| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 2001 |
REVIEWS OF MUSIC
|
JONES, ANDREW V.
|
|
1987
|
XXXVI |
2 |
p. 198-199
|
article
|
| 2002 |
REVIEWS OF MUSIC
|
SADLER, GRAHAM
|
|
1989
|
XXXVI |
2 |
p. 289-291
|
article
|
| 2003 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN
|
|
1989
|
XXXVI |
2 |
p. 312-313
|
article
|
| 2004 |
REVIEWS OF MUSIC
|
SAMUEL, RHIAN
|
|
1989
|
XXXVI |
2 |
p. 310-312
|
article
|
| 2005 |
REVIEWS OF MUSIC
|
KOMLÓS, KATALIN
|
|
1991
|
XXXVI |
2 |
p. 341-343
|
article
|
| 2006 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1991
|
XXXVI |
2 |
p. 344-345
|
article
|
| 2007 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1992
|
XXXVI |
2 |
p. 339-340
|
article
|
| 2008 |
REVIEWS OF MUSIC
|
MILLER, MALCOLM
|
|
1992
|
XXXVI |
2 |
p. 342-343
|
article
|
| 2009 |
REVIEWS OF MUSIC
|
NICHOLLS, DAVID
|
|
1993
|
XXXVI |
2 |
p. 335-b-335
|
article
|
| 2010 |
REVIEWS OF MUSIC
|
IRVING, JOHN
|
|
1993
|
XXXVI |
2 |
p. 331-335
|
article
|
| 2011 |
REVIEWS OF MUSIC
|
ELCOMBE, KEITH
|
|
1993
|
XXXVI |
2 |
p. 335-a-335
|
article
|
| 2012 |
REVIEWS OF MUSIC
|
PIKE, LIONEL
|
|
1994
|
XXXVI |
2 |
p. 321-324
|
article
|
| 2013 |
REVIEWS OF MUSIC
|
WINGFIELD, PAUL
|
|
1994
|
XXXVI |
2 |
p. 319-321
|
article
|
| 2014 |
REVIEWS OF MUSIC
|
NIEDER, CHRISTOPH
|
|
1994
|
XXXVI |
2 |
p. 326-327
|
article
|
| 2015 |
REVIEWS OF MUSIC
|
J. A. W,
|
|
1966
|
XXXVI |
2 |
p. 172-174
|
article
|
| 2016 |
REVIEWS OF MUSIC
|
TYSON, ALAN
|
|
1977
|
XXXVI |
2 |
p. 247-b-249
|
article
|
| 2017 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1977
|
XXXVI |
2 |
p. 253-254
|
article
|
| 2018 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1978
|
XXXVI |
2 |
p. 234-235
|
article
|
| 2019 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1978
|
XXXVI |
2 |
p. 235-236
|
article
|
| 2020 |
REVIEWS OF MUSIC
|
KRAMER, RICHARD
|
|
1978
|
XXXVI |
2 |
p. 226-227
|
article
|
| 2021 |
REVIEWS OF MUSIC
|
JOHNSTONE, H. DIACK
|
|
1978
|
XXXVI |
2 |
p. 229-231
|
article
|
| 2022 |
REVIEWS OF MUSIC
|
WILSON, CHRISTOPHER R.
|
|
1978
|
XXXVI |
2 |
p. 231-232
|
article
|
| 2023 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1978
|
XXXVI |
2 |
p. 232-233
|
article
|
| 2024 |
REVIEWS OF MUSIC
|
REED, JOHN
|
|
1980
|
XXXVI |
2 |
p. 223-225
|
article
|
| 2025 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1980
|
XXXVI |
2 |
p. 213-214
|
article
|
| 2026 |
REVIEWS OF MUSIC
|
D.A.,
|
|
1980
|
XXXVI |
2 |
p. 226-227
|
article
|
| 2027 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1980
|
XXXVI |
2 |
p. 230-231
|
article
|
| 2028 |
REVIEWS OF MUSIC
|
FIELD, CHRISTOPHER D. S.
|
|
1980
|
XXXVI |
2 |
p. 210-213
|
article
|
| 2029 |
REVIEWS OF MUSIC
|
ROSE, BERNARD
|
|
1981
|
XXXVI |
2 |
p. 224-b-225
|
article
|
| 2030 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1981
|
XXXVI |
2 |
p. 224-a-224
|
article
|
| 2031 |
REVIEWS OF MUSIC
|
NICHOLS, ROGER
|
|
1981
|
XXXVI |
2 |
p. 223-224
|
article
|
| 2032 |
REVIEWS OF MUSIC
|
WINTLE, CHRISTOPHER
|
|
1981
|
XXXVI |
2 |
p. 237-238
|
article
|
| 2033 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1981
|
XXXVI |
2 |
p. 221-222
|
article
|
| 2034 |
REVIEWS OF MUSIC
|
DALTON, JAMES
|
|
1981
|
XXXVI |
2 |
p. 232-a-232
|
article
|
| 2035 |
REVIEWS OF MUSIC
|
SAMSON, JIM
|
|
1981
|
XXXVI |
2 |
p. 236-237
|
article
|
| 2036 |
REVIEWS OF MUSIC
|
CARTER, TIM
|
|
1981
|
XXXVI |
2 |
p. 227-230
|
article
|
| 2037 |
REVIEWS OF MUSIC
|
PETRINJAK, DARKO
|
|
1981
|
XXXVI |
2 |
p. 226-227
|
article
|
| 2038 |
REVIEWS OF MUSIC
|
JACKSON, PHILIP T.
|
|
1981
|
XXXVI |
2 |
p. 233-235
|
article
|
| 2039 |
REVIEWS OF MUSIC
|
HIGGINBOTTOM, EDWARD
|
|
1981
|
XXXVI |
2 |
p. 232-b-233
|
article
|
| 2040 |
REVIEWS OF MUSIC
|
SAMSON, JIM
|
|
1981
|
XXXVI |
2 |
p. 242-a-242
|
article
|
| 2041 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1984
|
XXXVI |
2 |
p. 199-200
|
article
|
| 2042 |
REVIEWS OF MUSIC
|
STERNFELD, F. W.
|
|
1984
|
XXXVI |
2 |
p. 200-201
|
article
|
| 2043 |
REVIEWS OF MUSIC
|
LOCKWOOD, LEWIS
|
|
1984
|
XXXVI |
2 |
p. 198-199
|
article
|
| 2044 |
REVIEWS OF MUSIC
|
HOLMAN, PETER
|
|
1984
|
XXXVI |
2 |
p. 209-210
|
article
|
| 2045 |
REVIEWS OF MUSIC
|
WATHEY, ANDREW
|
|
1984
|
XXXVI |
2 |
p. 208-209
|
article
|
| 2046 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN
|
|
1984
|
XXXVI |
2 |
p. 203-204
|
article
|
| 2047 |
REVIEWS OF MUSIC
|
BROWN, CLIVE
|
|
1984
|
XXXVI |
2 |
p. 204-205
|
article
|
| 2048 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN
|
|
1986
|
XXXVI |
2 |
p. 218-b-220
|
article
|
| 2049 |
REVIEWS OF MUSIC
|
JONES, ANDREW V.
