| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 2001 |
REVIEWS OF MUSIC
|
A. H. K.,
|
|
1952
|
XVII |
1 |
p. 82-82
|
artikel
|
| 2002 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
XVII |
1 |
p. 95-b-95
|
artikel
|
| 2003 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
XVII |
1 |
p. 94-a-94
|
artikel
|
| 2004 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 81-b-81
|
artikel
|
| 2005 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 84-a-84
|
artikel
|
| 2006 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 83-b-83
|
artikel
|
| 2007 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 82-b-83
|
artikel
|
| 2008 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 80-b-81
|
artikel
|
| 2009 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 83-a-83
|
artikel
|
| 2010 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 82-a-82
|
artikel
|
| 2011 |
REVIEWS OF MUSIC
|
|
|
1953
|
XVII |
1 |
p. 83-c-84
|
artikel
|
| 2012 |
REVIEWS OF MUSIC
|
J. S. W.,
|
|
1958
|
XVII |
1 |
p. 94-b-96
|
artikel
|
| 2013 |
REVIEWS OF MUSIC
|
H. O.,
|
|
1958
|
XVII |
1 |
p. 91-92
|
artikel
|
| 2014 |
REVIEWS OF MUSIC
|
N. F.,
|
|
1958
|
XVII |
1 |
p. 92-b-93
|
artikel
|
| 2015 |
REVIEWS OF MUSIC
|
G. R.,
|
|
1958
|
XVII |
1 |
p. 87-90
|
artikel
|
| 2016 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1955
|
XVII |
1 |
p. 102-103
|
artikel
|
| 2017 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1955
|
XVII |
1 |
p. 96-98
|
artikel
|
| 2018 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1957
|
XVII |
1 |
p. 106-b-108
|
artikel
|
| 2019 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1957
|
XVII |
1 |
p. 104-105
|
artikel
|
| 2020 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1957
|
XVII |
1 |
p. 106-a-106
|
artikel
|
| 2021 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1957
|
XVII |
1 |
p. 108-c-109
|
artikel
|
| 2022 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1957
|
XVII |
1 |
p. 103-104
|
artikel
|
| 2023 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1957
|
XVII |
1 |
p. 105-a-105
|
artikel
|
| 2024 |
REVIEWS OF MUSIC
|
C. R. H.,
|
|
1957
|
XVII |
1 |
p. 97-101
|
artikel
|
| 2025 |
REVIEWS OF MUSIC
|
D. W. S.,
|
|
1957
|
XVII |
1 |
p. 96-97
|
artikel
|
| 2026 |
REVIEWS OF MUSIC
|
J.A.W.,
|
|
1966
|
XVII |
1 |
p. 90-b-91
|
artikel
|
| 2027 |
REVIEWS OF MUSIC
|
R. L.,
|
|
1966
|
XVII |
1 |
p. 92-c-92
|
artikel
|
| 2028 |
REVIEWS OF MUSIC
|
I. D. B.,
|
|
1966
|
XVII |
1 |
p. 92-a-92
|
artikel
|
| 2029 |
REVIEWS OF MUSIC
|
I. D. B.,
|
|
1966
|
XVII |
1 |
p. 92-b-92
|
artikel
|
| 2030 |
REVIEWS OF MUSIC
|
R. L.,
|
|
1966
|
XVII |
1 |
p. 90-a-90
|
artikel
|
| 2031 |
REVIEWS OF MUSIC
|
A. H.,
|
|
1966
|
XVII |
1 |
p. 93-a-93
|
artikel
|
| 2032 |
REVIEWS OF MUSIC
|
D. L. S.,
|
|
1966
|
XVII |
1 |
p. 91-92
|
artikel
|
| 2033 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1981
|
XVII |
1 |
p. 112-114
|
artikel
|
| 2034 |
REVIEWS OF MUSIC
|
BANKS, PAUL
|
|
1981
|
XVII |
1 |
p. 107-108
|
artikel
|
| 2035 |
REVIEWS OF MUSIC
|
ARNOLD, DENIS
|
|
1981
|
XVII |
1 |
p. 106-107
|
artikel
|
| 2036 |
REVIEWS OF MUSIC
|
FIELD, CHRISTOPHER D. S.
|
|
1981
|
XVII |
1 |
p. 103-104
|
artikel
|
| 2037 |
REVIEWS OF MUSIC
|
JOHNSTONE, H. DIACK
|
|
1981
|
XVII |
1 |
p. 108-110
|
artikel
|
| 2038 |
REVIEWS OF MUSIC
|
BROWN, HOWARD MAYER
|
|
1981
|
XVII |
1 |
p. 110-112
|
artikel
|
| 2039 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1981
|
XVII |
1 |
p. 116-118
|
artikel
|
| 2040 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1981
|
XVII |
1 |
p. 115-116
|
artikel
|
| 2041 |
REVIEWS OF MUSIC
|
FIELD, CHRISTOPHER D. S.
|
|
1981
|
XVII |
1 |
p. 98-b-103
|
artikel
|
| 2042 |
REVIEWS OF MUSIC
|
DENNISON, PETER
|
|
1986
|
XVII |
1 |
p. 100-101
|
artikel
|
| 2043 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1986
|
XVII |
1 |
p. 115-116
|
artikel
|
| 2044 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1986
|
XVII |
1 |
p. 105-106
|
artikel
|
| 2045 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1986
|
XVII |
1 |
p. 113-a-113
|
artikel
|
| 2046 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1986
|
XVII |
1 |
p. 113-b-114
|
artikel
|
| 2047 |
REVIEWS OF MUSIC
|
LEE, CAROLYN
|
|
1986
|
XVII |
1 |
p. 106-108
|
artikel
|
| 2048 |
REVIEWS OF MUSIC
|
BANKS, PAUL
|
|
1986
|
XVII |
1 |
p. 102-103
|
artikel
|
| 2049 |
REVIEWS OF MUSIC
|
BRAY, TREVOR
|
|
1986
|
XVII |
1 |
p. 120-a-120
|
artikel
|
| 2050 |
REVIEWS OF MUSIC
|
ARNOLD, DENIS
|
|
1986
|
XVII |
1 |
p. 111-112
|
artikel
|
| 2051 |
REVIEWS OF MUSIC
|
BRAY, TREVOR
|
|
1986
|
XVII |
1 |
p. 120-b-121
|
artikel
|
| 2052 |
REVIEWS OF MUSIC
|
WILLIAMSON, JOHN
|
|
1986
|
XVII |
1 |
p. 112-112
|
artikel
|
| 2053 |
REVIEWS OF MUSIC
|
DOBBINS, FRANK
|
|
1987
|
XVII |
1 |
p. 100-100
|
artikel
|
| 2054 |
REVIEWS OF MUSIC
|
GATENS, WILLIAM J.
|
|
1987
|
XVII |
1 |
p. 94-95
|
artikel
|
| 2055 |
REVIEWS OF MUSIC
|
CROSS, ERIC
|
|
1987
|
XVII |
1 |
p. 98-99
|
artikel
|
| 2056 |
REVIEWS OF MUSIC
|
ANTHONY, JAMES R.
|
|
1989
|
XVII |
1 |
p. 140-141
|
artikel
|
| 2057 |
REVIEWS OF MUSIC
|
WHTTTALL, ARNOLD
|
|
1989
|
XVII |
1 |
p. 156-157
|
artikel
|
| 2058 |
REVIEWS OF MUSIC
|
WILLIAMSON, JOHN
|
|
1989
|
XVII |
1 |
p. 152-154
|
artikel
|
| 2059 |
REVIEWS OF MUSIC
|
OWENS, PETER
|
|
1989
|
XVII |
1 |
p. 155-156
|
artikel
|
| 2060 |
REVIEWS OF MUSIC
|
ANTHONY, JAMES R.
|
|
1993
|
XVII |
1 |
p. 150-152
|
artikel
|
| 2061 |
REVIEWS OF MUSIC
|
JONES, PETER WARD
|
|
1993
|
XVII |
1 |
p. 148-149
|
artikel
|
| 2062 |
REVIEWS OF MUSIC
|
MILLER, MALCOLM
|
|
1993
|
XVII |
1 |
p. 152-153
|
artikel
|
| 2063 |
REVIEWS OF MUSIC
|
BURDEN, MICHAEL
|
|
1994
|
XVII |
1 |
p. 128-129
|
artikel
|
| 2064 |
REVIEWS OF MUSIC
|
SWENSON, MILTON A.
|
|
1994
|
XVII |
1 |
p. 134-b-140
|
artikel
|
| 2065 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1994
|
XVII |
1 |
p. 134-a-134
|
artikel
|
| 2066 |
REVIEWS OF MUSIC
|
H. K. A.,
|
|
1966
|
XVII |
1 |
p. 71-a-71
|
artikel
|
| 2067 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1966
|
XVII |
1 |
p. 76-77
|
artikel
|
| 2068 |
REVIEWS OF MUSIC
|
D. L. S.,
|
|
1966
|
XVII |
1 |
p. 80-b-81
|
artikel
|
| 2069 |
REVIEWS OF MUSIC
|
R. L.,
|
|
1966
|
XVII |
1 |
p. 75-a-75
|
artikel
|
| 2070 |
REVIEWS OF MUSIC
|
J. A. C.,
|
|
1966
|
XVII |
1 |
p. 73-b-74
|
artikel
|
| 2071 |
REVIEWS OF MUSIC
|
M. T.,
|
|
1966
|
XVII |
1 |
p. 81-82
|
artikel
|
| 2072 |
REVIEWS OF MUSIC
|
R. L.,
|
|
1966
|
XVII |
1 |
p. 75-c-75
|
artikel
|
| 2073 |
REVIEWS OF MUSIC
|
D. W.,
|
|
1966
|
XVII |
1 |
p. 93-b-93
|
artikel
|
| 2074 |
REVIEWS OF MUSIC
|
D.W.,
|
|
1966
|
XVII |
1 |
p. 88-b-89
|
artikel
|
| 2075 |
REVIEWS OF MUSIC
|
SMITH, RONALD
|
|
1977
|
XVII |
1 |
p. 108-109
|
artikel
|
| 2076 |
REVIEWS OF MUSIC
|
DRUMMOND, PIPPA
|
|
1977
|
XVII |
1 |
p. 115-116
|
artikel
|
| 2077 |
REVIEWS OF MUSIC
|
SCHOTT, HOWARD
|
|
1977
|
XVII |
1 |
p. 118-119
|
artikel
|
| 2078 |
REVIEWS OF MUSIC
|
GANZ, P. F.
