no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
1 |
A Night at the Cinema: Zeffirelli's Otello and the Genre of Film-Opera
|
Citron, Marcia J. |
|
1994 |
78 |
4 |
p. 700-741 |
article |
2 |
Contributors to This Issue
|
|
|
1994 |
78 |
4 |
p. 831-831 |
article |
3 |
Gershwin and American Modernists of the 1920s
|
Oja, Carol J. |
|
1994 |
78 |
4 |
p. 646-668 |
article |
4 |
Minimalism: Aesthetic, Style, or Technique?
|
Johnson, Timothy A. |
|
1994 |
78 |
4 |
p. 742-773 |
article |
5 |
Paradoxes of the Woman Music Patron in America
|
Locke, Ralph P. |
|
1994 |
78 |
4 |
p. 798-825 |
article |
6 |
Subject and Author Index to Volume 78
|
|
|
1994 |
78 |
4 |
p. 826-830 |
article |
7 |
Subjects for Debate: Women and Patronage in Music Remembering Helen Huntington Hull (1893–1976)
|
Botstein, Leon |
|
1994 |
78 |
4 |
p. 641-645 |
article |
8 |
The New York Reception of Pierrot lunaire: The 1923 Premiere and Its Aftermath
|
Metzer, David |
|
1994 |
78 |
4 |
p. 669-699 |
article |
9 |
The Politics and Practice of “Crossover” in American Popular Music, 1963 to 1965
|
Brackett, David |
|
1994 |
78 |
4 |
p. 774-797 |
article |