements in the Definition of Folk, Art, and Pop Music
|
BOOTH, GREGORY D. |
|
1990 |
XXXIV |
3 |
p. 411-438 |
artikel |
193 |
EDITORIAL
|
P. H. L., |
|
1956 |
XXXIV |
3 |
p. 377-382 |
artikel |
194 |
EDITORIAL
|
P. H. L., |
|
1958 |
XXXIV |
3 |
p. 360-366 |
artikel |
195 |
EDITORIAL
|
P.H.L., |
|
1963 |
XXXIV |
3 |
p. 356-357 |
artikel |
196 |
EDITORIAL
|
P. H. L., |
|
1950 |
XXXIV |
3 |
p. 436-440 |
artikel |
197 |
EDITORIAL
|
P.H.L., |
|
1968 |
XXXIV |
3 |
p. 361-375 |
artikel |
198 |
EDITORIAL
|
P. H. L., |
|
1962 |
XXXIV |
3 |
p. 362-371 |
artikel |
199 |
EDITORIAL
|
P. H. L., |
|
1946 |
XXXIV |
3 |
p. 449-464 |
artikel |
200 |
EDITORIAL
|
P. H. L., |
|
1949 |
XXXIV |
3 |
p. 437-447 |
artikel |
201 |
EDITORIAL
|
P. H. L., |
|
1952 |
XXXIV |
3 |
p. 426-434 |
artikel |
202 |
EDITORIAL
|
P. H. L., |
|
1971 |
XXXIV |
3 |
p. 506-518 |
artikel |
203 |
EDITORIAL
|
P. H. L., |
|
1954 |
XXXIV |
3 |
p. 384-390 |
artikel |
204 |
EDITOR'S NOTE
|
P. H. L., |
|
1948 |
XXXIV |
3 |
p. 404-404 |
artikel |
205 |
EMOTION AND THE SENSE OF FORM IN MUSICAL RECEPTION1
|
DROZDOV, A. |
|
1924 |
XXXIV |
3 |
p. 346-360 |
artikel |
206 |
ERASMUS ON MUSIC
|
MILLER, CLEMENT A. |
|
1966 |
XXXIV |
3 |
p. 332-349 |
artikel |
207 |
Erik Satie's Letters to Milhaud and Others
|
WILKINS, NIGEL |
|
1980 |
XXXIV |
3 |
p. 404-428 |
artikel |
208 |
ERNST KRENEK FESTIVAL CONCERTS
|
HUGHES, JEAN |
|
1975 |
XXXIV |
3 |
p. 464-470 |
artikel |
209 |
ERRATA
|
|
|
1950 |
XXXIV |
3 |
p. 466-s-466 |
artikel |
210 |
ERRATUM
|
|
|
1953 |
XXXIV |
3 |
p. 502-s-502 |
artikel |
211 |
Erratum
|
|
|
1991 |
XXXIV |
3 |
p. 418-s-418 |
artikel |
212 |
Erratum
|
|
|
1992 |
XXXIV |
3 |
p. 441-s-441 |
artikel |
213 |
ERRATUM
|
|
|
1945 |
XXXIV |
3 |
p. 317-s-317 |
artikel |
214 |
ERRATUM
|
|
|
1946 |
XXXIV |
3 |
p. 501-s-501 |
artikel |
215 |
ERRATUM
|
|
|
1952 |
XXXIV |
3 |
p. 501-b-501 |
artikel |
216 |
ESKIMO MUSIC IN NORTHERN ALASKA
|
JENNESS, D. |
|
1922 |
XXXIV |
3 |
p. 377-383 |
artikel |
217 |
Espionage, a Collection of Violins, and Le Bizzarie Universali: A Fresh Look at William Corbett
|
EDWARDS, OWAIN |
|
1989 |
XXXIV |
3 |
p. 320-343 |
artikel |
218 |
EURHYTHMICS AND ITS IMPLICATIONS
|
JAQUES-DALCROZE, E. |
|
1930 |
XXXIV |
3 |
p. 358-365 |
artikel |
219 |
EUROPEAN MUSIC IN 16th-CENTURY GUATEMALA
|
STEVENSON, ROBERT |
|
1964 |
XXXIV |
3 |
p. 341-352 |
artikel |
220 |
Fantastic Remembrance in John Lennon's “Strawberry Fields Forever” and “Julia”
|
EVERETT, WALTER |
|
1987 |
XXXIV |
3 |
p. 360-393 |
artikel |
221 |
FLATHEAD INDIAN INSTRUMENTS AND THEIR MUSIC*
|
MERRIAM, ALAN P. |
|
1951 |
XXXIV |
3 |
p. 368-375 |
artikel |
222 |
FLAUBERT THE MUSICIAN
|
CŒUROY, ANDRE |
|
1926 |
XXXIV |
3 |
p. 327-333 |
artikel |
223 |
FOLK-SONG AND AMERICAN MUSIC (A PLEA FOR THE UNPOPULAR POINT OF VIEW)
|
MASON, DANIEL GREGORY |
|
1918 |
XXXIV |
3 |
p. 323-332 |
artikel |
224 |
Folk Song as Musical Wet Nurse: The Prehistory of Bartók's For Children
|
Parakilas, James |
|
1995 |
XXXIV |
3 |
p. 476-499 |
artikel |
225 |
FOLK-SONGS OF THE GOND AND BAIGA
|
KAUFMANN, WALTER |
|
1940 |
XXXIV |
3 |
p. 280-288 |
artikel |
226 |
“FOLLOWING MUSIC” IN A MOUNTAIN LAND
|
MCGILL, JOSEPHINE |
|
1917 |
XXXIV |
3 |
p. 364-384 |
artikel |
227 |
FOR A REVERSION TO OPERA
|
ISTEL, EDGAR |
|
1924 |
XXXIV |
3 |
p. 405-437 |
artikel |
228 |
Form and Spirituality in Bach's St. Matthew Passion
|
SCHELLHOUS, ROSALIE ATHOL |
|
1985 |
XXXIV |
3 |
p. 295-326 |
artikel |
229 |
FOUR COMPOSERS OF PRESENT-DAY ITALY
|
GATTI, GUIDO M. |
|
1926 |
XXXIV |
3 |
p. 449-471 |
artikel |
230 |
FRANCE
|
GOLDBECK, FREDERICK |
|
1950 |
XXXIV |
3 |
p. 457-460 |
artikel |
231 |
FRANCE
|
WOLF, ROBERT ERICH |
|
1961 |
XXXIV |
3 |
p. 400-407 |
artikel |
232 |
FRANZ LISZT AND RICHARD WAGNER IN THE FRANCO-GERMAN WAR OF 1870
|
PAILLARD, BERTITA |
|
1949 |
XXXIV |
3 |
p. 386-411 |
artikel |
233 |
FRANZ LISZT, AS MAN AND ARTIST
|
von WEINGARTNER, FELIX |
|
1936 |
XXXIV |
3 |
p. 255-258 |
artikel |
234 |
FRENCH MILITARY MUSIC IN THE REIGN OF LOUIS XIV
|
BRENET, MICHEL |
|
1917 |
XXXIV |
3 |
p. 340-357 |
artikel |
235 |
FROM BEETHOVEN'S WORKSHOP
|
UNGER, MAX |
|
1938 |
XXXIV |
3 |
p. 323-340 |
artikel |
236 |
FROM THE UNPUBLISHED AUTOBIOGRAPHY OF ANTOINE REICHA
|
PROD'HOMME, J.-G. |
|
1936 |
XXXIV |
3 |
p. 339-353 |
artikel |
237 |
GABRIEL FAURÉ1(1845–1924)
|
LANDORMY, PAUL |
|
1931 |
XXXIV |
3 |
p. 293-301 |
artikel |
238 |
G. B. SHAW'S MUSICAL CRITICISM
|
IRVINE, WILLIAM |
|
1946 |
XXXIV |
3 |
p. 319-332 |
artikel |
239 |
George Kirbye (c. 1565–1634): Two Important Repertories of English Secular Vocal Music Surviving Only in Manuscript
|
PAYNE, IAN |
|
1989 |
XXXIV |
3 |
p. 401-416 |
artikel |
240 |
GEORGES MIGOT : THE FRENCH GROUP OF ONE
|
SCHWERKE, IRVING |
|
1925 |
XXXIV |
3 |
p. 345-355 |
artikel |
241 |
GEORGE W. CHADWICK
|
ENGEL, CARL |
|
1924 |
XXXIV |
3 |
p. 438-453 |
artikel |
242 |
GERMANY
|
WÖRNER, KARL H. |
|
1954 |
XXXIV |
3 |
p. 403-412 |
artikel |
243 |
GERMANY
|
VON LEWINSKI, WOLF-EBERHARD |
|
1965 |
XXXIV |
3 |
p. 555-558 |
artikel |
244 |
GERMANY
|
CARTER, ELLIOTT |
|
1960 |
XXXIV |
3 |
p. 367-371 |
artikel |
245 |
GERMANY
|
LEWINSKI, WOLF-EBERHARD VON |
|
1966 |
XXXIV |
3 |
p. 376-379 |
artikel |
246 |
G. FRANCESCO MALIPIERO
|
PRUNIÈRES, HENRY |
|
1920 |
XXXIV |
3 |
p. 326-341 |
artikel |
247 |
GLUCK AND THE ENCYCLOPÆDISTS
|
TIERSOT, JULIEN |
|
1930 |
XXXIV |
3 |
p. 336-357 |
artikel |
248 |
GLUCK'S LONDON OPERAS
|
SQUIRE, WILLIAM BARCLAY |
|
1915 |
XXXIV |
3 |
p. 397-409 |
artikel |
249 |
GLUCK'S ORFEO ON THE STAGE
|
LOEWENBERG, ALFRED |
|
1940 |
XXXIV |
3 |
p. 311-339 |
artikel |
250 |
“GOSPEL HYMNS” AND THEIR TUNES
|
PIERCE, EDWIN H. |
|
1940 |
XXXIV |
3 |
p. 355-364 |
artikel |
251 |
Gottschalk in Madrid: A Tale of Ten Pianos
|
Brockett, Clyde W. |
|
1991 |
XXXIV |
3 |
p. 279-315 |
artikel |
252 |
GOUNOD AND HIS FIRST INTERPRETER, PAULINE VIARDOT
|
MARIX-SPIRE, THÉRÈSE |
|
1945 |
XXXIV |
3 |
p. 299-317 |
artikel |
253 |
GRETCHANINOFF'S “HETERODOX” COMPOSITIONS
|
YASSER, JOSEPH |
|
1942 |
XXXIV |
3 |
p. 309-317 |
artikel |
254 |
GUIDO ADLER IN RETROSPECT (1855–1941)
|
ENGEL, CARL |
|
1940 |
XXXIV |
3 |
p. 391-400 |
artikel |
255 |
GUSTAVE CHARPENTIER
|
HOOVER, KATHLEEN O'DONNELL |
|
1939 |
XXXIV |
3 |
p. 334-350 |
artikel |
256 |
GUSTAV STRUBE: THE MAN AND THE MUSICIAN
|
KLEMM, GUSTAV |
|
1942 |
XXXIV |
3 |
p. 288-301 |
artikel |
257 |
HANDEL, ROLLI, AND ITALIAN OPERA IN LONDON IN THE EIGHTEENTH CENTURY
|
STREATFEILD, R. A. |
|
1917 |
XXXIV |
3 |
p. 428-445 |
artikel |
258 |
HANDEL'S PUBLISHER, JOHN WALSH, HIS SUCCESSORS, AND CONTEMPORARIES
|
KIDSON, FRANK |
|
1920 |
XXXIV |
3 |
p. 430-450 |
artikel |
259 |
HANDEL'S TAMERLANO: THE CREATION OF AN OPERA
|
KNAPP, J. MERRILL |
|
1970 |
XXXIV |
3 |
p. 405-430 |
artikel |
260 |
HANS CHRISTIAN ANDERSEN'S INTEREST IN MUSIC
|
HETSCH, GUSTAV |
|
1930 |
XXXIV |
3 |
p. 322-329 |
artikel |
261 |
HAROLD SPIVACKE (1904–1977)
|
SMITH, CARLTON SPRAGUE |
|
1977 |
XXXIV |
3 |
p. 425-427 |
artikel |
262 |
HAYDN'S CHAMBER MUSIC AND THE FLUTE
|
SMITH, CARLETON SPRAGUE |
|
1933 |
XXXIV |
3 |
p. 341-350 |
artikel |
263 |
HAYNE VAN GHIZEGHEM
|
MARIX, JEANNE |
|
1942 |
XXXIV |
3 |
p. 276-287 |
artikel |
264 |
HECTOR BERLIOZ AND RICHARD WAGNER
|
TIERSOT, JULIEN |
|
1917 |
XXXIV |
3 |
p. 453-492 |
artikel |
265 |
HEINRICH HEINE'S MUSICAL FEUILLETONS
|
Martens, Frederick. H. |
|
1922 |
XXXIV |
3 |
p. 435-468 |
artikel |
266 |
HEINRICH SCHENKER'S METHOD OF ANALYSIS
|
KATZ, ADELE T. |
|
1935 |
XXXIV |
3 |
p. 311-329 |
artikel |
267 |
HENRY PURCELL—A SKETCH OF A BUSY LIFE
|
SCHOLES, PERCY A. |
|
1916 |
XXXIV |
3 |
p. 442-464 |
artikel |
268 |
HERALDS OF THE ITALIAN MADRIGAL1
|
HELM, EVERETT B. |
|
1940 |
XXXIV |
3 |
p. 306-318 |
artikel |
269 |
HINDUSTANI RAGAS
|
ROY, ROBINDRA LAL |
|
1934 |
XXXIV |
3 |
p. 320-333 |
artikel |
270 |
Histoire du Soldat
|
CRAFT, ROBERT |
|
1980 |
XXXIV |
3 |
p. 321-338 |
artikel |
271 |
H. J. W. TILLYARD, PATRIARCH OF BYZANTINE STUDIES
|
VELIMIROVIĆ, MILOŠ |
|
1968 |
XXXIV |
3 |
p. 341-351 |
artikel |
272 |
HOMER AND GREGORY: THE TRANSMISSION OF EPIC POETRY AND PLAINCHANT
|
TREITLER, LEO |
|
1974 |
XXXIV |
3 |
p. 333-372 |
artikel |
273 |
HUBERT PARRY
|
FULLER-MAITLAND, J. A. |
|
1919 |
XXXIV |
3 |
p. 299-307 |
artikel |
274 |
HUGO WOLF AND ANTON BRUCKNER
|
MAECKLENBURG, ALBERT |
|
1938 |
XXXIV |
3 |
p. 291-299 |
artikel |
275 |
HUNGARIAN PEASANT MUSIC
|
BARTÓK, BÉLA |
|
1933 |
XXXIV |
3 |
p. 267-287 |
artikel |
276 |
IMPRESSIONS OF OPERA IN FRANCE
|
CECIL, GEORGE |
|
1921 |
XXXIV |
3 |
p. 314-330 |
artikel |
277 |
INCOMPLETE NOTATION IN MOZART'S PIANO CONCERTOS
|
MISHKIN, HENRY G. |
|
1975 |
XXXIV |
3 |
p. 345-359 |
artikel |
278 |
INEVITABILITY AS A CRITERION OF ART
|
HOWARD, JOHN TASKER |
|
1923 |
XXXIV |
3 |
p. 303-313 |
artikel |
279 |
Information for Contributors
|
|
|
1991 |
XXXIV |
3 |
p. 420-420 |
artikel |
280 |
IN MEMORIAM: P. KILIAN KIRCHHOFF O. F. M.
|
WELLESZ, EGON |
|
1948 |
XXXIV |
3 |
p. 323-324 |
artikel |
281 |
IN MEMORY OF ALFREDO CASELLA (1883–1947)
|
GATTI, GUIDO M. |
|
1947 |
XXXIV |
3 |
p. 405-408 |
artikel |
282 |
IN SEARCH OF BEAUTY IN MUSIC
|
SEASHORE, CARL E. |
|
1942 |
XXXIV |
3 |
p. 302-308 |
artikel |
283 |
INSTRUMENTS AND THEIR MUSIC IN THE ELIZABETHAN DRAMA
|
FITZGIBBON, H. MACAULAY |
|
1931 |
XXXIV |
3 |
p. 319-329 |
artikel |
284 |
INTONATIONS AND SIGNATURES OF THE BYZANTINE MODES1
|
STRUNK, OLIVER |
|
1945 |
XXXIV |
3 |
p. 339-355 |
artikel |
285 |
Introduction: Music, Language, and Culture
|
Steinberg, Michael P. |
|
1993 |
XXXIV |
3 |
p. 397-400 |
artikel |
286 |
Irvine, California
|
KARSON, BURTON L. |
|
1972 |
XXXIV |
3 |
p. 471-478 |
artikel |
287 |
IS MUSIC THE LANGUAGE OF THE EMOTIONS?