|
|
1978
|
XVII |
1 |
p. 102-102
|
artikel
|
| 2079 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1978
|
XVII |
1 |
p. 101-102
|
artikel
|
| 2080 |
REVIEWS OF MUSIC
|
CASKEN, JOHN
|
|
1978
|
XVII |
1 |
p. 111-114
|
artikel
|
| 2081 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1978
|
XVII |
1 |
p. 109-110
|
artikel
|
| 2082 |
REVIEWS OF MUSIC
|
LEAVIS, RALPH
|
|
1978
|
XVII |
1 |
p. 98-a-98
|
artikel
|
| 2083 |
REVIEWS OF MUSIC
|
ABRAHAM, GERALD
|
|
1978
|
XVII |
1 |
p. 94-94
|
artikel
|
| 2084 |
REVIEWS OF MUSIC
|
GREER, DAVID
|
|
1978
|
XVII |
1 |
p. 98-b-99
|
artikel
|
| 2085 |
REVIEWS OF MUSIC
|
JOHNSON, ROBERT SHERLAW
|
|
1978
|
XVII |
1 |
p. 96-96
|
artikel
|
| 2086 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1979
|
XVII |
1 |
p. 114-115
|
artikel
|
| 2087 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1979
|
XVII |
1 |
p. 115-117
|
artikel
|
| 2088 |
REVIEWS OF MUSIC
|
DEAN, WINTON
|
|
1979
|
XVII |
1 |
p. 106-107
|
artikel
|
| 2089 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1979
|
XVII |
1 |
p. 103-104
|
artikel
|
| 2090 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1979
|
XVII |
1 |
p. 109-110
|
artikel
|
| 2091 |
REVIEWS OF MUSIC
|
DALTON, JAMES
|
|
1979
|
XVII |
1 |
p. 113-114
|
artikel
|
| 2092 |
REVIEWS OF MUSIC
|
PASCALL, ROBERT
|
|
1981
|
XVII |
1 |
p. 95-97
|
artikel
|
| 2093 |
REVIEWS OF MUSIC
|
KIRKENDALE, URSULA
|
|
1981
|
XVII |
1 |
p. 91-95
|
artikel
|
| 2094 |
REVIEWS OF MUSIC
|
NICHOLS, ROGER
|
|
1981
|
XVII |
1 |
p. 98-a-98
|
artikel
|
| 2095 |
REVIEWS OF MUSIC
|
FEROUSON, HOWARD
|
|
1984
|
XVII |
1 |
p. 124-a-124
|
artikel
|
| 2096 |
REVIEWS OF MUSIC
|
ROCHE, JEROME
|
|
1984
|
XVII |
1 |
p. 114-116
|
artikel
|
| 2097 |
REVIEWS OF MUSIC
|
ARNOLD, DENIS
|
|
1984
|
XVII |
1 |
p. 119-b-120
|
artikel
|
| 2098 |
REVIEWS OF MUSIC
|
ARNOLD, DENIS
|
|
1984
|
XVII |
1 |
p. 119-a-119
|
artikel
|
| 2099 |
REVIEWS OF MUSIC
|
HILEY, DAVID
|
|
1984
|
XVII |
1 |
p. 122-124
|
artikel
|
| 2100 |
REVIEWS OF MUSIC
|
DICKINSON, PETER
|
|
1984
|
XVII |
1 |
p. 109-a-109
|
artikel
|
| 2101 |
REVIEWS OF MUSIC
|
POPLE, ANTHONY
|
|
1984
|
XVII |
1 |
p. 109-b-110
|
artikel
|
| 2102 |
REVIEWS OF MUSIC
|
ROCHE, JEROME
|
|
1984
|
XVII |
1 |
p. 113-114
|
artikel
|
| 2103 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1984
|
XVII |
1 |
p. 126-127
|
artikel
|
| 2104 |
REVIEWS OF MUSIC
|
LAYTON, ROBERT
|
|
1984
|
XVII |
1 |
p. 129-130
|
artikel
|
| 2105 |
REVIEWS OF MUSIC
|
POPLE, ANTHONY
|
|
1985
|
XVII |
1 |
p. 80-b-81
|
artikel
|
| 2106 |
REVIEWS OF MUSIC
|
PUFFETT, DERRICK
|
|
1985
|
XVII |
1 |
p. 81-82
|
artikel
|
| 2107 |
REVIEWS OF MUSIC
|
DAVISON, NIGEL
|
|
1985
|
XVII |
1 |
p. 78-79
|
artikel
|
| 2108 |
REVIEWS OF MUSIC
|
FANNING, DAVID
|
|
1985
|
XVII |
1 |
p. 82-84
|
artikel
|
| 2109 |
REVIEWS OF MUSIC
|
BUDDEN, JULIAN
|
|
1985
|
XVII |
1 |
p. 73-75
|
artikel
|
| 2110 |
REVIEWS OF MUSIC
|
GATENS, WILLIAM J.
|
|
1986
|
XVII |
1 |
p. 114-115
|
artikel
|
| 2111 |
REVIEWS OF MUSIC
|
PLANTINGA, LEON
|
|
1986
|
XVII |
1 |
p. 103-105
|
artikel
|
| 2112 |
REVIEWS OF MUSIC
|
TURNBULL, MICHAEL
|
|
1986
|
XVII |
1 |
p. 110-111
|
artikel
|
| 2113 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1986
|
XVII |
1 |
p. 116-118
|
artikel
|
| 2114 |
REVIEWS OF MUSIC
|
JONES, RICHARD
|
|
1986
|
XVII |
1 |
p. 97-99
|
artikel
|
| 2115 |
REVIEWS OF MUSIC
|
JOHNSON, CLEVELAND T.
|
|
1986
|
XVII |
1 |
p. 95-97
|
artikel
|
| 2116 |
REVIEWS OF MUSIC
|
CROSS, ERIC
|
|
1986
|
XVII |
1 |
p. 94-95
|
artikel
|
| 2117 |
REVIEWS OF MUSIC
|
BUTCHART, DAVID
|
|
1989
|
XVII |
1 |
p. 141-142
|
artikel
|
| 2118 |
REVIEWS OF MUSIC
|
BENHAM, HUGH
|
|
1989
|
XVII |
1 |
p. 146-149
|
artikel
|
| 2119 |
REVIEWS OF MUSIC
|
CAZEAUX, ISABELLE
|
|
1989
|
XVII |
1 |
p. 143-144
|
artikel
|
| 2120 |
REVIEWS OF MUSIC
|
HALTON, ROSALIND
|
|
1990
|
XVII |
1 |
p. 139-140
|
artikel
|
| 2121 |
REVIEWS OF MUSIC
|
OWENS, PETER
|
|
1990
|
XVII |
1 |
p. 155-b-156
|
artikel
|
| 2122 |
REVIEWS OF MUSIC
|
STEMBRIDGE, CHRISTOPHER
|
|
1990
|
XVII |
1 |
p. 140-142
|
artikel
|
| 2123 |
REVIEWS OF MUSIC
|
PLANTINGA, LEON
|
|
1990
|
XVII |
1 |
p. 142-143
|
artikel
|
| 2124 |
REVIEWS OF MUSIC
|
DAVIES, H. NEVILLE
|
|
1990
|
XVII |
1 |
p. 146-148
|
artikel
|
| 2125 |
REVIEWS OF MUSIC
|
BAILES, ANTHONY
|
|
1990
|
XVII |
1 |
p. 154-154
|
artikel
|
| 2126 |
REVIEWS OF MUSIC
|
HILL, JOHN WALTER
|
|
1991
|
XVII |
1 |
p. 166-169
|
artikel
|
| 2127 |
REVIEWS OF MUSIC
|
J. A. W.,
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1971
|
XVII |
1 |
p. 89-90
|
artikel
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| 2128 |
REVIEWS OF MUSIC
|
D. C.,
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|
1971
|
XVII |
1 |
p. 91-92
|
artikel
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REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
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1974
|
XVII |
1 |
p. 119-a-119
|
artikel
|
| 2130 |
REVIEWS OF MUSIC
|
BEECHEY, GWILYM
|
|
1976
|
XVII |
1 |
p. 83-83
|
artikel
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| 2131 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
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1976
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XVII |
1 |
p. 84-a-84
|
artikel
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| 2132 |
REVIEWS OF MUSIC
|
DEAN, WINTON
|
|
1976
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XVII |
1 |
p. 79-80
|
artikel
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| 2133 |
REVIEWS OF MUSIC
|
RUSHTON, JULIAN
|
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1976
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XVII |
1 |
p. 84-b-85
|
artikel
|
| 2134 |
REVIEWS OF MUSIC
|
CARNER, MOSCO
|
|
1976
|
XVII |
1 |
p. 80-81
|
artikel
|
| 2135 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT
|
|
1935
|
XVII |
1 |
p. 70-71
|
artikel
|
| 2136 |
REVIEWS OF MUSIC
|
E. R.,
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1937
|
XVII |
1 |
p. 105-b-105
|
artikel
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| 2137 |
REVIEWS OF MUSIC
|
E. R.,
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1937
|
XVII |
1 |
p. 103-a-103
|
artikel
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| 2138 |
REVIEWS OF MUSIC
|
J. S.,
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1937
|
XVII |
1 |
p. 104-b-104
|
artikel
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| 2139 |
REVIEWS OF MUSIC
|
E. B.,
|
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1937
|
XVII |
1 |
p. 102-b-103
|
artikel
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| 2140 |
REVIEWS OF MUSIC
|
E. R.,
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1937
|
XVII |
1 |
p. 106-a-106
|
artikel
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| 2141 |
REVIEWS OF MUSIC
|
E. R.,
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1937
|
XVII |
1 |
p. 104-a-104
|
artikel
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| 2142 |
REVIEWS OF MUSIC
|
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1947
|
XVII |
1 |
p. 95-a-95
|
artikel
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| 2143 |
REVIEWS OF MUSIC
|
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1947
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XVII |
1 |
p. 95-c-96
|
artikel
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| 2144 |
REVIEWS OF MUSIC
|
I. K.,
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1947
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XVII |
1 |
p. 98-a-98
|
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| 2145 |
REVIEWS OF MUSIC
|
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1947
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XVII |
1 |
p. 97-c-97
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artikel
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REVIEWS OF MUSIC
|
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1949
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XVII |
1 |
p. 89-b-89
|
artikel
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| 2147 |
REVIEWS OF MUSIC
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1949
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XVII |
1 |
p. 92-b-92
|
artikel
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REVIEWS OF MUSIC
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1949
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XVII |
1 |
p. 92-a-92
|
artikel
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REVIEWS OF MUSIC
|
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1949
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XVII |
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p. 90-c-90
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REVIEWS OF MUSIC
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1949
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XVII |
1 |
p. 88-c-88
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REVIEWS OF MUSIC
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1950
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XVII |
1 |
p. 91-c-91
|
artikel
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REVIEWS OF MUSIC
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1950
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XVII |
1 |
p. 94-c-94
|
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REVIEWS OF MUSIC
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1950
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XVII |
1 |
p. 94-a-94
|
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REVIEWS OF MUSIC
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1950
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XVII |
1 |
p. 93-b-93
|
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| 2155 |
REVIEWS OF MUSIC
|
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1950
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XVII |
1 |
p. 93-c-93
|
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| 2156 |
REVIEWS OF MUSIC
|
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1950
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XVII |
1 |
p. 91-a-91
|
artikel
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| 2157 |
REVIEWS OF MUSIC
|
I. K.,
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1951
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XVII |
1 |
p. 89-c-90
|
artikel
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REVIEWS OF MUSIC
|
I. K.,
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1951
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XVII |
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p. 89-b-89
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REVIEWS OF MUSIC
|
E. J.,
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1951
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XVII |
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p. 92-93
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REVIEWS OF MUSIC
|
E. J.,
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1951
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XVII |
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p. 90-91
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REVIEWS OF MUSIC
|
W. S. M.,
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1951
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XVII |
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p. 88-89
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REVIEWS OF MUSIC
|
F. H.,
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1951
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XVII |
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p. 86-87
|
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REVIEWS OF MUSIC
|
T. D.,
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1951
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XVII |
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p. 82-85
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REVIEWS OF MUSIC
|
I. K.,
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1952
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XVII |
1 |
p. 89-91
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REVIEWS OF MUSIC
|
T. D.,
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1953
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XVII |
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p. 78-79
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REVIEWS OF MUSIC
|
T. D.,
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1958
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XVII |
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p. 92-a-92
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artikel
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REVIEWS OF MUSIC
|
P. A. T.,
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1954
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XVII |
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p. 71-72
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REVIEWS OF MUSIC
|
O. W. N.,
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1954
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XVII |
1 |
p. 70-71
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| 2169 |
REVIEWS OF MUSIC
|
E. R.,
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1943
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XVII |
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p. 61-d-62
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| 2170 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
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p. 61-c-61
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| 2171 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 63-c-63
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| 2172 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 63-d-63
|
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| 2173 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 62-d-63
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| 2174 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 62-b-62
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| 2175 |
REVIEWS OF MUSIC
|
A. E.,
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1943
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XVII |
1 |
p. 62-c-62
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artikel
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| 2176 |
REVIEWS OF MUSIC
|
E. B.,
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1943
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XVII |
1 |
p. 63-f-64
|
artikel
