| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1001 |
THE MEANING OF MUSIC AS ART
|
SCHOEN, MAX
|
|
1942
|
II |
1 |
p. 115-121
|
article
|
| 1002 |
THE “MEASURE” IN GREGORIAN MUSIC
|
BONVIN, LUDWIG
|
|
1929
|
II |
1 |
p. 16-28
|
article
|
| 1003 |
THE MEASUREMENT OF MUSICAL TALENT
|
SEASHORE, CARL E.
|
|
1915
|
II |
1 |
p. 129-148
|
article
|
| 1004 |
THE MINUET IN HANDEL'S MESSIAH
|
MANSFIELD, ORLANDO A.
|
|
1919
|
II |
1 |
p. 90-99
|
article
|
| 1005 |
The Most Meaningful Single Note in Beethoven's “Scene by the Brook” (A Meditation Inspired by a Misprint)
|
Jander, Owen
|
|
1994
|
II |
1 |
p. 171-174
|
article
|
| 1006 |
THE MOTETS OF PIERRE DE LA RUE
|
DAVISON, NIGEL
|
|
1962
|
II |
1 |
p. 19-35
|
article
|
| 1007 |
THE MUSICAL INSPIRATION OF SHELLEY
|
CŒUROY, ANDRE
|
|
1923
|
II |
1 |
p. 82-95
|
article
|
| 1008 |
THE MUSICAL THEORY OF THE GERMAN ROMANTIC WRITERS
|
CŒUROY, ANDRE
|
|
1927
|
II |
1 |
p. 108-129
|
article
|
| 1009 |
THE MUSIC OF ELLIOTT CARTER
|
GOLDMAN, RICHARD FRANKO
|
|
1957
|
II |
1 |
p. 151-170
|
article
|
| 1010 |
THE MUSIC OF FUTURISM: CONCERTS AND POLEMICS
|
PAYTON, RODNEY J.
|
|
1976
|
II |
1 |
p. 25-45
|
article
|
| 1011 |
THE MUSIC OF MEL POWELL
|
THIMMIG, LESLIE
|
|
1969
|
II |
1 |
p. 31-44
|
article
|
| 1012 |
THE MUSIC OF ROBERT PALMER
|
AUSTIN, WILLIAM
|
|
1956
|
II |
1 |
p. 35-50
|
article
|
| 1013 |
THE MUSIC OF ROSS LEE FINNEY
|
COOPER, PAUL
|
|
1967
|
II |
1 |
p. 1-21
|
article
|
| 1014 |
THE MUSIC OF WALLINGFORD RIEGGER
|
GOLDMAN, RICHARD F.
|
|
1950
|
II |
1 |
p. 39-61
|
article
|
| 1015 |
THE MUSIC OF WILLIAM SCHUMAN
|
BRODER, NATHAN
|
|
1945
|
II |
1 |
p. 17-28
|
article
|
| 1016 |
THE MUSIC TO MACBETH
|
MOORE, ROBERT E.
|
|
1961
|
II |
1 |
p. 22-40
|
article
|
| 1017 |
THE MYSTERY OF THE BABYLONIAN NOTATION1
|
SACHS, CURT
|
|
1940
|
II |
1 |
p. 62-69
|
article
|
| 1018 |
The Myth of Mozart, the Revolutionary
|
Weber, William
|
|
1994
|
II |
1 |
p. 34-47
|
article
|
| 1019 |
The Myth of Organicism: From Bad Science to Great Art
|
Montgomery, David L.
|
|
1992
|
II |
1 |
p. 17-66
|
article
|
| 1020 |
THE NETHERLANDS
|
SCHWARTZ, ELLIOTT
|
|
1970
|
II |
1 |
p. 119-124
|
article
|
| 1021 |
The New Grove Dictionary of Opera
|
Zaslaw, Neal
|
|
1994
|
II |
1 |
p. 149-158
|
article
|
| 1022 |
THE NEW ITALY
|
JEAN-AUBRY, G.
