nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1001 |
THE MEANING OF MUSIC AS ART
|
SCHOEN, MAX |
|
1942 |
XVI |
1 |
p. 115-121 |
artikel |
1002 |
THE “MEASURE” IN GREGORIAN MUSIC
|
BONVIN, LUDWIG |
|
1929 |
XVI |
1 |
p. 16-28 |
artikel |
1003 |
THE MEASUREMENT OF MUSICAL TALENT
|
SEASHORE, CARL E. |
|
1915 |
XVI |
1 |
p. 129-148 |
artikel |
1004 |
THE MINUET IN HANDEL'S MESSIAH
|
MANSFIELD, ORLANDO A. |
|
1919 |
XVI |
1 |
p. 90-99 |
artikel |
1005 |
The Most Meaningful Single Note in Beethoven's “Scene by the Brook” (A Meditation Inspired by a Misprint)
|
Jander, Owen |
|
1994 |
XVI |
1 |
p. 171-174 |
artikel |
1006 |
THE MOTETS OF PIERRE DE LA RUE
|
DAVISON, NIGEL |
|
1962 |
XVI |
1 |
p. 19-35 |
artikel |
1007 |
THE MUSICAL INSPIRATION OF SHELLEY
|
CŒUROY, ANDRE |
|
1923 |
XVI |
1 |
p. 82-95 |
artikel |
1008 |
THE MUSICAL THEORY OF THE GERMAN ROMANTIC WRITERS
|
CŒUROY, ANDRE |
|
1927 |
XVI |
1 |
p. 108-129 |
artikel |
1009 |
THE MUSIC OF ELLIOTT CARTER
|
GOLDMAN, RICHARD FRANKO |
|
1957 |
XVI |
1 |
p. 151-170 |
artikel |
1010 |
THE MUSIC OF FUTURISM: CONCERTS AND POLEMICS
|
PAYTON, RODNEY J. |
|
1976 |
XVI |
1 |
p. 25-45 |
artikel |
1011 |
THE MUSIC OF MEL POWELL
|
THIMMIG, LESLIE |
|
1969 |
XVI |
1 |
p. 31-44 |
artikel |
1012 |
THE MUSIC OF ROBERT PALMER
|
AUSTIN, WILLIAM |
|
1956 |
XVI |
1 |
p. 35-50 |
artikel |
1013 |
THE MUSIC OF ROSS LEE FINNEY
|
COOPER, PAUL |
|
1967 |
XVI |
1 |
p. 1-21 |
artikel |
1014 |
THE MUSIC OF WALLINGFORD RIEGGER
|
GOLDMAN, RICHARD F. |
|
1950 |
XVI |
1 |
p. 39-61 |
artikel |
1015 |
THE MUSIC OF WILLIAM SCHUMAN
|
BRODER, NATHAN |
|
1945 |
XVI |
1 |
p. 17-28 |
artikel |
1016 |
THE MUSIC TO MACBETH
|
MOORE, ROBERT E. |
|
1961 |
XVI |
1 |
p. 22-40 |
artikel |
1017 |
THE MYSTERY OF THE BABYLONIAN NOTATION1
|
SACHS, CURT |
|
1940 |
XVI |
1 |
p. 62-69 |
artikel |
1018 |
The Myth of Mozart, the Revolutionary
|
Weber, William |
|
1994 |
XVI |
1 |
p. 34-47 |
artikel |
1019 |
The Myth of Organicism: From Bad Science to Great Art
|
Montgomery, David L. |
|
1992 |
XVI |
1 |
p. 17-66 |
artikel |
1020 |
THE NETHERLANDS
|
SCHWARTZ, ELLIOTT |
|
1970 |
XVI |
1 |
p. 119-124 |
artikel |
1021 |
The New Grove Dictionary of Opera
|
Zaslaw, Neal |
|
1994 |
XVI |
1 |
p. 149-158 |
artikel |
1022 |
THE NEW ITALY
|
JEAN-AUBRY, G. |
|
1920 |
XVI |
1 |
p. 29-56 |
artikel |
1023 |
THE NEW MUSIC IN ITALY
|
BORTOLOTTO, MARIO |
|
1965 |
XVI |
1 |
p. 61-77 |
artikel |
1024 |
“THE NOTATION OF POLYPHONIC MUSIC”: A REVIEW
|
BUKOFZER, MANFRED F. |
|
1943 |
XVI |
1 |
p. 112-118 |
artikel |
1025 |
THE OLDEST OPERA: BELLI'S ORFEO DOLENTE
|
TIRABASSI, ANTONIO |
|
1939 |
XVI |
1 |
p. 26-33 |
artikel |
1026 |
THE OLDEST SURVIVING ENGLISH MUSICAL CLUB: Some Historical Notes on the Madrigal Society of London
|
NETTEL, REGINALD |
|
1948 |
XVI |
1 |
p. 97-108 |
artikel |
1027 |
Theory and Practice in Porgy and Bess: The Gershwin-Schillinger Connection
|
Nauert, Paul |
|
1994 |
XVI |
1 |
p. 9-33 |
artikel |
1028 |
The Parapteres: Nothi or Not?
