nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
ABT VOGLER
|
SCHWEIGER, HERTHA |
|
1939 |
XVII |
2 |
p. 156-166 |
artikel |
2 |
ACCOMPANIED KEYBOARD MUSIC
|
FULLER, DAVID |
|
1974 |
XVII |
2 |
p. 222-245 |
artikel |
3 |
A COLLECTION OF MUSIC IN COLONIAL VIRGINIA: THE OGLE INVENTORY
|
MOLNAR, JOHN W. |
|
1963 |
XVII |
2 |
p. 150-162 |
artikel |
4 |
A COMMUNICATION FROM MOSCOW
|
BOELZA, IGOR |
|
1943 |
XVII |
2 |
p. 266-268 |
artikel |
5 |
Additional Remarks on “Style brisé, style luthé, and the choses luthées”
|
BUCH, DAVID |
|
1985 |
XVII |
2 |
p. 220-221 |
artikel |
6 |
A DECADE OF ENGLISH SONG
|
ANTCLIFFE, HERBERT |
|
1925 |
XVII |
2 |
p. 219-230 |
artikel |
7 |
Adorno on the Musical Language of Beethoven
|
Sample, Colin |
|
1994 |
XVII |
2 |
p. 378-394 |
artikel |
8 |
ADVERTISING AS A FINE ART
|
FLAMMER, HAROLD |
|
1917 |
XVII |
2 |
p. 198-205 |
artikel |
9 |
After Fifty Years: Thoughts on Music and the End of World War II
|
Botstein, —Leon |
|
1995 |
XVII |
2 |
p. 225-230 |
artikel |
10 |
Afterword
|
J. P., |
|
1982 |
XVII |
2 |
p. 283-286 |
artikel |
11 |
AGWILLARE, A PIECE OF LATE GOTHIC MINSTRELSY
|
VON FICKER, RUDOLF |
|
1936 |
XVII |
2 |
p. 131-139 |
artikel |
12 |
ALESSANDRO GRANDI, A DISCIPLE OF MONTEVERDI
|
ARNOLD, DENIS |
|
1957 |
XVII |
2 |
p. 171-186 |
artikel |
13 |
A LESSON WITH BEETHOVEN BY CORRESPONDENCE
|
JONAS, OSWALD |
|
1952 |
XVII |
2 |
p. 215-221 |
artikel |
14 |
ALFREDO CASELLA
|
GATTI, GUIDO M. |
|
1920 |
XVII |
2 |
p. 179-191 |
artikel |
15 |
A LITTLE-KNOWN PETRUCCI PUBLICATION:
|
SARTORI, CLAUDIO |
|
1948 |
XVII |
2 |
p. 234-245 |
artikel |
16 |
ALSO SPRACH RICHARD STRAUSS
|
EWEN, DAVID |
|
1930 |
XVII |
2 |
p. 207-213 |
artikel |
17 |
AMERICA IN THE FRENCH MUSIC OF THE SEVENTEENTH AND EIGHTEENTH CENTURIES
|
LAURENCIE, LIONEL DE LA |
|
1921 |
XVII |
2 |
p. 284-302 |
artikel |
18 |
A MUSICAL EXAMINATION-PAPER ON SPENGLER'S “THE DECLINE OF THE WEST”
|
FORSYTH, CECIL |
|
1928 |
XVII |
2 |
p. 155-157 |
artikel |
19 |
ANALYSIS TODAY
|
CONE, EDWARD T. |
|
1960 |
XVII |
2 |
p. 172-188 |
artikel |
20 |
Analytical Study of the NBC Music Appreciation Hour
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 325-377 |
artikel |
21 |
AN EARLY EXAMPLE OF DRAMATIC PROCEDURES IN 18th-CENTURY KEYBOARD MUSIC
|
FRUM, BERNARD |
|
1970 |
XVII |
2 |
p. 230-246 |
artikel |
22 |
AN EIGHTEENTH CENTURY ESSAYIST ON POETRY AND MUSIC
|
FLOOD, W. H. GRATTAN |
|
1916 |
XVII |
2 |
p. 191-198 |
artikel |
23 |
AN ELIZABETHAN ANTHOLOGY OF ROUNDS
|
VLASTO, JILL |
|
1954 |
XVII |
2 |
p. 222-234 |
artikel |
24 |
A “NEW” BACH PORTRAIT
|
HERZ, GERHARD |
|
1943 |
XVII |
2 |
p. 225-241 |
artikel |
25 |
A NEW COLLECTION OF MUSIC MANUSCRIPTS IN THE UNITED STATES
|
SELDEN-GOTH, GISELLA |
|
1940 |
XVII |
2 |
p. 175-185 |
artikel |
26 |
A NEW THEORY OF UNTEMPERED MUSIC
|
NORDEN, N. LINDSAY |
|
1936 |
XVII |
2 |
p. 217-233 |
artikel |
27 |
A NEW YORK CONCERT IN 1736
|
REDWAY, VIRGINIA LARKIN |
|
1936 |
XVII |
2 |
p. 170-177 |
artikel |
28 |
AN EXPERIMENT IN MUSICAL TEXTURE
|
VAUCLAIN, CONSTANT |
|
1965 |
XVII |
2 |
p. 318-335 |
artikel |
29 |
AN “INSTRUMENTAL”Æ ESTHETICS OF MUSIC1
|
MARKEL, HOWARD |
|
1922 |
XVII |
2 |
p. 199-212 |
artikel |
30 |
A NOTE ON DOMENICO CIMAROSA'S IL MATRIMONIO SEGRETO
|
ENGEL, CARL |
|
1947 |
XVII |
2 |
p. 201-206 |
artikel |
31 |
A NOTE ON THE CLASSIFICATION OF 16TH-CENTURY MUSIC
|
KENTON, EGON F. |
|
1952 |
XVII |
2 |
p. 202-214 |
artikel |
32 |
ANTONIA BEMBO, COMPOSER TO LOUIS XIV
|
ROKSETH, YVONNE |
|
1937 |
XVII |
2 |
p. 147-169 |
artikel |
33 |
ANTON SCHINDLER
|
DOERNBERG, ERWIN |
|
1965 |
XVII |
2 |
p. 373-386 |
artikel |
34 |
AN UNKNOWN COMPOSITION BY DUFAY?
|
PLAMENAC, DRAGAN |
|
1954 |
XVII |
2 |
p. 190-200 |
artikel |
35 |
AN UNKNOWN SKETCH BY BEETHOVEN
|
JONAS, OSWALD |
|
1940 |
XVII |
2 |
p. 186-191 |
artikel |
36 |
A PLEA FOR OUR NATIVE ART
|
CURTIS, NATALIE |
|
1920 |
XVII |
2 |
p. 175-178 |
artikel |
37 |
A PLEA FOR PURE CHURCH MUSIC
|
NORDEN, N. LINDSAY |
|
1918 |
XVII |
2 |
p. 196-208 |
artikel |
38 |
A QUAINT MUSICAL SURVIVAL : THE TWELVE APOSTLES
|
McGILL, JOSEPHINE |
|
1930 |
XVII |
2 |
p. 186-190 |
artikel |
39 |
A REAPPRAISAL OF SCHUBERT'S METHODS OF COMPOSITION
|
GRIFFEL, L. MICHAEL |
|
1977 |
XVII |
2 |
p. 186-210 |
artikel |
40 |
Are Boulez and Stockhausen Ready for the Mainstream?
|
McNamee, Ann K. |
|
1992 |
XVII |
2 |
p. 283-291 |
artikel |
41 |
A RECONSTRUCTION OF THE FRENCH CHANSONNIER IN THE BIBLIOTECA COLOMBINA, SEVILLE-III
|
PLAMENAC, DRAGAN |
|
1952 |
XVII |
2 |
p. 245-277 |
artikel |
42 |
A REPLY TO “TONIC-SOLFA : PRO AND CON”
|
WHITTAKER, W. G. |
|
1922 |
XVII |
2 |
p. 265-272 |
artikel |
43 |
ARNOLD BAX
|
EVANS, EDWIN |
|
1923 |
XVII |
2 |
p. 167-180 |
artikel |
44 |
ARNOLD DOLMETSCH: MUSICAL CONFUCIUS
|
GRAINGER, PERCY |
|
1933 |
XVII |
2 |
p. 187-198 |
artikel |
45 |
ASIAN CONCEPTS AND TWENTIETH-CENTURY WESTERN COMPOSERS
|
WEN-CHUNG, CHOU |
|
1971 |
XVII |
2 |
p. 211-229 |
artikel |
46 |
A SPURIOUS MOZART PORTRAIT
|
SQUIRE, WILLIAM BARCLAY |
|
1923 |
XVII |
2 |
p. 211-216 |
artikel |
47 |
A STERNHOLD AND HOPKINS PUZZLE
|
BYARD, HERBERT |
|
1970 |
XVII |
2 |
p. 221-229 |
artikel |
48 |
A STUDY OF ELGAR1
|
MASON, DANIEL GREGORY |
|
1917 |
XVII |
2 |
p. 288-303 |
artikel |
49 |
A STUDY OF HORATIO PARKER
|
SMITH, DAVID STANLEY |
|
1930 |
XVII |
2 |
p. 153-163 |
artikel |
50 |
A STUDY OF STRAUSS
|
MASON, DANIEL GREGORY |
|
1916 |
XVII |
2 |
p. 171-190 |
artikel |
51 |
A SURVEY OF RUSSIAN SONG
|
OLIPHANT, E. H. C. |
|
1926 |
XVII |
2 |
p. 196-230 |
artikel |
52 |
Athena at the Manuscript Club: John Cage and Mary Carr Moore
|
Smith, Catherine Parsons |
|
1995 |
XVII |
2 |
p. 351-367 |
artikel |
53 |
A Third Gainsborough Portrait of Johann Christian Bach?
|
REIS, JOAN S. |
|
1990 |
XVII |
2 |
p. 295-302 |
artikel |
54 |
A TRIBUTE TO FRANK DAMROSCH
|
RICE, EDWIN T. |
|
1939 |
XVII |
2 |
p. 129-134 |
artikel |
55 |
ATROCITIES AND HUMORS OF OPERA
|
ELSON, LOUIS C. |
|
1920 |
XVII |
2 |
p. 206-213 |
artikel |
56 |
ATTITUDES TOWARDS PERSIAN MUSIC IN TEHRAN, 1969
|
NETTL, BRUNO |
|
1970 |
XVII |
2 |
p. 183-197 |
artikel |
57 |
AUGUSTE AND HIS CLAQUE
|
CROSTEN, W. LORAN |
|
1946 |
XVII |
2 |
p. 215-226 |
artikel |
58 |
AUSTRIA
|
SAATHEN, FRIEDRICH |
|
1955 |
XVII |
2 |
p. 234-238 |
artikel |
59 |
AUSTRIA
|
BLAUKOPF, KKURT |
|
1952 |
XVII |
2 |
p. 309-311 |
artikel |
60 |
AUSTRIA
|
WEISSMANN, JOHN C. |
|
1967 |
XVII |
2 |
p. 259-266 |
artikel |
61 |
AUSTRO-GERMAN MUSICIANS IN FRANCE IN THE EIGHTEENTH CENTURY
|
PROD'HOMME, J.-G. |
|
1929 |
XVII |
2 |
p. 171-195 |
artikel |
62 |
A “Veritable Autobiography”? Amy Beach's Piano Concerto in C-sharp Minor, op. 45
|
Block, Adrienne Fried |
|
1994 |
XVII |
2 |
p. 394-416 |
artikel |
63 |
Bach and the French Ouverture
|
Malloch, William |
|
1991 |
XVII |
2 |
p. 174-197 |
artikel |
64 |
BACH AT BETHLEHEM, PENNSYLVANIA
|
WALTERS, RAYMOND |
|
1935 |
XVII |
2 |
p. 179-189 |
artikel |
65 |
BACH, BEETHOVEN, BRAHMS
|
ABERT, HERMANN |
|
1927 |
XVII |
2 |
p. 329-343 |
artikel |
66 |
BACH PORTRAITS
|
MULLER, JOSEPH |
|
1935 |
XVII |
2 |
p. 155-165 |
artikel |
67 |
BACH'S SINGET DEM HERRN: A CONJECTURE
|
TERRY, CHARLES SANFORD |
|
1935 |
XVII |
2 |
p. 125-131 |
artikel |
68 |
BACKGROUND TO THE ROY HENRY MUSIC
|
HUGHES, DOM ANSELM REV. |
|
1940 |
XVII |
2 |
p. 205-210 |
artikel |
69 |
BALZAC, THE MUSICIAN
|
PARKER, D. C. |
|
1919 |
XVII |
2 |
p. 160-168 |
artikel |
70 |
BAROQUE HISTORIES OF MUSIC1
|
ALLEN, WARREN D. |
|
1939 |
XVII |
2 |
p. 195-209 |
artikel |
71 |
BARTOK'S FIRST PIANO CONCERTO: A PUBLICATION HISTORY1
|
WALDBAUER, IVAN F. |
|
1965 |
XVII |
2 |
p. 336-344 |
artikel |
72 |
BARTOK'S “SERIAL” COMPOSITION
|
FORTE, ALLEN |
|
1960 |
XVII |
2 |
p. 233-245 |
artikel |
73 |
BEETHOVEN AFTER A HUNDRED YEARS
|
HENDERSON, W. J. |
|
1927 |
XVII |
2 |
p. 161-168 |
artikel |
74 |
BEETHOVEN AND A YOUNGER GENERATION
|
DENT, EDWARD J. |
|
1927 |
XVII |
2 |
p. 317-328 |
artikel |
75 |
BEETHOVEN AS A WRITER OF PROGRAMME MUSIC
|
MENDL, R. W. S. |
|
1928 |
XVII |
2 |
p. 172-177 |
artikel |
76 |
BEETHOVEN'S “ADELAÏDE”
|
DOUËL, MARTIAL |
|
1927 |
XVII |
2 |
p. 208-216 |
artikel |
77 |
BEETHOVEN'S INTELLECTUAL EDUCATION
|
PROD'HOMME, J. G. |
|
1927 |
XVII |
2 |
p. 169-182 |
artikel |
78 |
BEETHOVEN'S “LEONORE” AND “FIDELIO”
|
ISTEL, EDGAR |
|
1921 |
XVII |
2 |
p. 226-251 |
artikel |
79 |
BEETHOVEN'S OPUS 3 AN “ENVOI DE VIENNE”?