|
|
1986
|
XXXVI |
2 |
p. 220-221
|
article
|
| 2050 |
REVIEWS OF MUSIC
|
WISHART, JAMES
|
|
1986
|
XXXVI |
2 |
p. 231-232
|
article
|
| 2051 |
REVIEWS OF MUSIC
|
WISHART, JAMES
|
|
1986
|
XXXVI |
2 |
p. 233-a-233
|
article
|
| 2052 |
REVIEWS OF MUSIC
|
BOORMAN, STANLEY
|
|
1989
|
XXXVI |
2 |
p. 285-288
|
article
|
| 2053 |
REVIEWS OF MUSIC
|
WILLIAMSON, JOHN
|
|
1989
|
XXXVI |
2 |
p. 297-299
|
article
|
| 2054 |
REVIEWS OF MUSIC
|
SCHNOEBELEN, ANNE
|
|
1989
|
XXXVI |
2 |
p. 304-305
|
article
|
| 2055 |
REVIEWS OF MUSIC
|
ASHBEE, ANDREW
|
|
1989
|
XXXVI |
2 |
p. 295-297
|
article
|
| 2056 |
REVIEWS OF MUSIC
|
STOELZEL, MARIANNE
|
|
1989
|
XXXVI |
2 |
p. 306-308
|
article
|
| 2057 |
REVIEWS OF MUSIC
|
TIMMS, COLIN
|
|
1989
|
XXXVI |
2 |
p. 291-293
|
article
|
| 2058 |
REVIEWS OF MUSIC
|
EVERIST, MARK
|
|
1989
|
XXXVI |
2 |
p. 305-306
|
article
|
| 2059 |
REVIEWS OF MUSIC
|
SAMUEL, RHIAN
|
|
1989
|
XXXVI |
2 |
p. 308-310
|
article
|
| 2060 |
REVIEWS OF MUSIC
|
CUCKSTON, ALAN
|
|
1991
|
XXXVI |
2 |
p. 338-339
|
article
|
| 2061 |
REVIEWS OF MUSIC
|
HELLYER, ROGER
|
|
1991
|
XXXVI |
2 |
p. 337-338
|
article
|
| 2062 |
REVIEWS OF MUSIC
|
BENHAM, HUGH
|
|
1991
|
XXXVI |
2 |
p. 322-324
|
article
|
| 2063 |
REVIEWS OF MUSIC
|
DAVISION, NIGEL
|
|
1991
|
XXXVI |
2 |
p. 339-340
|
article
|
| 2064 |
REVIEWS OF MUSIC
|
DOBBINS, FRANK
|
|
1991
|
XXXVI |
2 |
p. 331-332
|
article
|
| 2065 |
REVIEWS OF MUSIC
|
MCCALDIN, DENIS
|
|
1991
|
XXXVI |
2 |
p. 332-334
|
article
|
| 2066 |
REVIEWS OF MUSIC
|
CARTER, TIM
|
|
1991
|
XXXVI |
2 |
p. 334-336
|
article
|
| 2067 |
REVIEWS OF MUSIC
|
ORLEDGE, ROBERT
|
|
1991
|
XXXVI |
2 |
p. 325-327
|
article
|
| 2068 |
REVIEWS OF MUSIC
|
WOODFIELD, IAN
|
|
1991
|
XXXVI |
2 |
p. 329-330
|
article
|
| 2069 |
REVIEWS OF MUSIC
|
ELCOMBE, KEITH
|
|
1991
|
XXXVI |
2 |
p. 340-341
|
article
|
| 2070 |
REVIEWS OF MUSIC
|
R. K. M,
|
|
1971
|
XXXVI |
2 |
p. 210-212
|
article
|
| 2071 |
REVIEWS OF MUSIC
|
P. J. D,
|
|
1971
|
XXXVI |
2 |
p. 209-b-210
|
article
|
| 2072 |
REVIEWS OF MUSIC
|
ABRAHAM, GERALD
|
|
1976
|
XXXVI |
2 |
p. 212-a-212
|
article
|
| 2073 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1976
|
XXXVI |
2 |
p. 206-208
|
article
|
| 2074 |
REVIEWS OF MUSIC
|
MACDONALD, HUGH
|
|
1976
|
XXXVI |
2 |
p. 223-224
|
article
|
| 2075 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1976
|
XXXVI |
2 |
p. 214-216
|
article
|
| 2076 |
REVIEWS OF MUSIC
|
JEFFERY, BRIAN
|
|
1976
|
XXXVI |
2 |
p. 210-211
|
article
|
| 2077 |
REVIEWS OF MUSIC
|
WHENHAM, JOHN
|
|
1976
|
XXXVI |
2 |
p. 222-223
|
article
|
| 2078 |
REVIEWS OF MUSIC
|
J. D. B.,
|
|
1965
|
XXXVI |
2 |
p. 180-181
|
article
|
| 2079 |
REVIEWS OF MUSIC
|
D. L.,
|
|
1965
|
XXXVI |
2 |
p. 175-176
|
article
|
| 2080 |
REVIEWS OF MUSIC
|
D. L.,
|
|
1965
|
XXXVI |
2 |
p. 179-180
|
article
|
| 2081 |
REVIEWS OF MUSIC
|
H. K. A.,
|
|
1965
|
XXXVI |
2 |
p. 178-179
|
article
|
| 2082 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1967
|
XXXVI |
2 |
p. 171-175
|
article
|
| 2083 |
REVIEWS OF MUSIC
|
D. L,
|
|
1967
|
XXXVI |
2 |
p. 170-b-171
|
article
|
| 2084 |
REVIEWS OF MUSIC
|
J. D. B.,
|
|
1967
|
XXXVI |
2 |
p. 175-178
|
article
|
| 2085 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1967
|
XXXVI |
2 |
p. 168-169
|
article
|
| 2086 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1967
|
XXXVI |
2 |
p. 186-187
|
article
|
| 2087 |
REVIEWS OF MUSIC
|
D. L.,
|
|
1967
|
XXXVI |
2 |
p. 170-a-170
|
article
|
| 2088 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT
|
|
1935
|
XXXVI |
2 |
p. 161-162
|
article
|
| 2089 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
XXXVI |
2 |
p. 216-a-216
|
article
|
| 2090 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
XXXVI |
2 |
p. 217-a-217
|
article
|
| 2091 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
XXXVI |
2 |
p. 218-b-218
|
article
|
| 2092 |
REVIEWS OF MUSIC
|
F. H.,
|
|
1937
|
XXXVI |
2 |
p. 221-a-221
|
article
|
| 2093 |
REVIEWS OF MUSIC
|
S. G.,
|
|
1937
|
XXXVI |
2 |
p. 219-c-219
|
article
|
| 2094 |
REVIEWS OF MUSIC
|
T. D. H. S.,
|
|
1937
|
XXXVI |
2 |
p. 220-c-220
|
article
|
| 2095 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
XXXVI |
2 |
p. 220-b-220
|
article
|
| 2096 |
REVIEWS OF MUSIC
|
G. A.,
|
|
1937
|
XXXVI |
2 |
p. 221-b-221
|
article
|
| 2097 |
REVIEWS OF MUSIC
|
F. H.,
|
|
1937
|
XXXVI |
2 |
p. 220-d-220
|
article
|
| 2098 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1944
|
XXXVI |
2 |
p. 123-a-123
|
article
|
| 2099 |
REVIEWS OF MUSIC
|
E.L.,
|
|
1945
|
XXXVI |
2 |
p. 119-e-120
|
article
|
| 2100 |
REVIEWS OF MUSIC
|
E.L.,
|
|
1945
|
XXXVI |
2 |
p. 119-b-119
|
article
|
| 2101 |
REVIEWS OF MUSIC
|
E.L.,
|
|
1945
|
XXXVI |
2 |
p. 120-a-120
|
article
|
| 2102 |
REVIEWS OF MUSIC
|
E.L.,
|
|
1945
|
XXXVI |
2 |
p. 120-b-120
|
article
|
| 2103 |
REVIEWS OF MUSIC
|
E.L.,
|
|
1945
|
XXXVI |
2 |
p. 119-a-119
|
article
|
| 2104 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 195-c-195
|
article
|
| 2105 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1947
|
XXXVI |
2 |
p. 195-d-195
|
article
|
| 2106 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1947
|
XXXVI |
2 |
p. 196-b-196
|
article
|
| 2107 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 199-b-199
|
article
|
| 2108 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 197-c-197
|
article
|
| 2109 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1947
|
XXXVI |
2 |
p. 195-a-195
|
article
|
| 2110 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 197-a-197
|
article
|
| 2111 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1947
|
XXXVI |
2 |
p. 197-b-197
|
article
|
| 2112 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 196-a-196
|
article
|
| 2113 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
XXXVI |
2 |
p. 195-b-195
|
article
|
| 2114 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1951
|
XXXVI |
2 |
p. 187-a-187
|
article
|
| 2115 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1951
|
XXXVI |
2 |
p. 193-b-194
|
article
|
| 2116 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1951
|
XXXVI |
2 |
p. 188-b-189
|
article
|
| 2117 |
REVIEWS OF MUSIC
|
E. J.,
|
|
1951
|
XXXVI |
2 |
p. 190-191
|
article
|
| 2118 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1951
|
XXXVI |
2 |
p. 188-a-188
|
article
|
| 2119 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1951
|
XXXVI |
2 |
p. 194-a-194
|
article
|
| 2120 |
REVIEWS OF MUSIC
|
D. W. S.,
|
|
1958
|
XXXVI |
2 |
p. 195-b-197
|
article
|
| 2121 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1956
|
XXXVI |
2 |
p. 200-201
|
article
|
| 2122 |
REVIEWS OF MUSUC
|
A. H.,
|
|
1964
|
XXXVI |
2 |
p. 200-b-202
|
article
|
| 2123 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GBKALD
|
|
1936
|
XXXVI |
2 |
p. 177-b-178
|
article
|
| 2124 |
REVIEWS OF PERIODICALS
|
GODDABD, SCOTT
|
|
1936
|
XXXVI |
2 |
p. 181-b-183
|
article
|
| 2125 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD
|
|
1936
|
XXXVI |
2 |
p. 176-177
|
article
|
| 2126 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
XXXVI |
2 |
p. 222-a-222
|
article
|
| 2127 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
XXXVI |
2 |
p. 224-a-224
|
article
|
| 2128 |
REVIEWS OF PERIODICALS
|
S.G.,
|
|
1939
|
XXXVI |
2 |
p. 228-229
|
article
|
| 2129 |
REVIEWS OF PERIODICALS
|
G.A.,
|
|
1939
|
XXXVI |
2 |
p. 229-230
|
article
|
| 2130 |
REVIEWS OF PERIODICALS
|
G.A.,
|
|
1939
|
XXXVI |
2 |
p. 223-a-223
|
article
|
| 2131 |
REVIEWS OF PERIODICALS
|
|
|
1939
|
XXXVI |
2 |
p. 222-b-222
|
article
|
| 2132 |
REVIEWS OF PERIODICALS
|
A. H. F. S.,
|
|
1928
|
XXXVI |
2 |
p. 182-b-182
|
article
|
| 2133 |
REVIEWS OF PERIODICALS
|
J. B. T.,
|
|
1928
|
XXXVI |
2 |
p. 183-a-183
|
article
|
| 2134 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1928
|
XXXVI |
2 |
p. 185-b-186
|
article
|
| 2135 |
REVIEWS OF PERIODICALS
|
|
|
1929
|
XXXVI |
2 |
p. 213-216
|
article
|
| 2136 |
REVIEWS OF PERIODICALS
|
J.B.T.,
|
|
1929
|
XXXVI |
2 |
p. 211-213
|
article
|
| 2137 |
REVIEWS OF PERIODICALS
|
SC. G.,
|
|
1931
|
XXXVI |
