| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1001 |
THE NETHERLANDS
|
McDERMOTT, VINCENT
|
|
1966
|
XVIII |
4 |
p. 511-520
|
article
|
| 1002 |
THE NEWER PEDAGOGIC PROBLEMS OF HARMONY
|
PIERCE, EDWIN HALL
|
|
1925
|
XVIII |
4 |
p. 547-559
|
article
|
| 1003 |
The New York Reception of Pierrot lunaire: The 1923 Premiere and Its Aftermath
|
Metzer, David
|
|
1994
|
XVIII |
4 |
p. 669-699
|
article
|
| 1004 |
THE OLD ICELANDIC ALLEGORY OF THE CHURCH MODES
|
MARCHAND, JAMES W.
|
|
1975
|
XVIII |
4 |
p. 553-559
|
article
|
| 1005 |
The Opera That Never Was: Debussy's Collaboration with Victor Segalen in the Preparation of Orphée
|
MYERS, ROLLO
|
|
1978
|
XVIII |
4 |
p. 495-506
|
article
|
| 1006 |
THE ORCHESTRA IN LE SUEUR’S MUSICAL AESTHETICS
|
SALOMAN, ORA FRISHBERG
|
|
1974
|
XVIII |
4 |
p. 616-624
|
article
|
| 1007 |
THE ORIGINS OF MUSIC
|
NADEL, SIEGFRIED
|
|
1930
|
XVIII |
4 |
p. 531-546
|
article
|
| 1008 |
The Paradox of Russian Non-Liberty
|
Ivashkin, Alexander
|
|
1992
|
XVIII |
4 |
p. 543-556
|
article
|
| 1009 |
THE PARIS CONSERVATOIRE: SOME REMINISCENCES1
|
BAUER, HAROLD
|
|
1947
|
XVIII |
4 |
p. 533-542
|
article
|
| 1010 |
The Phenomenon of Stravinsky
|
Blitzstein, Marc
|
|
1991
|
XVIII |
4 |
p. 51-69
|
article
|
| 1011 |
THE PIANO MUSIC OF NICOLAI MEDTNER
|
GERSTLÉ, HENRY S.
|
|
1924
|
XVIII |
4 |
p. 500-510
|
article
|
| 1012 |
THE PIANO MUSIC OF SCHUBERT
|
SAMAROFF, OLGA
|
|
1928
|
XVIII |
4 |
p. 596-609
|
article
|
| 1013 |
The Politics and Practice of “Crossover” in American Popular Music, 1963 to 1965
|
Brackett, David
|
|
1994
|
XVIII |
4 |
p. 774-797
|
article
|
| 1014 |
The Popular Songs of Alec Wilder
|
PRATHER, RONALD E.
|
|
1990
|
XVIII |
4 |
p. 521-549
|
article
|
| 1015 |
THE “PROFESSOR OF MUSICK” IN COLONIAL AMERICA
|
MAURER, MAURER
|
|
1950
|
XVIII |
4 |
p. 511-524
|
article
|
| 1016 |
The Progress of a Method: Berg's Tone Rows for Lulu
|
HALL, PATRICIA
|
|
1985
|
XVIII |
4 |
p. 500-519
|
article
|
| 1017 |
THE PSYCHOLOGICAL BASIS OF CONDUCTING
|
GEHRKENS, KARL W.
|
|
1935
|
XVIII |
4 |
p. 437-441
|
article
|
| 1018 |
The Real Value of Yellow Journalism: James Creelman and Antonín Dvořák
|
Beckerman, Michael
|
|
1993
|
XVIII |
4 |
p. 749-768
|
article
|
| 1019 |
The Reign of the Dilettanti: Düsseldorf from Mendelssohn to Schumann
|
PORTER, CECELIA HOPKINS
|
|
1990
|
XVIII |
4 |
p. 476-512
|
article
|
| 1020 |
THE RENAISSANCE ATTITUDE TOWARDS MUSIC
|
LEICHTENTRITT, HUGO
|
|
1915
|
XVIII |
4 |
p. 604-622
|
article
|
| 1021 |
THE RICERCARI OF JACQUES BUUS
|
SUTHERLAND, GORDON
|
|
1945
|
XVIII |
4 |
p. 448-463
|
article
|
| 1022 |
THE RISE OF THE MUSICAL PROLETARIAT
|
CHENNEVIÈRE, RUDHYAR D.