|
ENGEL, CARL |
|
1927 |
XVII |
2 |
p. 261-279 |
artikel |
80 |
BEETHOVEN: THE NOBILITY PRETENSE
|
SOLOMON, MAYNARD |
|
1975 |
XVII |
2 |
p. 272-294 |
artikel |
81 |
BEETHOVEN TO DIABELLI : A LETTER AND A PROTEST
|
SONNECK, O. G. |
|
1927 |
XVII |
2 |
p. 294-316 |
artikel |
82 |
BEGINNINGS OF BEETHOVEN IN AMERICA
|
KINKELDEY, OTTO |
|
1927 |
XVII |
2 |
p. 217-248 |
artikel |
83 |
BELGIUM AND THE NETHERLANDS
|
BROECKX, JAN L. |
|
1951 |
XVII |
2 |
p. 311-314 |
artikel |
84 |
BENEDETTO MARCELLO'S SATIRE ON EARLY 18TH-CENTURY OPERA
|
PAULY, REINHARD G. |
|
1948 |
XVII |
2 |
p. 222-233 |
artikel |
85 |
BENJAMIN FRANKLIN AND THE CLAVECINISTE BRILLON DE JOUY
|
LAURENCIE, LIONEL DE LA |
|
1923 |
XVII |
2 |
p. 245-259 |
artikel |
86 |
Berkeley, California
|
POWERS, HAROLD S. |
|
1972 |
XVII |
2 |
p. 297-307 |
artikel |
87 |
Berlin
|
BECKER-CARSTEN, WOLFGANG |
|
1971 |
XVII |
2 |
p. 314-317 |
artikel |
88 |
BERLIOZ, LISZT, AND THE RAKOCZY MARCH
|
HARASZTI, EMILE |
|
1940 |
XVII |
2 |
p. 200-231 |
artikel |
89 |
BERNARD ROGERS
|
DIAMOND, DAVID |
|
1947 |
XVII |
2 |
p. 207-227 |
artikel |
90 |
BERNARD VAN DIEREN
|
DAVIS, EDGAR |
|
1938 |
XVII |
2 |
p. 169-175 |
artikel |
91 |
BERNHARD ZIEHN, PRECURSOR
|
SARGEANT, WINTHROP |
|
1933 |
XVII |
2 |
p. 169-177 |
artikel |
92 |
BERNSTEIN'S THE UNANSWERED QUESTION AND THE PROBLEM OF MUSICAL COMPETENCE
|
KElLER, ALLAN |
|
1978 |
XVII |
2 |
p. 195-223 |
artikel |
93 |
Bill Evans (1929–1980): A Musical Memoir
|
ISRAELS, CHUCK |
|
1985 |
XVII |
2 |
p. 109-115 |
artikel |
94 |
BIOGRAPHY OF A BLACKFOOT INDIAN SINGER
|
NETTL, BRUNO |
|
1968 |
XVII |
2 |
p. 199-207 |
artikel |
95 |
BIRD-MUSIC
|
OLDS, W. B. |
|
1922 |
XVII |
2 |
p. 242-255 |
artikel |
96 |
Béla Bartók and the Concept of Nation and Volk in Modern Hungary
|
Frigyesi, Judit |
|
1994 |
XVII |
2 |
p. 255-287 |
artikel |
97 |
Book Reviews
|
Witkin, Tamar |
|
1991 |
XVII |
2 |
p. 218-219 |
artikel |
98 |
Book Reviews
|
Rogols-Siegel, Linda |
|
1991 |
XVII |
2 |
p. 219-224 |
artikel |
99 |
Book Reviews
|
J. F., |
|
1992 |
XVII |
2 |
p. 297-299 |
artikel |
100 |
Book Reviews
|
Wade, Stephen |
|
1992 |
XVII |
2 |
p. 292-297 |
artikel |
101 |
Book Reviews
|
Roseberry, Eric |
|
1991 |
XVII |
2 |
p. 211-218 |
artikel |
102 |
Book Reviews
|
Stiller, Andrew |
|
1991 |
XVII |
2 |
p. 209-211 |
artikel |
103 |
BRAHMS AS A READER AND COLLECTOR
|
GEIRINGER, KARL |
|
1933 |
XVII |
2 |
p. 158-168 |
artikel |
104 |
Brahms as Count Peter of Provence: A Psychosexual Interpretation of the Magelone Poetry
|
BOYER, THOMAS |
|
1980 |
XVII |
2 |
p. 262-286 |
artikel |
105 |
BRAHMS, CHORAL CONDUCTOR
|
KOMORN, MARIA |
|
1933 |
XVII |
2 |
p. 151-157 |
artikel |
106 |
Brahms's Düsseldorf Suite Study and His Intennezzo, Opus 116, No. 2
|
HORNE, WILLIAM |
|
1989 |
XVII |
2 |
p. 249-283 |
artikel |
107 |
BRITISH MUSIC THROUGH FRENCH EYES
|
JEAN-AUBRY, G. |
|
1919 |
XVII |
2 |
p. 192-212 |
artikel |
108 |
BURNEY'S SKETCH OF A PLAN FOR A PUBLIC MUSIC-SCHOOL
|
KASSLER, JAMIE CROY |
|
1972 |
XVII |
2 |
p. 210-234 |
artikel |
109 |
BYZANTINE MUSIC ABOUT A.D. 1100
|
TILLYARD, H. J. W. |
|
1953 |
XVII |
2 |
p. 223-231 |
artikel |
110 |
Calderón/Schopenhauer/Wagner: The Story of a Misunderstanding
|
COLEMAN, ALEXANDER |
|
1983 |
XVII |
2 |
p. 227-243 |
artikel |
111 |
CASANOVA AND MUSIC
|
NETTL, PAUL DR. |
|
1929 |
XVII |
2 |
p. 212-232 |
artikel |
112 |
CERTAIN QUESTIONABLE TENDENCIES IN MODERN CHAMBER-MUSIC
|
PIERCE, EDWIN HALL |
|
1925 |
XVII |
2 |
p. 261-270 |
artikel |
113 |
Charles Ives and the Meaning of Quotation in Music
|
BALLANTINE, CHRISTOPHER |
|
1979 |
XVII |
2 |
p. 167-184 |
artikel |
114 |
CHARLES IVES FESTIVAL-CONFERENCE
|
YELLIN, VICTOR FELL |
|
1975 |
XVII |
2 |
p. 295-299 |
artikel |
115 |
CHARLES-MARIE WIDOR: A PORTRAIT
|
PHILIPP, ISIDOR |
|
1943 |
XVII |
2 |
p. 125-132 |
artikel |
116 |
Charles Seeger (1886–1979)
|
COWELL, SIDNEY ROBERTSON |
|
1979 |
XVII |
2 |
p. 305-307 |
artikel |
117 |
CHIANG K'UEI'S NINE SONGS FOR YÜEH
|
PICKEN, LAURENCE |
|
1957 |
XVII |
2 |
p. 201-219 |
artikel |
118 |
CHINESE HISTORIOGRAPHY AND MUSIC: SOME OBSERVATIONS
|
WEN-CHUNG, CHOU |
|
1976 |
XVII |
2 |
p. 218-240 |
artikel |
119 |
CHOPIN
|
LANDORMY, PAUL |
|
1929 |
XVII |
2 |
p. 160-170 |
artikel |
120 |
CHOPIN BY LISZT
|
WATERS, EDWARD N. |
|
1961 |
XVII |
2 |
p. 170-194 |
artikel |
121 |
Cleveland
|
MURRAY, BAIN |
|
1958 |
XVII |
2 |
p. 231-235 |
artikel |
122 |
Compromises in Orchestration in Mozart's Coronation Concerto
|
Goertzen, Chris |
|
1991 |
XVII |
2 |
p. 148-173 |
artikel |
123 |
CONNOTATIVE IRONY IN MAHLER'S TODTENMARSCH IN “CALLOTS MANIER”
|
ROMAN, ZOLTAN |
|
1973 |
XVII |
2 |
p. 207-222 |
artikel |
124 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1971 |
XVII |
2 |
p. 350-350 |
artikel |
125 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1972 |
XVII |
2 |
p. 347-347 |
artikel |
126 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1974 |
XVII |
2 |
p. 330-331 |
artikel |
127 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1975 |
XVII |
2 |
p. 343-343 |
artikel |
128 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1976 |
XVII |
2 |
p. 311-311 |
artikel |
129 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1978 |
XVII |
2 |
p. 273-273 |
artikel |
130 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1982 |
XVII |
2 |
p. 304-305 |
artikel |
131 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1955 |
XVII |
2 |
p. 283-284 |
artikel |
132 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1956 |
XVII |
2 |
p. 290-290 |
artikel |
133 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1958 |
XVII |
2 |
p. 287-288 |
artikel |
134 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1953 |
XVII |
2 |
p. 353-354 |
artikel |
135 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1950 |
XVII |
2 |
p. 315-315 |
artikel |
136 |
Contributors to This Issue
|
|
|
1991 |
XVII |
2 |
p. 225-226 |
artikel |
137 |
Contributors to This Issue
|
|
|
1992 |
XVII |
2 |
p. 300-300 |
artikel |
138 |
Contributors to This Issue
|
|
|
1993 |
XVII |
2 |
p. 366-366 |
artikel |
139 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1969 |
XVII |
2 |
p. 294-294 |
artikel |
140 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1970 |
XVII |
2 |
p. 309-309 |
artikel |
141 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1983 |
XVII |
2 |
p. 295-295 |
artikel |
142 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1979 |
XVII |
2 |
p. 312-312 |
artikel |
143 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1981 |
XVII |
2 |
p. 304-a-304 |
artikel |
144 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1985 |
XVII |
2 |
p. 234-234 |
artikel |
145 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1987 |
XVII |
2 |
p. 299-299 |
artikel |
146 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1959 |
XVII |
2 |
p. 293-294 |
artikel |
147 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1962 |
XVII |
2 |
p. 284-284 |
artikel |
148 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1948 |
XVII |
2 |
p. 300-301 |
artikel |
149 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1949 |
XVII |
2 |
p. 343-343 |
artikel |
150 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1990 |
XVII |
2 |
p. 318-318 |
artikel |
151 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1964 |
XVII |
2 |
p. 278-278 |
artikel |
152 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1965 |
XVII |
2 |
p. 450-451 |
artikel |
153 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1966 |
XVII |
2 |
p. 281-281 |
artikel |
154 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1968 |
XVII |
2 |
p. 286-286 |
artikel |
155 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1973 |
XVII |
2 |
p. 338-338 |
artikel |
156 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1957 |
XVII |
2 |
p. 293-294 |
artikel |
157 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1989 |
XVII |
2 |
p. 301-301 |
artikel |
158 |
Contributors to This Issue
|
|
|
1994 |
XVII |
2 |
p. 418-419 |
artikel |
159 |
Contributors to This Issue
|
|
|
1995 |
XVII |
2 |
p. 421-421 |
artikel |
160 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1967 |
XVII |
2 |
p. 312-312 |
artikel |
161 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1977 |
XVII |
2 |
p. 296-296 |
artikel |
162 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1980 |
XVII |
2 |
p. 319-319 |
artikel |
163 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1984 |
XVII |
2 |
p. 293-293 |
artikel |
164 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1954 |
XVII |
2 |
p. 326-328 |
artikel |
165 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1952 |
XVII |
2 |
p. 337-337 |
artikel |
166 |
COPLAND AS A FILM COMPOSER
|
STERNFELD, FREDERICK W. |
|
1951 |
XVII |
2 |
p. 161-175 |
artikel |
167 |
CORRECTION
|
|
|
1981 |
XVII |
2 |
p. 304-b-304 |
artikel |
168 |
CURRENT CHRONICLE
|
COWELL, HENRY |
|
1956 |
XVII |
2 |
p. 240-244 |
artikel |
169 |
CURRENT CHRONICLE
|
WEISSMANN, JOHN S. |
|
1953 |
XVII |
2 |
p. 260-267 |
artikel |
170 |
CURRENT CHRONICLE
|
N. B., |
|
1955 |
XVII |
2 |
p. 227-228 |
artikel |
171 |
CURRENT CHRONICLE
|
HANLEY, EDWIN |
|
1953 |
XVII |
2 |
p. 241-247 |
artikel |
172 |
CURRENT CHRONICLE
|
REICH, WILLI |
|
1953 |
XVII |
2 |
p. 258-260 |
artikel |
173 |
CURRENT CHRONICLE
|
ROSENFELD, PAUL |
|
1939 |
XVII |
2 |
p. 226-231 |
artikel |
174 |
CURRENT CHRONICLE
|
WILLIAMS, STEPHEN |
|
1955 |
XVII |
2 |
p. 241-243 |
artikel |
175 |
CURRENT CHRONICLE
|
GOLDMAN, RICHARD F. |
|
1953 |
XVII |
2 |
p. 247-251 |
artikel |
176 |
CURRENT CHRONICLE
|
COWELL, HENRY |
|
1953 |
XVII |
2 |
p. 251-255 |
artikel |
177 |
CURRENT CHRONICLE: Austria
|
JOHNS, DONALD C. |
|
1956 |
XVII |
2 |
p. 248-251 |
artikel |
178 |
CURRENT CHRONICLE: San Francisco
|
RINGER, ALEXANDER L. |
|
1956 |
XVII |
2 |
p. 244-247 |
artikel |
179 |
CURRENT CRONICLE
|
CURJEI, HANS |
|
1953 |
XVII |
2 |
p. 267-275 |
artikel |
180 |
Current Issues in Schenkerian Analysis
|
Jackson, Timothy L. |
|
1992 |
XVII |
2 |
p. 242-263 |
artikel |
181 |
Cyclical Structures in the Late Music of Leoš Janáček
|
Josephson, Nors S. |
|
1995 |
XVII |
2 |
p. 402-420 |
artikel |
182 |
CZECHOSLOVAKIA
|
O. PTAK, MILOS |
|
1948 |
XVII |
2 |
p. 266-268 |
artikel |
183 |
DANCE AND SONG IN TWO PYRENEAN VALLEYS
|
ALFORD, VIOLET |
|
1931 |
XVII |
2 |
p. 248-258 |
artikel |
184 |
DANTE, ON THE WAY TO THE MADRIGAL
|
EINSTEIN, ALFRED |
|
1939 |
XVII |
2 |
p. 142-155 |
artikel |
185 |
DARIUS MILHAUD*
|
BAUER, MARION |
|
1942 |
XVII |
2 |
p. 139-159 |
artikel |
186 |
Decoration Day: A Boyhood Memory of Charles Ives
|
FEDER, STUART |
|
1980 |
XVII |
2 |
p. 234-261 |
artikel |
187 |
DMITRI SHOSTAKOVITCH AND “TEA FOR TWO”
|
VOLKOV, SOLOMON |
|
1978 |
XVII |
2 |
p. 223-229 |
artikel |
188 |
DO ANIMALS LIKE MUSIC?
|
HIPSHER, EDWARD ELLSWORTH |
|
1926 |
XVII |
2 |
p. 166-174 |
artikel |
189 |
DÉODAT DE SÉVERAC
|
LANDORMY, PAUL |
|
1934 |
XVII |
2 |
p. 206-212 |
artikel |
190 |
DOMENICO SCARLATTI'S EARLY KEYBOARD WORKS
|
KIRKPATRICK, RALPH |
|
1951 |
XVII |
2 |
p. 145-160 |
artikel |
191 |
DVOŘÁK'S RELATIONS WITH BRAHMS AND HANSLICK
|
CLAPHAM, JOHN |
|
1971 |
XVII |
2 |
p. 241-254 |
artikel |
192 |
EARLY AMERICAN COMPOSERS AND CRITICS
|
SABIN, ROBERT |
|
1938 |
XVII |
2 |
p. 210-218 |
artikel |
193 |
EARLY BREITKOPF & HÄRTEL THEMATIC CATALOGUES OF MANUSCRIPT MUSIC
|
MEYER, KATHI |
|
1943 |
XVII |
2 |
p. 163-173 |
artikel |
194 |
EARLY GERMAN KEYBOARD MUSIC
|
APEL, WILLI |
|
1937 |
XVII |
2 |
p. 210-237 |
artikel |
195 |
EARLY NEW ENGLAND PERIODICALS DEVOTED TO MUSIC
|
JOHNSON, H. EARLE |
|
1940 |
XVII |
2 |
p. 153-161 |
artikel |
196 |
EDITORIAL
|
P. H. L., |
|
1956 |
XVII |
2 |
p. 230-235 |
artikel |
197 |
EDITORIAL
|
P. H. L., |
|
1958 |
XVII |
2 |
p. 221-227 |
artikel |
198 |
EDITORIAL
|
P. H. L., |
|
1965 |
XVII |
2 |
p. 387-395 |
artikel |
199 |
Editorial
|
P.H.L., |
|
1968 |
XVII |
2 |
p. 249-251 |
artikel |
200 |
EDITORIAL
|
P. H. L., |
|
1955 |
XVII |
2 |
p. 215-222 |
artikel |
201 |
EDITORIAL
|
P. H. L., |
|
1959 |
XVII |
2 |
p. 223-229 |
artikel |
202 |
EDITORIAL
|
P. H. L., |
|
1960 |
XVII |
2 |
p. 145-154 |
artikel |
203 |
EDITORIAL
|
P. H. L., |
|
1961 |
XVII |
2 |
p. 224-232 |
artikel |
204 |
EDITORIAL
|
P. H. L., |
|
1964 |
XVII |
2 |
p. 215-226 |
artikel |
205 |
EDITORIAL
|
P. H. L., |
|
1973 |
XVII |
2 |
p. 302-309 |
artikel |
206 |
EDITORIAL
|
P. H. L., |
|
1951 |
XVII |
2 |
p. 234-240 |
artikel |
207 |
Editorial
|
J.P., |
|
1980 |
XVII |
2 |
p. 232-233 |
artikel |
208 |
EDITORIAL
|
P. H. L., |
|
1946 |
XVII |
2 |
p. 296-302 |
artikel |
209 |
EDITORIAL
|
P. H. L., |
|
1947 |
XVII |
2 |
p. 258-266 |
artikel |
210 |
EDITORIAL
|
P. H. L, |
|
1952 |
XVII |
2 |
p. 278-284 |
artikel |
211 |
Editor's Introduction
|
Swed, —Mark |
|
1995 |
XVII |
2 |
p. 309-311 |
artikel |
212 |
Editor's Introduction
|
Swed, Mark |
|
1994 |
XVII |
2 |
p. 288-289 |
artikel |
213 |
Editor's Note to Philip Glass's Akhnaten
|
Swed, Mark |
|
1993 |
XVII |
2 |
p. 236-240 |
artikel |
214 |
EDWARD MacDOWELL'S BIRTHDATE: A CORRECTION
|
SCHWAB, ARNOLD T. |
|
1975 |
XVII |
2 |
p. 233-239 |
artikel |
215 |
EGON WELLESZ AND THE STUDY OF BYZANTINE CHANT
|
VELIMIROVIĆ, MILOŠ |
|
1976 |
XVII |
2 |
p. 265-277 |
artikel |
216 |
Elements of a Radio Theory: Adorno and the Princeton Radio Research Project
|
Levin, Thomas Y. |
|
1994 |
XVII |
2 |
p. 316-324 |
artikel |
217 |
EMANUEL BACH'S AUTOBIOGRAPHY
|
NEWMAN, WILLIAM S. |
|
1965 |
XVII |
2 |
p. 363-372 |
artikel |
218 |
ENGLAND
|
STEVENS, DENIS |
|
1958 |
XVII |
2 |
p. 240-242 |
artikel |
219 |
ENGLAND
|
BOYDEN, DAVID D. |
|
1955 |
XVII |
2 |
p. 238-241 |
artikel |
220 |
ENGLAND
|
STEVENS, DENIS |
|
1961 |
XVII |
2 |
p. 240-243 |
artikel |
221 |
ENGLAND
|
COOPER, MARTIN |
|
1950 |
XVII |
2 |
p. 289-291 |
artikel |
222 |
ENGLISH RESTORATION ATTITUDES TOWARD MUSIC
|
JENSEN, H. JAMES |
|
1969 |
XVII |
2 |
p. 206-214 |
artikel |
223 |
Epithalamica: An Easter Sequence by Peter Abelard
|
WADDELL, FATHER CHRYSOGONUS |
|
1987 |
XVII |
2 |
p. 239-271 |
artikel |
224 |
ERIC ZEISL: THE REDISCOVERY OF AN EMIGRE COMPOSER
|
COLE, MALCOLM S. |
|
1978 |
XVII |
2 |
p. 237-244 |
artikel |
225 |
ERRATA
|
|
|
1953 |
XVII |
2 |
p. 352-s-352 |
artikel |
226 |
ERRATA
|
|
|
1952 |
XVII |
2 |
p. 336-336 |
artikel |
227 |
ERRATA–JANUARY 1947 NUMBER
|
|
|
1947 |
XVII |
2 |
p. 266-s-266 |
artikel |
228 |
ERRATUM
|
|
|
1955 |
XVII |
2 |
p. 284-s-284 |
artikel |
229 |
ERRATUM
|
|
|
1950 |
XVII |
2 |
p. 337-s-337 |
artikel |
230 |
Esotericism as a Determinant of Debussy's Harmonic Language
|
Goldman, David Paul |
|
1991 |
XVII |
2 |
p. 130-147 |
artikel |
231 |
Essay-Review
|
ROCKWELL, JOHN |
|
1979 |
XVII |
2 |
p. 296-304 |
artikel |
232 |
Ethel Smyth, The Wreckers, and Sir Thomas Beecham
|
ABROMEIT, KATHLEEN A. |
|
1989 |
XVII |
2 |
p. 196-211 |
artikel |
233 |
EXCERPTS FROM THE MEMOIRS OF
|
TOMASCHEK, J. W. |
|
1946 |
XVII |
2 |
p. 244-264 |
artikel |
234 |
EXPRESSION UNCONFINED
|
BARRÈRE, GEORGES |
|
1943 |
XVII |
2 |
p. 192-197 |
artikel |
235 |
EXTENTS AND LIMITS OF SERIAL TECHNIQUES
|
KRENEK, ERNST |
|
1960 |
XVII |
2 |
p. 210-232 |
artikel |
236 |
FACTS AND FICTION ABOUT OVERDOTTING
|
NEUMANN, FREDERICK |
|
1977 |
XVII |
2 |
p. 155-185 |
artikel |
237 |
FELIPE PEDRELL
|
ISTEL, EDGAR |
|
1925 |
XVII |
2 |
p. 164-191 |
artikel |
238 |
FERDINAND IV AND HAYDN'S CONCERTOS FOR THE LIRA ORGANIZZATA
|
EDWALL, HARRY R. |
|
1962 |
XVII |
2 |
p. 190-203 |
artikel |
239 |
Finale Marked Presto: The Killing of Leclair
|
BOROWITZ, ALBERT |
|
1987 |
XVII |
2 |
p. 228-238 |
artikel |
240 |
Finding a “Real Self”: American Women and the Wagner Cult of the Late Nineteenth Century
|
Horowitz, Joseph |
|
1994 |
XVII |
2 |
p. 189-205 |
artikel |
241 |
FOREIGN SINGERS AND MUSICIANS AT THE COURT OF CHARLES II
|
LAWRENCE, W. J. |
|
1923 |
XVII |
2 |
p. 217-225 |
artikel |
242 |
FOUR UNKNOWN LETTERS OF RICHARD WAGNER
|
HOLDE, ARTUR |
|
1940 |
XVII |
2 |
p. 220-234 |
artikel |
243 |
FRANCE
|
WERNER, ERIC |
|
1958 |
XVII |
2 |
p. 242-244 |
artikel |
244 |
FRANCE
|
GOLDBECK, FREDERICK |
|
1950 |
XVII |
2 |
p. 291-295 |
artikel |
245 |
FRANCE
|
GOLDBECK, FREDERICK |
|
1949 |
XVII |
2 |
p. 312-315 |
artikel |
246 |
FRANZ LISZT RECONSIDERED
|
BEKKER, PAUL |
|
1942 |
XVII |
2 |
p. 186-189 |
artikel |
247 |
Franz Liszt: The Virtuoso Years, 1811–1847
|
WALKER, ALAN |
|
1985 |
XVII |
2 |
p. 211-219 |
artikel |
248 |
FREEMASONS' MUSIC IN THE EIGHTEENTH CENTURY
|
NETTL, PAUL |
|
1930 |
XVII |
2 |
p. 191-198 |
artikel |
249 |
From Biedermeier Berlin: The Parthey Diaries Excerpts in Translation, with Commentary and Annotation
|
MONTGOMERY, DAVID L. |
|
1990 |
XVII |
2 |
p. 197-216 |
artikel |
250 |
FROMENTAL HALÉVY
|
CURTISS, MINA |
|
1953 |
XVII |
2 |
p. 196-214 |
artikel |
251 |
From Myth to Music: Lévi-Strauss's Mythologiques and Berio's Sinfonia
|
OSMOND-SMITH, DAVID |
|
1981 |
XVII |
2 |
p. 230-260 |
artikel |
252 |
FURTHER LIGHT ON TCHAIKOVSKY
|
SLONIMSKY, NICOLAS |
|
1938 |
XVII |
2 |
p. 139-146 |
artikel |
253 |
GABRIELE D'ANNUNZIO AND THE ITALIAN OPERA-COMPOSERS
|
GATTI, GUIDO M. |
|
1924 |
XVII |
2 |
p. 263-288 |
artikel |
254 |
GEORG MUFFAT'S OBSERVATIONS ON THE LULLY STYLE OF PERFORMANCE
|
|
|
1967 |
XVII |
2 |
p. 220-245 |
artikel |
255 |
GERMAN MUSIC OF THE LAST DECADE
|
LEICHTENTRITT, HUGO |
|
1924 |
XVII |
2 |
p. 193-218 |
artikel |
256 |
GERMAN OPERA SINCE RICHARD WAGNER
|
ISTEL, EDGAR |
|
1915 |
XVII |
2 |
p. 260-290 |
artikel |
257 |
GERMAN ROMANTIC OPERA AND THE PROBLEM OF ORIGINS
|
GARLINGTON, AUBREY S. JR. |
|
1977 |
XVII |
2 |
p. 247-263 |
artikel |
258 |
GERMANY
|
WORNER, KARL H. |
|
1959 |
XVII |
2 |
p. 237-241 |
artikel |
259 |
GERMANY
|
HELM, EVERETT |
|
1959 |
XVII |
2 |
p. 241-248 |
artikel |
260 |
GERMANY
|
WÖRNER, KARL H. |
|
1960 |
XVII |
2 |
p. 270-275 |
artikel |
261 |
GERMANY
|
WÖRNER, KARL H. |
|
1961 |
XVII |
2 |
p. 243-247 |
artikel |
262 |
GERMANY
|
LEWINSKI, WOLF-EBERHARD VON |
|
1966 |
XVII |
2 |
p. 241-243 |
artikel |
263 |
GERMANY
|
VON LEWINSKI, WOLF-EBERHARD |
|
1967 |
XVII |
2 |
p. 266-269 |
artikel |
264 |
Gershwin's Reputation: A Note On Porgy and Bess
|
CRAWFORD, RICHARD |
|
1979 |
XVII |
2 |
p. 257-264 |
artikel |
265 |
GESTURE AND SCENERY IN MODERN OPERA
|
PALMER, JOHN |
|
1916 |
XVII |
2 |
p. 314-330 |
artikel |
266 |
G, F. NICOLAI'S MANUSCRIPT OF TARTINI'S Regole per ben suonar il Violino
|
JACOBI, ERWIN R. |
|
1961 |
XVII |
2 |
p. 207-223 |
artikel |
267 |
GLUCK'S DRAMATURGY
|
ISTEL, EDGAR |
|
1931 |
XVII |
2 |
p. 227-233 |
artikel |
268 |
GLUCK'S FRENCH COLLABORATORS
|
PROD'HOMME, J. G. |
|
1917 |
XVII |
2 |
p. 249-271 |
artikel |
269 |
GOETHE AND MUSIC
|
ISTEL, EDGAR |
|
1928 |
XVII |
2 |
p. 216-254 |
artikel |
270 |
GOETHE'S INTEREST IN MUSIC1
|
ROLLAND, ROMAIN |
|
1931 |
XVII |
2 |
p. 157-194 |
artikel |
271 |
GOUNOD AND HIS FIRST INTERPRETER, PAULINE VIARDOT
|
MARIX-SPIRE, THÉRÈSE |
|
1945 |
XVII |
2 |
p. 193-211 |
artikel |
272 |
GREGORIAN CHANT, THE GREATEST UNISON MUSIC
|
STEVENS, GEORGIA |
|
1943 |
XVII |
2 |
p. 205-225 |
artikel |
273 |
GUGLIELMO GONZAGA AND PALESTRINA'S MISSA DOMINICALIS1
|
STRUNK, OLIVER |
|
1947 |
XVII |
2 |
p. 228-239 |
artikel |
274 |
GYPSY MUSIC OR HUNGARIAN MUSIC?
