| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A BEETHOVEN FRIENDSHIP
|
OLDMAN, C. B.
|
|
1936
|
XVII |
4 |
p. 328-336
|
artikel
|
| 2 |
A BIRTHDAY GREETING
|
|
|
1950
|
XVII |
4 |
p. 289-289
|
artikel
|
| 3 |
ABOUT “PIERROT LUNAIRE”
|
FLEURY, L.
|
|
1924
|
XVII |
4 |
p. 347-356
|
artikel
|
| 4 |
A CHECK-LIST OF BEETHOVEN'S CHAMBER MUSIC
|
MACARDLE, DONALD W.
|
|
1946
|
XVII |
4 |
p. 251-257
|
artikel
|
| 5 |
A COMPETITION
|
|
|
1938
|
XVII |
4 |
p. 373-374
|
artikel
|
| 6 |
A COMPLAINT OF THE DECAY OF VIOLIN SOLOS
|
SCOTT, MARION M.
|
|
1925
|
XVII |
4 |
p. 330-343
|
artikel
|
| 7 |
A CONTINENTAL MASS AND MOTET IN A TUDOR MANUSCRIPT
|
LOCKWOOD, LEWIS
|
|
1961
|
XVII |
4 |
p. 336-347
|
artikel
|
| 8 |
A DICTIONARY OF CHAMBER MUSIC
|
SCOTT, MARION M.
|
|
1929
|
XVII |
4 |
p. 363-371
|
artikel
|
| 9 |
A. E. HOUSMAN AND MUSIC
|
WHITE, WILLIAM
|
|
1943
|
XVII |
4 |
p. 208-219
|
artikel
|
| 10 |
A. E. HOUSMAN AND THE ENGLISH COMPOSER
|
BUTCHER, A. V.
|
|
1948
|
XVII |
4 |
p. 329-339
|
artikel
|
| 11 |
A FAR-EASTERN GATEWAY
|
HURRY, R. B.
|
|
1922
|
XVII |
4 |
p. 372-377
|
artikel
|
| 12 |
A FEUD BETWEEN CLEMENTI AND CRAMER
|
TYSON, ALAN
|
|
1974
|
XVII |
4 |
p. 509-a-509
|
artikel
|
| 13 |
A FEW DROPPED NOTES
|
SAMUEL, HAROLD
|
|
1923
|
XVII |
4 |
p. 371-374
|
artikel
|
| 14 |
A FORGOTTEN BEETHOVEN DOCUMENT
|
REICH, WILLI
|
|
1946
|
XVII |
4 |
p. 248-250
|
artikel
|
| 15 |
AFTER “THE RING”—A CALL TO GENIUS
|
STURZO, LUIGI
|
|
1927
|
XVII |
4 |
p. 418-424
|
artikel
|
| 16 |
AGAINST CREATION
|
PAREHURST, WINTHROP
|
|
1930
|
XVII |
4 |
p. 401-403
|
artikel
|
| 17 |
A. H. FOX STRANGWAYS, AET. LXXX
|
WILLIAMS, R. VAUGHAN
|
|
1939
|
XVII |
4 |
p. 349-350
|
artikel
|
| 18 |
A. H. FOX STRANGWAYS, AET. LXXX
|
WILSON., STEUART
|
|
1939
|
XVII |
4 |
p. 350-351
|
artikel
|
| 19 |
A. H. FOX STRANGWAYS, AET. LXXX
|
BLOM, ERIC
|
|
1939
|
XVII |
4 |
p. 343-344
|
artikel
|
| 20 |
A. H. FOX STRANGWAYS, AET. LXXX
|
KARPELES, MAUD
|
|
1939
|
XVII |
4 |
p. 347-b-348
|
artikel
|
| 21 |
A. H. FOX STRANGWAYS, AET. LXXX
|
DENT, EDWARD J.
|
|
1939
|
XVII |
4 |
p. 344-b-347
|
artikel
|
| 22 |
A. H. FOX STRANGWAYS, AET. LXXX
|
COLLES, H. C.
|
|
1939
|
XVII |
4 |
p. 344-a-344
|
artikel
|
| 23 |
A. H. FOX STRANGWAYS, AET. LXXX
|
DYSON, GEORGE
|
|
1939
|
XVII |
4 |
p. 347-a-347
|
artikel
|
| 24 |
A JENKINS AUTOGRAPH
|
FIELD, CHRISTOPHER
|
|
1970
|
XVII |
4 |
p. 472-a-472
|
artikel
|
| 25 |
ALESSANDRO SCARLATTI'S ‘TIGRANE’
|
PAULY, REINHARD G.
|
|
1954
|
XVII |
4 |
p. 339-346
|
artikel
|
| 26 |
A LESSON FROM THE MIDDLE AGES
|
GARDNER, GEORGE
|
|
1920
|
XVII |
4 |
p. 294-301
|
artikel
|
| 27 |
ALEXANDER GORDON, SCHOLAR AND SINGER
|
MOREY, CARL
|
|
1965
|
XVII |
4 |
p. 332-335
|
artikel
|
| 28 |
A LOST BACH MAGNIFICAT
|
WHITTAKER, W. GILLIES
|
|
1940
|
XVII |
4 |
p. 312-318
|
artikel
|
| 29 |
A LOST FRIEND
|
|
|
1951
|
XVII |
4 |
p. 401-c-402
|
artikel
|
| 30 |
A LUTE-MUSIC CATALOGUE
|
LUMSDEN, DAVID
|
|
1952
|
XVII |
4 |
p. 375-b-375
|
artikel
|
| 31 |
AMERICAN FOLK MUSIC
|
RICH, ARTHUR L.
|
|
1938
|
XVII |
4 |
p. 450-452
|
artikel
|
| 32 |
AMERICAN MUSIC ON THE GRAMOPHONE
|
FRANKENSTEIN, ALFRED
|
|
1960
|
XVII |
4 |
p. 360-365
|
artikel
|
| 33 |
A ‘MESSIAH’ PROBLEM
|
TOBIN, JOHN
|
|
1955
|
XVII |
4 |
p. 357-364
|
artikel
|
| 34 |
A MONTEVERDI SOURCE REAPPEARS: THE ‘GRILANDA’ OF F. M. FUCCI
|
GODT, IRVING
|
|
1979
|
XVII |
4 |
p. 428-439
|
artikel
|
| 35 |
A MOZART PROBLEM
|
HIRSCH, PAUL
|
|
1944
|
XVII |
4 |
p. 209-212
|
artikel
|
| 36 |
AN ‘ACIS AND GALATEA’ MS
|
RICHARDSON, CONSTANCE
|
|
1953
|
XVII |
4 |
p. 364-364
|
artikel
|
| 37 |
AN ACOUSTIC QUESTIONNAIRE FOR ORGANISTS
|
BAGENAL, HOPE
|
|
1926
|
XVII |
4 |
p. 364-a-364
|
artikel
|
| 38 |
AN AFFAIR OF HONOUR: ‘TUDOR CHURCH MUSIC’, THE OUSTING OF RICHARD TERRY, AND A TRUST VINDICATED
|
TURBET, RICHARD
|
|
1995
|
XVII |
4 |
p. 593-600
|
artikel
|
| 39 |
AN AMATEUR ELIZABETHAN COMPOSER1
|
FRASER, RUSSELL A.
|
|
1952
|
XVII |
4 |
p. 329-332
|
artikel
|
| 40 |
AN APOLOGY
|
J. A. W.,
|
|
1972
|
XVII |
4 |
p. 479-d-480
|
artikel
|
| 41 |
ANCIENT GREEK MUSIC: A SURVEY
|
WINNINGTON-INGRAM, R. P.
|
|
1929
|
XVII |
4 |
p. 326-345
|
artikel
|
| 42 |
‘ANCIENT’ MUSIC IN EIGHTEENTH-CENTURY ENGLAND
|
LOVELL, PERCY
|
|
1979
|
XVII |
4 |
p. 401-415
|
artikel
|
| 43 |
AN EARLY APPROPRIATION OF HANDEL'S
|
WERNER, TH. W.
|
|
1923
|
XVII |
4 |
p. 378-383
|
artikel
|
| 44 |
AN EARLY ESSAY IN ‘LEITMOTIV’: J. B. LEMOYNE'S ‘ÉLECTRE’
|
RUSHTON, JULIAN
|
|
1971
|
XVII |
4 |
p. 387-401
|
artikel
|
| 45 |
AN EARLY MOZARTIAN
|
DEAS, STEWART
|
|
1962
|
XVII |
4 |
p. 320-328
|
artikel
|
| 46 |
AN EARLY RESTORATION LITURGICAL MUSIC MANUSCRIPT
|
CROSBY, BRIAN
|
|
1974
|
XVII |
4 |
p. 458-464
|
artikel
|
| 47 |
A NEGLECTED SOURCE OF MONODY AND MADRIGAL
|
WILLETTS, PAMELA J.
|
|
1962
|
XVII |
4 |
p. 329-339
|
artikel
|
| 48 |
A NEW FIGURE IN THE HAYDN MASQUERADE
|
LARUE, JAN
|
|
1959
|
XVII |
4 |
p. 132-139
|
artikel
|
| 49 |
A NEW SCHUBERT LETTER
|
NORWOOD, EUGENE L.
|
|
1956
|
XVII |
4 |
p. 340-341
|
artikel
|
| 50 |
A NEW SOURCE OF MEDIEVAL ENGLISH POLYPHONIC MUSIC
|
SUMMERS, WILLIAM
|
|
1977
|
XVII |
4 |
p. 403-414
|
artikel
|
| 51 |
AN INTRODUCTION TO ORGAN MUSIC
|
FARMER, ARCHIBALD
|
|
1933
|
XVII |
4 |
p. 326-342
|
artikel
|
| 52 |
AN OFFENBACH CATALOGUE
|
DAUDY, PHILIPPE
|
|
1968
|
XVII |
4 |
p. 413-b-413
|
artikel
|
| 53 |
A NOTE ON PURCELL'S MUSIC
|
ARKWRIGHT, GODFREY E. P.
|
|
1921
|
XVII |
4 |
p. 395-395
|
artikel
|
| 54 |
ANOTHER GAULTIER AFFAIR
|
SPINK, IAN
|
|
1964
|
XVII |
4 |
p. 345-347
|
artikel
|
| 55 |
AN OUTLINE OF MAHLER
|
ABRAHAM, GERALD
|
|
1932
|
XVII |
4 |
p. 391-400
|
artikel
|
| 56 |
AN OXFORD COLLECTION OF MENDELSSOHNIANA
|
WALKER, ERNEST
|
|
1938
|
XVII |
4 |
p. 426-428
|
artikel
|
| 57 |
ANTHEM COMPETITION
|
|
|
1972
|
XVII |
4 |
p. 480-b-480
|
artikel
|
| 58 |
ANTHOLOGIES
|
J. A. C.,
|
|
1969
|
XVII |
4 |
p. 532-533
|
artikel
|
| 59 |
ANTHOLOGIES
|
A. H.,
|
|
1965
|
XVII |
4 |
p. 363-364
|
artikel
|
| 60 |
ANTHOLOGIES
|
J. A. W.,
|
|
1973
|
XVII |
4 |
p. 500-500
|
artikel
|
| 61 |
ANTHOLOGIES
|
J. D.,
|
|
1964
|
XVII |
4 |
p. 400-a-400
|
artikel
|
| 62 |
ANTHOLOGIES
|
P. A. E.,
|
|
1961
|
XVII |
4 |
p. 382-383
|
artikel
|
| 63 |
ANTHOLOGIES
|
I.K.,
|
|
1963
|
XVII |
4 |
p. 408-409
|
artikel
|
| 64 |
ANTHOLOGIES
|
I. K.,
|
|
1962
|
XVII |
4 |
p. 377-377
|
artikel
|
| 65 |
ANTONIO STRADIVARI: VIOLIN MAKER
|
SCOTT, MARION M.
|
|
1937
|
XVII |
4 |
p. 335-342
|
artikel
|
| 66 |
AN UNFINISHED OPERA BY BIZET
|
DEAN, WINTON
|
|
1947
|
XVII |
4 |
p. 347-363
|
artikel
|
| 67 |
AN UNKNOWN PAGANINI LETTER
|
HOLDE, ARTHUR
|
|
1947
|
XVII |
4 |
p. 338-340
|
artikel
|
| 68 |
A PORTRAIT CALLED CARISSIMI
|
ROSE, GLORIA
|
|
1970
|
XVII |
4 |
p. 400-403
|
artikel
|
| 69 |
APPERCIATION
|
|
|
1927
|
XVII |
4 |
p. 395-404
|
artikel
|
| 70 |
A RECONSTRUCTION OF NANNERL MOZART'S MUSIC BOOK (NOTENBUCH)
|
TYSON, ALAN
|
|
1979
|
XVII |
4 |
p. 389-400
|
artikel
|
| 71 |
A REMINISCENCE OF CLARA NOVELLO
|
MASSON, DAVID I.
|
|
1969
|
XVII |
4 |
p. 481-481
|
artikel
|
| 72 |
A REVISED CHAPTER ON EARS
|
YOUNG, PERCY M.
|
|
1946
|
XVII |
4 |
p. 258-263
|
artikel
|
| 73 |
ARNE AND ‘THE GUARDIAN OUTWITTED’
|
ROSCOE, P. C.
|
|
1943
|
XVII |
4 |
p. 237-245
|
artikel
|
| 74 |
ARNE'S ‘ALFRED’
|
SCOTT, ALEXANDER
|
|
1974
|
XVII |
4 |
p. 385-397
|
artikel
|
| 75 |
ARNOLD SCHŌNBERG 1874–1951
|
SEARLE, HUMPHREY
|
|
1951
|
XVII |
4 |
p. 321-c-322
|
artikel
|
| 76 |
ARNOLD SCHŌNBERG 1874–1951
|
CARNER, MOSCO
|
|
1951
|
XVII |
4 |
p. 309-a-309
|
artikel
|
| 77 |
ARNOLD SCHŌNBERG 1874–1951
|
MAR, NORMAN DEL
|
|
1951
|
XVII |
4 |
p. 317-318
|
artikel
|
| 78 |
ARNOLD SCHŌNBERG 1874–1951
|
BOULT, ADRIAN
|
|
1951
|
XVII |
4 |
p. 308-308
|
artikel
|
| 79 |
ARNOLD SCHŌNBERG 1874–1951
|
HOWELLS, HERBERT
|
|
1951
|
XVII |
4 |
p. 312-a-312
|
artikel
|
| 80 |
ARNOLD SCHÖNBERG 1874–1951
|
MYERS, ROLLO H.
|
|
1951
|
XVII |
4 |
p. 320-b-320
|
artikel
|
| 81 |
ARNOLD SCHÖNBERG 1874–1951
|
MURRILL, HERBERT
|
|
1951
|
XVII |
4 |
p. 320-a-320
|
artikel
|
| 82 |
ARNOLD SCHŌNBERG 1874–1951
|
WELLESZ, EGON
|
|
1951
|
XVII |
4 |
p. 322-b-323
|
artikel
|
| 83 |
ARNOLD SCHŌNBERG 1874–1951
|
JACOB, GORDON
|
|
1951
|
XVII |
4 |
p. 312-b-314
|
artikel
|
| 84 |
ARNOLD SCHŌNBERG 1874–1951
|
MELLERS, WILFRID
|
|
1951
|
XVII |
4 |
p. 318-320
|
artikel
|
| 85 |
ARNOLD SCHÖNBERG 1874–1951
|
SCOTT, MARION M.
|
|
1951
|
XVII |
4 |
p. 321-b-321
|
artikel
|
| 86 |
ARNOLD SCHŌNBERG 1874–1951
|
LOCKHART, G. H. M.
|
|
1951
|
XVII |
4 |
p. 314-b-315
|
artikel
|
| 87 |
ARNOLD SCHŌNBERG 1874–1951
|
BLISS, ARTHUR
|
|
1951
|
XVII |
4 |
p. 307-b-307
|
artikel
|
| 88 |
ARNOLD SCHŌNBERG 1874–1951
|
BLOM, ERIC
|
|
1951
|
XVII |
4 |
p. 307-c-308
|
artikel
|
| 89 |
ARNOLD SCHŌNBERG 1874–1951
|
MANN, W. S.
|
|
1951
|
XVII |
4 |
p. 316-317
|
artikel
|
| 90 |
ARNOLD SCHŌNBERG 1874–1951
|
AMIS, JOHN
|
|
1951
|
XVII |
4 |
p. 305-a-305
|
artikel
|
| 91 |
ARNOLD SCHŌNBERG 1874–1951
|
APRAHAMIAN, FELIX
|
|
1951
|
XVII |
4 |
p. 305-b-307
|
artikel
|
| 92 |
ARNOLD SCHŌNBERG 1874–1951
|
WILLIAMS, R. VAUGHAN
|
|
1951
|
XVII |
4 |
p. 322-a-322
|
artikel
|
| 93 |
ARNOLD SCHŌNBERG 1874–1951
|
BAX, ARNOLD
|
|
1951
|
XVII |
4 |
p. 307-a-307
|
artikel
|
| 94 |
ARNOLD SCHŌNBERG 1874–1951
|
LOCKSPEISER, EDWARD
|
|
1951
|
XVII |
4 |
p. 315-316
|
artikel
|
| 95 |
ARNOLD SCHŌNBERG 1874–1951
|
DYSON, GEORGE
|
|
1951
|
XVII |
4 |
p. 310-a-310
|
artikel
|
| 96 |
ARNOLD SCHŌNBERG 1874–1951
|
KEYS, IVOR
|
|
1951
|
XVII |
4 |
p. 314-a-314
|
artikel
|
| 97 |
ARNOLD SCHŌNBERG 1874–1951
|
GODDARD, SCOTT
|
|
1951
|
XVII |
4 |
p. 310-b-312
|
artikel
|
| 98 |
ARNOLD SCHŌNBERG 1874–1951
|
RUBBRA, EDMUND
|
|
1951
|
XVII |
4 |
p. 321-a-321
|
artikel
|
| 99 |
ARNOLD SCHÖNBERG 1874–1951
|
DEAN, WINTON
|
|
1951
|
XVII |
4 |
p. 309-b-310
|
artikel
|
| 100 |
ARNOLD SCHÖNBERG—I
|
VAN DEN LINDEN, R. CORT
|
|
1926
|
XVII |
4 |
p. 322-331
|
artikel
|
| 101 |
ARNOLD SCHOENBERG
|
STEUERMANN, CLARA
|
|
1976
|
XVII |
4 |
p. 456-c-456
|
artikel
|
| 102 |
ARRANGEMENTS AND TRANSCRIPTIONS
|
HOWARD-JONES, EVLYN
|
|
1935
|
XVII |
4 |
p. 305-311
|
artikel
|
| 103 |
A SEVENTEENTH-CENTURY TUTOR FOR THE HAUTBOY
|
HALFPENNY, ERIC
|
|
1949
|
XVII |
4 |
p. 355-363
|
artikel
|
| 104 |
ASPECTS OF STRAVINSKY'S WORK
|
BROWNE, ANDREW J.