|
MCALPIN, COLIN |
|
1925 |
XXXIV |
3 |
p. 427-443 |
artikel |
288 |
Is Western Art Music Superior?
|
BECKER, JUDITH |
|
1987 |
XXXIV |
3 |
p. 341-359 |
artikel |
289 |
ITALIAN MUSICIANS AT THE TUDOR COURT
|
IZON, JOHN |
|
1958 |
XXXIV |
3 |
p. 329-337 |
artikel |
290 |
Italy
|
BRINDLE, REGINALD SMITH |
|
1957 |
XXXIV |
3 |
p. 398-402 |
artikel |
291 |
ITALY
|
BRINDLE, REGINALD SMITH |
|
1959 |
XXXIV |
3 |
p. 388-392 |
artikel |
292 |
ITALY
|
SAVILLE, EUGENIA |
|
1960 |
XXXIV |
3 |
p. 371-380 |
artikel |
293 |
JACQUES OFFENBACH
|
GROVLEZ, GABRIEL |
|
1919 |
XXXIV |
3 |
p. 329-337 |
artikel |
294 |
Janáček and the Herbartians
|
BECKERMAN, MICHAEL |
|
1983 |
XXXIV |
3 |
p. 388-407 |
artikel |
295 |
J. E. GALLIARD AND A CRITICAL DISCOURSE
|
LINCOLN, STODDARD |
|
1967 |
XXXIV |
3 |
p. 347-364 |
artikel |
296 |
JEREMIAH CLARKE'S TRUMPET TUNES: ANOTHER VIEW OF ORIGINS
|
TAYLOR, THOMAS F. |
|
1970 |
XXXIV |
3 |
p. 455-462 |
artikel |
297 |
JEROME CARDAN ON GOMBERT, PHINOT, AND CARPENTRAS
|
MILLER, CLEMENT A. |
|
1972 |
XXXIV |
3 |
p. 412-419 |
artikel |
298 |
J. G. C. SCHETKY AND HIS “OBSERVATIONS” ON PLAYING THE CELLO
|
BEECHEY, GWILYM |
|
1974 |
XXXIV |
3 |
p. 451-469 |
artikel |
299 |
JOHANN SAMUEL SCHROETER
|
WOLFF, KONRAD |
|
1958 |
XXXIV |
3 |
p. 338-359 |
artikel |
300 |
JOHN BLOW: A TERCENTENARY SURVEY1
|
CLARKE, HENRY LELAND |
|
1949 |
XXXIV |
3 |
p. 412-420 |
artikel |
301 |
JOHN BULL AND ENGLISH KEYBOARD MUSIC—I
|
MELLERS, WILFRID |
|
1954 |
XXXIV |
3 |
p. 364-383 |
artikel |
302 |
JOHN DUNSTABLE: A QUINCENTENARY SUPPLEMENT
|
GREENE, RICHARD L. |
|
1954 |
XXXIV |
3 |
p. 360-363 |
artikel |
303 |
JOHN FREDERICK PETER
|
RAU, ALBERT G. |
|
1937 |
XXXIV |
3 |
p. 306-313 |
artikel |
304 |
JOHN KNOWLES PAINE
|
HOWE, M. A. DEWOLFE |
|
1939 |
XXXIV |
3 |
p. 257-267 |
artikel |
305 |
JOSEPH HAYDN'S LAST WILL AND TESTAMENT
|
GOTWALS, VERNON |
|
1961 |
XXXIV |
3 |
p. 331-353 |
artikel |
306 |
J. S. Bach and his Leipzig Collegium Musicum
|
PANKRATZ, HERBERT R. |
|
1983 |
XXXIV |
3 |
p. 323-353 |
artikel |
307 |
J. S. Bach's Concerto Ritornellos and the Question of Invention
|
DREYFUS, LAURENCE |
|
1985 |
XXXIV |
3 |
p. 327-358 |
artikel |
308 |
KLUCKHUHN'S CHORD
|
LESTER, FRANK |
|
1916 |
XXXIV |
3 |
p. 418-424 |
artikel |
309 |
L'AFFILARD ON THE FRENCH COURT DANCES
|
SCHWANDT, ERICH |
|
1974 |
XXXIV |
3 |
p. 389-400 |
artikel |
310 |
LAURENCE FEININGER (1909–1976): LIFE, WORK, LEGACY*
|
LOWINSKY, EDWARD E. |
|
1977 |
XXXIV |
3 |
p. 327-366 |
artikel |
311 |
LEO SOWERBY
|
TUTHILL, BURNET C. |
|
1938 |
XXXIV |
3 |
p. 249-264 |
artikel |
312 |
Lessons in the Vernacular
|
Harsh, Edward |
|
1995 |
XXXIV |
3 |
p. 500-511 |
artikel |
313 |
Letter from China: The Use of Twelve-Tone Technique in Chinese Musical Composition
|
YING-LIE, ZHENG |
|
1990 |
XXXIV |
3 |
p. 473-488 |
artikel |
314 |
Letter from Los Angeles
|
Rich, Alan |
|
1991 |
XXXIV |
3 |
p. 399-401 |
artikel |
315 |
Letter to the Editor
|
Stehman, Dan |
|
1994 |
XXXIV |
3 |
p. 637-639 |
artikel |
316 |
LIÈGE'S BURIED TREASURE
|
WOLF, ROBERT ERICH |
|
1955 |
XXXIV |
3 |
p. 355-360 |
artikel |
317 |
LISTENING TO BERIO'S MUSIC
|
FLYNN, GEORGE W. |
|
1975 |
XXXIV |
3 |
p. 388-421 |
artikel |
318 |
LISZT AND HIS CRITICS
|
BEKKER, PAUL |
|
1936 |
XXXIV |
3 |
p. 277-283 |
artikel |
319 |
LISZT AS LIEDER COMPOSER
|
HUGHES, EDWIN |
|
1917 |
XXXIV |
3 |
p. 390-409 |
artikel |
320 |
Liszt Research and Walker's Liszt
|
KEILER, ALLAN |
|
1984 |
XXXIV |
3 |
p. 374-403 |
artikel |
321 |
LISZT'S HULDINGUNGS MARSCH AND WEIMAR'S VOLKSLIED
|
SONNECK, O. G. |
|
1936 |
XXXIV |
3 |
p. 326-338 |
artikel |
322 |
LISZT'S LETTERS TO MARIE WITTGENSTEIN
|
FAINÉANT, |
|
1936 |
XXXIV |
3 |
p. 259-276 |
artikel |
323 |
Los Angeles
|
KOHN, KARL |
|
1963 |
XXXIV |
3 |
p. 360-369 |
artikel |
324 |
LUDWIG THUILLE (November 30, 1861—February 5, 1907)
|
ISTEL, EDGAR |
|
1932 |
XXXIV |
3 |
p. 463-470 |
artikel |
325 |
Mahier's Dirges for his Death: February 24, 1901
|
KRAVITT, EDWARD F. |
|
1978 |
XXXIV |
3 |
p. 329-353 |
artikel |
326 |
MAHLER AND GUIDO ADLER
|
REILLY, EDWARD R. |
|
1972 |
XXXIV |
3 |
p. 436-470 |
artikel |
327 |
MAHOMET AND MUSIC
|
MARTENS, FREDERICK H. |
|
1926 |
XXXIV |
3 |
p. 376-399 |
artikel |
328 |
MAJOR versus MINOR
|
CORDER, F. |
|
1919 |
XXXIV |
3 |
p. 348-356 |
artikel |
329 |
MANFRED F. BUKOFZER (1910–1955)
|
BOYDEN, DAVID D. |
|
1956 |
XXXIV |
3 |
p. 291-301 |
artikel |
330 |
MASS SECTIONS IN THE BUXHEIM ORGAN BOOK: A FEW POINTS
|
SIEBERT, F. MARK |
|
1964 |
XXXIV |
3 |
p. 353-366 |
artikel |
331 |
MASTERPIECES, CONTEMPORARY OPINIONS, AND IMMORTALITY
|
MENDL, R. W. S. |
|
1927 |
XXXIV |
3 |
p. 489-496 |
artikel |
332 |
Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?
|
Scott, Ann Besser |
|
1994 |
XXXIV |
3 |
p. 448-478 |
artikel |
333 |
MEDIEVAL LYRICAL MELODY AND THE LATIN CHURCH DRAMAS
|
SMOLDON, WILLIAM L. |
|
1965 |
XXXIV |
3 |
p. 507-517 |
artikel |
334 |
MEDIæVAL QUARTAL HARMONY: A PLEA FOR RESTORATION—PART II27
|
YASSER, JOSEPH |
|
1937 |
XXXIV |
3 |
p. 333-366 |
artikel |
335 |
MEDIÆVAL QUARTAL HARMONY: A PLEA FOR RESTORATION—PART III51
|
YASSER, JOSEPH |
|
1938 |
XXXIV |
3 |
p. 351-385 |
artikel |
336 |
MELODY
|
BIE, OSCAR |
|
1916 |
XXXIV |
3 |
p. 402-417 |
artikel |
337 |
MENDELSSOHNISM IN AMERICA
|
MUSSULMAN, JOSEPH A. |
|
1967 |
XXXIV |
3 |
p. 335-346 |
artikel |
338 |
MODERN CZECHOSLOVAKIAN MUSIC
|
HOLLÄNDER, HANS |
|
1934 |
XXXIV |
3 |
p. 302-311 |
artikel |
339 |
MODERN ITALIAN COMPOSERS
|
GATTI, GUIDO M. |
|
1932 |
XXXIV |
3 |
p. 397-410 |
artikel |
340 |
MOLIERE'S CONTRIBUTION TO THE LYRIC STAGE
|
OLIVER, A. RICHARD |
|
1947 |
XXXIV |
3 |
p. 350-364 |
artikel |
341 |
MONTEVERDIANA
|
SARTORI, CLAUDIO |
|
1952 |
XXXIV |
3 |
p. 399-413 |
artikel |
342 |
Monteverdi, Petratti, and The Duke of Bracciano
|
STEVENS, DENIS |
|
1978 |
XXXIV |
3 |
p. 275-294 |
artikel |
343 |
MONTEVERDI'S G MINOR MASS: AN EXPERIMENT IN CONSTRUCTION
|
BRINDLE, REGINALD SMITH |
|
1968 |
XXXIV |
3 |
p. 352-360 |
artikel |
344 |
MONTEVERDI'S NECKLACE
|
STEVENS, DENIS |
|
1973 |
XXXIV |
3 |
p. 370-381 |
artikel |
345 |
More News on Women' s Accomplishments
|
Borroff, Edith |
|
1995 |
XXXIV |
3 |
p. 454-457 |
artikel |
346 |
MOZART AND THE CZECHS
|
NETTL, PAUL |
|
1940 |
XXXIV |
3 |
p. 329-342 |
artikel |
347 |
MRS. H. H. A. BEACH
|
TUTHILL, BURNET C. |
|
1940 |
XXXIV |
3 |
p. 297-310 |
artikel |
348 |
MUSICAL ALLUSIONS OF GREAT WRITERS
|
HARRIS, CLEMENT ANTROBUS |
|
1916 |
XXXIV |
3 |
p. 465-476 |
artikel |
349 |
MUSICAL ANIMALS IN ORNAMENT
|
HARRIS, CLEMENT ANTROBUS |
|
1920 |
XXXIV |
3 |
p. 417-425 |
artikel |
350 |
MUSICAL APPRECIATION: A PLEA FOR CATHOLICITY
|
MCALPIN, COLIN |
|
1920 |
XXXIV |
3 |
p. 403-416 |
artikel |
351 |
MUSICAL ASIDES IN THE DIPLOMATIC CORRESPONDENCE OF EMILIO DE' CAVALIERI
|
PALISCA, CLAUDE V. |
|
1963 |
XXXIV |
3 |
p. 339-355 |
artikel |
352 |
MUSICAL CULTURE OF THE ARAPAHO1
|
NETTL, BRUNO |
|
1955 |
XXXIV |
3 |
p. 325-331 |
artikel |
353 |
MUSICAL GENIUS—EVOLUTION AND ORIGINS OF A CONCEPT*
|
LOWINSKY, EDWARD E. |
|
1964 |
XXXIV |
3 |
p. 321-340 |
artikel |
354 |
MUSICAL INSPIRATION IN ENGLISH LITERATURE OF THE NINETEENTH CENTURY
|
CŒUROY, ANDRE |
|
1924 |
XXXIV |
3 |
p. 305-325 |
artikel |
355 |
MUSICAL LIFE IN PARIS (1817–1848)1
|
|
|
1931 |
XXXIV |
3 |
p. 389-403 |
artikel |
356 |
MUSICAL SCHOLARSHIP AT THE CROSSROADS
|
P. H. L., |
|
1945 |
XXXIV |
3 |
p. 371-380 |
artikel |
357 |
MUSIC AND CHESS
|
MANSFIELD, ORLANDO A. |
|
1928 |
XXXIV |
3 |
p. 358-365 |
artikel |
358 |
MUSIC AND DANCE ON A 17th-CENTURY COLLEGE STAGE
|
McCABE, WILLIAM H. |
|
1938 |
XXXIV |
3 |
p. 313-322 |
artikel |
359 |
MUSIC AND HEALTH
|
VESCELIUS, EVA AUGUSTA |
|
1918 |
XXXIV |
3 |
p. 376-401 |
artikel |
360 |
MUSIC AND ITS AUDITORS
|
STERNBERG, CONSTANTIN VON |
|
1923 |
XXXIV |
3 |
p. 343-349 |
artikel |
361 |
Music and Language
|
Botstein, Leon |
|
1993 |
XXXIV |
3 |
p. 367-372 |
artikel |
362 |
Music and Sociology for the 1990s: A Changing Critical Perspective
|
SCOTT, DEREK B. |
|
1990 |
XXXIV |
3 |
p. 385-410 |
artikel |
363 |
MUSIC AND THEATER IN HOGARTH
|
KLINGER, MARY F. |
|
1971 |
XXXIV |
3 |
p. 409-426 |
artikel |
364 |
MUSIC AS AN EXPRESSION OF RELIGIOUS FEELING
|
ANDREWS, GEORGE WHITFIELD |
|
1916 |
XXXIV |
3 |
p. 331-338 |
artikel |
365 |
MUSIC AS MEDICINE
|
ROGERS, JAMES FREDERICK |
|
1918 |
XXXIV |
3 |
p. 365-375 |
artikel |
366 |
MUSIC FOR A BETTER COMMUNITY
|
ERB, J. LAWRENCE |
|
1926 |
XXXIV |
3 |
p. 441-448 |
artikel |
367 |
MUSIC IN CUBA (1523–1900)
|
CARPENTIER, ALEJO |
|
1947 |
XXXIV |
3 |
p. 365-380 |
artikel |
368 |
MUSIC IN HONOR OF ST. THOMAS OF CANTERBURY
|
STEVENS, DENIS |
|
1970 |
XXXIV |
3 |
p. 311-348 |
artikel |
369 |
MUSIC IN INUDSTRY
|
ANTRIM, DORON K. |
|
1943 |
XXXIV |
3 |
p. 275-290 |
artikel |
370 |
MUSIC IN THE EDUCATION OF THE COMMON MAN
|
ERB, J. LAWRENCE |
|
1919 |
XXXIV |
3 |
p. 308-315 |
artikel |
371 |
MUSIC IN THE LIFE OF THE AZTECS
|
MARTENS, FREDERICK H. |
|
1928 |
XXXIV |
3 |
p. 413-437 |
artikel |
372 |
Music, Language, and Composition
|
Adorno, Theodor W. |
|
1993 |
XXXIV |
3 |
p. 401-414 |
artikel |
373 |
MUSIC MIRRORS OF THE SECOND EMPIRE
|
MARTENS, FREDERICK H. |
|
1930 |
XXXIV |
3 |
p. 415-434 |
artikel |
374 |
MUSIC, THE INVISIBLE ART
|
PARKHURST, WINTHROP |
|
1930 |
XXXIV |
3 |
p. 297-304 |
artikel |
375 |
MUSSORGSKY'S LETTERS TO HIS FRIENDS
|
CALVOCORESSI, M.-D. |
|
1923 |
XXXIV |
3 |
p. 432-442 |
artikel |
376 |
Mussorgsky's Sunless Cycle in Russian Criticism: Focus of Controversy
|
WALKER, JAMES |
|
1981 |
XXXIV |
3 |
p. 382-391 |
artikel |
377 |
NEW APPROACHES TO PRIMITIVE MUSIC
|
FELBER, ERWIN |
|
1933 |
XXXIV |
3 |
p. 288-302 |
artikel |
378 |
New Music as Confrontation: The Musical Sources of Jean Cocteau's Identity
|
Pasler, Jann |
|
1991 |
XXXIV |
3 |
p. 255-278 |
artikel |
379 |
NEW RESEARCH ON BACH'S MUSICAL OFFERING
|
WOLFF, CHRISTOPH |
|
1971 |
XXXIV |
3 |
p. 379-408 |
artikel |
380 |
New York
|
CITKOWITZ, ISRAEL |
|
1954 |
XXXIV |
3 |
p. 394-397 |
artikel |
381 |
New York
|
F.GOLDMAN, RICHARD |
|
1948 |
XXXIV |
3 |
p. 407-409 |
artikel |
382 |
New York
|
COWELL, HENRY |
|
1948 |
XXXIV |
3 |
p. 410-415 |
artikel |
383 |
New York
|
COWELL, HENRY |
|
1955 |
XXXIV |
3 |
p. 368-373 |
artikel |
384 |
New York
|
STONE, KURT |
|
1963 |
XXXIV |
3 |
p. 371-375 |
artikel |
385 |
New York
|
WEISGALL, HUGO |
|
1963 |
XXXIV |
3 |
p. 369-371 |
artikel |
386 |
New York
|
FRENCH, RICHARD F. |
|
1962 |
XXXIV |
3 |
p. 387-392 |
artikel |
387 |
New York
|
GOLDMAN, RICHARD FRANKO |
|
1966 |
XXXIV |
3 |
p. 373-376 |
artikel |
388 |
New York
|
COWELL, HENRY |
|
1954 |
XXXIV |
3 |
p. 397-403 |
artikel |
389 |
New York
|
GOLDMAN, RICHARD FRANKO |
|
1961 |
XXXIV |
3 |
p. 396-400 |
artikel |
390 |
NIEROP'S HACKEBORT
|
BARBOUR, J. MURRAY |
|
1934 |
XXXIV |
3 |
p. 312-319 |
artikel |
391 |
Notes and Lineaments: Vaughan Williams's Job: A Masque for Dancing and Blake's Illustrations
|
Weltzien, O. Alan |
|
1992 |
XXXIV |
3 |
p. 301-336 |
artikel |
392 |
NOTES FROM AN ABYSSINIAN DIARY
|
COURLANDER, HAROLD |
|
1943 |
XXXIV |
3 |
p. 345-355 |
artikel |
393 |
NOTES ON SOME 17TH-CENTURY COMPOSITIONS FOR TRUMPETS AND STRINGS IN BOLOGNA
|
BERGER, JEAN |
|
1951 |
XXXIV |
3 |
p. 354-367 |
artikel |
394 |
NOTES ON SOUTH AFRICAN NATIVE MUSIC
|
SPEIGHT, W. L. |
|
1934 |
XXXIV |
3 |
p. 344-353 |
artikel |
395 |
NOTES ON THE NATURE OF HARMONY
|
ORTMANN, OTTO |
|
1921 |
XXXIV |
3 |
p. 366-375 |
artikel |
396 |
Numerology and Cryptography in the Music of Lili Boulanger: The Hidden Program in Clairières dans le ciel
|
Dopp, Bonnie Jo |
|
1994 |
XXXIV |
3 |
p. 557-583 |
artikel |
397 |
OF NOTABLE PIANO CONCERTOS, NEGLECTED AND OTHERWISE
|
BELLAMANN, H. H. |
|
1921 |
XXXIV |
3 |
p. 399-407 |
artikel |
398 |
Ojai, California
|
MORTON, LAWRENCE |
|
1962 |
XXXIV |
3 |
p. 392-396 |
artikel |
399 |
ON HEARING MUSIC
|
McALPIN, COLIN |
|
1922 |
XXXIV |
3 |
p. 419-434 |
artikel |
400 |
ON OLD VIOLINS
|
GREILSAMER, LUCIEN |
|
1927 |
XXXIV |
3 |
p. 410-433 |
artikel |
401 |
ON PLAGIARISM
|
VON STERNBERG, CONSTANTIN |
|
1919 |
XXXIV |
3 |
p. 390-397 |
artikel |
402 |
