nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Bach and the French Ouverture
|
Malloch, William |
|
1991 |
75 |
2 |
p. 174-197 |
artikel |
2 |
Book Reviews
|
Witkin, Tamar |
|
1991 |
75 |
2 |
p. 218-219 |
artikel |
3 |
Book Reviews
|
Rogols-Siegel, Linda |
|
1991 |
75 |
2 |
p. 219-224 |
artikel |
4 |
Book Reviews
|
Roseberry, Eric |
|
1991 |
75 |
2 |
p. 211-218 |
artikel |
5 |
Book Reviews
|
Stiller, Andrew |
|
1991 |
75 |
2 |
p. 209-211 |
artikel |
6 |
Compromises in Orchestration in Mozart's Coronation Concerto
|
Goertzen, Chris |
|
1991 |
75 |
2 |
p. 148-173 |
artikel |
7 |
Contributors to This Issue
|
|
|
1991 |
75 |
2 |
p. 225-226 |
artikel |
8 |
Esotericism as a Determinant of Debussy's Harmonic Language
|
Goldman, David Paul |
|
1991 |
75 |
2 |
p. 130-147 |
artikel |
9 |
Information for Contributors
|
|
|
1991 |
75 |
2 |
p. 227-227 |
artikel |
10 |
Music and the Feminine Sphere: Images of Women as Musicians in Godey's Lady's Book, 1830–1877
|
Koza, Julia Eklund |
|
1991 |
75 |
2 |
p. 103-129 |
artikel |
11 |
The Thalberg Effect: Playing the Violin on the Piano
|
Bomberger, E. Douglas |
|
1991 |
75 |
2 |
p. 198-208 |
artikel |