|
|
1920
|
XVIII |
4 |
p. 500-509
|
article
|
| 1023 |
THE RÔLE OF AFFECTATION IN MUSIC
|
TURNER, G. CHIRRENDEN
|
|
1926
|
XVIII |
4 |
p. 526-533
|
article
|
| 1024 |
THE RÓLE OF FRANCE IN MUSICAL ART
|
HURE, JEAN
|
|
1916
|
XVIII |
4 |
p. 566-582
|
article
|
| 1025 |
THE RÔLE OF JEWELS IN OPERA
|
HALE, FRANK GARDNER
|
|
1943
|
XVIII |
4 |
p. 485-497
|
article
|
| 1026 |
THE RUSSIAN SCHOOL
|
LOURIE, ARTHUR
|
|
1932
|
XVIII |
4 |
p. 519-529
|
article
|
| 1027 |
THE SALZBURG CHURCH MUSIC OF MOZART AND HIS PREDECESSORS
|
ROSENTHAL, KARL AUGUST
|
|
1932
|
XVIII |
4 |
p. 559-577
|
article
|
| 1028 |
THE SECRET OF TECHNIQUE
|
WRIGHTSON, HERBERT J.
|
|
1916
|
XVIII |
4 |
p. 562-565
|
article
|
| 1029 |
THE SENSE OF RHYTHM AS A MUSICAL TALENT
|
SEASHORE, CARL E.
|
|
1918
|
XVIII |
4 |
p. 507-515
|
article
|
| 1030 |
THE SMALL COLLEGE AS A FACTOR IN THE DEVELOPMENT OF A MUSICAL NATION
|
MANCHESTER, ARTHUR L.
|
|
1922
|
XVIII |
4 |
p. 595-604
|
article
|
| 1031 |
THE SMALL SACRED WORKS BY HAYDN IN THE ESTERHAZY ARCHIVES AT EISENSTADT
|
GEIRINGER, KARL
|
|
1959
|
XVIII |
4 |
p. 460-472
|
article
|
| 1032 |
THE SONGS OF INDIAN SOLDIERS DURING THE WORLD WAR
|
DENSMORE, FRANCES
|
|
1934
|
XVIII |
4 |
p. 419-425
|
article
|
| 1033 |
THE SOUL OF MUSIC
|
BOUGHTON, RUTLAND
|
|
1915
|
XVIII |
4 |
p. 473-496
|
article
|
| 1034 |
THE SOVIET RUSSIAN CONCEPTS OF “INTONAZIA” AND “MUSICAL IMAGERY”
|
BROWN, MALCOLM H
|
|
1974
|
XVIII |
4 |
p. 557-567
|
article
|
| 1035 |
THE SPANISH FRONTIER BALLAD: HISTORICAL, LITERARY, AND MUSICAL ASSOCIATIONS
|
JACOBS, CHARLES
|
|
1972
|
XVIII |
4 |
p. 605-621
|
article
|
| 1036 |
THE STILL-LIFE PAINTINGS OF WILLIAM MICHAEL HARNETT (THEIR REFLECTIONS UPON NINETEENTH-CENTURY AMERICAN MUSICAL CULTURE)
|
OJA, CAROL J.
|
|
1977
|
XVIII |
4 |
p. 505-523
|
article
|
| 1037 |
THE STRUCTURE OF BEETHOVEN'S DIABELLI VARIATIONS
|
GEIRINGER, KARL
|
|
1964
|
XVIII |
4 |
p. 496-503
|
article
|
| 1038 |
THE STRUCTURE OF DRAMATIC MUSIC 1607–1909
|
GEORGE, GRAHAM
|
|
1966
|
XVIII |
4 |
p. 465-482
|
article
|
| 1039 |
THE STRUGGLE BETWEEN GERMAN AND ITALIAN OPERA AT THE TIME OF WEBER
|
ENGLÄNDER, RICHARD
|
|
1945
|
XVIII |
4 |
p. 479-491
|
article
|
| 1040 |
THE STUDY OF THE FUGUE: A DIALOGUE—I
|
FUX, JOHANN JOSEF
|
|
1950
|
XVIII |
4 |
p. 525-539
|
article
|
| 1041 |
THE SYMPHONIE CONCERTANTE: AN INTERIM REPORT
|
BROOK, BARRY S.