|
BARTÓK, BÉLA |
|
1947 |
XVII |
2 |
p. 240-257 |
artikel |
275 |
HANDEL AND FIVE PRIMA DONNAS
|
ROGERS, FRANCIS |
|
1943 |
XVII |
2 |
p. 214-224 |
artikel |
276 |
HANDELIAN LACUNÆ: A PROJECT
|
COOPERSMITH, JACOB MAURICE |
|
1935 |
XVII |
2 |
p. 224-229 |
artikel |
277 |
HANDEL IN COLONIAL AND POST-COLONIAL AMERICA (to 1820)
|
REDWAY, VIRGINIA LARKIN |
|
1935 |
XVII |
2 |
p. 190-207 |
artikel |
278 |
HANDEL PUBLICATIONS IN 18TH-CENTURY AMERICA
|
DANIEL, RALPH T. |
|
1959 |
XVII |
2 |
p. 168-174 |
artikel |
279 |
HANDEL'S HARMONIC ART
|
LEICHTENTRITT, HUGO |
|
1935 |
XVII |
2 |
p. 208-223 |
artikel |
280 |
HANDEL'S MESSIAH: A STUDY OF SELECTED CONTEMPORARY WORD-BOOKS
|
SHAW, WATKINS |
|
1959 |
XVII |
2 |
p. 208-222 |
artikel |
281 |
HANDEL'S MUSIC FOR QUEEN ANNE
|
LINCOLN, STODDARD |
|
1959 |
XVII |
2 |
p. 191-207 |
artikel |
282 |
HANDEL, THE ROYAL ACADEMY OF MUSIC, AND ITS FIRST OPERA SEASON IN LONDON (1720)
|
KNAPP, J. MERRILL |
|
1959 |
XVII |
2 |
p. 145-167 |
artikel |
283 |
HANS VON BÜLOW AND THE NINTH SYMPHONY
|
DAMROSCH, WALTER |
|
1927 |
XVII |
2 |
p. 280-293 |
artikel |
284 |
HAROLD RANDOLPH: THE MAN AND MUSICIAN
|
LEEDY, DENOE |
|
1943 |
XVII |
2 |
p. 198-204 |
artikel |
285 |
HAYDN AND CLEMENTI
|
DE SAINT-FOIX, GEORGES |
|
1932 |
XVII |
2 |
p. 252-259 |
artikel |
286 |
HAYDN AND LUIGIA POLZELLI
|
BOTSTIBER, HUGO |
|
1932 |
XVII |
2 |
p. 208-215 |
artikel |
287 |
HAYDN AND THE FOLKSONG OF THE BRITISH ISLES1
|
GEIRINGER, KARL |
|
1949 |
XVII |
2 |
p. 179-208 |
artikel |
288 |
HAYDN AND THE OPERA
|
LÁNG, PAUL HENRY |
|
1932 |
XVII |
2 |
p. 274-281 |
artikel |
289 |
HAYDN AND THE VIENNESE CLASSICAL SCHOOL
|
ADLER, GUIDO |
|
1932 |
XVII |
2 |
p. 191-207 |
artikel |
290 |
HAYDN IN AMERICA (before 1820)
|
NORTON, M. D. HERTER |
|
1932 |
XVII |
2 |
p. 309-337 |
artikel |
291 |
HAYDN IN ENGLAND
|
SCOTT, MARION M. |
|
1932 |
XVII |
2 |
p. 260-273 |
artikel |
292 |
HAYDN PORTRAITS
|
MULLER, JOSEPH |
|
1932 |
XVII |
2 |
p. 282-298 |
artikel |
293 |
HAYDN's DIVERTIMENTI FOR BARYTON, VIOLA, AND BASS
|
STRUNK, W. OLIVER |
|
1932 |
XVII |
2 |
p. 216-251 |
artikel |
294 |
HAYDN's SKETCHES FOR “THE CREATION”
|
GEIRINGER, KARL |
|
1932 |
XVII |
2 |
p. 299-308 |
artikel |
295 |
HEINRICH HEINE'S MUSICAL FEUILLETONS
|
|
|
1922 |
XVII |
2 |
p. 273-295 |
artikel |
296 |
Henry Chorley, Pauline Viardot, and Turgenev: A Musical and Literary Friendship
|
WADDINGTON, PATRICK |
|
1981 |
XVII |
2 |
p. 165-192 |
artikel |
297 |
HISTORY AND GLORY OF THE CONCERT-HALL OF THE PARIS CONSERVATORY (1811–1911)
|
DE CURZON, HENRI |
|
1917 |
XVII |
2 |
p. 304-318 |
artikel |
298 |
Homosexual Self-affirmation and Self-oppression in Two Britten Operas
|
Hindley, Clifford |
|
1992 |
XVII |
2 |
p. 143-168 |
artikel |
299 |
HORATIAN MORAL PHILOSOPHY IN FRENCH SONG, 1649–1749
|
PACKER, DOROTHY S. |
|
1975 |
XVII |
2 |
p. 240-271 |
artikel |
300 |
HOWARD HANSON
|
TUTHILL, BURNET C. |
|
1936 |
XVII |
2 |
p. 140-153 |
artikel |
301 |
HOW J. S. BACH COMPOSED FOUR-PART CHORALES
|
MARSHALL, ROBERT L. |
|
1970 |
XVII |
2 |
p. 198-220 |
artikel |
302 |
HUCBALD, SCHOENBERG AND OTHERS ON PARALLEL OCTAVES AND FIFTHS
|
SEWALL, MAUD G. |
|
1926 |
XVII |
2 |
p. 248-265 |
artikel |
303 |
HUMMEL AND GEORGE THOMSON OF EDINBURGH
|
SACHS, JOEL |
|
1970 |
XVII |
2 |
p. 270-287 |
artikel |
304 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 370-373 |
artikel |
305 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 358-360 |
artikel |
306 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 353-358 |
artikel |
307 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 360-370 |
artikel |
308 |
ILDEBRANDO PIZZETTI
|
GATTI, GUIDO M. |
|
1923 |
XVII |
2 |
p. 271-286 |
artikel |
309 |
IMPRESSIONS OF IGOR STRAWINSKY
|
WISE, C. STANLEY |
|
1916 |
XVII |
2 |
p. 249-256 |
artikel |
310 |
Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s
|
Scott, Derek B. |
|
1994 |
XVII |
2 |
p. 290-315 |
artikel |
311 |
INDIAN MUSIC
|
COOMARASWAMY, ANANDA |
|
1917 |
XVII |
2 |
p. 163-172 |
artikel |
312 |
Inequality (Inégales): A New Point of View
|
Newman, Anthony |
|
1992 |
XVII |
2 |
p. 169-183 |
artikel |
313 |
Information for Contributors
|
|
|
1991 |
XVII |
2 |
p. 227-227 |
artikel |
314 |
IN MEMORIAM: LUDWIG LANDSHOFF
|
EINSTEIN, ALFRED |
|
1942 |
XVII |
2 |
p. 241-247 |
artikel |
315 |
In Search of Mahler's Tenth: The Four Performing Versions as Seen by a Conductor
|
BLOOMFIELD, THEODORE |
|
1990 |
XVII |
2 |
p. 175-196 |
artikel |
316 |
INTEGRATIVE DEVICES IN THE MUSIC OF MACHAUT
|
PERLE, GEORGE |
|
1948 |
XVII |
2 |
p. 169-176 |
artikel |
317 |
INTERNATIONALISM IN MUSIC
|
ADLER, GUIDO |
|
1925 |
XVII |
2 |
p. 281-300 |
artikel |
318 |
Introduction
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 326-327 |
artikel |
319 |
I. Pedagogical and MUsical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 327-335 |
artikel |
320 |
I. Pedagogical and MUsical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 335-339 |
artikel |
321 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 329-335 |
artikel |
322 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 344-350 |
artikel |
323 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 339-340 |
artikel |
324 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 340-344 |
artikel |
325 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 350-352 |
artikel |
326 |
Irony in the Heine Lieder of Schubert and Schumann
|
BRAUNER, CHARLES S. |
|
1981 |
XVII |
2 |
p. 261-281 |
artikel |
327 |
Is Gerald of Wales a Credible Musical Witness?
|
BURSTYN, SHAI |
|
1987 |
XVII |
2 |
p. 155-169 |
artikel |
328 |
ISRAEL
|
GRADENWITZ, PETER |
|
1950 |
XVII |
2 |
p. 295-300 |
artikel |
329 |
IS THE MARSEILLAISE A GERMAN COMPOSITION?
|
ISTEL, EDGAR |
|
1922 |
XVII |
2 |
p. 213-226 |
artikel |
330 |
ITALIAN SECULAR MONODY FROM 1600 TO 1635: AN INTRODUCTORY SURVEY1
|
FORTUNE, NIGEL |
|
1953 |
XVII |
2 |
p. 171-195 |
artikel |
331 |
ITALY
|
WEISSMANN, JOHN S. |
|
1963 |
XVII |
2 |
p. 240-247 |
artikel |
332 |
ITALY
|
M. GATTI, GUIDO |
|
1948 |
XVII |
2 |
p. 268-271 |
artikel |
333 |
ITALY
|
BRINDLE, REGINALD SMITH |
|
1957 |
XVII |
2 |
p. 240-245 |
artikel |
334 |
ITALY
|
BRINDLE, REGINALD SMITH |
|
1961 |
XVII |
2 |
p. 247-255 |
artikel |
335 |
JAMES HEWITT, 1770–1827
|
WAGNER, JOHN W. |
|
1972 |
XVII |
2 |
p. 259-276 |
artikel |
336 |
JAZZ
|
TAYLOR, BILLY |
|
1982 |
XVII |
2 |
p. 271-273 |
artikel |
337 |
Jazz: Issues of Identity
|
ULANOV, BARRY |
|
1979 |
XVII |
2 |
p. 245-256 |
artikel |
338 |
“JAZZ ”mdash;AN EDUCATIONAL PROBLEM
|
STRINGHAM, EDWIN J. |
|
1926 |
XVII |
2 |
p. 190-195 |
artikel |
339 |
JEAN-BAPTISTE FAURE
|
DE CURZON, HENRI |
|
1918 |
XVII |
2 |
p. 268-281 |
artikel |
340 |
JEAN-FREDERIC EDELMANN, A MUSICAL VICTIM OF THE FRENCH REVOLUTION
|
BENTON, RITA |
|
1964 |
XVII |
2 |
p. 165-187 |
artikel |
341 |
Jean-Jacques Rousseau's Lettre d'un symphoniste de l'aćadémie royal de musique, à ses camamdes dans l'orchestre
|
FLINT, ELLEN RENNIE |
|
1987 |
XVII |
2 |
p. 170-179 |
artikel |
342 |
Jewish Musicians at the Tudor Court
|
PRIOR, ROGER |
|
1983 |
XVII |
2 |
p. 253-265 |
artikel |
343 |
Jews Around Richard and Cosima Wagner
|
WERNER, ERIC |
|
1985 |
XVII |
2 |
p. 172-199 |
artikel |
344 |
JOHANNES BRAHMS
|
ADLER, GUIDO |
|
1933 |
XVII |
2 |
p. 113-142 |
artikel |
345 |
JOHANNES WOLF (1869–1947)
|
GOMBOSI, OTTO |
|
1948 |
XVII |
2 |
p. 149-154 |
artikel |
346 |
JOHANN SIMON MAYR AND HIS IFIGENIA IN AULIDE
|
FREEMAN, JAMES |
|
1971 |
XVII |
2 |
p. 187-210 |
artikel |
347 |
JOHN BECKER, MUSICAL CRUSADER OF SAINT PAUL
|
GILLESPIE, DON C. |
|
1976 |
XVII |
2 |
p. 195-217 |
artikel |
348 |
John Cage and Richard Kostelanetz: A Conversation About Radio
|
KOSTELANETZ, RICHARD |
|
1987 |
XVII |
2 |
p. 216-227 |
artikel |
349 |
JOHN IRELAND
|
EVANS, EDWIN |
|
1919 |
XVII |
2 |
p. 213-220 |
artikel |
350 |
JOHN MARBECK'S “NOTED BOOKE” OF 1550
|
STEVENSON, ROBERT |
|
1951 |
XVII |
2 |
p. 220-233 |
artikel |
351 |
J. S. Bach's Brandenburg Concertos as a Meaningful Set
|
Marissen, Michael |
|
1993 |
XVII |
2 |
p. 193-235 |
artikel |
352 |
J. S. BACH'S FIRST ENGLISH APOSTLES
|
MANSFIELD, ORLANDO A. |
|
1935 |
XVII |
2 |
p. 143-154 |
artikel |
353 |
JUAN CABANLLIES: THE TOCCATAS AND TIENTOS
|
BRADSHAW, MURRAY C. |
|
1973 |
XVII |
2 |
p. 285-301 |
artikel |
354 |
JUAN NAVARRO HISPALENSIS AND JUAN NAVARRO GADITANUS*
|
CHASE, GILBERT |
|
1945 |
XVII |
2 |
p. 188-192 |
artikel |
355 |
JUSTICE FOR GUSTAV MAHLER
|
LANGLEY, ALLAN LINCOLN |
|
1926 |
XVII |
2 |
p. 153-165 |
artikel |
356 |
Klee and Webern: Speculations on Modernist Theories of Composition
|
PERLOFF, NANCY |
|
1983 |
XVII |
2 |
p. 180-208 |
artikel |
357 |
L'ART DE BIEN CHANTER (1666) OF JEAN MILLET
|
COHEN, ALBERT |
|
1969 |
XVII |
2 |
p. 170-179 |
artikel |
358 |
LA VERITA NELLA RIPETIZIONE
|
FREEMAN, ROBERT |
|
1968 |
XVII |
2 |
p. 208-227 |
artikel |
359 |
LAWRANCE COLLINGWOOD
|
GLOVER, CEDRIC H. |
|
1926 |
XVII |
2 |
p. 291-298 |
artikel |
360 |
Lecture on Dada by Stefan Wolpe
|
CLARKSON, AUSTIN |
|
1987 |
XVII |
2 |
p. 202-215 |
artikel |
361 |
Letter from Moscow Post October Soviet Art: Canon and Symbol
|
IVASHKIN, ALEXANDER |
|
1990 |
XVII |
2 |
p. 303-317 |
artikel |
362 |
LETTERS OF ROBERT FRANZ
|
SQUIRE, WILLIAM BARCLAY |
|
1921 |
XVII |
2 |
p. 278-283 |
artikel |
363 |
LETTERS OF ROBERT LUCAS PEARSALL
|
SQUIRE, WILLIAM BARCLAY |
|
1920 |
XVII |
2 |
p. 296-315 |
artikel |
364 |
LETTERS OF ROBERT LUCAS PEARSALL
|
R. L. P., |
|
1919 |
XVII |
2 |
p. 264-297 |
artikel |
365 |
Letter to the Editor
|
Brofsky, Howard |
|
1994 |
XVII |
2 |
p. 417-417 |
artikel |
366 |
LISZT'S INTERPRETING OF BEETHOVEN'S PIANO SONATAS
|
NEWMAN, WILLIAM S. |
|
1972 |
XVII |
2 |
p. 185-209 |
artikel |
367 |
LITERARY ERRORS ABOUT MUSIC
|
ELSON, ARTHUR |
|
1917 |
XVII |
2 |
p. 272-281 |
artikel |
368 |
LONDON CONCERTS FROM 1700 TO 1750
|
SCOTT, HUGH ARTHUR |
|
1938 |
XVII |
2 |
p. 194-209 |
artikel |
369 |
LOOKING FORWARD
|
THOMSON, VIRGIL |
|
1945 |
XVII |
2 |
p. 157-162 |
artikel |
370 |
LORTZING AND THE GERMAN ROMANTICS: A DIALECTICAL ASSESSMENT
|
SUBOTNIK, ROSE ROSENGARD |
|
1976 |
XVII |
2 |
p. 241-264 |
artikel |
371 |
Los Angeles
|
MORTON, LAWRENCE |
|
1963 |
XVII |
2 |
p. 229-235 |
artikel |
372 |
Louis Armstrong and Opera
|
Berrett, Joshua |
|
1992 |
XVII |
2 |
p. 216-241 |
artikel |
373 |
LOUISE FARRENC (1804–1875): COMPOSER, PERFORMER, SCHOLAR
|
FRIEDLAND, BEA |
|
1974 |
XVII |
2 |
p. 257-274 |
artikel |
374 |
Ludwig Börne as Music Critic
|
ROGOLS-SIEGEL, LINDA |
|
1990 |
XVII |
2 |
p. 269-294 |
artikel |
375 |
LUPUS HELLINCK: A SURVEY OF FOURTEEN MASSES
|
GRAZIANO, JOHN |
|
1970 |
XVII |
2 |
p. 247-269 |
artikel |
376 |
MACHAUT'S MESSE NOTRE-DAME
|
GOMBOSI, OTTO |
|
1950 |
XVII |
2 |
p. 204-224 |
artikel |
377 |
MADRIGALI GUERRIERI, ET AMOROSI A RFAPPRAISAL FOR THE QUATERCENTENARY
|
STEVENS, DENIS |
|
1967 |
XVII |
2 |
p. 161-187 |
artikel |
378 |
Mahler's “Abschied”: A Wrong Note Righted
|
MITCHELL, DONALD |
|
1985 |
XVII |
2 |
p. 200-204 |
artikel |
379 |
MARIONETTE OPERAS
|
LAWRENCE, W. J. |
|
1924 |
XVII |
2 |
p. 236-243 |
artikel |
380 |
MASTER ALFONSO AND THE ENGLISH MADRIGAL
|
KERMAN, JOSEPH |
|
1952 |
XVII |
2 |
p. 222-244 |
artikel |
381 |
Mattheson as Philosopher of Art
|
KIVY, PETER |
|
1984 |
XVII |
2 |
p. 248-265 |
artikel |
382 |
MAXIMILIAN'S SECOND-HAND FUNERAL MOTET
|
MAIN, ALEXANDER |
|
1962 |
XVII |
2 |
p. 173-189 |
artikel |
383 |
MEDIæVAL BYZANTINE MUSIC1
|
TILLYARD, H. J. W. |
|
1937 |
XVII |
2 |
p. 201-209 |
artikel |
384 |
MEDIæVAL QUARTAL HARMONY: A PLEA FOR RESTORATION—PART I1
|
YASSER, JOSEPH |
|
1937 |
XVII |
2 |
p. 170-197 |
artikel |
385 |
MENDELSSOHN AND HANDEL
|
WOLFF, HELLMUTH CHRISTIAN |
|
1959 |
XVII |
2 |
p. 175-190 |
artikel |
386 |
Meyerbeer and the Music of Society
|
FULCHER, JANE |
|
1981 |
XVII |
2 |
p. 213-229 |
artikel |
387 |
MISCONCEPTIONS ABOUT THE FRENCH TRILL IN THE 17TH AND 18TH CENTURIES
|
NEUMANN, FREDERICK |
|
1964 |
XVII |
2 |
p. 188-206 |
artikel |
388 |
MOMENT FORM IN TWENTIETH CENTURY MUSIC
|
KRAMER, JONATHAN D. |
|
1978 |
XVII |
2 |
p. 177-194 |
artikel |
389 |
MONTEVERDI'S VENETIAN OPERAS
|
PRUNIERES, HENRY |
|
1924 |
XVII |
2 |
p. 178-192 |
artikel |
390 |
MORE BEETHOVENIANA IN SOVIET RUSSIA
|
SCHWARZ, BORIS |
|
1963 |
XVII |
2 |
p. 143-149 |
artikel |
391 |
MORE TCHAIKOVSKY-VON MECK CORRESPONDENCE
|
BENNIGSEN, OLGA |
|
1938 |
XVII |
2 |
p. 129-138 |
artikel |
392 |
MOUSSORGSKY AND MODERN MUSIC
|
SWAN, ALFRED J. |
|
1925 |
XVII |
2 |
p. 271-280 |
artikel |
393 |
MOZART AND HAYDN
|
SCHMID, ERNST FRITZ |
|
1956 |
XVII |
2 |
p. 145-161 |
artikel |
394 |
MOZART AND THE YOUNG BEETHOVEN
|
DE ST. FOIX, GEORGES |
|
1920 |
XVII |
2 |
p. 276-295 |
artikel |
395 |
MOZARTEAN MODULATIONS1
|
DAVID, HANS T. |
|
1956 |
XVII |
2 |
p. 193-212 |
artikel |
396 |
MOZART'S CREATIVE PROCESS1
|
HERTZMANN, ERICH |
|
1957 |
XVII |
2 |
p. 187-200 |
artikel |
397 |
MUSICAL INSTRUMENTS OF CUBA
|
COURLANDER, HAROLD |
|
1942 |
XVII |
2 |
p. 227-240 |
artikel |
398 |
MUSICAL LANDMARKS IN NEW YORK
|
SAERCHINGER, CÉSAR |
|
1920 |
XVII |
2 |
p. 227-256 |
artikel |
399 |
MUSICAL LIFE IN PARIS (1817–1848)
|
|
|
1931 |
XVII |
2 |
p. 259-271 |
artikel |
400 |
MUSICAL MANNERISM: EFFETENESS OR VIRILITY?