|
ATKINSON, CHARLES M. |
|
1982 |
XVI |
1 |
p. 32-59 |
artikel |
1029 |
THE PASSING OF THE PRESSURE TOUCH
|
WEYMAN, WESLEY |
|
1921 |
XVI |
1 |
p. 127-132 |
artikel |
1030 |
THE PERFORMANCE OF THE OLD HALL DESCANT SETTINGS
|
SCOTT, ANN BESSER |
|
1970 |
XVI |
1 |
p. 14-26 |
artikel |
1031 |
THE POETIC USE OF MUSICAL FORMS
|
BROWN, CALVIN S. JR. |
|
1943 |
XVI |
1 |
p. 87-101 |
artikel |
1032 |
THE POLYPHONIC MAGNIFICAT IN 15 TH-CENTURY ITALY
|
LERNER, EDWARD R. |
|
1964 |
XVI |
1 |
p. 44-58 |
artikel |
1033 |
THE POSTHUMOUS PUBLICATION OF CHOPIN'S SONGS
|
BROWN, MAURICE J. E. |
|
1956 |
XVI |
1 |
p. 51-65 |
artikel |
1034 |
The Practical Wisdom of Beethoven's Diabelli Variations
|
Herzog, Patricia |
|
1995 |
XVI |
1 |
p. 35-54 |
artikel |
1035 |
THE PRESENT CONDITION OF JAPANESE COURT MUSIC
|
HARICH-SCHEIDER, ETA |
|
1952 |
XVI |
1 |
p. 49-74 |
artikel |
1036 |
THE PRESENT STATE OF RUSSIAN MUSIC
|
SWAN, ALFRED J. |
|
1927 |
XVI |
1 |
p. 29-38 |
artikel |
1037 |
THE 1774 PSALM BOOK OF THE REFORMED PROTESTANT DUTCH CHURCH IN NEW YORK CITY
|
SMITH, CARLETON SPRAGUE |
|
1948 |
XVI |
1 |
p. 84-96 |
artikel |
1038 |
THE PSALMODIC FORMULA NEANNOE AND ITS ORIGIN
|
WERNER, ERIC |
|
1942 |
XVI |
1 |
p. 93-99 |
artikel |
1039 |
The Quarterly's Quandary: A Fin-de-Siècle Editorial Outlook
|
Botstein, Leon |
|
1993 |
XVI |
1 |
p. 1-9 |
artikel |
1040 |
THE RECAPITULATIONS IN HAYDN'S LONDON SYMPHONIES
|
WOLF, EUGENE K. |
|
1966 |
XVI |
1 |
p. 71-89 |
artikel |
1041 |
THE RECENT FIFTIETH ANNIVERSARY OF THE “NEW OPERA”
|
PROD'HOMME, J.-G. |
|
1926 |
XVI |
1 |
p. 13-21 |
artikel |
1042 |
THE RECENT RISE OF CHAMBER MUSIC IN ENGLAND
|
ANTCLIFFE, HERBERT |
|
1920 |
XVI |
1 |
p. 12-23 |
artikel |
1043 |
THE RECENT WORK OF PAUL HINDEMITH