2 |
p. 215-216
|
article
|
| 2138 |
REVIEWS OF PERIODICALS
|
SC. G.,
|
|
1932
|
XXXVI |
2 |
p. 245-247
|
article
|
| 2139 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1938
|
XXXVI |
2 |
p. 236-a-236
|
article
|
| 2140 |
Reviews of Periodicals
|
S. G.,
|
|
1938
|
XXXVI |
2 |
p. 236-b-237
|
article
|
| 2141 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1938
|
XXXVI |
2 |
p. 237-a-237
|
article
|
| 2142 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
XXXVI |
2 |
p. 238-a-238
|
article
|
| 2143 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1938
|
XXXVI |
2 |
p. 238-b-239
|
article
|
| 2144 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1938
|
XXXVI |
2 |
p. 241-241
|
article
|
| 2145 |
REVIEWS OF PERIODICALS
|
|
|
1939
|
XXXVI |
2 |
p. 220-a-220
|
article
|
| 2146 |
REVIEWS OF PERIODICALS
|
G.A.,
|
|
1939
|
XXXVI |
2 |
p. 226-a-226
|
article
|
| 2147 |
REVIEWS OF PERIODICALS
|
S.G.,
|
|
1939
|
XXXVI |
2 |
p. 224-a-224
|
article
|
| 2148 |
REVIEWS OF PERIODICALS
|
R.C.,
|
|
1939
|
XXXVI |
2 |
p. 224-b-226
|
article
|
| 2149 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1939
|
XXXVI |
2 |
p. 222-a-222
|
article
|
| 2150 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1939
|
XXXVI |
2 |
p. 220-c-222
|
article
|
| 2151 |
REVIEWS OF PERIODICALS
|
R.C.,
|
|
1939
|
XXXVI |
2 |
p. 223-b-224
|
article
|
| 2152 |
REVIEWS OF PERIODICALS
|
R.C.,
|
|
1939
|
XXXVI |
2 |
p. 226-b-227
|
article
|
| 2153 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1939
|
XXXVI |
2 |
p. 220-b-220
|
article
|
| 2154 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
XXXVI |
2 |
p. 240-241
|
article
|
| 2155 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
XXXVI |
2 |
p. 239-b-240
|
article
|
| 2156 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1928
|
XXXVI |
2 |
p. 182-a-182
|
article
|
| 2157 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1928
|
XXXVI |
2 |
p. 182-c-183
|
article
|
| 2158 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1928
|
XXXVI |
2 |
p. 183-b-185
|
article
|
| 2159 |
REVIEWS OF PERIODICALS
|
J. B. T.,
|
|
1928
|
XXXVI |
2 |
p. 185-a-185
|
article
|
| 2160 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1930
|
XXXVI |
2 |
p. 201-203
|
article
|
| 2161 |
Reviews of Periodicals
|
R. C.,
|
|
1938
|
XXXVI |
2 |
p. 237-b-238
|
article
|
| 2162 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1938
|
XXXVI |
2 |
p. 239-a-239
|
article
|
| 2163 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1934
|
XXXVI |
2 |
p. 192-194
|
article
|
| 2164 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1935
|
XXXVI |
2 |
p. 167-167
|
article
|
| 2165 |
REVIEWS OF PERIODICALS
|
E.B.,
|
|
1939
|
XXXVI |
2 |
p. 227-228
|
article
|
| 2166 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1934
|
XXXVI |
2 |
p. 194-195
|
article
|
| 2167 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1935
|
XXXVI |
2 |
p. 163-164
|
article
|
| 2168 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1935
|
XXXVI |
2 |
p. 164-b-167
|
article
|
| 2169 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1936
|
XXXVI |
2 |
p. 181-a-181
|
article
|
| 2170 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1936
|
XXXVI |
2 |
p. 178-b-181
|
article
|
| 2171 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD
|
|
1936
|
XXXVI |
2 |
p. 175-a-175
|
article
|
| 2172 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GBKALD
|
|
1936
|
XXXVI |
2 |
p. 177-a-177
|
article
|
| 2173 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1936
|
XXXVI |
2 |
p. 178-a-178
|
article
|
| 2174 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD
|
|
1936
|
XXXVI |
2 |
p. 175-b-176
|
article
|
| 2175 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
XXXVI |
2 |
p. 222-c-223
|
article
|
| 2176 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
XXXVI |
2 |
p. 225-a-225
|
article
|
| 2177 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1937
|
XXXVI |
2 |
p. 225-b-226
|
article
|
| 2178 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1937
|
XXXVI |
2 |
p. 222-b-222
|
article
|
| 2179 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
XXXVI |
2 |
p. 224-b-225
|
article
|
| 2180 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
XXXVI |
2 |
p. 223-a-223
|
article
|
| 2181 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
XXXVI |
2 |
p. 223-b-224
|
article
|
| 2182 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1947
|
XXXVI |
2 |
p. 201-205
|
article
|
| 2183 |
REVIEWS OP BOOKS
|
|
|
1975
|
XXXVI |
2 |
p. 202-204
|
article
|
| 2184 |
RICHARD WAGNER
|
SABOR, RUDOLPH
|
|
1973
|
XXXVI |
2 |
p. 257-a-257
|
article
|
| 2185 |
R. J. S. STEVENS (1757–1837) AND HIS CONTEMPORARIES
|
TREND, J. B
|
|
1933
|
XXXVI |
2 |
p. 128-137
|
article
|
| 2186 |
ROBERT BROWNING, THE POET-MUSICIAN
|
MENDL, R. W. S.
|
|
1961
|
XXXVI |
2 |
p. 142-150
|
article
|
| 2187 |
ROBERT JOHNSON AND THE COURT MASQUE
|
CUTTS, JOHN P.
|
|
1960
|
XXXVI |
2 |
p. 111-126
|
article
|
| 2188 |
ROBERT JOHNSON: KING'S MUSICIAN IN HIS MAJESTY'S PUBLIC ENTERTAINMENT
|
CUTTS, JOHN P.
|
|
1955
|
XXXVI |
2 |
p. 110-125
|
article
|
| 2189 |
R. O. MORRIS: AN APPRECIATION
|
RUBBRA, EDMUND
|
|
1949
|
XXXVI |
2 |
p. 107-108
|
article
|
| 2190 |
ROSSINI'S OVERTURE TO ‘WILLIAM TELL’
|
KIRBY, PERCIVAL R.
|
|
1952
|
XXXVI |
2 |
p. 132-140
|
article
|
| 2191 |
SACRED CONTRAFACTA OF MONTEVERDI MADRIGALS AND CARDINAL BORROMEO'S MILAN
|
RORKE, MARGARET ANN
|
|
1984
|
XXXVI |
2 |
p. 168-175
|
article
|
| 2192 |
SAINT-SAËNS AND JULIETTE ADAM: AN UNPUBLISHED LETTER
|
MCALLISTER, ELAINE S.
|
|
1969
|
XXXVI |
2 |
p. 296-300
|
article
|
| 2193 |
SAMUEL WESLEY
|
MAYHEW, JOHN
|
|
1966
|
XXXVI |
2 |
p. 186-a-186
|
article
|
| 2194 |
SATIE AND THE ‘GYMNOPÉDIE’
|
JENSEN, ERIC FREDERICK
|
|
1994
|
XXXVI |
2 |
p. 236-240
|
article
|
| 2195 |
SAXOPHONE AND PIANO
|
R. L.,
|
|
1964
|
XXXVI |
2 |
p. 197-b-197
|
article
|
| 2196 |
SCHOOL CERTIFICATE MUSIC
|
SIMPSON, KENNETH
|
|
1947
|
XXXVI |
2 |
p. 108-114
|
article
|
| 2197 |
SCHORR AND WHITEHILL
|
FORSTER, FRANCIS
|
|
1954
|
XXXVI |
2 |
p. 181-b-183
|
article
|
| 2198 |
SCHUBERT
|
GURNEY, IVOR
|
|
1925
|
XXXVI |
2 |
p. 174-174
|
article
|
| 2199 |
SCHUBERT AND SOME FOLKSONGS
|
BROWN, MAURICE J. E.
|
|
1972
|
XXXVI |
2 |
p. 173-178
|
article
|
| 2200 |
SCHUBERT AND THE ROMANTIC PROBLEM (1)
|
KÖLTZSCH, HANS
|
|
1939
|
XXXVI |
2 |
p. 130-137
|
article
|
| 2201 |
SCHUBERT AND WOLF
|
STRANGWAYS, A. H. FOX
|
|
1942
|
XXXVI |
2 |
p. 126-134
|
article
|
| 2202 |
SCHUBERT'S INCOME
|
DEUTSCH, OTTO ERICH
|
|
1955
|
XXXVI |
2 |
p. 165-166
|
article
|
| 2203 |
SCHUBERT'S SONG WORKSHOP
|
PORTER, E. G.
|
|
1958
|
XXXVI |
2 |
p. 143-147
|
article
|
| 2204 |
SCHUBERT'S TRIO, OP. 99
|
BROWN, MAURICE J. E.
|
|
1953
|
XXXVI |
2 |
p. 181-182
|
article
|
| 2205 |
SCHUBERT'S UNFINISHED SYMPHONY IN D
|
BROWN, MAURICE J. E.
|
|
1950
|
XXXVI |
2 |
p. 101-109
|
article
|
| 2206 |
SCHUMANN, LISZT AND THE C MAJOR FANTASIE, OP. 17: A DECLINING RELATIONSHIP
|
WALKER, ALAN
|
|
1979
|
XXXVI |
2 |
p. 156-165
|
article
|
| 2207 |
SCHWEITZER ON BACH
|
ASHBY, A. B.
|
|
1945
|
XXXVI |
2 |
p. 102-112
|
article
|
| 2208 |
SCRIABIN'S MYSTICAL BELIEFS
|
COOPER, MARTIN
|
|
1935
|
XXXVI |
2 |
p. 110-115
|
article
|
| 2209 |
SEMELE’S MIRROR AND POLYPHEMUS’S WHISTLE
|
HICKS, ANTHONY
|
|
1984
|
XXXVI |
2 |
p. 213-216
|
article
|
| 2210 |
SERIAL COMPOSITION
|
PERLE, GEORGE
|
|
1963
|
XXXVI |
2 |
p. 204-206
|
article
|
| 2211 |
SHAWMS AND WAITS
|
FRERE, A. H.
|
|
1923
|
XXXVI |
2 |
p. 170-177
|
article
|
| 2212 |
SHORTER NOTICES
|
|
|
1931
|
XXXVI |
2 |
p. 210-a-210
|
article
|
| 2213 |
SHORTER NOTICES
|
|
|
1931
|
XXXVI |
2 |
p. 211-a-211
|
article
|
| 2214 |
SHORTER NOTICES
|
|
|
1931
|
XXXVI |
2 |
p. 210-b-211
|
article
|
| 2215 |
SIBELIUS'S SECOND SYMPHONY
|
GODDARD, SCOTT
|
|
1931
|
XXXVI |
2 |
p. 156-163
|
article
|
| 2216 |
SIGHT-SINGING
|
D. L.,
|
|
1964
|
XXXVI |
2 |
p. 198-198
|
article
|
| 2217 |
SIR CHARLES STANFORD
|
|
|
1921
|
XXXVI |
2 |
p. 94-95
|
article
|
| 2218 |
SIR HUGH ALLEN (1869–1946)
|
WESTRUP, J. A.