|
|
1930
|
XVII |
4 |
p. 360-366
|
artikel
|
| 105 |
A STUDY OF ARTHUR HONEGGER
|
BROWNE, A. G.
|
|
1929
|
XVII |
4 |
p. 372-377
|
artikel
|
| 106 |
‘A THEORY FOR ALL MUSIC’
|
JOSEPH, ROSEMARY
|
|
1987
|
XVII |
4 |
p. 416-418
|
artikel
|
| 107 |
A TRIP TO THE CANADIAN FESTIVALS
|
GREENE, HARRY PLUNKET
|
|
1923
|
XVII |
4 |
p. 356-370
|
artikel
|
| 108 |
AUDREY MILDMAY CHRISTIE
|
CHRISTIE, JOHN
|
|
1953
|
XVII |
4 |
p. 362-363
|
artikel
|
| 109 |
A UNIQUE NOTRE-DAME MOTET TENOR RELATIONSHIP
|
ANDERSON, GORDON A.
|
|
1974
|
XVII |
4 |
p. 398-409
|
artikel
|
| 110 |
A VIOLONCELLO LESSON
|
EDITOR, THE
|
|
1921
|
XVII |
4 |
p. 359-363
|
artikel
|
| 111 |
BACH AS TRANSCRIBER*
|
PAUL, LESLIE D.
|
|
1953
|
XVII |
4 |
p. 306-313
|
artikel
|
| 112 |
BACH'S B MINOR MASS
|
BULLIVANT, ROGER
|
|
1962
|
XVII |
4 |
p. 393-394
|
artikel
|
| 113 |
BACH'S ’FIAUTI D'ECHO’
|
DART, THURSTON
|
|
1960
|
XVII |
4 |
p. 331-341
|
artikel
|
| 114 |
BACH'S SYMBOLIC LANGUAGE
|
EMERY, WALTER
|
|
1949
|
XVII |
4 |
p. 345-354
|
artikel
|
| 115 |
BALAKIREV'S LETTERS TO CALVOCORESSI
|
MONTAGU-NATHAN, M.
|
|
1954
|
XVII |
4 |
p. 347-360
|
artikel
|
| 116 |
BALAKIREV'S SYMPHONIES
|
ABRAHAM, GERALD
|
|
1933
|
XVII |
4 |
p. 355-363
|
artikel
|
| 117 |
BALANCE OR DECADENCE ?
|
GLYN, MARGARET H.
|
|
1937
|
XVII |
4 |
p. 369-373
|
artikel
|
| 118 |
BALLET
|
R. T. B.,
|
|
1970
|
XVII |
4 |
p. 464-a-464
|
artikel
|
| 119 |
BALLET
|
N. C. F.,
|
|
1967
|
XVII |
4 |
p. 392-a-392
|
artikel
|
| 120 |
BARBER'S PIANO SONATA Op. 26
|
TISCHLER, HANS
|
|
1952
|
XVII |
4 |
p. 352-354
|
artikel
|
| 121 |
BARQUE INTERPRETATION
|
DONINGTON, ROBERT
|
|
1965
|
XVII |
4 |
p. 381-382
|
artikel
|
| 122 |
BASQUE WASSAILING SONGS
|
GALLOP, RODNEY A.
|
|
1930
|
XVII |
4 |
p. 324-340
|
artikel
|
| 123 |
BASSOON AND PIANO
|
A. H.,
|
|
1961
|
XVII |
4 |
p. 383-a-383
|
artikel
|
| 124 |
BEETHOVEN
|
CAPELL, RICHARD
|
|
1938
|
XVII |
4 |
p. 375-390
|
artikel
|
| 125 |
BEETHOVEN AND KOZELUCH
|
WAKELING, DONALD R.
|
|
1952
|
XVII |
4 |
p. 374-375
|
artikel
|
| 126 |
BEETHOVEN AND THE BACH FAMILY
|
MACARDLE, DONALD W.
|
|
1957
|
XVII |
4 |
p. 353-358
|
artikel
|
| 127 |
BEETHOVEN AND THE METRONOME
|
STADLEN, PETER
|
|
1967
|
XVII |
4 |
p. 330-357
|
artikel
|
| 128 |
BEETHOVEN PLANS THE TENTH
|
COLE, ROBERT
|
|
1932
|
XVII |
4 |
p. 359-359
|
artikel
|
| 129 |
BEETHOVEN'S “ALLEGRO ASSAI”
|
DEAS, STEWART
|
|
1950
|
XVII |
4 |
p. 333-336
|
artikel
|
| 130 |
BEETHOVEN'S KEY SCHEMES
|
LEAVIS, RALPH
|
|
1985
|
XVII |
4 |
p. 418-b-418
|
artikel
|
| 131 |
BEETHOVEN'S LAST SONATA
|
BARFORD, PHILIP T.
|
|
1954
|
XVII |
4 |
p. 320-331
|
artikel
|
| 132 |
BEETHOVEN'S LETTERS
|
MISCH, LUDWIG
|
|
1953
|
XVII |
4 |
p. 363-b-363
|
artikel
|
| 133 |
BEETHOVEN'S NOTTURNO, OP. 42
|
HESS, WILLY
|
|
1952
|
XVII |
4 |
p. 375-a-375
|
artikel
|
| 134 |
BEETHOVEN'S TENTH SYMPHONY
|
COOPER, BARRY
|
|
1985
|
XVII |
4 |
p. 418-a-418
|
artikel
|
| 135 |
BEFORE THE CONQUEST
|
STOOKES, SACHA
|
|
1954
|
XVII |
4 |
p. 287-293
|
artikel
|
| 136 |
BELLINI AND ‘BEATRICE DI TENDA’
|
BOROMÉ, JOSEPH A.
|
|
1961
|
XVII |
4 |
p. 319-335
|
artikel
|
| 137 |
BELLINI'S ‘BEATRICE DI TENDA’
|
BOROMÉ, JOSEPH A.
|
|
1963
|
XVII |
4 |
p. 419-420
|
artikel
|
| 138 |
BERLIOZ AND THE ‘MARSEILLAISE’
|
HOPKINSON, CECIL
|
|
1970
|
XVII |
4 |
p. 435-439
|
artikel
|
| 139 |
BERNARD VAN DIEREN
|
CHISHOLM, ALASTAIR
|
|
1972
|
XVII |
4 |
p. 478-a-478
|
artikel
|
| 140 |
BERNHARD SPRENGEL PRIZE FOR CHAMBER MUSIC
|
|
|
1968
|
XVII |
4 |
p. 414-c-414
|
artikel
|
| 141 |
BIBLIOGRAPHY
|
C. B. O.,
|
|
1928
|
XVII |
4 |
p. 389-391
|
artikel
|
| 142 |
BINARY AND TERNARY FORM
|
DENT, EDWARD J.
|
|
1936
|
XVII |
4 |
p. 309-321
|
artikel
|
| 143 |
BIZET'S ADMIRERS AND DETRACTORS
|
KLEIN, JOHN W.
|
|
1938
|
XVII |
4 |
p. 405-416
|
artikel
|
| 144 |
BLOW'S E MINOR GROUND
|
SHAW, WATKINS
|
|
1969
|
XVII |
4 |
p. 555-a-555
|
artikel
|
| 145 |
BOOK REVIEWS
|
S. G.,
|
|
1939
|
XVII |
4 |
p. 456-457
|
artikel
|
| 146 |
BOOK REVIEWS
|
E. B.,
|
|
1942
|
XVII |
4 |
p. 326-b-326
|
artikel
|
| 147 |
BOOK REVIEWS
|
EB,
|
|
1942
|
XVII |
4 |
p. 322-324
|
artikel
|
| 148 |
BOOK REVIEWS
|
S. G.,
|
|
1942
|
XVII |
4 |
p. 326-a-326
|
artikel
|
| 149 |
BOOK REVIEWS
|
E. B.,
|
|
1942
|
XVII |
4 |
p. 325-326
|
artikel
|
| 150 |
BOOK REVIEWS
|
|
|
1929
|
XVII |
4 |
p. 409-b-411
|
artikel
|
| 151 |
BOOK REVIEWS
|
C. S. T.,
|
|
1932
|
XVII |
4 |
p. 437-437
|
artikel
|
| 152 |
BOOK REVIEWS
|
FELLOWES, E. H.
|
|
1932
|
XVII |
4 |
p. 425-428
|
artikel
|
| 153 |
BOOK REVIEWS
|
TERRY, C. S.
|
|
1932
|
XVII |
4 |
p. 435-435
|
artikel
|
| 154 |
BOOK REVIEWS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 441-b-441
|
artikel
|
| 155 |
BOOK REVIEWS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 443-444
|
artikel
|
| 156 |
BOOK REVIEWS
|
A. H. F. S.,
|
|
1932
|
XVII |
4 |
p. 436-b-437
|
artikel
|
| 157 |
BOOK REVIEWS
|
COOPERSMITH, J. M.
|
|
1932
|
XVII |
4 |
p. 438-b-439
|
artikel
|
| 158 |
BOOK REVIEWS
|
MORRISON, ANGUS
|
|
1932
|
XVII |
4 |
p. 428-430
|
artikel
|
| 159 |
BOOK REVIEWS
|
INGRAM, R. P. WINNINGTON
|
|
1932
|
XVII |
4 |
p. 438-a-438
|
artikel
|
| 160 |
BOOK REVIEWS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 442-a-442
|
artikel
|
| 161 |
BOOK REVIEWS
|
WILSON, STEUART
|
|
1932
|
XVII |
4 |
p. 430-434
|
artikel
|
| 162 |
BOOK REVIEWS
|
FORD, WALTER
|
|
1932
|
XVII |
4 |
p. 448-a-448
|
artikel
|
| 163 |
BOOK REVIEWS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 442-b-443
|
artikel
|
| 164 |
BOOK REVIEWS
|
C. S. T.,
|
|
1932
|
XVII |
4 |
p. 436-a-436
|
artikel
|
| 165 |
BOOK REVIEWS
|
COOPERSMITH, J. M.
|
|
1932
|
XVII |
4 |
p. 439-a-439
|
artikel
|
| 166 |
BOOK REVIEWS
|
F. B.,
|
|
1932
|
XVII |
4 |
p. 446-448
|
artikel
|
| 167 |
BOOK REVIEWS
|
F. B.,
|
|
1932
|
XVII |
4 |
p. 444-445
|
artikel
|
| 168 |
BOOK REVIEWS
|
AIKIN, W. A.
|
|
1932
|
XVII |
4 |
p. 448-b-449
|
artikel
|
| 169 |
BOOK REVIEWS
|
F. B.,
|
|
1932
|
XVII |
4 |
p. 445-446
|
artikel
|
| 170 |
BOOK REVIEWS
|
A.H.F.S,
|
|
1929
|
XVII |
4 |
p. 409-a-409
|
artikel
|
| 171 |
BOOK REVIEWS
|
KLEIN, HERMAN
|
|
1932
|
XVII |
4 |
p. 439-b-440
|
artikel
|
| 172 |
BOOK REVIEWS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 441-a-441
|
artikel
|
| 173 |
BOOK REVIEWS
|
J. A. W.,
|
|
1941
|
XVII |
4 |
p. 388-389
|
artikel
|
| 174 |
BOOKS RECEIVED
|
|
|
1937
|
XVII |
4 |
p. 426-426
|
artikel
|
| 175 |
Books Received
|
|
|
1892
|
XVII |
4 |
p. 434-434
|
artikel
|
| 176 |
BOOKS RECEIVED
|
|
|
1969
|
XVII |
4 |
p. 555-c-560
|
artikel
|
| 177 |
BOOKS RECEIVED
|
|
|
1968
|
XVII |
4 |
p. 415-415
|
artikel
|
| 178 |
BOOKS RECEIVED
|
|
|
1974
|
XVII |
4 |
p. 510-b-510
|
artikel
|
| 179 |
BOOKS RECEIVED
|
|
|
1931
|
XVII |
4 |
p. 425-425
|
artikel
|
| 180 |
BOOKS RECEIVED
|
|
|
1966
|
XVII |
4 |
p. 384-384
|
artikel
|
| 181 |
BOOKS RECEIVED
|
|
|
1977
|
XVII |
4 |
p. 506-506
|
artikel
|
| 182 |
BOOKS RECEIVED
|
|
|
1971
|
XVII |
4 |
p. 468-469
|
artikel
|
| 183 |
BOOKS RECEIVED
|
|
|
1973
|
XVII |
4 |
p. 523-524
|
artikel
|
| 184 |
BOOKS RECEIVED
|
|
|
1976
|
XVII |
4 |
p. 457a-457
|
artikel
|
| 185 |
BOOKS RECEIVED
|
|
|
1967
|
XVII |
4 |
p. 415-b-416
|
artikel
|
| 186 |
BORODIN AS A SYMPHONIST
|
ABRAHAM, GERALD E. H.
|
|
1930
|
XVII |
4 |
p. 352-359
|
artikel
|
| 187 |
BRAHMS'S LETTERS TO HENSCHEL
|
BOZARTH, GEORGE S.
|
|
1995
|
XVII |
4 |
p. 657-c-657
|
artikel
|
| 188 |
BRASS ENSEMBLE
|
GREER, DAVID
|
|
1974
|
XVII |
4 |
p. 497-a-497
|
artikel
|
| 189 |
BRASS INSTRUMENTS IN THE ORCHESTRA
|
CARSE, ADAM
|
|
1922
|
XVII |
4 |
p. 378-382
|
artikel
|
| 190 |
BRITISH MUSICIANS A CENTURY AGO
|
FARMER, HENRY GEORGE
|
|
1931
|
XVII |
4 |
p. 384-392
|
artikel
|
| 191 |
BRITISH THESIS SERVICE
|
SEED, ANDREA
|
|
1993
|
XVII |
4 |
p. 655-b-656
|
artikel
|
| 192 |
BRITTEN'S ‘GLORIANA’
|
PORTER, ANDREW
|
|
1953
|
XVII |
4 |
p. 277-287
|
artikel
|
| 193 |
BYRD'S ALLELUIAS
|
PALMER, WILLIAM
|
|
1952
|
XVII |
4 |
p. 322-328
|
artikel
|
| 194 |
CABACO'S SONG*
|
REED, HENRY
|
|
1953
|
XVII |
4 |
p. 314-314
|
artikel
|
| 195 |
CABEZÓN'S ‘PAVANA ITALIANA’
|
LEAVIS, RALPH
|
|
1972
|
XVII |
4 |
p. 479-b-479
|
artikel
|
| 196 |
CALDERÓN'S ‘FALERINA’ AND MUSIC
|
POLLIN, ALICE M.
|
|
1968
|
XVII |
4 |
p. 317-328
|
artikel
|
| 197 |
CANONS
|
J. D.,
|
|
1964
|
XVII |
4 |
p. 400-b-401
|
artikel
|
| 198 |
CARTS AND HORSES
|
WOOD, RALPH W.
|
|
1953
|
XVII |
4 |
p. 324-328
|
artikel
|
| 199 |
CASANOVA AND “DON GIOVANNI”
|
HUSSEY, DYNELEY
|
|
1927
|
XVII |
4 |
p. 470-472
|
artikel
|
| 200 |
CASTILON ON THE CLARINET
|
HALFPENNY, ERIC
|
|
1954
|
XVII |
4 |
p. 332-338
|
artikel
|
| 201 |
CATEGORIES
|
COLLES, H. C.
|
|
1928
|
XVII |
4 |
p. 336-340
|
artikel
|
| 202 |
CELESTA AND HARPSICHORD
|
J. A. C.,
|
|
1972
|
XVII |
4 |
p. 467-b-468
|
artikel
|
| 203 |
CELLO AND ORCHESTRA
|
M. T.,
|
|
1965
|
XVII |
4 |
p. 365-367
|
artikel
|
| 204 |
CELLO AND ORCHESTRA
|
T., M.