|
MUSER, FRANI B. |
|
1943 |
XVI |
1 |
p. 29-36 |
artikel |
1044 |
THE REFORMS OF CHURCH MUSIC UNDER JOSEPH II
|
PAULY, REINHARD G. |
|
1957 |
XVI |
1 |
p. 372-382 |
artikel |
1045 |
The Relationship Between André Caplet and Claude Debussy
|
SPENCER, WILLIAMETTA |
|
1980 |
XVI |
1 |
p. 112-131 |
artikel |
1046 |
THE RELATIVITY OF OUR MUSICAL CONCEPTIONS
|
RUDHYAR, D. |
|
1922 |
XVI |
1 |
p. 108-118 |
artikel |
1047 |
The Renotation of Polyphonic Music
|
KOHN, KARL |
|
1981 |
XVI |
1 |
p. 29-49 |
artikel |
1048 |
THE RHEINLIEDER CRITICS: A CASE OF MUSICAL NATIONALISM
|
PORTER, CECELIA HOPKINS |
|
1977 |
XVI |
1 |
p. 74-98 |
artikel |
1049 |
“THE RIVALS”—HAWKINS, BURNEY, AND BOSWELL
|
STEVENSON, ROBERT |
|
1950 |
XVI |
1 |
p. 67-82 |
artikel |
1050 |
THE ROLE OF MUSICAL INSTRUMENTS IN MEDIEVAL SACRED DRAMA
|
BOWLES, EDMUND A. |
|
1959 |
XVI |
1 |
p. 67-84 |
artikel |
1051 |
THE SCHOENBERG-NACHOD COLLECTION: A PRELIMINARY REPORT
|
NEWLIN, DIKA |
|
1968 |
XVI |
1 |
p. 31-46 |
artikel |
1052 |
THE SECRET OF PAGANINI'S TECHNIQUE
|
ISTEL, EDGAR |
|
1930 |
XVI |
1 |
p. 101-116 |
artikel |
1053 |
THE SO-CALLED NETHERLANDS SCHOOLS
|
LÁNG, PAUL HENRY |
|
1939 |
XVI |
1 |
p. 48-59 |
artikel |
1054 |
THE SOLO VIOLIN SONATA OF THE BOLOGNA SCHOOL'
|
MISHKIN, HENRY G. |
|
1942 |
XVI |
1 |
p. 92-112 |
artikel |
1055 |
THE SONGS OF SIDNEY HOMER
|
THORPE, HARRY COLIN |
|
1931 |
XVI |
1 |
p. 47-73 |
artikel |
1056 |
THE SOVIET ATTITUDE TOWARDS MUSIC: AN ANALYSIS BASED IN PART ON SECRET ARCHIVES
|
ARBATSKY, YURY |
|
1957 |
XVI |
1 |
p. 295-315 |
artikel |
1057 |
THE STUDY OF THE FUGUE: A DIALOGUE—II
|
FUX, JOHANN JOSEF |
|
1951 |
XVI |
1 |
p. 28-44 |
artikel |
1058 |
THE STUDY OF THEORY IN MUSIC TEACHING. IS IT SOUND?