|
MANIATES, MARIA RIKA |
|
1971 |
XVII |
2 |
p. 270-293 |
artikel |
401 |
MUSICAL QUOTATION AS A DRAMATIC DEVICE: THE FOURTH ACT OF LE NOZZE DI FIGARO
|
NOSKE, FRITS R. |
|
1968 |
XVII |
2 |
p. 185-198 |
artikel |
402 |
MUSICAL TALENT AND ITS MEASUREMENT
|
SCHOEN, MAX |
|
1928 |
XVII |
2 |
p. 255-288 |
artikel |
403 |
MUSIC AND DEVIL-WORSHIP
|
GAUL, HARVEY B. |
|
1925 |
XVII |
2 |
p. 192-195 |
artikel |
404 |
MUSIC AND MATERIAL EXPRESSION (A Plea for Aristotle)
|
SCOTT, CYRIL |
|
1915 |
XVII |
2 |
p. 181-186 |
artikel |
405 |
Music and Medium: Two Versions of Manilow's “Could it be Magic”
|
FINSON, JON |
|
1979 |
XVII |
2 |
p. 265-280 |
artikel |
406 |
MUSIC AND SUPERSTITION
|
FELBER, RUDOLF |
|
1931 |
XVII |
2 |
p. 234-247 |
artikel |
407 |
MUSIC AND THE CENTENARY OF ROMANTICISM
|
TIERSOT, JULIEN |
|
1929 |
XVII |
2 |
p. 268-280 |
artikel |
408 |
Music and the Feminine Sphere: Images of Women as Musicians in Godey's Lady's Book, 1830–1877
|
Koza, Julia Eklund |
|
1991 |
XVII |
2 |
p. 103-129 |
artikel |
409 |
MUSIC AND THE GRAND STYLE
|
PARKER, D. C. |
|
1922 |
XVII |
2 |
p. 161-179 |
artikel |
410 |
MUSIC AND THE MOVIES
|
POTAMKIN, HARRY ALAN |
|
1929 |
XVII |
2 |
p. 281-296 |
artikel |
411 |
MUSIC AND THE “NAUSEA DELLE COSE COTIDIANE”
|
BURROWS, DAVID |
|
1971 |
XVII |
2 |
p. 230-240 |
artikel |
412 |
MUSIC FOR THE ARMED SERVICES
|
KENDALL, RAYMOND |
|
1945 |
XVII |
2 |
p. 141-156 |
artikel |
413 |
“Music For the Masses”: Milton Babbitt's Cold War Music Theory
|
Brody, Martin |
|
1993 |
XVII |
2 |
p. 161-192 |
artikel |
414 |
Music for the Tsar: A Preliminary Study of the Music of the Muscovite Court Theater
|
Jensen, Claudia R. |
|
1995 |
XVII |
2 |
p. 368-401 |
artikel |
415 |
MUSIC IN CARACAS DURING THE COLONIAL PERIOD (1770–1811)1
|
PLAZA, JUAN BAUTISTA |
|
1943 |
XVII |
2 |
p. 198-213 |
artikel |
416 |
Music in Colonial Philadelphia: Some New Documents
|
TARICANI, JO ANN |
|
1979 |
XVII |
2 |
p. 185-199 |
artikel |
417 |
MUSIC IN THE ELIZABETHAN THEATRE
|
LAWRENCE, W. J. |
|
1920 |
XVII |
2 |
p. 192-205 |
artikel |
418 |
MUSIC IN THE LIFE OF THE ANCIENT GREEKS
|
ANTCLIFFE, HERBERT |
|
1930 |
XVII |
2 |
p. 263-275 |
artikel |
419 |
MUSIC IN THE PHILOSOPHY OF BOETHIUS1
|
SCHRADE, LEO |
|
1947 |
XVII |
2 |
p. 188-200 |
artikel |
420 |
MUSIC, MONARCHS, AND “THE SAVAGE BREAST”
|
MARTENS, FREDERICK H. |
|
1921 |
XVII |
2 |
p. 198-217 |
artikel |
421 |
Music of Pre-Twentieth-Century America
|
CRAWFORD, RICHARD |
|
1982 |
XVII |
2 |
p. 254-261 |
artikel |
422 |
Music of the Baroque
|
STEVENS, DENIS |
|
1982 |
XVII |
2 |
p. 217-227 |
artikel |
423 |
Music of the Classical Era
|
CHURGIN, BATHIA |
|
1982 |
XVII |
2 |
p. 228-237 |
artikel |
424 |
Music of the Middle Ages
|
BRUNNER, LANCE W. |
|
1982 |
XVII |
2 |
p. 189-206 |
artikel |
425 |
Music of the Nineteenth Century
|
FINSON, JON W. |
|
1982 |
XVII |
2 |
p. 245-253 |
artikel |
426 |
Music of the Renaissance
|
TIRRO, FRANK |
|
1982 |
XVII |
2 |
p. 207-216 |
artikel |
427 |
Music of the Twentieth Century
|
MORGAN, ROBERT P. |
|
1982 |
XVII |
2 |
p. 262-270 |
artikel |
428 |
MUSIC OF THE WASHINGTON FAMILY: A LITTLE-KNOWN COLLECTION
|
HEINTZE, JAMES R. |
|
1970 |
XVII |
2 |
p. 288-293 |
artikel |
429 |
Music Perception
|
DEUTSCH, DIANA |
|
1980 |
XVII |
2 |
p. 165-179 |
artikel |
430 |
Music, Science, and Technology
|
COGAN, ROBERT |
|
1982 |
XVII |
2 |
p. 182-188 |
artikel |
431 |
MUSINGS ON MUSIC
|
LOURIÉ, ARTHUR |
|
1940 |
XVII |
2 |
p. 235-242 |
artikel |
432 |
MY MUSICAL CAREER AND MY THOUGHTS ON CHURCH MUSIC
|
KASTALSKY, A. |
|
1925 |
XVII |
2 |
p. 231-247 |
artikel |
433 |
Nashville, Tennessee
|
Weaver, Robert L. |
|
1971 |
XVII |
2 |
p. 317-322 |
artikel |
434 |
NATIONAL MUSIC AND THE FOLK-SONG
|
GREW, SYDNEY |
|
1921 |
XVII |
2 |
p. 172-185 |
artikel |
435 |
NATIVE MUSIC ON OKINAWA
|
RUE, JAN LA |
|
1946 |
XVII |
2 |
p. 157-170 |
artikel |
436 |
NEW DEVELOPMENTS IN THE TRANSCRIPTION OF BYZANTINE MELODIES
|
SWAN, ALFRED J. |
|
1943 |
XVII |
2 |
p. 254-256 |
artikel |
437 |
NEW LIGHT ON “THE STAR SPANGLED BANNER”
|
KOUWENHOVEN, JOHN ATLEE |
|
1937 |
XVII |
2 |
p. 198-200 |
artikel |
438 |
NEWLY IDENTIFIED CLAUSULA-MOTETS IN THE LAS HUELGAS MANUSCRIPT
|
ANDERSON, GORDON A. |
|
1969 |
XVII |
2 |
p. 228-245 |
artikel |
439 |
New York
|
N. B., |
|
1958 |
XVII |
2 |
p. 235-237 |
artikel |
440 |
New York
|
GOLDMAN, RICHARD FRANKO |
|
1963 |
XVII |
2 |
p. 235-237 |
artikel |
441 |
New York
|
COWELL, HENRY |
|
1949 |
XVII |
2 |
p. 292-296 |
artikel |
442 |
New York
|
GOLDMAN, RICHARD FRANKO |
|
1965 |
XVII |
2 |
p. 399-406 |
artikel |
443 |
New York
|
COWELL, HENRY |
|
1955 |
XVII |
2 |
p. 225-227 |
artikel |
444 |
New York
|
GOLDMAN, RICHARD F. |
|
1949 |
XVII |
2 |
p. 289-292 |
artikel |
445 |
New York
|
GOLDMAN, RICHARD F. |
|
1952 |
XVII |
2 |
p. 287-291 |
artikel |
446 |
New York
|
COWELL, HENRY |
|
1952 |
XVII |
2 |
p. 291-298 |
artikel |
447 |
NICHOLAS LUDFORD (c. 1485-c. 1557)
|
BAILLIE, HUGH |
|
1958 |
XVII |
2 |
p. 196-208 |
artikel |
448 |
NIETZSCHE AND HIS MUSIC
|
BAUGH, HANSELL |
|
1926 |
XVII |
2 |
p. 238-247 |
artikel |
449 |
NOISE IN PIANO TONE, A QUALITATIVE ELEMENT
|
HILL, WILLIAM G. |
|
1940 |
XVII |
2 |
p. 244-259 |
artikel |
450 |
NOISES, SMELLS AND COLOURS
|
RUNCIMAN, JOHN F. |
|
1915 |
XVII |
2 |
p. 149-161 |
artikel |
451 |
Non-Western and Folk Music, and Ethnomusicology
|
NETTL, BRUNO |
|
1982 |
XVII |
2 |
p. 153-160 |
artikel |
452 |
Notes
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 373-376 |
artikel |
453 |
NOTES ON A HAYDN AUTOGRAPH
|
CHRISTIE, MR. |
|
1934 |
XVII |
2 |
p. 197-205 |
artikel |
454 |
NOTES ON A HAYDN AUTOGRAPH
|
STRUNK, W. OLIVER |
|
1934 |
XVII |
2 |
p. 192-196 |
artikel |
455 |
NOTES ON A PIECE FOR TAPE RECORDER
|
USSACHEVSKY, VLADIMIR |
|
1960 |
XVII |
2 |
p. 202-209 |
artikel |
456 |
NOTES ON THE ICONOGRAPHY OF WOLFGANG AMADEUS MOZART
|
SPEYER, EDWARD |
|
1919 |
XVII |
2 |
p. 175-191 |
artikel |
457 |
NOTES ON THE NEW ÆSTHETIC OF POETRY AND MUSIC
|
BELLAMANN, HENRY |
|
1923 |
XVII |
2 |
p. 260-270 |
artikel |
458 |
NOTES VERSUS TONES
|
GEORGE, ARTHUR |
|
1922 |
XVII |
2 |
p. 256-263 |
artikel |
459 |
“OF FLUTES AND SOFT RECORDERS”
|
FITZGIBBON, H. MACAULAY |
|
1934 |
XVII |
2 |
p. 219-229 |
artikel |
460 |
OLD BALLAD BURTHENS
|
MCGILL, JOSEPHINE |
|
1918 |
XVII |
2 |
p. 293-306 |
artikel |
461 |
OLD MISSION MUSIC*
|
MCGILL, ANNA BLANCHE |
|
1938 |
XVII |
2 |
p. 186-193 |
artikel |
462 |
ON FRESCOBALDI'S CHROMATICISM AND ITS BACKGROUND
|
JACKSON, ROLAND |
|
1971 |
XVII |
2 |
p. 255-269 |
artikel |
463 |
On Hearing Things: Music, The World, and Ourselves
|
BURROWS, DAVID |
|
1980 |
XVII |
2 |
p. 180-191 |
artikel |
464 |
ON HISTORICAL CRITICISM
|
TREITLER, LEO |
|
1967 |
XVII |
2 |
p. 188-205 |
artikel |
465 |
ON MOZART'S RHYTHM
|
LOWINSKY, EDWARD E. |
|
1956 |
XVII |
2 |
p. 162-186 |
artikel |
466 |
ON MUSICAL BOOK-PLATES
|
RADIN, HERMAN T. |
|
1939 |
XVII |
2 |
p. 135-141 |
artikel |
467 |
ON “NONSENSE” SYLLABLES AS ORAL GROUP NOTATION
|
KATZ, RUTH |
|
1974 |
XVII |
2 |
p. 187-194 |
artikel |
468 |
ON TEACHING THE LITERATURE AND MATERIALS OF MUSIC
|
SCHUMAN, WILLIAM |
|
1948 |
XVII |
2 |
p. 155-168 |
artikel |
469 |
ON THE INTERPRETATION OF MUSIC
|
GATTI, GUIDO M. |
|
1931 |
XVII |
2 |
p. 195-203 |
artikel |
470 |
ON THE PRINCIPLES OF MUSICOLOGY
|
SEEGER, CHARLES LOUIS JR. |
|
1924 |
XVII |
2 |
p. 244-250 |
artikel |
471 |
ON THE RIGHTS OF THE INTERPRETER IN THE PERFORMANCE OF 17TH- AND 18TH-CENTURY MUSIC
|
PINCHERLE, MARC |
|
1958 |
XVII |
2 |
p. 145-166 |
artikel |
472 |
ON TRANSLATING VOCAL TEXTS
|
DRINKER, HENRY S. |
|
1950 |
XVII |
2 |
p. 225-240 |
artikel |
473 |
Opera
|
GARLINGTON, AUBREY S. JR. |
|
1982 |
XVII |
2 |
p. 238-244 |
artikel |
474 |
OPERA IN ARCADIA
|
BURT, NATHANIEL |
|
1955 |
XVII |
2 |
p. 145-170 |
artikel |
475 |
ORAL TRANSMISSION OF THE OLD-ROMAN RESPONSORIES?
