nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1001 |
The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare
|
Kramer, Lawrence |
|
1995 |
XVIII |
2 |
p. 256-280 |
artikel |
1002 |
THE STUDY OF MUSIC AT THE UNIVERSITY OF OXFORD IN THE RENAISSANCE (1450–1600)1
|
CARPENTER, NAN COOKE |
|
1955 |
XVIII |
2 |
p. 191-214 |
artikel |
1003 |
THE STUDY OF THE FUGUE: A DIALOGUE—III
|
FUX, JOHANN JOSEF |
|
1951 |
XVIII |
2 |
p. 203-219 |
artikel |
1004 |
THE TARASCONI CODEX IN THE LIBRARY OF THE MILAN CONSERVATORY
|
BARBLAN, GUGLIELMO |
|
1974 |
XVIII |
2 |
p. 195-221 |
artikel |
1005 |
THE TEACHING OF RHYTHM
|
STETSON, R. H. |
|
1923 |
XVIII |
2 |
p. 181-190 |
artikel |
1006 |
The Thalberg Effect: Playing the Violin on the Piano
|
Bomberger, E. Douglas |
|
1991 |
XVIII |
2 |
p. 198-208 |
artikel |
1007 |
THE TONAL SYSTEM OF BYZANTINE MUSIC1
|
STRUNK, OLIVER |
|
1942 |
XVIII |
2 |
p. 190-204 |
artikel |
1008 |
THE TROPING HYPOTHESIS
|
CROCKER, RICHARD L. |
|
1966 |
XVIII |
2 |
p. 183-203 |
artikel |
1009 |
THE TWO ATTITUDES
|
SCOTT, CYRIL |
|
1919 |
XVIII |
2 |
p. 149-159 |
artikel |
1010 |
THE TWO PERSONS
|
CHĀVEZ, CARLOS |
|
1929 |
XVIII |
2 |
p. 153-159 |
artikel |
1011 |
THE TWO TRENDS OF MODERN MUSIC IN STRAVINSKY'S WORKS
|
CHENNEVIERE, RUDHYAR D. |
|
1919 |
XVIII |
2 |
p. 169-174 |
artikel |
1012 |
THE VANITY OF HUMAN KNOWLEDGE
|
FORSYTH, CECIL |
|
1924 |
XVIII |
2 |
p. 172-177 |
artikel |
1013 |
THE WAR BETWEEN THE FIXED AND MOVABLE DOH
|
HARRIS, CLEMENT ANTROBUS |
|
1918 |
XVIII |
2 |
p. 184-195 |
artikel |
1014 |
THE YARDSTICK APPLIED TO MUSICAL TALENT
|
MOOS, JEAN CORRODI |
|
1930 |
XVIII |
2 |
p. 238-262 |
artikel |
1015 |
THE YOUTH OF MUSIC
|
MENDL, R. W. S. |
|
1929 |
XVIII |
2 |
p. 196-211 |
artikel |
1016 |
The Znamenny Chant
|
ROCCASALVO, JOAN L. |
|
1990 |
XVIII |
2 |
p. 217-241 |
artikel |
1017 |
THE ZNAMENNY CHANT OF THE RUSSIAN CHURCH
|
SWAN, ALFRED J. |
|
1940 |
XVIII |
2 |
p. 232-243 |
artikel |
1018 |
THOMAS AND CENTRAL PARK GARDEN
|
RICE, EDWIN T. |
|
1940 |
XVIII |
2 |
p. 143-152 |
artikel |
1019 |
THOMAS HASTINGS
|
SCANLON, MARY BROWNING |
|
1946 |
XVIII |
2 |
p. 265-277 |
artikel |
1020 |
THOUGHTS AND REFLECTIONS ANENT MUSIC AND MUSICIANS
|
PROD'HOMME, J.-G. |
|
1923 |
XVIII |
2 |
p. 226-244 |
artikel |
1021 |
THREE CENTURIES OF FRENCH MEDIÆVAL MUSIC
|
GASTOUÉ, AMEDÉDÉE |
|
1917 |
XVIII |
2 |
p. 173-188 |
artikel |
1022 |
THREE NEGLECTED COMPOSERS
|
KIRK, ELISE KUHL |
|
1978 |
XVIII |
2 |
p. 229-237 |
artikel |
1023 |
Three Points of View
|
SEIGMEISTER, ELIE |
|
1979 |
XVIII |
2 |