On Reading Cosima Wagner's Diaries
|
SALZMAN, ERIC |
|
1982 |
XXXIV |
3 |
p. 337-352 |
artikel |
403 |
ON STYLE AND MANNER IN MODERN COMPOSITION
|
SEEGER, CHARLES LOUIS JR |
|
1923 |
XXXIV |
3 |
p. 423-431 |
artikel |
404 |
ON THE CULT OF WRONG NOTES
|
CORDER, FREDERICK |
|
1915 |
XXXIV |
3 |
p. 381-386 |
artikel |
405 |
ON THE INTERPRETATION OF BACH'S GIGUES
|
McINTYRE, RAY |
|
1965 |
XXXIV |
3 |
p. 478-492 |
artikel |
406 |
ON THE INTERPRETATION OF BACH'S TRILLS
|
ALDRICH, PUTNAM |
|
1963 |
XXXIV |
3 |
p. 289-310 |
artikel |
407 |
ON THE KEYBOARD ACCOMPANIMENTS TO BACH'S LEIPZIG CHURCH MUSIC1
|
MENDEL, ARTHUR |
|
1950 |
XXXIV |
3 |
p. 339-362 |
artikel |
408 |
ON THE ORIGINS OF MUSIC
|
SCALERO, ROSARIO |
|
1926 |
XXXIV |
3 |
p. 334-339 |
artikel |
409 |
ON THE PITCHES IN USE IN BACH'S TIME—I
|
MENDEL, ARTHUR |
|
1955 |
XXXIV |
3 |
p. 332-354 |
artikel |
410 |
On the Road to the “Peoples' Community” [Volksgemeinschaft]: The Forced Conformity of the Berlin Academy of Music Under Fascism
|
Dümling, Albrecht |
|
1993 |
XXXIV |
3 |
p. 459-483 |
artikel |
411 |
On Time and Tempo
|
Botstein, Leon |
|
1994 |
XXXIV |
3 |
p. 421-428 |
artikel |
412 |
OPERA AS A “SPECTACLE FOR THE EYE”
|
TORREFRANCA, FAUSTO |
|
1915 |
XXXIV |
3 |
p. 436-452 |
artikel |
413 |
OPERA IN AMERICA TODAY
|
HEINSHEIMER, H. W. |
|
1951 |
XXXIV |
3 |
p. 315-329 |
artikel |
414 |
ORAZIO: THE HISTORY OF A PASTICCIO
|
WALKER, FRANK |
|
1952 |
XXXIV |
3 |
p. 369-383 |
artikel |
415 |
Organic Form and the Binary Repeat
|
BROYLES, MICHAEL |
|
1980 |
XXXIV |
3 |
p. 339-360 |
artikel |
416 |
ORIGINS OF THE LYRIC THEATER IN SPAIN
|
CHASE, GILBERT |
|
1939 |
XXXIV |
3 |
p. 292-305 |
artikel |
417 |
Our Music
|
Brody, Martin |
|
1995 |
XXXIV |
3 |
p. 544-551 |
artikel |
418 |
OUR MUSICAL KINSHIP WITH THE SPANIARDS
|
ELLIOTT, GILBERT JR. |
|
1922 |
XXXIV |
3 |
p. 413-418 |
artikel |
419 |
PAIRED IMITATION IN 16TH-CENTURY SPANISH KEYBOARD MUSIC
|
HOWELL, ALMONTE C. JR. |
|
1967 |
XXXIV |
3 |
p. 377-396 |
artikel |
420 |
PALESTRINA
|
MANZETTI, LEO P. |
|
1928 |
XXXIV |
3 |
p. 320-338 |
artikel |
421 |
“PAPA” GOETSCHIUS IN RETROSPECT
|
SHEPHERD, ARTHUR |
|
1943 |
XXXIV |
3 |
p. 307-318 |
artikel |
422 |
PAUL DUKAS
|
SCHWERKE, IRVING |
|
1928 |
XXXIV |
3 |
p. 403-412 |
artikel |
423 |
PAUL HINDEMITH AS A TEACHER
|
BOATWRIGHT, HOWARD |
|
1964 |
XXXIV |
3 |
p. 279-289 |
artikel |
424 |
PAULINE VIARDOT-GARCIA AS BERLIOZ'S COUNSELOR AND PHYSICIAN
|
WADDINGTON, PATRICK |
|
1973 |
XXXIV |
3 |
p. 382-398 |
artikel |
425 |
PAULINE VIARDOT-GARCIA TO JULIUS RIETZ (LETTERS OF FRIENDSHIP)
|
|
|
1915 |
XXXIV |
3 |
p. 350-380 |
artikel |
426 |
Perceptual Dynamics in Musical Expression
|
ARNHEIM, RUDOLF |
|
1984 |
XXXIV |
3 |
p. 295-309 |
artikel |
427 |
PERCY GRAINGER THE MUSIC AND THE MAN
|
SCOTT, CYRIL |
|
1916 |
XXXIV |
3 |
p. 425-433 |
artikel |
428 |
Performance Practices at the Cathedral of Cambrai 1475–1550 In Memory of Gustave Reese
|
WRIGHT, CRAIG |
|
1978 |
XXXIV |
3 |
p. 295-328 |
artikel |
429 |
PERSONAL RECOLLECTIONS OF LEOPOLD DAMROSCH
|
RICE, EDWIN T. |
|
1942 |
XXXIV |
3 |
p. 269-275 |
artikel |
430 |
PETER ABAELARD AS MUSICIAN — I
|
WEINRICH, LORENZ |
|
1969 |
XXXIV |
3 |
p. 295-312 |
artikel |
431 |
PETER CORNELIUS
|
ISTEL, EDGAR |
|
1934 |
XXXIV |
3 |
p. 334-343 |
artikel |
432 |
Phenomenology as a Tool for Musical Analysis
|
FERRARA, LAWRENCE |
|
1984 |
XXXIV |
3 |
p. 355-373 |
artikel |
433 |
Philadelphia
|
CHITTUM, DONALD |
|
1969 |
XXXIV |
3 |
p. 401-407 |
artikel |
434 |
PHILIPPE DE VITRY: SOME NEW DISCOVERIES
|
SCHRADE, LEO |
|
1956 |
XXXIV |
3 |
p. 330-354 |
artikel |
435 |
PIANO MUSIC FOR THE LEFT HAND
|
GODOWSKY, LEOPOLD |
|
1935 |
XXXIV |
3 |
p. 298-300 |
artikel |
436 |
Pier Jacopo Martello on Opera (1715): An Annotated Translation
|
WEISS, PIERO |
|
1980 |
XXXIV |
3 |
p. 378-403 |
artikel |
437 |
PITCH IN THE 16TH AND EARLY 17TH CENTURIES—PART III
|
MENDEL, ARTHUR |
|
1948 |
XXXIV |
3 |
p. 336-357 |
artikel |
438 |
Pittsburgh
|
DORIAN, FREDERICK |
|
1958 |
XXXIV |
3 |
p. 373-375 |
artikel |
439 |
Pittsburgh
|
DORIAN, FREDERICK |
|
1955 |
XXXIV |
3 |
p. 367-368 |
artikel |
440 |
PLAIN CHANT, THE HANDMAID OF THE LITURGY: A CHALLENGE AND A PROPHECY
|
KELLY, F. JOSEPH |
|
1921 |
XXXIV |
3 |
p. 344-350 |
artikel |
441 |
POLYPHONY IN NORTH AMERICAN INDIAN MUSIC
|
NETTL, BRUNO |
|
1961 |
XXXIV |
3 |
p. 354-362 |
artikel |
442 |
PORTER, PUPIL OF MONTEVERDI
|
HUGHES, CHARLES W. |
|
1934 |
XXXIV |
3 |
p. 278-288 |
artikel |
443 |
POSSIBLE SURVIVALS OF AFRICAN SONG IN JAMAICA1
|
ROBERTS, HELEN H. |
|
1926 |
XXXIV |
3 |
p. 340-358 |
artikel |
444 |
PROKOFIEV'S WAR AND PEACE: A CHRONICLE
|
BROWN, MALCOLM H. |
|
1977 |
XXXIV |
3 |
p. 297-326 |
artikel |
445 |
Puccini's Version of the Duet and Final Scene of Turandot
|
MAGUIRE, JANET |
|
1990 |
XXXIV |
3 |
p. 319-359 |
artikel |
446 |
QUARTERLY BOOK-LIST
|
|
|
1976 |
XXXIV |
3 |
p. 465-468 |
artikel |
447 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1983 |
XXXIV |
3 |
p. 457-461 |
artikel |
448 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1980 |
XXXIV |
3 |
p. 452-456 |
artikel |
449 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1958 |
XXXIV |
3 |
p. 420-427 |
artikel |
450 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1963 |
XXXIV |
3 |
p. 410-415 |
artikel |
451 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1945 |
XXXIV |
3 |
p. 388-392 |
artikel |
452 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1953 |
XXXIV |
3 |
p. 503-509 |
artikel |
453 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1950 |
XXXIV |
3 |
p. 468-473 |
artikel |
454 |
QUARTERLY BOOK - LIST
|
|
|
1952 |
XXXIV |
3 |
p. 502-514 |
artikel |
455 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1989 |
XXXIV |
3 |
p. 439-443 |
artikel |
456 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL C. |
|
1965 |
XXXIV |
3 |
p. 588-593 |
artikel |
457 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1972 |
XXXIV |
3 |
p. 510-516 |
artikel |
458 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1974 |
XXXIV |
3 |
p. 509-513 |
artikel |
459 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1975 |
XXXIV |
3 |
p. 503-508 |
artikel |
460 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1978 |
XXXIV |
3 |
p. 428-432 |
artikel |
461 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1979 |
XXXIV |
3 |
p. 465-468 |
artikel |
462 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1981 |
XXXIV |
3 |
p. 452-455 |
artikel |
463 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1982 |
XXXIV |
3 |
p. 437-440 |
artikel |
464 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1984 |
XXXIV |
3 |
p. 417-421 |
artikel |
465 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1985 |
XXXIV |
3 |
p. 392-396 |
artikel |
466 |
QUARTERLY BOOK-LIST
|
|
|
1933 |
XXXIV |
3 |
p. 360-365 |
artikel |
467 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1957 |
XXXIV |
3 |
p. 427-436 |
artikel |
468 |
QUARTERLY BOOK-LIST
|
CARROLL D. WADE, |
|
1961 |
XXXIV |
3 |
p. 432-436 |
artikel |
469 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1962 |
XXXIV |
3 |
p. 419-424 |
artikel |
470 |
QUARTERLY BOOK-LIST
|
|
|
1929 |
XXXIV |
3 |
p. 475-482 |
artikel |
471 |
QUARTERLY BOOK-LIST
|
|
|
1932 |
XXXIV |
3 |
p. 498-505 |
artikel |
472 |
QUARTERLY BOOK-LIST
|
|
|
1936 |
XXXIV |
3 |
p. 362-369 |
artikel |
473 |
QUARTERLY BOOK - LIST
|
WATERS, EDWARD N. |
|
1943 |
XXXIV |
3 |
p. 410-413 |
artikel |
474 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1940 |
XXXIV |
3 |
p. 401-409 |
artikel |
475 |
QUARTERLY - BOOK-LIST
|
WATERS, EDWARD N. |
|
1946 |
XXXIV |
3 |
p. 480-492 |
artikel |
476 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1948 |
XXXIV |
3 |
p. 450-455 |
artikel |
477 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1949 |
XXXIV |
3 |
p. 495-499 |
artikel |
478 |
QUARTERLY BOOK-LIST
|
TRAFICANTE, FRANK |
|
1967 |
XXXIV |
3 |
p. 453-465 |
artikel |
479 |
QUARTERLY BOOK-LIST
|
TRAFICANTE, FRANK |
|
1968 |
XXXIV |
3 |
p. 396-407 |
artikel |
480 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1973 |
XXXIV |
3 |
p. 491-494 |
artikel |
481 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1969 |
XXXIV |
3 |
p. 427-436 |
artikel |
482 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1971 |
XXXIV |
3 |
p. 528-533 |
artikel |
483 |
QUARTERLY BOOK-LIST
|
|
|
1960 |
XXXIV |
3 |
p. 416-423 |
artikel |
484 |
QUARTERLY BOOK-LIST
|
|
|
1931 |
XXXIV |
3 |
p. 409-417 |
artikel |
485 |
QUARTERLY BOOK-LIST
|
|
|
1934 |
XXXIV |
3 |
p. 361-365 |
artikel |
486 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1935 |
XXXIV |
3 |
p. 376-386 |
artikel |
487 |
QUARTERLY BOOK-LIST
|
|
|
1938 |
XXXIV |
3 |
p. 386-395 |
artikel |
488 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1964 |
XXXIV |
3 |
p. 414-419 |
artikel |
489 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL C |
|
1966 |
XXXIV |
3 |
p. 402-407 |
artikel |
490 |
QUARTERLY BOOK - LIST
|
NEWSOM, JON |
|
1970 |
XXXIV |
3 |
p. 496-502 |
artikel |
491 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1977 |
XXXIV |
3 |
p. 451-456 |
artikel |
492 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1987 |
XXXIV |
3 |
p. 422-426 |
artikel |
493 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1954 |
XXXIV |
3 |
p. 485-494 |
artikel |
494 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1955 |
XXXIV |
3 |
p. 415-424 |
artikel |
495 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1956 |
XXXIV |
3 |
p. 426-435 |
artikel |
496 |
QUARTERLY BOOK-LIST
|
KRUMMEL, DONALD W. |
|
1959 |
XXXIV |
3 |
p. 429-437 |
artikel |
497 |
QUARTERLY BOOK-LIST
|
|
|
1930 |
XXXIV |
3 |
p. 435-442 |
artikel |
498 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1937 |
XXXIV |
3 |
p. 396-405 |
artikel |
499 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1940 |
XXXIV |
3 |
p. 401-405 |
artikel |
500 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1942 |
XXXIV |
3 |
p. 384-391 |
artikel |
501 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1943 |
XXXIV |
3 |
p. 371-376 |
artikel |
502 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1947 |
XXXIV |
3 |
p. 424-431 |
artikel |
503 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1945 |
XXXIV |
3 |
p. 393-394 |
artikel |
504 |
QUARTERLY RECORD-LIST
|
PHILLIPS, ROBERT H. S. |
|
1950 |
XXXIV |
3 |
p. 474-483 |
artikel |
505 |
QUARTERLY RECORD-LIST
|
|
|
1938 |
XXXIV |
3 |
p. 396-403 |
artikel |
506 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1940 |
XXXIV |
3 |
p. 410-417 |
artikel |
507 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1940 |
XXXIV |
3 |
p. 406-413 |
artikel |
508 |
QUARTERLY RECORD-LIST
|
GILBERT, RICHARD |
|
1935 |
XXXIV |
3 |
p. 387-390 |
artikel |
509 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1937 |
XXXIV |
3 |
p. 406-412 |
artikel |
510 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1943 |
XXXIV |
3 |
p. 414-416 |
artikel |
511 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1939 |
XXXIV |
3 |
p. 395-405 |
artikel |
512 |
QUARTERLY RECORD-LIST
|
|
|
1936 |
XXXIV |
3 |
p. 370-373 |
artikel |
513 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1943 |
XXXIV |
3 |
p. 377-378 |
artikel |
514 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP L. |
|
1946 |
XXXIV |
3 |
p. 493-501 |
artikel |
515 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP L. |
|
1947 |
XXXIV |
3 |
p. 432-442 |
artikel |
516 |
Questions and Veracities: Reassessing the Chronology of Ives's Choral Works
|
Sherwood, Gayle |
|
1994 |
XXXIV |
3 |
p. 429-447 |
artikel |
517 |
RACE VALUES IN AFRAMERICAN MUSIC
|
LAUBENSTEIN, PAUL FRITZ |
|
1930 |
XXXIV |
3 |
p. 378-403 |
artikel |
518 |
RADIO, AND A NEW THEORY OF TONE-QUALITY
|
RAVEN-HART, R. |
|
1931 |
XXXIV |
3 |
p. 380-388 |
artikel |
519 |
RAFAEL JOSEFFY'S CONTRIBUTION TO PIANO TECHNIC
|
HUGHES, EDWIN |
|
1916 |
XXXIV |
3 |
p. 349-364 |
artikel |
520 |
RAKHMANINOV'S STUDENT OPERA
|
NORRIS, GEOFFREY |
|
1973 |
XXXIV |
3 |
p. 441-448 |
artikel |
521 |
Ravel's Chansons madécasses: Ethnic Fantasy or Ethnic Borrowing?
