nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Adorno on the Musical Language of Beethoven
|
Sample, Colin |
|
1994 |
78 |
2 |
p. 378-394 |
artikel |
2 |
Analytical Study of the NBC Music Appreciation Hour
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 325-377 |
artikel |
3 |
A “Veritable Autobiography”? Amy Beach's Piano Concerto in C-sharp Minor, op. 45
|
Block, Adrienne Fried |
|
1994 |
78 |
2 |
p. 394-416 |
artikel |
4 |
Béla Bartók and the Concept of Nation and Volk in Modern Hungary
|
Frigyesi, Judit |
|
1994 |
78 |
2 |
p. 255-287 |
artikel |
5 |
Contributors to This Issue
|
|
|
1994 |
78 |
2 |
p. 418-419 |
artikel |
6 |
Editor's Introduction
|
Swed, Mark |
|
1994 |
78 |
2 |
p. 288-289 |
artikel |
7 |
Elements of a Radio Theory: Adorno and the Princeton Radio Research Project
|
Levin, Thomas Y. |
|
1994 |
78 |
2 |
p. 316-324 |
artikel |
8 |
Finding a “Real Self”: American Women and the Wagner Cult of the Late Nineteenth Century
|
Horowitz, Joseph |
|
1994 |
78 |
2 |
p. 189-205 |
artikel |
9 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 370-373 |
artikel |
10 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 358-360 |
artikel |
11 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 353-358 |
artikel |
12 |
II. THE MUSIC APPRECIATION HOUR AS PROMOTER OF MUSICAL PSEUDO-CULTURE
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 360-370 |
artikel |
13 |
Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s
|
Scott, Derek B. |
|
1994 |
78 |
2 |
p. 290-315 |
artikel |
14 |
Introduction
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 326-327 |
artikel |
15 |
I. Pedagogical and MUsical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 327-335 |
artikel |
16 |
I. Pedagogical and MUsical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 335-339 |
artikel |
17 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 329-335 |
artikel |
18 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 344-350 |
artikel |
19 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 339-340 |
artikel |
20 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 340-344 |
artikel |
21 |
I. Pedagogy and Musical Analysis
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 350-352 |
artikel |
22 |
Letter to the Editor
|
Brofsky, Howard |
|
1994 |
78 |
2 |
p. 417-417 |
artikel |
23 |
Notes
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 373-376 |
artikel |
24 |
Rebellious Tradition and Boston's Musical Spirit of Place: Elitism, Populism, and Lives Apart
|
Fox, Pamela |
|
1994 |
78 |
2 |
p. 220-245 |
artikel |
25 |
Roots and Revival: Two Recorded Perspectives of American Folk Music
|
Wells, Paul F. |
|
1994 |
78 |
2 |
p. 246-254 |
artikel |
26 |
The Music Appreciation Hour as Promoter of Musical Pseudo-Culture
|
Adorno, Theodor W. |
|
1994 |
78 |
2 |
p. 352-353 |
artikel |
27 |
What Motivated Charles Ives's Search for Time Past
|
Baron, Carol K. |
|
1994 |
78 |
2 |
p. 206-219 |
artikel |