nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1001 |
THE NETHERLANDS
|
McDERMOTT, VINCENT |
|
1966 |
XXIV |
4 |
p. 511-520 |
artikel |
1002 |
THE NEWER PEDAGOGIC PROBLEMS OF HARMONY
|
PIERCE, EDWIN HALL |
|
1925 |
XXIV |
4 |
p. 547-559 |
artikel |
1003 |
The New York Reception of Pierrot lunaire: The 1923 Premiere and Its Aftermath
|
Metzer, David |
|
1994 |
XXIV |
4 |
p. 669-699 |
artikel |
1004 |
THE OLD ICELANDIC ALLEGORY OF THE CHURCH MODES
|
MARCHAND, JAMES W. |
|
1975 |
XXIV |
4 |
p. 553-559 |
artikel |
1005 |
The Opera That Never Was: Debussy's Collaboration with Victor Segalen in the Preparation of Orphée
|
MYERS, ROLLO |
|
1978 |
XXIV |
4 |
p. 495-506 |
artikel |
1006 |
THE ORCHESTRA IN LE SUEUR’S MUSICAL AESTHETICS
|
SALOMAN, ORA FRISHBERG |
|
1974 |
XXIV |
4 |
p. 616-624 |
artikel |
1007 |
THE ORIGINS OF MUSIC
|
NADEL, SIEGFRIED |
|
1930 |
XXIV |
4 |
p. 531-546 |
artikel |
1008 |
The Paradox of Russian Non-Liberty
|
Ivashkin, Alexander |
|
1992 |
XXIV |
4 |
p. 543-556 |
artikel |
1009 |
THE PARIS CONSERVATOIRE: SOME REMINISCENCES1
|
BAUER, HAROLD |
|
1947 |
XXIV |
4 |
p. 533-542 |
artikel |
1010 |
The Phenomenon of Stravinsky
|
Blitzstein, Marc |
|
1991 |
XXIV |
4 |
p. 51-69 |
artikel |
1011 |
THE PIANO MUSIC OF NICOLAI MEDTNER
|
GERSTLÉ, HENRY S. |
|
1924 |
XXIV |
4 |
p. 500-510 |
artikel |
1012 |
THE PIANO MUSIC OF SCHUBERT
|
SAMAROFF, OLGA |
|
1928 |
XXIV |
4 |
p. 596-609 |
artikel |
1013 |
The Politics and Practice of “Crossover” in American Popular Music, 1963 to 1965
|
Brackett, David |
|
1994 |
XXIV |
4 |
p. 774-797 |
artikel |
1014 |
The Popular Songs of Alec Wilder
|
PRATHER, RONALD E. |
|
1990 |
XXIV |
4 |
p. 521-549 |
artikel |
1015 |
THE “PROFESSOR OF MUSICK” IN COLONIAL AMERICA
|
MAURER, MAURER |
|
1950 |
XXIV |
4 |
p. 511-524 |
artikel |
1016 |
The Progress of a Method: Berg's Tone Rows for Lulu
|
HALL, PATRICIA |
|
1985 |
XXIV |
4 |
p. 500-519 |
artikel |
1017 |
THE PSYCHOLOGICAL BASIS OF CONDUCTING
|
GEHRKENS, KARL W. |
|
1935 |
XXIV |
4 |
p. 437-441 |
artikel |
1018 |
The Real Value of Yellow Journalism: James Creelman and Antonín Dvořák
|
Beckerman, Michael |
|
1993 |
XXIV |
4 |
p. 749-768 |
artikel |
1019 |
The Reign of the Dilettanti: Düsseldorf from Mendelssohn to Schumann
|
PORTER, CECELIA HOPKINS |
|
1990 |
XXIV |
4 |
p. 476-512 |
artikel |
1020 |
THE RENAISSANCE ATTITUDE TOWARDS MUSIC
|
LEICHTENTRITT, HUGO |
|
1915 |
XXIV |
4 |
p. 604-622 |
artikel |
1021 |
THE RICERCARI OF JACQUES BUUS
|
SUTHERLAND, GORDON |
|
1945 |
XXIV |
4 |
p. 448-463 |
artikel |
1022 |