|
|
1961
|
XVIII |
4 |
p. 493-516
|
article
|
| 1042 |
THE SYMPHONIE FANTASTIQUE AND ITS PROGRAM
|
TEMPERLEY, NICHOLAS
|
|
1971
|
XVIII |
4 |
p. 593-608
|
article
|
| 1043 |
THE SYMPHONIES OF PADRE MARTINI
|
BROFSKY, HOWARD
|
|
1965
|
XVIII |
4 |
p. 649-673
|
article
|
| 1044 |
THE TECHNIQUE OF OPERATIC ACTING
|
CHALLIS, BENNETT
|
|
1927
|
XVIII |
4 |
p. 630-645
|
article
|
| 1045 |
The Telltale Sketches: Harmonic Structure in Schoenberg's Twelve-Tone Method
|
HYDE, MARTHA MACLEAN
|
|
1980
|
XVIII |
4 |
p. 560-580
|
article
|
| 1046 |
THE TEXTUAL PROBLEMS OF BEEThOVEN'S VIOLIN CONCERTO
|
TYSON, ALAN
|
|
1967
|
XVIII |
4 |
p. 482-502
|
article
|
| 1047 |
The Theory and Analysis of Tonal Rhythm
|
MORGAN, ROBERT P.
|
|
1978
|
XVIII |
4 |
p. 435-473
|
article
|
| 1048 |
THE THREE BEETHOVENS
|
ROGERS, JAMES FREDERICK
|
|
1919
|
XVIII |
4 |
p. 505-512
|
article
|
| 1049 |
THE THREE GREAT NOISES “FATAL TO THE INTERESTS OF BONONCINI”
|
LINDGREN, LOWELL
|
|
1975
|
XVIII |
4 |
p. 560-583
|
article
|
| 1050 |
The Unanswered Questions of the Ives Edition
|
Rathert, Wolfgang
|
|
1990
|
XVIII |
4 |
p. 575-584
|
article
|
| 1051 |
THE USE OF MUSIC IN THE TREATMENT OF THE SICK BY AMERICAN INDIANS
|
DENSMORE, FRANCES
|
|
1927
|
XVIII |
4 |
p. 555-565
|
article
|
| 1052 |
THE 1803 VERSION OF BEETHOVEN'S CHRISTUS AM OELBERGE
|
TYSON, ALAN
|
|
1970
|
XVIII |
4 |
p. 551-584
|
article
|
| 1053 |
THE VIENNA STRAUSSES
|
EWEN, DAVID
|
|
1935
|
XVIII |
4 |
p. 466-474
|
article
|
| 1054 |
THE WAR YEARS
|
PROKOFIEFF, SERGIE
|
|
1943
|
XVIII |
4 |
p. 421-427
|
article
|
| 1055 |
THE WORD MUSIC : ITS DERIVATION, INTERPRETATION AND MISAPPLICATION
|
MANSFIELD, ORLANDO A.
|
|
1923
|
XVIII |
4 |
p. 538-544
|
article
|
| 1056 |
THE ZNAMENNY CHANT OF THE RUSSIAN CHURCH
|
SWAN, ALFRED J.