|
CRIPPS, A. REDGRAVE |
|
1917 |
XVI |
1 |
p. 60-68 |
artikel |
1059 |
THE TEACHING OF APPRECIATION IN MUSIC
|
SCHOEN, MAX |
|
1927 |
XVI |
1 |
p. 39-58 |
artikel |
1060 |
THE TECHNIQUE OF MOVING PLASTIC
|
JAQUES-DALCROZE, E. |
|
1924 |
XVI |
1 |
p. 21-38 |
artikel |
1061 |
THE “TERRIBLE” BRAHMS
|
VON EHRMANN, ALFRED |
|
1937 |
XVI |
1 |
p. 64-76 |
artikel |
1062 |
THE TEXT OF HANDEL'S MESSIAH
|
LARSEN, JENS PETER |
|
1954 |
XVI |
1 |
p. 21-28 |
artikel |
1063 |
THE THEORY OF HUNGARIAN MUSIC
|
KILENYI, EDWARD |
|
1919 |
XVI |
1 |
p. 20-39 |
artikel |
1064 |
THE TRUTH ABOUT THE NEW ENGLAND PURITANS AND MUSIC
|
SCHOLES, PERCY A. |
|
1933 |
XVI |
1 |
p. 1-17 |
artikel |
1065 |
THE TYROLESE FAMILY RAINER, AND THE VOGUE OF SINGING MOUNTAIN-TROUPES IN EUROPE AND AMERICA1
|
NATHAN, HANS |
|
1946 |
XVI |
1 |
p. 63-79 |
artikel |
1066 |
THE UNDULATIONS OF TECHNIQUE
|
ANTCLIFFE, HERBERT |
|
1929 |
XVI |
1 |
p. 37-49 |
artikel |
1067 |
The Uses and Limits of Performance Practice in François Couperin's Huitiême Ordre
|
Bazzana, Kevin |
|
1991 |
XVI |
1 |
p. 12-30 |
artikel |
1068 |
THE VARIETY OF TRENDS IN MODERN GERMAN MUSIC
|
VON LEWINSKI, WOLF-EBERHARD |
|
1965 |
XVI |
1 |
p. 166-179 |
artikel |
1069 |
THE VIENNESE VIOLINIST, FRANZ CLEMENT
|
HAAS, ROBERT |
|
1948 |
XVI |
1 |
p. 15-27 |
artikel |
1070 |
THE VIOLIN AND ITS TECHNIQUE IN THE 18TH CENTURY
|
BOYDEN, DAVID D. |
|
1950 |
XVI |
1 |
p. 9-38 |
artikel |
1071 |
THE VIOLIN CONCERTOS OF GIORNOVICHI
|
WHITE, CHAPPELL |
|
1972 |
XVI |
1 |
p. 24-45 |
artikel |
1072 |
THE VIOLIN “SCORDATURA”
|
RUSSELL, THEODORE |
|
1938 |
XVI |
1 |
p. 84-96 |
artikel |
1073 |
THE WAGNERIAN CULTURE SYNTHESIS
|
PETERSON-BERGER, WILHELM |
|
1921 |
XVI |
1 |
p. 45-56 |
artikel |
1074 |
THE WAR IN ITS RELATION TO AMERICAN MUSIC
|
SPALDING, WALTER R. |
|
1918 |
XVI |
1 |
p. 1-11 |
artikel |
1075 |
THE WEATHER AT MOZART'S FUNERAL
|
SLONIMSKY, NICOLAS |
|
1960 |
XVI |
1 |
p. 12-21 |
artikel |
1076 |
THE WORKS OF GIACOMO PUCCINI
|
GATTI, GUIDO M. |
|
1928 |
XVI |
1 |
p. 16-84 |
artikel |
1077 |
THE WORKS OF SIR HENRY BISHOP
|
CORDER, F. |
|
1918 |
XVI |
1 |
p. 78-97 |
artikel |
1078 |
THE WPA AND THE AMERICAN COMPOSER
|
PETTIS, ASHLEY |
|
1940 |
XVI |
1 |
p. 101-112 |
artikel |
1079 |
THE ZERO HOUR IN MUSICAL EVOLUTION
|
FARWELL, ARTHUR |
|
1927 |
XVI |
1 |
p. 85-99 |
artikel |
1080 |
THOMAS LINLEY, JUNIOR. 1756–1778
|
BEECHEY, GWILYM |
|
1968 |
XVI |
1 |
p. 74-82 |
artikel |
1081 |
THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH
|