|
|
1920
|
II |
1 |
p. 29-56
|
article
|
| 1023 |
THE NEW MUSIC IN ITALY
|
BORTOLOTTO, MARIO
|
|
1965
|
II |
1 |
p. 61-77
|
article
|
| 1024 |
“THE NOTATION OF POLYPHONIC MUSIC”: A REVIEW
|
BUKOFZER, MANFRED F.
|
|
1943
|
II |
1 |
p. 112-118
|
article
|
| 1025 |
THE OLDEST OPERA: BELLI'S ORFEO DOLENTE
|
TIRABASSI, ANTONIO
|
|
1939
|
II |
1 |
p. 26-33
|
article
|
| 1026 |
THE OLDEST SURVIVING ENGLISH MUSICAL CLUB: Some Historical Notes on the Madrigal Society of London
|
NETTEL, REGINALD
|
|
1948
|
II |
1 |
p. 97-108
|
article
|
| 1027 |
Theory and Practice in Porgy and Bess: The Gershwin-Schillinger Connection
|
Nauert, Paul
|
|
1994
|
II |
1 |
p. 9-33
|
article
|
| 1028 |
The Parapteres: Nothi or Not?
|
ATKINSON, CHARLES M.
|
|
1982
|
II |
1 |
p. 32-59
|
article
|
| 1029 |
THE PASSING OF THE PRESSURE TOUCH
|
WEYMAN, WESLEY
|
|
1921
|
II |
1 |
p. 127-132
|
article
|
| 1030 |
THE PERFORMANCE OF THE OLD HALL DESCANT SETTINGS
|
SCOTT, ANN BESSER
|
|
1970
|
II |
1 |
p. 14-26
|
article
|
| 1031 |
THE POETIC USE OF MUSICAL FORMS
|
BROWN, CALVIN S. JR.
|
|
1943
|
II |
1 |
p. 87-101
|
article
|
| 1032 |
THE POLYPHONIC MAGNIFICAT IN 15 TH-CENTURY ITALY
|
LERNER, EDWARD R.
|
|
1964
|
II |
1 |
p. 44-58
|
article
|
| 1033 |
THE POSTHUMOUS PUBLICATION OF CHOPIN'S SONGS
|
BROWN, MAURICE J. E.
|
|
1956
|
II |
1 |
p. 51-65
|
article
|
| 1034 |
The Practical Wisdom of Beethoven's Diabelli Variations
|
Herzog, Patricia
|
|
1995
|
II |
1 |
p. 35-54
|
article
|
| 1035 |
THE PRESENT CONDITION OF JAPANESE COURT MUSIC
|
HARICH-SCHEIDER, ETA
|
|
1952
|
II |
1 |
p. 49-74
|
article
|
| 1036 |
THE PRESENT STATE OF RUSSIAN MUSIC
|
SWAN, ALFRED J.
|
|
1927
|
II |
1 |
p. 29-38
|
article
|
| 1037 |
THE 1774 PSALM BOOK OF THE REFORMED PROTESTANT DUTCH CHURCH IN NEW YORK CITY
|
SMITH, CARLETON SPRAGUE
|
|
1948
|
II |
1 |
p. 84-96
|
article
|
| 1038 |
THE PSALMODIC FORMULA NEANNOE AND ITS ORIGIN
|
WERNER, ERIC
|
|
1942
|
II |
1 |
p. 93-99
|
article
|
| 1039 |
The Quarterly's Quandary: A Fin-de-Siècle Editorial Outlook
|
Botstein, Leon
|
|
1993
|
II |
1 |
p. 1-9
|
article
|
| 1040 |
THE RECAPITULATIONS IN HAYDN'S LONDON SYMPHONIES
|
WOLF, EUGENE K.
|
|
1966
|
II |
1 |
p. 71-89
|
article
|
| 1041 |
THE RECENT FIFTIETH ANNIVERSARY OF THE “NEW OPERA”
|
PROD'HOMME, J.-G.
|
|
1926
|
II |
1 |
p. 13-21
|
article
|
| 1042 |
THE RECENT RISE OF CHAMBER MUSIC IN ENGLAND
|
ANTCLIFFE, HERBERT
|
|
1920
|
II |
1 |
p. 12-23
|
article
|
| 1043 |
THE RECENT WORK OF PAUL HINDEMITH
|
MUSER, FRANI B.