|
|
1946
|
XXXVI |
2 |
p. 65-65
|
article
|
| 2219 |
SIXTEENTH-CENTURY MUSIC ON RECORDS. I: SACRED MUSIC1
|
NOBLE, JEREMY
|
|
1958
|
XXXVI |
2 |
p. 154-159
|
article
|
| 2220 |
SIXTEENTH CENTURY SERVICE MUSIC
|
HUGHES, DOM ANSELM O.S.B.
|
|
1924
|
XXXVI |
2 |
p. 145-154
|
article
|
| 2221 |
‘SMALL AS A EUNUCH’: A PROBLEM IN ‘CORIOLANUS’, ACT III SCENE 2
|
CROOKES, DAVID Z.
|
|
1986
|
XXXVI |
2 |
p. 159-161
|
article
|
| 2222 |
SMETANA'S SKETCHES FOR ‘DALIBOR’ AND ‘THE SECERT’
|
CLAPHAM, JOHN
|
|
1980
|
XXXVI |
2 |
p. 136-146
|
article
|
| 2223 |
SOLO CANTATAS
|
DALTON, JAMES
|
|
1974
|
XXXVI |
2 |
p. 249-b-249
|
article
|
| 2224 |
SOLO SONGS
|
J. A. W.,
|
|
1967
|
XXXVI |
2 |
p. 201-202
|
article
|
| 2225 |
SOLO SONGS
|
E. R.,
|
|
1964
|
XXXVI |
2 |
p. 200-a-200
|
article
|
| 2226 |
SOLO SONGS
|
C. L. C.,
|
|
1964
|
XXXVI |
2 |
p. 199-200
|
article
|
| 2227 |
SOLO SONGS
|
E. R.,
|
|
1964
|
XXXVI |
2 |
p. 203-a-203
|
article
|
| 2228 |
SOLO SONGS
|
T. H.,
|
|
1973
|
XXXVI |
2 |
p. 251-252
|
article
|
| 2229 |
SOLO SONGS
|
F. W. S.,
|
|
1963
|
XXXVI |
2 |
p. 201-b-202
|
article
|
| 2230 |
SOME ASPECTS OF BEETHOVEN'S ART FORMS
|
TOVEY, DONALD FRANCIS
|
|
1927
|
XXXVI |
2 |
p. 131-155
|
article
|
| 2231 |
SOME ASPECTS OF HINDEMITH'S CHAMBER MUSIC
|
MASON, COLIN
|
|
1960
|
XXXVI |
2 |
p. 150-155
|
article
|
| 2232 |
SOME EARLY VENETIAN OPERA PRODUCTIONS
|
WORSTHORNE, SIMON TOWNELEY
|
|
1949
|
XXXVI |
2 |
p. 146-151
|
article
|
| 2233 |
SOME ENGLISH CONSORT-GROUPINGS OF THE LATE MIDDLE AGES
|
RASTALL, RICHARD
|
|
1974
|
XXXVI |
2 |
p. 179-202
|
article
|
| 2234 |
SOME HANDEL DATES
|
DEUTSCH, O. E.
|
|
1944
|
XXXVI |
2 |
p. 126-126
|
article
|
| 2235 |
SOME NOTES ON THE IRISH HARP
|
FARMER, HENRY GEORGE
|
|
1943
|
XXXVI |
2 |
p. 100-107
|
article
|
| 2236 |
SOME REFLECTIONS ON VERDI'S ‘SIMONE BOCCANEGRA’
|
KLEIN, JOHN W.
|
|
1962
|
XXXVI |
2 |
p. 115-122
|
article
|
| 2237 |
SOME STRAY NOTES ON MOZART
|
|
|
1943
|
XXXVI |
2 |
p. 110-112
|
article
|
| 2238 |
SOME THOUGHTS ON ELGAR (1857–1934)
|
MITCHELL, DONALD
|
|
1957
|
XXXVI |
2 |
p. 113-123
|
article
|
| 2239 |
SONG IN A SINGLE LINE
|
BEDFORD, HERBERT
|
|
1924
|
XXXVI |
2 |
p. 109-120
|
article
|
| 2240 |
SOUND AND SENTIMENT: THE FUNCTION OF MUSIC IN THE GOTHIC NOVEL
|
NOSKE, FRITS
|
|
1981
|
XXXVI |
2 |
p. 162-175
|
article
|
| 2241 |
SOURCES FOR OXFORD HANDEL PERFORMANCES IN THE FIRST HALF OF THE EIGHTEENTH CENTURY
|
BURROWS, DONALD
|
|
1980
|
XXXVI |
2 |
p. 177-185
|
article
|
| 2242 |
SPANISH SACRED MUSIC
|
CALDWELL, JOHN
|
|
1980
|
XXXVI |
2 |
p. 229-230
|
article
|
| 2243 |
SPANISH SACRED MUSIC
|
WHITTALL, ARNOLD
|
|
1980
|
XXXVI |
2 |
p. 232-233
|
article
|
| 2244 |
SPEECH-SONG AND THE SINGER
|
KELSEY, FRANKLYN
|
|
1955
|
XXXVI |
2 |
p. 146-154
|
article
|
| 2245 |
SPURIOUS PERGOLESI
|
WALKER, FRANK
|
|
1953
|
XXXVI |
2 |
p. 183-a-183
|
article
|
| 2246 |
STANFORD'S SONGS
|
GREENE, HARRY PLUNKET
|
|
1921
|
XXXVI |
2 |
p. 96-106
|
article
|
| 2247 |
STOCKHAUSEN AND MUSICAL TIME
|
PERLE, GEORGE
|
|
1960
|
XXXVI |
2 |
p. 204-b-205
|
article
|
| 2248 |
STRAUSS, ZWEIG AND GREGOR: UNPUBLISHED LETTERS
|
BIRKIN, KENNETH W.
|
|
1975
|
XXXVI |
2 |
p. 180-195
|
article
|
| 2249 |
STRAVINSKY AS LITTÉRATEUR
|
DAVIES, LAURENCE
|
|
1968
|
XXXVI |
2 |
p. 135-144
|
article
|
| 2250 |
STUART ROYAL “ENTERTAINMENTS”
|
SPINK, IAN
|
|
1957
|
XXXVI |
2 |
p. 210-212
|
article
|
| 2251 |
STYLE IN PIANOFORTE CONCERTO WRITING
|
ERLEBACH, BlJPEBT
|
|
1936
|
XXXVI |
2 |
p. 131-139
|
article
|
| 2252 |
‘SUMER IS ICUMEN IN’
|
BERGSAGEL, JOHN
|
|
1956
|
XXXVI |
2 |
p. 204-204
|
article
|
| 2253 |
SUSANNA OR THE COUNTESS?
|
HUGHES, ROSEMARY
|
|
1954
|
XXXVI |
2 |
p. 181-a-181
|
article
|
| 2254 |
SYMBOLIC VALUES IN THE EARLIEST OPERAS
|
DONINOTON, ROBERT
|
|
1984
|
XXXVI |
2 |
p. 212-212
|
article
|
| 2255 |
TATE'S ‘WAYWARD SISTERS’
|
URMSON, J. O.
|
|
1981
|
XXXVI |
2 |
p. 245-a-245
|
article
|
| 2256 |
TAVERNER'S ‘WESTERN WIND’ MASS
|
CALDWELL, JOHN
|
|
1963
|
XXXVI |
2 |
p. 208-209
|
article
|
| 2257 |
TCHAIKOVSKY: SOME CENTENNIAL REFLECTIONS
|
ABRAHAM, GERALD
|
|
1940
|
XXXVI |
2 |
p. 110-119
|
article
|
| 2258 |
TCHAIKOVSKY: THE LAST CHAPTER
|
ORLOVA, ALEXANDRA
|
|
1981
|
XXXVI |
2 |
p. 125-145
|
article
|
| 2259 |
TEMPO RUBATO
|
FIELDEN, THOMAS
|
|
1953
|
XXXVI |
2 |
p. 150-152
|
article
|
| 2260 |
‘17TH CENTURY KEYBOARD MUSIC’
|
GUSTAFSON, BRUCE
|
|
1991
|
XXXVI |
2 |
p. 353-353
|
article
|
| 2261 |
‘17TH CENTURY KEYBOARD MUSIC’
|
SILBIGER, ALEXANDER
|
|
1991
|
XXXVI |
2 |
p. 351-353
|
article
|
| 2262 |
THE “ABBÉ” LISZT
|
ROBERTSON, ALEC
|
|
1954
|
XXXVI |
2 |
p. 184-a-184
|
article
|
| 2263 |
THE ADAGIO FOR CLARINET AND STRINGS BY WAGNER/BAERMANN
|
NEWHILL, JOHN P.
|
|
1974
|
XXXVI |
2 |
p. 167-171
|
article
|
| 2264 |
THE AMERICAN OPERA
|
SAUNDERS, WILLIAM
|
|
1932
|
XXXVI |
2 |
p. 147-155
|
article
|
| 2265 |
THE ANONYMOUS MUSIC TREATISE OF 1279: WHY ST. EMMERAM?
|
YUDKIN, JEREMY
|
|
1991
|
XXXVI |
2 |
p. 177-196
|
article
|
| 2266 |
THE APPOGGIATURA
|
AHFS,
|
|
1924
|
XXXVI |
2 |
p. 121-122
|
article
|
| 2267 |
THE A PRIORI THEORIST AND MUSIC
|
LLOYD, LL. S.
|
|
1945
|
XXXVI |
2 |
p. 97-102
|
article
|
| 2268 |
THE BABYLONIAN MUSICAL NOTATION AND THE HURRIAN MELODIC TEXTS
|
WEST, M. L.
|
|
1994
|
XXXVI |
2 |
p. 161-179
|
article
|
| 2269 |
THE BEETHOVEN QUARTETS AS A PLAYER SEES THEM
|
CLARKE, REBECCA
|
|
1927
|
XXXVI |
2 |
p. 178-190
|
article
|
| 2270 |
THE BEGGAR'S OPERA, THE BURLESQUE, AND ITALIAN OPERA
|
BEBGEB, ARTHUR V.