NETTL, BRUNO |
|
1974 |
XVI |
1 |
p. 1-19 |
artikel |
1082 |
Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources
|
MONSON, CRAIG |
|
1981 |
XVI |
1 |
p. 64-81 |
artikel |
1083 |
“To Invent New Forms”: Debussy's Diane au bois
|
BRISCOE, JAMES R. |
|
1990 |
XVI |
1 |
p. 131-169 |
artikel |
1084 |
TONIC-SOL-FA: PRO AND CON
|
FULLER-MAITLAND, J. A. |
|
1921 |
XVI |
1 |
p. 68-72 |
artikel |
1085 |
TO OUR READERS
|
C. E., |
|
1933 |
XVI |
1 |
p. 112-112 |
artikel |
1086 |
TOWARDS A METHOD IN MUSICAL CRITICISM
|
CALVOCORESSI, M.-D. |
|
1923 |
XVI |
1 |
p. 72-81 |
artikel |
1087 |
TRADITION AND POPULAR ELEMENTS IN POLISH MUSIC OF THE BAROQUE ERA
|
SZWEYKOWSKI, ZYGMUNT M. |
|
1970 |
XVI |
1 |
p. 99-115 |
artikel |
1088 |
Translating Adorno: Language, Music, and Performance
|
Gillespie, Susan |
|
1995 |
XVI |
1 |
p. 55-65 |
artikel |
1089 |
Trois Nouvelle Etudes
|
BRODY, ELAINE |
|
1986 |
XVI |
1 |
p. 1-15 |
artikel |
1090 |
Two Flutes and a Rattle: The Evolution of an Ensemble
|
List, George |
|
1991 |
XVI |
1 |
p. 50-58 |
artikel |
1091 |
TWO “MACBETHS”: VERDI—BLOCH
|
GATTI, GUIDO M. |
|
1926 |
XVI |
1 |
p. 22-31 |
artikel |
1092 |
TWO MUSICAL LIBRARIES OF PARIS
|
PROD'HOMME, J.-G. |
|
1939 |
XVI |
1 |
p. 34-47 |
artikel |
1093 |
TWO NOTES THAT NO LONGER LOVE EACH OTHER
|
DAMERINI, ADELMO |
|
1926 |
XVI |
1 |
p. 121-131 |
artikel |
1094 |
TYAGARAJA: A GREAT SOUTH INDIAN COMPOSER
|
ROSENTHAL, ETHEL |
|
1931 |
XVI |
1 |
p. 14-24 |
artikel |
1095 |
UNITED STATES
|
CLEVELAND, |
|
1958 |
XVI |
1 |
p. 82-86 |
artikel |
1096 |
UNITED STATES
|
KOHN, KARL |
|
1963 |
XVI |
1 |
p. 88-91 |
artikel |
1097 |
UNITED STATES
|
ZIMMERMAN, FRANKLIN B. |
|
1959 |
XVI |
1 |
p. 91-95 |
artikel |
1098 |
UNITED STATES
|
GOLDMAN, RICHARD F. |
|
1948 |
XVI |
1 |
p. 111-115 |
artikel |
1099 |
UNITED STATES
|
COWELL, HENRY |
|
1948 |
XVI |
1 |
p. 106-111 |
artikel |
1100 |
UNITED STATES
|
STERNFELD, FREDERICK W. |
|
1948 |
XVI |
1 |
p. 115-121 |
artikel |
1101 |
UNITED STATES
|
TISCHLER, HANS |
|
1950 |
XVI |
1 |
p. 92-94 |
artikel |
1102 |
UNITED STATES
|
HAMILTON, DAVID |
|
1966 |
XVI |
1 |
p. 90-93 |
artikel |
1103 |
UNITED STATES
|
BRODY, JAMES |
|
1968 |
XVI |
1 |
p. 87-92 |
artikel |
1104 |
UNITED STATES
|
LOWENS, IRVING |
|
1960 |
XVI |
1 |
p. 76-80 |
artikel |
1105 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO |
|
1960 |
XVI |
1 |
p. 71-76 |
artikel |
1106 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO |
|
1962 |
XVI |
1 |
p. 93-99 |
artikel |
1107 |
UNITED STATES
