nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
After Fifty Years: Thoughts on Music and the End of World War II
|
Botstein, —Leon |
|
1995 |
79 |
2 |
p. 225-230 |
artikel |
2 |
Athena at the Manuscript Club: John Cage and Mary Carr Moore
|
Smith, Catherine Parsons |
|
1995 |
79 |
2 |
p. 351-367 |
artikel |
3 |
Contributors to This Issue
|
|
|
1995 |
79 |
2 |
p. 421-421 |
artikel |
4 |
Cyclical Structures in the Late Music of Leoš Janáček
|
Josephson, Nors S. |
|
1995 |
79 |
2 |
p. 402-420 |
artikel |
5 |
Editor's Introduction
|
Swed, —Mark |
|
1995 |
79 |
2 |
p. 309-311 |
artikel |
6 |
Music for the Tsar: A Preliminary Study of the Music of the Muscovite Court Theater
|
Jensen, Claudia R. |
|
1995 |
79 |
2 |
p. 368-401 |
artikel |
7 |
Pare Lorentz, Louis Gruenberg, and The Fight for Life: The Making of a Film Score
|
Nisbett, Robert F. |
|
1995 |
79 |
2 |
p. 231-255 |
artikel |
8 |
Silencing the Sounded Self: John Cage and the Intentionality of Nonintention
|
Shultis, Christopher |
|
1995 |
79 |
2 |
p. 312-350 |
artikel |
9 |
The Concept of Musical Syntax
|
Swain, Joseph P. |
|
1995 |
79 |
2 |
p. 281-308 |
artikel |
10 |
The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare
|
Kramer, Lawrence |
|
1995 |
79 |
2 |
p. 256-280 |
artikel |