|
|
1936
|
XXXVI |
2 |
p. 93-105
|
article
|
| 2271 |
THE BEGINNINGS OF CLARINET LITERATURE
|
GRADENWITZ, PETBB
|
|
1936
|
XXXVI |
2 |
p. 145-150
|
article
|
| 2272 |
THE CARVER CHOIR-BOOK
|
STEVENS, DENIS
|
|
1961
|
XXXVI |
2 |
p. 196-a-196
|
article
|
| 2273 |
THE CASE OF RAMEAU
|
GIRDLESTONE, C. M.
|
|
1943
|
XXXVI |
2 |
p. 122-124
|
article
|
| 2274 |
THE CHORAL FANTASIA
|
DENT, EDWARD J.
|
|
1927
|
XXXVI |
2 |
p. 111-121
|
article
|
| 2275 |
THE CHRONOLOGY OF JOHN BLOW'S COURT ODES
|
MCGUINNESS, ROSAMOND
|
|
1965
|
XXXVI |
2 |
p. 102-121
|
article
|
| 2276 |
THE CIMBALOM
|
LEACH, JOHN
|
|
1972
|
XXXVI |
2 |
p. 134-142
|
article
|
| 2277 |
THE CLAIMS OF TONIC SOLFA
|
WHYBROW, STANLEY
|
|
1925
|
XXXVI |
2 |
p. 161-163
|
article
|
| 2278 |
THE CLAIMS OF TONIC SOLFA
|
TROTTER, T. H. YORKE
|
|
1925
|
XXXVI |
2 |
p. 163-171
|
article
|
| 2279 |
THE COMPLEAT GENTLEMAN'S MUSIC
|
HANKEY, SUSAN
|
|
1981
|
XXXVI |
2 |
p. 146-154
|
article
|
| 2280 |
THE CONCERTO ALLEGRO IN THE EARLY EIGHTEENTH CENTURY
|
TALBOT, MICHAEL
|
|
1971
|
XXXVI |
2 |
p. 159-172
|
article
|
| 2281 |
THE CONCERTO: CONTEST OR CO-OPERATION ?
|
MCVEAGH, DIANA
|
|
1947
|
XXXVI |
2 |
p. 115-120
|
article
|
| 2282 |
THE CRISIS OF FORM
|
LOURIE, ARTHUR
|
|
1933
|
XXXVI |
2 |
p. 95-103
|
article
|
| 2283 |
THE DANTE SEXCENTENARY OF 1865
|
WHITING, MARY BRADFORD
|
|
1921
|
XXXVI |
2 |
p. 172-182
|
article
|
| 2284 |
THE DAVIES SISTERS, J. C. BACH AND THE GLASS HARMONICA
|
MATTHEWS, BETTY
|
|
1975
|
XXXVI |
2 |
p. 150-169
|
article
|
| 2285 |
‘THE DEMONIC IN MOZART’
|
MYERS, ROLLO H.
|
|
1956
|
XXXVI |
2 |
p. 202-203
|
article
|
| 2286 |
THE DRAMA BEHIND ELGAR'S MUSIC
|
DICKINSON, A. E. F.
|
|
1942
|
XXXVI |
2 |
p. 116-125
|
article
|
| 2287 |
THE EAR
|
|
|
1925
|
XXXVI |
2 |
p. 137-145
|
article
|
| 2288 |
THE EARLIEST PIANOFORTE MUSIC
|
HARDING, ROSAMOND
|
|
1932
|
XXXVI |
2 |
p. 195-199
|
article
|
| 2289 |
THE EASTERN MODAL INFLUENCE
|
STOLL, DENNIS
|
|
1941
|
XXXVI |
2 |
p. 135-138
|
article
|
| 2290 |
THE EASTER SEPULCHRE DRAMA
|
CALDWELL, JOHN
|
|
1977
|
XXXVI |
2 |
p. 259-a-259
|
article
|
| 2291 |
THE ELIZABETHAN MADRIGAL AND ‘MUSICA TRANSALPINA’
|
EINSTEIN, ALFRED
|
|
1944
|
XXXVI |
2 |
p. 66-77
|
article
|
| 2292 |
THE ENGLISH CULT OF DOMENICO SCARLATTI
|
NEWTON, RICHARD
|
|
1939
|
XXXVI |
2 |
p. 138-156
|
article
|
| 2293 |
THE ESCHEQUIER VIRGINAL: AN ENGLISH INVENTION
|
FLOOD, W. H. GRATTAN
|
|
1925
|
XXXVI |
2 |
p. 151-153
|
article
|
| 2294 |
THE EVOLUTION OF THE FIRST MOVEMENT OF BEETHOVEN'S ‘WALDSTEIN’ SONATA
|
COOPER, BARRY
|
|
1977
|
XXXVI |
2 |
p. 170-191
|
article
|
| 2295 |
THE FIFTEENTH CONGRESS OF THE INTERNATIONAL MUSICOLOGICAL SOCIETY
|
CUESTA, ISMAEL FERNANDEZ DE LA
|
|
1991
|
XXXVI |
2 |
p. 355-355
|
article
|
| 2296 |
THE FINAL WORKS OF CLAUDE DEBUSSY or PIERROT FÂCHÉ AVEC LA LUNE
|
MELLERS, W. H.
|
|
1939
|
XXXVI |
2 |
p. 168-176
|
article
|
| 2297 |
THE FINANCIAL PROBLEM OF NATIONAL OPERA
|
MANNERS, CHARLES
|
|
1926
|
XXXVI |
2 |
p. 93-105
|
article
|
| 2298 |
THE FIRST ENGLISH CHANSON ON THE CONTINENT
|
BUKOFZER, MANFRED
|
|
1938
|
XXXVI |
2 |
p. 119-131
|
article
|
| 2299 |
THE FIRST ENGLISH SONGS
|
TREND, J. B.
|
|
1928
|
XXXVI |
2 |
p. 111-128
|
article
|
| 2300 |
THE FIRST PRINTED OPERA LIBRETTO
|
STERNFELD, F. W.
|
|
1978
|
XXXVI |
2 |
p. 121-138
|
article
|
| 2301 |
THE FIRST SETTING OF CONGREVE'S ‘SEMELE’
|
LINCOLN, STODDARD
|
|
1963
|
XXXVI |
2 |
p. 103-117
|
article
|
| 2302 |
THE FUTURE OF THE ENGLISH SONG
|
GREENE, HARRY PLUNKET
|
|
1920
|
XXXVI |
2 |
p. 123-134
|
article
|
| 2303 |
THE GENESIS OF BARTÓK'S VIOLA CONCERTO
|
DALTON, DAVID
|
|
1976
|
XXXVI |
2 |
p. 117-129
|
article
|
| 2304 |
THE GENESIS OF BERLIOZ'S ‘LA DAMNATION DE FAUST’
|
RUSHTON, JULIAN
|
|
1975
|
XXXVI |
2 |
p. 129-146
|
article
|
| 2305 |
THE GIGANTIC IMAGE
|
DE LA MARE, WALTER
|
|
1923
|
XXXVI |
2 |
p. 105-106
|
article
|
| 2306 |
THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93
|
MOREHEN, JOHN
|
|
1981
|
XXXVI |
2 |
p. 189-196
|
article
|
| 2307 |
THE ‘GROSSE FUGE’
|
GREW, SYDNEY
|
|
1931
|
XXXVI |
2 |
p. 140-147
|
article
|
| 2308 |
THE GROUND-BASS IN THE ENGLISH COURT ODE
|
MCGUINNESS, ROSAMOND
|
|
1970
|
XXXVI |
2 |
p. 118-140
|
article
|
| 2309 |
THE GYMEL, THE EARLIEST FORM OF ENGLISH POLYPHONY
|
BUKOFZER, MANFRED
|
|
1935
|
XXXVI |
2 |
p. 77-84
|
article
|
| 2310 |
THE HANDEL PORTRAIT AT ST. GILES
|
ROBBINS, EDUARD R.
|
|
1963
|
XXXVI |
2 |
p. 206-b-207
|
article
|
| 2311 |
THE HANDWRITING OF JOHN WARD
|
PAYNE, IAN
|
|
1984
|
XXXVI |
2 |
p. 176-188
|
article
|
| 2312 |
THE HARPSICHORD
|
DONINGTON, ROBERT
|
|
1951
|
XXXVI |
2 |
p. 201-202
|
article
|
| 2313 |
THE HAYDN SOCIETY
|
LANDON, H. C. ROBBINS
|
|
1951
|
XXXVI |
2 |
p. 199-200
|
article
|
| 2314 |
THE HEROIC IN ART*
|
DRINKWATER, JOHN
|
|
1921
|
XXXVI |
2 |
p. 168-171
|
article
|
| 2315 |
THE HISTORY OF ’ PRINCE IGOR ’
|
ABRAHAM, GERALD
|
|
1935
|
XXXVI |
2 |
p. 85-95
|
article
|
| 2316 |
THE HORN
|
KNOTT, HANDEL
|
|
1951
|
XXXVI |
2 |
p. 200-201
|
article
|
| 2317 |
THE HYBRID CRITIC
|
DEMMERY, MORTON
|
|
1956
|
XXXVI |
2 |
p. 128-140
|
article
|
| 2318 |
THE INFLUENCE OF MUSIC IN THE WORKS OF JOHN MARSTON
|
O'NEILL, DAVID G.
|
|
1972
|
XXXVI |
2 |
p. 122-133
|
article
|
| 2319 |
‘THE INTERPRETATION OF EARLY MUSIC’
|
DONINGTON, ROBERT
|
|
1964
|
XXXVI |
2 |
p. 205-205
|
article
|
| 2320 |
THE INTERPRETATION OF PLAINCHANT
|
MURRAY, A. GREGORY
|
|
1964
|
XXXVI |
2 |
p. 206-207
|
article
|
| 2321 |
THE ITALIAN MADRIGAL
|
REDLICH, HANS F.
|
|
1951
|
XXXVI |
2 |
p. 154-156
|
article
|
| 2322 |
THE JONSONIAN MASQUE
|
HOLMAN, PETER
|
|
1974
|
XXXVI |
2 |
p. 250-252
|
article
|
| 2323 |
THE JOY OF DANCING
|
NEVINSON, HENRY W.
