nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
2001 |
REVIEWS OF MUSIC
|
JONES, ANDREW V. |
|
1987 |
XIII |
2 |
p. 198-199 |
artikel |
2002 |
REVIEWS OF MUSIC
|
SADLER, GRAHAM |
|
1989 |
XIII |
2 |
p. 289-291 |
artikel |
2003 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN |
|
1989 |
XIII |
2 |
p. 312-313 |
artikel |
2004 |
REVIEWS OF MUSIC
|
SAMUEL, RHIAN |
|
1989 |
XIII |
2 |
p. 310-312 |
artikel |
2005 |
REVIEWS OF MUSIC
|
KOMLÓS, KATALIN |
|
1991 |
XIII |
2 |
p. 341-343 |
artikel |
2006 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD |
|
1991 |
XIII |
2 |
p. 344-345 |
artikel |
2007 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD |
|
1992 |
XIII |
2 |
p. 339-340 |
artikel |
2008 |
REVIEWS OF MUSIC
|
MILLER, MALCOLM |
|
1992 |
XIII |
2 |
p. 342-343 |
artikel |
2009 |
REVIEWS OF MUSIC
|
NICHOLLS, DAVID |
|
1993 |
XIII |
2 |
p. 335-b-335 |
artikel |
2010 |
REVIEWS OF MUSIC
|
IRVING, JOHN |
|
1993 |
XIII |
2 |
p. 331-335 |
artikel |
2011 |
REVIEWS OF MUSIC
|
ELCOMBE, KEITH |
|
1993 |
XIII |
2 |
p. 335-a-335 |
artikel |
2012 |
REVIEWS OF MUSIC
|
PIKE, LIONEL |
|
1994 |
XIII |
2 |
p. 321-324 |
artikel |
2013 |
REVIEWS OF MUSIC
|
WINGFIELD, PAUL |
|
1994 |
XIII |
2 |
p. 319-321 |
artikel |
2014 |
REVIEWS OF MUSIC
|
NIEDER, CHRISTOPH |
|
1994 |
XIII |
2 |
p. 326-327 |
artikel |
2015 |
REVIEWS OF MUSIC
|
J. A. W, |
|
1966 |
XIII |
2 |
p. 172-174 |
artikel |
2016 |
REVIEWS OF MUSIC
|
TYSON, ALAN |
|
1977 |
XIII |
2 |
p. 247-b-249 |
artikel |
2017 |
REVIEWS OF MUSIC
|
EVANS, PETER |
|
1977 |
XIII |
2 |
p. 253-254 |
artikel |
2018 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD |
|
1978 |
XIII |
2 |
p. 234-235 |
artikel |
2019 |
REVIEWS OF MUSIC
|
EVANS, PETER |
|
1978 |
XIII |
2 |
p. 235-236 |
artikel |
2020 |
REVIEWS OF MUSIC
|
KRAMER, RICHARD |
|
1978 |
XIII |
2 |
p. 226-227 |
artikel |
2021 |
REVIEWS OF MUSIC
|
JOHNSTONE, H. DIACK |
|
1978 |
XIII |
2 |
p. 229-231 |
artikel |
2022 |
REVIEWS OF MUSIC
|
WILSON, CHRISTOPHER R. |
|
1978 |
XIII |
2 |
p. 231-232 |
artikel |
2023 |
REVIEWS OF MUSIC
|
EVANS, PETER |
|
1978 |
XIII |
2 |
p. 232-233 |
artikel |
2024 |
REVIEWS OF MUSIC
|
REED, JOHN |
|
1980 |
XIII |
2 |
p. 223-225 |
artikel |
2025 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD |
|
1980 |
XIII |
2 |
p. 213-214 |
artikel |
2026 |
REVIEWS OF MUSIC
|
D.A., |
|
1980 |
XIII |
2 |
p. 226-227 |
artikel |
2027 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD |
|
1980 |
XIII |
2 |
p. 230-231 |