|
|
1940
|
XVIII |
4 |
p. 529-545
|
article
|
| 1057 |
Thomas Weelkes: A Biographical Caution
|
SHEPHERD, JOHN
|
|
1980
|
XVIII |
4 |
p. 505-521
|
article
|
| 1058 |
Thoughts on the State of Classic Music in the United States
|
SAHL, MICHAEL
|
|
1987
|
XVIII |
4 |
p. 523-528
|
article
|
| 1059 |
Three Approaches to Defining Jazz
|
GRIDLEY, MARK
|
|
1990
|
XVIII |
4 |
p. 513-531
|
article
|
| 1060 |
THRENODIES OF THE LADIES' BOOKS
|
FATOUT, PAUL
|
|
1945
|
XVIII |
4 |
p. 464-478
|
article
|
| 1061 |
“Thus Far, But No Farther”: Fanny Mendelssohn-Hensel's Unfinished Journey
|
Rothenberg, Sarah
|
|
1993
|
XVIII |
4 |
p. 689-708
|
article
|
| 1062 |
TO ARNOLD SCHOENBERG ON HIS SEVENTIETH BIRTHDAY
|
MILHAUD, DARIUS
|
|
1943
|
XVIII |
4 |
p. 379-384
|
article
|
| 1063 |
TO BRUNO WALTER ON HIS SEVENTIETH BIRTHDAY
|
MANN, THOMAS
|
|
1946
|
XVIII |
4 |
p. 503-508
|
article
|
| 1064 |
To Bruno Walter on His Seventieth Birthday: A Letter
|
Mann, Thomas
|
|
1991
|
XVIII |
4 |
p. 114-118
|
article
|
| 1065 |
Tonal Ambiguities as a Constructive Force in the Language of Stravinsky
|
ZUR, MENACHEM
|
|
1982
|
XVIII |
4 |
p. 516-526
|
article
|
| 1066 |
Tonality and Atonality in the Prologue to Orlando di Lasso's Prophetiae Sibyllarum: Some Methodological Problems in Analysis of Sixteenth-Century Music
|
BERGER, KAROL
|
|
1980
|
XVIII |
4 |
p. 484-504
|
article
|
| 1067 |
TONALITY AND PERSPECTIVE
|
BRUNSWICK, MARK
|
|
1943
|
XVIII |
4 |
p. 426-437
|
article
|
| 1068 |
Tonality, Symbol, and Structural Levels in Berg's Wozzeck
|
FORTE, ALLEN
|
|
1985
|
XVIII |
4 |
p. 474-499
|
article
|
| 1069 |
TO THE MEMORY OF S. I. TANEEV
|
KARATYGIN, V.
|
|
1927
|
XVIII |
4 |
p. 540-554
|
article
|
| 1070 |
Traditional and Novel Elements in Bruckner's Sacred Music
|
HOWIE, A. C.
|
|
1981
|
XVIII |
4 |
p. 544-567
|
article
|
| 1071 |
Tuscaloosa, Alabama
|
GOOSSEN, J. F.
|
|
1961
|
XVIII |
4 |
p. 527-530
|
article
|
| 1072 |
TWO HUNDRED AND FIFTY YEARS OF THE OPÉRA (1669–1919)
|
PROD'HOMME, J.-G.
|
|
1919
|
XVIII |
4 |
p. 513-537
|
article
|
| 1073 |
TWO UNPUBLISHED LISZT LETTERS TO MOSONYI
|
BARTÓK, BÉLA
|
|
1921
|
XVIII |
4 |
p. 520-526
|
article
|
| 1074 |
UNITED STATES
|
COWELL, HENRY
|
|
1948
|
XVIII |
4 |
p. 599-603
|
article
|
| 1075 |
UNITED STATES
|
GATTI, GUIDO M.
|
|
1949
|
XVIII |
4 |
p. 632-637
|
article
|
| 1076 |
UNITED STATES
|
COWELL, HENRY
|
|
1952
|
XVIII |
4 |
p. 595-600
|
article
|
| 1077 |
United States
|
Schwartz, Elliott
|
|
1965
|
XVIII |
4 |
p. 680-687
|
article
|
| 1078 |
UNITED STATES
|
LOwENS, IRVING
|
|
1967
|
XVIII |
4 |
p. 551-562
|
article
|
| 1079 |
UNITED STATES
|
DORIAN, FREDERICK
|
|
1959
|
XVIII |
4 |
p. 524-527
|
article
|
| 1080 |
UNITED STATES
|
PERKINS, FRANCIS D.
|
|
1961
|
XVIII |
4 |
p. 526-527
|
article
|
| 1081 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1962
|
XVIII |
4 |
p. 514-517
|
article
|
| 1082 |
UNITED STATES
|
F.GOLDMAN, RICHARD
|
|
1948
|
XVIII |
4 |
p. 594-599
|
article
|
| 1083 |
UNITED STATES
|
GOLDBECK, FREDERICK
|
|
1949
|
XVIII |
4 |
p. 629-632
|
article
|
| 1084 |
UNITED STATES
|
BROECKX, JAN L. Jr
|
|
1949
|
XVIII |
4 |
p. 623-629
|
article
|
| 1085 |
UNITED STATES
|
COWELL, HENRY
|
|
1949
|
XVIII |
4 |
p. 616-b-622
|
article
|
| 1086 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1949
|
XVIII |
4 |
p. 616-a-619
|
article
|
| 1087 |
UNITED STATES
|
RUBSAMEN, WALTER H.