|
|
1971
|
XVII |
4 |
p. 457-459
|
artikel
|
| 205 |
CELLO AND ORCHESTRA
|
M. T.,
|
|
1972
|
XVII |
4 |
p. 468-b-468
|
artikel
|
| 206 |
CELLO AND ORCHESTRA
|
R. L.,
|
|
1964
|
XVII |
4 |
p. 402-a-402
|
artikel
|
| 207 |
CELLO AND ORCHESTRA
|
M. T.,
|
|
1973
|
XVII |
4 |
p. 501-b-502
|
artikel
|
| 208 |
CELLO AND ORCHESTRA
|
P. A. E.,
|
|
1960
|
XVII |
4 |
p. 393-393
|
artikel
|
| 209 |
CELLO AND PIANO
|
C. H.,
|
|
1967
|
XVII |
4 |
p. 392-b-393
|
artikel
|
| 210 |
CELLO AND PIANO
|
R. T. B.,
|
|
1968
|
XVII |
4 |
p. 401-a-401
|
artikel
|
| 211 |
CELLO AND PIANO
|
M. T.,
|
|
1973
|
XVII |
4 |
p. 501-a-501
|
artikel
|
| 212 |
CELLO AND PIANO
|
I.K.,
|
|
1963
|
XVII |
4 |
p. 409-a-409
|
artikel
|
| 213 |
CELLO AND PIANO
|
A. H.,
|
|
1961
|
XVII |
4 |
p. 383-b-384
|
artikel
|
| 214 |
CELLO AND PIANO
|
I. K.,
|
|
1964
|
XVII |
4 |
p. 402-b-402
|
artikel
|
| 215 |
CELLO AND PIANO
|
M. T.,
|
|
1972
|
XVII |
4 |
p. 468-a-468
|
artikel
|
| 216 |
CELLO AND PIANO
|
BRAY, TREVOR
|
|
1974
|
XVII |
4 |
p. 497-b-498
|
artikel
|
| 217 |
CHAMBER MUSIC
|
D. W.,
|
|
1965
|
XVII |
4 |
p. 367-367
|
artikel
|
| 218 |
CHAMBER MUSIC
|
M. T.,
|
|
1970
|
XVII |
4 |
p. 464-b-465
|
artikel
|
| 219 |
CHAMBER MUSIC
|
A. H.,
|
|
1964
|
XVII |
4 |
p. 402-c-403
|
artikel
|
| 220 |
CHAMBER MUSIC
|
BONAVIA, F.
|
|
1928
|
XVII |
4 |
p. 368-371
|
artikel
|
| 221 |
CHAMBER MUSIC
|
E. P.,
|
|
1969
|
XVII |
4 |
p. 533-534
|
artikel
|
| 222 |
CHAMBER MUSIC
|
H. F.,
|
|
1973
|
XVII |
4 |
p. 502-a-502
|
artikel
|
| 223 |
CHAMBER MUSIC
|
E. P.,
|
|
1968
|
XVII |
4 |
p. 401-b-403
|
artikel
|
| 224 |
CHAMBER MUSIC
|
I. K.,
|
|
1961
|
XVII |
4 |
p. 384-385
|
artikel
|
| 225 |
CHAMBER MUSIC
|
P. A. E.,
|
|
1962
|
XVII |
4 |
p. 378-378
|
artikel
|
| 226 |
CHAMBER MUSIC
|
S., I.
|
|
1971
|
XVII |
4 |
p. 459-a-459
|
artikel
|
| 227 |
CHAMBER MUSIC
|
BRAY, TREVOR
|
|
1974
|
XVII |
4 |
p. 498-499
|
artikel
|
| 228 |
CHAMBER MUSIC
|
P. A. E.,
|
|
1960
|
XVII |
4 |
p. 394-b-395
|
artikel
|
| 229 |
CHAMBER MUSIC
|
I. K.,
|
|
1960
|
XVII |
4 |
p. 394-a-394
|
artikel
|
| 230 |
CHARLES KOECHLIN'S INSTRUMENTAL WORKS
|
CALVOCORESSI, M. D.
|
|
1924
|
XVII |
4 |
p. 357-364
|
artikel
|
| 231 |
CHARLES WOOD
|
COPLEY, I. A.
|
|
1968
|
XVII |
4 |
p. 414-a-414
|
artikel
|
| 232 |
CHOPIN AND HIS ENGLISH PUBLISHER
|
BROWN, MAURICE J. E.
|
|
1958
|
XVII |
4 |
p. 363-371
|
artikel
|
| 233 |
‘CHOPIN STUDIES’
|
GRUDZIŃSKI, ALBERT
|
|
1994
|
XVII |
4 |
p. 661-661
|
artikel
|
| 234 |
Choral
|
F.S.,
|
|
1925
|
XVII |
4 |
p. 383-384
|
artikel
|
| 235 |
CHORAL MUSIC
|
J. A. W.,
|
|
1967
|
XVII |
4 |
p. 395-396
|
artikel
|
| 236 |
CHORAL MUSIC
|
I. D. B.,
|
|
1967
|
XVII |
4 |
p. 393-394
|
artikel
|
| 237 |
CHORAL MUSIC
|
J. A. W.,
|
|
1969
|
XVII |
4 |
p. 538-a-538
|
artikel
|
| 238 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1968
|
XVII |
4 |
p. 403-404
|
artikel
|
| 239 |
CHORAL MUSIC
|
J. A. W.,
|
|
1968
|
XVII |
4 |
p. 406-a-406
|
artikel
|
| 240 |
CHORAL MUSIC
|
P. E. P.,
|
|
1965
|
XVII |
4 |
p. 368-a-368
|
artikel
|
| 241 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1964
|
XVII |
4 |
p. 403-404
|
artikel
|
| 242 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1969
|
XVII |
4 |
p. 534-537
|
artikel
|
| 243 |
CHORAL MUSIC
|
D. W.,
|
|
1969
|
XVII |
4 |
p. 538-b-539
|
artikel
|
| 244 |
CHORAL MUSIC
|
J. V. C.,
|
|
1972
|
XVII |
4 |
p. 470-b-471
|
artikel
|
| 245 |
CHORAL MUSIC
|
R. B.,
|
|
1973
|
XVII |
4 |
p. 506-507
|
artikel
|
| 246 |
CHORAL MUSIC
|
P. J. D.,
|
|
1973
|
XVII |
4 |
p. 502-b-503
|
artikel
|
| 247 |
CHORAL MUSIC
|
H., P. le
|
|
1968
|
XVII |
4 |
p. 404-405
|
artikel
|
| 248 |
CHORAL MUSIC
|
J. D.,
|
|
1962
|
XVII |
4 |
p. 379-382
|
artikel
|
| 249 |
CHORAL MUSIC
|
D. A.,
|
|
1971
|
XVII |
4 |
p. 459-b-460
|
artikel
|
| 250 |
CHORAL MUSIC
|
A. M. L.,
|
|
1973
|
XVII |
4 |
p. 507-508
|
artikel
|
| 251 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1961
|
XVII |
4 |
p. 386-387
|
artikel
|
| 252 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1960
|
XVII |
4 |
p. 395-396
|
artikel
|
| 253 |
CHORAL MUSIC
|
B. W. G. R.,
|
|
1960
|
XVII |
4 |
p. 396-397
|
artikel
|
| 254 |
CLARINET AND ORCHESTRA
|
R. T. B.,
|
|
1968
|
XVII |
4 |
p. 406-b-406
|
artikel
|
| 255 |
CLARINET AND ORCHESTRA
|
J. A. C.,
|
|
1965
|
XVII |
4 |
p. 370-b-370
|
artikel
|
| 256 |
CLARINET AND PIANO
|
P.A.E.,
|
|
1963
|
XVII |
4 |
p. 409-b-409
|
artikel
|
| 257 |
CLARINET AND PIANO
|
I. K.,
|
|
1962
|
XVII |
4 |
p. 383-a-383
|
artikel
|
| 258 |
CLARINET AND PIANO
|
P. A. E.,
|
|
1962
|
XVII |
4 |
p. 383-b-384
|
artikel
|
| 259 |
CLARINET AND PIANO
|
RUSHTON, JULIAN
|
|
1974
|
XVII |
4 |
p. 499-500
|
artikel
|
| 260 |
CLARINET AND PIANO
|
J. A. C.,
|
|
1965
|
XVII |
4 |
p. 371-a-371
|
artikel
|
| 261 |
CLARINET AND PIANO
|
C. M.,
|
|
1960
|
XVII |
4 |
p. 398-a-398
|
artikel
|
| 262 |
CLARINET AND PIANO
|
C. M,
|
|
1960
|
XVII |
4 |
p. 397-397
|
artikel
|
| 263 |
CLARINET SOLO
|
J. A. C.,
|
|
1965
|
XVII |
4 |
p. 370-a-370
|
artikel
|
| 264 |
CLAUDE DEBUSSY AND RUSSIAN MUSIC
|
MYERS, ROLLO H.
|
|
1958
|
XVII |
4 |
p. 336-342
|
artikel
|
| 265 |
CLAVICHORD
|
J. A. W.,
|
|
1965
|
XVII |
4 |
p. 371-b-371
|
artikel
|
| 266 |
CLAVICHORD
|
I. K.,
|
|
1962
|
XVII |
4 |
p. 383-c-383
|
artikel
|
| 267 |
CLEMENTI's TURN
|
TEMPERLEY, NICHOLAS
|
|
1986
|
XVII |
4 |
p. 454-454
|
artikel
|
| 268 |
COLLECTED EDITION
|
J. A. W.,
|
|
1964
|
XVII |
4 |
p. 399-400
|
artikel
|
| 269 |
COLLECTED EDITIONS
|
J. A. C.,
|
|
1968
|
XVII |
4 |
p. 399-400
|
artikel
|
| 270 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1965
|
XVII |
4 |
p. 362-a-362
|
artikel
|
| 271 |
COLLECTED EDITIONS
|
C. A. J.,
|
|
1970
|
XVII |
4 |
p. 462-462
|
artikel
|
| 272 |
COLLECTED EDITIONS
|
F. D.,
|
|
1970
|
XVII |
4 |
p. 463-464
|
artikel
|
| 273 |
COLLECTED EDITIONS
|
J. A. C.,
|
|
1972
|
XVII |
4 |
p. 463-464
|
artikel
|
| 274 |
COLLECTED EDITIONS
|
JEFFERY, BRIAN
|
|
1974
|
XVII |
4 |
p. 496-497
|
artikel
|
| 275 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1968
|
XVII |
4 |
p. 400-401
|
artikel
|
| 276 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1962
|
XVII |
4 |
p. 373-374
|
artikel
|
| 277 |
COLLECTED EDITIONS
|
D. C. G.,
|
|
1969
|
XVII |
4 |
p. 529-b-531
|
artikel
|
| 278 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1969
|
XVII |
4 |
p. 529-a-529
|
artikel
|
| 279 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1969
|
XVII |
4 |
p. 531-532
|
artikel
|
| 280 |
COLLECTED EDITIONS
|
J. R.,
|
|
1973
|
XVII |
4 |
p. 499-a-499
|
artikel
|
| 281 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1973
|
XVII |
4 |
p. 499-b-500
|
artikel
|
| 282 |
COLLECTED EDITIONS
|
D. L.,
|
|
1961
|
XVII |
4 |
p. 381-382
|
artikel
|
| 283 |
COLLECTED EDITIONS
|
P. S.,
|
|
1962
|
XVII |
4 |
p. 375-377
|
artikel
|
| 284 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1962
|
XVII |
4 |
p. 374-374
|
artikel
|
| 285 |
COLLECTED EDITIONS
|
J. A. W.,
|
|
1962
|
XVII |
4 |
p. 372-373
|
artikel
|
| 286 |
COLLECTED EDITIONS
|
A. H.,
|
|
1964
|
XVII |
4 |
p. 398-399
|
artikel
|
| 287 |
COLLECTED EDITIONS
|
G. R.,
|
|
1961
|
XVII |
4 |
p. 379-380
|
artikel
|
| 288 |
COLLECTED EDITIONS
|
I. K.,
|
|
1961
|
XVII |
4 |
p. 380-381
|
artikel
|
| 289 |
COLLECTED EDITIONS
|
P. A. E.,
|
|
1960
|
XVII |
4 |
p. 391-393
|
artikel
|
| 290 |
COLLECTED EDITIONS
|
J. D.,
|
|
1960
|
XVII |
4 |
p. 389-391
|
artikel
|
| 291 |
COLONIAL AUSTRALIAN MUSIC
|
HORT, D.
|
|
1970
|
XVII |
4 |
p. 472-b-473
|
artikel
|
| 292 |
COMING OF AGE
|
BLOM, ERIC
|
|
1940
|
XVII |
4 |
p. 303-304
|
artikel
|
| 293 |
COMMON GROUND OR NO-MAN'-SLAND?
|
ASHWORTH, A. HARGREAVES
|
|
1941
|
XVII |
4 |
p. 367-380
|
artikel
|
| 294 |
‘COMPOSER RESOURCE MANUALS’ AND CD-ROM
|
TURBET, RICHARD
|
|
1993
|
XVII |
4 |
p. 655-a-655
|
artikel
|
| 295 |
CONCERNING THE ORIGINS OF THE MEDIEVAL LAI
|
REANEY, GILBERT
|
|
1958
|
XVII |
4 |
p. 343-346
|
artikel
|
| 296 |
CONCERNING WILLIAM PARSONS
|
FORD, WYN K.
|
|
1956
|
XVII |
4 |
p. 333-335
|
artikel
|
| 297 |
CONFRATERNAL
|
HOWES, FRANK
|
|
1954
|
XVII |
4 |
p. 279-b-280
|
artikel
|
| 298 |
CONGREVE'S ‘SEMELE’
|
LINCOLN, STODDARD
|
|
1963
|
XVII |
4 |
p. 417-b-419
|
artikel
|
| 299 |
CONGREVE'S ‘SEMELE’
|
DEAN, WINTON
|
|
1963
|
XVII |
4 |
p. 417-a-419
|
artikel
|
| 300 |
CONTEMPLATION AND REALITY: A STUDY IN BRITTEN'S ‘DEATH IN VENICE’
|
HINDLEY, CLIFFORD
|
|
1990
|
XVII |
4 |
p. 511-523
|
artikel
|
| 301 |
CONTINUITY, TRADITION AND CHANGE IN ENGLISH MUSIC UP TO 1600
|
HUGHES, ANDREW
|
|
1965
|
XVII |
4 |
p. 306-315
|
artikel
|
| 302 |
CONVIVIAL
|
LATHAM, PETER
|
|
1954
|
XVII |
4 |
p. 284-285
|
artikel
|
| 303 |
COPYRIGHT OF THE COMPOSER
|
THRING, G. HERBERT
|
|
1920
|
XVII |
4 |
p. 353-358
|
artikel
|
| 304 |
CORRECTION
|
|
|
1954
|
XVII |
4 |
p. 395-s-395
|
artikel
|
| 305 |
Correction
|
|
|
1973
|
XVII |
4 |
p. 498-s-498
|
artikel
|
| 306 |
CORRESPONDENCE
|
TEMPERLEY, NICHOLAS
|
|
1967
|
XVII |
4 |
p. 411-a-411
|
artikel
|
| 307 |
CORRESPONDENCE
|
SOPHER, ALAN
|
|
1967
|
XVII |
4 |
p. 410-a-410
|
artikel
|
| 308 |
CORRESPONDENCE
|
WALKER, ALAN
|
|
1967
|
XVII |
4 |
p. 411-b-412
|
artikel
|
| 309 |
CORRESPONDENCE
|
LOEWENBERG, ALFRED
|
|
1939
|
XVII |
4 |
p. 466-468
|
artikel
|
| 310 |
CORRESPONDENCE
|
Boorman, Stanley
|
|
1989
|
XVII |
4 |
p. 600-601
|
artikel
|
| 311 |
CORRESPONDENCE
|
LONG, JOHN H.
|
|
1967
|
XVII |
4 |
p. 412-a-412
|
artikel
|
| 312 |
CORRESPONDENCE
|
SADIE, STANLEY
|
|
1967
|
XVII |
4 |
p. 410-b-411
|
artikel
|
| 313 |
CORRESPONDENCE
|
FENTON, L.
|
|
1967
|
XVII |
4 |
p. 414-b-414
|
artikel
|
| 314 |
CORRESPONDENCE
|
CREWDSON, H. A. F.
|
|
1967
|
XVII |
4 |
p. 413-414
|
artikel
|
| 315 |
CORRESPONDENCE
|
MOTLEY, ARCHIE
|
|
1967
|
XVII |
4 |
p. 414-c-415
|
artikel
|
| 316 |
CORRESPONDENCE
|
TYSON, ALAN
|
|
1967
|
XVII |
4 |
p. 412-b-413
|
artikel
|
| 317 |
CORRESPONDENCE
|
LEAVIS, RALPH
|
|
1967
|
XVII |
4 |
p. 414-a-414
|
artikel
|
| 318 |
CORRESPONDENCE
|
WALKER, FRANK
|
|
1948
|
XVII |
4 |
p. 433-434
|
artikel
|
| 319 |
CORRESPONDENCE
|
FERGUSON, HOWARD
|
|
1949
|
XVII |
4 |
p. 396-396
|
artikel
|
| 320 |
CORRESPONDENCE
|
SMITH, WM. C.
|
|
1950
|
XVII |
4 |
p. 386-b-387
|
artikel
|
| 321 |
CORRESPONDENCE
|
DONINGTON, ROBERT
|
|
1950
|
XVII |
4 |
p. 382-383
|
artikel
|
| 322 |
CORRESPONDENCE
|
SMITH, WM.