|
BLAUKOPF, KURT |
|
1951 |
XVI |
1 |
p. 90-95 |
artikel |
1108 |
UNITED STATES
|
SALZMAN, ERIC |
|
1967 |
XVI |
1 |
p. 80-86 |
artikel |
1109 |
UNITED STATES
|
HENAHAN, DONAL |
|
1968 |
XVI |
1 |
p. 83-87 |
artikel |
1110 |
UNITED STATES
|
SCHWARTZ, ELLIOTT |
|
1968 |
XVI |
1 |
p. 97-103 |
artikel |
1111 |
UNITED STATES
|
APPLETON, JON |
|
1970 |
XVI |
1 |
p. 116-119 |
artikel |
1112 |
UNITED STATES
|
MORTON, LAWRENCE |
|
1954 |
XVI |
1 |
p. 56-58 |
artikel |
1113 |
UNITED STATES
|
COWELL, HENRY |
|
1950 |
XVI |
1 |
p. 94-98 |
artikel |
1114 |
UNITED STATES
|
MILLER, PHILIP L. |
|
1959 |
XVI |
1 |
p. 88-91 |
artikel |
1115 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO |
|
1961 |
XVI |
1 |
p. 97-100 |
artikel |
1116 |
UNITED STATES
|
P. H. L., |
|
1962 |
XVI |
1 |
p. 99-104 |
artikel |
1117 |
UNITED STATES
|
HELM, EVERETT |
|
1951 |
XVI |
1 |
p. 98-102 |
artikel |
1118 |
UNITED STATES
|
GOLDBECK, FREDERICK |
|
1951 |
XVI |
1 |
p. 95-98 |
artikel |
1119 |
UNITED STATES
|
BURKAT, LEONARD |
|
1951 |
XVI |
1 |
p. 118-123 |
artikel |
1120 |
UNITED STATES: Berkely, California
|
IMBRIE, ANDREW W. |
|
1957 |
XVI |
1 |
p. 527-533 |
artikel |
1121 |
UNITED STATES: Louisville, Kentucky
|
HERZ, GERHARD |
|
1955 |
XVI |
1 |
p. 76-85 |
artikel |
1122 |
UNITED STATES: New York
|
GREISSLE, FELIX |
|
1957 |
XVI |
1 |
p. 233-236 |
artikel |
1123 |
UNITED STATES: New York
|
HITCHCOCK, H. WILEY |
|
1964 |
XVI |
1 |
p. 91-98 |
artikel |
1124 |
UNITED STATES: New York
|
SMITHER, HOWARD E. |
|
1957 |
XVI |
1 |
p. 383-390 |
artikel |
1125 |
UNITED STATES: New York
|
TRIMBLE, LESTER |
|
1957 |
XVI |
1 |
p. 236-240 |
artikel |
1126 |
UNITED STATES: Washington, D. C.
|
LOWENS, IRVING |
|
1964 |
XVI |
1 |
p. 98-100 |
artikel |
1127 |
UNPUBLISHED LETTERS FROM VERDI TO CAMILLE DU LOCLE (1866–76)
|
PROD'HOMME, J.-G. |
|
1921 |
XVI |
1 |
p. 73-103 |
artikel |
1128 |
Urbana, Illinois
|
GOLDTHWAITE, SOOTT |
|
1957 |
XVI |
1 |
p. 390-398 |
artikel |
1129 |
Varèse and the Lyricism of the New Physics
|
Anderson, John D. |
|
1991 |
XVI |
1 |
p. 31-49 |
artikel |
1130 |
Vernacular Music: A Naming Compass
|
Green, Archie |
|
1993 |
XVI |
1 |
p. 35-46 |
artikel |
1131 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1924 |
XVI |
1 |
p. 143-158 |
artikel |
1132 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1923 |
XVI |
1 |
p. 145-156 |
artikel |
1133 |
VIEWS AND REVIEWS
|
C. E., |
|
1932 |
XVI |
1 |
p. 178-183 |
artikel |
1134 |
VIEWS AND REVIEWS
|
C. E., |
|
1934 |
XVI |
1 |