|
|
1949
|
XVIII |
4 |
p. 609-616
|
article
|
| 1088 |
UNITED STATES
|
GOLDBECK, FREDERICK
|
|
1951
|
XVIII |
4 |
p. 585-590
|
article
|
| 1089 |
UNITED STATES
|
HENAHAN, DONAL J
|
|
1966
|
XVIII |
4 |
p. 496-503
|
article
|
| 1090 |
UNITED STATES
|
MCDERMOTT, VINCENT
|
|
1968
|
XVIII |
4 |
p. 524-531
|
article
|
| 1091 |
UNITED STATES
|
CUSTER, ARTHUR
|
|
1968
|
XVIII |
4 |
p. 538-541
|
article
|
| 1092 |
UNITED STATES
|
D'ACCONE, FRANK A.
|
|
1968
|
XVIII |
4 |
p. 531-538
|
article
|
| 1093 |
UNITED STATES
|
GLADSTONE, HERBERT B.
|
|
1958
|
XVIII |
4 |
p. 511-514
|
article
|
| 1094 |
UNITED STATES
|
MORTON, LAWRENCE
|
|
1954
|
XVIII |
4 |
p. 572-575
|
article
|
| 1095 |
UNITED STATES
|
COWELL, HENRY
|
|
1950
|
XVIII |
4 |
p. 587-592
|
article
|
| 1096 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1951
|
XVIII |
4 |
p. 578-580
|
article
|
| 1097 |
UNITED STATES: Ann Arbor
|
KASEMETS, UDO
|
|
1964
|
XVIII |
4 |
p. 515-519
|
article
|
| 1098 |
UNITED STATES: Ann Arbor
|
LIVINGSTON, HERBERT
|
|
1955
|
XVIII |
4 |
p. 511-514
|
article
|
| 1099 |
UNITED STATES: Berkely, California
|
IMBRIE, ANDREW W.
|
|
1957
|
XVIII |
4 |
p. 527-533
|
article
|
| 1100 |
UNITED STATES: Central City, Colorado
|
CROSTEN, WILLIAM L.
|
|
1956
|
XVIII |
4 |
p. 527-529
|
article
|
| 1101 |
UNITED STATES: Tuscaloosa, Alabama
|
GOOSSEN, J. F.
|
|
1964
|
XVIII |
4 |
p. 519-523
|
article
|
| 1102 |
UNITED STATES: Washington
|
TRIMBLE, LESTER
|
|
1964
|
XVIII |
4 |
p. 523-525
|
article
|
| 1103 |
Varèse's Multimedia Conception of Déserts
|
Mattis, Olivia
|
|
1992
|
XVIII |
4 |
p. 557-583
|
article
|
| 1104 |
VAUGHAN WILLIAMS'S MELODIC STYLE1
|
KIMMEL, WILLIAM
|
|
1940
|
XVIII |
4 |
p. 491-499
|
article
|
| 1105 |
VERDI'S ROCESTER
|
HOOVER, KATHLEEN O'DONNELL
|
|
1942
|
XVIII |
4 |
p. 505-513
|
article
|
| 1106 |
VERGIL IN MUSIC
|
STRUNK, OLIVER W.