THE RISE OF THE MUSICAL PROLETARIAT
|
CHENNEVIÈRE, RUDHYAR D. |
|
1920 |
XXIV |
4 |
p. 500-509 |
artikel |
1023 |
THE RÔLE OF AFFECTATION IN MUSIC
|
TURNER, G. CHIRRENDEN |
|
1926 |
XXIV |
4 |
p. 526-533 |
artikel |
1024 |
THE RÓLE OF FRANCE IN MUSICAL ART
|
HURE, JEAN |
|
1916 |
XXIV |
4 |
p. 566-582 |
artikel |
1025 |
THE RÔLE OF JEWELS IN OPERA
|
HALE, FRANK GARDNER |
|
1943 |
XXIV |
4 |
p. 485-497 |
artikel |
1026 |
THE RUSSIAN SCHOOL
|
LOURIE, ARTHUR |
|
1932 |
XXIV |
4 |
p. 519-529 |
artikel |
1027 |
THE SALZBURG CHURCH MUSIC OF MOZART AND HIS PREDECESSORS
|
ROSENTHAL, KARL AUGUST |
|
1932 |
XXIV |
4 |
p. 559-577 |
artikel |
1028 |
THE SECRET OF TECHNIQUE
|
WRIGHTSON, HERBERT J. |
|
1916 |
XXIV |
4 |
p. 562-565 |
artikel |
1029 |
THE SENSE OF RHYTHM AS A MUSICAL TALENT
|
SEASHORE, CARL E. |
|
1918 |
XXIV |
4 |
p. 507-515 |
artikel |
1030 |
THE SMALL COLLEGE AS A FACTOR IN THE DEVELOPMENT OF A MUSICAL NATION
|
MANCHESTER, ARTHUR L. |
|
1922 |
XXIV |
4 |
p. 595-604 |
artikel |
1031 |
THE SMALL SACRED WORKS BY HAYDN IN THE ESTERHAZY ARCHIVES AT EISENSTADT
|
GEIRINGER, KARL |
|
1959 |
XXIV |
4 |
p. 460-472 |
artikel |
1032 |
THE SONGS OF INDIAN SOLDIERS DURING THE WORLD WAR
|
DENSMORE, FRANCES |
|
1934 |
XXIV |
4 |
p. 419-425 |
artikel |
1033 |
THE SOUL OF MUSIC
|
BOUGHTON, RUTLAND |
|
1915 |
XXIV |
4 |
p. 473-496 |
artikel |
1034 |
THE SOVIET RUSSIAN CONCEPTS OF “INTONAZIA” AND “MUSICAL IMAGERY”
|
BROWN, MALCOLM H |
|
1974 |
XXIV |
4 |
p. 557-567 |
artikel |
1035 |
THE SPANISH FRONTIER BALLAD: HISTORICAL, LITERARY, AND MUSICAL ASSOCIATIONS
|
JACOBS, CHARLES |
|
1972 |
XXIV |
4 |
p. 605-621 |
artikel |
1036 |
THE STILL-LIFE PAINTINGS OF WILLIAM MICHAEL HARNETT (THEIR REFLECTIONS UPON NINETEENTH-CENTURY AMERICAN MUSICAL CULTURE)
|
OJA, CAROL J. |
|
1977 |
XXIV |
4 |
p. 505-523 |
artikel |
1037 |
THE STRUCTURE OF BEETHOVEN'S DIABELLI VARIATIONS
|
GEIRINGER, KARL |
|
1964 |
XXIV |
4 |
p. 496-503 |
artikel |
1038 |
THE STRUCTURE OF DRAMATIC MUSIC 1607–1909
|
GEORGE, GRAHAM |
|
1966 |
XXIV |
4 |
p. 465-482 |
artikel |
1039 |
THE STRUGGLE BETWEEN GERMAN AND ITALIAN OPERA AT THE TIME OF WEBER
|
ENGLÄNDER, RICHARD |
|
1945 |
XXIV |
4 |
p. 479-491 |
artikel |
1040 |
THE STUDY OF THE FUGUE: A DIALOGUE—I
|
FUX, JOHANN JOSEF |
|
1950 |
XXIV |
4 |
p. 525-539 |
artikel |
1041 |
THE SYMPHONIE CONCERTANTE: AN INTERIM REPORT
|
BROOK, BARRY S. |
|
1961 |
XXIV |
4 |
p. 493-516 |
artikel |
1042 |
THE SYMPHONIE FANTASTIQUE AND ITS PROGRAM
|
TEMPERLEY, NICHOLAS |
|
1971 |
XXIV |
4 |
p. 593-608 |
artikel |
1043 |
THE SYMPHONIES OF PADRE MARTINI
|