|
|
1950
|
XVII |
4 |
p. 387-a-387
|
artikel
|
| 323 |
CORRESPONDENCE
|
HEDLEY, ARTHUR
|
|
1951
|
XVII |
4 |
p. 399-399
|
artikel
|
| 324 |
CORRESPONDENCE
|
STEVENS, DENIS
|
|
1955
|
XVII |
4 |
p. 410-410
|
artikel
|
| 325 |
Correspondence
|
COATES, HENRY
|
|
1938
|
XVII |
4 |
p. 492-492
|
artikel
|
| 326 |
CORRESPONDENCE
|
SCHLESINGER, KATHLEEN
|
|
1938
|
XVII |
4 |
p. 491-492
|
artikel
|
| 327 |
CORRESPONDENCE
|
|
|
1971
|
XVII |
4 |
p. 466-468
|
artikel
|
| 328 |
CORRESPONDENCE
|
WALKER, ERNEST
|
|
1930
|
XVII |
4 |
p. 404-404
|
artikel
|
| 329 |
CORRESPONDENCE
|
|
|
1934
|
XVII |
4 |
p. 380-380
|
artikel
|
| 330 |
CORRESPONDENCE
|
VALLAS, LÉON
|
|
1947
|
XVII |
4 |
p. 417-418
|
artikel
|
| 331 |
CORRESPONDENCE
|
STEVENS, JOHN E.
|
|
1949
|
XVII |
4 |
p. 394-a-394
|
artikel
|
| 332 |
CORRESPONDENCE
|
ALBERSHEIM, GERHARD
|
|
1949
|
XVII |
4 |
p. 394-b-395
|
artikel
|
| 333 |
CORRESPONDENCE
|
DOLMETSCH, CARL
|
|
1950
|
XVII |
4 |
p. 380-381
|
artikel
|
| 334 |
CORRESPONDENCE
|
COUSINS, FARQUHARSON
|
|
1950
|
XVII |
4 |
p. 378-380
|
artikel
|
| 335 |
CORRESPONDENCE
|
NEWMAN, JOEL
|
|
1958
|
XVII |
4 |
p. 423-a-423
|
artikel
|
| 336 |
CORRESPONDENCE
|
WERNER, JACK
|
|
1967
|
XVII |
4 |
p. 415-a-415
|
artikel
|
| 337 |
CORRESPONDENCE
|
EINSTEIN, ALFRED
|
|
1946
|
XVII |
4 |
p. 273-d-274
|
artikel
|
| 338 |
CORRESPONDENCE
|
HUGHES, ROSEMARY
|
|
1950
|
XVII |
4 |
p. 383-385
|
artikel
|
| 339 |
CORRESPONDENCE
|
FACHIRI, ADILA
|
|
1950
|
XVII |
4 |
p. 386-a-386
|
artikel
|
| 340 |
CORRESPONDENCE
|
WEINGARTNER, BETTY
|
|
1950
|
XVII |
4 |
p. 387-b-388
|
artikel
|
| 341 |
CORRESPONDENCE
|
SHORE, BERNARD
|
|
1950
|
XVII |
4 |
p. 385-386
|
artikel
|
| 342 |
CORRUPT PASSAGES IN ‘DIFERENCIAS’ BY CABEZÓN
|
FERGUSON, HOWARD
|
|
1971
|
XVII |
4 |
p. 402-406
|
artikel
|
| 343 |
‘COSÌ FAN TUTTE’ A WELL-KEPT SECRET
|
LIVERMORE, ANN
|
|
1965
|
XVII |
4 |
p. 316-321
|
artikel
|
| 344 |
CRITICAL
|
DICKINSON, A. E. F.
|
|
1954
|
XVII |
4 |
p. 281-283
|
artikel
|
| 345 |
CRITICISM AND PERSPECTIVE
|
SCOTT, CYRIL
|
|
1934
|
XVII |
4 |
p. 324-328
|
artikel
|
| 346 |
CRITICS AND THE SPIRIT OF DISCERNMENT
|
MORGAN-BROWNE, H. P.
|
|
1930
|
XVII |
4 |
p. 397-400
|
artikel
|
| 347 |
CROCE AND THE ENGLISH MADRIGAL
|
ARNOLD, DENIS
|
|
1954
|
XVII |
4 |
p. 309-319
|
artikel
|
| 348 |
CÉSAR FRANCK
|
ROBERTS, W. WRIGHT
|
|
1922
|
XVII |
4 |
p. 317-328
|
artikel
|
| 349 |
DAME ETHEL SMYTH
|
DALE, KATHLEEN
|
|
1944
|
XVII |
4 |
p. 191-194
|
artikel
|
| 350 |
DELACROIX ON MUSIC
|
JUDD, PERCY
|
|
1962
|
XVII |
4 |
p. 340-344
|
artikel
|
| 351 |
DELIUS AND PERCY GRAINGER
|
PALMER, CHRISTOPHER
|
|
1971
|
XVII |
4 |
p. 418-425
|
artikel
|
| 352 |
DELIUS AND POETIC REALISM
|
PALMER, CHRISTOPHER
|
|
1970
|
XVII |
4 |
p. 404-414
|
artikel
|
| 353 |
DELIUS, VAUGHAN WILLIAMS AND DEBUSSY
|
PALMER, CHRISTOPHER
|
|
1969
|
XVII |
4 |
p. 475-480
|
artikel
|
| 354 |
DESERT MONASTICISM AND THE LATER FOURTH-CENTURY PSALMODIC MOVEMENT
|
MCKINNON, JAMES W.
|
|
1994
|
XVII |
4 |
p. 505-521
|
artikel
|
| 355 |
‘DIE SCHÖNE MULLERIN’ RECONSIDERED
|
REED, JOHN
|
|
1978
|
XVII |
4 |
p. 411-419
|
artikel
|
| 356 |
‘DIES IRAE’: SOME RECENT MANIFESTATIONS
|
BOYD, MALCOLM
|
|
1968
|
XVII |
4 |
p. 347-356
|
artikel
|
| 357 |
‘DIE TABULATUR’
|
JEFFERY, BRIAN
|
|
1979
|
XVII |
4 |
p. 497-498
|
artikel
|
| 358 |
‘DÉJANIRE’ AND ‘DEJANICE’
|
KLEIN, JOHN W.
|
|
1962
|
XVII |
4 |
p. 394-a-394
|
artikel
|
| 359 |
DOMENICO SCARLATTI
|
KIRKPATRICK, RALPH
|
|
1954
|
XVII |
4 |
p. 397-b-398
|
artikel
|
| 360 |
DOMESTIC
|
JENNINGS, CELIA
|
|
1954
|
XVII |
4 |
p. 285-286
|
artikel
|
| 361 |
DONALD FRANCIS TOVEY
|
STRANGWAYS, A. H. FOX
|
|
1940
|
XVII |
4 |
p. 305-311
|
artikel
|
| 362 |
DOUBLE BASS AND PIANO
|
R. S.,
|
|
1972
|
XVII |
4 |
p. 471-472
|
artikel
|
| 363 |
DRESDEN MEMORIES
|
WEBBER, CHARLES
|
|
1952
|
XVII |
4 |
p. 296-302
|
artikel
|
| 364 |
DR. LEY'S HYMN-TUNE
|
BUTCHER, A. V.
|
|
1951
|
XVII |
4 |
p. 401-a-401
|
artikel
|
| 365 |
DVOŘÁK'S ‘CYPRESSES’: A SONG CYCLE AND ITS METAMORPHOSES
|
SMACZNY, JAN
|
|
1991
|
XVII |
4 |
p. 552-568
|
artikel
|
| 366 |
DVOŘÁK'S FIRST CELLO CONCERTO
|
CLAPHAM, JOHN
|
|
1956
|
XVII |
4 |
p. 350-355
|
artikel
|
| 367 |
DVOŘÁK THE CRAFTSMAN
|
HELY-HUTCHINSON, VICTOR
|
|
1941
|
XVII |
4 |
p. 303-312
|
artikel
|
| 368 |
DVOŘÁK THE CZECH
|
HOLLANDER, H.
|
|
1941
|
XVII |
4 |
p. 313-317
|
artikel
|
| 369 |
EDITIONS OF COUPERIN
|
FERGUSON, HOWARD
|
|
1970
|
XVII |
4 |
p. 474-b-474
|
artikel
|
| 370 |
EDITORIAL
|
|
|
1936
|
XVII |
4 |
p. 285-286
|
artikel
|
| 371 |
EDITORIAL
|
|
|
1921
|
XVII |
4 |
p. 293-298
|
artikel
|
| 372 |
EDITORIAL
|
|
|
1968
|
XVII |
4 |
p. 313-316
|
artikel
|
| 373 |
EDITORIAL
|
|
|
1965
|
XVII |
4 |
p. 293-296
|
artikel
|
| 374 |
EDITORIAL
|
|
|
1964
|
XVII |
4 |
p. 315-317
|
artikel
|
| 375 |
EDITORIAL
|
|
|
1960
|
XVII |
4 |
p. 309-312
|
artikel
|
| 376 |
Editorial
|
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|
1962
|
XVII |
4 |
p. 301-303
|
artikel
|
| 377 |
EDITORIAL
|
|
|
1963
|
XVII |
4 |
p. 319-325
|
artikel
|
| 378 |
EDITORIAL
|
|
|
1966
|
XVII |
4 |
p. 289-295
|
artikel
|
| 379 |
EDITORIAL
|
|
|
1970
|
XVII |
4 |
p. 355-356
|
artikel
|
| 380 |
EDITORIAL
|
STANDFILED, ROSE
|
|
1954
|
XVII |
4 |
p. 280-281
|
artikel
|
| 381 |
EDITORIAL
|
|
|
1961
|
XVII |
4 |
p. 299-306
|
artikel
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| 382 |
EDITORIAL
|
|
|
1985
|
XVII |
4 |
p. 311-312
|
artikel
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| 383 |
EDITORIAL
|
D.A.,
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|
1977
|
XVII |
4 |
p. 387-388
|
artikel
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| 384 |
EDITORIAL
|
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1972
|
XVII |
4 |
p. 359-362
|
artikel
|
| 385 |
EDMUND GURNEY AND ‘THE POWER OF SOUND’
|
MACKERNESS, E. D.
|
|
1956
|
XVII |
4 |
p. 356-367
|
artikel
|
| 386 |
EDMUND RUBBRA
|
PAYNE, ELSIE
|
|
1955
|
XVII |
4 |
p. 341-356
|
artikel
|
| 387 |
EDMUND RUBBRA’S SECOND SYMPHONY
|
HUTCHINGS, ARTHUR
|
|
1939
|
XVII |
4 |
p. 374-380
|
artikel
|
| 388 |
EDVARD GRIEG'S PIANOFORTE MUSIC
|
DALE, KATHLEEN
|
|
1943
|
XVII |
4 |
p. 193-207
|
artikel
|
| 389 |
EDWARD J. DENT: A CENTENARY TRIBUTE
|
DEAN, WINTON
|
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1976
|
XVII |
4 |
p. 353-361
|
artikel
|
| 390 |
EDWARD LOWE'S MANUSCRIPT BRITISH LIBRARY ADD. MS 29396: THE CASE FOR REDATING
|
CHAN, MARY
|
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1978
|
XVII |
4 |
p. 440-454
|
artikel
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| 391 |
EGON WELLESZ
|
BENSER, CAROLINE CEPIN
|
|
1976
|
XVII |
4 |
p. 456-b-456
|
artikel
|
| 392 |
EIGHTEENTH-CENTURY BYWAYS ON THE GRAMOPHONE
|
SADIE, STANLEY
|
|
1957
|
XVII |
4 |
p. 378-387
|
artikel
|
| 393 |
EIGHTEENTH CENTURY MUSIC SPEECHES
|
SILBURN, MURIEL
|
|
1920
|
XVII |
4 |
p. 348-352
|
artikel
|
| 394 |
ELIZABETH EDGEWORTH'S KEYBOARD BOOK
|
DART, THURSTON
|
|
1969
|
XVII |
4 |
p. 470-474
|
artikel
|
| 395 |
ENGLISH FOLKSONGS
|
STRANGWAYS, A. H. FOX
|
|
1924
|
XVII |
4 |
p. 293-301
|
artikel
|
| 396 |
ENGLISH THEORISTS AND EVOLVING TONALITY
|
WIENPAHL, ROBERT W.
|
|
1955
|
XVII |
4 |
p. 377-393
|
artikel
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| 397 |
EQUAL MISTRESS
|
GURNEY, IVOR
|
|
1920
|
XVII |
4 |
p. 283-283
|
artikel
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| 398 |
ERRATA
|
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|
1932
|
XVII |
4 |
p. 458-458
|
artikel
|
| 399 |
‘ESSAYS IN PAPER ANALYSIS’
|
SPECTOR, STEPHEN
|
|
1989
|
XVII |
4 |
p. 599-600
|
artikel
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| 400 |
‘ESSAYS IN PAPER ANALYSIS’
|
SPECTOR, STEPHEN
|
|
1990
|
XVII |
4 |
p. 629-a-629
|
artikel
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| 401 |
ETHEL SMYTH'S PRENTICE WORK
|
DALE, KATHLEEN
|
|
1949
|
XVII |
4 |
p. 329-336
|
artikel
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| 402 |
ETON MANUSCRIPT
|
ERLEBACH, RUPERT
|
|
1954
|
XVII |
4 |
p. 396-b-396
|
artikel
|
| 403 |
EUGÈNE GOOSSENS
|
HULL, R. H.
|
|
1931
|
XVII |
4 |
p. 345-353
|
artikel
|
| 404 |
EXOTICISMS IN MOZART1
|
SZABOLCSI, BENCE
|
|
1956
|
XVII |
4 |
p. 323-332
|
artikel
|
| 405 |
EXTRACT FROM AN INTRODUCTION TO A SKETCH OF GUSTAV HOLST*
|
CAPELL, RICHARD
|
|
1926
|
XVII |
4 |
p. 310-321
|
artikel
|
| 406 |
‘FABURDEN’ AND ‘FAUXBOURDON’
|
DOE, PAUL
|
|
1972
|
XVII |
4 |
p. 479-a-479
|
artikel
|
| 407 |
FATHER'S BASS VIOL
|
EDGELL, PRISCILLA WYATT
|
|
1924
|
XVII |
4 |
p. 372-373
|
artikel
|
| 408 |
FAUSTINA BORDONI APPLAUDS JAN ALENSOON: A DUTCH MUSIC-LOVER IN ITALY AND FRANCE IN 1723–4
|
VLAARDINGERBROEK, KEES
|
|
1991
|
XVII |
4 |
p. 536-551
|
artikel
|
| 409 |
FELIX AND FANNY MENDELSSOHN
|
WERNER, JACK
|
|
1947
|
XVII |
4 |
p. 303-337
|
artikel
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| 410 |
FLUTE AND CLARINET
|
I.K.,
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|
1963
|
XVII |
4 |
p. 410-a-410
|
artikel
|
| 411 |
FLUTE AND HARP
|
J. A. C.,
|
|
1965
|
XVII |
4 |
p. 371-c-371
|
artikel
|
| 412 |
FLUTE AND ORCHESTRA
|
J. A. C.,
|
|
1965
|
XVII |
4 |
p. 371-d-372
|
artikel
|
| 413 |
FLUTE AND ORCHESTRA
|
P. A. E.,
|
|
1962
|
XVII |
4 |
p. 384-a-384
|
artikel
|
| 414 |
FLUTE AND ORCHESTRA
|
P. A. E.,
|
|
1960
|
XVII |
4 |
p. 398-b-398
|
artikel
|
| 415 |
FLUTE AND PIANO
|
R. T. B.,
|
|
1968
|
XVII |
4 |
p. 406-c-406
|
artikel
|
| 416 |
FLUTE AND PIANO
|
I. K.,
|
|
1964
|
XVII |
4 |
p. 404-404
|
artikel
|
| 417 |
FLUTE AND PIANO
|
C. M.,
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|
1960
|
XVII |
4 |
p. 398-c-398
|
artikel
|
| 418 |
FLUTE SOLO
|
I. K.,
|
|
1963
|
XVII |
4 |
p. 409-c-409
|
artikel
|
| 419 |
FOLKSONG
|
D-S., M. J.
|
|
1967
|
XVII |
4 |
p. 397-398
|
artikel
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| 420 |
FOLK SONG
|
F.H.,
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|
1963
|
XVII |
4 |
p. 410-b-410
|
artikel
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| 421 |
FOLKSONG
|
J. S. W.,
|
|
1961
|
XVII |
4 |
p. 387-390
|
artikel
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| 422 |
FOREIGN PERIODICALS
|
Sc. G.,
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|
1926
|
XVII |
4 |
p. 380-b-381
|
artikel
|
| 423 |
FORMAL ART
|
TOMLINSON, J.
|
|
1930
|
XVII |
4 |
p. 394-396
|
artikel
|
| 424 |
FOUR UNFAMILIAR BEETHOVEN DOCUMENTS
|
MACARDLE, DONALD W.
|
|
1955
|
XVII |
4 |
p. 331-340
|
artikel
|
| 425 |
FRANCESCA CACCINI'S ‘PRIMO LIBRO’
|
RANEY, CAROLYN
|
|
1967
|
XVII |
4 |
p. 350-357
|
artikel
|
| 426 |
FRANCIS PURCELL WARREN, 1895–1916
|
DUNHILL, THOMAS F.
|
|
1926
|
XVII |
4 |
p. 357-363
|
artikel
|
| 427 |
FREE THOUGHT AND THE MUSICIAN
|
KENWOOD, S. H.
|
|
1921
|
XVII |
4 |
p. 391-394
|
artikel
|
| 428 |
FRENCH INFLUENCES ON BACH
|
LOCKSPEISER, E.
|
|
1935
|
XVII |
4 |
p. 312-320
|
artikel
|
| 429 |
FRENCH SONG ON THE GRAMOPHONE
|
McVEAGH, DIANA
|
|
1956
|
XVII |
4 |
p. 368-374
|
artikel
|
| 430 |
‘FUGAL ANSWER’
|
ED.,
|
|
1972
|
XVII |
4 |
p. 479-c-479
|
artikel
|
| 431 |
FURTHER INFORMATION ABOUT THE HAMBURG PURCELL SOURCES
|
CHARTERIS, RICHARD
|
|
1994
|
XVII |
4 |
p. 659-a-659
|
artikel
|
| 432 |
FURTHER ON A FANTASIA BY ‘GIACHES’
|
PINTO, DAVID
|
|
1994
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XVII |
4 |
p. 659-b-660
|
artikel
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| 433 |
GABRIELE FATTORINI: RIVAL OF VIADANA
|
WILKINSON, CHRISTOPHER
|
|
1984
|
XVII |
4 |
p. 329-336
|
artikel
|
| 434 |
GEORGES BIZET'S TRAGIC SON
|
KLEIN, JOHN W.