|
JAMES, RICHARD S. |
|
1990 |
XXXIV |
3 |
p. 360-384 |
artikel |
522 |
REALISM AS PREACHED AND PRACTICED: THE RUSSIAN OPERA DIALOGUE
|
TARUSKIN, RICHARD |
|
1970 |
XXXIV |
3 |
p. 431-454 |
artikel |
523 |
RECENT DEVELOPMENTS IN BACH CHRONOLOGY1
|
MENDEL, ARTHUR |
|
1960 |
XXXIV |
3 |
p. 283-300 |
artikel |
524 |
Recent Developments in the Music of Milton Babbitt
|
MEAD, ANDREW W. |
|
1984 |
XXXIV |
3 |
p. 310-331 |
artikel |
525 |
RECOLLECTIONS FROM MY LIFE
|
CZERNY, CARL |
|
1956 |
XXXIV |
3 |
p. 302-317 |
artikel |
526 |
Recompositions by Schoenberg Stravinsky and Webern
|
STRAUS, JOSEPH N. |
|
1987 |
XXXIV |
3 |
p. 301-328 |
artikel |
527 |
Reminiscences of a Twentieth-Century Pianist: An Interview with David Tudor
|
Holzaepfel, John |
|
1994 |
XXXIV |
3 |
p. 626-636 |
artikel |
528 |
REVIEWS OF BOOKS
|
STEVENS, DENIS |
|
1956 |
XXXIV |
3 |
p. 402-407 |
artikel |
529 |
REVIEWS OF BOOKS
|
HERTZMANN, ERICH |
|
1956 |
XXXIV |
3 |
p. 399-401 |
artikel |
530 |
REVIEWS OF BOOKS
|
RINGER, ALEXANDER L. |
|
1975 |
XXXIV |
3 |
p. 476-481 |
artikel |
531 |
REVIEWS OF BOOKS
|
DAY, MARY PECKHAM |
|
1976 |
XXXIV |
3 |
p. 441-446 |
artikel |
532 |
REVIEWS OF BOOKS
|
HILL, LYN STIEFEL |
|
1976 |
XXXIV |
3 |
p. 447-450 |
artikel |
533 |
REVIEWS OF BOOKS
|
HENRY LELAND CLARKE, |
|
1976 |
XXXIV |
3 |
p. 450-452 |
artikel |
534 |
REVIEWS OF BOOKS
|
PERLE, GEORGE |
|
1976 |
XXXIV |
3 |
p. 435-441 |
artikel |
535 |
Reviews of Books
|
TISCHLER, HANS |
|
1978 |
XXXIV |
3 |
p. 412-415 |
artikel |
536 |
Reviews of Books
|
LEVARIE, SIEGMUND |
|
1978 |
XXXIV |
3 |
p. 402-407 |
artikel |
537 |
Reviews of Books
|
DAPOGNY, JAMES |
|
1978 |
XXXIV |
3 |
p. 407-412 |
artikel |
538 |
Reviews of Books
|
LASKE, O. |
|
1978 |
XXXIV |
3 |
p. 394-397 |
artikel |
539 |
Reviews of Books
|
HARRIS, ELLEN T. |
|
1978 |
XXXIV |
3 |
p. 397-402 |
artikel |
540 |
Reviews of Books
|
COLEMAN, ALEXANDER |
|
1983 |
XXXIV |
3 |
p. 449-453 |
artikel |
541 |
Reviews of Books
|
WADE, RACHEL W. |
|
1983 |
XXXIV |
3 |
p. 442-446 |
artikel |
542 |
REVIEWS OF BOOKS
|
WALKER, ALAN |
|
1983 |
XXXIV |
3 |
p. 446-449 |
artikel |
543 |
Reviews of Books
|
BLOCH, SUZANNE |
|
1979 |
XXXIV |
3 |
p. 445-447 |
artikel |
544 |
Reviews of Books
|
MATZ, MARY JANE PHILLIPS |
|
1979 |
XXXIV |
3 |
p. 451-453 |
artikel |
545 |
Reviews of Books
|
HENAHAN, DONAL |
|
1980 |
XXXIV |
3 |
p. 444-448 |
artikel |
546 |
Reviews of Books
|
|
|
1980 |
XXXIV |
3 |
p. 439-444 |
artikel |
547 |
Reviews of Books
|
STINSON, RUSSELL |
|
1982 |
XXXIV |
3 |
p. 419-424 |
artikel |
548 |
REVIEWS OF BOOKS
|
PERLE, GEORGE |
|
1955 |
XXXIV |
3 |
p. 392-395 |
artikel |
549 |
REVIEWS OF BOOKS
|
JEPPESEN, KNUD |
|
1955 |
XXXIV |
3 |
p. 378-391 |
artikel |
550 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1955 |
XXXIV |
3 |
p. 395-396 |
artikel |
551 |
REVIEWS OF BOOKS
|
MYERS, ROBERT MANSON |
|
1956 |
XXXIV |
3 |
p. 408-411 |
artikel |
552 |
REVIEWS OF BOOKS
|
STEINHARDT, MILTON |
|
1958 |
XXXIV |
3 |
p. 385-387 |
artikel |
553 |
REVIEWS OF BOOKS
|
HITCHCOCK, H. WILEY |
|
1963 |
XXXIV |
3 |
p. 391-393 |
artikel |
554 |
REVIEWS OF BOOKS
|
LARUE, JAN |
|
1963 |
XXXIV |
3 |
p. 384-388 |
artikel |
555 |
REVIEWS OF BOOKS
|
MENDEL, ARTHUR |
|
1945 |
XXXIV |
3 |
p. 383-387 |
artikel |
556 |
REVIEWS OF BOOKS
|
STERNFELD, FREDERICK W. |
|
1947 |
XXXIV |
3 |
p. 416-419 |
artikel |
557 |
REVIEWS OF BOOKS
|
MILLER, CATHARINE KEYES |
|
1953 |
XXXIV |
3 |
p. 455-460 |
artikel |
558 |
REVIEWS OF BOOKS
|
SCHRADE, LEO |
|
1953 |
XXXIV |
3 |
p. 461-463 |
artikel |
559 |
REVIEWS OF BOOKS
|
GROUT, DONALD JAY |
|
1950 |
XXXIV |
3 |
p. 464-466 |
artikel |
560 |
REVIEWS OF BOOKS
|
BOYDEN, DAVID D. |
|
1952 |
XXXIV |
3 |
p. 451-457 |
artikel |
561 |
REVIEWS OF BOOKS
|
PISTON, WALTER |
|
1952 |
XXXIV |
3 |
p. 457-468 |
artikel |
562 |
REVIEWS OF BOOKS
|
YASSER, JOSEPH |
|
1952 |
XXXIV |
3 |
p. 468-477 |
artikel |
563 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1952 |
XXXIV |
3 |
p. 477-479 |
artikel |
564 |
Reviews of Books
|
Cook, Susan C. |
|
1990 |
XXXIV |
3 |
p. 445-450 |
artikel |
565 |
Reviews of Books
|
E. S., |
|
1990 |
XXXIV |
3 |
p. 455-457 |
artikel |
566 |
REVIEWS OF BOOKS
|
BRENNECKE, ERNEST |
|
1964 |
XXXIV |
3 |
p. 389-391 |
artikel |
567 |
REVIEWS OF BOOKS
|
RIPIN, EDWIN M. |
|
1965 |
XXXIV |
3 |
p. 563-570 |
artikel |
568 |
REVIEWS OF BOOKS
|
STEVENS, DENIS |
|
1965 |
XXXIV |
3 |
p. 575-577 |
artikel |
569 |
REVIEWS OF BOOKS
|
LERNER, EDWARD R. |
|
1965 |
XXXIV |
3 |
p. 561-563 |
artikel |
570 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1967 |
XXXIV |
3 |
p. 434-439 |
artikel |
571 |
REVIEWS OF BOOKS
|
PICKER, MARTIN |
|
1968 |
XXXIV |
3 |
p. 376-379 |
artikel |
572 |
REVIEWS OF BOOKS
|
CLARKE, HENRY LELAND |
|
1972 |
XXXIV |
3 |
p. 479-482 |
artikel |
573 |
REVIEWS OF BOOKS
|
ZASLAW, NEAL |
|
1974 |
XXXIV |
3 |
p. 479-492 |
artikel |
574 |
REVIEWS OF BOOKS
|
ROMAN, ZOLTAN |
|
1974 |
XXXIV |
3 |
p. 492-499 |
artikel |
575 |
REVIEWS OF BOOKS
|
CYR, MARY |
|
1975 |
XXXIV |
3 |
p. 499-502 |
artikel |
576 |
REVIEWS OF BOOKS
|
WEISS, PIERO |
|
1975 |
XXXIV |
3 |
p. 481-485 |
artikel |
577 |
REVIEWS OF BOOKS
|
MUSER, FRANI |
|
1975 |
XXXIV |
3 |
p. 485-490 |
artikel |
578 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1975 |
XXXIV |
3 |
p. 490-495 |
artikel |
579 |
Reviews of Books
|
ROEDERER, CHARLOTTE |
|
1979 |
XXXIV |
3 |
p. 447-451 |
artikel |
580 |
Reviews of Books
|
KENNER, HUGH |
|
1979 |
XXXIV |
3 |
p. 440-445 |
artikel |
581 |
Reviews of Books
|
MCKAY, DAVID |
|
1982 |
XXXIV |
3 |
p. 428-431 |
artikel |
582 |
Reviews of Books
|
HUEBNER, STEVEN |
|
1982 |
XXXIV |
3 |
p. 416-419 |
artikel |
583 |
Reviews of Books
|
FUSSELL, CHARLES |
|
1984 |
XXXIV |
3 |
p. 413-416 |
artikel |
584 |
REVIEWS OF BOOKS
|
SCHUMAN, WILLIAM |
|
1954 |
XXXIV |
3 |
p. 419-421 |
artikel |
585 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1955 |
XXXIV |
3 |
p. 396-397 |
artikel |
586 |
REVIEWS OF BOOKS
|
BRINDLE, REGINALD SMITH |
|
1956 |
XXXIV |
3 |
p. 397-398 |
artikel |
587 |
REVIEWS OF BOOKS
|
MENASCE, JACQUES DE |
|
1956 |
XXXIV |
3 |
p. 411-413 |
artikel |
588 |
REVIEWS OF BOOKS
|
KRENEK, ERNST |
|
1957 |
XXXIV |
3 |
p. 403-406 |
artikel |
589 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1963 |
XXXIV |
3 |
p. 393-396 |
artikel |
590 |
REVIEWS OF BOOKS
|
CLARKE, HENRY LELAND |
|
1959 |
XXXIV |
3 |
p. 405-409 |
artikel |
591 |
REVIEWS OF BOOKS
|
LARUE, JAN |
|
1959 |
XXXIV |
3 |
p. 397-399 |
artikel |
592 |
REVIEWS OF BOOKS
|
TISCHLER, HANS |
|
1959 |
XXXIV |
3 |
p. 399-402 |
artikel |
593 |
REVIEWS OF BOOKS
|
GOLOS, JERZY S. |
|
1960 |
XXXIV |
3 |
p. 386-390 |
artikel |
594 |
REVIEWS OF BOOKS
|
CLARKSON, AUSTIN |
|
1961 |
XXXIV |
3 |
p. 408-411 |
artikel |
595 |
REVIEWS OF BOOKS
|
WOLF, ROBERT ERICH |
|
1961 |
XXXIV |
3 |
p. 413-416 |
artikel |
596 |
REVIEWS OF BOOKS
|
STEVENS, DENIS |
|
1962 |
XXXIV |
3 |
p. 405-408 |
artikel |
597 |
REVIEWS OF BOOKS
|
LOWENS, IRVING |
|
1962 |
XXXIV |
3 |
p. 397-400 |
artikel |
598 |
REVIEWS OF BOOKS
|
APEL, WILLI |
|
1946 |
XXXIV |
3 |
p. 471-476 |
artikel |
599 |
REVIEWS OF BOOKS
|
DICKINSON, G. S. |
|
1948 |
XXXIV |
3 |
p. 435-439 |
artikel |
600 |
REVIEWS OF BOOKS
|
GROUT, DONALD JAY |
|
1948 |
XXXIV |
3 |
p. 440-442 |
artikel |
601 |
REVIEWS OF BOOKS
|
SCHUELLER, HERBERT M. |
|
1948 |
XXXIV |
3 |
p. 445-448 |
artikel |
602 |
REVIEWS OF BOOKS
|
KINKELDEY, OTTO |
|
1953 |
XXXIV |
3 |
p. 442-455 |
artikel |
603 |
REVIEWS OF BOOKS
|
DAVID, HANS T. |
|
1953 |
XXXIV |
3 |
p. 463-466 |
artikel |
604 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1953 |
XXXIV |
3 |
p. 467-470 |
artikel |
605 |
REVIEWS OF BOOKS
|
WESTRUP, J. A. |
|
1949 |
XXXIV |
3 |
p. 487-491 |
artikel |
606 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1949 |
XXXIV |
3 |
p. 491-493 |
artikel |
607 |
REVIEWS OF BOOKS
|
PRATT, CARROLL C. |
|
1949 |
XXXIV |
3 |
p. 485-487 |
artikel |
608 |
REVIEWS OF BOOKS
|
HERTZMANN, ERICH |
|
1951 |
XXXIV |
3 |
p. 430-432 |
artikel |
609 |
REVIEWS OF BOOKS
|
MITCHELL, WILLIAM J. |
|
1951 |
XXXIV |
3 |
p. 435-441 |
artikel |
610 |
REVIEWS OF BOOKS
|
FEIST, MILTON |
|
1951 |
XXXIV |
3 |
p. 432-435 |
artikel |
611 |
Reviews of Books
|
Hush, David |
|
1990 |
XXXIV |
3 |
p. 451-455 |
artikel |
612 |
REVIEWS OF BOOKS
|
LARUE, JAN |
|
1964 |
XXXIV |
3 |
p. 398-405 |
artikel |
613 |
REVIEWS OF BOOKS
|
PICKER, MARTIN |
|
1966 |
XXXIV |
3 |
p. 387-390 |
artikel |
614 |
REVIEWS OF BOOKS
|
BRONSON, BIRTEAND H. |
|
1966 |
XXXIV |
3 |
p. 384-387 |
artikel |
615 |
REVIEWS OF BOOKS
|
CLARKE, HENRY LELAND |
|
1968 |
XXXIV |
3 |
p. 379-384 |
artikel |
616 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1973 |
XXXIV |
3 |
p. 477-480 |
artikel |
617 |
REVIEWS OF BOOKS
|
WEISS, PIERO |
|
1973 |
XXXIV |
3 |
p. 474-476 |
artikel |
618 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1969 |
XXXIV |
3 |
p. 418-423 |
artikel |
619 |
REVIEWS OF BOOKS
|
MANIATES, MARIA RIKA |
|
1972 |
XXXIV |
3 |
p. 482-495 |
artikel |
620 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1957 |
XXXIV |
3 |
p. 411-415 |
artikel |
621 |
REVIEWS OF BOOKS
|
KENTON, EGON F. |
|
1957 |
XXXIV |
3 |
p. 406-411 |
artikel |
622 |
REVIEWS OF BOOKS
|
CUYLER, LOUISE |
|
1958 |
XXXIV |
3 |
p. 390-392 |