BROFSKY, HOWARD |
|
1965 |
XXIV |
4 |
p. 649-673 |
artikel |
1044 |
THE TECHNIQUE OF OPERATIC ACTING
|
CHALLIS, BENNETT |
|
1927 |
XXIV |
4 |
p. 630-645 |
artikel |
1045 |
The Telltale Sketches: Harmonic Structure in Schoenberg's Twelve-Tone Method
|
HYDE, MARTHA MACLEAN |
|
1980 |
XXIV |
4 |
p. 560-580 |
artikel |
1046 |
THE TEXTUAL PROBLEMS OF BEEThOVEN'S VIOLIN CONCERTO
|
TYSON, ALAN |
|
1967 |
XXIV |
4 |
p. 482-502 |
artikel |
1047 |
The Theory and Analysis of Tonal Rhythm
|
MORGAN, ROBERT P. |
|
1978 |
XXIV |
4 |
p. 435-473 |
artikel |
1048 |
THE THREE BEETHOVENS
|
ROGERS, JAMES FREDERICK |
|
1919 |
XXIV |
4 |
p. 505-512 |
artikel |
1049 |
THE THREE GREAT NOISES “FATAL TO THE INTERESTS OF BONONCINI”
|
LINDGREN, LOWELL |
|
1975 |
XXIV |
4 |
p. 560-583 |
artikel |
1050 |
The Unanswered Questions of the Ives Edition
|
Rathert, Wolfgang |
|
1990 |
XXIV |
4 |
p. 575-584 |
artikel |
1051 |
THE USE OF MUSIC IN THE TREATMENT OF THE SICK BY AMERICAN INDIANS
|
DENSMORE, FRANCES |
|
1927 |
XXIV |
4 |
p. 555-565 |
artikel |
1052 |
THE 1803 VERSION OF BEETHOVEN'S CHRISTUS AM OELBERGE
|
TYSON, ALAN |
|
1970 |
XXIV |
4 |
p. 551-584 |
artikel |
1053 |
THE VIENNA STRAUSSES
|
EWEN, DAVID |
|
1935 |
XXIV |
4 |
p. 466-474 |
artikel |
1054 |
THE WAR YEARS
|
PROKOFIEFF, SERGIE |
|
1943 |
XXIV |
4 |
p. 421-427 |
artikel |
1055 |
THE WORD MUSIC : ITS DERIVATION, INTERPRETATION AND MISAPPLICATION
|
MANSFIELD, ORLANDO A. |
|
1923 |
XXIV |
4 |
p. 538-544 |
artikel |
1056 |
THE ZNAMENNY CHANT OF THE RUSSIAN CHURCH
|
SWAN, ALFRED J. |
|
1940 |
XXIV |
4 |
p. 529-545 |
artikel |
1057 |
Thomas Weelkes: A Biographical Caution
|
SHEPHERD, JOHN |
|
1980 |
XXIV |
4 |
p. 505-521 |
artikel |
1058 |
Thoughts on the State of Classic Music in the United States
|
SAHL, MICHAEL |
|
1987 |
XXIV |
4 |
p. 523-528 |
artikel |
1059 |
Three Approaches to Defining Jazz
|
GRIDLEY, MARK |
|
1990 |
XXIV |
4 |
p. 513-531 |
artikel |
1060 |
THRENODIES OF THE LADIES' BOOKS
|
FATOUT, PAUL |
|
1945 |
XXIV |
4 |
p. 464-478 |
artikel |
1061 |
“Thus Far, But No Farther”: Fanny Mendelssohn-Hensel's Unfinished Journey
|
Rothenberg, Sarah |
|
1993 |
XXIV |
4 |
p. 689-708 |
artikel |
1062 |
TO ARNOLD SCHOENBERG ON HIS SEVENTIETH BIRTHDAY
|
MILHAUD, DARIUS |
|
1943 |
XXIV |
4 |
p. 379-384 |
artikel |
1063 |
TO BRUNO WALTER ON HIS SEVENTIETH BIRTHDAY
|
MANN, THOMAS |
|
1946 |
XXIV |
4 |
p. 503-508 |
artikel |
1064 |
To Bruno Walter on His Seventieth Birthday: A Letter
|
Mann, Thomas |
|
1991 |
XXIV |
4 |
p. 114-118 |
artikel |
1065 |
Tonal Ambiguities as a Constructive Force in the Language of Stravinsky