|
|
1931
|
XXXVI |
2 |
p. 109-115
|
article
|
| 2324 |
THE LEARNED DOCTOR BUSBY
|
SPENCE, K. G. F.
|
|
1956
|
XXXVI |
2 |
p. 141-153
|
article
|
| 2325 |
THE LETTER AND THE SPIRIT
|
WILLIAMS, R. VAUGHAN
|
|
1920
|
XXXVI |
2 |
p. 87-93
|
article
|
| 2326 |
THE LONDON AUTOGRAPH OF ‘THE 48’
|
GODMAN, STANLEY
|
|
1953
|
XXXVI |
2 |
p. 182-b-182
|
article
|
| 2327 |
THE LONDON AUTOGRAPH OF ‘THE FORTY-EIGHT’
|
EMERY, WALTER
|
|
1953
|
XXXVI |
2 |
p. 106-123
|
article
|
| 2328 |
THE LYRIC IMPULSE
|
SEDGWICK, W. B.
|
|
1924
|
XXXVI |
2 |
p. 97-102
|
article
|
| 2329 |
THE ‘MACBETH’ MUSIC
|
FISKE, ROGER
|
|
1964
|
XXXVI |
2 |
p. 114-125
|
article
|
| 2330 |
THE MADRIGAL
|
BIADENE, LEANDRO
|
|
1948
|
XXXVI |
2 |
p. 121-128
|
article
|
| 2331 |
THE MANCHESTER ALTUS PARTBOOK MS 340 Cr 71
|
BOYER, SARAH
|
|
1991
|
XXXVI |
2 |
p. 197-213
|
article
|
| 2332 |
THE MAY SONG IN FLANDERS
|
SABBE, HERMAN
|
|
1948
|
XXXVI |
2 |
p. 146-152
|
article
|
| 2333 |
THE MORLEY-SHAKESPEARE MYTH
|
GORDON, PHILIP
|
|
1947
|
XXXVI |
2 |
p. 121-125
|
article
|
| 2334 |
“THE MOST EXTRAORDINARY CREATURE IN EUROPE”
|
SILBURN, MURIEL
|
|
1922
|
XXXVI |
2 |
p. 200-205
|
article
|
| 2335 |
THE MUSICAL ANTECEDENTS OF BEETHOVEN'S STYLE
|
TOVEY, DONALD LATE SIR
|
|
1944
|
XXXVI |
2 |
p. 63-66
|
article
|
| 2336 |
THE MUSICAL COMPETITION FESTIVAL
|
LAWRENCE, T. B.
|
|
1931
|
XXXVI |
2 |
p. 199-200
|
article
|
| 2337 |
THE MUSICAL COMPETITION FESTIVAL
|
GRACE, HARVEY
|
|
1931
|
XXXVI |
2 |
p. 200-201
|
article
|
| 2338 |
‘THE MUSICAL LIBRARY’
|
ORGA, ATES
|
|
1965
|
XXXVI |
2 |
p. 193-193
|
article
|
| 2339 |
THE MUSICAL PRESS IN ENGLAND TO-DAY
|
FOSS, HUBERT J.
|
|
1930
|
XXXVI |
2 |
p. 128-140
|
article
|
| 2340 |
THE MUSIC AND TONE-SYSTEMS OF ANCIENT GREECE
|
SHIRLAW, MATTHEW
|
|
1951
|
XXXVI |
2 |
p. 131-139
|
article
|
| 2341 |
THE MUSIC OF DITTERSDORF
|
SOUPER, FRANCES O.
|
|
1930
|
XXXVI |
2 |
p. 141-145
|
article
|
| 2342 |
THE MUSIC OF PHYLLIS TATE
|
CARNER, MOSCO
|
|
1954
|
XXXVI |
2 |
p. 128-133
|
article
|
| 2343 |
THE MUSIC OF RECOGNITION: OPERATIC ENGLIGHTENMENT IN ‘THE MAGIC FLUTE’
|
WALDOFF, JESSICA
|
|
1994
|
XXXVI |
2 |
p. 214-235
|
article
|
| 2344 |
THE MYSTERY OF ELCHE
|
TREND, J. B.
|
|
1920
|
XXXVI |
2 |
p. 145-157
|
article
|
| 2345 |
THE MYSTERY OF THE SIBYL CASSANDRA
|
TREND, J. B.
|
|
1929
|
XXXVI |
2 |
p. 124-140
|
article
|
| 2346 |
THE MYTH OF EQUAL-STEPPED SCALES IN PRIMITIVE MUSIC
|
LLOYD, LL. S.
|
|
1946
|
XXXVI |
2 |
p. 73-79
|
article
|
| 2347 |
THE NATURE OF MEDIEVAL MUSIC
|
BEDBROOK, G. S.
|
|
1945
|
XXXVI |
2 |
p. 78-88
|
article
|
| 2348 |
THE NATURE OF THE SINGING VOICE
|
KELSEY, FRANKLYN
|
|
1951
|
XXXVI |
2 |
p. 140-146
|
article
|
| 2349 |
“THE NOVELLO SCHOOL”
|
|
|
1954
|
XXXVI |
2 |
p. 184-c-184
|
article
|
| 2350 |
THE OCCUPATIONAL MALADIES OF MUSICIANS
|
SEAR, H. G.
|
|
1942
|
XXXVI |
2 |
p. 172-192
|
article
|
| 2351 |
THE OLD VIC AND SADLER'S WELLS
|
ROWE, R. P. P.
|
|
1932
|
XXXVI |
2 |
p. 141-146
|
article
|
| 2352 |
THE ORGAN PARTS TO HANDEL'S ‘ALEXANDER'S FEAST’
|
COOPER, BARRY
|
|
1978
|
XXXVI |
2 |
p. 159-179
|
article
|
| 2353 |
THE ORIGIN OF THE IN NOMINE
|
DONINGTON, ROBERT
|
|
1949
|
XXXVI |
2 |
p. 101-106
|
article
|
| 2354 |
THE PARIS CONSERVATOIRE CONTEST SOLOS FOR BASSOON
|
FLETCHER, KRISTINE KLOPFENSTEIN
|
|
1990
|
XXXVI |
2 |
p. 306-b-307
|
article
|
| 2355 |
THE PERSONAL NOTE IN MUSICAL CRITICISM
|
RORKE, J. D. M.
|
|
1922
|
XXXVI |
2 |
p. 171-178
|
article
|
| 2356 |
THE PHILIDOR MANUSCRIPTS
|
FELLOWES, E. H.
|
|
1931
|
XXXVI |
2 |
p. 116-129
|
article
|
| 2357 |
THE PIANO AS AN ORCHESTRAL INSTRUMENT
|
WOOD, RALPH W.
|
|
1934
|
XXXVI |
2 |
p. 139-146
|
article
|
| 2358 |
THE PIANOFORTE CONCERTOS
|
DAVIES, FANNY
|
|
1927
|
XXXVI |
2 |
p. 224-226
|
article
|
| 2359 |
THE PIANOFORTE SONATAS: SOME TEXTUAL PROBLEMS
|
WALKER, ERNEST
|
|
1927
|
XXXVI |
2 |
p. 211-217
|
article
|
| 2360 |
THE PIANOFORTE WORKS OF CHABRIER
|
ROBERTS, W. WRIGHT
|
|
1923
|
XXXVI |
2 |
p. 133-143
|
article
|
| 2361 |
THE PITCH OF EARLY TUDOR ORGAN MUSIC
|
CALDWELL, JOHN
|
|
1970
|
XXXVI |
2 |
p. 156-163
|
article
|
| 2362 |
THE PLOT OF ‘THE MAGIC FLUTE’
|
DENT, EDWARD J.
|
|
1954
|
XXXVI |
2 |
p. 175-181
|
article
|
| 2363 |
THE PRESENT NEGLECT OF BACH
|
DICKINSON, A. E. F.
|
|
1929
|
XXXVI |
2 |
p. 189-196
|
article
|
| 2364 |
THE PROCESS OF COMPOSITION OF THE LIBRETTO OF BRITTEN'S ‘GLORIANA’
|
ALEXANDER, PETER F.
|
|
1986
|
XXXVI |
2 |
p. 147-158
|
article
|
| 2365 |
THE PROM. AUDIENCE
|
WOOD, RALPH W.
|
|
1930
|
XXXVI |
2 |
p. 177-181
|
article
|
| 2366 |
THE PROVENANCE AND DATE OF THE CAIUS AND LAMBETH CHOIR-BOOKS
|
CHEW, GEOFFREY
|
|
1970
|
XXXVI |
2 |
p. 107-117
|
article
|
| 2367 |
THE PURCELL FANTASIES AND THEIR INFLUENCE ON MODERN MUSIC
|
MANGEOT, ANDRE
|
|
1926
|
XXXVI |
2 |
p. 143-149
|
article
|
| 2368 |
THE 1754 REVIVAL OF HANDEL'S ‘ADMETO’
|
SMITH, WILLIAM C.
|
|
1970
|
XXXVI |
2 |
p. 141-149
|
article
|
| 2369 |
THE ROYAL MUSIC
|
YOUNG, PERCY
|
|
1937
|
XXXVI |
2 |
p. 119-127
|
article
|
| 2370 |
THE RÖSLER-ROSETTI PROBLEM
|
HELLYER, ROGER
|
|
1977
|
XXXVI |
2 |
p. 259-c-259
|
article
|
| 2371 |
THE RÖSLER-ROSETTI PROBLEM: A CONFUSION OF PSEUDONYM AND MISTAKEN IDENTITY
|
MURRAY, STERLING E.