|
CUTTLER, PAUL F. |
|
1976 |
XVII |
2 |
p. 182-194 |
artikel |
476 |
ORNAMENT AND STRUCTURE
|
NEUMANN, FREDERICK |
|
1970 |
XVII |
2 |
p. 153-161 |
artikel |
477 |
ORNSTEIN AND MODERN MUSIC
|
BUCHANAN, CHARLES L. |
|
1918 |
XVII |
2 |
p. 174-183 |
artikel |
478 |
ORPHEUS' LYRE RESURRECTED: A TABLEAU MUSICAL BY BERLIOZ
|
BLOOM, PETER A. |
|
1975 |
XVII |
2 |
p. 189-211 |
artikel |
479 |
OUR FOLK-MUSIC AND ITS PROBABLE IMPRESS ON AMERICAN MUSIC OF THE FUTURE CASUAL REMARKS BY WAY OF SURVEY
|
HOWARD, JOHN TASKER Jr. |
|
1921 |
XVII |
2 |
p. 167-171 |
artikel |
480 |
Out of Notes: Signification, Interpretation, and the Problem of Miles Davis
|
Walser, Robert |
|
1993 |
XVII |
2 |
p. 343-365 |
artikel |
481 |
PANTALEON'S PANTALON: AN 18th-CENTURY MUSICAL FASHION
|
HANKS, SARAH E. |
|
1969 |
XVII |
2 |
p. 215-227 |
artikel |
482 |
Pare Lorentz, Louis Gruenberg, and The Fight for Life: The Making of a Film Score
|
Nisbett, Robert F. |
|
1995 |
XVII |
2 |
p. 231-255 |
artikel |
483 |
PERCY GRAINGER, COSMOPOLITAN COMPOSER
|
HUGHES, CHARLES W. |
|
1937 |
XVII |
2 |
p. 127-136 |
artikel |
484 |
Philadelphia
|
PERSICHETTI, VINCENT |
|
1948 |
XVII |
2 |
p. 252-254 |
artikel |
485 |
Philadelphia
|
PERSICHETTI, VINCENT |
|
1952 |
XVII |
2 |
p. 298-301 |
artikel |
486 |
Philadelphia
|
CUSTER, ARTHUR |
|
1967 |
XVII |
2 |
p. 251-259 |
artikel |
487 |
Philip Glass's Akhnaten
|
Frandsen, Paul John |
|
1993 |
XVII |
2 |
p. 241-267 |
artikel |
488 |
PITCH AND VIBRATO IN ARTISTIC SINGING AN EXPERIMENTAL STUDY
|
SCHOEN, MAX |
|
1926 |
XVII |
2 |
p. 275-290 |
artikel |
489 |
Pitch Interpretation and Cyclical Procedures in Middle-Period Beethoven
|
Barry, Barbara R. |
|
1992 |
XVII |
2 |
p. 184-215 |
artikel |
490 |
PITCH IN THE 16th AND EARLY 17th CENTURIES—PART II
|
MENDEL, ARTHUR |
|
1948 |
XVII |
2 |
p. 199-221 |
artikel |
491 |
Pittsburgh
|
DORIAN, FREDERICK |
|
1948 |
XVII |
2 |
p. 254-256 |
artikel |
492 |
Pittsburgh
|
DORIAN, FREDERICK |
|
1952 |
XVII |
2 |
p. 301-309 |
artikel |
493 |
Pittsburgh, Kansas
|
SMITHER, HOWARD |
|
1963 |
XVII |
2 |
p. 237-240 |
artikel |
494 |
POETRY AND THE COMPOSER
|
OLIPHANT, E. H. C. |
|
1922 |
XVII |
2 |
p. 227-241 |
artikel |
495 |
Poulenc's Les Mamelles de Thirésias
|
DE MENASCE, JACQUES |
|
1949 |
XVII |
2 |
p. 315-322 |
artikel |
496 |
PRACTICAL MUSIC AND THE COLLEGE CURRICULUM
|
MANCHESTER, ARTHUR L. |
|
1921 |
XVII |
2 |
p. 252-260 |
artikel |
497 |
Prefatory Note
|
J. P., |
|
1979 |
XVII |
2 |
p. 145-147 |
artikel |
498 |
PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING
|
SEEGER, CHARLES |
|
1958 |
XVII |
2 |
p. 184-195 |
artikel |
499 |
PRIEST-COMPOSERS OF THE BAROQUE: A SACRED-SECULAR CONFLICT
|
BURKLEY, FRANCIS |
|
1968 |
XVII |
2 |
p. 169-184 |
artikel |
500 |
PROBLEMS AND ISSUES FACING THE COMPOSER TODAY
|
SESSIONS, ROGER |
|
1960 |
XVII |
2 |
p. 159-171 |
artikel |
501 |
PROBLEMS OF MUSICAL CRITICISM
|
GIBLING, SOPHIE P. |
|
1916 |
XVII |
2 |
p. 244-249 |
artikel |
502 |
PROBLEMS OF TRANSMISSION IN OBRECHT'S MISSA JE NE DEMANDE
|
NOBLITT, THOMAS |
|
1977 |
XVII |
2 |
p. 211-223 |
artikel |
503 |
PROGRESS IN ART
|
GILBERT, HENRY F. |
|
1920 |
XVII |
2 |
p. 159-174 |
artikel |
504 |
PSYCHOLOGY IN MUSIC : THE RÔ OF EXPERIMENTAL PSYCHOLOGY IN THE SCIENCE AND ART OF MUSIC
|
SEASHORE, C.E. |
|
1930 |
XVII |
2 |
p. 229-237 |
artikel |
505 |
PURCELL'S “SERVICE ANTHEM” O GOD, THOU ART MY GOD AND THE B-FLAT MAJOR SERVICE
|
ZIMMERMAN, FRANKLIN B. |
|
1964 |
XVII |
2 |
p. 207-214 |
artikel |
506 |
QUANTZ ON NATIONAL STYLES IN MUSIC
|
R. REILLY, EDWARD |
|
1963 |
XVII |
2 |
p. 163-187 |
artikel |
507 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1971 |
XVII |
2 |
p. 342-349 |
artikel |
508 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1974 |
XVII |
2 |
p. 327-329 |
artikel |
509 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1975 |
XVII |
2 |
p. 336-342 |
artikel |
510 |
QUARTERLY BOOK-LIST
|
|
|
1976 |
XVII |
2 |
p. 306-310 |
artikel |
511 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1979 |
XVII |
2 |
p. 308-311 |
artikel |
512 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1980 |
XVII |
2 |
p. 315-318 |
artikel |
513 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1954 |
XVII |
2 |
p. 315-325 |
artikel |
514 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1955 |
XVII |
2 |
p. 277-282 |
artikel |
515 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1958 |
XVII |
2 |
p. 277-286 |
artikel |
516 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1947 |
XVII |
2 |
p. 279-286 |
artikel |
517 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C |
|
1953 |
XVII |
2 |
p. 344-352 |
artikel |
518 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1949 |
XVII |
2 |
p. 344-348 |
artikel |
519 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL C. |
|
1965 |
XVII |
2 |
p. 441-449 |
artikel |
520 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1983 |
XVII |
2 |
p. 290-294 |
artikel |
521 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1981 |
XVII |
2 |
p. 300-303 |
artikel |
522 |
Quarterly Book List
|
|
|
1984 |
XVII |
2 |
p. 288-292 |
artikel |
523 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1985 |
XVII |
2 |
p. 229-233 |
artikel |
524 |
QUARTERLY BOOK - LIST
|
|
|
1933 |
XVII |
2 |
p. 222-232 |
artikel |
525 |
QUARTERLY BOOK-LIST
|
KRUMMEL, DONALD W. |
|
1960 |
XVII |
2 |
p. 276-281 |
artikel |
526 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1962 |
XVII |
2 |
p. 278-283 |
artikel |
527 |
QUARTERLY BOOK-LIST
|
|
|
1930 |
XVII |
2 |
p. 291-296 |
artikel |
528 |
QUARTERLY BOOK-LIST
|
|
|
1931 |
XVII |
2 |
p. 284-292 |
artikel |
529 |
QUARTERLY BOOK-LIST
|
C. E., |
|
1932 |
XVII |
2 |
p. 349-353 |
artikel |
530 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1935 |
XVII |
2 |
p. 241-248 |
artikel |
531 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1936 |
XVII |
2 |
p. 240-249 |
artikel |
532 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1937 |
XVII |
2 |
p. 248-259 |
artikel |
533 |
QUARTERLY BOOK - LIST
|
WATERS, EDWARD N. |
|
1943 |
XVII |
2 |
p. 269-272 |
artikel |
534 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1940 |
XVII |
2 |
p. 249-256 |
artikel |
535 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1942 |
XVII |
2 |
p. 258-262 |
artikel |
536 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1989 |
XVII |
2 |
p. 296-300 |
artikel |
537 |
QUARTERLY BOOK-LIST
|
TRAFICANTE, FRANK |
|
1968 |
XVII |
2 |
p. 273-285 |
artikel |
538 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1973 |
XVII |
2 |
p. 335-337 |
artikel |
539 |
QUARTERLY BOOK - LIST
|
NEWSOM, JON |
|
1970 |
XVII |
2 |
p. 303-308 |
artikel |
540 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK G. |
|
1957 |
XVII |
2 |
p. 284-292 |
artikel |
541 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1963 |
XVII |
2 |
p. 270-275 |
artikel |
542 |
QUARTERLY BOOK-LIST
|
|
|
1929 |
XVII |
2 |
p. 307-316 |
artikel |
543 |
QUARTERLY BOOK-LIST
|
|
|
1934 |
XVII |
2 |
p. 254-258 |
artikel |
544 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1938 |
XVII |
2 |
p. 226-233 |
artikel |
545 |
QUARTERLY BOOK - LIST
|
WATERS, EDWARD N. |
|
1940 |
XVII |
2 |
p. 268-274 |
artikel |
546 |
QUARTERLY BOOK - LIST
|
WATERS, EDWARD N. |
|
1943 |
XVII |
2 |
p. 242-244 |
artikel |
547 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1950 |
XVII |
2 |
p. 316-320 |
artikel |
548 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL C. |
|
1964 |
XVII |
2 |
p. 272-277 |
artikel |
549 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL. C. |
|
1966 |
XVII |
2 |
p. 275-280 |
artikel |
550 |
QUARTERLY BOOK-LIST
|
TRAFICANTE, FRANK |
|
1967 |
XVII |
2 |
p. 299-311 |
artikel |
551 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1969 |
XVII |
2 |
p. 286-293 |
artikel |
552 |
QUARTERLY BOOK-LIST
|
NEWSOM, JON |
|
1972 |
XVII |
2 |
p. 342-346 |
artikel |
553 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1977 |
XVII |
2 |
p. 290-295 |
artikel |
554 |
QUARTERLY BOOK-LIST
|
BRYANT, CAROLYN |
|
1978 |
XVII |
2 |
p. 269-272 |
artikel |
555 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1982 |
XVII |
2 |
p. 300-303 |
artikel |
556 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1987 |
XVII |
2 |
p. 294-298 |
artikel |
557 |
QUARTERLY BOOK-LIST
|
CAMPBELL, FRANK C. |
|
1956 |
XVII |
2 |
p. 281-289 |
artikel |
558 |
QUARTERLY BOOK-LIST
|
KRUMMEL, DONALD W. |
|
1959 |
XVII |
2 |
p. 286-292 |
artikel |
559 |
QUARTERLY BOOK-LIST
|
WADE, CARROLL D. |
|
1961 |
XVII |
2 |
p. 285-290 |
artikel |
560 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1939 |
XVII |
2 |
p. 232-242 |
artikel |
561 |
QUARTERLY BOOK-LIST
|
MILLER, PHILIP |
|
1942 |
XVII |
2 |
p. 263-267 |
artikel |
562 |
QUARTERLY BOOK-LIST
|
WATERS, EDWARD N. |
|
1945 |
XVII |
2 |
p. 269-272 |
artikel |
563 |
QUARTERLY BOOK - LIST
|
WATERS, EDWARD N. |
|
1946 |
XVII |
2 |
p. 311-314 |
artikel |
564 |
QUARTERLY BOOK-LIST
|
FAIRLEY, E. LEE |
|
1948 |
XVII |
2 |
p. 302-307 |
artikel |
565 |
QUARTERLY BOOK - LIST
|
CAMPBELL, FRANK C. |
|
1952 |
XVII |
2 |
p. 338-346 |
artikel |
566 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1945 |
XVII |
2 |
p. 273-274 |
artikel |
567 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP L. |
|
1947 |
XVII |
2 |
p. 287-295 |
artikel |
568 |
QUARTERLY RECORD-LIST
|
PHILLIPS, ROBERT H. S. |
|
1952 |
XVII |
2 |
p. 347-352 |
artikel |
569 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1943 |
XVII |
2 |
p. 273-274 |
artikel |
570 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1939 |
XVII |
2 |
p. 243-256 |
artikel |
571 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1940 |
XVII |
2 |
p. 257-261 |
artikel |
572 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP L. |
|
1949 |
XVII |
2 |
p. 349-359 |
artikel |
573 |
QUARTERLY RECORD-LIST
|
GILBERT, RICHARD |
|
1935 |
XVII |
2 |
p. 249-254 |
artikel |
574 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1938 |
XVII |
2 |
p. 234-242 |
artikel |
575 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP |
|
1940 |
XVII |
2 |
p. 275-281 |
artikel |
576 |
QUARTERLY RECORD-LIST
|
BRODER, NATHAN |
|
1943 |
XVII |
2 |
p. 245-247 |
artikel |
577 |
QUARTERLY RECORD-LIST
|
PHILLIPS, ROBERT H. S. |
|
1950 |
XVII |
2 |
p. 321-337 |
artikel |
578 |
QUARTERLY RECORD-LIST
|
PHILLIPS, ROBERT H. S. |
|
1951 |
XVII |
2 |
p. 308-314 |
artikel |
579 |
QUARTERLY RECORD-LIST
|
GILBERT, RICHARD |
|
1936 |
XVII |
2 |
p. 250-253 |
artikel |
580 |
QUARTERLY RECORD-LIST
|
MILLER, PHILIP L. |
|
1946 |
XVII |
2 |
p. 315-318 |
artikel |
581 |
QUARTER-TONES AND PROGRESS
|
WELLEK, ALBERT |
|
1926 |
XVII |
2 |
p. 231-237 |
artikel |
582 |
RACHMANINOFF
|
A. J., |
|
1943 |
XVII |
2 |
p. 174-191 |
artikel |
583 |
RADIO IN BRITAIN
|
GREVILLE, URSULA |
|
1925 |
XVII |
2 |
p. 157-163 |
artikel |
584 |
Rebellious Tradition and Boston's Musical Spirit of Place: Elitism, Populism, and Lives Apart
|
Fox, Pamela |
|
1994 |
XVII |
2 |
p. 220-245 |
artikel |
585 |
RECENT STUDIES IN WESTERN CHANT*
|
WELLESZ, EGON |
|
1955 |
XVII |
2 |
p. 177-190 |
artikel |
586 |
RECENT TRENDS IN BRITISH MUSIC
|
MELLERS, WILFRID |
|
1952 |
XVII |
2 |
p. 185-201 |
artikel |
587 |
RECOLLECTIONS OF BRAHMS
|
STOJOWSKI, SIGISMOND |
|
1933 |
XVII |
2 |
p. 143-150 |
artikel |
588 |
RECOLLECTIONS OF FOLK-MUSICIANS
|
MARK, JEFFREY |
|
1930 |
XVII |
2 |
p. 170-185 |
artikel |
589 |
REFLECTIONS ON ROMANTICISM
|
PARKER, D. C. |
|
1918 |
XVII |
2 |
p. 307-322 |
artikel |
590 |
Remote Keys and Multi-movement Unity: Haydn in the 1790s
|
HAIMO, ETHAN |
|
1990 |
XVII |
2 |
p. 242-268 |
artikel |
591 |
REPRESENTATIVE MUSIC
|
SAPIR, E. |
|
1918 |
XVII |
2 |
p. 161-167 |
artikel |
592 |
REQUIEM BUT NO PEACE
|
BLUME, FRIEDRICH |
|
1961 |
XVII |
2 |
p. 147-169 |
artikel |
593 |
REVIEW OF RECORDS
|
P.H.L., |
|
1968 |
XVII |
2 |
p. 264-272 |
artikel |
594 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1971 |
XVII |
2 |
p. 323-329 |
artikel |
595 |
REVIEWS OF BOOKS
|
N. B., |
|
1956 |
XVII |
2 |
p. 256-260 |
artikel |
596 |
REVIEWS OF BOOKS
|
WOLFF, CHRISTOPH |
|
1974 |
XVII |
2 |
p. 275-279 |
artikel |
597 |
REVIEWS OF BOOKS
|
DOWNS, PHILIP G. |
|
1974 |
XVII |
2 |
p. 299-301 |
artikel |
598 |
REVIEWS OF BOOKS
|
RIPIN, EDWIN M. |
|
1974 |
XVII |
2 |
p. 290-299 |
artikel |
599 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1975 |
XVII |
2 |
p. 324-325 |
artikel |
600 |
REVIEWS OF BOOKS
|
HANNING, BARBARA R. |
|
1975 |
XVII |
2 |
p. 314-319 |
artikel |
601 |
REVIEWS OF BOOKS
|
LINDSLEY, CHARLES EDWARD |
|
1976 |
XVII |
2 |
p. 278-282 |
artikel |
602 |
REVIEWS OF BOOKS
|
LIPPMAN, EDWARD A. |
|
1976 |
XVII |
2 |
p. 285-289 |
artikel |
603 |
REVIEWS OF BOOKS
|
LONGYEAR, R. M. |
|
1976 |
XVII |
2 |
p. 282-284 |
artikel |
604 |
REVIEWS OF BOOKS
|
MORBY, JOHN E. |
|
1976 |
XVII |
2 |
p. 289-292 |
artikel |
605 |
Reviews of Books
|
CHASE, GILBERT |
|
1983 |
XVII |
2 |
p. 266-270 |
artikel |
606 |
Reviews of Books
|
BEARDSLEY, MONROE C. |
|
1980 |
XVII |
2 |
p. 305-308 |
artikel |
607 |
Reviews of Books
|
WEISS, PIERO |
|
1981 |
XVII |
2 |
p. 282-285 |
artikel |
608 |
Reviews of Books
|
TARUSKIN, RICHARD |
|
1982 |
XVII |
2 |
p. 287-293 |
artikel |
609 |
REVIEWS OF BOOKS
|
KRENEK, ERNST |
|
1954 |
XVII |
2 |
p. 250-256 |
artikel |
610 |
REVIEWS OF BOOKS
|
BOYDEN, DAVID D. |
|
1954 |
XVII |
2 |
p. 260-266 |
artikel |
611 |
REVIEWS OF BOOKS