artikel |
623 |
REVIEWS OF BOOKS
|
YASSER, JOSEPH |
|
1958 |
XXXIV |
3 |
p. 393-401 |
artikel |
624 |
REVIEWS OF BOOKS
|
HAMM, CHARLES |
|
1963 |
XXXIV |
3 |
p. 388-390 |
artikel |
625 |
REVIEWS OF BOOKS
|
KENNEY, SYLVIA W. |
|
1960 |
XXXIV |
3 |
p. 383-386 |
artikel |
626 |
REVIEWS OF BOOKS
|
CLARKSON, AUSTIN |
|
1960 |
XXXIV |
3 |
p. 390-393 |
artikel |
627 |
REVIEWS OF BOOKS
|
HELM, EVERETT |
|
1960 |
XXXIV |
3 |
p. 381-383 |
artikel |
628 |
REVIEWS OF BOOKS
|
NEWMAN, JOEL |
|
1960 |
XXXIV |
3 |
p. 393-395 |
artikel |
629 |
REVIEWS OF BOOKS
|
BRONSON, BERTRAND H. |
|
1961 |
XXXIV |
3 |
p. 420-423 |
artikel |
630 |
REVIEWS OF BOOKS
|
LEAHY, EUGENE J. |
|
1962 |
XXXIV |
3 |
p. 400-404 |
artikel |
631 |
Reviews of Books
|
De Veaux, Scott |
|
1989 |
XXXIV |
3 |
p. 435-438 |
artikel |
632 |
Reviews of Books
|
Booth, Gregory D. |
|
1990 |
XXXIV |
3 |
p. 439-445 |
artikel |
633 |
REVIEWS OF BOOKS
|
LOWENS, IRVING |
|
1964 |
XXXIV |
3 |
p. 393-398 |
artikel |
634 |
REVIEWS OF BOOKS
|
HELM, EVERETT |
|
1964 |
XXXIV |
3 |
p. 391-393 |
artikel |
635 |
REVIEWS OF BOOKS
|
CONE, EDWARD T. |
|
1967 |
XXXIV |
3 |
p. 416-420 |
artikel |
636 |
REVIEWS OF BOOKS
|
MITCHELL, WILLIAM J. |
|
1967 |
XXXIV |
3 |
p. 421-434 |
artikel |
637 |
REVIEWS OF BOOKS
|
VELIMIROVIĆ, MILOŠ |
|
1969 |
XXXIV |
3 |
p. 408-417 |
artikel |
638 |
REVIEWS OF BOOKS
|
PERKINS, LEEMAN L. |
|
1970 |
XXXIV |
3 |
p. 485-488 |
artikel |
639 |
REVIEWS OF BOOKS
|
PLANCHART, ALEJANDRO ENRIQUE |
|
1971 |
XXXIV |
3 |
p. 519-523 |
artikel |
640 |
REVIEWS OF BOOKS
|
BOORMAN, STANLEY |
|
1977 |
XXXIV |
3 |
p. 436-440 |
artikel |
641 |
REVIEWS OF BOOKS
|
SOMMER, SUSAN T. |
|
1977 |
XXXIV |
3 |
p. 434-436 |
artikel |
642 |
Reviews of Books
|
ROTHSTEIN, EDWARD |
|
1978 |
XXXIV |
3 |
p. 389-394 |
artikel |
643 |
Reviews of Books
|
BUSCH, HANS |
|
1981 |
XXXIV |
3 |
p. 440-444 |
artikel |
644 |
Reviews of Books
|
STEVENS, DENIS |
|
1981 |
XXXIV |
3 |
p. 437-439 |
artikel |
645 |
Reviews of Books
|
WUORINEN, CHARLES |
|
1982 |
XXXIV |
3 |
p. 424-427 |
artikel |
646 |
Reviews of Books
|
FULLER, SARAH |
|
1984 |
XXXIV |
3 |
p. 404-412 |
artikel |
647 |
Reviews of Books
|
Arnheim, Rudolf |
|
1985 |
XXXIV |
3 |
p. 378-381 |
artikel |
648 |
Reviews of Books
|
Citron, Marcia J. |
|
1985 |
XXXIV |
3 |
p. 386-391 |
artikel |
649 |
Reviews of Books
|
Walker, Alan |
|
1985 |
XXXIV |
3 |
p. 375-378 |
artikel |
650 |
Reviews of Books
|
Burnett, Henry |
|
1985 |
XXXIV |
3 |
p. 381-386 |
artikel |
651 |
Reviews of Books
|
Roman, Zoltan |
|
1987 |
XXXIV |
3 |
p. 410-416 |
artikel |
652 |
Reviews of Books
|
Harbison, John |
|
1987 |
XXXIV |
3 |
p. 416-418 |
artikel |
653 |
Reviews of Books
|
Kurtzman, Jeffrey |
|
1987 |
XXXIV |
3 |
p. 418-421 |
artikel |
654 |
REVIEWS OF BOOKS
|
WATERS, EDWARD N. |
|
1954 |
XXXIV |
3 |
p. 430-434 |
artikel |
655 |
REVIEWS OF BOOKS
|
SIEBERT, F. MARK |
|
1954 |
XXXIV |
3 |
p. 421-424 |
artikel |
656 |
REVIEWS OF BOOKS
|
SLONIMSKY, NICOLAS |
|
1954 |
XXXIV |
3 |
p. 425-430 |
artikel |
657 |
REVIEWS OF BOOKS
|
BRINDLE, REGINALD SMITH |
|
1959 |
XXXIV |
3 |
p. 393-395 |
artikel |
658 |
REVIEWS OF BOOKS
|
|
|
1959 |
XXXIV |
3 |
p. 395-397 |
artikel |
659 |
REVIEWS OF BOOKS
|
BARZUN, JACQUES |
|
1959 |
XXXIV |
3 |
p. 402-405 |
artikel |
660 |
REVIEWS OF BOOKS
|
MULDER, GEORGE W. |
|
1959 |
XXXIV |
3 |
p. 409-412 |
artikel |
661 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1959 |
XXXIV |
3 |
p. 412-417 |
artikel |
662 |
REVIEWS OF BOOKS
|
HOPPIN, RICHARD H. |
|
1961 |
XXXIV |
3 |
p. 416-420 |
artikel |
663 |
REVIEWS OF BOOKS
|
STEVENSON, ROBERT |
|
1961 |
XXXIV |
3 |
p. 411-413 |
artikel |
664 |
REVIEWS OF BOOKS
|
SLONIMSKY, NICOLAS |
|
1946 |
XXXIV |
3 |
p. 465-470 |
artikel |
665 |
REVIEWS OF BOOKS
|
SCHRADE, LEO |
|
1950 |
XXXIV |
3 |
p. 461-463 |
artikel |
666 |
REVIEWS OF BOOKS
|
N. B., |
|
1950 |
XXXIV |
3 |
p. 463-464 |
artikel |
667 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1951 |
XXXIV |
3 |
p. 442-445 |
artikel |
668 |
REVIEWS OF BOOKS
|
DICKINSON, G. S. |
|
1952 |
XXXIV |
3 |
p. 446-451 |
artikel |
669 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1960 |
XXXIV |
3 |
p. 396-397 |
artikel |
670 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1956 |
XXXIV |
3 |
p. 416-417 |
artikel |
671 |
REVIEWS OF RECORDS
|
TRIMBLE, LESTER |
|
1956 |
XXXIV |
3 |
p. 417-419 |
artikel |
672 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1956 |
XXXIV |
3 |
p. 414-415 |
artikel |
673 |
REVIEWS OF RECORDS
|
HAYDON, GLEN |
|
1956 |
XXXIV |
3 |
p. 421-423 |
artikel |
674 |
REVIEWS OF RECORDS
|
COWELL, HENRY |
|
1956 |
XXXIV |
3 |
p. 419-420 |
artikel |
675 |
REVIEWS OF RECORDS
|
CONE, EDWARD T. |
|
1956 |
XXXIV |
3 |
p. 423-425 |
artikel |
676 |
REVIEWS OF RECORDS
|
YELLIN, VICTOR FELL |
|
1974 |
XXXIV |
3 |
p. 500-508 |
artikel |
677 |
REVIEWS OF RECORDS
|
SCOTT, ANN BESSER |
|
1976 |
XXXIV |
3 |
p. 453-456 |
artikel |
678 |
REVIEWS OF RECORDS
|
KOWALKE, KIM H. |
|
1977 |
XXXIV |
3 |
p. 441-446 |
artikel |
679 |
Reviews of Records
|
OBELKEVICH, MARY ROWEN |
|
1978 |
XXXIV |
3 |
p. 418-422 |
artikel |
680 |
Reviews of Records
|
MORRIS, ROBERT |
|
1983 |
XXXIV |
3 |
p. 454-456 |
artikel |
681 |
Reviews of Records
|
VOLKOV, SOLOMON |
|
1979 |
XXXIV |
3 |
p. 463-464 |
artikel |
682 |
Reviews of Records
|
STAUFFER, GEORGE |
|
1979 |
XXXIV |
3 |
p. 454-463 |
artikel |
683 |
Reviews of Records
|
KINBURN, PAUL |
|
1980 |
XXXIV |
3 |
p. 449-451 |
artikel |
684 |
Reviews of Records
|
Lazarevich, Gordana |
|
1982 |
XXXIV |
3 |
p. 432-436 |
artikel |
685 |
REVIEWS OF RECORDS
|
GUENTNER, FRANCIS J. S.J. |
|
1954 |
XXXIV |
3 |
p. 444-450 |
artikel |
686 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1954 |
XXXIV |
3 |
p. 435-a-435 |
artikel |
687 |
REVIEWS OF RECORDS
|
KENTON, EGON |
|
1954 |
XXXIV |
3 |
p. 456-459 |
artikel |
688 |
REVIEWS OF RECORDS
|
HILL, RICHARD S. |
|
1954 |
XXXIV |
3 |
p. 435-b-444 |
artikel |
689 |
REVIEWS OF RECORDS
|
MCARTOR, MARION E. |
|
1954 |
XXXIV |
3 |
p. 460-462 |
artikel |
690 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1954 |
XXXIV |
3 |
p. 465-466 |
artikel |
691 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1954 |
XXXIV |
3 |
p. 462-463 |
artikel |
692 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1955 |
XXXIV |
3 |
p. 410-412 |
artikel |
693 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1955 |
XXXIV |
3 |
p. 398-399 |
artikel |
694 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1955 |
XXXIV |
3 |
p. 404-407 |
artikel |
695 |
REVIEWS OF RECORDS
|
DORIS, HUBERT |
|
1957 |
XXXIV |
3 |
p. 416-418 |
artikel |
696 |
REVIEWS OF RECORDS
|
TURNER, CHARLES |
|
1958 |
XXXIV |
3 |
p. 405-406 |
artikel |
697 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1963 |
XXXIV |
3 |
p. 404-409 |
artikel |
698 |
REVIEWS OF RECORDS
|
BOYDEN, DAVID D. |
|
1953 |
XXXIV |
3 |
p. 488-490 |
artikel |
699 |
REVIEWS OF RECORDS
|
BOYDEN, DAVID D. |
|
1953 |
XXXIV |
3 |
p. 479-481 |
artikel |
700 |
REVIEWS OF RECORDS
|
CONE, EDWARD T. |
|
1953 |
XXXIV |
3 |
p. 475-478 |
artikel |
701 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1953 |
XXXIV |
3 |
p. 500-501 |
artikel |
702 |
REVIEWS OF RECORDS
|
MITCHELL, WILLIAM J. |
|
1953 |
XXXIV |
3 |
p. 473-475 |
artikel |
703 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1953 |
XXXIV |
3 |
p. 499-499 |
artikel |
704 |
REVIEWS OF RECORDS
|
BOYDEN, DAVID D. |
|
1953 |
XXXIV |
3 |
p. 483-b-487 |
artikel |
705 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1953 |
XXXIV |
3 |
p. 478-479 |
artikel |
706 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1952 |
XXXIV |
3 |
p. 500-500 |
artikel |
707 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1952 |
XXXIV |
3 |
p. 483-483 |
artikel |
708 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1952 |
XXXIV |
3 |
p. 495-498 |
artikel |
709 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1952 |
XXXIV |
3 |
p. 481-482 |
artikel |
710 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1952 |
XXXIV |
3 |
p. 492-495 |
artikel |
711 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1952 |
XXXIV |
3 |
p. 480-481 |
artikel |
712 |
REVIEWS OF RECORDS
|
HERTZMANN, ERICH |
|
1952 |
XXXIV |
3 |
p. 498-500 |
artikel |
713 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1952 |
XXXIV |
3 |
p. 501-a-501 |
artikel |
714 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1965 |
XXXIV |
3 |
p. 585-587 |
artikel |
715 |
REVIEWS OF RECORDS
|
CROCKER, RICHARD L. |
|
1965 |
XXXIV |
3 |
p. 571-575 |
artikel |
716 |
REVIEWS OF RECORDS
|
HENAHAN, DONAL |
|
1968 |
XXXIV |
3 |
p. 385-387 |
artikel |
717 |
REVIEWS OF RECORDS
|
CHITTUM, DONALD |
|
1972 |
XXXIV |
3 |
p. 501-509 |
artikel |
718 |
REVIEWS OF RECORDS
|
BALTZER, REBECCA A. |
|
1975 |
XXXIV |
3 |
p. 496-499 |
artikel |
719 |
Reviews of Records
|
HERRMANN, WILLIAM |
|
1978 |
XXXIV |
3 |
p. 423-427 |
artikel |
720 |
Reviews of Records
|
BILSON, MALCOLM |
|
1978 |
XXXIV |
3 |
p. 416-418 |
artikel |
721 |
Reviews of Records
|
TODD, R. LARRY |
|
1981 |
XXXIV |
3 |
p. 445-451 |
artikel |
722 |
REVIEWS OF RECORDS
|
|
|
1954 |
XXXIV |
3 |
p. 471-476 |
artikel |
723 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1954 |
XXXIV |
3 |
p. 467-469 |
artikel |