|
|
1968
|
XVII |
4 |
p. 357-366
|
artikel
|
| 435 |
GESTALT
|
KELLER, HANS
|
|
1951
|
XVII |
4 |
p. 401-b-401
|
artikel
|
| 436 |
GIOVANNI SGAMBATI
|
CASELLA, A.
|
|
1925
|
XVII |
4 |
p. 304-313
|
artikel
|
| 437 |
‘GIULIO CESARE IN EGITTO’:: FROM SARTORIO (1677) TO HANDEL (1724)
|
MONSON, CRAIG
|
|
1985
|
XVII |
4 |
p. 313-343
|
artikel
|
| 438 |
‘GOD SAVE THE QUEEN’
|
G.FARMER, HENRY
|
|
1961
|
XVII |
4 |
p. 396-a-396
|
artikel
|
| 439 |
GRAMOPHONE RECORDS
|
GODDARD, SCOTT
|
|
1935
|
XVII |
4 |
p. 357-360
|
artikel
|
| 440 |
GRAMOPHONE RECORDS
|
Sc. G.,
|
|
1930
|
XVII |
4 |
p. 421-424
|
artikel
|
| 441 |
GRAMOPHONE RECORDS
|
S. G,
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|
1927
|
XVII |
4 |
p. 494-494
|
artikel
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| 442 |
GRAMOPHONE RECORDS
|
Sc. G,
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|
1929
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XVII |
4 |
p. 414-416
|
artikel
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| 443 |
GRAMOPHONE RECORDS
|
GODDARD, SCOTT
|
|
1933
|
XVII |
4 |
p. 402-404
|
artikel
|
| 444 |
GRAMOPHONE RECORDS
|
S. G.,
|
|
1938
|
XVII |
4 |
p. 488-491
|
artikel
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| 445 |
GRAMOPHONE RECORDS
|
SC. G.,
|
|
1931
|
XVII |
4 |
p. 428-430
|
artikel
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| 446 |
GRAMOPHONE RECORDS
|
SC. G.,
|
|
1932
|
XVII |
4 |
p. 455-457
|
artikel
|
| 447 |
GRAMOPHONE RECORDS
|
GODDARD, SCOTT
|
|
1934
|
XVII |
4 |
p. 378-379
|
artikel
|
| 448 |
GRAMOPHONE RECORDS
|
S. G.,
|
|
1937
|
XVII |
4 |
p. 442-444
|
artikel
|
| 449 |
GRAMOPHONE RECORDS FOR THE QUARTER
|
S. G.,
|
|
1926
|
XVII |
4 |
p. 389-391
|
artikel
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| 450 |
GRAMOPHONE RECORDS OF THE QUARTER
|
|
|
1925
|
XVII |
4 |
p. 384-384
|
artikel
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| 451 |
GRAMOPHONE REVIEW
|
J.A.W.,
|
|
1963
|
XVII |
4 |
p. 416-416
|
artikel
|
| 452 |
GRIEG'S ‘SLAATTER’ FOR PIANOFORTE
|
HORTON, JOHN
|
|
1945
|
XVII |
4 |
p. 229-235
|
artikel
|
| 453 |
GRIEG'S SONGS
|
DESMOND, ASTRA
|
|
1941
|
XVII |
4 |
p. 333-357
|
artikel
|
| 454 |
GUIDES TO RESEARCH ON THREE EARLY MASTERS
|
KURTZMAN, JEFFREY
|
|
1990
|
XVII |
4 |
p. 545-550
|
artikel
|
| 455 |
GUIDES TO RESEARCH ON THREE EARLY MASTERS
|
MANNING, ROBERT
|
|
1990
|
XVII |
4 |
p. 552-554
|
artikel
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| 456 |
GUIDES TO RESEARCH ON THREE EARLY MASTERS
|
HARPER, JOHN
|
|
1990
|
XVII |
4 |
p. 550-551
|
artikel
|
| 457 |
GUITAR
|
P. A. E.,
|
|
1962
|
XVII |
4 |
p. 384-b-384
|
artikel
|
| 458 |
GUITAR AND THEORBO
|
GILL, DONALD
|
|
1966
|
XVII |
4 |
p. 383-383
|
artikel
|
| 459 |
GUSTAV HOLST
|
WILLIAMS, R. VAUGHAN
|
|
1920
|
XVII |
4 |
p. 305-317
|
artikel
|
| 460 |
HANDEL AND OPERA MANAGEMENT IN LONDON IN THE 1730s
|
HUME, ROBERT D.
|
|
1986
|
XVII |
4 |
p. 347-362
|
artikel
|
| 461 |
HANDEL AND THE FRENCH STYLE
|
CUDWORTH, CHARLES
|
|
1959
|
XVII |
4 |
p. 122-131
|
artikel
|
| 462 |
HANDEL—MORE UNPUBLISHED LETTERS
|
DEAN, WINTON
|
|
1961
|
XVII |
4 |
p. 395-396
|
artikel
|
| 463 |
HANDEL, OR URIO, STRADELLA, AND ERBA
|
ROBINSON, PERCT
|
|
1935
|
XVII |
4 |
p. 269-277
|
artikel
|
| 464 |
HANDEL'S CLAVIER MUSIC
|
ABRAHAM, GERALD
|
|
1935
|
XVII |
4 |
p. 278-285
|
artikel
|
| 465 |
HANDEL'S FIRST SONG ON THE LONDON STAGE
|
SMITH, WILLIAM C.
|
|
1935
|
XVII |
4 |
p. 286-292
|
artikel
|
| 466 |
HANDEL'S ‘JOSEPH’
|
FISKE, ROGER
|
|
1934
|
XVII |
4 |
p. 301-305
|
artikel
|
| 467 |
HANDEL'S ‘MESSIAH’
|
TOBIN, JOHN
|
|
1970
|
XVII |
4 |
p. 473-474
|
artikel
|
| 468 |
HANDEL'S SOLO SONATAS
|
BEST, TERENCE
|
|
1977
|
XVII |
4 |
p. 430-438
|
artikel
|
| 469 |
HARP AND ORCHESTRA
|
T. B.,
|
|
1973
|
XVII |
4 |
p. 508-a-508
|
artikel
|
| 470 |
HARP AND PIANO
|
O. E.,
|
|
1965
|
XVII |
4 |
p. 372-b-373
|
artikel
|
| 471 |
HARPSICHORD AND ORCHESTRA
|
R. T. B.,
|
|
1968
|
XVII |
4 |
p. 406-d-407
|
artikel
|
| 472 |
HARPSICHORD AND ORCHESTRA
|
A. H.,
|
|
1965
|
XVII |
4 |
p. 373-a-373
|
artikel
|
| 473 |
HARPSICHORD AND PERCUSSION
|
I. K.,
|
|
1964
|
XVII |
4 |
p. 405-a-405
|
artikel
|
| 474 |
HARPSICHORD SOLO
|
J. A. W.,
|
|
1967
|
XVII |
4 |
p. 398-399
|
artikel
|
| 475 |
HARPSICHORD SOLO
|
J. A. W.,
|
|
1965
|
XVII |
4 |
p. 373-b-374
|
artikel
|
| 476 |
HARPSICHORD SOLO
|
I.K.,
|
|
1963
|
XVII |
4 |
p. 411-b-411
|
artikel
|
| 477 |
HARPSICHORD SOLO
|
T. D.,
|
|
1960
|
XVII |
4 |
p. 399-400
|
artikel
|
| 478 |
HARPSICHORD SOLO
|
J. D.,
|
|
1960
|
XVII |
4 |
p. 398-d-399
|
artikel
|
| 479 |
HARP SOLO
|
I.K.,
|
|
1963
|
XVII |
4 |
p. 411-a-411
|
artikel
|
| 480 |
HARP SOLO
|
O. E.,
|
|
1965
|
XVII |
4 |
p. 372-a-372
|
artikel
|
| 481 |
HAS HANDEL WRITTEN WORKS FOR TWO FLUTES WITHOUT A BASS?
|
MEYER, E. H.
|
|
1935
|
XVII |
4 |
p. 293-295
|
artikel
|
| 482 |
HAYDN'S LATIN QUOTATIONS: A POSTSCRIPT
|
BORTHWICK, E. KERR
|
|
1994
|
XVII |
4 |
p. 576-579
|
artikel
|
| 483 |
HAYDN: THEREABOUTS OR THERE
|
SCOTT, MARION M.
|
|
1940
|
XVII |
4 |
p. 319-327
|
artikel
|
| 484 |
HAYDN: WHERE TO BEGIN
|
CUMING, GEOFFREY
|
|
1949
|
XVII |
4 |
p. 364-375
|
artikel
|
| 485 |
HEAVY METAL MUSIC
|
WALSER, ROBERT
|
|
1995
|
XVII |
4 |
p. 657-b-657
|
artikel
|
| 486 |
HECTOR BERLIOZ
|
SMITH, A. E. BRENT
|
|
1926
|
XVII |
4 |
p. 340-346
|
artikel
|
| 487 |
‘HE HAD THE HONOUR TO BE YOUR MASTER’: LADY RHODA CAVENDISH'S MUSIC LESSONS WITH HENRY PURCELL
|
BURDEN, MICHAEL
|
|
1995
|
XVII |
4 |
p. 532-539
|
artikel
|
| 488 |
HENRY HUGHES: A FORGOTTEN POET
|
MAYNARD, WINIFRED
|
|
1952
|
XVII |
4 |
p. 335-340
|
artikel
|
| 489 |
HENRY PURCELL AND THE GROUND BASS
|
MILLER, HUGH M.
|
|
1948
|
XVII |
4 |
p. 340-347
|
artikel
|
| 490 |
HIS FAVOURITE DEVICE
|
BLOM, ERIC
|
|
1928
|
XVII |
4 |
p. 372-380
|
artikel
|
| 491 |
HOLBROOKE: SOME CATALOGUE DATA
|
THOMPSON, KENNETH L.
|
|
1965
|
XVII |
4 |
p. 297-305
|
artikel
|
| 492 |
HORN AND ORCHESTRA
|
C. H.,
|
|
1967
|
XVII |
4 |
p. 399-a-399
|
artikel
|
| 493 |
HORN AND ORCHESTRA
|
BEECHEY, GWILYM
|
|
1974
|
XVII |
4 |
p. 501-a-501
|
artikel
|
| 494 |
HORN AND PIANO
|
I. K.,
|
|
1963
|
XVII |
4 |
p. 411-c-411
|
artikel
|
| 495 |
HORN AND PIANO
|
BEECHEY, GWILYM
|
|
1974
|
XVII |
4 |
p. 501-b-502
|
artikel
|
| 496 |
HOW FOLK-SONGS TRAVELLED
|
BARBEAU, MARIUS
|
|
1934
|
XVII |
4 |
p. 306-323
|
artikel
|
| 497 |
HOW TO PRACTISE A STRING QUARTET
|
KORNSTEIN, EGON F.
|
|
1922
|
XVII |
4 |
p. 329-334
|
artikel
|
| 498 |
HUBERT JAMES FOSS 1899–1953
|
HOWELLS, HERBERT
|
|
1953
|
XVII |
4 |
p. 319-323
|
artikel
|
| 499 |
IMITATION IN THE EARLY MOTET1
|
HARBINSON, DENIS
|
|
1964
|
XVII |
4 |
p. 359-368
|
artikel
|
| 500 |
IMMANENT FORM
|
SCOTT, MARION M.
|
|
1936
|
XVII |
4 |
p. 322-327
|
artikel
|
| 501 |
IMPRESSIONS OF “LA VALKYRIE” AT THE GRAND OPERA OF PARIS
|
FAREBROTHEB, ROSE K.
|
|
1925
|
XVII |
4 |
p. 354-358
|
artikel
|
| 502 |
Index
|
|
|
1925
|
XVII |
4 |
p. 389-390
|
artikel
|
| 503 |
INDEX—VOL. I TO VOL. V
|
|
|
1924
|
XVII |
4 |
p. 382-s-382
|
artikel
|
| 504 |
INDEX—VOLS. VI–X (1)
|
|
|
1929
|
XVII |
4 |
p. 417-420
|
artikel
|
| 505 |
‘IN DULCI JUBILO’
|
EMERY, WALTER
|
|
1954
|
XVII |
4 |
p. 396-a-396
|
artikel
|
| 506 |
INFLUENCE OF BUILDINGS ON MUSICAL TONE*
|
BAGENAL, HOPE
|
|
1927
|
XVII |
4 |
p. 437-447
|
artikel
|
| 507 |
IN PURSUIT OF PEARSON'S SHELLEY SONGS
|
ALICE,
|
|
1965
|
XVII |
4 |
p. 322-331
|
artikel
|
| 508 |
INSTRUMENTS STOLEN FROM SALZBURG
|
|
|
1972
|
XVII |
4 |
p. 480-a-480
|
artikel
|
| 509 |
INTERLUDE ON A HILLTOP
|
EYRE, FRANK
|
|
1934
|
XVII |
4 |
p. 339-343
|
artikel
|
| 510 |
INTERNATIONALE LEOPOLD MOZART GESELLSCHAFT
|
GRUDZIŃSKI, ALBERT
|
|
1994
|
XVII |
4 |
p. 660-b-661
|
artikel
|
| 511 |
INTONATION—AND THE EAR
|
LLOYD, LL. S.
|
|
1938
|
XVII |
4 |
p. 443-449
|
artikel
|
| 512 |
INTRODUCTION TO HENRY LAWES—II
|
HART, ERIC FORD
|
|
1951
|
XVII |
4 |
p. 328-344
|
artikel
|
| 513 |
INVENTORIES OF MUSIC ICONOGRAPHY
|
FORD, TERENCE
|
|
1987
|
XVII |
4 |
p. 418-418
|
artikel
|
| 514 |
‘IPHIGÉNIE EN TAURIDE’: THE OPERAS OF GLUCK AND PICCINNI
|
RUSHTON, JULIAN
|
|
1972
|
XVII |
4 |
p. 411-430
|
artikel
|
| 515 |
IS THERE A HIGHEST ART?
|
KESSELS, S. H.
|
|
1931
|
XVII |
4 |
p. 398-404
|
artikel
|
| 516 |
JAAP KUNST FOUNDATION
|
VAN ZANTEN, WIM
|
|
1993
|
XVII |
4 |
p. 656-c-656
|
artikel
|
| 517 |
JAMES HUTTON AND BACH
|
RICHARDSON, CONSTANCE
|
|
1953
|
XVII |
4 |
p. 361-362
|
artikel
|
| 518 |
JAMES SHERARD: AN ENGLISH AMATEUR COMPOSER
|
TILMOUTH, MICHAEL
|
|
1966
|
XVII |
4 |
p. 313-322
|
artikel
|
| 519 |
JEWISH CONNECTIONS OF SOME CLASSICAL COMPOSERS
|
NETTL, PAUL
|
|
1964
|
XVII |
4 |
p. 337-344
|
artikel
|
| 520 |
JOHN AMNER
|
BANKS, TIMOTHY
|
|
1977
|
XVII |
4 |
p. 505-a-505
|
artikel
|
| 521 |
JOHN BLOW'S ANTHEMS
|
SHAW, HAROLD WATKINS
|
|
1938
|
XVII |
4 |
p. 429-442
|
artikel
|
| 522 |
JOHN BULL'S DUTCH CAROL1
|
NOSKE, FRITS
|
|
1963
|
XVII |
4 |
p. 326-333
|
artikel
|
| 523 |
JOHN CASE AND ‘THE PRAISE OF MUSICKE’
|
BINNS, J. W.
|
|
1974
|
XVII |
4 |
p. 444-453
|
artikel
|
| 524 |
JOHN COPRARIO'S FIVE-AND SIX-PART PIECES: INSTRUMENTAL OR VOCAL?
|
CHARTERIS, RICHARD
|
|
1976
|
XVII |
4 |
p. 370-378
|
artikel
|
| 525 |
JOHN GAMBLE'S COMMONPLACE BOOK
|
HUGHES, CHARLES W.
|
|
1945
|
XVII |
4 |
p. 215-229
|
artikel
|
| 526 |
JOHN HILTON'S MANUSCRIPT BRITISH LIBRARY ADD. MS 11608
|
CHAN, MARY
|
|
1979
|
XVII |
4 |
p. 440-449
|
artikel
|
| 527 |
JOHN HUGHES ON OPERA
|
BOYD, MALCOLM
|
|
1971
|
XVII |
4 |
p. 383-386
|
artikel
|
| 528 |
JOHN STANLEY: SOME OPUS NUMBERS AND EDITIONS
|
WILSON, JOHN
|
|
1958
|
XVII |
4 |
p. 359-362
|
artikel
|
| 529 |
JOHN TAVERNER —Part II*
|
COLLINS, H. B.
|
|
1925
|
XVII |
4 |
p. 314-329
|
artikel
|
| 530 |
JOHN TAVERNER'S MASSES*
|
COLLINS, H. B.
|
|
1924
|
XVII |
4 |
p. 322-334
|
artikel
|
| 531 |
JOURNALISTIC
|
ZIMAN, H. D.
|
|
1954
|
XVII |
4 |
p. 283-284
|
artikel
|
| 532 |
J. S. BACH AND CONSECUTIVES IN ACCOMPANIMENT
|
ARNOLD, F. T.