|
|
1943
|
II |
1 |
p. 29-36
|
article
|
| 1044 |
THE REFORMS OF CHURCH MUSIC UNDER JOSEPH II
|
PAULY, REINHARD G.
|
|
1957
|
II |
1 |
p. 372-382
|
article
|
| 1045 |
The Relationship Between André Caplet and Claude Debussy
|
SPENCER, WILLIAMETTA
|
|
1980
|
II |
1 |
p. 112-131
|
article
|
| 1046 |
THE RELATIVITY OF OUR MUSICAL CONCEPTIONS
|
RUDHYAR, D.
|
|
1922
|
II |
1 |
p. 108-118
|
article
|
| 1047 |
The Renotation of Polyphonic Music
|
KOHN, KARL
|
|
1981
|
II |
1 |
p. 29-49
|
article
|
| 1048 |
THE RHEINLIEDER CRITICS: A CASE OF MUSICAL NATIONALISM
|
PORTER, CECELIA HOPKINS
|
|
1977
|
II |
1 |
p. 74-98
|
article
|
| 1049 |
“THE RIVALS”—HAWKINS, BURNEY, AND BOSWELL
|
STEVENSON, ROBERT
|
|
1950
|
II |
1 |
p. 67-82
|
article
|
| 1050 |
THE ROLE OF MUSICAL INSTRUMENTS IN MEDIEVAL SACRED DRAMA
|
BOWLES, EDMUND A.
|
|
1959
|
II |
1 |
p. 67-84
|
article
|
| 1051 |
THE SCHOENBERG-NACHOD COLLECTION: A PRELIMINARY REPORT
|
NEWLIN, DIKA
|
|
1968
|
II |
1 |
p. 31-46
|
article
|
| 1052 |
THE SECRET OF PAGANINI'S TECHNIQUE
|
ISTEL, EDGAR
|
|
1930
|
II |
1 |
p. 101-116
|
article
|
| 1053 |
THE SO-CALLED NETHERLANDS SCHOOLS
|
LÁNG, PAUL HENRY
|
|
1939
|
II |
1 |
p. 48-59
|
article
|
| 1054 |
THE SOLO VIOLIN SONATA OF THE BOLOGNA SCHOOL'
|
MISHKIN, HENRY G.
|
|
1942
|
II |
1 |
p. 92-112
|
article
|
| 1055 |
THE SONGS OF SIDNEY HOMER
|
THORPE, HARRY COLIN
|
|
1931
|
II |
1 |
p. 47-73
|
article
|
| 1056 |
THE SOVIET ATTITUDE TOWARDS MUSIC: AN ANALYSIS BASED IN PART ON SECRET ARCHIVES
|
ARBATSKY, YURY
|
|
1957
|
II |
1 |
p. 295-315
|
article
|
| 1057 |
THE STUDY OF THE FUGUE: A DIALOGUE—II
|
FUX, JOHANN JOSEF
|
|
1951
|
II |
1 |
p. 28-44
|
article
|
| 1058 |
THE STUDY OF THEORY IN MUSIC TEACHING. IS IT SOUND?
|
CRIPPS, A. REDGRAVE
|
|
1917
|
II |
1 |
p. 60-68
|
article
|
| 1059 |
THE TEACHING OF APPRECIATION IN MUSIC
|
SCHOEN, MAX
|
|
1927
|
II |
1 |
p. 39-58
|
article
|
| 1060 |
THE TECHNIQUE OF MOVING PLASTIC
|
JAQUES-DALCROZE, E.
|
|
1924
|
II |
1 |
p. 21-38
|
article
|
| 1061 |
THE “TERRIBLE” BRAHMS
|
VON EHRMANN, ALFRED
|
|
1937
|
II |
1 |
p. 64-76
|
article
|
| 1062 |
THE TEXT OF HANDEL'S MESSIAH
|
LARSEN, JENS PETER
|
|
1954
|
II |
1 |
p. 21-28
|
article
|
| 1063 |
THE THEORY OF HUNGARIAN MUSIC
|
KILENYI, EDWARD
|
|
1919
|
II |
1 |
p. 20-39
|
article
|
| 1064 |
THE TRUTH ABOUT THE NEW ENGLAND PURITANS AND MUSIC
|
SCHOLES, PERCY A.