724 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1954 |
XXXIV |
3 |
p. 477-479 |
artikel |
725 |
REVIEWS OF RECORDS
|
KENTON, EGON |
|
1955 |
XXXIV |
3 |
p. 399-402 |
artikel |
726 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1955 |
XXXIV |
3 |
p. 407-408 |
artikel |
727 |
REVIEWS OF RECORDS
|
TRIMBLE, LESTER |
|
1957 |
XXXIV |
3 |
p. 423-424 |
artikel |
728 |
REVIEWS OF RECORDS
|
BERGER, ARTHUR |
|
1957 |
XXXIV |
3 |
p. 424-426 |
artikel |
729 |
REVIEWS OF RECORDS
|
LERNER, EDWARD R. |
|
1959 |
XXXIV |
3 |
p. 425-427 |
artikel |
730 |
REVIEWS OF RECORDS
|
CLARKE, HENRY LELAND |
|
1960 |
XXXIV |
3 |
p. 408-410 |
artikel |
731 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1960 |
XXXIV |
3 |
p. 410-413 |
artikel |
732 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1961 |
XXXIV |
3 |
p. 424-425 |
artikel |
733 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1962 |
XXXIV |
3 |
p. 409-410 |
artikel |
734 |
REVIEWS OF RECORDS
|
STONE, KURT |
|
1962 |
XXXIV |
3 |
p. 411-418 |
artikel |
735 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1953 |
XXXIV |
3 |
p. 490-492 |
artikel |
736 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1953 |
XXXIV |
3 |
p. 501-502 |
artikel |
737 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1953 |
XXXIV |
3 |
p. 483-a-483 |
artikel |
738 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1953 |
XXXIV |
3 |
p. 481-483 |
artikel |
739 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1953 |
XXXIV |
3 |
p. 492-493 |
artikel |
740 |
REVIEWS OF RECORDS
|
HANLEY, EDWIN |
|
1953 |
XXXIV |
3 |
p. 493-496 |
artikel |
741 |
REVIEWS OF RECORDS
|
STEBERT, F. MARK |
|
1953 |
XXXIV |
3 |
p. 471-473 |
artikel |
742 |
REVIEWS OF RECORDS
|
NEWMAN, WILLIAM S. |
|
1953 |
XXXIV |
3 |
p. 496-499 |
artikel |
743 |
REVIEWS OF RECORDS
|
KENNEY, SYLVIA W. |
|
1964 |
XXXIV |
3 |
p. 412-413 |
artikel |
744 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1964 |
XXXIV |
3 |
p. 409-412 |
artikel |
745 |
REVIEWS OF RECORDS
|
NEWMAN, JOEL |
|
1964 |
XXXIV |
3 |
p. 407-409 |
artikel |
746 |
REVIEWS OF RECORDS
|
KENNEY, SYLVIA W. |
|
1964 |
XXXIV |
3 |
p. 406-407 |
artikel |
747 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1965 |
XXXIV |
3 |
p. 580-585 |
artikel |
748 |
REVIEWS OF RECORDS
|
ZIMMERMAN, FRANKLIN B. |
|
1965 |
XXXIV |
3 |
p. 577-579 |
artikel |
749 |
REVIEWS OF RECORDS
|
STONE, KURT |
|
1968 |
XXXIV |
3 |
p. 387-395 |
artikel |
750 |
REVIEWS OF RECORDS
|
FULLER, DAVID |
|
1973 |
XXXIV |
3 |
p. 481-488 |
artikel |
751 |
REVIEWS OF RECORDS
|
FLYNN, GEORGE W. |
|
1973 |
XXXIV |
3 |
p. 488-490 |
artikel |
752 |
REVIEWS OF RECORDS
|
HENAHAN, DONAL |
|
1969 |
XXXIV |
3 |
p. 424-426 |
artikel |
753 |
REVIEWS OF RECORDS
|
PERKINS, LEEMAN L. |
|
1970 |
XXXIV |
3 |
p. 489-495 |
artikel |
754 |
REVIEWS OF RECORDS
|
BEESON, JACK |
|
1957 |
XXXIV |
3 |
p. 418-421 |
artikel |
755 |
REVIEWS OF RECORDS
|
TRIMBLE, LESTER |
|
1957 |
XXXIV |
3 |
p. 421-422 |
artikel |
756 |
REVIEWS OF RECORDS
|
NEWLIN, DIKA |
|
1958 |
XXXIV |
3 |
p. 411-413 |
artikel |
757 |
REVIEWS OF RECORDS
|
SPEER, KLAUS |
|
1958 |
XXXIV |
3 |
p. 414-416 |
artikel |
758 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1958 |
XXXIV |
3 |
p. 416-419 |
artikel |
759 |
REVIEWS OF RECORDS
|
WATERS, EDWARD N. |
|
1958 |
XXXIV |
3 |
p. 406-408 |
artikel |
760 |
REVIEWS OF RECORDS
|
KNAPP, J. MERRILL |
|
1958 |
XXXIV |
3 |
p. 403-405 |
artikel |
761 |
REVIEWS OF RECORDS
|
TURNER, CHARLES |
|
1958 |
XXXIV |
3 |
p. 408-409 |
artikel |
762 |
REVIEWS OF RECORDS
|
COWELL, HENRY |
|
1958 |
XXXIV |
3 |
p. 402-403 |
artikel |
763 |
REVIEWS OF RECORDS
|
TOWNSEND, DOUGLAS |
|
1958 |
XXXIV |
3 |
p. 409-411 |
artikel |
764 |
REVIEWS OF RECORDS
|
BOYDEN, DAVID D. |
|
1963 |
XXXIV |
3 |
p. 397-404 |
artikel |
765 |
REVIEWS OF RECORDS
|
STEVENSON, ROBERT |
|
1960 |
XXXIV |
3 |
p. 414-415 |
artikel |
766 |
REVIEWS OF RECORDS
|
SIEBERT, F.MARK |
|
1960 |
XXXIV |
3 |
p. 397-398 |
artikel |
767 |
REVIEWS OF RECORDS
|
BOYDEN, DAVID D. |
|
1960 |
XXXIV |
3 |
p. 399-405 |
artikel |
768 |
REVIEWS OF RECORDS
|
P.H.L, |
|
1966 |
XXXIV |
3 |
p. 394-401 |
artikel |
769 |
REVIEWS OF RECORDS
|
P.H.L., |
|
1966 |
XXXIV |
3 |
p. 391-394 |
artikel |
770 |
REVIEWS OF RECORDS
|
STONE, KURT |
|
1967 |
XXXIV |
3 |
p. 440-452 |
artikel |
771 |
REVIEWS OF RECORDS
|
CROSS, RONALD |
|
1971 |
XXXIV |
3 |
p. 524-527 |
artikel |
772 |
REVIEWS OF RECORDS
|
WOLFF, CHRISTOPH |
|
1972 |
XXXIV |
3 |
p. 496-501 |
artikel |
773 |
REVIEWS OF RECORDS
|
LESSEM, ALAN |
|
1976 |
XXXIV |
3 |
p. 456-460 |
artikel |
774 |
REVIEWS OF RECORDS
|
CROSS, RONALD |
|
1976 |
XXXIV |
3 |
p. 460-464 |
artikel |
775 |
REVIEWS OF RECORDS
|
LAZAREVICH, GORDANA |
|
1977 |
XXXIV |
3 |
p. 446-450 |
artikel |
776 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1954 |
XXXIV |
3 |
p. 480-481 |
artikel |
777 |
REVIEWS OF RECORDS
|
HITCHCOCK, H. WILEY |
|
1954 |
XXXIV |
3 |
p. 450-454 |
artikel |
778 |
REVIEWS OF RECORDS
|
BLITZSTEIN, MARC |
|
1954 |
XXXIV |
3 |
p. 454-456 |
artikel |
779 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1954 |
XXXIV |
3 |
p. 482-a-482 |
artikel |
780 |
REVIEWS OF RECORDS
|
BERGER, ARTHUR |
|
1954 |
XXXIV |
3 |
p. 463-465 |
artikel |
781 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1954 |
XXXIV |
3 |
p. 469-471 |
artikel |
782 |
REVIEWS OF RECORDS
|
HANLEY, EDWIN |
|
1954 |
XXXIV |
3 |
p. 482-b-484 |
artikel |
783 |
REVIEWS OF RECORDS
|
BERGER, ARTHUR |
|
1955 |
XXXIV |
3 |
p. 412-414 |
artikel |
784 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1955 |
XXXIV |
3 |
p. 409-410 |
artikel |
785 |
REVIEWS OF RECORDS
|
GEIRINGER, KARL |
|
1955 |
XXXIV |
3 |
p. 402-404 |
artikel |
786 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1959 |
XXXIV |
3 |
p. 418-425 |
artikel |
787 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1959 |
XXXIV |
3 |
p. 427-428 |
artikel |
788 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1960 |
XXXIV |
3 |
p. 405-407 |
artikel |
789 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1961 |
XXXIV |
3 |
p. 425-431 |
artikel |
790 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1951 |
XXXIV |
3 |
p. 486-487 |
artikel |
791 |
REVIEWS OF RECORDS
|
N. B., |
|
1952 |
XXXIV |
3 |
p. 489-492 |
artikel |
792 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1952 |
XXXIV |
3 |
p. 487-489 |
artikel |
793 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1952 |
XXXIV |
3 |
p. 484-486 |
artikel |
794 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1952 |
XXXIV |
3 |
p. 482-483 |
artikel |
795 |
RHYTHM
|
BIE, OSCAR |
|
1925 |
XXXIV |
3 |
p. 331-338 |
artikel |
796 |
RHYTHM AND TEMPO: AN INTRODUCTION
|
SACHS, CURT |
|
1952 |
XXXIV |
3 |
p. 384-398 |
artikel |
797 |
Richard Strauss's Presketch Planning for Ariadne Auf Naxos
|
ERWIN, CHARLOTTE E. |
|
1981 |
XXXIV |
3 |
p. 348-365 |
artikel |
798 |
RIMSKY-KORSAKOV, THE ORIENTAL WIZARD
|
ISTEL, EDGAR |
|
1929 |
XXXIV |
3 |
p. 388-414 |
artikel |
799 |
RIPE FRUIT AT SIXTY TWO REVIEWS
|
REESE, GUSTAVE |
|
1940 |
XXXIV |
3 |
p. 384-390 |
artikel |
800 |
ROBERT VOLKMANN (1815–1883)
|
VON HERZFELD, VIKTOR |
|
1915 |
XXXIV |
3 |
p. 336-349 |
artikel |
801 |
Rochester
|
WARREN FOX, CHARLES |
|
1948 |
XXXIV |
3 |
p. 415-419 |
artikel |
802 |
ROSSINI : A STUDY
|
ISTEL, EDGAR |
|
1923 |
XXXIV |
3 |
p. 401-422 |
artikel |
803 |
ROSSINI IN NAPLES: SOME MAJOR WORKS RECOVERED
|
GOSSETT, PHILIP |
|
1968 |
XXXIV |
3 |
p. 316-340 |
artikel |
804 |
ROUSSEAU, BEAUMARCHAIS, AND FIGARO
|
LIVERMORE, ANN |
|
1971 |
XXXIV |
3 |
p. 466-490 |
artikel |
805 |
RUSSIAN COMPOSERS AS DESCRIBED BY THEMSELVES
|
TIERSOT, JULIEN |
|
1921 |
XXXIV |
3 |
p. 376-398 |
artikel |
806 |
RUSSIAN HORN BANDS
|
RICKS, ROBERT |
|
1969 |
XXXIV |
3 |
p. 364-371 |
artikel |
807 |
SAILOR SONGS AND SONGS OF THE SEA
|
SAUNDERS, WILLIAM |
|
1928 |
XXXIV |
3 |
p. 339-357 |
artikel |
808 |
SCHOENBERG'S QUEST: NEWLY DISCOVERED WORKS FROM HIS EARLY YEARS
|
STEINER, ENA |
|
1974 |
XXXIV |
3 |
p. 401-420 |
artikel |
809 |
SCHUBERT: DISCOVERIES OF THE LAST DECADE
|
BROWN, MAURICE J. E. |
|
1971 |
XXXIV |
3 |
p. 351-378 |
artikel |
810 |
SCHUBERT: DISCOVERIES OF THE LAST DECADE
|
BROWN, MAURICE J. E. |
|
1961 |
XXXIV |
3 |
p. 293-314 |
artikel |
811 |
SCHUBERT'S REMINISCENCES OF HIS OWN WORKS
|
HOORICKX, REINHARD VAN O.F.M |
|
1974 |
XXXIV |
3 |
p. 373-388 |
artikel |
812 |
Schubert's Revisions of Der Jüngling und der Tod, D 545a–b, and Meeresstille, D 216a–b
|
Jackson, Timothy L. |
|
1991 |
XXXIV |
3 |
p. 336-361 |
artikel |
813 |
Schumann's Conversion to Vocal Music: A Reconsideration
|
TURCHIN, BARBARA |
|
1981 |
XXXIV |
3 |
p. 392-404 |
artikel |
814 |
SCHUMANN'S PLACE IN GERMAN SONG
|
FELBER, RUDOLF |
|
1940 |
XXXIV |
3 |
p. 340-354 |
artikel |
815 |
SCORING AND PLACEMENT OF THE “AIR” IN EARLY AMERICAN TUNEBOOKS
|
LINDSLEY, CHARLES EDWARD |
|
1972 |
XXXIV |
3 |
p. 365-382 |
artikel |
816 |
Seattle
|
CLARKE, HENRY LELAND |
|
1965 |
XXXIV |
3 |
p. 540-544 |
artikel |
817 |
SERGEI RAKHMANINOV
|
BELAIEV, VICTOR |
|
1927 |
XXXIV |
3 |
p. 359-376 |
artikel |
818 |
SERGE KOUSSEVITZKY AND THE AMERICAN COMPOSER
|
COPLAND, AARON |
|
1943 |
XXXIV |
3 |
p. 255-269 |
artikel |
819 |
SHALL WE REALIZE WAGNER'S IDEALS?