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| 2177 |
REVIEWS OF MUSIC
|
E. B.,
|
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1943
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XVII |
1 |
p. 64-c-64
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artikel
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| 2178 |
REVIEWS OF MUSIC
|
E. B.,
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1943
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XVII |
1 |
p. 64-b-64
|
artikel
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| 2179 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 63-e-63
|
artikel
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| 2180 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 62-a-62
|
artikel
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| 2181 |
REVIEWS OF MUSIC
|
E. R,
|
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1943
|
XVII |
1 |
p. 61-a-61
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artikel
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| 2182 |
REVIEWS OF MUSIC
|
E. L.,
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1943
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XVII |
1 |
p. 63-a-63
|
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| 2183 |
REVIEWS OF MUSIC
|
E. L.,
|
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1943
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XVII |
1 |
p. 61-b-61
|
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| 2184 |
REVIEWS OF MUSIC
|
E. B.,
|
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1943
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XVII |
1 |
p. 63-b-63
|
artikel
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| 2185 |
REVIEWS OF MUSIC
|
E. B.,
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1943
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XVII |
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p. 64-a-64
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REVIEWS OF MUSIC
|
D. W. S.,
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1956
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XVII |
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p. 89-92
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| 2187 |
REVIEWS OF MUSIC
|
B. W. G. R.,
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1956
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XVII |
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p. 92-97
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artikel
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| 2188 |
REVIEWS OF MUSICS
|
E. R.,
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1940
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XVII |
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p. 100-a-100
|
artikel
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| 2189 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1936
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XVII |
1 |
p. 87-88
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artikel
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| 2190 |
REVIEWS OF PERIODICALS
|
Sc. G.,
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1930
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XVII |
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p. 101-102
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REVIEWS OF PERIODICALS
|
Mendl, R. W. S.
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1933
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XVII |
1 |
p. 90-91
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artikel
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| 2192 |
REVIEWS OF PERIODICALS
|
R. C.,
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1938
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XVII |
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p. 109-110
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| 2193 |
REVIEWS OF PERIODICALS
|
G. A.,
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1938
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XVII |
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p. 114-115
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| 2194 |
REVIEWS OF PERIODICALS
|
R. C.,
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1938
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XVII |
1 |
p. 113-114
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| 2195 |
REVIEWS OF PERIODICALS
|
S. G.,
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1938
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XVII |
1 |
p. 115-115
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artikel
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| 2196 |
REVIEWS OF PERIODICALS
|
S. G.,
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1939
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XVII |
1 |
p. 101-a-101
|
artikel
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| 2197 |
REVIEWS OF PERIODICALS
|
R. C.,
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1939
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XVII |
1 |
p. 106-b-107
|
artikel
|
| 2198 |
REVIEWS OF PERIODICALS
|
G. A.,
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1939
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XVII |
1 |
p. 108-109
|
artikel
|
| 2199 |
REVIEWS OF PERIODICALS
|
S. G.,
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1939
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XVII |
1 |
p. 105-106
|
artikel
|
| 2200 |
REVIEWS OF PERIODICALS
|
R. C.,
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1939
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XVII |
1 |
p. 104-b-105
|
artikel
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| 2201 |
REVIEWS OF PERIODICALS
|
A. D. S.,
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1939
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XVII |
1 |
p. 106-a-106
|
artikel
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| 2202 |
REVIEWS OF PERIODICALS
|
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|
1929
|
XVII |
1 |
p. 97-100
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artikel
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| 2203 |
REVIEWS OF PERIODICALS
|
S. G.,
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1938
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XVII |
1 |
p. 108-a-108
|
artikel
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| 2204 |
REVIEWS OF PERIODICALS
|
S. G.,
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1938
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XVII |
1 |
p. 111-b-112
|
artikel
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| 2205 |
REVIEWS OF PERIODICALS
|
S. G.,
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1938
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XVII |
1 |
p. 110-111
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| 2206 |
REVIEWS OF PERIODICALS
|
G. A.,
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1938
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XVII |
1 |
p. 108-c-109
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artikel
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| 2207 |
REVIEWS OF PERIODICALS
|
R. C.,
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1938
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XVII |
1 |
p. 111-a-111
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artikel
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| 2208 |
REVIEWS OF PERIODICALS
|
E. R.,
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1938
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XVII |
1 |
p. 104-b-104
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artikel
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| 2209 |
REVIEWS OF PERIODICALS
|
J. B. T.,
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1928
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XVII |
1 |
p. 88-b-89
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REVIEWS OF PERIODICALS
|
A. H. F. S.,
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1928
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XVII |
1 |
p. 88-a-88
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REVIEWS OF PERIODICALS
|
Sc. G.,
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1928
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XVII |
1 |
p. 89-90
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| 2212 |
REVIEWS OF PERIODICALS
|
SC. G.,
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1931
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XVII |
1 |
p. 98-99
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artikel
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| 2213 |
REVIEWS OF PERIODICALS
|
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|
1932
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XVII |
1 |
p. 110-113
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REVIEWS OF PERIODICALS
|
S. G.,
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1938
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XVII |
1 |
p. 108-b-108
|
artikel
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| 2215 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1935
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XVII |
1 |
p. 72-a-72
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artikel
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| 2216 |
REVIEWS OF PERIODICALS
|
S. G.,
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1937
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XVII |
1 |
p. 109-b-109
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artikel
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REVIEWS OF PERIODICALS
|
S. G.,
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1937
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XVII |
1 |
p. 109-a-109
|
artikel
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| 2218 |
REVIEWS OF PERIODICALS
|
G. A.,
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1937
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XVII |
1 |
p. 112-b-113
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artikel
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| 2219 |
REVIEWS OF PERIODICALS
|
S. G.,
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1937
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XVII |
1 |
p. 111-a-111
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artikel
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| 2220 |
REVIEWS OF PERIODICALS
|
S. G.,
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1939
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XVII |
1 |
p. 101-c-102
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artikel
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| 2221 |
REVIEWS OF PERIODICALS
|
G. A.,
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1939
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XVII |
1 |
p. 102-b-103
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artikel
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| 2222 |
REVIEWS OF PERIODICALS
|
S. G.,
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1939
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XVII |
1 |
p. 101-b-101
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artikel
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| 2223 |
REVIEWS OF PERIODICALS
|
R. C.,
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1939
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XVII |
1 |
p. 103-104
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artikel
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| 2224 |
REVIEWS OF PERIODICALS
|
S. G.,
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1939
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XVII |
1 |
p. 102-a-103
|
artikel
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| 2225 |
REVIEWS OF PERIODICALS
|
R. C.,
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1939
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XVII |
1 |
p. 104-a-104
|
artikel
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| 2226 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1935
|
XVII |
1 |
p. 72-b-72
|
artikel
|
| 2227 |
REVIEWS OF PERIODICALS
|
GODDAED, SCOTT
|
|
1936
|
XVII |
1 |
p. 88-89
|
artikel
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| 2228 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1937
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XVII |
1 |
p. 109-c-110
|
artikel
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| 2229 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
XVII |
1 |
p. 110-a-110
|
artikel
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| 2230 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1937
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XVII |
1 |
p. 110-b-111
|
artikel
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| 2231 |
REVIEWS OF PERIODICALS
|
S. G.,
|
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1937
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XVII |
1 |
p. 111-b-112
|
artikel
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| 2232 |
REVIEWS OF PERIODICALS
|
S. G.,
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1937
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XVII |
1 |
p. 113-113
|
artikel
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| 2233 |
REVIEWS OF PERIODICALS
|
S. G.,
|
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1937
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XVII |
1 |
p. 112-a-112
|
artikel
|
| 2234 |
RHYMED OFFICES
|
HUGHES, ANDREW
|
|
1984
|
XVII |
1 |
p. 136-a-136
|
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|
| 2235 |
RHYTHM AS PROPORTION
|
BORWICK, LEONARD
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|
1925
|
XVII |
1 |
p. 11-18
|
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|
| 2236 |
RICHARD STRAUSS AS AN OPERA CONDUCTOR
|
WURMSER, LEO
|
|
1964
|
XVII |
1 |
p. 4-15
|
artikel
|
| 2237 |
ROBERT BRIDGES: CHURCH MUSICIAN
|
BYARD, HERBERT
|
|
1972
|
XVII |
1 |
p. 44-55
|
artikel
|
| 2238 |
ROGER NORTH PAPERS
|
CHAN, MARY
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1990
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XVII |
1 |
p. 158-b-159
|
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| 2239 |
ROGER QUILTER: 1877–1953
|
HILL, QUINTIN SIR
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|
1954
|
XVII |
1 |
p. 15-16
|
artikel
|
| 2240 |
ROMAIN ROLLAND (1866–19431)
|
KLEIN, JOHN W.