|
|
1933
|
II |
1 |
p. 1-17
|
article
|
| 1065 |
THE TYROLESE FAMILY RAINER, AND THE VOGUE OF SINGING MOUNTAIN-TROUPES IN EUROPE AND AMERICA1
|
NATHAN, HANS
|
|
1946
|
II |
1 |
p. 63-79
|
article
|
| 1066 |
THE UNDULATIONS OF TECHNIQUE
|
ANTCLIFFE, HERBERT
|
|
1929
|
II |
1 |
p. 37-49
|
article
|
| 1067 |
The Uses and Limits of Performance Practice in François Couperin's Huitiême Ordre
|
Bazzana, Kevin
|
|
1991
|
II |
1 |
p. 12-30
|
article
|
| 1068 |
THE VARIETY OF TRENDS IN MODERN GERMAN MUSIC
|
VON LEWINSKI, WOLF-EBERHARD
|
|
1965
|
II |
1 |
p. 166-179
|
article
|
| 1069 |
THE VIENNESE VIOLINIST, FRANZ CLEMENT
|
HAAS, ROBERT
|
|
1948
|
II |
1 |
p. 15-27
|
article
|
| 1070 |
THE VIOLIN AND ITS TECHNIQUE IN THE 18TH CENTURY
|
BOYDEN, DAVID D.
|
|
1950
|
II |
1 |
p. 9-38
|
article
|
| 1071 |
THE VIOLIN CONCERTOS OF GIORNOVICHI
|
WHITE, CHAPPELL
|
|
1972
|
II |
1 |
p. 24-45
|
article
|
| 1072 |
THE VIOLIN “SCORDATURA”
|
RUSSELL, THEODORE
|
|
1938
|
II |
1 |
p. 84-96
|
article
|
| 1073 |
THE WAGNERIAN CULTURE SYNTHESIS
|
PETERSON-BERGER, WILHELM
|
|
1921
|
II |
1 |
p. 45-56
|
article
|
| 1074 |
THE WAR IN ITS RELATION TO AMERICAN MUSIC
|
SPALDING, WALTER R.
|
|
1918
|
II |
1 |
p. 1-11
|
article
|
| 1075 |
THE WEATHER AT MOZART'S FUNERAL
|
SLONIMSKY, NICOLAS
|
|
1960
|
II |
1 |
p. 12-21
|
article
|
| 1076 |
THE WORKS OF GIACOMO PUCCINI
|
GATTI, GUIDO M.
|
|
1928
|
II |
1 |
p. 16-84
|
article
|
| 1077 |
THE WORKS OF SIR HENRY BISHOP
|
CORDER, F.
|
|
1918
|
II |
1 |
p. 78-97
|
article
|
| 1078 |
THE WPA AND THE AMERICAN COMPOSER
|
PETTIS, ASHLEY
|
|
1940
|
II |
1 |
p. 101-112
|
article
|
| 1079 |
THE ZERO HOUR IN MUSICAL EVOLUTION
|
FARWELL, ARTHUR
|
|
1927
|
II |
1 |
p. 85-99
|
article
|
| 1080 |
THOMAS LINLEY, JUNIOR. 1756–1778
|
BEECHEY, GWILYM
|
|
1968
|
II |
1 |
p. 74-82
|
article
|
| 1081 |
THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH
|
NETTL, BRUNO
|
|
1974
|
II |
1 |
p. 1-19
|
article
|
| 1082 |
Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources
|
MONSON, CRAIG
|
|
1981
|
II |
1 |
p. 64-81
|
article
|
| 1083 |
“To Invent New Forms”: Debussy's Diane au bois
|
BRISCOE, JAMES R.
|
|
1990
|
II |
1 |
p. 131-169
|
article
|
| 1084 |
TONIC-SOL-FA: PRO AND CON
|
FULLER-MAITLAND, J. A.
