| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Bayreuth—?
|
Wagner, Nike
|
|
1994
|
78 |
1 |
p. 159-170
|
article
|
| 2 |
Britten's Billy Budd: The “Interview Chords” Again
|
Hindley, Clifford
|
|
1994
|
78 |
1 |
p. 99-126
|
article
|
| 3 |
Contributors to This Issue
|
|
|
1994
|
78 |
1 |
p. 175-175
|
article
|
| 4 |
Editor's Introduction to “Synergetic Dynamics in John Cage's Europeras 1 & 2”
|
Swed, Mark
|
|
1994
|
78 |
1 |
p. 127-130
|
article
|
| 5 |
Synergetic Dynamics in John Cage's Europeras 1 & 2
|
Kuhn, Laura D.
|
|
1994
|
78 |
1 |
p. 131-148
|
article
|
| 6 |
The Cook, His Wife, the Philosopher, and the Librettist
|
Herwitz, Daniel
|
|
1994
|
78 |
1 |
p. 48-76
|
article
|
| 7 |
The Most Meaningful Single Note in Beethoven's “Scene by the Brook” (A Meditation Inspired by a Misprint)
|
Jander, Owen
|
|
1994
|
78 |
1 |
p. 171-174
|
article
|
| 8 |
The Myth of Mozart, the Revolutionary
|
Weber, William
|
|
1994
|
78 |
1 |
p. 34-47
|
article
|
| 9 |
The New Grove Dictionary of Opera
|
Zaslaw, Neal
|
|
1994
|
78 |
1 |
p. 149-158
|
article
|
| 10 |
Theory and Practice in Porgy and Bess: The Gershwin-Schillinger Connection
|
Nauert, Paul
|
|
1994
|
78 |
1 |
p. 9-33
|
article
|
Journal description