|
|
1933
|
XVII |
4 |
p. 318-325
|
artikel
|
| 533 |
JUAN DEL ENCINA: POET AND MUSICIAN
|
CHASE, GILBERT
|
|
1939
|
XVII |
4 |
p. 420-430
|
artikel
|
| 534 |
JUST TEMPERAMENT
|
LLOYD, LL. S.
|
|
1939
|
XVII |
4 |
p. 365-373
|
artikel
|
| 535 |
KASTALSKY AND HIS RUSSIAN FOLK POLYPHONY
|
BELAIEV, VICTOR
|
|
1929
|
XVII |
4 |
p. 378-390
|
artikel
|
| 536 |
LEAVES FROM THE MOTHER-TREE OF GUERNIKA
|
EGGAB, KATHARINE E.
|
|
1927
|
XVII |
4 |
p. 448-457
|
artikel
|
| 537 |
LENAU AND BEETHOVEN
|
THOMAS, R. H.
|
|
1937
|
XVII |
4 |
p. 374-378
|
artikel
|
| 538 |
LESLIE EVANS
|
PARROTT, IAN
|
|
1953
|
XVII |
4 |
p. 363-c-363
|
artikel
|
| 539 |
‘LE THÉÂTRE FORAIN’: HISTORICAL AND STYLISTIC CONNECTIONS BETWEEN ‘PARADE’ AND ‘HISTOIRE DU SOLDAT’
|
COX, JEREMY
|
|
1995
|
XVII |
4 |
p. 572-592
|
artikel
|
| 540 |
LISZT: A HITHERTO UNPUBLISHED LETTER
|
SCHOLZ, ALBERT
|
|
1951
|
XVII |
4 |
p. 362-365
|
artikel
|
| 541 |
LONDON'S FIRST CONCERT ROOM
|
SCOTT, HUGH ARTHUR
|
|
1937
|
XVII |
4 |
p. 379-390
|
artikel
|
| 542 |
LOUD SPEAKERS
|
RIVERS-MOORE, H. R.
|
|
1929
|
XVII |
4 |
p. 402-405
|
artikel
|
| 543 |
LUTE SOLO
|
F. W. S.,
|
|
1965
|
XVII |
4 |
p. 374-375
|
artikel
|
| 544 |
LUTE SOLO
|
F. W. S.,
|
|
1969
|
XVII |
4 |
p. 539-540
|
artikel
|
| 545 |
LUTE SOLO
|
G. E. B.,
|
|
1973
|
XVII |
4 |
p. 508-b-511
|
artikel
|
| 546 |
MADRIGALS
|
K. M. B.,
|
|
1967
|
XVII |
4 |
p. 399-b-399
|
artikel
|
| 547 |
MADRIGALS
|
K. M. B.,
|
|
1970
|
XVII |
4 |
p. 465-466
|
artikel
|
| 548 |
Manuscript Additions in Early Printed Music
|
GREER, DAVID
|
|
1991
|
XVII |
4 |
p. 523-535
|
artikel
|
| 549 |
MANUSCRIPT ORGAN BOOKS IN ETON COLLEGE LIBRARY
|
WILLIAMS, RODERICK
|
|
1960
|
XVII |
4 |
p. 358-359
|
artikel
|
| 550 |
MARIA THERESIA PARADIS AND MOZART1
|
ULLRICH, HERMANN
|
|
1946
|
XVII |
4 |
p. 224-233
|
artikel
|
| 551 |
MASTER THOINOT'S FANCY
|
BARKER, E. PHILLIPS
|
|
1930
|
XVII |
4 |
p. 383-393
|
artikel
|
| 552 |
MAURICE EMMANUEL: A BELATED APOLOGIA
|
STEVENSON, RONALD
|
|
1959
|
XVII |
4 |
p. 154-165
|
artikel
|
| 553 |
MAURICE GREENE'S ‘THE CHAPLET’
|
JOHNSTONE, H. DIACK
|
|
1961
|
XVII |
4 |
p. 396-b-396
|
artikel
|
| 554 |
MAURICE RAVEL
|
GODDARD, SCOTT
|
|
1925
|
XVII |
4 |
p. 291-303
|
artikel
|
| 555 |
MEDIEVAL POLYPHONY
|
F. LI. H.,
|
|
1964
|
XVII |
4 |
p. 405-b-407
|
artikel
|
| 556 |
MENDELSSOHN AND THE SUSPENDED CYMBAL
|
MAY, MICHAEL
|
|
1974
|
XVII |
4 |
p. 508-a-508
|
artikel
|
| 557 |
MERCADANTE AND VERDI
|
WALKER, FRANK
|
|
1952
|
XVII |
4 |
p. 311-321
|
artikel
|
| 558 |
MISPRINTS AND ERRORS
|
FELLOWES, E. H.
|
|
1936
|
XVII |
4 |
p. 371-373
|
artikel
|
| 559 |
MODALITY, MONALITY AND TONALITY IN THE SIXTEENTH AND SEVENTEENTH CENTURIES
|
WIENPAHL, ROBERT W.
|
|
1971
|
XVII |
4 |
p. 407-417
|
artikel
|
| 560 |
‘MODERN FRENCH MUSIC’
|
MYERS, ROLLO
|
|
1972
|
XVII |
4 |
p. 478-b-478
|
artikel
|
| 561 |
MODERN MUSIC PRINTING
|
FOSS, HUBERT J.
|
|
1923
|
XVII |
4 |
p. 340-347
|
artikel
|
| 562 |
MONTEVERDI'S RELIGIOUS MUSIC
|
REDLICH, HANS F.
|
|
1946
|
XVII |
4 |
p. 208-215
|
artikel
|
| 563 |
MORE MUSIC TO POE
|
POLLIN, BURTON R.
|
|
1973
|
XVII |
4 |
p. 391-404
|
artikel
|
| 564 |
MORLEY AND CROCE
|
DUFF, A. GORDON
|
|
1953
|
XVII |
4 |
p. 363-a-363
|
artikel
|
| 565 |
MOTIVE AND MOTIF: MEHUL BEFORE 1791
|
CHARLTON, DAVID
|
|
1976
|
XVII |
4 |
p. 362-369
|
artikel
|
| 566 |
MOZART AND SALIERI
|
PUSHKIN, ALEXANDER
|
|
1957
|
XVII |
4 |
p. 315-319
|
artikel
|
| 567 |
MOZART AND THE FLUTE
|
WARD, MARTHA KINGDOM
|
|
1954
|
XVII |
4 |
p. 294-308
|
artikel
|
| 568 |
MOZART AND THE HORN
|
WARD, MARTHA KINGDON
|
|
1950
|
XVII |
4 |
p. 318-332
|
artikel
|
| 569 |
‘MOZART-JAHRBUCH’
|
SEIFFERT, WOLF-DIETER
|
|
1993
|
XVII |
4 |
p. 656-a-656
|
artikel
|
| 570 |
MOZART'S DEATH
|
BLOM, ERIC
|
|
1957
|
XVII |
4 |
p. 320-326
|
artikel
|
| 571 |
MOZART'S DEATH
|
SEDERHOLM, C. G.
|
|
1951
|
XVII |
4 |
p. 345-348
|
artikel
|
| 572 |
MOZART'S INFLUENCE ON ENGLISH MUSIC
|
TEMPERLEY, NICHOLAS
|
|
1961
|
XVII |
4 |
p. 307-318
|
artikel
|
| 573 |
MOZART'S LAST HORN CONCERTO
|
LEAVIS, RALPH
|
|
1953
|
XVII |
4 |
p. 315-318
|
artikel
|
| 574 |
MOZART'S PIANOFORTE WORKS
|
PORTE, JOHN F.
|
|
1926
|
XVII |
4 |
p. 374-377
|
artikel
|
| 575 |
MOZART'S “PRUSSIAN” QUARTETS IN RELATION TO HIS LATE STYLE
|
KING, A. HYATT
|
|
1940
|
XVII |
4 |
p. 328-346
|
artikel
|
| 576 |
MOZART'S ‘SPURIOUS’ WIND OCTETS
|
LEESON, DANIEL N.
|
|
1972
|
XVII |
4 |
p. 377-399
|
artikel
|
| 577 |
MUSICA BRITANNICA: ‘MUSIC OF SCOTLAND’
|
ELLIOTT, KENNETH
|
|
1958
|
XVII |
4 |
p. 423-b-424
|
artikel
|
| 578 |
MUSICAL
|
TERTIS, LIONEL
|
|
1954
|
XVII |
4 |
p. 279-a-279
|
artikel
|
| 579 |
MUSICAL CULTURE IN ENGLAND AND U.S.A
|
MELLERS, W. H.
|
|
1943
|
XVII |
4 |
p. 220-223
|
artikel
|
| 580 |
MUSICAL EUROPE IN RETROSPECT
|
HALSKI, CZESLAW RAYMOND
|
|
1958
|
XVII |
4 |
p. 372-377
|
artikel
|
| 581 |
MUSICAL FESTIVALS: A SUGGESTION
|
SCOTT, C. RUSSELL
|
|
1927
|
XVII |
4 |
p. 458-463
|
artikel
|
| 582 |
MUSICAL PARLANCE IN ENGLISH LITERATURE—II
|
ROBERTS, W. WRIGHT
|
|
1924
|
XVII |
4 |
p. 302-312
|
artikel
|
| 583 |
MUSICAL PARODY IN THE JACOBEAN CITY COMEDY
|
AUSTERN, LINDA PHYLLIS
|
|
1985
|
XVII |
4 |
p. 355-366
|
artikel
|
| 584 |
MUSICAL PROVOCATION IN EIGHTEENTH-CENTURY LONDON: THE ‘BRITISH APOLLO’
|
MCGUINNESS, ROSAMOND
|
|
1987
|
XVII |
4 |
p. 333-342
|
artikel
|
| 585 |
MUSICAL SETTINGS TO THE POEMS OF SIR THOMAS WYATT
|
MUMFORD, IVY L.
|
|
1956
|
XVII |
4 |
p. 315-322
|
artikel
|
| 586 |
MUSIC AND ARCHITECTURE
|
WATERHOUSE, PAUL
|
|
1921
|
XVII |
4 |
p. 323-331
|
artikel
|
| 587 |
MUSIC AND DURATION
|
DE SELINCOURT, BASIL
|
|
1920
|
XVII |
4 |
p. 286-293
|
artikel
|
| 588 |
MUSIC AND LATTER
|
F. B.,
|
|
1925
|
XVII |
4 |
p. 376-c-377
|
artikel
|
| 589 |
MUSIC AND LETTERS
|
F.B.,
|
|
1925
|
XVII |
4 |
p. 380-382
|
artikel
|
| 590 |
MUSIC — AND LETTERS? AN IMPERTINENT ENQUIRY
|
DEAN, WINTON
|
|
1949
|
XVII |
4 |
p. 376-380
|
artikel
|
| 591 |
MUSIC AND MOTIVE IN ‘PETER GRIMES’
|
GARBUTT, J. W.
|
|
1963
|
XVII |
4 |
p. 334-342
|
artikel
|
| 592 |
‘MUSIC AND THE QUADRIVIUM IN EARLY TUDOR ENGLAND’
|
BRAY, ROGER
|
|
1995
|
XVII |
4 |
p. 657-a-657
|
artikel
|
| 593 |
MUSIC AND THE SUPERNATURAL IN ‘THE TEMPEST’: A STUDY IN INTERPRETATION
|
CUTTS, JOHN P.
|
|
1958
|
XVII |
4 |
p. 347-358
|
artikel
|
| 594 |
MUSIC AS A SOCIAL SCIENCE
|
ANTCLIFFE, HERBERT
|
|
1932
|
XVII |
4 |
p. 405-417
|
artikel
|
| 595 |
MUSIC AT S. MARIA MAGGIORE, BERGAMO 1614–1643
|
ROCHE, JEROME
|
|
1966
|
XVII |
4 |
p. 296-312
|
artikel
|
| 596 |
MUSIC AT THE MENDICANTI IN THE EIGHTEENTH CENTURY
|
ARNOLD, DENIS
|
|
1984
|
XVII |
4 |
p. 345-356
|
artikel
|
| 597 |
MUSIC IN FILMS
|
IRVING, ERNEST
|
|
1943
|
XVII |
4 |
p. 223-235
|
artikel
|
| 598 |
MUSIC IN MANTUA
|
DOOLEY, ROSEMARY
|
|
1984
|
XVII |
4 |
p. 436-436
|
artikel
|
| 599 |
MUSIC IN MEREDITH—II
|
ROBERTS, W. WRIGHT
|
|
1932
|
XVII |
4 |
p. 360-370
|
artikel
|
| 600 |
MUSIC IN ROBERT BRIDGES
|
ROBERTS, W. WRIGHT
|
|
1930
|
XVII |
4 |
p. 341-351
|
artikel
|
| 601 |
‘MUSIC IN THE CIRCLE OF SIR WILLIAM JONES’
|
EDWARDS, OWAIN
|
|
1993
|
XVII |
4 |
p. 652-653
|
artikel
|
| 602 |
MUSIC IN THE CIRCLE OF SIR WILLIAM JONES: A CONTRIBUTION TO THE HISTORY OF HAYDN'S EARLY REPUTATION
|
TOLLEY, THOMAS
|
|
1992
|
XVII |
4 |
p. 525-550
|
artikel
|
| 603 |
MUSIC IN “THE TEMPEST”
|
BARDER, R. SEYMOUR
|
|
1925
|
XVII |
4 |
p. 351-353
|
artikel
|
| 604 |
MUSIC IN YORKSHIRE
|
BAIRSTOW, EDWARD C.
|
|
1920
|
XVII |
4 |
p. 343-347
|
artikel
|
| 605 |
‘MUSIC & LETTERS’ AWARDS
|
|
|
1987
|
XVII |
4 |
p. 413-413
|
artikel
|
| 606 |
MUSIC OF THE COMMONWEALTH
|
BANNARD, YORKE
|
|
1922
|
XVII |
4 |
p. 394-401
|
artikel
|
| 607 |
MUSICOLOGY, TRUE AND FALSE
|
LANG, PAUL HENRY
|
|
1962
|
XVII |
4 |
p. 395-397
|
artikel
|
| 608 |
MUSIC PURE AND APPLIED
|
JAMES, W. P.
|
|
1921
|
XVII |
4 |
p. 373-385
|
artikel
|
| 609 |
MUSIC RECEIVED
|
|
|
1937
|
XVII |
4 |
p. 433-433
|
artikel
|
| 610 |
MUSIC RECEIVED
|
|
|
1971
|
XVII |
4 |
p. 469-470
|
artikel
|
| 611 |
MUSIC RECEIVED
|
|
|
1977
|
XVII |
4 |
p. 507-512
|
artikel
|
| 612 |
MUSIC RECEIVED
|
|
|
1973
|
XVII |
4 |
p. 525-528
|
artikel
|
| 613 |
MUSIC RECEIVED
|
|
|
1976
|
XVII |
4 |
p. 457b-462
|
artikel
|
| 614 |
MUSIC REVIEWS
|
N. G.,
|
|
1925
|
XVII |
4 |
p. 379-380
|
artikel
|
| 615 |
MUSIC-SELLING IN LATE SIXTEENTH-CENTURY FLORENCE: THE BOOKSHOP OF PIERO DI GIULIANO MOROSI
|
CARTER, TIM
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1989
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XVII |
4 |
p. 483-504
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artikel
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| 616 |
MUSINGS
|
PAUL, IRÈNE DEAN
|
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1922
|
XVII |
4 |
p. 407-409
|
artikel
|
| 617 |
MYSTICAL SONGS
|
WALKER, ERNEST
|
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1928
|
XVII |
4 |
p. 325-329
|
artikel
|
| 618 |
NEW LIGHT ON HUGO WOLF’S YOUTH
|
WALKER, FRANK
|
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1939
|
XVII |
4 |
p. 399-411
|
artikel
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| 619 |
NEW LITERATURE ON DEBUSSY
|
LOCKSPEISER, EDWARD
|
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1959
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XVII |
4 |
p. 140-149
|
artikel
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| 620 |
NEWLY DISCOVERED WORKS BY GIOVANNI GABRIELI
|
CHARTERIS, RICHARD
|
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1987
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XVII |
4 |
p. 343-363
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artikel
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| 621 |
NEW MUSIC
|
|
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1926
|
XVII |
4 |
p. 383-384
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| 622 |
NEW MUSIC
|
A.,
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1926
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XVII |
4 |
p. 385-b-385
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| 623 |
NEW MUSIC
|
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1926
|
XVII |
4 |
p. 384-385
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| 624 |
NEW MUSIC
|
|
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1926
|
XVII |
4 |
p. 382-b-383
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| 625 |
NEW MUSIC
|
C. W.,
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1926
|
XVII |
4 |
p. 385-a-385
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| 626 |
NEW MUSIC
|
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1926
|
XVII |
4 |
p. 382-a-382
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artikel
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| 627 |
NEW MUSIC FOR VOICE
|
ASTON, PETER
|
|
1976
|
XVII |
4 |
p. 452-454
|
artikel
|
| 628 |
NEW, OLD AND REDISCOVERED SCHUBERT MANUSCRIPTS
|
BROWN, MAURICE J. E.
|
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1957
|
XVII |
4 |
p. 359-368
|
artikel
|
| 629 |
NEW VERDI CORRESPONDENCE
|
TOYE, FRANCIS
|
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1936
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XVII |
4 |
p. 368-370
|
artikel
|
| 630 |
‘NOCTURNE TEXTURE’ AND BEETHOVEN
|
CHARLTON, DAVID
|
|
1976
|
XVII |
4 |
p. 455-455
|
artikel
|
| 631 |
NOTE ON AUTOGRAPHS, BRITISH MUSEUM
|
SCHOFIELD, B.
|
|
1928
|
XVII |
4 |
p. 324-324
|
artikel
|
| 632 |
NOTES ON CRITICISM
|
SAMPSON, GEORGE
|
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1942
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XVII |
4 |
p. 311-318
|
artikel
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| 633 |
NOTES ON THE INSTRUMENTAL WORKS ATTRIBUTED TO PERGOLESI
|
CUDWORTH, C. L.
|
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1949
|
XVII |
4 |
p. 321-328
|
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| 634 |
OBITUARIES
|
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1926
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XVII |
4 |
p. 393-393
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| 635 |
OBITUARIES
|
A. H. F. S.,
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1926
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XVII |
4 |
p. 394-394
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| 636 |
OBOE AND ORCHESTRA
|
J. A. C.,
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1967
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XVII |
4 |
p. 400-a-400
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| 637 |
OBOE AND ORCHESTRA
|
A. H.,
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1961
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XVII |
4 |
p. 390-a-390
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| 638 |
OBOE AND PIANO
|
J. A. C.,
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1967
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XVII |
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p. 400-b-400
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| 639 |
OBOE AND PIANO
|
R. L.,
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1964
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XVII |
4 |
p. 408-a-408
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| 640 |
OBOE AND PIANO
|
A. H.,
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1961
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XVII |
4 |
p. 390-b-391
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| 641 |
OBOE AND PIANO
|
RUSHTON, JULIAN
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1974
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4 |
p. 502-502
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| 642 |
OBOE, VIOLA AND ORCHESTRA
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D. W.,
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1965
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XVII |
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p. 375-376
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| 643 |
OF SINNERS AND SUNS: SOME CANTATAS FOR THE ROMAN ORATORY
|
PLANK, STEVEN
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1985
|
XVII |
4 |
p. 344-354
|
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| 644 |
OLYMPIC MUSIC
|
WILSON, STEUART
|
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1931
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XVII |
4 |
p. 373-377
|
artikel
|
| 645 |
ON BEING TAUGHT SINGING
|
WILSON, STEUART
|
|
1924
|
XVII |
4 |
p. 365-367
|
artikel
|
| 646 |
ON LISTENING TO MUSIC
|
WATT, HENRY J.