|
|
1921
|
II |
1 |
p. 68-72
|
article
|
| 1085 |
TO OUR READERS
|
C. E.,
|
|
1933
|
II |
1 |
p. 112-112
|
article
|
| 1086 |
TOWARDS A METHOD IN MUSICAL CRITICISM
|
CALVOCORESSI, M.-D.
|
|
1923
|
II |
1 |
p. 72-81
|
article
|
| 1087 |
TRADITION AND POPULAR ELEMENTS IN POLISH MUSIC OF THE BAROQUE ERA
|
SZWEYKOWSKI, ZYGMUNT M.
|
|
1970
|
II |
1 |
p. 99-115
|
article
|
| 1088 |
Translating Adorno: Language, Music, and Performance
|
Gillespie, Susan
|
|
1995
|
II |
1 |
p. 55-65
|
article
|
| 1089 |
Trois Nouvelle Etudes
|
BRODY, ELAINE
|
|
1986
|
II |
1 |
p. 1-15
|
article
|
| 1090 |
Two Flutes and a Rattle: The Evolution of an Ensemble
|
List, George
|
|
1991
|
II |
1 |
p. 50-58
|
article
|
| 1091 |
TWO “MACBETHS”: VERDI—BLOCH
|
GATTI, GUIDO M.
|
|
1926
|
II |
1 |
p. 22-31
|
article
|
| 1092 |
TWO MUSICAL LIBRARIES OF PARIS
|
PROD'HOMME, J.-G.
|
|
1939
|
II |
1 |
p. 34-47
|
article
|
| 1093 |
TWO NOTES THAT NO LONGER LOVE EACH OTHER
|
DAMERINI, ADELMO
|
|
1926
|
II |
1 |
p. 121-131
|
article
|
| 1094 |
TYAGARAJA: A GREAT SOUTH INDIAN COMPOSER
|
ROSENTHAL, ETHEL
|
|
1931
|
II |
1 |
p. 14-24
|
article
|
| 1095 |
UNITED STATES
|
CLEVELAND,
|
|
1958
|
II |
1 |
p. 82-86
|
article
|
| 1096 |
UNITED STATES
|
KOHN, KARL
|
|
1963
|
II |
1 |
p. 88-91
|
article
|
| 1097 |
UNITED STATES
|
ZIMMERMAN, FRANKLIN B.
|
|
1959
|
II |
1 |
p. 91-95
|
article
|
| 1098 |
UNITED STATES
|
GOLDMAN, RICHARD F.
|
|
1948
|
II |
1 |
p. 111-115
|
article
|
| 1099 |
UNITED STATES
|
COWELL, HENRY
|
|
1948
|
II |
1 |
p. 106-111
|
article
|
| 1100 |
UNITED STATES
|
STERNFELD, FREDERICK W.
|
|
1948
|
II |
1 |
p. 115-121
|
article
|
| 1101 |
UNITED STATES
|
TISCHLER, HANS
|
|
1950
|
II |
1 |
p. 92-94
|
article
|
| 1102 |
UNITED STATES
|
HAMILTON, DAVID
|
|
1966
|
II |
1 |
p. 90-93
|
article
|
| 1103 |
UNITED STATES
|
BRODY, JAMES
|
|
1968
|
II |
1 |
p. 87-92
|
article
|
| 1104 |
UNITED STATES
|
LOWENS, IRVING
|
|
1960
|
II |
1 |
p. 76-80
|
article
|
| 1105 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1960
|
II |
1 |
p. 71-76
|
article
|
| 1106 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1962
|
II |
1 |
p. 93-99
|
article
|
| 1107 |
UNITED STATES
|
BLAUKOPF, KURT
|
|
1951
|
II |
1 |
p. 90-95
|
article
|
| 1108 |
UNITED STATES
|
SALZMAN, ERIC
|
|
1967
|
II |
1 |
p. 80-86
|
article
|
| 1109 |
UNITED STATES
|
HENAHAN, DONAL
|
|
1968
|
II |
1 |
p. 83-87
|
article
|
| 1110 |
UNITED STATES
|
SCHWARTZ, ELLIOTT
|
|
1968
|
II |
1 |
p. 97-103
|
article
|
| 1111 |
UNITED STATES
|
APPLETON, JON
|
|
1970
|
II |
1 |
p. 116-119
|
article
|
| 1112 |
UNITED STATES
|
MORTON, LAWRENCE
|
|
1954
|
II |
1 |
p. 56-58
|
article
|
| 1113 |
UNITED STATES
|
COWELL, HENRY
|
|
1950
|
II |
1 |
p. 94-98
|
article
|
| 1114 |
UNITED STATES
|
MILLER, PHILIP L.