|
ZUR, MENACHEM |
|
1982 |
XXIV |
4 |
p. 516-526 |
artikel |
1066 |
Tonality and Atonality in the Prologue to Orlando di Lasso's Prophetiae Sibyllarum: Some Methodological Problems in Analysis of Sixteenth-Century Music
|
BERGER, KAROL |
|
1980 |
XXIV |
4 |
p. 484-504 |
artikel |
1067 |
TONALITY AND PERSPECTIVE
|
BRUNSWICK, MARK |
|
1943 |
XXIV |
4 |
p. 426-437 |
artikel |
1068 |
Tonality, Symbol, and Structural Levels in Berg's Wozzeck
|
FORTE, ALLEN |
|
1985 |
XXIV |
4 |
p. 474-499 |
artikel |
1069 |
TO THE MEMORY OF S. I. TANEEV
|
KARATYGIN, V. |
|
1927 |
XXIV |
4 |
p. 540-554 |
artikel |
1070 |
Traditional and Novel Elements in Bruckner's Sacred Music
|
HOWIE, A. C. |
|
1981 |
XXIV |
4 |
p. 544-567 |
artikel |
1071 |
Tuscaloosa, Alabama
|
GOOSSEN, J. F. |
|
1961 |
XXIV |
4 |
p. 527-530 |
artikel |
1072 |
TWO HUNDRED AND FIFTY YEARS OF THE OPÉRA (1669–1919)
|
PROD'HOMME, J.-G. |
|
1919 |
XXIV |
4 |
p. 513-537 |
artikel |
1073 |
TWO UNPUBLISHED LISZT LETTERS TO MOSONYI
|
BARTÓK, BÉLA |
|
1921 |
XXIV |
4 |
p. 520-526 |
artikel |
1074 |
UNITED STATES
|
COWELL, HENRY |
|
1948 |
XXIV |
4 |
p. 599-603 |
artikel |
1075 |
UNITED STATES
|
GATTI, GUIDO M. |
|
1949 |
XXIV |
4 |
p. 632-637 |
artikel |
1076 |
UNITED STATES
|
COWELL, HENRY |
|
1952 |
XXIV |
4 |
p. 595-600 |
artikel |
1077 |
United States
|
Schwartz, Elliott |
|
1965 |
XXIV |
4 |
p. 680-687 |
artikel |
1078 |
UNITED STATES
|
LOwENS, IRVING |
|
1967 |
XXIV |
4 |
p. 551-562 |
artikel |
1079 |
UNITED STATES
|
DORIAN, FREDERICK |
|
1959 |
XXIV |
4 |
p. 524-527 |
artikel |
1080 |
UNITED STATES
|
PERKINS, FRANCIS D. |
|
1961 |
XXIV |
4 |
p. 526-527 |
artikel |
1081 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO |
|
1962 |
XXIV |
4 |
p. 514-517 |
artikel |
1082 |
UNITED STATES
|
F.GOLDMAN, RICHARD |
|
1948 |
XXIV |
4 |
p. 594-599 |
artikel |
1083 |
UNITED STATES
|
GOLDBECK, FREDERICK |
|
1949 |
XXIV |
4 |
p. 629-632 |
artikel |
1084 |
UNITED STATES
|
BROECKX, JAN L. Jr |
|
1949 |
XXIV |
4 |
p. 623-629 |
artikel |
1085 |
UNITED STATES
|
COWELL, HENRY |
|
1949 |
XXIV |
4 |
p. 616-b-622 |
artikel |
1086 |
UNITED STATES
|
GOLDMAN, RICHARD F. |
|
1949 |
XXIV |
4 |
p. 616-a-619 |
artikel |
1087 |
UNITED STATES
|
RUBSAMEN, WALTER H. |
|
1949 |
XXIV |
4 |
p. 609-616 |
artikel |
1088 |
UNITED STATES
|
GOLDBECK, FREDERICK |
|
1951 |
XXIV |
4 |
p. 585-590 |
artikel |
1089 |
UNITED STATES
|
HENAHAN, DONAL J |
|
1966 |
XXIV |
4 |
p. 496-503 |
artikel |
1090 |
UNITED STATES
|
MCDERMOTT, VINCENT |
|
1968 |
XXIV |
4 |
p. 524-531 |
artikel |
1091 |