|
|
1944
|
XVII |
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p. 13-22
|
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| 2241 |
ROSSINI'S CORRESPONDENCE
|
PHILIPPS, COLWYN
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|
1985
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XVII |
1 |
p. 89-89
|
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|
| 2242 |
ROUND ABOUT ‘THE MIDSUMMER MARRIAGE’
|
DICKINSON, A. E. F.
|
|
1956
|
XVII |
1 |
p. 50-60
|
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|
| 2243 |
ROUNDS AND CANONS FROM AN EARLY TUDOR SONGBOOK
|
STEVENS, JOHN E.
|
|
1951
|
XVII |
1 |
p. 29-37
|
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|
| 2244 |
R. VAUGHAN WILLIAMS MEMORIAL
|
KENNEDY, DOUGLAS
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|
1959
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XVII |
1 |
p. 101a-101
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| 2245 |
SAILOR SHANTIES
|
Terry, R. R.
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1920
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XVII |
1 |
p. 35-44
|
artikel
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| 2246 |
SALINAS: A SIXTEENTH CENTURY COLLECTOR OF FOLK SONGS
|
TREND, J. B.
|
|
1927
|
XVII |
1 |
p. 13-24
|
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|
| 2247 |
‘SALVE REGINA’ (POWER ORDUNSTABLE): A SIMPLIFIED VERSION
|
BENHAM, HUGH
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|
1978
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XVII |
1 |
p. 28-32
|
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| 2248 |
SATIE, KOECHLIN AND THE BALLET ‘USPUD’
|
ORLEDGE, ROBERT
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1987
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XVII |
1 |
p. 26-41
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artikel
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| 2249 |
SATIRE AND SYMBOLISM IN ‘THE GOLDEN COCKEREL’1
|
ABRAHAM, GERALD
|
|
1971
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XVII |
1 |
p. 46-54
|
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| 2250 |
SCHOENBERG'S SERIAL ODYSSEY
|
MILSTEIN, SILVINA
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1992
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XVII |
1 |
p. 62-74
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| 2251 |
SCHUBERT AND BEETHOVEN: A CONTRAST OF METHODS
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DICKINSON, A. E. F.
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1928
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XVII |
1 |
p. 44-50
|
artikel
|
| 2252 |
SCHUBERT'S CZECH PREDECESSORS
|
NETTL, PAUL
|
|
1942
|
XVII |
1 |
p. 61-68
|
artikel
|
| 2253 |
SCHUBERT'S ‘PASTORAL MASS’
|
|
|
1962
|
XVII |
1 |
p. 97-a-97
|
artikel
|
| 2254 |
SCHUBERT'S ‘PASTORAL MASS’
|
VAN HOORICKX, F. REINHARD
|
|
1961
|
XVII |
1 |
p. 53-55
|
artikel
|
| 2255 |
SCHUBERT'S POETS—I
|
FIEDLER, H. G.
|
|
1925
|
XVII |
1 |
p. 68-77
|
artikel
|
| 2256 |
SCHURBERT'S ‘PASTORAL MASS’
|
REINHARD, FR.
|
|
1962
|
XVII |
1 |
p. 97-b-98
|
artikel
|
| 2257 |
SCIENCE AND MUSIC
|
HOWES, FRANK
|
|
1934
|
XVII |
1 |
p. 66-70
|
artikel
|
| 2258 |
SELECTION OF MUSIC RECEIVED
|
|
|
1927
|
XVII |
1 |
p. 94-95
|
artikel
|
| 2259 |
SHAKESPEARE AND CONTEMPORARY MUSIC
|
HILL, ENID
|
|
1933
|
XVII |
1 |
p. 40-43
|
artikel
|
| 2260 |
SIBELIUS'S TEMPO CORRECTIONS
|
CHERNIAVSKY, DAVID
|
|
1950
|
XVII |
1 |
p. 53-55
|
artikel
|
| 2261 |
SIR EDWARD ELGAR
|
SHAW, G. BERNARD
|
|
1920
|
XVII |
1 |
p. 7-11
|
artikel
|
| 2262 |
SIR HENRY FANSHAWE AND TWO SETS OF EARLY SEVENTEENTH-CENTURY PART-BOOKS AT CHRIST CHURCH, OXFORD
|
APLIN, JOHN
|
|
1976
|
XVII |
1 |
p. 11-24
|
artikel
|
| 2263 |
SIR NICHOLAS LE STRANGE AND JOHN JENKINS
|
WILLETTS, PAMELA
|
|
1961
|
XVII |
1 |
p. 30-43
|
artikel
|
| 2264 |
SIR PHILIP SIDNEY AND MUSIC
|
PATTISON, BRUCE
|
|
1934
|
XVII |
1 |
p. 75-81
|
artikel
|
| 2265 |
SOCIAL TENSIONS IN ‘LE NOZZE DI FIGARO’
|
NOSKE, FRITS
|
|
1969
|
XVII |
1 |
p. 45-62
|
artikel
|
| 2266 |
SOLO CANATA
|
WILLIAMS, PETER
|
|
1976
|
XVII |
1 |
p. 96-b-97
|
artikel
|
| 2267 |
SOLO CANTATAS
|
BRAY, TREVOR
|
|
1975
|
XVII |
1 |
p. 115-a-115
|
artikel
|
| 2268 |
SOLO SONGS
|
J. H.,
|
|
1972
|
XVII |
1 |
p. 109-b-110
|
artikel
|
| 2269 |
SOLO SONGS
|
J. A. W.,
|
|
1961
|
XVII |
1 |
p. 94-b-95
|
artikel
|
| 2270 |
SOLO SONGS
|
J. A. C.,
|
|
1969
|
XVII |
1 |
p. 208-c-208
|
artikel
|
| 2271 |
SOLO SONGS
|
M. W.,
|
|
1971
|
XVII |
1 |
p. 102-103
|
artikel
|
| 2272 |
SOLO SONGS
|
J. A. W.,
|
|
1972
|
XVII |
1 |
p. 109-a-109
|
artikel
|
| 2273 |
SOLO SONGS
|
R. T. B.,
|
|
1972
|
XVII |
1 |
p. 110-a-110
|
artikel
|
| 2274 |
SOLO SONGS
|
BRAY, TREVOR
|
|
1975
|
XVII |
1 |
p. 115-b-116
|
artikel
|
| 2275 |
SOLO SONGS
|
D. W.,
|
|
1973
|
XVII |
1 |
p. 119-119
|
artikel
|
| 2276 |
SOLO SONGS
|
R. L.,
|
|
1965
|
XVII |
1 |
p. 90-d-91
|
artikel
|
| 2277 |
SOLO SONGS
|
A.H.,
|
|
1965
|
XVII |
1 |
p. 91-92
|
artikel
|
| 2278 |
SOLO SONGS
|
I. K.,
|
|
1960
|
XVII |
1 |
p. 102-a-102
|
artikel
|
| 2279 |
SOLO SONGS
|
J. A. W.,
|
|
1961
|
XVII |
1 |
p. 94-a-94
|
artikel
|
| 2280 |
SOLO STRINGS AND CONTINUO
|
COCKSHOOT, JOHN
|
|
1976
|
XVII |
1 |
p. 100-101
|
artikel
|
| 2281 |
SOLO VIOLIN SONATAS
|
SCOTT, MARION M.
|
|
1929
|
XVII |
1 |
p. 46-57
|
artikel
|
| 2282 |
SOME LESSER KNOWN WORKS OF HAYDN IN MODERN EDITIONS
|
SOMERSET, H. V. F.
|
|
1933
|
XVII |
1 |
p. 36-39
|
artikel
|
| 2283 |
SOME NOTES ON A BODLEIAN MANUSCRIPT
|
THEWLIS, GEORGE A.