|
PISTON, WALTER |
|
1955 |
XVII |
2 |
p. 247-250 |
artikel |
612 |
REVIEWS OF BOOKS
|
MITCHELL, WILLIAM J. |
|
1955 |
XVII |
2 |
p. 256-260 |
artikel |
613 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1956 |
XVII |
2 |
p. 262-264 |
artikel |
614 |
REVIEWS OF BOOKS
|
LEVARIE, SIEGMUND |
|
1956 |
XVII |
2 |
p. 252-256 |
artikel |
615 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1958 |
XVII |
2 |
p. 255-257 |
artikel |
616 |
REVIEWS OF BOOKS
|
JESSON, ROY |
|
1958 |
XVII |
2 |
p. 245-253 |
artikel |
617 |
REVIEWS OF BOOKS
|
BRENNECKE, ERNEST |
|
1958 |
XVII |
2 |
p. 253-255 |
artikel |
618 |
REVIEWS OF BOOKS
|
COWELL, SIDNEY ROBERTSON |
|
1963 |
XVII |
2 |
p. 250-252 |
artikel |
619 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1963 |
XVII |
2 |
p. 254-257 |
artikel |
620 |
REVIEWS OF BOOKS
|
LÁNG, PAUL HENRY |
|
1945 |
XVII |
2 |
p. 261-263 |
artikel |
621 |
REVIEWS OF BOOKS
|
SILBERT, DORIS |
|
1948 |
XVII |
2 |
p. 285-288 |
artikel |
622 |
REVIEWS OF BOOKS
|
EINSTEIN, ALFRED |
|
1948 |
XVII |
2 |
p. 283-285 |
artikel |
623 |
REVIEWS OF BOOKS
|
FREDERICK W., STERNFELD |
|
1953 |
XVII |
2 |
p. 307-310 |
artikel |
624 |
REVIEWS OF BOOKS
|
RINGER, ALEXANDER L |
|
1953 |
XVII |
2 |
p. 276-283 |
artikel |
625 |
REVIEWS OF BOOKS
|
SCHRADE, LEO |
|
1953 |
XVII |
2 |
p. 328-338 |
artikel |
626 |
REVIEWS OF BOOKS
|
SAPP, ALLEN |
|
1953 |
XVII |
2 |
p. 310-314 |
artikel |
627 |
REVIEWS OF BOOKS
|
TUTTLE, STEPHEN D. |
|
1953 |
XVII |
2 |
p. 318-319 |
artikel |
628 |
REVIEWS OF BOOKS
|
SANDERS, ERNEST |
|
1953 |
XVII |
2 |
p. 293-302 |
artikel |
629 |
REVIEWS OF BOOKS
|
COWELL, HENRY |
|
1953 |
XVII |
2 |
p. 323-325 |
artikel |
630 |
REVIEWS OF BOOKS
|
N. B., |
|
1953 |
XVII |
2 |
p. 304-306 |
artikel |
631 |
REVIEWS OF BOOKS
|
GOLDMAN, RICHARD F. |
|
1953 |
XVII |
2 |
p. 339-340 |
artikel |
632 |
REVIEWS OF BOOKS
|
GOLDMAN, RICHARD F. |
|
1953 |
XVII |
2 |
p. 338-339 |
artikel |
633 |
REVIEWS OF BOOKS
|
COWELL, HENRY |
|
1953 |
XVII |
2 |
p. 340-342 |
artikel |
634 |
REVIEWS OF BOOKS
|
MENASCE, JACQUES DE |
|
1953 |
XVII |
2 |
p. 284-289 |
artikel |
635 |
REVIEWS OF BOOKS
|
FINNEY, ROSS LEE |
|
1953 |
XVII |
2 |
p. 302-304 |
artikel |
636 |
REVIEWS OF BOOKS
|
BOYDEN, DAVID D. |
|
1953 |
XVII |
2 |
p. 342-343 |
artikel |
637 |
REVIEWS OF BOOKS
|
TITOOMB, CALDWELL |
|
1953 |
XVII |
2 |
p. 325-327 |
artikel |
638 |
REVIEWS OF BOOKS
|
SEEGER, CHARLES |
|
1953 |
XVII |
2 |
p. 289-293 |
artikel |
639 |
REVIEWS OF BOOKS
|
KERMAN, JOSEPH |
|
1964 |
XVII |
2 |
p. 251-256 |
artikel |
640 |
REVIEWS OF BOOKS
|
RINGER, ALEXANDER L. |
|
1965 |
XVII |
2 |
p. 419-425 |
artikel |
641 |
REVIEWS OF BOOKS
|
MCALLESTER, DAVID P. |
|
1965 |
XVII |
2 |
p. 425-428 |
artikel |
642 |
REVIEWS OF BOOKS
|
CLARKSON, AUSTIN |
|
1965 |
XVII |
2 |
p. 428-432 |
artikel |
643 |
REVIEWS OF BOOKS
|
PLANTINGA, LEON B. |
|
1968 |
XVII |
2 |
p. 257-263 |
artikel |
644 |
REVIEWS OF BOOKS
|
SHAPIRO, MICHAEL |
|
1973 |
XVII |
2 |
p. 310-314 |
artikel |
645 |
REVIEWS OF BOOKS
|
AYCOCK, ROY E. |
|
1973 |
XVII |
2 |
p. 314-320 |
artikel |
646 |
REVIEWS OF BOOKS
|
PERKINS, LEEMAN L. |
|
1969 |
XVII |
2 |
p. 255-269 |
artikel |
647 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1972 |
XVII |
2 |
p. 315-322 |
artikel |
648 |
REVIEWS OF BOOKS
|
WALLACH, LAURENCE |
|
1974 |
XVII |
2 |
p. 284-290 |
artikel |
649 |
REVIEWS OF BOOKS
|
HUGHES, DAVID G |
|
1974 |
XVII |
2 |
p. 279-284 |
artikel |
650 |
REVIEWS OF BOOKS
|
WEN-CHUNG, CHOU |
|
1974 |
XVII |
2 |
p. 301-305 |
artikel |
651 |
REVIEWS OF BOOKS
|
SEAY, ALBERT |
|
1974 |
XVII |
2 |
p. 306-311 |
artikel |
652 |
REVIEWS OF BOOKS
|
BLUM, STEPHEN |
|
1975 |
XVII |
2 |
p. 308-314 |
artikel |
653 |
REVIEWS OF BOOKS
|
JACKSON, ROLAND |
|
1975 |
XVII |
2 |
p. 300-308 |
artikel |
654 |
REVIEWS OF BOOKS
|
BOWLES, EDMUND A. |
|
1975 |
XVII |
2 |
p. 319-324 |
artikel |
655 |
Reviews of Books
|
SOLOMON, MAYNARD |
|
1983 |
XVII |
2 |
p. 270-279 |
artikel |
656 |
Reviews of Books
|
TRIMBLE, LESTER |
|
1983 |
XVII |
2 |
p. 279-285 |
artikel |
657 |
Reviews of Books
|
HARRIS, ELLEN T. |
|
1981 |
XVII |
2 |
p. 290-295 |
artikel |
658 |
Reviews of Books
|
Sutcliffe, James Helme |
|
1985 |
XVII |
2 |
p. 225-228 |
artikel |
659 |
Reviews of Books
|
Stauffer, George B. |
|
1987 |
XVII |
2 |
p. 272-282 |
artikel |
660 |
Reviews of Books
|
Godwin, Joscelyn |
|
1987 |
XVII |
2 |
p. 291-293 |
artikel |
661 |
Reviews of Books
|
Fussell, Charles |
|
1987 |
XVII |
2 |
p. 282-286 |
artikel |
662 |
REVIEWS OF BOOKS
|
WARD, JOHN |
|
1954 |
XVII |
2 |
p. 244-247 |
artikel |
663 |
REVIEWS OF BOOKS
|
RHODES, WILLARD |
|
1955 |
XVII |
2 |
p. 244-247 |
artikel |
664 |
REVIEWS OF BOOKS
|
ELLINWOOD, LEONARD |
|
1955 |
XVII |
2 |
p. 250-253 |
artikel |
665 |
REVIEWS OF BOOKS
|
FRANKENSTEIN, ALFRED |
|
1955 |
XVII |
2 |
p. 253-256 |
artikel |
666 |
REVIEWS OF BOOKS
|
KOLINSKI, MIECZYSLAW |
|
1957 |
XVII |
2 |
p. 246-248 |
artikel |
667 |
REVIEWS OF BOOKS
|
HARICH-SCHNEIDER, ETA |
|
1957 |
XVII |
2 |
p. 254-259 |
artikel |
668 |
REVIEWS OF BOOKS
|
KINKELDEY, OTTO |
|
1957 |
XVII |
2 |
p. 259-264 |
artikel |
669 |
REVIEWS OF BOOKS
|
HELM, EVERETT |
|
1963 |
XVII |
2 |
p. 248-250 |
artikel |
670 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1963 |
XVII |
2 |
p. 252-254 |
artikel |
671 |
REVIEWS OF BOOKS
|
MILLER, PHILIP L. |
|
1959 |
XVII |
2 |
p. 255-258 |
artikel |
672 |
REVIEWS OF BOOKS
|
TITCOMB, CALDWELL |
|
1959 |
XVII |
2 |
p. 261-265 |
artikel |
673 |
REVIEWS OF BOOKS
|
KENTON, EGON |
|
1961 |
XVII |
2 |
p. 256-263 |
artikel |
674 |
REVIEWS OF BOOKS
|
LERNER, EDWARD |
|
1962 |
XVII |
2 |
p. 263-264 |
artikel |
675 |
REVIEWS OF BOOKS
|
GROUT, DONALD JAY |
|
1946 |
XVII |
2 |
p. 305-308 |
artikel |
676 |
REVIEWS OF BOOKS
|
SWAN, ALFRED J. |
|
1946 |
XVII |
2 |
p. 308-310 |
artikel |
677 |
REVIEWS OF BOOKS
|
SEEGER, CHARLES |
|
1946 |
XVII |
2 |
p. 303-305 |
artikel |
678 |
REVIEWS OF BOOKS
|
MATTFELD, JULIUS |
|
1948 |
XVII |
2 |
p. 294-296 |
artikel |
679 |
REVIEWS OF BOOKS
|
LOFT, ABRAM |
|
1953 |
XVII |
2 |
p. 322-323 |
artikel |
680 |
REVIEWS OF BOOKS
|
GROUT, DONALD JAY |
|
1953 |
XVII |
2 |
p. 320-322 |
artikel |
681 |
REVIEWS OF BOOKS
|
RETI, RUDOLPH |
|
1953 |
XVII |
2 |
p. 314-316 |
artikel |
682 |
REVIEWS OF BOOKS
|
FERAND, ERNEST T. |
|
1949 |
XVII |
2 |
p. 331-334 |
artikel |
683 |
REVIEWS OF BOOKS
|
BUKOFZER, MANFRED F. |
|
1949 |
XVII |
2 |
p. 334-340 |
artikel |
684 |
REVIEWS OF BOOKS
|
N. B., |
|
1949 |
XVII |
2 |
p. 329-330 |
artikel |
685 |
REVIEWS OF BOOKS
|
MENDEL, ARTHUR |
|
1949 |
XVII |
2 |
p. 323-329 |
artikel |
686 |
REVIEWS OF BOOKS
|
LOWINSKY, EDWARD E. |
|
1951 |
XVII |
2 |
p. 285-289 |
artikel |
687 |
REVIEWS OF BOOKS
|
COURLANDER, HAROLD |
|
1952 |
XVII |
2 |
p. 325-327 |
artikel |
688 |
REVIEWS OF BOOKS
|
TUTTLE, STEPHEN D. |
|
1952 |
XVII |
2 |
p. 322-325 |
artikel |
689 |
REVIEWS OF BOOKS
|
MITCHELL, WILLIAM J. |
|
1952 |
XVII |
2 |
p. 333-336 |
artikel |
690 |
REVIEWS OF BOOKS
|
RUBSAMEN, WALTER H. |
|
1952 |
XVII |
2 |
p. 315-322 |
artikel |
691 |
REVIEWS OF BOOKS
|
CROCKER, RICHARD L. |
|
1965 |
XVII |
2 |
p. 432-436 |
artikel |
692 |
REVIEWS OF BOOKS
|
HAMM, CHARLES |
|
1966 |
XVII |
2 |
p. 244-254 |
artikel |
693 |
REVIEWS OF BOOKS
|
LENAERTS, RENÉ BERNARD |
|
1967 |
XVII |
2 |
p. 283-287 |
artikel |
694 |
REVIEWS OF BOOKS
|
KENTON, EGON |
|
1968 |
XVII |
2 |
p. 255-257 |
artikel |
695 |
REVIEWS OF BOOKS
|
GLEASON, HAROLD |
|
1968 |
XVII |
2 |
p. 252-254 |
artikel |
696 |
REVIEWS OF BOOKS
|
C. H., |
|
1973 |
XVII |
2 |
p. 320-322 |
artikel |
697 |
REVIEWS OF BOOKS
|
ZASLAW, NEAL |
|
1969 |
XVII |
2 |
p. 269-275 |
artikel |
698 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1969 |
XVII |
2 |
p. 246-255 |
artikel |
699 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1970 |
XVII |
2 |
p. 295-299 |
artikel |
700 |
REVIEWS OF BOOKS
|
GOLOS, GEORGE S. |
|
1970 |
XVII |
2 |
p. 294-295 |
artikel |
701 |
REVIEWS OF BOOKS
|
LOWELL, JOHN H. |
|
1954 |
XVII |
2 |
p. 248-250 |
artikel |
702 |
REVIEWS OF BOOKS
|
JESSON, ROY |
|
1957 |
XVII |
2 |
p. 248-254 |
artikel |
703 |
REVIEWS OF BOOKS
|
SCHWARZ, BORIS |
|
1961 |
XVII |
2 |
p. 263-270 |
artikel |
704 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1962 |
XVII |
2 |
p. 265-266 |
artikel |
705 |
REVIEWS OF BOOKS
|
GOLDMAN, RICHARD FRANKO |
|
1950 |
XVII |
2 |
p. 310-311 |
artikel |
706 |
REVIEWS OF BOOKS
|
BUKOFZER, MANFRED F. |
|
1950 |
XVII |
2 |
p. 307-309 |
artikel |
707 |
REVIEWS OF BOOKS
|
FOX, CHARLES WARREN |
|
1951 |
XVII |
2 |
p. 272-278 |
artikel |
708 |
REVIEWS OF BOOKS
|
MENDEL, ARTHUR |
|
1951 |
XVII |
2 |
p. 290-294 |
artikel |
709 |
REVIEWS OF BOOKS
|
PLAMENAC, DRAGAN |
|
1952 |
XVII |
2 |
p. 327-204 |
artikel |
710 |
Reviews of Books
|
Bazzana, Kevin |
|
1989 |
XVII |
2 |
p. 284-295 |
artikel |
711 |
REVIEWS OF BOOKS
|
N. B., |
|
1964 |
XVII |
2 |
p. 256-257 |
artikel |
712 |
REVIEWS OF BOOKS
|
MACCLINTOCK, CAROL |
|
1966 |
XVII |
2 |
p. 255-259 |
artikel |
713 |
REVIEWS OF BOOKS
|
P.H.L., |
|
1966 |
XVII |
2 |
p. 259-265 |
artikel |
714 |
REVIEWS OF BOOKS
|
HANLEY, EDWIN |
|
1967 |
XVII |
2 |
p. 270-276 |
artikel |
715 |
REVIEWS OF BOOKS
|
PERKINS, LEEMAN L. |
|
1967 |
XVII |
2 |
p. 276-282 |
artikel |
716 |
REVIEWS OF BOOKS
|
BUELOW, GEORGE J. |
|
1972 |
XVII |
2 |
p. 308-315 |
artikel |
717 |
REVIEWS OF BOOKS
|
C. H., |
|
1972 |
XVII |
2 |
p. 322-329 |
artikel |
718 |
REVIEWS OF BOOKS
|
PERLE, GEORGE |
|
1977 |
XVII |
2 |
p. 273-283 |
artikel |
719 |
REVIEWS OF BOOKS
|
KOPROWSKI, RICHARD |
|
1977 |
XVII |
2 |
p. 264-268 |
artikel |
720 |
REVIEWS OF BOOKS
|
STEINER, RUTH |
|
1977 |
XVII |
2 |
p. 283-286 |
artikel |
721 |
REVIEWS OF BOOKS
|
HANSELL, SVEN |
|
1977 |
XVII |
2 |
p. 268-272 |
artikel |
722 |
REVIEWS OF BOOKS
|
JOSEPHSON, DAVID S. |
|
1978 |
XVII |
2 |
p. 255-260 |
artikel |
723 |
Reviews of Books
|
HANNING, BARBARA R. |
|
1981 |
XVII |
2 |
p. 285-289 |
artikel |
724 |
Reviews of Books
|
DUBIEL, JOSEPH |
|
1984 |
XVII |
2 |
p. 269-278 |
artikel |
725 |
Reviews of Books
|
BECKERMAN, MICHAEL |
|
1984 |
XVII |
2 |
p. 283-287 |
artikel |
726 |
Reviews of Books
|
GRIFFEL, L. MICHAEL |
|
1984 |
XVII |
2 |
p. 278-282 |
artikel |
727 |
Reviews of Books
|
Sutcliffe, James Helme |
|
1985 |
XVII |
2 |
p. 222-225 |
artikel |
728 |
Reviews of Books
|
Libby, Dennis |
|
1987 |
XVII |
2 |
p. 286-291 |
artikel |
729 |
REVIEWS OF BOOKS
|
ELLINWOOD, LEONARD |
|
1954 |
XVII |
2 |
p. 256-260 |
artikel |
730 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1954 |
XVII |
2 |
p. 266-274 |
artikel |
731 |
REVIEWS OF BOOKS
|
|
|
1956 |
XVII |
2 |
p. 260-262 |
artikel |
732 |
REVIEWS OF BOOKS
|
BRAUNSTEIN, JOSEPH |
|
1959 |
XVII |
2 |
p. 259-261 |
artikel |
733 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1961 |
XVII |
2 |
p. 270-273 |
artikel |
734 |
REVIEWS OF BOOKS
|
SMITH, CARLETON SPRAGUE |
|
1962 |
XVII |
2 |
p. 260-262 |
artikel |
735 |
REVIEWS OF BOOKS
|
MITCHELL, WILLIAM J. |
|
1962 |
XVII |
2 |
p. 254-260 |
artikel |
736 |
REVIEWS OF BOOKS
|
|
|
1962 |
XVII |
2 |
p. 252-254 |
artikel |
737 |
REVIEWS OF BOOKS
|
REESE, GUSTAVE |
|
1945 |
XVII |
2 |
p. 267-268 |
artikel |
738 |
REVIEWS OF BOOKS
|
HERTZMANN, ERICH |
|
1945 |
XVII |
2 |
p. 263-267 |
artikel |
739 |
REVIEWS OF BOOKS
|
P. H. L., |
|
1947 |
XVII |
2 |
p. 274-278 |
artikel |
740 |
REVIEWS OF BOOKS
|
MASON, DANIEL GREGORY |
|
1947 |
XVII |
2 |
p. 270-273 |
artikel |
741 |
REVIEWS OF BOOKS
|
STERNFELD, FREDERICK W. |
|
1947 |
XVII |
2 |
p. 267-270 |
artikel |
742 |
REVIEWS OF BOOKS
|
PERKINS, FRANCIS D. |
|
1948 |
XVII |
2 |
p. 297-299 |
artikel |
743 |
REVIEWS OF BOOKS
|
SLONIMSKY, NICOLAS |
|
1953 |
XVII |
2 |
p. 316-318 |
artikel |
744 |
REVIEWS OF BOOKS
|
PLAMENAC, DRAGAN |
|
1950 |
XVII |
2 |
p. 311-314 |
artikel |
745 |
REVIEWS OF BOOKS
|
KINKELDEY, OTTO |
|
1951 |
XVII |
2 |
p. 279-285 |
artikel |
746 |
REVIEWS OF RECORDS
|
LEVARIE, SIEGMUND |
|
1956 |
XVII |
2 |
p. 265-266 |
artikel |
747 |
REVIEWS OF RECORDS
|
BLACHLY, ALEXANDER |
|
1971 |
XVII |
2 |
p. 330-341 |
artikel |
748 |
REVIEWS OF RECORDS
|
ROSE, GLORIA |
|
1973 |
XVII |
2 |
p. 333-334 |
artikel |
749 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1956 |
XVII |
2 |
p. 266-280 |
artikel |
750 |
REVIEWS OF RECORDS
|
ARCHIBALD, BRUCE |
|
1972 |
XVII |
2 |
p. 333-335 |
artikel |
751 |
REVIEWS OF RECORDS
|
ARCHIBALD, BRUCE |
|
1972 |
XVII |
2 |
p. 335-338 |
artikel |
752 |
REVIEWS OF RECORDS
|
WERF, HENDRIK VANDER |
|
1972 |
XVII |
2 |
p. 338-341 |
artikel |
753 |
REVIEWS OF RECORDS
|
MOEVS, ROBERT |
|
1972 |
XVII |
2 |
p. 330-333 |
artikel |
754 |
REVIEWS OF RECORDS
|
GREEN, GEORGE |
|
1974 |
XVII |
2 |
p. 319-321 |
artikel |
755 |
REVIEWS OF RECORDS
|
MOEVS, ROBERT |
|
1976 |
XVII |
2 |
p. 293-302 |
artikel |
756 |
REVIEWS OF RECORDS
|
ARCHIBALD, BRUCE |
|
1977 |
XVII |
2 |
p. 287-289 |
artikel |
757 |
REVIEWS OF RECORDS
|
ARCHIBALD, BRUCE |
|
1978 |
XVII |
2 |
p. 263-268 |
artikel |
758 |
Reviews of Records
|
HOLMES, WILLIAM C. |
|
1983 |
XVII |
2 |
p. 286-289 |
artikel |
759 |
REVIEWS OF RECORDS
|
BRAUNSTEIN, JOSEPH |
|
1954 |
XVII |
2 |
p. 286-289 |
artikel |
760 |
REVIEWS OF RECORDS
|
HANLEY, EDWIN |
|
1954 |
XVII |
2 |
p. 289-294 |
artikel |
761 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1954 |
XVII |
2 |
p. 276-279 |
artikel |
762 |
REVIEWS OF RECORDS
|
BERGER, ARTHUR |
|
1954 |
XVII |
2 |
p. 284-286 |
artikel |
763 |
REVIEWS OF RECORDS
|
MANN, ALFRED |
|
1954 |
