nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Brahms's Düsseldorf Suite Study and His Intennezzo, Opus 116, No. 2
|
HORNE, WILLIAM |
|
1989 |
73 |
2 |
p. 249-283 |
artikel |
2 |
CONTRIBUTORS TO THIS ISSUE
|
|
|
1989 |
73 |
2 |
p. 301-301 |
artikel |
3 |
Ethel Smyth, The Wreckers, and Sir Thomas Beecham
|
ABROMEIT, KATHLEEN A. |
|
1989 |
73 |
2 |
p. 196-211 |
artikel |
4 |
Quarterly Book List
|
BRYANT, CAROLYN |
|
1989 |
73 |
2 |
p. 296-300 |
artikel |
5 |
Reviews of Books
|
Bazzana, Kevin |
|
1989 |
73 |
2 |
p. 284-295 |
artikel |
6 |
Romantic Irony in the Works of Robert Schumann
|
DILL, HEIINZ J. |
|
1989 |
73 |
2 |
p. 172-195 |
artikel |
7 |
Sentimentality in the Performance of Absolute Music: Pablo Casals's Performance of Saraband from Johann Sebastian Bach's Suite No. 2 in D Minor for Unaccompanied Cello, S. 1008
|
PLANER, JOHN H. |
|
1989 |
73 |
2 |
p. 212-248 |
artikel |
8 |
The Alto Parts in the “True Dispersed Harmony” of The Sacred Harp Revisions
|
McKENZIE, WALLACE |
|
1989 |
73 |
2 |
p. 153-171 |
artikel |