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|
1926
|
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4 |
p. 347-356
|
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|
| 647 |
ON TEACHING HARMONY
|
MÜLLER–HARTMANN, ROBERT
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1947
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XVII |
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p. 364-368
|
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|
| 648 |
ON THE MAKING OF CONCERT PROGRAMMES: A PERSONAL VIEW1
|
COOPER, GERALD M.
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1943
|
XVII |
4 |
p. 236-237
|
artikel
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| 649 |
ON THE WRITING OF ARTICLES
|
EDITOR,
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|
1929
|
XVII |
4 |
p. 323-325
|
artikel
|
| 650 |
ON WASHING IN JORDAN
|
EDITOR,
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|
1931
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XVII |
4 |
p. 321-328
|
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| 651 |
OPERA
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J. A. W.,
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1965
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XVII |
4 |
p. 376-a-376
|
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| 652 |
OPERA
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J. A. W.,
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1967
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XVII |
4 |
p. 400-c-402
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| 653 |
OPERA
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J. A. C.,
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1972
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XVII |
4 |
p. 472-a-472
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| 654 |
OPERA
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J. A. W.,
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1973
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XVII |
4 |
p. 511-a-511
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| 655 |
OPERA
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J. A. W.,
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1968
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XVII |
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p. 407-a-407
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OPERA
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A. H.,
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1964
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XVII |
4 |
p. 408-b-409
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| 657 |
OPERA
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J. A. W.,
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1969
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XVII |
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OPERA
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I. D. B.,
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1969
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p. 541-a-541
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OPERA
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R. F.,
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1971
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p. 460-462
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OPERA
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G. A.,
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1968
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OPERA
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J. A. W.,
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1968
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p. 407-b-407
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| 662 |
OPERATIC EXPERIMENTS AT LANCING COLLEGE
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SMITH, A. E. BRENT
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1925
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XVII |
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p. 344-350
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| 663 |
ORATORIO
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E. P.,
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1967
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p. 402-403
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| 664 |
ORCHESTRA
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J. A. W.,
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1969
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XVII |
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p. 544-b-545
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| 665 |
ORCHESTRA
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E. R.,
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1968
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XVII |
4 |
p. 408-409
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| 666 |
ORCHESTRA
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J. A. W.,
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1965
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XVII |
4 |
p. 376-b-377
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| 667 |
ORCHESTRA
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E. R.,
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1967
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XVII |
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p. 403-404
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| 668 |
ORCHESTRA
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R. T. B.,
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1970
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| 669 |
ORCHESTRA
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A. W.,
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1972
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p. 472-b-473
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| 670 |
ORCHESTRA
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F. Hu.,
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1973
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p. 512-515
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| 671 |
ORCHESTRA
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WHITTALL, ARNOLD
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1974
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XVII |
4 |
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ORCHESTRA
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P. A. E.,
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1960
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XVII |
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p. 400-a-400
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ORCHESTRA
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P.A.E.,
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1963
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XVII |
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ORCHESTRA
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E. R.,
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1964
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ORCHESTRA
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J. A. W.,
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1964
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ORCHESTRA
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E. P.,
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1969
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ORCHESTRA
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R. T. B.,
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1971
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ORCHESTRA
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A. W.,
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1973
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XVII |
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p. 511-b-512
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| 679 |
ORCHESTRA
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E. R.,
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1962
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XVII |
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p. 384-c-385
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ORCHESTRA
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A. H.,
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1964
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XVII |
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p. 410-411
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ORCHESTRA
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R. T. B.,
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1970
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XVII |
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| 682 |
ORCHESTRA
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I. D. B.,
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1969
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XVII |
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p. 544-a-544
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| 683 |
ORCHESTRA
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P. A. E.,
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1960
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XVII |
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p. 400-b-402
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| 684 |
‘ORFEO’ AND ‘PELLÉAS’
|
DOMENICO DE PAOLI,
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1939
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XVII |
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p. 381-398
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| 685 |
ORGAN
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P. F. W.,
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1965
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XVII |
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| 686 |
ORGAN
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J. D.,
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1962
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XVII |
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| 687 |
ORGAN
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J. D.,
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1964
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XVII |
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ORGAN
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D. L.,
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1961
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XVII |
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p. 391-391
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| 689 |
ORGAN
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J. D.,
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1962
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XVII |
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| 690 |
ORGAN
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B. W. G. R.,
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1960
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XVII |
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p. 402-a-402
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| 691 |
ORGAN
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J. D.,
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1960
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XVII |
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p. 402-b-403
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| 692 |
ORGAN AND BRASS
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P. F. W.,
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1973
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XVII |
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p. 516-517
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| 693 |
ORGAN AND ORGHESTRA
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P. F. W.,
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1967
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XVII |
4 |
p. 405-405
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| 694 |
ORGAN SOLO
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P. F. W.,
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1969
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XVII |
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p. 545-a-545
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ORGAN SOLO
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P. F. W.,
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1967
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XVII |
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p. 404-405
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ORGAN SOLO
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P. F. W.,
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1970
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XVII |
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p. 468-469
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| 697 |
ORGAN SOLO
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WILLIAMS, PETER
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1974
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ORGAN SOLO
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P. F. W.,
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1971
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XVII |
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ORGAN SOLO
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1968
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p. 409-410
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ORGAN SOLO
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P. F. W.,
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1973
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p. 515-516
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ORPHEUS IN ANCIENT LITERATURE
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MARLOW, A. N.
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1954
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p. 361-369
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| 702 |
OTHMAR SCHOECK'S ‘MASSIMILLA DONI’
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CORRODI, HANS
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1937
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OTTO KLEMPERER
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KLEMPERER, LOTTE
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1976
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| 704 |
OUR FOLK-DANCES
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STRANGWAYS, A. H. FOX
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|
1923
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p. 321-333
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| 705 |
‘OUTSTANDING DISSERTATIONS IN MUSIC FROM BRITISH UNIVERSITIES’
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HALTON, ROSALIND
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1991
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p. 642-643
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artikel
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| 706 |
PAGES FROM THE NOTE-BOOKS OF HUBERT PARRY
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PONSONBY, DOROTHEA
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1920
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PAMELA COLMAN SMITH
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HOMER, WILLIAM I.
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1974
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PAPER EVIDENCE AND THE DATING OF TRENT 91
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WRIGHT, PETER
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1995
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PARI'S ‘IL LAMENTO D'ARIANNA’
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CARAPEZZA, PAOLO EMILIO
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1972
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PARSIFAL IN COVENT GARDEN AND ELSEWHERE
|
SAVILL, AGNES
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1927
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| 711 |
PART-SONGS
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J. A. W.,
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1968
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PERCUSSION AND ORCHESTRA
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J. A. C.,
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1969
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p. 545-b-546
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PERCUSSION AND PETTICOATS
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FARMER, HENRY G.
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1950
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p. 343-345
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PERFORMANCE PRACTICE IN MOZART
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NEUMANN, FREDERICK
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1993
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4 |
p. 653-654
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| 715 |
PERSONAL
|
GODLEY, ELIZABETH
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1954
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XVII |
4 |
p. 278-279
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artikel
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| 716 |
PETER WARLOCK'S CHORAL MUSIC
|
COPLEY, I. A.
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|
1964
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XVII |
4 |
p. 318-336
|
artikel
|
| 717 |
PETER WARLOCK'S VOCAL CHAMBER MUSIC
|
COPLEY, I. A.
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1963
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XVII |
4 |
p. 358-370
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| 718 |
PHILIP NAPIER MILES—COMPOSER
|
COLLES, H. C.
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1936
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XVII |
4 |
p. 357-367
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| 719 |
PIANO AND ORCHESTRA
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A. H.,
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1965
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XVII |
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p. 380-a-380
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PIANO AND ORCHESTRA
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C. M.,
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1960
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PIANO AND ORCHESTRA
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P. A. E.,
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1960
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XVII |
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p. 403-a-403
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PIANO DUET
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R. T. B.,
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1969
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PIANO DUET
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I. K.,
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1960
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XVII |
4 |
p. 404-a-404
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| 724 |
PIANO DUET
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I. K.,
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1960
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XVII |
4 |
p. 404-b-404
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| 725 |
PIANOFORTE
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F.S.,
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1925
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XVII |
4 |
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PIANO SOLO
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E. P.,
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1969
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XVII |
4 |
p. 546-b-547
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PIANO SOLO
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R. T. B.,
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1969
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XVII |
4 |
p. 546-a-546
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PIANO SOLO
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T. B.,
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1973
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XVII |
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p. 517-a-517
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| 729 |
PIANO SOLO
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P. A. E.,
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|
1961
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XVII |
4 |
p. 392-393
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| 730 |
PIANO SOLO
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I.K.,
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|
1963
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XVII |
4 |
p. 413-a-413
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| 731 |
PIANO SOLO
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P.A.E.,
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1963
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XVII |
4 |
p. 412-413
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| 732 |
PIANO SOLO
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I. K.,
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1962
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XVII |
4 |
p. 387-b-388
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| 733 |
PIANO SOLO
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J. D.,
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1964
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XVII |
4 |
p. 413-413
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| 734 |
PIANO SOLO
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I. K.,
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1960
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XVII |
4 |
p. 404-c-405
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| 735 |
PIANO TRIO AND ORCHESTRA
|
P. A. E.,
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1962
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XVII |
4 |
p. 388-a-388
|
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| 736 |
PIERRE SCHAEFFER, 1953: TOWARDS AN EXPERIMENTAL MUSIC
|
PALOMBINI, CARLOS
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1993
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XVII |
4 |
p. 542-557
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| 737 |
PIERROT LUNAIRE
|
WHEELER, R. A.
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1952
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XVII |
4 |
p. 376-b-376
|
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|
| 738 |
PIETRO MASCAGNI AND GIOVANNI VERGA
|
KLEIN, JOHN W.
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|
1963
|
XVII |
4 |
p. 350-357
|
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|
| 739 |
PITY THE POOR PERFORMER !
|
ERHART, DOROTHY
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|
1929
|
XVII |
4 |
p. 391-396
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|
| 740 |
PLAYER-PIANO ROLLS
|
S. G.,
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|
1926
|
XVII |
4 |
p. 392-392
|
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|
| 741 |
PLAYER-PIANO ROLLS
|
S.G.,
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|
1925
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XVII |
4 |
p. 388-388
|
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|
| 742 |
POLITICAL ALLEGORY IN PURCELL'S ‘DIDO AND AENEAS’
|
WALKING, ANDREW R.
|
|
1995
|
XVII |
4 |
p. 540-571
|
artikel
|
| 743 |
POLYPHONIC MUSIC FOR A CHAPEL OF EDWARD III
|
HARRISON, FRANK
|
|
1978
|
XVII |
4 |
p. 420-428
|
artikel
|
| 744 |
POLYPHONY AND INSTRUMENTATION IN VIOL MUSIC
|
PEART, DONALD
|
|
1947
|
XVII |
4 |
p. 416-417
|
artikel
|
| 745 |
PORTRAIT OF H. P. A.
|
WOOD, THOMAS
|
|
1950
|
XVII |
4 |
p. 290-294
|
artikel
|
| 746 |
PORTRAITS OF BACH
|
TERRY, C. SANFORD
|
|
1936
|
XVII |
4 |
p. 287-288
|
artikel
|
| 747 |
POULENC AND POETIC SOURCES
|
COX, JEREMY
|
|
1987
|
XVII |
4 |
p. 414-a-414
|
artikel
|
| 748 |
‘PRINCE IGOR’ AND ITS PUBLISHERS
|
ABRAHAM, GERALD
|
|
1969
|
XVII |
4 |
p. 553-554
|
artikel
|
| 749 |
PRISCILLA BUNBURY'S VIRGINAL BOOK
|
BOSTON, JOHN L.
|
|
1955
|
XVII |
4 |
p. 365-373
|
artikel
|
| 750 |
PRIVATE LIVES OF PUBLIC WOMEN: PRIMA DONNAS IN MID-SEVENTEENTH-CENTURY VENICE
|
GLIXON, BETH L.
|
|
1995
|
XVII |
4 |
p. 509-531
|
artikel
|
| 751 |
PROBLEMS IN THE TRANSMISSION OF BLOW'S ORGAN MUSIC
|
COOPER, BARRY
|
|
1994
|
XVII |
4 |
p. 522-547
|
artikel
|
| 752 |
PROBLEMS OF AUTHENTICITY AMONG MOZART'S EARLY SYMPHONIES: THE EXAMPLES OF K.Anh.220 (16a) AND 76 (42a)
|
EISEN, CLIFF
|
|
1989
|
XVII |
4 |
p. 505-516
|
artikel
|
| 753 |
PURCELL AND HANDEL
|
WESTRUP, J. A.
|
|
1959
|
XVII |
4 |
p. 103-108
|
artikel
|
| 754 |
PURCELL ON THE GRAMOPHONE
|
STEVENS, DENIS
|
|
1959
|
XVII |
4 |
p. 166-171
|
artikel
|
| 755 |
PURCELL'S ART OF FANTASIA
|
STEVENS, DENIS
|
|
1952
|
XVII |
4 |
p. 341-345
|
artikel
|
| 756 |
PURCELL'S FATHER
|
BOSTON, JOHN L.
|
|
1955
|
XVII |
4 |
p. 408-410
|
artikel
|
| 757 |
PUTTING IN THE EXPRESSION
|
WOOD, RALPH W.
|
|
1930
|
XVII |
4 |
p. 375-382
|
artikel
|
| 758 |
RADCLIFFE MUSIC AWARD
|
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|
1968
|
XVII |
4 |
p. 414-b-414
|
artikel
|
| 759 |
RANDOM LORE AND RECENT BOOKS ABOUT THE VIOLIN*
|
SCOTT, MARION M.
|
|
1926
|
XVII |
4 |
p. 332-339
|
artikel
|
| 760 |
RARE EIGHTEENTH-CENTURY FRENCH PUBLICATIONS
|
ZASLAW, NEAL
|
|
1970
|
XVII |
4 |
p. 474-a-474
|
artikel
|
| 761 |
RAVENSCROFT AND CORELLI1
|
NEWMAN, WILLIAM S.
|
|
1957
|
XVII |
4 |
p. 369-370
|
artikel
|
| 762 |
RECENT AUSTRALIAN MUSIC
|
WHITTALL, ARNOLD
|
|
1976
|
XVII |
4 |
p. 450-452
|
artikel
|
| 763 |
RECENT SCHUBERT DISCOVERIES
|
BROWN, MAURICE J. E.