XVII |
2 |
p. 300-302 |
artikel |
764 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1954 |
XVII |
2 |
p. 312-313 |
artikel |
765 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1954 |
XVII |
2 |
p. 313-314 |
artikel |
766 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1954 |
XVII |
2 |
p. 305-306 |
artikel |
767 |
REVIEWS OF RECORDS
|
KERMAN, JOSEPH |
|
1954 |
XVII |
2 |
p. 307-311 |
artikel |
768 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1955 |
XVII |
2 |
p. 262-263 |
artikel |
769 |
REVIEWS OF RECORDS
|
HITCHCOCK, H. WILEY |
|
1955 |
XVII |
2 |
p. 263-267 |
artikel |
770 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1955 |
XVII |
2 |
p. 267-268 |
artikel |
771 |
REVIEWS OF RECORDS
|
LIPPMAN, EDWARD ARTHUR |
|
1955 |
XVII |
2 |
p. 272-274 |
artikel |
772 |
REVIEWS OF RECORDS
|
COWELL, HENRY |
|
1955 |
XVII |
2 |
p. 261-262 |
artikel |
773 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1955 |
XVII |
2 |
p. 275-a-275 |
artikel |
774 |
REVIEWS OF RECORDS
|
FLANAGAN, WILLIAM |
|
1958 |
XVII |
2 |
p. 269-271 |
artikel |
775 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1958 |
XVII |
2 |
p. 264-266 |
artikel |
776 |
REVIEWS OF RECORDS
|
STEVENS, HALSEY |
|
1958 |
XVII |
2 |
p. 258-259 |
artikel |
777 |
REVIEWS OF RECORDS
|
CONE, EDWARD T. |
|
1958 |
XVII |
2 |
p. 259-261 |
artikel |
778 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1963 |
XVII |
2 |
p. 258-259 |
artikel |
779 |
REVIEWS OF RECORDS
|
BURKLEY, FRANCIS J. |
|
1963 |
XVII |
2 |
p. 259-263 |
artikel |
780 |
REVIEWS OF RECORDS
|
ROSE, GLORIA |
|
1973 |
XVII |
2 |
p. 328-333 |
artikel |
781 |
REVIEWS OF RECORDS
|
WENTWORTH, JEAN |
|
1973 |
XVII |
2 |
p. 323-328 |
artikel |
782 |
REVIEWS OF RECORDS
|
ARCHIBALD, BRUCE |
|
1974 |
XVII |
2 |
p. 321-326 |
artikel |
783 |
REVIEWS OF RECORDS
|
RIPIN, EDWIN M. |
|
1974 |
XVII |
2 |
p. 312-318 |
artikel |
784 |
REVIEWS OF RECORDS
|
CORY, ELEANOR |
|
1975 |
XVII |
2 |
p. 326-335 |
artikel |
785 |
Reviews of Records
|
STEVENSON, ROBERT |
|
1981 |
XVII |
2 |
p. 296-299 |
artikel |
786 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1954 |
XVII |
2 |
p. 296-298 |
artikel |
787 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1955 |
XVII |
2 |
p. 275-b-276 |
artikel |
788 |
REVIEWS OF RECORDS
|
FINE, IRVING |
|
1995 |
XVII |
2 |
p. 268-270 |
artikel |
789 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1955 |
XVII |
2 |
p. 271-272 |
artikel |
790 |
REVIEWS OF RECORDS
|
N. B., |
|
1955 |
XVII |
2 |
p. 270-271 |
artikel |
791 |
REVIEWS OF RECORDS
|
TRIMBLE, LESTER |
|
1957 |
XVII |
2 |
p. 277-278 |
artikel |
792 |
REVIEWS OF RECORDS
|
LOWENS, IRVING |
|
1957 |
XVII |
2 |
p. 270-273 |
artikel |
793 |
REVIEWS OF RECORDS
|
HITCHCOCK, H. WILEY |
|
1959 |
XVII |
2 |
p. 272-275 |
artikel |
794 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1959 |
XVII |
2 |
p. 275-285 |
artikel |
795 |
REVIEWS OF RECORDS
|
LIEPMANN, KLAUS |
|
1959 |
XVII |
2 |
p. 266-269 |
artikel |
796 |
REVIEWS OF RECORDS
|
DANN, ELIAS |
|
1961 |
XVII |
2 |
p. 280-282 |
artikel |
797 |
REVIEWS OF RECORDS
|
JONES, CHARLES |
|
1962 |
XVII |
2 |
p. 274-275 |
artikel |
798 |
REVIEWS OF RECORDS
|
ISAAC, CECIL |
|
1962 |
XVII |
2 |
p. 269-271 |
artikel |
799 |
REVIEWS OF RECORDS
|
STEVENS, DENIS |
|
1962 |
XVII |
2 |
p. 267-268 |
artikel |
800 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1962 |
XVII |
2 |
p. 271-274 |
artikel |
801 |
REVIEWS OF RECORDS
|
BERGER, JEAN |
|
1962 |
XVII |
2 |
p. 275-277 |
artikel |
802 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1965 |
XVII |
2 |
p. 437-440 |
artikel |
803 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1966 |
XVII |
2 |
p. 266-267 |
artikel |
804 |
REVIEWS OF RECORDS
|
L.P.H., |
|
1966 |
XVII |
2 |
p. 272-274 |
artikel |
805 |
REVIEWS OF RECORDS
|
P.H.L., |
|
1966 |
XVII |
2 |
p. 270-272 |
artikel |
806 |
REVIEWS OF RECORDS
|
HENAHAN, DONAL J. |
|
1969 |
XVII |
2 |
p. 280-285 |
artikel |
807 |
REVIEWS OF RECORDS
|
P.H.L., |
|
1969 |
XVII |
2 |
p. 276-280 |
artikel |
808 |
REVIEWS OF RECORDS
|
P.H.L., |
|
1970 |
XVII |
2 |
p. 300-302 |
artikel |
809 |
REVIEWS OF RECORDS
|
CLARKE, HENRY LELAND |
|
1957 |
XVII |
2 |
p. 268-270 |
artikel |
810 |
REVIEWS OF RECORDS
|
DOWNES, EDWARD |
|
1957 |
XVII |
2 |
p. 266-268 |
artikel |
811 |
REVIEWS OF RECORDS
|
SCHWARZ, BORIS |
|
1957 |
XVII |
2 |
p. 274-277 |
artikel |
812 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1957 |
XVII |
2 |
p. 279-281 |
artikel |
813 |
REVIEWS OF RECORDS
|
COWELL, HENRY |
|
1957 |
XVII |
2 |
p. 265-266 |
artikel |
814 |
REVIEWS OF RECORDS
|
COWELL, HENRY |
|
1957 |
XVII |
2 |
p. 273-274 |
artikel |
815 |
REVIEWS OF RECORDS
|
TITCOMB, CALDWELL |
|
1957 |
XVII |
2 |
p. 281-283 |
artikel |
816 |
REVIEWS OF RECORDS
|
CRAFT, ROBERT |
|
1958 |
XVII |
2 |
p. 271-273 |
artikel |
817 |
REVIEWS OF RECORDS
|
BRENNECKE, ERNEST |
|
1958 |
XVII |
2 |
p. 275-276 |
artikel |
818 |
REVIEWS OF RECORDS
|
NEWMAN, JOEL |
|
1958 |
XVII |
2 |
p. 261-264 |
artikel |
819 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD F. |
|
1958 |
XVII |
2 |
p. 273-275 |
artikel |
820 |
REVIEWS OF RECORDS
|
MORTON, LAWRENCE |
|
1958 |
XVII |
2 |
p. 267-269 |
artikel |
821 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1963 |
XVII |
2 |
p. 263-269 |
artikel |
822 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1961 |
XVII |
2 |
p. 274-277 |
artikel |
823 |
REVIEWS OF RECORDS
|
STONE, KURT |
|
1964 |
XVII |
2 |
p. 260-271 |
artikel |
824 |
REVIEWS OF RECORDS
|
PALISCA, CLAUDE V. |
|
1964 |
XVII |
2 |
p. 258-260 |
artikel |
825 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1966 |
XVII |
2 |
p. 268-270 |
artikel |
826 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1967 |
XVII |
2 |
p. 297-298 |
artikel |
827 |
REVIEWS OF RECORDS
|
GOODALE, ROBERT I. |
|
1967 |
XVII |
2 |
p. 293-297 |
artikel |
828 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1967 |
XVII |
2 |
p. 290-293 |
artikel |
829 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1967 |
XVII |
2 |
p. 288-289 |
artikel |
830 |
REVIEWS OF RECORDS
|
SCHWARTZ, ELLIOTT |
|
1976 |
XVII |
2 |
p. 302-305 |
artikel |
831 |
REVIEWS OF RECORDS
|
ERIC, SALZMAN |
|
1978 |
XVII |
2 |
p. 261-263 |
artikel |
832 |
Reviews of Records
|
P. W., |
|
1980 |
XVII |
2 |
p. 309-314 |
artikel |
833 |
Reviews of Records
|
SCOTT, MATTHEW |
|
1982 |
XVII |
2 |
p. 294-299 |
artikel |
834 |
REVIEWS OF RECORDS
|
MORTON, LAWRENCE |
|
1954 |
XVII |
2 |
p. 294-296 |
artikel |
835 |
REVIEWS OF RECORDS
|
CLARKE, HENRY LELAND |
|
1954 |
XVII |
2 |
p. 279-284 |
artikel |
836 |
REVIEWS OF RECORDS
|
WARD, JOHN |
|
1954 |
XVII |
2 |
p. 275-276 |
artikel |
837 |
REVIEWS OF RECORDS
|
SLONIMSKY, NICOLAS |
|
1954 |
XVII |
2 |
p. 299-300 |
artikel |
838 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1954 |
XVII |
2 |
p. 311-311 |
artikel |
839 |
REVIEWS OF RECORDS
|
GUENTNER, FRANCIS J. S.J. |
|
1959 |
XVII |
2 |
p. 269-272 |
artikel |
840 |
REVIEWS OF RECORDS
|
GOLDMAN, RICHARD FRANKO |
|
1961 |
XVII |
2 |
p. 279-280 |
artikel |
841 |
REVIEWS OF RECORDS
|
PERSICHETTI, VINCENT |
|
1961 |
XVII |
2 |
p. 282-284 |
artikel |
842 |
REVIEWS OF RECORDS
|
P. H. L., |
|
1961 |
XVII |
2 |
p. 277-279 |
artikel |
843 |
REVIEWS OF REoCORDS
|
GUENTNER, FRANCIS J. S. J. |
|
1954 |
XVII |
2 |
p. 302-305 |
artikel |
844 |
RHYTHMIC SYMMETRY IN THE GOLDBERG VARIATIONS
|
JANDER, OWEN |
|
1966 |
XVII |
2 |
p. 204-208 |
artikel |
845 |
RICHARD WAGNER, THEODORE THOMAS, AND THE AMERICAN CENTENNIAL
|
LOFT, ABRAM |
|
1951 |
XVII |
2 |
p. 184-202 |
artikel |
846 |
Robert Bremner and his. Thoughts on the Performance of Concert Music
|
BEECHEY, GWILYM |
|
1983 |
XVII |
2 |
p. 244-252 |
artikel |
847 |
ROBERT RAMSEY
|
THOMPSON, EDWARD |
|
1963 |
XVII |
2 |
p. 210-224 |
artikel |
848 |
ROGER SESSIONS: PORTRAIT OF AN AMERICAN COMPOSER
|
SCHUBART, MARK A. |
|
1946 |
XVII |
2 |
p. 196-214 |
artikel |
849 |
Romantic Form and Content in the Slow Movement of Beethoven's Violin Concerto
|
JANDER, OWEN |
|
1983 |
XVII |
2 |
p. 159-179 |
artikel |
850 |
Romantic Irony in the Works of Robert Schumann
|
DILL, HEIINZ J. |
|
1989 |
XVII |
2 |
p. 172-195 |
artikel |
851 |
Roots and Revival: Two Recorded Perspectives of American Folk Music
|
Wells, Paul F. |
|
1994 |
XVII |
2 |
p. 246-254 |
artikel |
852 |
ROSALIE LEVASSEUR, AMBASSADRESS OF OPERA
|
HOMME, J. G. PROD' |
|
1916 |
XVII |
2 |
p. 210-243 |
artikel |
853 |
RUMANIA
|
LOWENS, IRVING |
|
1965 |
XVII |
2 |
p. 413-418 |
artikel |
854 |
SALIERI AND THE “MURDER” OF MOZART
|
BOROWITZ, ALBERT I. |
|
1973 |
XVII |
2 |
p. 263-284 |
artikel |
855 |
SAMUEL AND SAMUEL SEBASTIAN WESLEY, THE ENGLISH DOPPELMEISTER
|
SCHWARZ, JOHN I. JR. |
|
1973 |
XVII |
2 |
p. 190-206 |
artikel |
856 |
SAMUEL BUTLER: HANDELIAN
|
MYERS, ROBERT MANSON |
|
1948 |
XVII |
2 |
p. 177-198 |
artikel |
857 |
San Francisco
|
SPARKS, E. H. |
|
1955 |
XVII |
2 |
p. 229-233 |
artikel |
858 |
SATIE BEFORE AND AFTER COCTEAU
|
AUSTIN, WILLIAM |
|
1962 |
XVII |
2 |
p. 216-233 |
artikel |
859 |
SAYINGS OF BEETHOVEN
|
|
|
1927 |
XVII |
2 |
p. 183-207 |
artikel |
860 |
SCHILLER AND OPERA
|
LONGYEAR, R. M. |
|
1966 |
XVII |
2 |
p. 171-182 |
artikel |
861 |
SCHOENBERG'S CREATIVE EVOLUTION: THE PATH TO ATONALITY
|
FORTE, ALLEN |
|
1978 |
XVII |
2 |
p. 133-176 |
artikel |
862 |
SCHOENBERG'S VARIATION SEMINAR
|
NELSON, ROBERT U. |
|
1964 |
XVII |
2 |
p. 141-164 |
artikel |
863 |
SCHOPENHAUER AND MUSIC
|
GREEN, DUNTON |
|
1930 |
XVII |
2 |
p. 199-206 |
artikel |
864 |
SCHREKER CENTENNIAL
|
HEINSHEIMER, HANS W. |
|
1978 |
XVII |
2 |
p. 244-249 |
artikel |
865 |
SCHUBERT'S WINTERREISE, PART I
|
BROWN, MAURICE J. E. |
|
1953 |
XVII |
2 |
p. 215-222 |
artikel |
866 |
SCHUMANN'S VIEW OF “ROMANTIC”
|
PLANTINGA, LEON B. |
|
1966 |
XVII |
2 |
p. 221-232 |
artikel |
867 |
SEBASTIAN BACH, MODERNIST
|
CLAPP, PHILIP GREELEY |
|
1916 |
XVII |
2 |
p. 295-313 |
artikel |
868 |
SELF-PORTRAIT OF THE ARTIST AS A YOUNG MAN
|
BAUER, HAROLD |
|
1943 |
XVII |
2 |
p. 152-168 |
artikel |
869 |
Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No. 2 in D Minor for Unaccompanied Cello, S. 1008
|
PLANER, JOHN H. |
|
1989 |
XVII |
2 |
p. 212-248 |
artikel |
870 |
SEVENTEENTH-CENTURY PARODIES OF FRENCH OPERA—PART I
|
GROUT, DONALD JAY |
|
1940 |
XVII |
2 |
p. 211-219 |
artikel |
871 |
SHOP TALK BY AN AMERICAN COMPOSER
|
CARTER, ELLIOTT |
|
1960 |
XVII |
2 |
p. 189-201 |
artikel |
872 |
Silencing the Sounded Self: John Cage and the Intentionality of Nonintention
|
Shultis, Christopher |
|
1995 |
XVII |
2 |
p. 312-350 |
artikel |
873 |
SILVESTRE REVUELTAS AND MUSICAL NATIONALISM IN MEXICO1
|
MAYER-SERRA, OTTO |
|
1940 |
XVII |
2 |
p. 123-145 |
artikel |
874 |
“SINFUL SONGS” OF THE SOUTHERN NEGRO
|
LOMAX, JOHN A. |
|
1934 |
XVII |
2 |
p. 177-187 |
artikel |
875 |
SOME ANOMALIES IN ORCHESTRAL ACCOMPANIMENTS TO CHURCH MUSIC
|
MANSFIELD, ORLANDO A. |
|
1916 |
XVII |
2 |
p. 199-209 |
artikel |
876 |
SOME ASPECTS OF MUSICAL BEAUTY AND ITS APPEAL TO CHILDREN
|
EARHART, WILL |
|
1925 |
XVII |
2 |
p. 248-260 |
artikel |
877 |
SOME ASPECTS OF THE REVIVAL OF BACH
|
MINTZ, DONALD |
|
1954 |
XVII |
2 |
p. 201-221 |
artikel |
878 |
SOME FALLACIES IN MOZART BIOGRAPHY
|
DEUTSCH, OTTO ERICH |
|
1956 |
XVII |
2 |
p. 187-192 |
artikel |
879 |
SOME FALLACIES OF MODERN ANTI—WAGNERISM
|
PEYSER, HERBERT F. |
|
1926 |
XVII |
2 |
p. 175-189 |
artikel |
880 |
SOME HELLENIC IDEAS ON MUSIC AND CHARACTER
|
HARAP, LOUIS |
|
1938 |
XVII |
2 |
p. 153-168 |
artikel |
881 |
SOME NOTES ON COLERIDGE-TAYLOR
|
ANTCLIFFE, HERBERT |
|
1922 |
XVII |
2 |
p. 180-192 |
artikel |
882 |
SOME NOVELLO CORRESPONDENCE
|
SQUIRE, W. BARCLAY |
|
1917 |
XVII |
2 |
p. 206-242 |
artikel |
883 |
SOME PRIMA DONNAS OF THE LATTER EIGHTEENTH CENTURY
|
ROGERS, FRANCIS |
|
1943 |
XVII |
2 |
p. 147-162 |
artikel |
884 |
SOME PROBLEMS OF BALLAD PUBLICATION
|
DAVIS, ARTHUR KYLE JR. |
|
1928 |
XVII |
2 |
p. 283-296 |
artikel |
885 |
SOME REFLECTIONS ON MUSIC CRITICISM
|
HILL, RALPH |
|
1943 |
XVII |
2 |
p. 188-197 |
artikel |
886 |
SONATA-RONDO, THE FORMULATION OF A THEORETICAL CONCEPT IN THE 18th AND 19th CENTURIES
|
COLE, MALCOLM S. |
|
1969 |
XVII |
2 |
p. 180-192 |
artikel |
887 |
SOUND AND ITS USES
|
ELSON, ARTHUR |
|
1918 |
XVII |
2 |
p. 250-267 |
artikel |
888 |
SPAIN
|
FRANCO, ENRIQUE |
|
1962 |
XVII |
2 |
p. 248-251 |
artikel |
889 |
SPENGLER'S QUARREL WITH THE METHODS OF MUSIC HISTORY
|
MENDEL, ARTHUR |
|
1934 |
XVII |
2 |
p. 131-171 |
artikel |
890 |
STAGE-FRIGHT
|
GRUENBERG, EUGENE |
|
1919 |
XVII |
2 |
p. 221-230 |
artikel |
891 |
STEPHEN FOSTER AND “GREGORY WALKER”1
|
GOMBOSI, OTTO |
|
1943 |
XVII |
2 |
p. 133-146 |
artikel |
892 |
STEPHEN FOSTER'S DEBT TO AMERICAN FOLK-SONG
|
JACKSON, GEORGE PULLEN |
|
1936 |
XVII |
2 |
p. 154-169 |
artikel |
893 |
STYLE-CRITICISM
|
ADLER, GUIDO |
|
1934 |
XVII |
2 |
p. 172-176 |
artikel |
894 |
Substance and Function in Concepts of Musical Structure
|
TREIBITZ, C. HOWARD |
|
1983 |
XVII |
2 |
p. 209-226 |
artikel |
895 |
SWITZERLAND
|
APPIA, EDMOND |
|
1950 |
XVII |
2 |
p. 300-302 |
artikel |
896 |
SWITZERLAND
|
MENASCE, JACQUES DE |
|
1948 |
XVII |
2 |
p. 271-278 |
artikel |
897 |
Symbols of Faith in the Music of Leonard Bernstein
|
GOTTLIEB, JACK |
|
1980 |
XVII |
2 |
p. 287-295 |
artikel |
898 |
SYMPHONIC MUSIC IN SOVIET RUSSIA
|
SOKOLOFF, NIKOLAI |
|
1931 |
XVII |
2 |
p. 219-226 |
artikel |
899 |
SYMPHONY: WHAT DOES IT MEAN?