UNITED STATES
|
CUSTER, ARTHUR |
|
1968 |
XXIV |
4 |
p. 538-541 |
artikel |
1092 |
UNITED STATES
|
D'ACCONE, FRANK A. |
|
1968 |
XXIV |
4 |
p. 531-538 |
artikel |
1093 |
UNITED STATES
|
GLADSTONE, HERBERT B. |
|
1958 |
XXIV |
4 |
p. 511-514 |
artikel |
1094 |
UNITED STATES
|
MORTON, LAWRENCE |
|
1954 |
XXIV |
4 |
p. 572-575 |
artikel |
1095 |
UNITED STATES
|
COWELL, HENRY |
|
1950 |
XXIV |
4 |
p. 587-592 |
artikel |
1096 |
UNITED STATES
|
GOLDMAN, RICHARD F. |
|
1951 |
XXIV |
4 |
p. 578-580 |
artikel |
1097 |
UNITED STATES: Ann Arbor
|
KASEMETS, UDO |
|
1964 |
XXIV |
4 |
p. 515-519 |
artikel |
1098 |
UNITED STATES: Ann Arbor
|
LIVINGSTON, HERBERT |
|
1955 |
XXIV |
4 |
p. 511-514 |
artikel |
1099 |
UNITED STATES: Berkely, California
|
IMBRIE, ANDREW W. |
|
1957 |
XXIV |
4 |
p. 527-533 |
artikel |
1100 |
UNITED STATES: Central City, Colorado
|
CROSTEN, WILLIAM L. |
|
1956 |
XXIV |
4 |
p. 527-529 |
artikel |
1101 |
UNITED STATES: Tuscaloosa, Alabama
|
GOOSSEN, J. F. |
|
1964 |
XXIV |
4 |
p. 519-523 |
artikel |
1102 |
UNITED STATES: Washington
|
TRIMBLE, LESTER |
|
1964 |
XXIV |
4 |
p. 523-525 |
artikel |
1103 |
Varèse's Multimedia Conception of Déserts
|
Mattis, Olivia |
|
1992 |
XXIV |
4 |
p. 557-583 |
artikel |
1104 |
VAUGHAN WILLIAMS'S MELODIC STYLE1
|
KIMMEL, WILLIAM |
|
1940 |
XXIV |
4 |
p. 491-499 |
artikel |
1105 |
VERDI'S ROCESTER
|
HOOVER, KATHLEEN O'DONNELL |
|
1942 |
XXIV |
4 |
p. 505-513 |
artikel |
1106 |
VERGIL IN MUSIC
|
STRUNK, OLIVER W. |
|
1930 |
XXIV |
4 |
p. 482-497 |
artikel |
1107 |
VICENTINO AND HIS RULES OF TEXT UNDERLAY
|
HARRÁN, DON |
|
1973 |
XXIV |
4 |
p. 620-632 |
artikel |
1108 |
VICTOR MAUREL: HIS CAREER AND HIS ART
|
ROGERS, FRANSIS |
|
1926 |
XXIV |
4 |
p. 580-601 |
artikel |
1109 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1922 |
XXIV |
4 |
p. 611-632 |
artikel |
1110 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1924 |
XXIV |
4 |
p. 622-633 |
artikel |
1111 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1927 |
XXIV |
4 |
p. 646-662 |
artikel |
1112 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1925 |
XXIV |
4 |
p. 617-629 |
artikel |
1113 |
VIEWS AND REVIEWS
|
C. E., |
|
1931 |
XXIV |
4 |
p. 525-533 |
artikel |
1114 |
VIEWS AND REVIEWS
|
C. E., |
|
1932 |
XXIV |
4 |
p. 646-652 |
artikel |
1115 |
VIEWS AND REVIEWS
|
C. E., |
|
1935 |
XXIV |
4 |
p. 484-491 |
artikel |
1116 |
VIEWS AND REVIEWS
|
C. E., |
|
1936 |
XXIV |
4 |
p. 470-476 |
artikel |
1117 |
VIEWS AND REVIEWS
|
C. E., |
|
1940 |
XXIV |
4 |
p. 546-549 |
artikel |
1118 |
VIEWS AND REVIEWS
|
C. E., |