|
|
1941
|
XVII |
1 |
p. 32-35
|
artikel
|
| 2284 |
SOME NOTES ON CHOPIN BIOGRAPHY
|
HEDLEY, ARTHUR
|
|
1937
|
XVII |
1 |
p. 42-49
|
artikel
|
| 2285 |
SOME RECENT OPERAS
|
CAREY, CLIVE
|
|
1923
|
XVII |
1 |
p. 95-98
|
artikel
|
| 2286 |
SOME RECENT WAGNER CRITICISM IN GERMANY AND IN ENGLAND
|
HIGHT, GEO. AINSLIE
|
|
1925
|
XVII |
1 |
p. 64-67
|
artikel
|
| 2287 |
SOME SOCIAL CAUSES OF THE PRESENT MUSICAL CRISIS
|
SABANEEV, LEONID
|
|
1932
|
XVII |
1 |
p. 75-79
|
artikel
|
| 2288 |
SOME STRAY NOTES ON MOZART
|
LOEWENBERG, ALFRED
|
|
1943
|
XVII |
1 |
p. 48-50
|
artikel
|
| 2289 |
SOME VICTORIAN SONGS
|
FULLER-MAITLAND, J. A.
|
|
1931
|
XVII |
1 |
p. 78-80
|
artikel
|
| 2290 |
SONGCRAFT
|
GRAVES, ALFRED PERCEVAL
|
|
1922
|
XVII |
1 |
p. 20-28
|
artikel
|
| 2291 |
SONGS
|
BRAY, TREVOR
|
|
1976
|
XVII |
1 |
p. 97-100
|
artikel
|
| 2292 |
SONGS OF THE GERMAN REVOLUTION
|
SAUNDERS, WILLIAM
|
|
1935
|
XVII |
1 |
p. 50-57
|
artikel
|
| 2293 |
SONG-TRANSLATIONS
|
|
|
1922
|
XVII |
1 |
p. 2-8
|
artikel
|
| 2294 |
‘SO WHICH WAY ROUND DID THEY GO?’
|
CHADD, DAVID
|
|
1981
|
XVII |
1 |
p. 119-b-120
|
artikel
|
| 2295 |
SPOHR'S LETTERS
|
EWERS, J. B.
|
|
1954
|
XVII |
1 |
p. 91-b-91
|
artikel
|
| 2296 |
STAFFORD SMITH'S BURNEY
|
COLE, ELIZABETH
|
|
1959
|
XVII |
1 |
p. 35-38
|
artikel
|
| 2297 |
STANESBY, MAJOR AND MINOR
|
HALFPENNY, ERIC
|
|
1953
|
XVII |
1 |
p. 41-47
|
artikel
|
| 2298 |
STANLEY'S VOLUNTARIES
|
PHILLIPS, GORDON
|
|
1969
|
XVII |
1 |
p. 212-b-213
|
artikel
|
| 2299 |
STOCKTAKING, 1930
|
EVANS, EDWIN
|
|
1931
|
XVII |
1 |
p. 60-65
|
artikel
|
| 2300 |
STRAVINSKY AND MUSIC DRAMA
|
WHITTALL, ARNOLD
|
|
1969
|
XVII |
1 |
p. 63-67
|
artikel
|
| 2301 |
STRING QUARTETS
|
CARNER, MOSCO
|
|
1976
|
XVII |
1 |
p. 101-102
|
artikel
|
| 2302 |
STYLE IN BLOCH'S CHAMBER MUSIC
|
CHISSELL, JOAN
|
|
1943
|
XVII |
1 |
p. 30-35
|
artikel
|
| 2303 |
‘SUMER IS I-CUMEN’
|
EMERY, WALTER
|
|
1954
|
XVII |
1 |
p. 91-a-91
|
artikel
|
| 2304 |
SUSANNA OR THE COUNTESS?
|
POSTON, M. L.
|
|
1954
|
XVII |
1 |
p. 90-91
|
artikel
|
| 2305 |
SYDNEY SYMPHONY ORCHESTRA
|
GOOSSENS, EUGENE
|
|
1952
|
XVII |
1 |
p. 97-a-97
|
artikel
|
| 2306 |
TELEMANN'S COLLECTED WORKS
|
STEVENSON, ROBERT
|
|
1957
|
XVII |
1 |
p. 111-112
|
artikel
|
| 2307 |
TELEMANN'S COLLECTED WORKS
|
LEFKOVITCH, LEONARD
|
|
1957
|
XVII |
1 |
p. 110-111
|
artikel
|
| 2308 |
TEXT-BOOKS ON ORCHESTRATION BEFORE BERLIOZ
|
CARSE, ADAM
|
|
1941
|
XVII |
1 |
p. 26-31
|
artikel
|
| 2309 |
THE ALL-BRASS ENSEMBLE
|
ELLIOT, J. H.
|
|
1931
|
XVII |
1 |
p. 30-34
|
artikel
|
| 2310 |
THE ALTO OR COUNTERTENOR VOICE
|
ARDRAN, G. M.
|
|
1967
|
XVII |
1 |
p. 17-22
|
artikel
|
| 2311 |
THE AP HUW MANUSCRIPT
|
POLIN, CLAIRE
|
|
1981
|
XVII |
1 |
p. 120-120
|
artikel
|
| 2312 |
THE ASSOCIATED BOARD'S EDITION OF BEETHOVEN'S PIANOFORTE SONATAS
|
WALKER, ERNEST
|
|
1932
|
XVII |
1 |
p. 11-18
|
artikel
|
| 2313 |
THE AUTHORSHIP OF THE TEXT OF STRAUSS'S ‘FRIEDENSTAG’
|
GILLIAM, BRYAN
|
|
1995
|
XVII |
1 |
p. 142-143
|
artikel
|
| 2314 |
THE B.B.C. AND THE FAMILY
|
BELL, ROBERT
|
|
1933
|
XVII |
1 |
p. 44-50
|
artikel
|
| 2315 |
THE BEGINNINGS OF THE CHAPEL ROYAL
|
FLOOD, W. H. GRATTAN
|
|
1924
|
XVII |
1 |
p. 85-90
|
artikel
|
| 2316 |
THE BERLIOZ-STRAUSS TREATISE ON INSTRUMENTATION
|
LOCKSPEISER, EDWARD
|
|
1969
|
XVII |
1 |
p. 37-44
|
artikel
|
| 2317 |
THE BLIND DÜLON AND HIS MAGIC FLUTE
|
RICE, JOHN A.
|
|
1990
|
XVII |
1 |
p. 25-51
|
artikel
|
| 2318 |
THE CALIPH OF VIENNA: DR. RICHARD STRAUSS, MUSICIAN
|
SMYSER, WILLIAM LEON
|
|
1931
|
XVII |
1 |
p. 46-53
|
artikel
|
| 2319 |
THE CAPPELLA OF S. MARIA IN TRASTEVERE (1605–45): AN ARCHIVAL STUDY
|
DIXON, GRAHAM
|
|
1981
|
XVII |
1 |
p. 30-40
|
artikel
|
| 2320 |
THE CHARTER FOR THE ROYAL ACADEMY OF MUSIC
|
MILHOUS, JUDITH
|
|
1986
|
XVII |
1 |
p. 50-58
|
artikel
|
| 2321 |
THE CHORAL SYMPHONY IN LONDON
|
CARSE, ADAM
|
|
1951
|
XVII |
1 |
p. 47-58
|
artikel
|
| 2322 |
THE CHRISTMAS CAROL
|
DRY, WAKELING W.
|
|
1926
|
XVII |
1 |
p. 81-83
|
artikel
|
| 2323 |
THE CINDERELLA OF FLEET STREET
|
TOYE, FRANCIS
|
|
1924
|
XVII |
1 |
p. 79-84
|
artikel
|
| 2324 |
THE CIRCUMSTANCES OF THE ENGLISH COMPOSER
|
FOSS, HUBERT J.
|
|
1931
|
XVII |
1 |
p. 12-20
|
artikel
|
| 2325 |
THE CLAIMS OF TONIC SOLFA—II
|
WHITTAKER, W. G.
|
|
1925
|
XVII |
1 |
p. 46-53
|
artikel
|
| 2326 |
THE CLAVICHORD SPEAKS
|
HOBSBAUM, PHILIP
|
|
1963
|
XVII |
1 |
p. 46-47
|
artikel
|
| 2327 |
THE COMPOSER AND THE MILITARY BAND
|
DYSON, GEORGE
|
|
1921
|
XVII |
1 |
p. 58-66
|
artikel
|
| 2328 |
THE CONCERTO ALLEGRO IN THE EARLY EIGHTEENTH CENTURY
|
TALBOT, MICHAEL
|
|
1971
|
XVII |
1 |
p. 8-18
|
artikel
|
| 2329 |
THE COPYRIGHT OF LITERARY MATERIAL
|
SAUTOY, P. F. DU
|
|
1961
|
XVII |
1 |
p. 100-b-101
|
artikel
|
| 2330 |
THE CORRESPONDENCE BETWEEN BURNEY AND TWINING ABOUT CORELLI AND GEMINIANI
|
CARERI, ENRICO
|
|
1991
|
XVII |
1 |
p. 38-47
|
artikel
|
| 2331 |
THE COUNT OF SAINT GERMAIN OR GIOVANNINI: A CASE OF MISTAKEN IDENTITY
|
CALMEYER, J. H.
|
|
1967
|
XVII |
1 |
p. 4-16
|
artikel
|
| 2332 |
THE DANCE OF THE SEISES* AT SEVILLE
|
TREND, J. B.
|
|
1921
|
XVII |
1 |
p. 10-28
|
artikel
|
| 2333 |
THE DATE OF JOHN PLUMMER'S BIRTH
|
TROWELL, BRIAN
|
|
1969
|
XVII |
1 |
p. 212-a-212
|
artikel
|
| 2334 |
THE DAVIES SISTERS
|
MATTHEWS, BETTY
|
|
1976
|
XVII |
1 |
p. 104-a-104
|
artikel
|
| 2335 |
THE DEBATE ABOUT CONSECUTIVE FIFTHS: A CONTEXT FOR BRAHMS'S MANUSCRIPT ‘OKTAVEN UND QUINTEN’
|
LAUDON, ROBERT T.