|
KEYS, A. C. |
|
1972 |
XVII |
2 |
p. 235-241 |
artikel |
900 |
TAPISSIER AND CORDIER: NEW DOCUMENTS AND CONJECTURES
|
WRIGHT, CRAIG |
|
1973 |
XVII |
2 |
p. 177-189 |
artikel |
901 |
TEMPERAMENTS AND TENDENCIES IN THE FLORENTINE CAMERATA1
|
PIRROTTA, NINO |
|
1954 |
XVII |
2 |
p. 169-189 |
artikel |
902 |
Tempo and Character in Beethoven's Music (Continued)
|
Kolisch, Rudolf |
|
1993 |
XVII |
2 |
p. 268-342 |
artikel |
903 |
TEMPO AND CHARACTER IN BEETHOVEN'S MUSIC-Part I1
|
KOLISCH, RUDOLF |
|
1942 |
XVII |
2 |
p. 169-187 |
artikel |
904 |
TEXTUAL PROBLEMS IN MASTERPIECES OF THE 18TH AND 19TH CENTURIES
|
BADURA-SKODA, EVA |
|
1965 |
XVII |
2 |
p. 301-317 |
artikel |
905 |
THAT “FINGER-PRINT” OF BEETHOVEN
|
SCOTT, HUGH ARTHUR |
|
1930 |
XVII |
2 |
p. 276-290 |
artikel |
906 |
The Alto Parts in the “True Dispersed Harmony” of The Sacred Harp Revisions
|
McKENZIE, WALLACE |
|
1989 |
XVII |
2 |
p. 153-171 |
artikel |
907 |
THE AMERICAN COMPOSER
|
GILBERT, HENRY F. |
|
1915 |
XVII |
2 |
p. 169-180 |
artikel |
908 |
THE AMERICAN GUILD OF ORGANISTS
|
BALDWIN, SAMUEL A. |
|
1946 |
XVII |
2 |
p. 289-295 |
artikel |
909 |
The American Musical Theater (with an Aside on Popular Music)
|
WITTKE, PAUL |
|
1982 |
XVII |
2 |
p. 274-282 |
artikel |
910 |
THE ANALYSIS AND EVALUATION OF MUSIC: A PHILOSOPHICAL INQUIRY
|
RUSSELL, CARLTON T. |
|
1972 |
XVII |
2 |
p. 161-184 |
artikel |
911 |
The Answer to Elgar's Enigma
|
PORTNOY, MARSHALL A. |
|
1985 |
XVII |
2 |
p. 205-210 |
artikel |
912 |
THE ART OF THE FUGUE
|
HARRIS, ROY |
|
1935 |
XVII |
2 |
p. 166-178 |
artikel |
913 |
THE BACHS AND EISENACH
|
WHITTAKER, W. GILLIES |
|
1935 |
XVII |
2 |
p. 132-142 |
artikel |
914 |
THE BACKGROUND OF THE ROMANTIC MOVEMENT IN FRENCH MUSIC
|
LOCKE, ARTHUR W. |
|
1920 |
XVII |
2 |
p. 257-271 |
artikel |
915 |
THE BIBLIOGRAPHY OF MUSIC
|
KROHN, ERNST C. |
|
1919 |
XVII |
2 |
p. 231-254 |
artikel |
916 |
THE BOY CHOIR FAD
|
NORDEN, N. LINDSAY |
|
1917 |
XVII |
2 |
p. 189-197 |
artikel |
917 |
THE CADENCE IN 18TH-CENTURY RECITATIVE1
|
HANSELL, SVEN HOSTRUP |
|
1968 |
XVII |
2 |
p. 228-248 |
artikel |
918 |
THE CAMBODIAN BALLET
|
STRICKLAND-ANDERSON, LILY |
|
1926 |
XVII |
2 |
p. 266-274 |
artikel |
919 |
THE CANTATAS OF GIACOMO CARISSIMI
|
ROSE, GLORIA |
|
1962 |
XVII |
2 |
p. 204-215 |
artikel |
920 |
THE CHILD AND THE PIANFORTER
|
JAQUES-DALCROZE, E. |
|
1928 |
XVII |
2 |
p. 203-215 |
artikel |
921 |
THE CHORAL MUSIC OF ZOLTÁN KODÁLY
|
STEVENS, HALSEY |
|
1968 |
XVII |
2 |
p. 147-168 |
artikel |
922 |
THE CLASSICAL TRADITION
|
CORDER, F. |
|
1917 |
XVII |
2 |
p. 282-287 |
artikel |
923 |
The Composer's Intentions: An Examination of their Relevance for Performance
|
DIPERT, RANDALL R. |
|
1980 |
XVII |
2 |
p. 205-218 |
artikel |
924 |
The Concept of Musical Syntax
|
Swain, Joseph P. |
|
1995 |
XVII |
2 |
p. 281-308 |
artikel |
925 |
THE CONDUCTUS
|
ELLINWOOD, LEONARD |
|
1940 |
XVII |
2 |
p. 165-204 |
artikel |
926 |
The Contemporaneity of Eighteenth-Century Musical Taste
|
WEBER, WILLIAM |
|
1984 |
XVII |
2 |
p. 175-194 |
artikel |
927 |
THE CONVENTIONS OF THE MUSIC-DRAMA
|
MATTHEWS, BRANDER |
|
1919 |
XVII |
2 |
p. 255-263 |
artikel |
928 |
The Copland-Sessions Concerts and Their Reception in the Contemporary Press
|
OJA, CAROL J. |
|
1979 |
XVII |
2 |
p. 212-229 |
artikel |
929 |
THE CUCKOO AND NIGHTINGALE IN MUSIC
|
MANSFIELD, ORLANDO A. |
|
1921 |
XVII |
2 |
p. 261-277 |
artikel |
930 |
THE CULTURIZING POSSIBILITIES OF THE INSTRUMENTALLY SUPPLEMENTED A CAPPELLA CHOIR
|
GRAINGER, PERCY ALDRIDGE |
|
1942 |
XVII |
2 |
p. 160-173 |
artikel |
931 |
The Development of Cognition in Music
|
SERAFINE, MARY LOUISE |
|
1984 |
XVII |
2 |
p. 218-233 |
artikel |
932 |
THE DISCOVERY OF MUSICAL GERMANY BY VINCENT D'INDY IN 1873
|
VALLAS, LEON |
|
1939 |
XVII |
2 |
p. 176-194 |
artikel |
933 |
THE DUAL PERSONALITY OF GREAT COMPOSERS
|
VARRO, MARGIT |
|
1937 |
XVII |
2 |
p. 137-146 |
artikel |
934 |
THE ELEMENT OF CHOICE IN IVES'S CONCORD SONATA
|
CLARK, SONDRA RAE |
|
1974 |
XVII |
2 |
p. 167-186 |
artikel |
935 |
THE ENGLISH CONCERTO WITH OR FOR ORGAN
|
HUTCHINGS, ARTHUR |
|
1961 |
XVII |
2 |
p. 195-206 |
artikel |
936 |
THE ENJOYMENT OF MUSIC
|
SCHNEIDER, HANS |
|
1921 |
XVII |
2 |
p. 218-225 |
artikel |
937 |
THE ESSENTIAL NATURE OF MUSIC
|
ANTCLIFFE, HERBERT |
|
1916 |
XVII |
2 |
p. 163-170 |
artikel |
938 |
THE ESTHETICS OF CONTEMPORARY MUSIC
|
CŒUROY, ANDRÉ |
|
1929 |
XVII |
2 |
p. 246-267 |
artikel |
939 |
THE ESTHETIC THEORIES OF RICHARD WAGNER1
|
LIPPMAN, EDWARD ARTHUR |
|
1958 |
XVII |
2 |
p. 209-220 |
artikel |
940 |
THE EVOLUTION OF DVORAK'S SYMPHONY “FROM THE NEW WORLD”
|
CLAPHAM, JOHN |
|
1958 |
XVII |
2 |
p. 167-183 |
artikel |
941 |
THE FADO
|
GALLOP, RODNEY |
|
1933 |
XVII |
2 |
p. 199-213 |
artikel |
942 |
THE FANTAISIE FOR INSTRUMENTAL ENSEMBLE IN 17TH-CENTURY FRANCE—ITS ORIGIN AND SIGNIFICANCE
|
COHEN, ALBERT |
|
1962 |
XVII |
2 |
p. 234-243 |
artikel |
943 |
THE FANTASIE ET RECERCHARI OF GIULIANO TIBURINO
|
HAAR, JAMES |
|
1973 |
XVII |
2 |
p. 223-238 |
artikel |
944 |
THE FETISH OF VIRTUOSITY
|
BURK, J. N. |
|
1918 |
XVII |
2 |
p. 282-292 |
artikel |
945 |
THE FIRST GUIDE TO MOZART
|
BRODER, NATHAN |
|
1956 |
XVII |
2 |
p. 223-229 |
artikel |
946 |
THE FIVE-TONE GAMELAN MUSIC OF BALI
|
McPHEE, COLIN |
|
1949 |
XVII |
2 |
p. 250-281 |
artikel |
947 |
THE FRENCH NATIONAL CONSERVATORY OF MUSIC
|
PHILIPP, ISIDOR |
|
1920 |
XVII |
2 |
p. 214-226 |
artikel |
948 |
THE FRENCH SCHOOL OF ORGAN PLAYING IN ITS OWN LAND
|
HURÉ, JEAN |
|
1920 |
XVII |
2 |
p. 272-275 |
artikel |
949 |
THE FRENCH SONG IN THE 19TH CENTURY
|
LOCKSPEISER, EDWARD |
|
1940 |
XVII |
2 |
p. 192-199 |
artikel |
950 |
THE FUNCTION OF CONFLICTING SIGNATURES IN EARLY POLYPHONIC MUSIC
|
LOWINSKY, EDWARD E. |
|
1945 |
XVII |
2 |
p. 227-260 |
artikel |
951 |
THE FUNCTION OF MUSIC IN SOUND FILM
|
WINTER, MARIAN HANNAH |
|
1940 |
XVII |
2 |
p. 146-164 |
artikel |
952 |
The Future of a Tradition
|
Botstein, Leon |
|
1993 |
XVII |
2 |
p. 155-160 |
artikel |
953 |
THE GROWTH OF A COMPOSER
|
HARRIS, ROY |
|
1934 |
XVII |
2 |
p. 188-191 |
artikel |
954 |
THE “HAMLET” FANTASY AND THE LITERARY ELEMENT IN C. P. E. BACH'S MUSIC
|
HELM, EUGENE |
|
1972 |
XVII |
2 |
p. 277-296 |
artikel |
955 |
THE HEWITT EDITION OF THE ODHECATON
|
REESE, GUSTAVE |
|
1943 |
XVII |
2 |
p. 257-265 |
artikel |
956 |
THE “IMMORTAL BELOVED”
|
UNGER, MAX |
|
1927 |
XVII |
2 |
p. 249-260 |
artikel |
957 |
THE INFLUENCE OF MUSIC IN WORLD HISTORY
|
MARTENS, FREDERICK H. |
|
1925 |
XVII |
2 |
p. 196-218 |
artikel |
958 |
THE JUDGMENT OF PARIS OR THE WORTH OF BEAUTY
|
FARNSWORTH, CHARLES H. |
|
1915 |
XVII |
2 |
p. 162-168 |
artikel |
959 |
THE KEYBOARD WORKS OF GIOVANNI PAISIELLO
|
HUNT, JNO L. |
|
1975 |
XVII |
2 |
p. 212-232 |
artikel |
960 |
THE LUTE INSTRUCTIONS OF JEAN-BAPTISTE BESARD
|
SUTTON, JULIA |
|
1965 |
XVII |
2 |
p. 345-362 |
artikel |
961 |
The “Mahler's Brother Syndrome”: Necropsychiatry and the Artist
|
NEWLIN, DIKA |
|
1980 |
XVII |
2 |
p. 296-304 |
artikel |
962 |
THE MANUSCRIPTS OF TALLIS'S FORTY-PART MOTET
|
SCHOFIELD, BERTRAM |
|
1951 |
XVII |
2 |
p. 176-183 |
artikel |
963 |
THEMATIC REPETITION IN THE OPERA-BALLETS OF ANDRÉ CAMPRA
|
ANTHONY, JAMES R. |
|
1966 |
XVII |
2 |
p. 209-220 |
artikel |
964 |
THE MEDIEVAL HOCKET IN PRACTICE AND THEORY
|
SANDERS, ERNEST H. |
|
1974 |
XVII |
2 |
p. 246-256 |
artikel |
965 |
THE MELODIC SOURCES AND AFFINITIES OF DIE ZAUBERFLÖTE
|
KING, A. HYATT |
|
1950 |
XVII |
2 |
p. 241-258 |
artikel |
966 |
THE MELODIC SOURCES OF MOZART'S MOST POPULAR LIED
|
STERNFELD, FREDERICK W. |
|
1956 |
XVII |
2 |
p. 213-222 |
artikel |
967 |
The Musical Portraits by Virgil Thomson
|
TOMMASINI, ANTHONY CARL |
|
1984 |
XVII |
2 |
p. 234-247 |
artikel |
968 |
THE MUSICAL SCALE
|
LLOYD, LLEWELYN S. |
|
1942 |
XVII |
2 |
p. 205-215 |
artikel |
969 |
The Music Appreciation Hour as Promoter of Musical Pseudo-Culture
|
Adorno, Theodor W. |
|
1994 |
XVII |
2 |
p. 352-353 |
artikel |
970 |
THE MUSICIAN, THE PATRON AND THE AUDIENCE
|
PARKER, D. C. |
|
1924 |
XVII |
2 |
p. 219-235 |
artikel |
971 |
THE MUSIC OF ELLIOTT CARTER
|
GOLDMAN, RICHARD FRANKO |
|
1957 |
XVII |
2 |
p. 151-170 |
artikel |
972 |
THE MUSIC OF HUGO WEISGALL
|
SAYLOR, BRUCE |
|
1973 |
XVII |
2 |
p. 239-262 |
artikel |
973 |
THE MUSIC OF LEOS JANACEK–ITS ORIGIN IN FOLKLORE
|
HOLLANDER, HANS |
|
1955 |
XVII |
2 |
p. 171-176 |
artikel |
974 |
THE MUSIC OF NORMAN DELLO JOIO
|
DOWNES, EDWARD |
|
1962 |
XVII |
2 |
p. 149-172 |
artikel |
975 |
THE MUSIC OF THE OLD HALL MANUSCRIPT—A POSTSCRIPT
|
STRUNK, OLIVER |
|
1949 |
XVII |
2 |
p. 244-249 |
artikel |
976 |
The Myth of the Unappreciated (Musical) Genius
|
LENNEBERG, HANS |
|
1980 |
XVII |
2 |
p. 219-231 |
artikel |
977 |
The Nascent Viennese String Quartet
|
HICKMAN, ROGER |
|
1981 |
XVII |
2 |
p. 193-212 |
artikel |
978 |
THE NEAPOLITAN INTERMEZZO AND ITS INFLUENCE ON THE SYMPHONIC IDIOM
|
LAZAREVICH, GORDANA |
|
1971 |
XVII |
2 |
p. 294-313 |
artikel |
979 |
THE NEWLY DISCOVERED AUTOGRAPH OF BEETHOVEN'S RONDO A CAPRICCIO, OP. 1291
|
HERTZMANN, ERICH |
|
1946 |
XVII |
2 |
p. 171-195 |
artikel |
980 |
The Notation and Performance of New Music
|
BROWN, EARLE |
|
1987 |
XVII |
2 |
p. 180-201 |
artikel |
981 |
THE OCCUPATION OF MUSICIAN IN THE UNITED STATES
|
HARRIS, HENRY J. |
|
1915 |
XVII |
2 |
p. 299-311 |
artikel |
982 |
THE ORIGINS OF HARMONY1
|
HUGHES, DOM ANSELM THE VERY REV. |
|
1938 |
XVII |
2 |
p. 176-185 |
artikel |
983 |
Theory
|
FORTE, ALLEN |
|
1982 |
XVII |
2 |
p. 161-181 |
artikel |
984 |
“The Phonograph And Our Musical Life”
|
J.P., |
|
1978 |
XVII |
2 |
p. 250-254 |
artikel |
985 |
THE PIANOFORTE AND ITS INFLUENCE ON MODERN MUSIC
|
DENT, EDWARD J. |
|
1916 |
XVII |
2 |
p. 271-294 |
artikel |
986 |
THE PIANO WORKS OF C. V. ALKAN
|
BELLAMANN, H. H. |
|
1924 |
XVII |
2 |
p. 251-262 |
artikel |
987 |
THE POETICS OF MUSICAL SILENCE
|
CLIFTON, THOMAS |
|
1976 |
XVII |
2 |
p. 163-181 |
artikel |
988 |
THE PRIMITIVE ART INSTINCT
|
BAUER, MARION |
|
1923 |
XVII |
2 |
p. 157-166 |
artikel |
989 |
THE PRINCETON SEMINAR-ITS PURPOSE AND PROMISE
|
FROMM, PAUL |
|
1960 |
XVII |
2 |
p. 155-158 |
artikel |
990 |
THE RECOGNITION OF CHORDAL FORMATION BY EARLY MUSIC THEORISTS
|
BUSH, HELEN E. |
|
1946 |
XVII |
2 |
p. 227-243 |
artikel |
991 |
THE RESPONSORIES AND PROSA FOR ST. STEPHEN'S DAY AT SALISBURY
|
STEINER, RUTH |
|
1970 |
XVII |
2 |
p. 162-182 |
artikel |
992 |
THE RHETORIC OF MODERN MUSIC
|
ESCHMAN, KARL H. |
|
1921 |
XVII |
2 |
p. 157-166 |
artikel |
993 |
THE RISE AND FALL OF THE “FUGUE-TUNE” IN AMERICA
|
PIERCE, EDWIN HALL |
|
1930 |
XVII |
2 |
p. 214-228 |
artikel |
994 |
THE SCIENCE OF PIANOFORTE TECHNIQUE
|
WEYMAN, WESLEY |
|
1918 |
XVII |
2 |
p. 168-173 |
artikel |
995 |
The Ship Loaded with Faith and Hope: Krenek's Karl V and the Viennese Politics of the Thirties
|
ZENCK, CLAUDIA MAURER |
|
1985 |
XVII |
2 |
p. 116-134 |
artikel |
996 |
THE SIGNIFICANCE OF THE “TRILL,” AS FOUND IN BEETHOVEN'S MOST MATURE WORKS
|
PIERCE, EDWIN HALL |
|
1929 |
XVII |
2 |
p. 233-245 |
artikel |
997 |
THE SOCIAL CONDITION OF VIOLINISTS IN FRANCE BEFORE THE EIGHTEENTH CENTURY
|
PINCHERLE, MARC |
|
1922 |
XVII |
2 |
p. 193-198 |
artikel |
998 |
THE SONGS OF CHARLES KOECHLIN
|
OLIPHANT, E. H. C. |
|
1921 |
XVII |
2 |
p. 186-197 |
artikel |
999 |
THE SONGS OF YOUNG ITALY
|
OLIPHANT, E. H. C. |
|
1923 |
XVII |
2 |
p. 191-210 |
artikel |
1000 |
THE SOURCES AND DEVELOPMENT OF THE ETHICAL VIEW OF MUSIC IN ANCIENT GREECE
|
LIPPMAN, EDWARD A. |
|
1963 |
XVII |
2 |
p. 188-209 |
artikel |
|