p. 281-295 |
artikel |
1024 |
Tihai Formulas and the Fusion of “Composition” and “Improvisation” in North Indian Music
|
LIPICZKY, THOM |
|
1985 |
XVIII |
2 |
p. 157-171 |
artikel |
1025 |
TONAL INTENSITY AS AN ÆSTHETIC DETERMINANT
|
ORTMANN, OTTO |
|
1928 |
XVIII |
2 |
p. 178-191 |
artikel |
1026 |
TONE-PROBLEMS OF TO-DAY
|
CASELLA, ALFREDO |
|
1924 |
XVIII |
2 |
p. 159-171 |
artikel |
1027 |
TOSCANINI IN AMERICA
|
TAUBMAN, HOWARD |
|
1947 |
XVIII |
2 |
p. 178-187 |
artikel |
1028 |
TOSCANINI—THE FIRST FORTY YEARS
|
SEGRE, ALFREDO |
|
1947 |
XVIII |
2 |
p. 149-177 |
artikel |
1029 |
Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht
|
ROSS, RONALD D. |
|
1981 |
XVIII |
2 |
p. 143-164 |
artikel |
1030 |
TOWARDS AN AESTHETIC OF EXPERIMENTAL MUSIC
|
BALLANTINE, CHRISTOPHER |
|
1977 |
XVIII |
2 |
p. 224-246 |
artikel |
1031 |
TOWARDS A NEW FORM
|
BLITZSTEIN, MARC |
|
1934 |
XVIII |
2 |
p. 213-218 |
artikel |
1032 |
TOWARDS A PREHISTORY OF OCCIDENTAL MUSIC1
|
SACHS, CURT |
|
1938 |
XVIII |
2 |
p. 147-152 |
artikel |
1033 |
TRANSLATING TO MUSIC
|
SPAETH, SIGMUND |
|
1915 |
XVIII |
2 |
p. 291-298 |
artikel |
1034 |
TRIBUTES TO CARL ENGEL
|
PUTNAM, HERBERT |
|
1945 |
XVIII |
2 |
p. 137-140 |
artikel |
1035 |
T. S. Eliot and Music: An Introduction
|
NICOLOSI, ROBERT J. |
|
1980 |
XVIII |
2 |
p. 192-204 |
artikel |
1036 |
TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS
|
BABBITT, MILTON |
|
1960 |
XVIII |
2 |
p. 246-259 |
artikel |
1037 |
TWO INFLATION SONGS OF THE CIVIL WAR
|
NATHAN, HANS |
|
1943 |
XVIII |
2 |
p. 242-253 |
artikel |
1038 |
TWO SUMMERS WITH THE BLACKFEET INDIANS OF MONTANA
|
NEVIN, ARTHUR |
|
1916 |
XVIII |
2 |
p. 257-270 |
artikel |
1039 |
TYE'S ACTES OF THE APOSTLES: A REASSESSMENT
|
WEIDNER, ROBERT W. |
|
1972 |
XVIII |
2 |
p. 242-258 |
artikel |
1040 |
TYPES OF QUECHUA MELODY
|
SARGEANT, WINTHROP |
|
1934 |
XVIII |
2 |
p. 230-245 |
artikel |
1041 |
Under the Eye of the Verdian Bear: Notes on the Rehearsals and Première of Falstaff
|
HEPOKOSKI, JAMES A. |
|
1985 |
XVIII |
2 |
p. 135-156 |
artikel |
1042 |
UNITED STATES
|
CHANLER, THEODORE |
|
1958 |
XVIII |
2 |
p. 228-230 |
artikel |
1043 |
UNITED STATES
|
BURKAT, LEONARD |
|
1949 |
XVIII |
2 |
p. 282-289 |
artikel |
1044 |
UNITED STATES
|
PERSICHETTI, VINCENT |
|
1950 |
XVIII |
2 |
p. 282-285 |
artikel |
1045 |
UNITED STATES
|
BURKAT, LEONARD |
|
1950 |
XVIII |
2 |
p. 259-268 |
artikel |
1046 |
UNITED STATES
|
STERNFELD, FREDERICK W. |
|
1950 |
XVIII |
2 |
p. 274-276 |
artikel |
1047 |
UNITED STATES
|
N. B., |
|
1950 |
XVIII |
2 |