|
|
1930
|
XVIII |
4 |
p. 482-497
|
article
|
| 1107 |
VICENTINO AND HIS RULES OF TEXT UNDERLAY
|
HARRÁN, DON
|
|
1973
|
XVIII |
4 |
p. 620-632
|
article
|
| 1108 |
VICTOR MAUREL: HIS CAREER AND HIS ART
|
ROGERS, FRANSIS
|
|
1926
|
XVIII |
4 |
p. 580-601
|
article
|
| 1109 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1922
|
XVIII |
4 |
p. 611-632
|
article
|
| 1110 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1924
|
XVIII |
4 |
p. 622-633
|
article
|
| 1111 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1927
|
XVIII |
4 |
p. 646-662
|
article
|
| 1112 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1925
|
XVIII |
4 |
p. 617-629
|
article
|
| 1113 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1931
|
XVIII |
4 |
p. 525-533
|
article
|
| 1114 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1932
|
XVIII |
4 |
p. 646-652
|
article
|
| 1115 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1935
|
XVIII |
4 |
p. 484-491
|
article
|
| 1116 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1936
|
XVIII |
4 |
p. 470-476
|
article
|
| 1117 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1940
|
XVIII |
4 |
p. 546-549
|
article
|
| 1118 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1933
|
XVIII |
4 |
p. 466-472
|
article
|
| 1119 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1934
|
XVIII |
4 |
p. 467-478
|
article
|
| 1120 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1938
|
XVIII |
4 |
p. 534-539
|
article
|
| 1121 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1943
|
XVIII |
4 |
p. 521-530
|
article
|
| 1122 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1923
|
XVIII |
4 |
p. 578-587
|
article
|
| 1123 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1926
|
XVIII |
4 |
p. 631-641
|
article
|
| 1124 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1940
|
XVIII |
4 |
p. 527-538
|
article
|
| 1125 |
VIEWS AND REVIEWS
|
C. E.,
|
|
1942
|
XVIII |
4 |
p. 514-524
|
article
|
| 1126 |
VINCENT D'INDY
|
LANDORMY, PAUL
|
|
1932
|
XVIII |
4 |
p. 507-518
|
article
|
| 1127 |
Vive La France: Gallic Accents in American Music from 1880 to 1914
|
Brody, Elaine
|
|
1991
|
XVIII |
4 |
p. 225-234
|
article
|
| 1128 |
WAGNER AND SHAKESPEARE
|
ISTEL, EDGAR
|
|
1922
|
XVIII |
4 |
p. 495-509
|
article
|
| 1129 |
WAGNER AND THE ROMANTICISM OF E.T.A. HOFFMANN
|
SIEGEL, LINDA
|
|
1965
|
XVIII |
4 |
p. 597-613
|
article
|
| 1130 |
Wallingford Riegger and the Modern Dance
|
SPACKMAN, STEPHEN
|
|
1985
|
XVIII |
4 |
p. 437-467
|
article
|
| 1131 |
Waltham, Mass.
|
BERGER, ARTHUR
|
|
1955
|
XVIII |
4 |
p. 517-520
|
article
|
| 1132 |
W. A. MOZART THE YOUNGER1
|
GEIRINGER, KARL
|
|
1940
|
XVIII |
4 |
p. 456-473
|
article
|
| 1133 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1961
|
XVIII |
4 |
p. 530-534
|
article
|
| 1134 |
WEATHER AND THE ARTIST
|
RUNCIMAN, JOHN F.
|
|
1918
|
XVIII |
4 |
p. 572-578
|
article
|
| 1135 |
WHAT IS TONE-QUALITY?
|
ORTMANN, OTTO
|
|
1935
|
XVIII |
4 |
p. 442-450
|
article
|
| 1136 |
WHEN MAIN STREET HAD AN ORCHESTRA
|
PIERCE, EDWIN HALL
|
|
1934
|
XVIII |
4 |
p. 426-434
|
article
|
| 1137 |
WHITHER?
|
PATTERSON, FRANK
|
|
1921
|
XVIII |
4 |
p. 511-519
|
article
|
| 1138 |
Whither American Music Theater?
|
Salzman, Eric
|
|
1991
|
XVIII |
4 |
p. 235-247
|
article
|
| 1139 |
WHY DO WE DANCE?
|
ENGEL, CARL
|
|
1920
|
XVIII |
4 |
p. 510-531
|
article
|
| 1140 |
WILLEM PIJPER AND THE “NETHERLANDS SCHOOL” OF THE 20TH CENTURY
|
RINGER, ALEXANDER L.
|
|
1955
|
XVIII |
4 |
p. 427-445
|
article
|
| 1141 |
WILLIAM BILLINGS AND HIS TIMES
|
LINDSTROM, CARL E.
|
|
1939
|
XVIII |
4 |
p. 479-497
|
article
|
| 1142 |
WILLIAM SELBY, MUSICAL ÉMIGRÉ IN COLONIAL BOSTON
|
MCKAY, DAVID
|
|
1971
|
XVIII |
4 |
p. 609-627
|
article
|
| 1143 |
WILLIAM STERNDALE BENNETT 1816–1875
|
STANFORD, CHARLES VILLIERS SIR
|
|
1916
|
XVIII |
4 |
p. 628-657
|
article
|
| 1144 |
WILLIAM WALTON
|
FOSS, HUBERT J.
|
|
1940
|
XVIII |
4 |
p. 456-466
|
article
|
|
Journal description