|
|
1976
|
XXXVI |
2 |
p. 130-143
|
article
|
| 2372 |
THE SCHOENBERG CONCEPT
|
TAYLOR, NOEL HEATH
|
|
1939
|
XXXVI |
2 |
p. 183-188
|
article
|
| 2373 |
THE SECOND FOUNTAINS FRAGMENT: A POSTSCRIPT
|
STEVENS, DENIS
|
|
1958
|
XXXVI |
2 |
p. 148-153
|
article
|
| 2374 |
THE SECRET OF THE ITALIAN VIOLIN MAKERS
|
JAROSY, ALBERT
|
|
1935
|
XXXVI |
2 |
p. 116-123
|
article
|
| 2375 |
THESE WERE SINGERS
|
SANDS, MOLLIE
|
|
1944
|
XXXVI |
2 |
p. 103-109
|
article
|
| 2376 |
THE SIGNIFICANCE OF BEETHOVEN'S “THIRD PERIOD”
|
McEWEN, JOHN B.
|
|
1927
|
XXXVI |
2 |
p. 156-162
|
article
|
| 2377 |
THE SONGS
|
FORD, WALTER
|
|
1927
|
XXXVI |
2 |
p. 228-233
|
article
|
| 2378 |
THE SONGS OF JOHN DANYEL
|
JUDD, PBBCY
|
|
1936
|
XXXVI |
2 |
p. 118-123
|
article
|
| 2379 |
THE ‘STERNDALE BENNETT’ MANUSCRIPT SCORE OF ‘MESSIAH’
|
SHAW, WATKINS
|
|
1963
|
XXXVI |
2 |
p. 118-122
|
article
|
| 2380 |
THE ÆSTHETICS OF PLAINSONG
|
PHILLIPS, C. HENRY
|
|
1934
|
XXXVI |
2 |
p. 128-138
|
article
|
| 2381 |
THE STRING QUARTET
|
TERTIS, LIONEL
|
|
1950
|
XXXVI |
2 |
p. 148-150
|
article
|
| 2382 |
THE SUMERIAN HARP OF UR, c. 3500 B.C
|
GALPIN, F. W.
|
|
1929
|
XXXVI |
2 |
p. 108-123
|
article
|
| 2383 |
THE SYMPHONIES OF BRAHMS
|
DEAS, JAMES
|
|
1933
|
XXXVI |
2 |
p. 112-116
|
article
|
| 2384 |
THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND
|
HAMESSLEY, LYDIA
|
|
1992
|
XXXVI |
2 |
p. 177-221
|
article
|
| 2385 |
THE TEXT OF BEETHOVEN'S OP. 61
|
TYSON, ALAN
|
|
1962
|
XXXVI |
2 |
p. 104-114
|
article
|
| 2386 |
THE TEXT OF TCHAIKOVSKY'S B MINOR CONCERTO
|
FRISKIN, JAMES
|
|
1969
|
XXXVI |
2 |
p. 246-251
|
article
|
| 2387 |
THE TEXTUAL FUNCTION OF THE REFRAIN CENTO IN A THIRTEENTH-CENTURY FRENCH MOTET
|
EVANS, BEVERLY J
|
|
1990
|
XXXVI |
2 |
p. 187-197
|
article
|
| 2388 |
THE TEXTURE OF MODERN MUSIC
|
DYSON, GEORGE
|
|
1923
|
XXXVI |
2 |
p. 107-118
|
article
|
| 2389 |
THE THEORY OF MUSICAL EXPRESSION
|
BENNETT, VICTOR
|
|
1936
|
XXXVI |
2 |
p. 106-117
|
article
|
| 2390 |
THE THERESE GROB COLLECTION OF SONGS BY SCHUBERT
|
BROWN, MAURICE J. E.
|
|
1968
|
XXXVI |
2 |
p. 122-134
|
article
|
| 2391 |
THE TIME AND THE PLACE
|
CAPELL, RICHARD
|
|
1926
|
XXXVI |
2 |
p. 150-156
|
article
|
| 2392 |
THE TRANSMISSION OF ENGLISH MASS CYCLES IN THE MID TO LATE FIFTEENTH CENTURY: A CASE STUDY IN CONTEXT
|
KIRKMAN, ANDREW
|
|
1994
|
XXXVI |
2 |
p. 180-199
|
article
|
| 2393 |
THE TREMOLO
|
KELSEY, FRANKLYN
|
|
1951
|
XXXVI |
2 |
p. 203-b-204
|
article
|
| 2394 |
THE USE OF MUSIC IN THE PLAYS OF MARSTON
|
INGRAM, R. W.
|
|
1956
|
XXXVI |
2 |
p. 154-164
|
article
|
| 2395 |
THE VIOL CONSORT ORGAN BOOK
|
DODD, GORDON
|
|
1972
|
XXXVI |
2 |
p. 233-a-233
|
article
|
| 2396 |
THE VIOLIN CONCERTO
|
BONAVIA, F.
|
|
1927
|
XXXVI |
2 |
p. 198-200
|
article
|
| 2397 |
THE VIOLIN SONATAS
|
D'ARANYI, JELLY
|
|
1927
|
XXXVI |
2 |
p. 191-197
|
article
|
| 2398 |
THE VIOLONCELLO
|
SUGGIA, GUILHERMINA
|
|
1920
|
XXXVI |
2 |
p. 104-110
|
article
|
| 2399 |
THE VISUAL ELEMENT IN MUSIC
|
STRANGWAYS, A. H. FOX
|
|
1943
|
XXXVI |
2 |
p. 124-124
|
article
|
| 2400 |
THE WALSINGHAM CONSORT BOOKS
|
EDWARDS, WARWICK
|
|
1974
|
XXXVI |
2 |
p. 209-214
|
article
|
| 2401 |
THE WESTRUP PRIZE
|
|
|
1987
|
XXXVI |
2 |
p. 111-b-111
|
article
|
| 2402 |
THE WESTRUP PRIZE
|
|
|
1989
|
XXXVI |
2 |
p. 313-313
|
article
|
| 2403 |
THE WIND MUSIC OF J. C. BACH
|
SADIE, STANLEY
|
|
1956
|
XXXVI |
2 |
p. 107-117
|
article
|
| 2404 |
THE WIRELESS TRANSMISSION OF MUSIC
|
MOORE, H. R. RIVERS
|
|
1923
|
XXXVI |
2 |
p. 158-161
|
article
|
| 2405 |
THE WORKS OF ROBERT FAYRFAX
|
HUGHES, DOM ANSELM O.S.B.
|
|
1949
|
XXXVI |
2 |
p. 118-120
|
article
|
| 2406 |
THOMAS CHILCOT AND HIS MUSIC
|
BEECHEY, GWILYM
|
|
1973
|
XXXVI |
2 |
p. 179-196
|
article
|
| 2407 |
THOMAS HARDY AS MUSICIAN
|
EVA GREW, MARY
|
|
1940
|
XXXVI |
2 |
p. 120-142
|
article
|
| 2408 |
THOMAS HARDY MUSIC: WITH A BIBLIOGRAPHY
|
WEBER, CARL J.
|
|
1940
|
XXXVI |
2 |
p. 172-178
|
article
|
| 2409 |
THOMAS SIMPSON
|
COXON, CAROLYN
|
|
1964
|
XXXVI |
2 |
p. 207-208
|
article
|
| 2410 |
THOMAS TALLIS(1)
|
COLLINS, H. B.
|
|
1929
|
XXXVI |
2 |
p. 152-166
|
article
|
| 2411 |
THOMAS WEELKES
|
BROWN, DAVID
|
|
1973
|
XXXVI |
2 |
p. 254-255
|
article
|
| 2412 |
THOMAS WEELKES'S BORROWINGS FROM SALAMONE ROSSI
|
COHEN, JUDITH
|
|
1985
|
XXXVI |
2 |
p. 110-117
|
article
|
| 2413 |
THOMAS WOOD: 1892–1950
|
COGHILL, NEVILL
|
|
1951
|
XXXVI |
2 |
p. 128-130
|
article
|
| 2414 |
THREE RUSSIAN PIANO CONCERTOS
|
GARDEN, EDWARD
|
|
1979
|
XXXVI |
2 |
p. 166-179
|
article
|
| 2415 |
‘TINCTOLOGY’?
|
ARTHUR, JOHN
|
|
1994
|
XXXVI |
2 |
p. 330a-330
|
article
|
| 2416 |
To the Editor, ‘Music & Letters’
|
HIRSCH, PAUL
|
|
1940
|
XXXVI |
2 |
p. 204-a-204
|
article
|
| 2417 |
To the Editor, ‘Music & Letters’
|
NEWTON, RICHARD
|
|
1940
|
XXXVI |
2 |
p. 204-b-205
|
article
|
| 2418 |
To the Editor ‘Music & Letters’
|
BUKOFZER, MANFRED F.
|
|
1940
|
XXXVI |
2 |
p. 202-203
|
article
|
| 2419 |
To the Editor, ‘Music & Letters’
|
DE PAOLI, DOMENICO
|
|
1940
|
XXXVI |
2 |
p. 205-206
|
article
|
| 2420 |
To the Editor of ‘Music & Letters’
|
|
|
1968
|
XXXVI |
2 |
p. 191-199
|
article
|
| 2421 |
To the Editors of ‘Music & Letters’
|
WALKER, ARTHUR D.
|
|
1977
|
XXXVI |
2 |
p. 258-a-258
|
article
|
| 2422 |
TRADITION AND CONVENTION IN JOHN BLOW'S HARMONY
|
SHAW, HAROLD WATKINS
|
|
1949
|
XXXVI |
2 |
p. 136-145
|
article
|
| 2423 |
TRIO SONATAS
|
HIGGINBOTTOM, EDWARD
|
|
1977
|
XXXVI |
2 |
p. 252-a-252
|
article
|
| 2424 |
TURNER AND MUSIC
|
LIVERMORE, ANN LAPRAIK
|
|
1957
|
XXXVI |
2 |
p. 170-179
|
article
|
| 2425 |
TURPYN'S BOOK OF LUTE-SONGS
|
OBOUSSIER, PHILIPPE
|
|
1953
|
XXXVI |
2 |
p. 145-149
|
article
|
| 2426 |
TWENTIETH-CENTURY PAINTING: THE APPROACH THROUGH MUSIC
|
ASHWORTH, ALEC HARGREAVES
|
|
1939
|
XXXVI |
2 |
p. 115-129
|
article
|
| 2427 |
TWO DESCENDANTS OF JOSQUIN'S ‘HERCULES’ MASS
|
JACKSON, PHILIP T.