|
|
1959
|
II |
1 |
p. 88-91
|
article
|
| 1115 |
UNITED STATES
|
GOLDMAN, RICHARD FRANKO
|
|
1961
|
II |
1 |
p. 97-100
|
article
|
| 1116 |
UNITED STATES
|
P. H. L.,
|
|
1962
|
II |
1 |
p. 99-104
|
article
|
| 1117 |
UNITED STATES
|
HELM, EVERETT
|
|
1951
|
II |
1 |
p. 98-102
|
article
|
| 1118 |
UNITED STATES
|
GOLDBECK, FREDERICK
|
|
1951
|
II |
1 |
p. 95-98
|
article
|
| 1119 |
UNITED STATES
|
BURKAT, LEONARD
|
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1951
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II |
1 |
p. 118-123
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article
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| 1120 |
UNITED STATES: Berkely, California
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IMBRIE, ANDREW W.
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1957
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II |
1 |
p. 527-533
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article
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| 1121 |
UNITED STATES: Louisville, Kentucky
|
HERZ, GERHARD
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1955
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II |
1 |
p. 76-85
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article
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| 1122 |
UNITED STATES: New York
|
GREISSLE, FELIX
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|
1957
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II |
1 |
p. 233-236
|
article
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| 1123 |
UNITED STATES: New York
|
HITCHCOCK, H. WILEY
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1964
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II |
1 |
p. 91-98
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article
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| 1124 |
UNITED STATES: New York
|
SMITHER, HOWARD E.
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|
1957
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II |
1 |
p. 383-390
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article
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| 1125 |
UNITED STATES: New York
|
TRIMBLE, LESTER
|
|
1957
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II |
1 |
p. 236-240
|
article
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| 1126 |
UNITED STATES: Washington, D. C.
|
LOWENS, IRVING
|
|
1964
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II |
1 |
p. 98-100
|
article
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| 1127 |
UNPUBLISHED LETTERS FROM VERDI TO CAMILLE DU LOCLE (1866–76)
|
PROD'HOMME, J.-G.
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1921
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II |
1 |
p. 73-103
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article
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| 1128 |
Urbana, Illinois
|
GOLDTHWAITE, SOOTT
|
|
1957
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II |
1 |
p. 390-398
|
article
|
| 1129 |
Varèse and the Lyricism of the New Physics
|
Anderson, John D.
|
|
1991
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II |
1 |
p. 31-49
|
article
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| 1130 |
Vernacular Music: A Naming Compass
|
Green, Archie
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1993
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II |
1 |
p. 35-46
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article
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| 1131 |
VIEWS AND REVIEWS
|
ENGEL, CARL
|
|
1924
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II |
1 |
p. 143-158
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article
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| 1132 |
VIEWS AND REVIEWS
|
ENGEL, CARL
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|
1923
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II |
1 |
p. 145-156
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article
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| 1133 |
VIEWS AND REVIEWS
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C. E.,
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1932
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II |
1 |
p. 178-183
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article
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| 1134 |
VIEWS AND REVIEWS
|
C. E.,
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1934
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II |
1 |
p. 117-124
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article
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| 1135 |
VIEWS AND REVIEWS
|
C. E.,
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1937
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II |
1 |
p. 98-106
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article
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| 1136 |
VIEWS AND REVIEWS
|
C. E.,
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1942
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II |
1 |
p. 138-145
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article
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| 1137 |
VIEWS AND REVIEWS
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C. E.,
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1935
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II |
1 |
p. 107-112
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article
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| 1138 |
VIEWS AND REVIEWS
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C. E.,
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1938
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II |
1 |
p. 104-109
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article
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| 1139 |
VIEWS AND REVIEWS
|
ENGEL, CARL
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|
1927
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II |
1 |
p. 147-160
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article
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| 1140 |
VIEWS AND REVIEWS
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C. E.,
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1936
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II |
1 |
p. 107-115
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article
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| 1141 |
VIEWS AND REVIEWS
|
E., C.