p. 276-282 |
artikel |
1048 |
UNITED STATES
|
RINGER, ALEXANDER L. |
|
1959 |
XVIII |
2 |
p. 230-234 |
artikel |
1049 |
UNITED STATES
|
HELM, EVERETT |
|
1951 |
XVIII |
2 |
p. 267-271 |
artikel |
1050 |
UNITED STATES
|
LOWENS, IRVING |
|
1965 |
XVIII |
2 |
p. 396-399 |
artikel |
1051 |
UNITED STATES
|
HANAHAM, DONAL J. |
|
1967 |
XVIII |
2 |
p. 246-250 |
artikel |
1052 |
UNITED STATES
|
ELSTON, ARNOLD |
|
1963 |
XVIII |
2 |
p. 225-229 |
artikel |
1053 |
UNITED STATES
|
LOWENS, IRVING |
|
1960 |
XVIII |
2 |
p. 264-270 |
artikel |
1054 |
UNITED STATES
|
GOLDMAN, RICHAR FRANKO |
|
1960 |
XVIII |
2 |
p. 260-264 |
artikel |
1055 |
UNITED STATES
|
COWELL, HENRY |
|
1950 |
XVIII |
2 |
p. 268-274 |
artikel |
1056 |
UNITED STATES
|
COWELL, HENRY |
|
1951 |
XVIII |
2 |
p. 248-253 |
artikel |
1057 |
UNITED STATES
|
GOLDMAN, RICHARD F. |
|
1951 |
XVIII |
2 |
p. 253-260 |
artikel |
1058 |
UNITED STATES
|
MELLERS, WILFRID |
|
1951 |
XVIII |
2 |
p. 264-267 |
artikel |
1059 |
UNITED STATES
|
KOHN, KARL |
|
1966 |
XVIII |
2 |
p. 233-241 |
artikel |
1060 |
UNITED STATES
|
COWELL, HENRY |
|
1954 |
XVIII |
2 |
p. 235-243 |
artikel |
1061 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO |
|
1961 |
XVIII |
2 |
p. 233-239 |
artikel |
1062 |
UNITED STATES
|
HITCHCOCK, H. WILEY |
|
1962 |
XVIII |
2 |
p. 244-248 |
artikel |
1063 |
UNITED STATES
|
BURKAT, LEONARD |
|
1948 |
XVIII |
2 |
p. 249-252 |
artikel |
1064 |
UNITED STATES
|
KREHM, IDA |
|
1951 |
XVIII |
2 |
p. 243-245 |
artikel |
1065 |
UNITED STATES
|
TISCHLER, HANS |
|
1951 |
XVIII |
2 |
p. 245-247 |
artikel |
1066 |
UNITED STATES
|
COWELL, HENRY |
|
1952 |
XVIII |
2 |
p. 285-287 |
artikel |
1067 |
UNITED STATES: AUSTRIA
|
JOHNS, DONALD C. |
|
1964 |
XVIII |
2 |
p. 236-243 |
artikel |
1068 |
UNITED STATES: ITALY
|
WEISSMANN, JOHN S. |
|
1964 |
XVIII |
2 |
p. 243-250 |
artikel |
1069 |
UNITED STATES: Los Angeles
|
KOHN, KARL |
|
1964 |
XVIII |
2 |
p. 227-233 |
artikel |
1070 |
UNITED STATES; Louisville
|
COWELL, HENRY |
|
1955 |
XVIII |
2 |
p. 223-225 |
artikel |
1071 |
UNITED STATES: New York
|
GOLDMAN, RICHARD F. |
|
1956 |
XVIII |
2 |
p. 236-239 |
artikel |
1072 |
UNITED STATES: New York
|
GREISSLE, FELIX |
|
1957 |
XVIII |
2 |
p. 233-236 |
artikel |
1073 |
UNITED STATES: New York
|
HITCHCOCK, H. WILEY |
|
1964 |
XVIII |
2 |
p. 233-236 |
artikel |
1074 |
UNITED STATES: New York
|
TRIMBLE, LESTER |
|
1957 |
XVIII |
2 |
p. 236-240 |
artikel |
1075 |
UNPUBLISHED LETTERS BY BEETHOVEN, LISZT, AND BRAHMS
|
HOLDE, ARTUR |
|
1946 |
XVIII |
2 |
p. 278-288 |
artikel |
1076 |
U.S.S.R.