|
|
1951
|
XVII |
4 |
p. 349-361
|
artikel
|
| 764 |
RECORDER AND HARPSICHORD
|
D. W.,
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1965
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XVII |
4 |
p. 380-b-380
|
artikel
|
| 765 |
RECORDER AND ORCHESTRA
|
J. A. C.,
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|
1970
|
XVII |
4 |
p. 469-469
|
artikel
|
| 766 |
RECORDERS
|
P.A.E.,
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|
1963
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XVII |
4 |
p. 413-b-414
|
artikel
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| 767 |
RECORDER SOLO
|
K. J.,
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1973
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XVII |
4 |
p. 517-b-518
|
artikel
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| 768 |
REGISTER OF BOOKS ON MUSIC
|
C.B.O.,
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|
1935
|
XVII |
4 |
p. 333-337
|
artikel
|
| 769 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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|
1937
|
XVII |
4 |
p. 398-402
|
artikel
|
| 770 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1940
|
XVII |
4 |
p. 371-373
|
artikel
|
| 771 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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|
1941
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XVII |
4 |
p. 381-384
|
artikel
|
| 772 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1930
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XVII |
4 |
p. 405-408
|
artikel
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| 773 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1932
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XVII |
4 |
p. 421-424
|
artikel
|
| 774 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1892
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XVII |
4 |
p. 431-434
|
artikel
|
| 775 |
REGISTER OF BOOKS ON MUSIC
|
C B.O.,
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1929
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XVII |
4 |
p. 406-408
|
artikel
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| 776 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1933
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XVII |
4 |
p. 369-373
|
artikel
|
| 777 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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|
1938
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XVII |
4 |
p. 460-463
|
artikel
|
| 778 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1927
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XVII |
4 |
p. 477-481
|
artikel
|
| 779 |
REGISTER OF BOOKS ON MUSIC
|
C.B.O.,
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|
1931
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XVII |
4 |
p. 405-409
|
artikel
|
| 780 |
REGISTER OF BOOKS ON MUSIC
|
C.B.O.,
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|
1934
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XVII |
4 |
p. 348-352
|
artikel
|
| 781 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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|
1936
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XVII |
4 |
p. 374-378
|
artikel
|
| 782 |
REGISTER OF BOOKS ON MUSIC
|
C.B.O.,
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|
1925
|
XVII |
4 |
p. 385-387
|
artikel
|
| 783 |
REGISTER OF BOOKS ON MUSIC
|
C. B. O.,
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1926
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XVII |
4 |
p. 386-389
|
artikel
|
| 784 |
REIVEWS OF BOOKS
|
P. N. C.,
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|
1954
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XVII |
4 |
p. 378-380
|
artikel
|
| 785 |
REIVEWS OF BOOKS
|
O. W. N.,
|
|
1954
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XVII |
4 |
p. 372-373
|
artikel
|
| 786 |
REIVEWS OF MUSIC
|
I. K.,
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|
1956
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XVII |
4 |
p. 420-421
|
artikel
|
| 787 |
REIVEWS OF MUSIC
|
P. J. P.,
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1956
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XVII |
4 |
p. 422-b-423
|
artikel
|
| 788 |
RELATIONSHIPS BETWEEN SCORING AND STRUCTURE IN THE FIRST MOVEMENT OF BACH'S SIXTH BRANDENBURG CONCERTO
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MARISSEN, MICHAEL
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1990
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XVII |
4 |
p. 494-504
|
artikel
|
| 789 |
REPEATS AND FINAL BARS IN THE FITZWILLIAM VIRGINAL BOOK
|
FERGUSON, HOWARD
|
|
1962
|
XVII |
4 |
p. 345-350
|
artikel
|
| 790 |
REPERTORY OPERA IN BIRMINGHAM
|
GREW, SYDNEY
|
|
1921
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XVII |
4 |
p. 341-344
|
artikel
|
| 791 |
REPOSE IN MUSIC
|
DE SELINCOURT, BASIL
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1921
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XVII |
4 |
p. 332-340
|
artikel
|
| 792 |
REVIEVES OF MUSIC
|
E. B.,
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1934
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XVII |
4 |
p. 398-c-399
|
artikel
|
| 793 |
REVIEW OF BOOKS
|
SMITH, JULIAN
|
|
1986
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XVII |
4 |
p. 398-b-399
|
artikel
|
| 794 |
REVIEW OF BOOKS
|
WHITTALL, ARNOLD
|
|
1993
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XVII |
4 |
p. 599-601
|
artikel
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| 795 |
REVIEW OF BOOKS
|
BUTCHART, DAVID
|
|
1991
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XVII |
4 |
p. 575-576
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artikel
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| 796 |
REVIEW OF BOOKS
|
MOULD, CHARLES
|
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1991
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XVII |
4 |
p. 577-580
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artikel
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| 797 |
REVIEW OF BOOKS
|
BUJIC, BOJAN
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1993
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XVII |
4 |
p. 598-599
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artikel
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| 798 |
REVIEW OF BOOKS
|
A. Rl.,
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1969
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XVII |
4 |
p. 506-508
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artikel
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| 799 |
REVIEW OF BOOKS
|
R. C.,
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1952
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XVII |
4 |
p. 360-b-361
|
artikel
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| 800 |
REVIEW OF MUSIC
|
I. K.,
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|
1951
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XVII |
4 |
p. 391-b-392
|
artikel
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| 801 |
REVIEW OF MUSIC
|
D. W. S.,
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|
1958
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XVII |
4 |
p. 412-b-413
|
artikel
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| 802 |
REVIEW OF PERIODICALS
|
R. C.,
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1948
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XVII |
4 |
p. 430-432
|
artikel
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| 803 |
REVIEW OF PERIODICALS
|
R. C.,
|
|
1947
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XVII |
4 |
p. 411-415
|
artikel
|
| 804 |
REVIEW OF PERIODICALS
|
R. C.,
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|
1949
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XVII |
4 |
p. 392-394
|
artikel
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| 805 |
REVIEWS OF BOOK
|
ROSSELLI, JOHN
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1991
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XVII |
4 |
p. 589-590
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| 806 |
REVIEWS OF BOOK
|
TÉREY-SMITH, MARY
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1991
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XVII |
4 |
p. 591-592
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| 807 |
REVIEWS OF BOOKS
|
J. A. W.,
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1967
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XVII |
4 |
p. 371-373
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| 808 |
REVIEWS OF BOOKS
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J. A. W.,
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1967
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XVII |
4 |
p. 388-388
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| 809 |
REVIEWS OF BOOKS
|
N.C.F.,
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1967
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XVII |
4 |
p. 374-375
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| 810 |
REVIEWS OF BOOKS
|
M. T.,
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1967
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XVII |
4 |
p. 366-370
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| 811 |
REVIEWS OF BOOKS
|
J. V. C.,
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1967
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XVII |
4 |
p. 378-380
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| 812 |
REVIEWS OF BOOKS
|
J. A. W.,
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1967
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XVII |
4 |
p. 373-376
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| 813 |
REVIEWS OF BOOKS
|
R. W.,
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1967
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XVII |
4 |
p. 383-384
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| 814 |
REVIEWS OF BOOKS
|
J. V. C.,
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1967
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XVII |
4 |
p. 376-380
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artikel
|
| 815 |
REVIEWS OF BOOKS
|
GODDARD, SCOTT
|
|
1935
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XVII |
4 |
p. 341-b-342
|
artikel
|
| 816 |
REVIEWS OF BOOKS
|
ABRAHAM, GERALD
|
|
1935
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XVII |
4 |
p. 349-b-349
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artikel
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| 817 |
REVIEWS OF BOOKS
|
ABRAHAM, GERALD
|
|
1935
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XVII |
4 |
p. 349-a-349
|
artikel
|
| 818 |
REVIEWS OF BOOKS
|
LOCKSPEISER, E.
|
|
1935
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XVII |
4 |
p. 346-a-346
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artikel
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| 819 |
REVIEWS OF BOOKS
|
M. R. B.,
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1935
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XVII |
4 |
p. 346-b-347
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artikel
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| 820 |
REVIEWS OF BOOKS
|
GODDARD, SCOTT
|
|
1935
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XVII |
4 |
p. 340-340
|
artikel
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| 821 |
REVIEWS OF BOOKS
|
M. R. B.,
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1935
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XVII |
4 |
p. 343-a-343
|
artikel
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| 822 |
REVIEWS OF BOOKS
|
LOCKSPEISER, E.
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|
1935
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XVII |
4 |
p. 342-343
|
artikel
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| 823 |
REVIEWS OF BOOKS
|
LOCKSPEISER, E.
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|
1935
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XVII |
4 |
p. 341-a-341
|
artikel
|
| 824 |
REVIEWS OF BOOKS
|
EINSTEIN, A.
|
|
1935
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XVII |
4 |
p. 347-348
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artikel
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| 825 |
REVIEWS OF BOOKS
|
GLOCK, W.
|
|
1935
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XVII |
4 |
p. 339-340
|
artikel
|
| 826 |
REVIEWS OF BOOKS
|
ABRAHAM, GERALD
|
|
1935
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XVII |
4 |
p. 338-a-338
|
artikel
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| 827 |
REVIEWS OF BOOKS
|
LOCKSPEISER, E.
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|
1935
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XVII |
4 |
p. 343-b-344
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artikel
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| 828 |
REVIEWS OF BOOKS
|
E. L.,
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1937
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XVII |
4 |
p. 420-421
|
artikel
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| 829 |
REVIEWS OF BOOKS
|
E. B.,
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1937
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XVII |
4 |
p. 418-420
|
artikel
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| 830 |
REVIEWS OF BOOKS
|
C. B. O.,
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|
1937
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XVII |
4 |
p. 414-415
|
artikel
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| 831 |
REVIEWS OF BOOKS
|
C. B. O.,
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|
1937
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XVII |
4 |
p. 411-413
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artikel
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| 832 |
REVIEWS OF BOOKS
|
E. B.,
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1937
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XVII |
4 |
p. 406-b-407
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artikel
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| 833 |
REVIEWS OF BOOKS
|
F. W. G.,
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1937
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XVII |
4 |
p. 410-411
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artikel
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| 834 |
REVIEWS OF BOOKS
|
G. A.,
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1937
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XVII |
4 |
p. 424-425
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artikel
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| 835 |
REVIEWS OF BOOKS
|
E. L.,
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1937
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XVII |
4 |
p. 421-a-421
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artikel
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| 836 |
REVIEWS OF BOOKS
|
E. L.,
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1937
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XVII |
4 |
p. 416-a-416
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artikel
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| 837 |
REVIEWS OF BOOKS
|
A. H. F. S.,
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1937
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XVII |
4 |
p. 406-a-406
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artikel
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| 838 |
REVIEWS OF BOOKS
|
A. H. F. S.,
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1940
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XVII |
4 |
p. 385-386
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artikel
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| 839 |
REVIEWS OF BOOKS
|
C. B. O.,
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|
1940
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XVII |
4 |
p. 376-377
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artikel
|
| 840 |
REVIEWS OF BOOKS
|
A. H. F. S.,
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1940
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XVII |
4 |
p. 386-a-386
|
artikel
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| 841 |
REVIEWS OF BOOKS
|
S. G.,
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1940
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XVII |
4 |
p. 386-b-387
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artikel
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| 842 |
REVIEWS OF BOOKS
|
E. B.,
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1940
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XVII |
4 |
p. 390-391
|
artikel
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| 843 |
REVIEWS OF BOOKS
|
E. R.,
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1940
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XVII |
4 |
p. 396-a-396
|
artikel
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| 844 |
REVIEWS OF BOOKS
|
E. B.,
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1940
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XVII |
4 |
p. 396-b-397
|
artikel
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| 845 |
REVIEWS OF BOOKS
|
E. B.,
|
|
1940
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XVII |
4 |
p. 374-376
|
artikel
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| 846 |
REVIEWS OF BOOKS
|
E. R.,
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1940
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XVII |
4 |
p. 397-c-397
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artikel
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| 847 |
REVIEWS OF BOOKS
|
R. C.,
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|
1948
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XVII |
4 |
p. 416-417
|
artikel
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| 848 |
REVIEWS OF BOOKS
|
E. B.,
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1944
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XVII |
4 |
p. 251-a-251
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artikel
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| 849 |
REVIEWS OF BOOKS
|
H. G. S.,
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1944
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XVII |
4 |
p. 247-b-248
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artikel
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| 850 |
REVIEWS OF BOOKS
|
E. B.,
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1944
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XVII |
4 |
p. 249-a-249
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artikel
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| 851 |
REVIEWS OF BOOKS
|
D. S.,
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1944
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XVII |
4 |
p. 246-247
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artikel
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| 852 |
REVIEWS OF BOOKS
|
A. T. S.,
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1945
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XVII |
4 |
p. 237-238
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artikel
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| 853 |
REVIEWS OF BOOKS
|
WHITTALL, ARNOLD
|
|
1986
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XVII |
4 |
p. 391-392
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artikel
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| 854 |
REVIEWS OF BOOKS
|
FANNING, DAVID
|
|
1986
|
XVII |
4 |
p. 414-b-416
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artikel
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| 855 |
REVIEWS OF BOOKS
|
WALKER, ALAN
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|
1986
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XVII |
4 |
p. 409-410
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artikel
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| 856 |
REVIEWS OF BOOKS
|
JACOBS, ARTHUR
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|
1986
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XVII |
4 |
p. 398-a-398
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artikel
|
| 857 |
REVIEWS OF BOOKS
|
TILMOUTH, MICHAEL
|
|
1986
|
XVII |
4 |
p. 408-409
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artikel
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| 858 |
REVIEWS OF BOOKS
|
HINTON, STEPHEN
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|
1986
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XVII |
4 |
p. 405-406
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artikel
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| 859 |
REVIEWS OF BOOKS
|
MCVEIGH, SIMON
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|
1986
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XVII |
4 |
p. 397-397
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artikel
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| 860 |
REVIEWS OF BOOKS
|
ROSENTHAL, ALBI
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|
1986
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XVII |
4 |
p. 406-407
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artikel
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| 861 |
REVIEWS OF BOOKS
|
GARDEN, EDWARD
|
|
1986
|
XVII |
4 |
p. 392-394
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artikel
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| 862 |
REVIEWS OF BOOKS
|
WINGFIELD, PAUL
|
|
1986
|
XVII |
4 |
p. 430-431
|
artikel
|
| 863 |
REVIEWS OF BOOKS
|
JARMAN, DOUGLAS
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|
1986
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XVII |
4 |
p. 438-438
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artikel
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| 864 |
REVIEWS OF BOOKS
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TALBOT, MICHAEL
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1987
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1987
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XVII |
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1987
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1987
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1987
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1987
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1989
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1989
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1989
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1990
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1990
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STEVENS, JOHN
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1990
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1990
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1990
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MACONIE, ROBIN
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1990
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1990
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1990
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1990
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1990
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1990
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1990
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1990
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1990
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MARSTON, NICHOLAS
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1991
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TÉREY-SMITH, Mary
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1991
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REVIEWS OF BOOKS
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BROWN, A. PETER
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1991
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REVIEWS OF BOOKS
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CARTER, TIM
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1991
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REVIEWS OF BOOKS
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1991
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WILLIAMSON, JOHN
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1991
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GRIFFITHS, STEVEN
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1991
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EMMERSON, SIMON
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1991
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BROWN, DAVID
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1991
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FRANKLIN, PETER
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1991
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SMALL, CHRISTOPHER
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1991
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1991
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SWANWICK, KEITH
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1991
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MANNING, PETER
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1991
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GARDEN, EDWARD
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1991
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HOLOMAN, D.KERN
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1991
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1991
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1992
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1992
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REVIEWS OF BOOKS
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WRIGHT, PETER
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1992
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KIVY, PETER
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1992
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1992
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1992
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1992
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1992
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REVIEWS OF BOOKS
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1992
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1992
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1992
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REVIEWS OF BOOKS
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MIDDLETON, RICHARD
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1992
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REVIEWS OF BOOKS
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1992
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1992
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REVIEWS OF BOOKS
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MAUNDER, RICHARD
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1992
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BOWERS, ROGER
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1992
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REVIEWS OF BOOKS
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NETTL, BRUNO
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1992
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SPINK, IAN
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REVIEWS OF BOOKS
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1992
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1992
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1994
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1976
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SMALLMAN, BASIL
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1976
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1976
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BRINDLE, REGINALD SMITH
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1976
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CARNER, MOSCO
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1976
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1976
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REVIEWS OF BOOKS
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MAR, NORMAN DEL
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1976
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REVIEWS OF BOOKS
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HUGHES, ANSELM O.S.B.
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REVIEWS OF BOOKS
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Sc. G.,
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p. 380-a-380
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artikel
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| 987 |
REVIEWS OF BOOKS
|
S. W.,
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|
1927
|
XVII |
4 |
p. 484-485
|
artikel
|
| 988 |
REVIEWS OF BOOKS
|
A. H. F. S.,
|
|
1927
|
XVII |
4 |
p. 485-c-485
|
artikel
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| 989 |
REVIEWS OF BOOKS
|
Sc. G.,
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|
1930
|
XVII |
4 |
p. 409-a-409
|
artikel
|
| 990 |
REVIEWS OF BOOKS
|
GALPIN, FRANCIS W.
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1930
|
XVII |
4 |
p. 411-413
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artikel
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| 991 |
REVIEWS OF BOOKS
|
Sc. G.,
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|
1930
|
XVII |
4 |
p. 409-b-410
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artikel
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| 992 |
REVIEWS OF BOOKS
|
MUNRO, ISOBEL
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|
1931
|
XVII |
4 |
p. 410-411
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artikel
|
| 993 |
REVIEWS OF BOOKS
|
A. H. F. S.,
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|
1931
|
XVII |
4 |
p. 422-422
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artikel
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| 994 |
REVIEWS OF BOOKS
|
SC. G.,
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|
1931
|
XVII |
4 |
p. 420-b-421
|
artikel
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| 995 |
REVIEWS OF BOOKS
|
SC. G.,
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|
1931
|
XVII |
4 |
p. 419-a-419
|
artikel
|
| 996 |
REVIEWS OF BOOKS
|
H. A. M.,
|
|
1931
|
XVII |
4 |
p. 417-417
|
artikel
|
| 997 |
REVIEWS OF BOOKS
|
E. B.,
|
|
1931
|
XVII |
4 |
p. 415-417
|
artikel
|
| 998 |
REVIEWS OF BOOKS
|
SC. G.,
|
|
1931
|
XVII |
4 |
p. 418-419
|
artikel
|
| 999 |
REVIEWS OF BOOKS
|
S. G.,
|
|
1959
|
XVII |
4 |
p. 186b-187
|
artikel
|
| 1000 |
REVIEWS OF BOOKS
|
C. M.,
|
|
1959
|
XVII |
4 |
p. 186a-186
|
artikel
|
|
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