|
1933 |
XXIV |
4 |
p. 466-472 |
artikel |
1119 |
VIEWS AND REVIEWS
|
C. E., |
|
1934 |
XXIV |
4 |
p. 467-478 |
artikel |
1120 |
VIEWS AND REVIEWS
|
C. E., |
|
1938 |
XXIV |
4 |
p. 534-539 |
artikel |
1121 |
VIEWS AND REVIEWS
|
C. E., |
|
1943 |
XXIV |
4 |
p. 521-530 |
artikel |
1122 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1923 |
XXIV |
4 |
p. 578-587 |
artikel |
1123 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1926 |
XXIV |
4 |
p. 631-641 |
artikel |
1124 |
VIEWS AND REVIEWS
|
C. E., |
|
1940 |
XXIV |
4 |
p. 527-538 |
artikel |
1125 |
VIEWS AND REVIEWS
|
C. E., |
|
1942 |
XXIV |
4 |
p. 514-524 |
artikel |
1126 |
VINCENT D'INDY
|
LANDORMY, PAUL |
|
1932 |
XXIV |
4 |
p. 507-518 |
artikel |
1127 |
Vive La France: Gallic Accents in American Music from 1880 to 1914
|
Brody, Elaine |
|
1991 |
XXIV |
4 |
p. 225-234 |
artikel |
1128 |
WAGNER AND SHAKESPEARE
|
ISTEL, EDGAR |
|
1922 |
XXIV |
4 |
p. 495-509 |
artikel |
1129 |
WAGNER AND THE ROMANTICISM OF E.T.A. HOFFMANN
|
SIEGEL, LINDA |
|
1965 |
XXIV |
4 |
p. 597-613 |
artikel |
1130 |
Wallingford Riegger and the Modern Dance
|
SPACKMAN, STEPHEN |
|
1985 |
XXIV |
4 |
p. 437-467 |
artikel |
1131 |
Waltham, Mass.
|
BERGER, ARTHUR |
|
1955 |
XXIV |
4 |
p. 517-520 |
artikel |
1132 |
W. A. MOZART THE YOUNGER1
|
GEIRINGER, KARL |
|
1940 |
XXIV |
4 |
p. 456-473 |
artikel |
1133 |
Washington, D. C.
|
LOWENS, IRVING |
|
1961 |
XXIV |
4 |
p. 530-534 |
artikel |
1134 |
WEATHER AND THE ARTIST
|
RUNCIMAN, JOHN F. |
|
1918 |
XXIV |
4 |
p. 572-578 |
artikel |
1135 |
WHAT IS TONE-QUALITY?
|
ORTMANN, OTTO |
|
1935 |
XXIV |
4 |
p. 442-450 |
artikel |
1136 |
WHEN MAIN STREET HAD AN ORCHESTRA
|
PIERCE, EDWIN HALL |
|
1934 |
XXIV |
4 |
p. 426-434 |
artikel |
1137 |
WHITHER?
|
PATTERSON, FRANK |
|
1921 |
XXIV |
4 |
p. 511-519 |
artikel |
1138 |
Whither American Music Theater?
|
Salzman, Eric |
|
1991 |
XXIV |
4 |
p. 235-247 |
artikel |
1139 |
WHY DO WE DANCE?
|
ENGEL, CARL |
|
1920 |
XXIV |
4 |
p. 510-531 |
artikel |
1140 |
WILLEM PIJPER AND THE “NETHERLANDS SCHOOL” OF THE 20TH CENTURY
|
RINGER, ALEXANDER L. |
|
1955 |
XXIV |
4 |
p. 427-445 |
artikel |
1141 |
WILLIAM BILLINGS AND HIS TIMES
|
LINDSTROM, CARL E. |
|
1939 |
XXIV |
4 |
p. 479-497 |
artikel |
1142 |
WILLIAM SELBY, MUSICAL ÉMIGRÉ IN COLONIAL BOSTON
|
MCKAY, DAVID |
|
1971 |
XXIV |
4 |
p. 609-627 |
artikel |
1143 |
WILLIAM STERNDALE BENNETT 1816–1875
|
STANFORD, CHARLES VILLIERS SIR |
|
1916 |
XXIV |
4 |
p. 628-657 |
artikel |
1144 |
WILLIAM WALTON
|
FOSS, HUBERT J. |
|
1940 |
XXIV |
4 |
p. 456-466 |
artikel |
|