p. 117-124 |
artikel |
1135 |
VIEWS AND REVIEWS
|
C. E., |
|
1937 |
XVI |
1 |
p. 98-106 |
artikel |
1136 |
VIEWS AND REVIEWS
|
C. E., |
|
1942 |
XVI |
1 |
p. 138-145 |
artikel |
1137 |
VIEWS AND REVIEWS
|
C. E., |
|
1935 |
XVI |
1 |
p. 107-112 |
artikel |
1138 |
VIEWS AND REVIEWS
|
C. E., |
|
1938 |
XVI |
1 |
p. 104-109 |
artikel |
1139 |
VIEWS AND REVIEWS
|
ENGEL, CARL |
|
1927 |
XVI |
1 |
p. 147-160 |
artikel |
1140 |
VIEWS AND REVIEWS
|
C. E., |
|
1936 |
XVI |
1 |
p. 107-115 |
artikel |
1141 |
VIEWS AND REVIEWS
|
E., C. |
|
1940 |
XVI |
1 |
p. 113-121 |
artikel |
1142 |
Villa-Lobos and the Man-Eating Flower: A Memoir
|
Gustafson, Ralph |
|
1991 |
XVI |
1 |
p. 1-11 |
artikel |
1143 |
VINCENZO RUFFO AND MUSICAL REFORM AFTER THE COUNCIL OF TRENT
|
LOCKWOOD, LEWIS H. |
|
1957 |
XVI |
1 |
p. 342-371 |
artikel |
1144 |
VIOLIN TEACHING IN ITS RELATION TO THE ORGANIZATION OF CIVIC ORCHESTRAS
|
MORPHY, E. W. |
|
1918 |
XVI |
1 |
p. 50-60 |
artikel |
1145 |
VOCAL DISABILITIES AS DESCRIBED BY A VOICE PHYSICIAN
|
VOORHEES, IRVING WILSON |
|
1924 |
XVI |
1 |
p. 39-50 |
artikel |
1146 |
WANTED: A HISTORICO-MUSICAL CLEARING-HOUSE
|
HENRY, H. T. |
|
1918 |
XVI |
1 |
p. 128-134 |
artikel |
1147 |
Washington, D. C.
|
LOWENS, IRVING |
|
1959 |
XVI |
1 |
p. 95-97 |
artikel |
1148 |
WEBER AS A WRITER
|
CŒEUROY, ANDRÉ |
|
1925 |
XVI |
1 |
p. 97-115 |
artikel |
1149 |
WEBER AS NOVELIST AND CRITIC
|
ABRAHAM, GERALD |
|
1934 |
XVI |
1 |
p. 27-38 |
artikel |
1150 |
WEBERN'S APPRENTICESHIP
|
CONE, EDWARD T. |
|
1967 |
XVI |
1 |
p. 39-52 |
artikel |
1151 |
WEBERN'S TWELVE-TONE SKETCHES
|
PERLE, GEORGE |
|
1970 |
XVI |
1 |
p. 1-25 |
artikel |
1152 |
WHAT IS ART?
|
CASELLA, ALFREDO |
|
1922 |
XVI |
1 |
p. 1-6 |
artikel |
1153 |
WHAT WAGNER FOUND IN SCHOPENHAUER'S PHILOSOPHY
|
BARRY, ELIZABETH WENDELL |
|
1925 |
XVI |
1 |
p. 124-137 |
artikel |
1154 |
WHEN IS A CONCERTO NOT A CONCERTO?
|
BOYDEN, DAVID D. |
|
1957 |
XVI |
1 |
p. 220-232 |
artikel |
1155 |
WHITE PIONEERS AND BLACK
|
NILES, JOHN JACOB |
|
1932 |
XVI |
1 |
p. 60-75 |
artikel |
1156 |
Why Does Miles Die? A Study of Britten's The Turn of the Screw
|
HINDLEY, CLIFFORD |
|
1990 |
XVI |
1 |
p. 1-17 |
artikel |
1157 |
“WIEDRIGKEIT” AND “VERDRIESSLICHKEIT” IN MÜHLHAUSEN
|
SERWER, HOWARD |
|
1969 |
XVI |
1 |
p. 20-30 |
artikel |
1158 |
WILLIAM TUCKEY, A CHOIRMASTER IN COLONIAL NEW YORK
|
AARON, AMY |
|
1978 |
XVI |
1 |
p. 79-97 |
artikel |
1159 |
YOUNG AMERICAN ABROAD
|
JOHNSON, H. EARLE |
|
1958 |
XVI |
1 |
p. 65-75 |
artikel |
|