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|
1940
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II |
1 |
p. 113-121
|
article
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| 1142 |
Villa-Lobos and the Man-Eating Flower: A Memoir
|
Gustafson, Ralph
|
|
1991
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II |
1 |
p. 1-11
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article
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| 1143 |
VINCENZO RUFFO AND MUSICAL REFORM AFTER THE COUNCIL OF TRENT
|
LOCKWOOD, LEWIS H.
|
|
1957
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II |
1 |
p. 342-371
|
article
|
| 1144 |
VIOLIN TEACHING IN ITS RELATION TO THE ORGANIZATION OF CIVIC ORCHESTRAS
|
MORPHY, E. W.
|
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1918
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II |
1 |
p. 50-60
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article
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| 1145 |
VOCAL DISABILITIES AS DESCRIBED BY A VOICE PHYSICIAN
|
VOORHEES, IRVING WILSON
|
|
1924
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II |
1 |
p. 39-50
|
article
|
| 1146 |
WANTED: A HISTORICO-MUSICAL CLEARING-HOUSE
|
HENRY, H. T.
|
|
1918
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II |
1 |
p. 128-134
|
article
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| 1147 |
Washington, D. C.
|
LOWENS, IRVING
|
|
1959
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II |
1 |
p. 95-97
|
article
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| 1148 |
WEBER AS A WRITER
|
CŒEUROY, ANDRÉ
|
|
1925
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II |
1 |
p. 97-115
|
article
|
| 1149 |
WEBER AS NOVELIST AND CRITIC
|
ABRAHAM, GERALD
|
|
1934
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II |
1 |
p. 27-38
|
article
|
| 1150 |
WEBERN'S APPRENTICESHIP
|
CONE, EDWARD T.
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|
1967
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II |
1 |
p. 39-52
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article
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| 1151 |
WEBERN'S TWELVE-TONE SKETCHES
|
PERLE, GEORGE
|
|
1970
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II |
1 |
p. 1-25
|
article
|
| 1152 |
WHAT IS ART?
|
CASELLA, ALFREDO
|
|
1922
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II |
1 |
p. 1-6
|
article
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| 1153 |
WHAT WAGNER FOUND IN SCHOPENHAUER'S PHILOSOPHY
|
BARRY, ELIZABETH WENDELL
|
|
1925
|
II |
1 |
p. 124-137
|
article
|
| 1154 |
WHEN IS A CONCERTO NOT A CONCERTO?
|
BOYDEN, DAVID D.
|
|
1957
|
II |
1 |
p. 220-232
|
article
|
| 1155 |
WHITE PIONEERS AND BLACK
|
NILES, JOHN JACOB
|
|
1932
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II |
1 |
p. 60-75
|
article
|
| 1156 |
Why Does Miles Die? A Study of Britten's The Turn of the Screw
|
HINDLEY, CLIFFORD
|
|
1990
|
II |
1 |
p. 1-17
|
article
|
| 1157 |
“WIEDRIGKEIT” AND “VERDRIESSLICHKEIT” IN MÜHLHAUSEN
|
SERWER, HOWARD
|
|
1969
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II |
1 |
p. 20-30
|
article
|
| 1158 |
WILLIAM TUCKEY, A CHOIRMASTER IN COLONIAL NEW YORK
|
AARON, AMY
|
|
1978
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II |
1 |
p. 79-97
|
article
|
| 1159 |
YOUNG AMERICAN ABROAD
|
JOHNSON, H. EARLE
|
|
1958
|
II |
1 |
p. 65-75
|
article
|
|
Journal description