|
VAN VECHTEN, CARL |
|
1916 |
XXXIV |
3 |
p. 387-401 |
artikel |
820 |
SHAW, WELLS, BINYON—AND MUSIC
|
MAINE, BASIL |
|
1932 |
XXXIV |
3 |
p. 375-382 |
artikel |
821 |
SIDELIGHTS ON THOMAS ARNE
|
SCOTT, HUGH ARTHUR |
|
1935 |
XXXIV |
3 |
p. 301-310 |
artikel |
822 |
SIDNEY LANIER
|
THORPE, HARRY COLIN |
|
1925 |
XXXIV |
3 |
p. 373-382 |
artikel |
823 |
SIXTEENTH-CENTURY INSTRUMENTATION
|
WEAVER, ROBERT L. |
|
1961 |
XXXIV |
3 |
p. 363-378 |
artikel |
824 |
Solo and Cycle in African-American Jazz
|
Brothers, Thomas |
|
1994 |
XXXIV |
3 |
p. 479-509 |
artikel |
825 |
SOME EVIDENCE FOR THE NATURALNESS OF THE LESS USUAL RHYTHMS
|
FRAMPTON, JOHN ROSS |
|
1926 |
XXXIV |
3 |
p. 400-405 |
artikel |
826 |
SOME LETTERS TO A NAMESAKE
|
ENGEL, CARL |
|
1942 |
XXXIV |
3 |
p. 337-379 |
artikel |
827 |
SOME MEMORIES OF ETHELBERT NEVIN
|
ROGERS, FRANCIS |
|
1917 |
XXXIV |
3 |
p. 358-363 |
artikel |
828 |
SOME OBSCURE ENGLISH DIARISTS AND THEIR MUSIC
|
GREW, EVA MARY |
|
1930 |
XXXIV |
3 |
p. 314-321 |
artikel |
829 |
SOME OBSERVATIONS ON TRANSLATION
|
PEYSER, HERBERT F. |
|
1922 |
XXXIV |
3 |
p. 353-371 |
artikel |
830 |
SOME RECENT DEVELOPMENTS IN MUSIC TESTING
|
MOOS, JEAN CORRODI |
|
1933 |
XXXIV |
3 |
p. 318-330 |
artikel |
831 |
SOME RECENT REPRENTATIVE AMERICAN SONG-COMPOSERS
|
UPTON, WILLIAM TREAT |
|
1925 |
XXXIV |
3 |
p. 383-417 |
artikel |
832 |
SOME REMARKS ABOUT OLD NOTATION
|
SACHS, CURT |
|
1948 |
XXXIV |
3 |
p. 365-370 |
artikel |
833 |
SOME RHYTHMIC AND METRIC TECHNIQUES IN ALBAN BERG'S LULU
|
JARMAN, DOUGLAS |
|
1970 |
XXXIV |
3 |
p. 349-366 |
artikel |
834 |
SOME RHYTHMIC PRACTICES IN CONTEMPORARY MUSIC
|
ELSTON, ARNOLD |
|
1956 |
XXXIV |
3 |
p. 318-329 |
artikel |
835 |
SOVIET MUSIC AND MUSICIANS
|
KOZLENKO, WILLIAM |
|
1937 |
XXXIV |
3 |
p. 295-305 |
artikel |
836 |
SPAIN
|
HAINES, EDMUND |
|
1966 |
XXXIV |
3 |
p. 380-383 |
artikel |
837 |
Stein Satie Cummings Thomson Berners Cage: Toward a Context for the Music of Virgil Thomson
|
DICKINSON, PETER |
|
1987 |
XXXIV |
3 |
p. 394-409 |
artikel |
838 |
Stockhausen and the Sine-Wave: The Story of an Ambiguous Relationship
|
TOOP, RICHARD |
|
1979 |
XXXIV |
3 |
p. 379-391 |
artikel |
839 |
Strauss's Friedenstag: A Pacifist Attempt at Political Resistance
|
POTTER, PAMELA M. |
|
1983 |
XXXIV |
3 |
p. 408-424 |
artikel |
840 |
STRAVINSKY AND TCHAIKOVSKY: LE BAISER DE LA FĖE
|
MORTON, LAWRENCE |
|
1962 |
XXXIV |
3 |
p. 313-326 |
artikel |
841 |
STRAVINSKY IN SOVIET RUSSIAN CRITICISM
|
SCHWARZ, BORIS |
|
1962 |
XXXIV |
3 |
p. 340-361 |
artikel |
842 |
STRAVINSKY IN THE CHAIR OF POETRY
|
KALL, ALEXIS |
|
1940 |
XXXIV |
3 |
p. 283-296 |
artikel |
843 |
STRAVINSKY'S CONCEPT OF VARIATIONS
|
NELSON, ROBERT U. |
|
1962 |
XXXIV |
3 |
p. 327-339 |
artikel |
844 |
STRAVINSKY'S OEDIPUS AS 20TH-CENTURY HERO
|
MELLERS, WILFRID |
|
1962 |
XXXIV |
3 |
p. 300-312 |
artikel |
845 |
SUPPRESSED PASSAGES IN THE BRAHMS-JOACHIM CORRESPONDENCE PUBLISHED FOR THE FIRST TIME
|
HOLDE, ARTUR |
|
1959 |
XXXIV |
3 |
p. 312-324 |
artikel |
846 |
SYNTHESIS AND NEW EXPERIMENTS: FOUR CONTEMPORARY GERMAN COMPOSERS
|
STUCKENSCHMIDT, H. H. |
|
1952 |
XXXIV |
3 |
p. 353-368 |
artikel |
847 |
TA—APRIL, 1940 NUMBER
|
|
|
1940 |
XXXIV |
3 |
p. 400-400 |
artikel |
848 |
TEMPO AND CHARACTER IN BEETHOVEN'S MUSIC—PART II
|
KOLISCH, RUDOLF |
|
1943 |
XXXIV |
3 |
p. 291-312 |
artikel |
849 |
THE ABUSE OF THE SEMITONE IN TWELVE-TONE MUSIC
|
CLARKE, HENRY LELAND |
|
1959 |
XXXIV |
3 |
p. 295-301 |
artikel |
850 |
THE ACADEMY OF ST. CECILIA AND THE AUGUSTEO IN ROME
|
GATTI, GUIDO M. |
|
1922 |
XXXIV |
3 |
p. 323-345 |
artikel |
851 |
THE ADVENTURES OF AN ENGLISH MINSTREL AND HIS VARLET
|
SCHOFIELD, BERTRAM |
|
1949 |
XXXIV |
3 |
p. 361-376 |
artikel |
852 |
THE AMERICAN COMPOSER : THE VICTIM OF HIS FRIENDS
|
HOWARD, JOHN TASKER |
|
1922 |
XXXIV |
3 |
p. 313-318 |
artikel |
853 |
THE AMERICAN-HUNGARIAN FOLK-SONG
|
WARE, HELEN |
|
1916 |
XXXIV |
3 |
p. 434-441 |
artikel |
854 |
THE AMERICAN QUALITY IN THE MUSIC OF LOUIS MOREAU GOTTSCHALK
|
LINDSTROM, CARL E. |
|
1945 |
XXXIV |
3 |
p. 356-366 |
artikel |
855 |
The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation
|
Gilliam, Bryan |
|
1994 |
XXXIV |
3 |
p. 584-604 |
artikel |
856 |
THE ANOMALOUS PLACE OF MOZART IN MUSIC
|
PHILLIPS, HAROLD D. |
|
1922 |
XXXIV |
3 |
p. 372-376 |
artikel |
857 |
THE ANÆSTHETIC OF CONCEIT
|
WHITE, ELISE FELLOWS |
|
1925 |
XXXIV |
3 |
p. 339-344 |
artikel |
858 |
The Arnold Schoenberg Institute
|
HEINSHEIMER, HANS |
|
1977 |
XXXIV |
3 |
p. 428-433 |
artikel |
859 |
THE ART OF THE SYMPHONIC POEM
|
MENDL, R. W. S. |
|
1932 |
XXXIV |
3 |
p. 443-462 |
artikel |
860 |
THE ART OF THE THIRD GUESS: BEETHOVEN TO BECKER TO BARTÓK
|
RINGER, ALEXANDER L. |
|
1966 |
XXXIV |
3 |
p. 304-312 |
artikel |
861 |
THE ASSAULT ON MODERNISM IN MUSIC
|
WELCH, R. D. |
|
1921 |
XXXIV |
3 |
p. 408-417 |
artikel |
862 |
THE ATTITUDE OF THE DANCER TOWARD MUSIC
|
MARTENS, FREDERICK H. |
|
1918 |
XXXIV |
3 |
p. 440-449 |
artikel |
863 |
THE AUSTRALIAN BUSH SONGS
|
GRATTAN, C. HARTLEY |
|
1929 |
XXXIV |
3 |
p. 426-437 |
artikel |
864 |
The Autobiography and Early Diary of Alfred Einstein (1880–1952)
|
FINK, MICHAEL |
|
1980 |
XXXIV |
3 |
p. 361-377 |
artikel |
865 |
The Bach Flute
|
|
|
1985 |
XXXIV |
3 |
p. 264-280 |
artikel |
866 |
THE BARON DE TRÉMONT SOUVENIRS OF BEETHOVEN AND OTHER CONTEMPORARIES
|
PROD'HOMME, J. -G. |
|
1920 |
XXXIV |
3 |
p. 366-391 |
artikel |
867 |
THE BASIS OF MUSIC-MINDEDNESS
|
SCHOEN, MAX |
|
1935 |
XXXIV |
3 |
p. 348-355 |
artikel |
868 |
THE BASS PART IN HAYDN'S EARLY STRING QUARTETS
|
WEBSTER, JAMES |
|
1977 |
XXXIV |
3 |
p. 390-424 |
artikel |
869 |
The Beethoven Mystique in Romantic Art, Literature, and Music
|
NEWMAN, WILLIAM S. |
|
1983 |
XXXIV |
3 |
p. 354-387 |
artikel |
870 |
THE BERLIOZ OF THE FANTASTIC SYMPHONY
|
TIERSOT, JULIEN |
|
1933 |
XXXIV |
3 |
p. 303-317 |
artikel |
871 |
THE BOOK-PLATES OF MUSICIANS AND MUSIC-LOVERS
|
CHENEY, SHELDON |
|
1917 |
XXXIV |
3 |
p. 446-452 |
artikel |
872 |
THE CANTATAS OF LOUIS NICHOLAS CLÉRAMBAULT
|
TUNLEY, DAVID |
|
1966 |
XXXIV |
3 |
p. 313-331 |
artikel |
873 |
THE CHAMBER MUSIC OF MILHAUD
|
MASON, COLIN |
|
1957 |
XXXIV |
3 |
p. 326-341 |
artikel |
874 |
THE CHRONOLOGY OF BACH'S SAINT MATTHEW PASSION
|
RIFKIN, JOSHUA |
|
1975 |
XXXIV |
3 |
p. 360-387 |
artikel |
875 |
THE CLASSICAL DANCE OF JAPAN
|
CURTIS, NATALIE |
|
1915 |
XXXIV |
3 |
p. 329-335 |
artikel |
876 |
THE COMIC SERVANT IN MOZART'S OPERAS
|
LOFT, ABRAM |
|
1946 |
XXXIV |
3 |
p. 376-389 |
artikel |
877 |
THE COMPLEAT MUSICIAN: VINCENT PERSICHETTI AND TWENTIETH-CENTURY HARMONY
|
SCHUMAN, WILLIAM |
|
1961 |
XXXIV |
3 |
p. 379-385 |
artikel |
878 |
THE COMPOSER AS READER: A SETTING OF GEORGE HERBERT'S “ALTAR”
|
SCHLEINER, LOUISE |
|
1975 |
XXXIV |
3 |
p. 422-432 |
artikel |
879 |
THE CONFLICT OF WORD AND TONE
|
EINSTEIN, ALFRED |
|
1954 |
XXXIV |
3 |
p. 329-349 |
artikel |
880 |
THE CONTRIBUTION OF A UNIVERSITY SCHOOL OF MUSIC TO THE STATE AND UNIVERSITY
|
STIVEN, FREDERIC B. |
|
1923 |
XXXIV |
3 |
p. 395-400 |
artikel |
881 |
THE CORRESPONDENCE BETWEEN GEORGE AND EMMA HERWEGH AND THE PRINCESS SAYN-WITTGENSTEIN, CHALLEMEL-LACOUR AND MINNA WAGNER
|
HERWEGH, M. |
|
1929 |
XXXIV |
3 |
p. 322-359 |
artikel |
882 |
THE COUNTRY CRYES OF RICHARD DEERING
|
BRENNECKE, ERNEST |
|
1956 |
XXXIV |
3 |
p. 366-376 |
artikel |
883 |
THE CRADLE OF THE PARSIFAL LEGEND
|
UNGER, MAX |
|
1932 |
XXXIV |
3 |
p. 428-442 |
artikel |
884 |
THE CREATORS OF MODERN MUSICAL IDEALITIES
|
FANO, GUIDO ALBERTO |
|
1917 |
XXXIV |
3 |
p. 319-339 |
artikel |
885 |
THE DEMOCRATIC IDEAL IN MUSIC
|
BURK, JOHN N. |
|
1919 |
XXXIV |
3 |
p. 316-328 |
artikel |
886 |
The Descending Tetrachord: An Emblem of Lament
|
ROSAND, ELLEN |
|
1979 |
XXXIV |
3 |
p. 346-359 |
artikel |
887 |
The Diatonic Looking Glass, or an Ivesian Metamorphosis
|
Forte, Allen |
|
1992 |
XXXIV |
3 |
p. 355-382 |
artikel |
888 |
The Drama of the Passions: Tate and Purcell's Characterization of Dido
|
EASTMAN, HOLLY |
|
1989 |
XXXIV |
3 |
p. 364-381 |
artikel |
889 |
THE EARLIEST ENGLISH BIOGRAPHY OF HAYDN
|
BROWN, A. PETER |
|
1973 |
XXXIV |
3 |
p. 339-354 |
artikel |
890 |
THE EARLIEST RUSSIAN OPERAS
|
FINDEISEN, NICHOLAS |
|
1933 |
XXXIV |
3 |
p. 331-340 |
artikel |
891 |
THE EDUCATION OF A. W. THAYER
|
HATCH, CHRISTOPHER |
|
1956 |
XXXIV |
3 |
p. 355-365 |
artikel |
892 |
THE EFFECT OF THE WAR ON ENGLISH CHORAL MUSIC
|
ANTCLIFFE, HERBERT |
|
1920 |
XXXIV |
3 |
p. 342-353 |
artikel |
893 |
THE ELEMENT OF REPETITION IN NATURE AND THE ARTS
|
HARRIS, CLEMENT ANTROBUS |
|
1931 |
XXXIV |
3 |
p. 302-318 |
artikel |
894 |
THE FALLACY OF HARMONIC DUALISM
|
ORTMANN, OTTO |
|
1924 |
XXXIV |
3 |
p. 369-383 |
artikel |
895 |
THE FAMILY AND CHILDHOOD OF DEBUSSY
|
DIETSCHY, MARCEL |
|
1960 |
XXXIV |
3 |
p. 301-314 |
artikel |
896 |
The Fashionable Lady: The First Opera by an American
|
MCKAY, DAVID |
|
1979 |
XXXIV |
3 |
p. 360-367 |
artikel |
897 |
THE FIRST EDITION OF BEETHOVEN'S OP. 119 BAGATELLES
|
TYSON, ALAN |
|
1963 |
XXXIV |
3 |
p. 331-338 |
artikel |
898 |
THE FLUTE
|
WYNN, JAMES |
|
1929 |
XXXIV |
3 |
p. 469-474 |
artikel |
899 |
THE FLYING DUTCHMAN IN THE SETTING BY PHILIPPE DIETCH
|
LEPRINCE, GUSTAVE |
|
1964 |
XXXIV |
3 |
p. 307-320 |
artikel |
900 |
THE FOLIA, FEDELE, AND FALSOBORDONE
|
HUDSON, RICHARD |
|
1972 |
XXXIV |
3 |
p. 398-411 |
artikel |
901 |
THE FOLK-MUSIC OF IRELAND
|
PATTERSON, ANNIE W. |
|
1920 |
XXXIV |
3 |
p. 455-467 |
artikel |
902 |
THE “FORTY-EIGHT” FROM THE PLAYER'S STANDPOINT
|
HUGHES, EDWIN |
|
1925 |
XXXIV |
3 |
p. 444-453 |
artikel |
903 |
“THE FRIENDS OF MUSIC” IN VIENNA (1812–1937)
|
GEIRINGER, KARL |
|
1938 |
XXXIV |
3 |
p. 243-248 |
artikel |
904 |
THE FUTURE OF MUSICOLOGY IN AMERICA
|
SONNECK, O. G. |
|
1929 |
XXXIV |
3 |
p. 317-321 |
artikel |
905 |
THE ”GALLANT” STYLE OF MUSIC1
|
DAHMS, WALTER |
|
1925 |
XXXIV |
3 |
p. 356-372 |
artikel |
906 |
The Gendered Construction of the Musical Self: The Music of Pauline Oliveros
|
Taylor, Timothy D. |
|
1993 |
XXXIV |
3 |
p. 385-396 |
artikel |
907 |
THE GENERAL TRENDS IN CONTEMPORARY BELGIAN MUSIC
|
BORREN, CHARLES VAN DEN |
|
1921 |
XXXIV |
3 |
p. 351-365 |
artikel |
908 |
THE GENESIS OF THE CANTI DI PRIGIONIA AND IL PRIGIONIERO
|
DALLAPICCOLA, LUIGI |
|
1953 |
XXXIV |
3 |
p. 355-372 |
artikel |
909 |
THE GREAT CHAPEL-CHAMBER CONTROVERSY
|
MORBY, JOHN E. |
|
1972 |
XXXIV |
3 |
p. 383-397 |