|
|
1992
|
XVII |
1 |
p. 48-61
|
artikel
|
| 2336 |
THE DEGENERATE HORN
|
PEGGE, R. MORLEY
|
|
1951
|
XVII |
1 |
p. 94-96
|
artikel
|
| 2337 |
THE DIARY OF ROBERT AND CLARA SCHUMANN
|
SCHUMANN, EUGENIE
|
|
1935
|
XVII |
1 |
p. 40-49
|
artikel
|
| 2338 |
THE DOWRY OF SILENCE
|
BENNETT, VICTOR
|
|
1938
|
XVII |
1 |
p. 61-66
|
artikel
|
| 2339 |
THE ‘ENIGMA’ VARIATIONS
|
BOZMAN, E. F.
|
|
1963
|
XVII |
1 |
p. 98-a-98
|
artikel
|
| 2340 |
THE “ENTERTAINMENT” OF CHARLES II
|
HALFPENNY, ERIC
|
|
1957
|
XVII |
1 |
p. 32-44
|
artikel
|
| 2341 |
THE FALL AND RISE OF THE HYMN TUNE
|
DEABMER, GEOFFRBY
|
|
1925
|
XVII |
1 |
p. 35-45
|
artikel
|
| 2342 |
THE FIRST PERFORMANCE OF GOUNOD'S “REDEMPTION”
|
FORSYTH, CEOIL
|
|
1925
|
XVII |
1 |
p. 85-93
|
artikel
|
| 2343 |
THE FORSYTES AND MUSIC
|
KING, A. HYATT
|
|
1942
|
XVII |
1 |
p. 24-36
|
artikel
|
| 2344 |
THE FOUNDATION-STONE OF RUSSIAN MUSIC
|
ABRAHAM, GERALD
|
|
1937
|
XVII |
1 |
p. 50-62
|
artikel
|
| 2345 |
THE FUNCTIONAL DYNAMICS OF MUSIC
|
FREYMANN, RICHARD
|
|
1948
|
XVII |
1 |
p. 57-72
|
artikel
|
| 2346 |
THE FUTURE OF THE ENGLISH SONG
|
GREENE, HARRY PLUNKET
|
|
1920
|
XVII |
1 |
p. 19-26
|
artikel
|
| 2347 |
THE GENESIS OF BOYCE'S ‘CATHEDRAL MUSIC’
|
JOHNSTONE, H. DIACK
|
|
1975
|
XVII |
1 |
p. 26-40
|
artikel
|
| 2348 |
THE GENESIS OF ‘THE BARTERED BRIDE’
|
ABRAHAM, GERALD
|
|
1947
|
XVII |
1 |
p. 36-49
|
artikel
|
| 2349 |
THE GRAMOPHONE
|
|
|
1929
|
XVII |
1 |
p. 105-106
|
artikel
|
| 2350 |
THE HARPSICHORD
|
HALFPENNY, ERIC
|
|
1951
|
XVII |
1 |
p. 97-97
|
artikel
|
| 2351 |
THE HARPSICHORD IN CHURCH
|
JOHNSTONE, H. DIACK
|
|
1972
|
XVII |
1 |
p. 112-b-113
|
artikel
|
| 2352 |
THE HARPSICHORD IN CHURCH
|
SELFRIDGE-FIELD, ELEANOR
|
|
1972
|
XVII |
1 |
p. 113-a-113
|
artikel
|
| 2353 |
THE HISTORY OF THE VIOLA IN QUARTET WRITING
|
CLARKE, REBECCA
|
|
1923
|
XVII |
1 |
p. 6-17
|
artikel
|
| 2354 |
THE HUMOUR OF ELGAR
|
SMITH, A. E. BRENT
|
|
1935
|
XVII |
1 |
p. 20-25
|
artikel
|
| 2355 |
THE HYMN ‘UT QUEANT LAXIS’
|
HARBINSON, DENIS
|
|
1971
|
XVII |
1 |
p. 55-58
|
artikel
|
| 2356 |
THE ITALIAN CANTATA OF THE XVII CENTURY—I
|
DE PRUNIERES, HENRI
|
|
1926
|
XVII |
1 |
p. 38-48
|
artikel
|
| 2357 |
‘THE JUDGMENT OF PARIS’
|
|
|
1967
|
XVII |
1 |
p. 101-a-101
|
artikel
|
| 2358 |
‘THE JUDGMENT OF PARIS’
|
PRITCHARD, VERONICA M.
|
|
1967
|
XVII |
1 |
p. 101-b-102
|
artikel
|
| 2359 |
THE KETTLE-DRUMS: AN HISTORICAL SURVEY
|
KIRRY, PRRCIVAL R.
|
|
1928
|
XVII |
1 |
p. 34-43
|
artikel
|
| 2360 |
THE LADY, THE BIRD, AND THE BRACHET
|
MARSDEN, W. MURRAY
|
|
1921
|
XVII |
1 |
p. 81-84
|
artikel
|
| 2361 |
THE LAST SCENE OF GOTTERDÄMMERUNG
|
WHITE, TERENCE
|
|
1936
|
XVII |
1 |
p. 62-64
|
artikel
|
| 2362 |
THE LEAGUE OF AUDIENCES
|
ALDEN, J. H.
|
|
1938
|
XVII |
1 |
p. 79-83
|
artikel
|
| 2363 |
THE LIBERTINE REFORMED:‘DON JUAN’ BY GLUCK AND ANGIOLINI
|
RUSSELL, CHARLES C.
|
|
1984
|
XVII |
1 |
p. 17-27
|
artikel
|
| 2364 |
THE LIBRETTO OF DEBUSSY'S ‘PELLEAS ET MELISANDE’
|
GRAYSON, DAVID
|
|
1985
|
XVII |
1 |
p. 34-50
|
artikel
|
| 2365 |
THE LIBRETTO OF HANDEL'S ‘SILLA’
|
KNAPP, J. MERRILL
|
|
1969
|
XVII |
1 |
p. 68-75
|
artikel
|
| 2366 |
THE LIFE OF FRANCESCO MARIA VERACINI
|
WHITE, MARY GRAY
|
|
1972
|
XVII |
1 |
p. 18-35
|
artikel
|
| 2367 |
THE LITERARY SOURCES OF BELLINI'S FIRST OPERA
|
ORREY, LESLIE
|
|
1974
|
XVII |
1 |
p. 24-29
|
artikel
|
| 2368 |
THE LONDON AUTOGRAPH OF ‘THE 48’
|
RICHARDSON, CONSTANCE
|
|
1953
|
XVII |
1 |
p. 39-40
|
artikel
|
| 2369 |
‘THE LOST OF TRADITION’
|
DONINGTON, ROBERT
|
|
1954
|
XVII |
1 |
p. 88-89
|
artikel
|
| 2370 |
‘THE LOST OF TRADITION’
|
ROTHSCHILD, FRITZ
|
|
1954
|
XVII |
1 |
p. 89-a-89
|
artikel
|
| 2371 |
THE LUIGI DALLAPICCOLA COLLECTION
|
Manghetti, Gloria Dr
|
|
1994
|
XVII |
1 |
p. 154-b-155
|
artikel
|
| 2372 |
THE LUTE BOOKS OF BALLET AND DALLIS
|
FITZGIBBON, H. MACAULAY
|
|
1930
|
XVII |
1 |
p. 71-77
|
artikel
|
| 2373 |
‘THE MAGIC FLUTE’ AND CALDERÓN
|
LIVERMORE, ANN LAPRAIK
|
|
1997
|
XVII |
1 |
p. 7-16
|
artikel
|
| 2374 |
THE MANZONI REQUIEM
|
HOLBROOK, KATE
|
|
1951
|
XVII |
1 |
p. 102-a-102
|
artikel
|
| 2375 |
‘THE MESSIAH’ ACCOMPANIMENTS
|
ARMSTRONG, THOMAS
|
|
1928
|
XVII |
1 |
p. 18-28
|
artikel
|
| 2376 |
THE MILLER'S MULE: WRITING THE HISTORY OF MEDIEVAL MUSIC
|
EVEREST, MARK
|
|
1993
|
XVII |
1 |
p. 44-53
|
artikel
|
| 2377 |
THE MINOR CHORD
|
STRANGWAYS, A. H. FOX
|
|
1923
|
XVII |
1 |
p. 26-41
|
artikel
|
| 2378 |
THE MINOR TRIAD
|
BULLIVANT, ROGER F. T.
|
|
1953
|
XVII |
1 |
p. 86-88
|
artikel
|
| 2379 |
THE MUSENALMANACH AND VIENNESE SONG 1770–1830
|
WEST, EWAN
|
|
1986
|
XVII |
1 |
p. 37-49
|
artikel
|
| 2380 |
THE MUSICAL DEVELOPMENT OF ARNOLD BAX
|
FOREMAN, R. L. E.
|
|
1971
|
XVII |
1 |
p. 59-68
|
artikel
|
| 2381 |
THE MUSIC OF KAIKHOSRU SORABJI
|
BROWNE, ARTHUR G.
|
|
1930
|
XVII |
1 |
p. 6-16
|
artikel
|
| 2382 |
THE NEW BACH EDITION
|
DÜRR, ALFRED
|
|
1952
|
XVII |
1 |
p. 99-a-99
|
artikel
|
| 2383 |
‘THE ORGAN MUSIC OF J. S. BACH’
|
WILLIAMS, PETER
|
|
1984
|
XVII |
1 |
p. 135-135
|
artikel
|
| 2384 |
THE PARIS OPÉRA CHORUS DURING THE TIME OF RAMEAU
|
CYR, MARY
|
|
1995
|
XVII |
1 |
p. 32-51
|
artikel
|
| 2385 |
THE PERFORMANCE OF GIOVANNI GABR1ELIS VOCAL WORKS
|
CHARTERIS, RICHARD
|
|
1991
|
XVII |
1 |
p. 170-b-171
|
artikel
|
| 2386 |
THE PERFORMANCE OF MOZART'S CHURCH SONATAS
|
HARMON, THOMAS
|
|
1970
|
XVII |
1 |
p. 51-60
|
artikel
|
| 2387 |
THE PERSONALITY OF THE COMPOSER
|
VERNON, P. E.
|
|
1930
|
XVII |
1 |
p. 34-47
|
artikel
|
| 2388 |
THE PIANOFORTE OF EMMANUEL MOOR
|
TOVEY, D.