|
WÖRNER, KARL H. |
|
1959 |
XVIII |
2 |
p. 248-254 |
artikel |
1077 |
U.S.S.R.
|
KRYOUKOV, V. |
|
1950 |
XVIII |
2 |
p. 302-306 |
artikel |
1078 |
Vareè's “Awkwardness” and the Symmetry in the “Frame of 12 Tones”: An Analytic Approach
|
STEMPEL, LARRY |
|
1979 |
XVIII |
2 |
p. 148-166 |
artikel |
1079 |
VARÈSE: A SKETCH OF THE MAN AND HIS MUSIC
|
WEN-CHUNG, CHOU |
|
1966 |
XVIII |
2 |
p. 151-170 |
artikel |
1080 |
Venetian Commedia dell'Arte “Operas” in the Age of Vivaldi
|
WEISS, PIERO |
|
1984 |
XVIII |
2 |
p. 195-217 |
artikel |
1081 |
“VENITE IN BETHLEHEM” — The Major Chord
|
HOWE, M. A. DEWOLFE |
|
1942 |
XVIII |
2 |
p. 174-185 |
artikel |
1082 |
VERDI AND BOITO
|
KLEIN, JOHN W. |
|
1928 |
XVIII |
2 |
p. 158-171 |
artikel |
1083 |
VERDI AND MANZONI
|
MAECKLENBURG, ALBERT |
|
1931 |
XVIII |
2 |
p. 209-218 |
artikel |
1084 |
VERDI AND SCHILLER
|
BIENENFELD, ELSA |
|
1931 |
XVIII |
2 |
p. 204-208 |
artikel |
1085 |
VERDI'S “LIBER SCRIPTUS” REWRITTEN
|
ROSEN, DAVID |
|
1969 |
XVIII |
2 |
p. 151-169 |
artikel |
1086 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1922 |
XVIII |
2 |
p. 296-311 |
artikel |
1087 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1925 |
XVIII |
2 |
p. 301-309 |
artikel |
1088 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1928 |
XVIII |
2 |
p. 297-306 |
artikel |
1089 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1924 |
XVIII |
2 |
p. 289-303 |
artikel |
1090 |
VIEWS AND REVIEWS
|
C. E., |
|
1933 |
XVIII |
2 |
p. 214-221 |
artikel |
1091 |
VIEWS AND REVIEWS
|
C. E., |
|
1931 |
XVIII |
2 |
p. 272-283 |
artikel |
1092 |
VIEWS AND REVIEWS
|
C.E., |
|
1934 |
XVIII |
2 |
p. 246-253 |
artikel |
1093 |
VIEWS AND REVIEWS
|
C. E., |
|
1935 |
XVIII |
2 |
p. 230-240 |
artikel |
1094 |
VIEWS AND REVIEWS
|
C. E., |
|
1929 |
XVIII |
2 |
p. 297-305 |
artikel |
1095 |
VIEWS AND REVIEWS
|
C. E., |
|
1932 |
XVIII |
2 |
p. 338-348 |
artikel |
1096 |
VIEWS AND REVIEWS
|
C. E., |
|
1937 |
XVIII |
2 |
p. 238-247 |
artikel |
1097 |
VIEWS AND REVIEWS
|
C. E., |
|
1938 |
XVIII |
2 |
p. 219-225 |
artikel |
1098 |
VIEWS AND REVIEWS
|
C. E., |
|
1940 |
XVIII |
2 |
p. 260-267 |
artikel |
1099 |
VIEWS AND REVIEWS
|
C. E., |
|
1943 |
XVIII |
2 |
p. 234-241 |
artikel |
1100 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1923 |
XVIII |
2 |
p. 287-302 |
artikel |
1101 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1926 |
XVIII |
2 |
p. 299-314 |
artikel |
1102 |