artikel |
910 |
THE HIGH LIGHTS OF FRENCH OPÉRA-COMIQUE
|
CAUCHIE, MAURICE |
|
1939 |
XXXIV |
3 |
p. 306-312 |
artikel |
911 |
THE HOCKET IN MEDIEVAL POLYPHONY1
|
DALGLISH, WILLIAM E. |
|
1969 |
XXXIV |
3 |
p. 344-363 |
artikel |
912 |
THE “HOWLING IN SECONDS” OF THE LOMBARDS
|
FERAND, ERNST TH. |
|
1939 |
XXXIV |
3 |
p. 313-324 |
artikel |
913 |
THE “IDEALIZATION” OF INDIAN MUSIC
|
CADMAN, CHARLES WAKEFIELD |
|
1915 |
XXXIV |
3 |
p. 387-396 |
artikel |
914 |
THE IMPRESS OF PERSONALITY IN UNWRITTEN MUSIC
|
GRAINGER, PERCY |
|
1915 |
XXXIV |
3 |
p. 416-435 |
artikel |
915 |
THE INTERPRETATION OF MUSIC: A THEORY OF COMMUNICATION
|
TURNER, E. O. |
|
1943 |
XXXIV |
3 |
p. 297-306 |
artikel |
916 |
THE JEWISH NATIONAL SCHOOL IN MUSIC
|
SABANEEV, LEONID |
|
1929 |
XXXIV |
3 |
p. 448-468 |
artikel |
917 |
THE LITERARY LISZT
|
BAUER, MARION |
|
1936 |
XXXIV |
3 |
p. 295-313 |
artikel |
918 |
THE MALE SOPRANO
|
ROGERS, FRANCIS |
|
1919 |
XXXIV |
3 |
p. 413-425 |
artikel |
919 |
THE MELODY OF PINDAR'S “GOLDEN LYRE”1
|
GOMBOSI, OTTO |
|
1940 |
XXXIV |
3 |
p. 381-392 |
artikel |
920 |
THE METAPHYSICAL FOUNDATION OF PURE MUSIC
|
YEWDALE, MERTON S. |
|
1928 |
XXXIV |
3 |
p. 397-402 |
artikel |
921 |
THE MISSING ITALIAN MANUSCRIPT OF TARTINI'S TRAITE DES AGREMENTS
|
BOYDEN, DAVID D. |
|
1960 |
XXXIV |
3 |
p. 315-328 |
artikel |
922 |
THE MISSION OF THE SINGER
|
ENGEL, S. CAMILLO |
|
1920 |
XXXIV |
3 |
p. 451-454 |
artikel |
923 |
THE MODERN RUSSIAN PIANOFORTE SONATA
|
MARTENS, FREDERICK H. |
|
1919 |
XXXIV |
3 |
p. 357-363 |
artikel |
924 |
THE MUSICAL CLOCK OF MARIE-ANTOINETTE
|
TIERSOT, JULIEN |
|
1932 |
XXXIV |
3 |
p. 411-422 |
artikel |
925 |
THE MUSICAL ÆSTHETICS OF THE COMTE DE GOBINEAU
|
CŒUROY, ANDRÈ |
|
1930 |
XXXIV |
3 |
p. 305-313 |
artikel |
926 |
THE MUSICAL STRUCTURE OF DE QUINCEY'S DREAM-FUGUE
|
BROWN, CALVIN S. JR |
|
1938 |
XXXIV |
3 |
p. 341-350 |
artikel |
927 |
THE MUSIC IN “DON QUIXOTE”
|
ISTEL, EDGAR |
|
1927 |
XXXIV |
3 |
p. 434-450 |
artikel |
928 |
THE MUSIC OF GEORGE PERLE
|
KRAFT, LEO |
|
1971 |
XXXIV |
3 |
p. 444-465 |
artikel |
929 |
THE MUSIC OF HALSEY STEVENS
|
BERRY, WALLACE |
|
1968 |
XXXIV |
3 |
p. 287-308 |
artikel |
930 |
THE MUSIC OF THE PEOPLES OF THE RUSSIAN ORIENT
|
SAMINSKY, LAZARE |
|
1922 |
XXXIV |
3 |
p. 346-352 |
artikel |
931 |
THE MYTHOLOGICAL BACKGROUND OF HINDU MUSIC
|
STRICKLAND, LILY |
|
1931 |
XXXIV |
3 |
p. 330-340 |
artikel |
932 |
The Nonsence of an Ending: Closure in Haydn's String Quartets
|
Edwards, George |
|
1991 |
XXXIV |
3 |
p. 227-254 |
artikel |
933 |
THE OPENING THEME OF RACHMANINOFF'S THIRD PIANO CONCERTO AND ITS LITURGICAL PROTOTYPE
|
YASSER, JOSEPH |
|
1969 |
XXXIV |
3 |
p. 313-328 |
artikel |
934 |
THE OPERATIC CRITICISM OF THE TATLER AND SPECTATOR
|
BETZ, SIEGMUND A. E. |
|
1945 |
XXXIV |
3 |
p. 318-330 |
artikel |
935 |
THE OPERA WALKS NEW PATHS
|
BEKKER, PAUL |
|
1935 |
XXXIV |
3 |
p. 266-278 |
artikel |
936 |
THE OPÉRAS COMIQUES OF GRÉTRY AND MARMONTEL
|
PENDLE, KARIN |
|
1976 |
XXXIV |
3 |
p. 409-434 |
artikel |
937 |
THE ORGAN IN THE MASS OF THE 15th CENTURY
|
SCHRADE, LEO |
|
1942 |
XXXIV |
3 |
p. 329-336 |
artikel |
938 |
THE ORIGIN AND DESTINATION OF THE MAGNUS LIBER ORGANI
|
HUSMANN, HEINRICH |
|
1963 |
XXXIV |
3 |
p. 311-330 |
artikel |
939 |
THE ORNAMENTS IN BACH'S ORGAN WORKS
|
SALTER, SUMNER |
|
1920 |
XXXIV |
3 |
p. 392-402 |
artikel |
940 |
THE “OTHELLO” OF VERDI AND SHAKESPEARE
|
ISTEL, EDGAR |
|
1916 |
XXXIV |
3 |
p. 375-386 |
artikel |
941 |
The Overdotting Syndrome: Anatomy of a Delusion
|
NEUMANN, FREDERICK |
|
1981 |
XXXIV |
3 |
p. 305-347 |
artikel |
942 |
THE PHENOMENON OF STRAVINSKY
|
BLITZSTEIN, MARC |
|
1935 |
XXXIV |
3 |
p. 330-347 |
artikel |
943 |
THE PHILOSOPHY OF COPYRIGHT
|
BRUNCKEN, ERNEST |
|
1916 |
XXXIV |
3 |
p. 477-496 |
artikel |
944 |
THE PIANO WORKS OF CLAUDE DEBUSSY
|
GATTI, GUIDO M. |
|
1921 |
XXXIV |
3 |
p. 418-460 |
artikel |
945 |
THE POSSIBILITIES OF MUSICAL CRITICISM
|
MYERS, ROLLO H. |
|
1928 |
XXXIV |
3 |
p. 387-396 |
artikel |
946 |
The Preparation for Vichy: Anti-Semitism in French Musical Culture Between the Two World Wars
|
Fulcher, Jane F. |
|
1995 |
XXXIV |
3 |
p. 458-475 |
artikel |
947 |
“THE PRESENT STATE OF MUSIC”—A HUNDRED YEARS AGO
|
KASS, WERNER |
|
1947 |
XXXIV |
3 |
p. 390-404 |
artikel |
948 |
THE PRINCE de CONTI: A ROYAL PATRON OF MUSIC
|
TURRENTINE, HERBERT C. |
|
1968 |
XXXIV |
3 |
p. 309-315 |
artikel |
949 |
THE PROBLEM OF MELODY
|
THURSTONE, L. L. |
|
1920 |
XXXIV |
3 |
p. 426-429 |
artikel |
950 |
The Prophetic Conversation in Beethoven's “Scene by the Brook”
|
Jander, Owen |
|
1993 |
XXXIV |
3 |
p. 508-559 |
artikel |
951 |
THE PUBLISHED INSTRUMENTAL WORKS OF GIOVANNI BATTISTA SAMMARTINI: A BIBLIOGRAPHICAL REAPPRAISAL
|
MISHKIN, HENRY G. |
|
1959 |
XXXIV |
3 |
p. 361-374 |
artikel |
952 |
THE REDISCOVERY OF MUSIC AS A SUBJECT FOR EDUCATION
|
RYAN, CALVIN T. |
|
1930 |
XXXIV |
3 |
p. 330-335 |
artikel |
953 |
THE REFORM OF TRENT AND ITS EFFECT ON MUSIC1
|
LEICHTENTRITT, HUGO |
|
1943 |
XXXIV |
3 |
p. 319-328 |
artikel |
954 |
THE REFORMS OF CHURCH MUSIC UNDER JOSEPH II
|
PAULY, REINHARD G. |
|
1957 |
XXXIV |
3 |
p. 372-382 |
artikel |
955 |
THE RELATION BETWEEN MUSIC AND POETRY
|
DABNEY, J. P. |
|
1927 |
XXXIV |
3 |
p. 377-383 |
artikel |
956 |
THE RELATION OF MUSIC TO HUMAN PROGRESS
|
DENT, EDWARD J. |
|
1928 |
XXXIV |
3 |
p. 307-319 |
artikel |
957 |
The Revival of Speculative Music
|
GODWIN, JOSCELYN |
|
1982 |
XXXIV |
3 |
p. 373-389 |
artikel |
958 |
THE RIGAUDON
|
ALFORD, VIOLET |
|
1943 |
XXXIV |
3 |
p. 277-296 |
artikel |
959 |
THE ROAD TO MAJOR
|
SACHS, CURT |
|
1943 |
XXXIV |
3 |
p. 381-404 |
artikel |
960 |
The Romantic Mendelssohn: The Composition of Die erste Walpurgisnacht
|
SEATON, DOUGLASS |
|
1982 |
XXXIV |
3 |
p. 398-410 |
artikel |
961 |
THE SECOND BERLIN SONG SCHOOL IN AMERICA
|
FALCONER, JOAN O. |
|
1973 |
XXXIV |
3 |
p. 411-440 |
artikel |
962 |
The Second Venetian Visit of Heirich Schütz
|
ARNOLD, DENIS |
|
1985 |
XXXIV |
3 |
p. 359-374 |
artikel |
963 |
THE “SECRET” OF THE PIANIST'S BEAUTIFUL TOUCH
|
FERGUSON, DONALD N. |
|
1924 |
XXXIV |
3 |
p. 384-399 |
artikel |
964 |
THE SENSE OF POWER IN THE ARTIST AND IN THE CHILD
|
VARRO, MARGIT |
|
1926 |
XXXIV |
3 |
p. 432-440 |
artikel |
965 |
THE SIGNIFICANCE OF SCRIABIN
|
ANTCLIFFE, HERBERT |
|
1924 |
XXXIV |
3 |
p. 333-345 |
artikel |
966 |
THE SIGNS OF STYLE IN MUSIC
|
BELAIEV, VICTOR |
|
1930 |
XXXIV |
3 |
p. 366-377 |
artikel |
967 |
THE SILENT THEME TRADITION IN JAZZ
|
TIRRO, FRANK |
|
1967 |
XXXIV |
3 |
p. 313-334 |
artikel |
968 |
THE SKETCHES FOR “THE MAGIC FLUTE” AT UPSALA
|
ENGLÄNDER, RICHARD |
|
1940 |
XXXIV |
3 |
p. 343-355 |
artikel |
969 |
The So-Called Cyclic Mass of Guillaume de Machaut: New Evidence for an Old Debate
|
KEITEL, ELIZABETH A. |
|
1982 |
XXXIV |
3 |
p. 307-323 |
artikel |
970 |
THE SONGS OF CHARLES T. GRIFFES
|
UPTON, WILLIAM TREAT |
|
1923 |
XXXIV |
3 |
p. 314-328 |
artikel |
971 |
THE SONGS OF ISHI: MUSICAL STYLE OF THE YAHI INDIANS
|
NETTL, BRUNO |
|
1965 |
XXXIV |
3 |
p. 460-477 |
artikel |
972 |
THE SOVIET ATTITUDE TOWARDS MUSIC: AN ANALYSIS BASED IN PART ON SECRET ARCHIVES
|
ARBATSKY, YURY |
|
1957 |
XXXIV |
3 |
p. 295-315 |
artikel |
973 |
THE SPRINGS OF MUSIC
|
GURNEY, IVOR |
|
1922 |
XXXIV |
3 |
p. 319-322 |
artikel |
974 |
The Stages of Revision of Vaughan Williams's Sixth Symphony
|
ADAMS, BYRON |
|
1989 |
XXXIV |
3 |
p. 382-400 |
artikel |
975 |
THE STAGE-WORKS OF FERRUCCIO BUSONI
|
GATTI, GUIDO M. |
|
1934 |
XXXIV |
3 |
p. 267-277 |
artikel |
976 |
THE STRANGE MUSIC OF THE OLD ORDER AMISH
|
JACKSON, GEORGE PULLEN |
|
1945 |
XXXIV |
3 |
p. 275-288 |
artikel |
977 |
THE STRING QUARTETS OF BARTÓK
|
BABBITT, MILTON |
|
1949 |
XXXIV |
3 |
p. 377-385 |
artikel |
978 |
THE STUDY OF THE FUGUE: A DIALOGUE—IV
|
FUX, JOHANN JOSEF |
|
1951 |
XXXIV |
3 |
p. 376-393 |
artikel |
979 |
THE SURVIVAL OF MUSIC
|
GILBERT, HENRY F. |
|
1916 |
XXXIV |
3 |
p. 365-374 |
artikel |
980 |
The Sword on the Wall: Japanese Elements and their Significance in The Mikado
|
BECKERMAN, MICHAEL |
|
1989 |
XXXIV |
3 |
p. 303-319 |
artikel |
981 |
THE TCHAIKOVSKY MUSEUM AT KLIN
|
BERTENSSON, SERGE |
|
1943 |
XXXIV |
3 |
p. 329-335 |
artikel |
982 |
The Temporal Dimensions of Musical Experience
|
ORLOV, HENRY F. |
|
1979 |
XXXIV |
3 |
p. 368-378 |
artikel |
983 |
THE TEXT OF LISZT‘S B MINOR SONATA
|
LONGYEAR, R. M. |
|
1974 |
XXXIV |
3 |
p. 435-450 |
artikel |
984 |
THE THINGS WE SET TO MUSIC
|
KRAMER, A. WALTER |
|
1921 |
XXXIV |
3 |
p. 309-313 |
artikel |
985 |
THE THIRD DIMENSION OF POETIC EXPRESSION OR LANGUAGE AND HARMONY
|
GOSTÜSKI, DRAGUTIN |
|
1969 |
XXXIV |
3 |
p. 372-383 |
artikel |
986 |
THE TOUCH-STONE (1728): A NEGLECTED VIEW OF LONDON OPERA
|
LOWENS, IRVING |
|
1959 |
XXXIV |
3 |
p. 325-342 |
artikel |
987 |
THE TWELVE-TONE COMPOSITIONS OF LUIGI DALLAPICCOLA
|
Blackmur, R. P. |
|
1958 |
XXXIV |
3 |
p. 289-310 |
artikel |
988 |
THE TWO REGER-LEGENDS
|
BRENNECKE, ERNEST |
|
1922 |
XXXIV |
3 |
p. 384-396 |
artikel |
989 |
THE UNVANQUISHABLE TCHAIKOVSKY
|
BUCHANAN, CHARLES L. |
|
1919 |
XXXIV |
3 |
p. 364-389 |
artikel |
990 |
THE USES OF CONVENTION: STRAVINSKY AND HIS MODELS
|
CONE, EDWARD T. |
|
1962 |
XXXIV |
3 |
p. 287-299 |
artikel |
991 |
THE WESTERN WIND MASSES
|
DAVISON, NIGEL |
|
1971 |
XXXIV |
3 |
p. 427-443 |
artikel |
992 |
THE WIFE OF MOZART : CONSTANZE WEBER
|
PROD'HOMME, J.-G. |
|
1927 |
XXXIV |
3 |
p. 384-409 |
artikel |
993 |
THE WIND-INSTRUMENTS IN MOZART'S SYMPHONIES
|
BRODER, NATHAN |
|
1933 |
XXXIV |
3 |
p. 238-259 |
artikel |
994 |
THE WORKS OF WEBER IN FRANCE (1824-1926 )
|
PROD'HOMME, J. G. |
|
1928 |
XXXIV |
3 |
p. 366-386 |
artikel |
995 |
THE ZNAMENNY CHANT OF THE RUSSIAN CHURCH
|
SWAN, ALFRED J. |
|
1940 |
XXXIV |
3 |
p. 365-380 |
artikel |
996 |
THINGS THAT MATTER
|
PARRY, HUBERT SIR |
|
1915 |
XXXIV |
3 |
p. 313-328 |
artikel |
997 |
“Thinking from Women's Lives”: Francesca Caccini after 1627
|
Cusick, Suzanne G. |
|
1993 |
XXXIV |
3 |
p. 484-507 |
artikel |
998 |
THIRTEENTH-CENTURY CONDUCTUS: OBITER DICTA
|
ANDERSON, GORDON A. |
|
1972 |
XXXIV |
3 |
p. 349-364 |
artikel |
999 |
THOUGHTS ON MUSIC AND MUSICIANS
|
PROD'HOMME, J.-G. |
|
1925 |
XXXIV |
3 |
p. 454-473 |
artikel |
1000 |
Three Missing Months in Schubert's Biography: A Further Consideration of Beethoven's influence on Schubert
|
SHAMGAR, BETH |
|
1989 |
XXXIV |
3 |
p. 417-434 |
artikel |
|