|
|
1978
|
XXXVI |
2 |
p. 188-205
|
article
|
| 2428 |
TWO GEORGIAN CLASSICS: ARNE AND STEVENS
|
CUDWORTH, CHARLES
|
|
1964
|
XXXVI |
2 |
p. 146-153
|
article
|
| 2429 |
TWO PIANOS
|
M. T.,
|
|
1965
|
XXXVI |
2 |
p. 185-189
|
article
|
| 2430 |
TWO PIANOS
|
P. F. W.,
|
|
1971
|
XXXVI |
2 |
p. 225-a-225
|
article
|
| 2431 |
TWO PIANOS
|
A. H.,
|
|
1964
|
XXXVI |
2 |
p. 196-a-196
|
article
|
| 2432 |
TWO PLANOS
|
C. M.,
|
|
1961
|
XXXVI |
2 |
p. 188-188
|
article
|
| 2433 |
TWO PLEAS FOR A FRENCH, FRENCH MUSIC
|
BANCROFT, DAVID
|
|
1967
|
XXXVI |
2 |
p. 109-119
|
article
|
| 2434 |
TWO UNPUBLISHED MENDELSSOHN CONCERTOS
|
WERNER, ERIC
|
|
1955
|
XXXVI |
2 |
p. 126-138
|
article
|
| 2435 |
TWO VIOLINS AND ORCHESTRA
|
E. P.,
|
|
1967
|
XXXVI |
2 |
p. 205-a-205
|
article
|
| 2436 |
UNANSWERABLE QUESTIONS/QUESTIONABLE ANSWERS
|
NICHOLLS, DAVID
|
|
1994
|
XXXVI |
2 |
p. 246-252
|
article
|
| 2437 |
‘UN BALLO IN MASCHERA’
|
DENT, EDWARD J.
|
|
1952
|
XXXVI |
2 |
p. 101-110
|
article
|
| 2438 |
VARIATION-FORM
|
HADOW, W. H.
|
|
1927
|
XXXVI |
2 |
p. 126-130
|
article
|
| 2439 |
VAUGHAN WILLIAMS'S CHOICE OF WORDS
|
KIMMEL, WILLIAM
|
|
1938
|
XXXVI |
2 |
p. 132-142
|
article
|
| 2440 |
VAUGHAN WILLIAMS'S “PASTORAL” SYMPHONY
|
HOWELLS, HERBERT
|
|
1922
|
XXXVI |
2 |
p. 122-132
|
article
|
| 2441 |
VERACINI, BENEDETTI AND TARTINI
|
GIANTURCO, CAROLYN
|
|
1976
|
XXXVI |
2 |
p. 227-b-227
|
article
|
| 2442 |
VERDI AND HIS CONTEMPORARIES
|
BONAVIA, F.
|
|
1923
|
XXXVI |
2 |
p. 178-183
|
article
|
| 2443 |
VERDI'S ‘ALZIRA’ AT NAPLES
|
SCHLITZER, FRANCO
|
|
1954
|
XXXVI |
2 |
p. 125-127
|
article
|
| 2444 |
VERDI'S ‘OTELLO’ AND ROSSINI'S
|
KLEIN, JOHN W.
|
|
1964
|
XXXVI |
2 |
p. 130-140
|
article
|
| 2445 |
VERGA AND MASCAGNI: THE CRITICS' RESPONSE TO ‘CAVALLERIA RUSTICANA’
|
SANSONE, MATTEO
|
|
1990
|
XXXVI |
2 |
p. 198-214
|
article
|
| 2446 |
VIOLA AND ORCHESTRA
|
|
|
1962
|
XXXVI |
2 |
p. 191-191
|
article
|
| 2447 |
VIOLA AND PIANO
|
R. L.,
|
|
1964
|
XXXVI |
2 |
p. 203-b-204
|
article
|
| 2448 |
VIOLA AND PIANO
|
E. R.,
|
|
1964
|
XXXVI |
2 |
p. 204-a-204
|
article
|
| 2449 |
VIOLA AND PIANO
|
E. P.,
|
|
1967
|
XXXVI |
2 |
p. 203-b-204
|
article
|
| 2450 |
VIOLA AND PIANO
|
P. A. E.,
|
|
1961
|
XXXVI |
2 |
p. 190-192
|
article
|
| 2451 |
VIOLIN AND CELLO
|
R. L.,
|
|
1964
|
XXXVI |
2 |
p. 204-c-204
|
article
|
| 2452 |
VIOLIN AND HARPSICHORD
|
P. A. E.,
|
|
1961
|
XXXVI |
2 |
p. 192-193
|
article
|
| 2453 |
VIOLIN AND PIANO
|
M. T,
|
|
1971
|
XXXVI |
2 |
p. 225-b-226
|
article
|
| 2454 |
VIOLIN AND PIANO
|
R. L.,
|
|
1964
|
XXXVI |
2 |
p. 204-b-204
|
article
|
| 2455 |
VIOLIN AND PIANO
|
I. K.,
|
|
1960
|
XXXVI |
2 |
p. 201-b-202
|
article
|
| 2456 |
VIOLIN AND PIANO
|
A. H.,
|
|
1963
|
XXXVI |
2 |
p. 203-a-203
|
article
|
| 2457 |
VIOLIN AND PIANO
|
BRAY, TREVOR
|
|
1975
|
XXXVI |
2 |
p. 243-a-243
|
article
|
| 2458 |
VIOLIN AND PIANO
|
I. K.,
|
|
1960
|
XXXVI |
2 |
p. 202-202
|
article
|
| 2459 |
VIOLIN AND PIANO
|
P. A. E.,
|
|
1961
|
XXXVI |
2 |
p. 193-194
|
article
|
| 2460 |
VIOLIN AND VIOLA
|
M. T.,
|
|
1973
|
XXXVI |
2 |
p. 253-a-253
|
article
|
| 2461 |
VIOLONCELLO PLAYING
|
SUGGIA, GUILHERMINA
|
|
1921
|
XXXVI |
2 |
p. 130-134
|
article
|
| 2462 |
VOCAL DUETS
|
T. H.,
|
|
1973
|
XXXVI |
2 |
p. 253-b-253
|
article
|
| 2463 |
VOICE AND ORCHESTRA
|
R. J. D.,
|
|
1961
|
XXXVI |
2 |
p. 194-a-194
|
article
|
| 2464 |
WAGNER AND JUDITH GAUTIER
|
JACOBS, ROBERT L.
|
|
1937
|
XXXVI |
2 |
p. 134-149
|
article
|
| 2465 |
WALTER DE LA MARE, THE LISTENER
|
ROBERTS, W. WRIGHT
|
|
1935
|
XXXVI |
2 |
p. 128-136
|
article
|
| 2466 |
WALTON'S ‘TROILUS AND CRESSIDA’
|
HUSSEY, DYNELEY
|
|
1955
|
XXXVI |
2 |
p. 139-145
|
article
|
| 2467 |
WALT WHITMAN AND THE ENGLISH COMPOSER
|
BUTCHER, A. V.
|
|
1947
|
XXXVI |
2 |
p. 154-167
|
article
|
| 2468 |
WASHINGTON IRVING, BARHAM LIVIUS AND WEBER
|
KIRBY, PERCIVAL. R.
|
|
1950
|
XXXVI |
2 |
p. 133-147
|
article
|
| 2469 |
WAS SIR WALTER SCOTT MUSICAL?
|
HEDLEY, A.
|
|
1936
|
XXXVI |
2 |
p. 151-153
|
article
|
| 2470 |
WEBER'S MOTHER AND HER FAMILY WITH SOME SIDELIGHTS ON MOZART
|
DEUTSCH, O. E.
|
|
1944
|
XXXVI |
2 |
p. 95-97
|
article
|
| 2471 |
WHAT BIBLIOGRAPHY CAN DO: MUSIC PRINTING AND THE EARLY MADRIGAL
|
BOORMAN, STANLEY
|
|
1991
|
XXXVI |
2 |
p. 236-258
|
article
|
| 2472 |
‘WHAT IF A DAY’
|
ELLIOTT, KENNETH
|
|
1963
|
XXXVI |
2 |
p. 206-a-206
|
article
|
| 2473 |
WHICH PSALMS WERE SUNG IN THE TEMPLE?
|
SMITH, J. A
|
|
1990
|
XXXVI |
2 |
p. 167-186
|
article
|
| 2474 |
WILHELM VON LENZ
|
NEWMAN, ERNEST
|
|
1927
|
XXXVI |
2 |
p. 268-272
|
article
|
| 2475 |
WILLIAM BYRD 1543–1623
|
FELLOWES, E. H.
|
|
1923
|
XXXVI |
2 |
p. 144-148
|
article
|
| 2476 |
WIND ENSEMBLE
|
BEECHEY, GWILYM
|
|
1975
|
XXXVI |
2 |
p. 243-b-244
|
article
|
| 2477 |
WIND ENSEMBLE
|
J. A. C.,
|
|
1967
|
XXXVI |
2 |
p. 205-b-205
|
article
|
| 2478 |
WIND ENSEMBLE
|
J. A. W.,
|
|
1961
|
XXXVI |
2 |
p. 194-b-194
|
article
|
| 2479 |
WIND QUARTET
|
J. A. C.,
|
|
1972
|
XXXVI |
2 |
p. 232-232
|
article
|
| 2480 |
WOODWIND ENSEMBLE
|
P. A. E.,
|
|
1963
|
XXXVI |
2 |
p. 203-b-203
|
article
|
| 2481 |
‘WOZZECK’—A SUMMING-UP
|
KLEIN, JOHN W.
|
|
1963
|
XXXVI |
2 |
p. 132-139
|
article
|
| 2482 |
YET ANOTHER ‘LEONORE’ OVERTURE?
|
TYSON, ALAN
|
|
1977
|
XXXVI |
2 |
p. 192-203
|
article
|
| 2483 |
‘ZAIDE’ IN THE DEVELOPMENT OF MOZART'S OPERATIC LANGUAGE
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TYLER, LINDA L.
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1991
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XXXVI |
2 |
p. 214-235
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article
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Journal description