artikel |
2028 |
REVIEWS OF MUSIC
|
FIELD, CHRISTOPHER D. S. |
|
1980 |
XIII |
2 |
p. 210-213 |
artikel |
2029 |
REVIEWS OF MUSIC
|
ROSE, BERNARD |
|
1981 |
XIII |
2 |
p. 224-b-225 |
artikel |
2030 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD |
|
1981 |
XIII |
2 |
p. 224-a-224 |
artikel |
2031 |
REVIEWS OF MUSIC
|
NICHOLS, ROGER |
|
1981 |
XIII |
2 |
p. 223-224 |
artikel |
2032 |
REVIEWS OF MUSIC
|
WINTLE, CHRISTOPHER |
|
1981 |
XIII |
2 |
p. 237-238 |
artikel |
2033 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN |
|
1981 |
XIII |
2 |
p. 221-222 |
artikel |
2034 |
REVIEWS OF MUSIC
|
DALTON, JAMES |
|
1981 |
XIII |
2 |
p. 232-a-232 |
artikel |
2035 |
REVIEWS OF MUSIC
|
SAMSON, JIM |
|
1981 |
XIII |
2 |
p. 236-237 |
artikel |
2036 |
REVIEWS OF MUSIC
|
CARTER, TIM |
|
1981 |
XIII |
2 |
p. 227-230 |
artikel |
2037 |
REVIEWS OF MUSIC
|
PETRINJAK, DARKO |
|
1981 |
XIII |
2 |
p. 226-227 |
artikel |
2038 |
REVIEWS OF MUSIC
|
JACKSON, PHILIP T. |
|
1981 |
XIII |
2 |
p. 233-235 |
artikel |
2039 |
REVIEWS OF MUSIC
|
HIGGINBOTTOM, EDWARD |
|
1981 |
XIII |
2 |
p. 232-b-233 |
artikel |
2040 |
REVIEWS OF MUSIC
|
SAMSON, JIM |
|
1981 |
XIII |
2 |
p. 242-a-242 |
artikel |
2041 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN |
|
1984 |
XIII |
2 |
p. 199-200 |
artikel |
2042 |
REVIEWS OF MUSIC
|
STERNFELD, F. W. |
|
1984 |
XIII |
2 |
p. 200-201 |
artikel |
2043 |
REVIEWS OF MUSIC
|
LOCKWOOD, LEWIS |
|
1984 |
XIII |
2 |
p. 198-199 |
artikel |
2044 |
REVIEWS OF MUSIC
|
HOLMAN, PETER |
|
1984 |
XIII |
2 |
p. 209-210 |
artikel |
2045 |
REVIEWS OF MUSIC
|
WATHEY, ANDREW |
|
1984 |
XIII |
2 |
p. 208-209 |
artikel |
2046 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN |
|
1984 |
XIII |
2 |
p. 203-204 |
artikel |
2047 |
REVIEWS OF MUSIC
|
BROWN, CLIVE |
|
1984 |
XIII |
2 |
p. 204-205 |
artikel |
2048 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN |
|
1986 |
XIII |
2 |
p. 218-b-220 |
artikel |
2049 |
REVIEWS OF MUSIC
|
JONES, ANDREW V. |
|
1986 |
XIII |
2 |
p. 220-221 |
artikel |
2050 |
REVIEWS OF MUSIC
|
WISHART, JAMES |
|
1986 |
XIII |
2 |
p. 231-232 |
artikel |
2051 |
REVIEWS OF MUSIC
|
WISHART, JAMES |
|
1986 |
XIII |
2 |
p. 233-a-233 |
artikel |
2052 |
REVIEWS OF MUSIC
|
BOORMAN, STANLEY |
|
1989 |
XIII |
2 |
p. 285-288 |
artikel |
2053 |
REVIEWS OF MUSIC
|
WILLIAMSON, JOHN |
|
1989 |
XIII |
2 |
p. 297-299 |
artikel |
2054 |
REVIEWS OF MUSIC
|
SCHNOEBELEN, ANNE |
|
1989 |
XIII |
2 |
p. 304-305 |
artikel |
2055 |