|
|
1922
|
XVII |
1 |
p. 29-48
|
artikel
|
| 2389 |
THE PIPES OF PAN
|
STRANGWAYS, A. H. FOX
|
|
1929
|
XVII |
1 |
p. 58-64
|
artikel
|
| 2390 |
THE PLEASURES OF RECOGNITION
|
SMITH, ALEXANDER BRENT
|
|
1932
|
XVII |
1 |
p. 80-84
|
artikel
|
| 2391 |
THE PROBLEM OF ‘DON GIOVANNI’ AGAIN
|
CAREY, CLIVE
|
|
1933
|
XVII |
1 |
p. 30-35
|
artikel
|
| 2392 |
THE PROPOSED NATIONAL OPERA HOUSE AT GLASTONBURY, 1913–15
|
LOVELL, PERCY
|
|
1969
|
XVII |
1 |
p. 172-179
|
artikel
|
| 2393 |
THE QUESTION OF THE CATHEDRAL TRADITION
|
CONSTANTINIDES, T.
|
|
1945
|
XVII |
1 |
p. 39-42
|
artikel
|
| 2394 |
THE QUOTATIONS IN CHARLES IVES'S SECOND SYMPHONY
|
STERNE, COLIN
|
|
1971
|
XVII |
1 |
p. 39-45
|
artikel
|
| 2395 |
THERAPEUTIC QUALITIES OF MUSIC
|
FARMER, HENRY G.
|
|
1945
|
XVII |
1 |
p. 59-c-59
|
artikel
|
| 2396 |
THE RENOIR PORTRAITS OF WAGNER
|
LOCKSPEISER, EDWARD
|
|
1937
|
XVII |
1 |
p. 14-19
|
artikel
|
| 2397 |
THE SACRED MUSIC OF MATTHEW LOCKE
|
DENNISON, PETER
|
|
1979
|
XVII |
1 |
p. 60-75
|
artikel
|
| 2398 |
THE SACRED MUSIC OF MATTHEW LOCKE
|
|
|
1980
|
XVII |
1 |
p. 115-116
|
artikel
|
| 2399 |
THE SCHUBERT CATALOGUE: CORRECTIONS AND ADDITIONS
|
DEUSTCH, OTTO ERICH
|
|
1953
|
XVII |
1 |
p. 25-32
|
artikel
|
| 2400 |
THE SCORE—SERVANT OR MASTER?
|
LATHAM, PETER
|
|
1944
|
XVII |
1 |
p. 33-45
|
artikel
|
| 2401 |
THE SHYNESS OF BEAUTY
|
BINYON, LAURENCE
|
|
1920
|
XVII |
1 |
p. 6-6
|
artikel
|
| 2402 |
THE SIGNIFICANCE OF “CORI SPEZZATI”
|
ARNOLD, DENIS
|
|
1959
|
XVII |
1 |
p. 4-14
|
artikel
|
| 2403 |
THE SINGING-MASTER IN EIGHTEENTH-CENTURY ENGLAND
|
SANDS, MOLLIE
|
|
1942
|
XVII |
1 |
p. 69-80
|
artikel
|
| 2404 |
THE ‘SONATA DA CAMERA’ BEFORE CORELLI: A RENEWED SEARCH
|
MANGSEN, SANDRA
|
|
1995
|
XVII |
1 |
p. 19-31
|
artikel
|
| 2405 |
THE SONGS OF NICOLAS MEDTNER
|
BOYD, MALCOLM
|
|
1965
|
XVII |
1 |
p. 16-22
|
artikel
|
| 2406 |
THE SOUTH PLACE CHAMBER MUSIC CONCERTS
|
|
|
1925
|
XVII |
1 |
p. 78-80
|
artikel
|
| 2407 |
THE SOUTH STAFFORDSHIRE MUSICAL FESTIVAL
|
GREW, SYDNEY
|
|
1922
|
XVII |
1 |
p. 66-72
|
artikel
|
| 2408 |
THE STRANGER
|
FORSYTH, CECIL
|
|
1920
|
XVII |
1 |
p. 61-67
|
artikel
|
| 2409 |
THE TENBURY AND ELLESMERE PARTBOOKS
|
|
|
1993
|
XVII |
1 |
p. 158-b-158
|
artikel
|
| 2410 |
THE TENBURY AND ELLESMERE PARTBOOKS
|
FENLON, IAIN
|
|
1993
|
XVII |
1 |
p. 158-a-158
|
artikel
|
| 2411 |
THE TENBURY AND ELLESMERE PARTBOOKS
|
|
|
1993
|
XVII |
1 |
p. 159-a-159
|
artikel
|
| 2412 |
THE TEXT OF THE SONG-BOOKS OF ROBERT JONES
|
FELLOWES, E. H.
|
|
1927
|
XVII |
1 |
p. 25-37
|
artikel
|
| 2413 |
THE TRANSFORMATION OF A LIBRETTO: GOETHE'S 'JERY UND BÄTELY'
|
PENDLE, KARIN
|
|
1974
|
XVII |
1 |
p. 77-88
|
artikel
|
| 2414 |
THE TREMOLO
|
HENEY, W. J.
|
|
1951
|
XVII |
1 |
p. 100-a-100
|
artikel
|
| 2415 |
THE TREMOLO
|
LEVIEN, J. MEWBURN
|
|
1951
|
XVII |
1 |
p. 100-b-101
|
artikel
|
| 2416 |
THE TWO ELGARS
|
HOWES, FRANK
|
|
1935
|
XVII |
1 |
p. 26-29
|
artikel
|
| 2417 |
THE TWO VERSIONS OF MOZART'S DIVERTIMENTO K. 113
|
BLAZIN, DWIGHT
|
|
1992
|
XVII |
1 |
p. 32-47
|
artikel
|
| 2418 |
THE UNEXPECTED IN MOZART
|
HUTCHINGS, A. J. B.
|
|
1939
|
XVII |
1 |
p. 21-31
|
artikel
|
| 2419 |
THE UNTIMELY DEATH OF SAMUEL WESLEY; OR, THE PERILS OF PLAGIARISM
|
RITCHEY, LAWRENCE I.
|
|
1979
|
XVII |
1 |
p. 45-59
|
artikel
|
| 2420 |
THE VAN DYCK PORTRAITS OF LIBERTI
|
RICHARDSON, CONSTANCE
|
|
1958
|
XVII |
1 |
p. 13-15
|
artikel
|
| 2421 |
THE VIOLA D'AMORE
|
DANKS, HARRY
|
|
1957
|
XVII |
1 |
p. 14-20
|
artikel
|
| 2422 |
THE VISUAL ELEMENT IN MUSIC
|
SOMERVELL, D. C.
|
|
1943
|
XVII |
1 |
p. 42-47
|
artikel
|
| 2423 |
THE WINTRY ROAD
|
MÜLER, WILHELM
|
|
1924
|
XVII |
1 |
p. 4-14
|
artikel
|
| 2424 |
THE WOOD-WIND ENSEMBLE
|
WOOD, RALPH W.
|
|
1934
|
XVII |
1 |
p. 7-20
|
artikel
|
| 2425 |
THE WORKMANSHIP OF MENDELSSOHN
|
SMITH, ALEXANDER BRENT
|
|
1923
|
XVII |
1 |
p. 18-25
|
artikel
|
| 2426 |
THOMAS CHINNALL PORTER
|
WATTON, HARRY
|
|
1993
|
XVII |
1 |
p. 159-b-159
|
artikel
|
| 2427 |
THOMAS MORLEY'S BIOGRAPHY
|
HARRISON, FRANK LL.
|
|
1961
|
XVII |
1 |
p. 97-98
|
artikel
|
| 2428 |
THOMAS PRESTON'S ORGAN MASS
|
STEVENS, DENIS
|
|
1958
|
XVII |
1 |
p. 29-34
|
artikel
|
| 2429 |
THÉOPHILE GAUTIER, MUSIC CRITIC
|
SPENCER, MICHAEL
|
|
1968
|
XVII |
1 |
p. 4-17
|
artikel
|
| 2430 |
THREE CENTENARIES
|
STANFORD, C. VILLIERS
|
|
1921
|
XVII |
1 |
p. 29-34
|
artikel
|
| 2431 |
TOLSTOY AND MOUSSORGSKY
|
ABRAHAM, GERALD E. H.
|
|
1931
|
XVII |
1 |
p. 54-59
|
artikel
|
| 2432 |
To the Editor, ‘ Music & Letters’
|
TURNER, F. McD. C.
|
|
1940
|
XVII |
1 |
p. 101-a-101
|
artikel
|
| 2433 |
To the Editor, ‘ Music & Letters’
|
BEVERIDGE, J.
|
|
1940
|
XVII |
1 |
p. 101-b-102
|
artikel
|
| 2434 |
To the Editor of ‘Music & Letters’
|
KIMBELL, DAVID R. B.
|
|
1964
|
XVII |
1 |
p. 102-a-102
|
artikel
|
| 2435 |
TOVEY'S TEACHING WITH THREE LETTERS FROM THE LATE SIR DONALD TOVEY
|
WORDSWORTH, W. B.
|
|
1941
|
XVII |
1 |
p. 60-66
|
artikel
|
| 2436 |
TOWARDS A DEFINITION OF THE EARLY SECULAR DIALOGUE
|
HARRAN, DON
|
|
1970
|
XVII |
1 |
p. 37-50
|
artikel
|
| 2437 |
TOWARDS THE CHRONOLOGY AND GROUPING OF SOME AIRS BY JOHN JENKINS
|
ASHBEE, ANDREW
|
|
1974
|
XVII |
1 |
p. 30-44
|
artikel
|
| 2438 |
TRANSLATING ‘TROVATORE’
|
DENT, EDWARD J.