VIEWS AND REVIEWS
|
C. E., |
|
1936 |
XVIII |
2 |
p. 234-239 |
artikel |
1103 |
VIEWS AND REVIEWS
|
C. E., |
|
1940 |
XVIII |
2 |
p. 243-248 |
artikel |
1104 |
VIEWS AND REVIEWS
|
C.E., |
|
1942 |
XVIII |
2 |
p. 248-257 |
artikel |
1105 |
Views, Reviews, and Nonviews: Two Studies in Historical Performance Practice
|
Montgomery, David |
|
1992 |
XVIII |
2 |
p. 264-282 |
artikel |
1106 |
VIRGIL THOMSON
|
GLANVILLE-HICKS, P. |
|
1949 |
XVIII |
2 |
p. 209-225 |
artikel |
1107 |
VIRTUOSITY
|
PINCHERLE, MARC |
|
1949 |
XVIII |
2 |
p. 226-243 |
artikel |
1108 |
Vive La France: Gallic Accents in American Music From 1880 to 1914
|
BRODY, ELAINE |
|
1979 |
XVIII |
2 |
p. 200-211 |
artikel |
1109 |
WAGNER AND BRAHMS, WITH UNPUBLISHED LETTERS
|
GEIRINGER, KARL |
|
1936 |
XVIII |
2 |
p. 178-189 |
artikel |
1110 |
WALDO SELDEN PRATT
|
KINKELDEY, OTTO |
|
1940 |
XVIII |
2 |
p. 162-174 |
artikel |
1111 |
Washington, D. C.
|
LOWENS, IRVING |
|
1958 |
XVIII |
2 |
p. 237-239 |
artikel |
1112 |
Washington, D. C
|
EVETT, ROBERT |
|
1965 |
XVIII |
2 |
p. 406-409 |
artikel |
1113 |
Washington, D. C.
|
MARGRAVE, WENDELL |
|
1965 |
XVIII |
2 |
p. 409-413 |
artikel |
1114 |
Washington, D. C.
|
LOWENS, IRVING |
|
1959 |
XVIII |
2 |
p. 235-237 |
artikel |
1115 |
WAS MENDELSSOHN INDEBTED TO WEBER?
|
KINSKY, GEORG |
|
1933 |
XVIII |
2 |
p. 178-186 |
artikel |
1116 |
What Motivated Charles Ives's Search for Time Past
|
Baron, Carol K. |
|
1994 |
XVIII |
2 |
p. 206-219 |
artikel |
1117 |
WHEN IS A CONCERTO NOT A CONCERTO?
|
BOYDEN, DAVID D. |
|
1957 |
XVIII |
2 |
p. 220-232 |
artikel |
1118 |
WHERE DO WE GO FROM HERE?
|
von LEWINSKI, WOLF-EBERHARD |
|
1969 |
XVIII |
2 |
p. 193-205 |
artikel |
1119 |
Whither American Music Theater?
|
SALZMAN, ERIC |
|
1979 |
XVIII |
2 |
p. 230-244 |
artikel |
1120 |
WHY DID J. S. BACH TRANSPOSE HIS ARRANGEMENTS?
|
SHANET, HOWARD |
|
1950 |
XVIII |
2 |
p. 180-203 |
artikel |
1121 |
WILHELM GERICKE A CENTENNIAL RETROSPECT
|
BURK, JOHN N. |
|
1945 |
XVIII |
2 |
p. 163-187 |
artikel |
1122 |
WILHELM MIDDELSCHULTE, MASTER OF COUNTERPOINT
|
BECKER, JOHN J. |
|
1928 |
XVIII |
2 |
p. 192-202 |
artikel |
1123 |
WORKS OF HORATIO W.PARKER
|
Strunk, W.Oliver |
|
1930 |
XVIII |
2 |
p. 164-169 |
artikel |
1124 |
WOYZECK AND WOZZECK
|
PERLE, GEORGE |
|
1967 |
XVIII |
2 |
p. 206-219 |
artikel |
1125 |
W. T. BEST: HIS LIFE, CHARACTER, AND WORKS
|
MANSFIELD, ORLANDO A. |
|
1918 |
XVIII |
2 |
p. 209-249 |
artikel |
|