|
|
1939
|
XVII |
1 |
p. 7-20
|
artikel
|
| 2439 |
TRUMPET AND ORGAN
|
P. F. W.,
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1968
|
XVII |
1 |
p. 94-a-94
|
artikel
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| 2440 |
TRUMPET AND PIANO
|
M. C.,
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1969
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XVII |
1 |
p. 208-d-209
|
artikel
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| 2441 |
TUNE
|
STRANGWAYS, A. H. FOX
|
|
1922
|
XVII |
1 |
p. 90-109
|
artikel
|
| 2442 |
TWO BRITISH OPERAS
|
GATTY, NICHOLAS
|
|
1923
|
XVII |
1 |
p. 93-95
|
artikel
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| 2443 |
‘TWO CENTURIES OF BACH’
|
FRANK, ALAN
|
|
1951
|
XVII |
1 |
p. 102-b-102
|
artikel
|
| 2444 |
TWO NEW DOCUMENTS RELATING TO THE ROYAL MUSIC, 1584–1605
|
DART, THURSTON
|
|
1964
|
XVII |
1 |
p. 16-21
|
artikel
|
| 2445 |
TWO PECULIARITIES OF BERLIOZ'S NOTATION
|
MACDONALD, HUGH
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|
1969
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XVII |
1 |
p. 25-36
|
artikel
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| 2446 |
TWO PIANOS
|
A.H.,
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1965
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XVII |
1 |
p. 90-c-90
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artikel
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| 2447 |
TWO PIANOS
|
J. A. C.,
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1969
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XVII |
1 |
p. 208-a-208
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artikel
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| 2448 |
TWO PIANOS AND ORCHESTRA
|
E. P.,
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1969
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XVII |
1 |
p. 208-b-208
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artikel
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| 2449 |
TYE'S ‘DUM TRANSISSET’ SETTINGS
|
DAVISON, NIGEL
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1990
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XVII |
1 |
p. 158-a-158
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artikel
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| 2450 |
VARIATIONS ON MOZART
|
LOURIE, ARTHUR
|
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1930
|
XVII |
1 |
p. 17-33
|
artikel
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| 2451 |
VAUGHAN WILLIAMS AND FINZI
|
WILLIAMS, R. VAUGHAN
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|
1945
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XVII |
1 |
p. 59-a-59
|
artikel
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| 2452 |
VAUGHAN WILLIAMS AND THOMAS HARDY: ‘TESS’ AND THE SLOW MOVEMENT OF THE NINTH SYMPHONY
|
FROGLEY, ALAIN
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1987
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XVII |
1 |
p. 42-59
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artikel
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| 2453 |
VERDI AND MANZONI: AN ATTEMPTED EXPLANATION
|
REYNOLDS, BARBARA
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1948
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XVII |
1 |
p. 31-43
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artikel
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| 2454 |
VERDI'S LETTERS TO LÉON ESCUDIER
|
PRODHOMME, J. G.
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1923
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XVII |
1 |
p. 62-70
|
artikel
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| 2455 |
VILLAGE CONSERVATORY
|
MARSDEN, W. MURRAY
|
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1952
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XVII |
1 |
p. 59-62
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| 2456 |
VINCENT NOVELLO'S AUTOGRAPH ALBUM
|
WESTON, PAMELA
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1995
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XVII |
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p. 144-144
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artikel
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| 2457 |
VINCENZO BELLINI (1802–1835)
|
GRAY, CECIL
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1926
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XVII |
1 |
p. 49-62
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artikel
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| 2458 |
VINCENZO GEMITO AND HIS BUST OF VERDI
|
WALKER, FRANK
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1949
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XVII |
1 |
p. 44-55
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artikel
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| 2459 |
VIOLA AND ORCHESTRA
|
M. T.,
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1968
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XVII |
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p. 94-b-95
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VIOLA AND PIANO
|
R. T. B.,
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1969
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XVII |
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p. 209-a-209
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artikel
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| 2461 |
VIOLA AND PIANO
|
I. K.,
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1961
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XVII |
1 |
p. 95-a-95
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artikel
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| 2462 |
VIOLIN AND CELLO
|
M. T.,
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1968
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XVII |
1 |
p. 95-96
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| 2463 |
VIOLIN AND HARPSICHORD
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I. K.,
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1960
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XVII |
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p. 102-b-103
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| 2464 |
VIOLIN AND ORCHESTRA
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R. T. B.,
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1968
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XVII |
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p. 96-b-97
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| 2465 |
VIOLIN AND ORCHESTRA
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M. T.,
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1969
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XVII |
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p. 209-b-210
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VIOLIN AND ORCHESTRA
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E. P.,
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1967
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XVII |
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p. 95-96
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VIOLIN AND ORCHESTRA
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C. M.,
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1962
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XVII |
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p. 90-a-90
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VIOLIN AND PIANO
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M. W.,
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1971
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XVII |
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p. 103-a-103
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VIOLIN AND PIANO
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J. A. C.,
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1971
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XVII |
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p. 103-b-104
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VIOLIN AND PIANO
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I. K.,
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1961
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XVII |
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p. 95-b-95
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| 2471 |
VIOLIN AND PIANO
|
TILMOUTH, MICHAEL
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1975
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XVII |
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p. 116-a-116
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| 2472 |
VIOLIN AND PIANO
|
BRAY, TREVOR
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1976
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XVII |
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p. 102-103
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VIOLIN AND PIANO
|
M. T.,
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1969
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XVII |
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p. 210-a-210
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VIOLIN AND PIANO
|
C. M.,
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1962
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XVII |
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p. 90-b-90
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VIOLIN AND PLANO
|
R. T. B.,
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1968
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XVII |
1 |
p. 96-a-96
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artikel
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| 2476 |
VOCAL AND UNVOCAL
|
GRACE, HARVEY
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1930
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XVII |
1 |
p. 54-57
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artikel
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| 2477 |
VOCAL AND UNVOCAL
|
AIKIN, W. A.
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1930
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XVII |
1 |
p. 51-53
|
artikel
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| 2478 |
VOCAL AND UNVOCAL(1)
|
FREER, DAWSON
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1930
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XVII |
1 |
p. 48-50
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artikel
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| 2479 |
VOCAL TRIOS
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J. A. C.,
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1969
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XVII |
1 |
p. 210-b-211
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artikel
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| 2480 |
VOICE AND ORCHESTRA
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C. M.,
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1962
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XVII |
1 |
p. 90-c-91
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artikel
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| 2481 |
VOICE AND VERSE
|
GODLEY, ELIZABETH
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1954
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XVII |
1 |
p. 89-b-90
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artikel
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| 2482 |
VOICE AND VIHUELA
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J. A. W.,
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1972
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XVII |
1 |
p. 110-b-111
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artikel
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| 2483 |
‘VOTRE TREY DOWCE’: A DUO FOR DANCING
|
KEMP, WALTER H.
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1979
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XVII |
1 |
p. 37-44
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artikel
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| 2484 |
WAGNER AND HIS OPERATIC CONTEMPORARIES
|
KLEIN, J. W.
|
|
1928
|
XVII |
1 |
p. 59-66
|
artikel
|
| 2485 |
WAGNER'S INFLUENCE ON HITLER
|
JACOBS, ROBERT L.
|
|
1941
|
XVII |
1 |
p. 81-83
|
artikel
|
| 2486 |
WAGNER'S “SYMPHONIC POEMS”
|
STEIOMAN, B. M.
|
|
1927
|
XVII |
1 |
p. 55-60
|
artikel
|
| 2487 |
WEBER AND THE ROMANTIC MOVEMENT
|
GORER, R.
|
|
1936
|
XVII |
1 |
p. 13-24
|
artikel
|
| 2488 |
WHAT BACH WROTE FOR THE FLUTE, AND WHY
|
FRANCIS, JOHN
|
|
1950
|
XVII |
1 |
p. 46-52
|
artikel
|
| 2489 |
WHAT HAPPENED TO FOLKSONG
|
NETTEL, R.
|
|
1945
|
XVII |
1 |
p. 28-30
|
artikel
|
| 2490 |
WHAT HAVE WE LEARNT FROM ELGAR ?
|
WILLIAMS, R. VAUGHAN
|
|
1935
|
XVII |
1 |
p. 13-19
|
artikel
|
| 2491 |
WHAT IS RHYTHM?
|
WILSON, KATHARINE M.
|
|
1927
|
XVII |
1 |
p. 2-12
|
artikel
|
| 2492 |
WHEN RAVEL COMPOSED TO ORDER
|
CALVOCORESSI, M. D.
|
|
1941
|
XVII |
1 |
p. 54-59
|
artikel
|
| 2493 |
WILLIAM BOYCE'S ‘SOLOMON’
|
BARTLETT, IAN
|
|
1980
|
XVII |
1 |
p. 28-49
|
artikel
|
| 2494 |
WILLIAM BYRD OF LINCOLN
|
SHAW, WATKINS
|
|
1967
|
XVII |
1 |
p. 52-59
|
artikel
|
| 2495 |
WILLIAM COWPER
|
GREW, SYDNEY
|
|
1932
|
XVII |
1 |
p. 31-41
|
artikel
|
| 2496 |
WILLIAM NORRIS
|
DAWES, FRANK
|
|
1977
|
XVII |
1 |
p. 122-122
|
artikel
|
| 2497 |
WIND AND ORCHESTRA
|
J. A. C.,
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|
1968
|
XVII |
1 |
p. 97-97
|
artikel
|
| 2498 |
WIND ENSEMBLE
|
A. C. B.,
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|
1972
|
XVII |
1 |
p. 111-111
|
artikel
|
| 2499 |
WIND ENSEMBLE
|
HELLYER, ROGER
|
|
1975
|
XVII |
1 |
p. 116-b-117
|
artikel
|
| 2500 |
WIND ENSEMBLE
|
A. C. B.,
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|
1973
|
XVII |
1 |
p. 120-121
|
artikel
|
| 2501 |
WOODWIND ENSEMBLE
|
M. C.,
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|
1969
|
XVII |
1 |
p. 211-211
|
artikel
|
| 2502 |
WOODWIND ENSEMBLE
|
M. W.,
|
|
1971
|
XVII |
1 |
p. 104-104
|
artikel
|
| 2503 |
WOODWIND ENSEMBLE
|
I. K.,
|
|
1965
|
XVII |
1 |
p. 92-92
|
artikel
|
| 2504 |
ZERBINETTA-ZERLINA
|
FROST, TONY
|
|
1972
|
XVII |
1 |
p. 112-a-112
|
artikel
|
|
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