REVIEWS OF MUSIC
|
ASHBEE, ANDREW |
|
1989 |
XIII |
2 |
p. 295-297 |
artikel |
2056 |
REVIEWS OF MUSIC
|
STOELZEL, MARIANNE |
|
1989 |
XIII |
2 |
p. 306-308 |
artikel |
2057 |
REVIEWS OF MUSIC
|
TIMMS, COLIN |
|
1989 |
XIII |
2 |
p. 291-293 |
artikel |
2058 |
REVIEWS OF MUSIC
|
EVERIST, MARK |
|
1989 |
XIII |
2 |
p. 305-306 |
artikel |
2059 |
REVIEWS OF MUSIC
|
SAMUEL, RHIAN |
|
1989 |
XIII |
2 |
p. 308-310 |
artikel |
2060 |
REVIEWS OF MUSIC
|
CUCKSTON, ALAN |
|
1991 |
XIII |
2 |
p. 338-339 |
artikel |
2061 |
REVIEWS OF MUSIC
|
HELLYER, ROGER |
|
1991 |
XIII |
2 |
p. 337-338 |
artikel |
2062 |
REVIEWS OF MUSIC
|
BENHAM, HUGH |
|
1991 |
XIII |
2 |
p. 322-324 |
artikel |
2063 |
REVIEWS OF MUSIC
|
DAVISION, NIGEL |
|
1991 |
XIII |
2 |
p. 339-340 |
artikel |
2064 |
REVIEWS OF MUSIC
|
DOBBINS, FRANK |
|
1991 |
XIII |
2 |
p. 331-332 |
artikel |
2065 |
REVIEWS OF MUSIC
|
MCCALDIN, DENIS |
|
1991 |
XIII |
2 |
p. 332-334 |
artikel |
2066 |
REVIEWS OF MUSIC
|
CARTER, TIM |
|
1991 |
XIII |
2 |
p. 334-336 |
artikel |
2067 |
REVIEWS OF MUSIC
|
ORLEDGE, ROBERT |
|
1991 |
XIII |
2 |
p. 325-327 |
artikel |
2068 |
REVIEWS OF MUSIC
|
WOODFIELD, IAN |
|
1991 |
XIII |
2 |
p. 329-330 |
artikel |
2069 |
REVIEWS OF MUSIC
|
ELCOMBE, KEITH |
|
1991 |
XIII |
2 |
p. 340-341 |
artikel |
2070 |
REVIEWS OF MUSIC
|
R. K. M, |
|
1971 |
XIII |
2 |
p. 210-212 |
artikel |
2071 |
REVIEWS OF MUSIC
|
P. J. D, |
|
1971 |
XIII |
2 |
p. 209-b-210 |
artikel |
2072 |
REVIEWS OF MUSIC
|
ABRAHAM, GERALD |
|
1976 |
XIII |
2 |
p. 212-a-212 |
artikel |
2073 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN |
|
1976 |
XIII |
2 |
p. 206-208 |
artikel |
2074 |
REVIEWS OF MUSIC
|
MACDONALD, HUGH |
|
1976 |
XIII |
2 |
p. 223-224 |
artikel |
2075 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN |
|
1976 |
XIII |
2 |
p. 214-216 |
artikel |
2076 |
REVIEWS OF MUSIC
|
JEFFERY, BRIAN |
|
1976 |
XIII |
2 |
p. 210-211 |
artikel |
2077 |
REVIEWS OF MUSIC
|
WHENHAM, JOHN |
|
1976 |
XIII |
2 |
p. 222-223 |
artikel |
2078 |
REVIEWS OF MUSIC
|
J. D. B., |
|
1965 |
XIII |
2 |
p. 180-181 |
artikel |
2079 |
REVIEWS OF MUSIC
|
D. L., |
|
1965 |
XIII |
2 |
p. 175-176 |
artikel |
2080 |
REVIEWS OF MUSIC
|
D. L., |
|
1965 |
XIII |
2 |
p. 179-180 |
artikel |
2081 |
REVIEWS OF MUSIC
|
H. K. A., |
|
1965 |
XIII |
2 |
p. 178-179 |
artikel |
2082 |
REVIEWS OF MUSIC
|
J. A. W., |
|
1967 |
XIII |
2 |
p. 171-175 |
artikel |
2083 |
REVIEWS OF MUSIC
|
D. L, |
|
1967 |
XIII |
2 |
p. 170-b-171 |
artikel |
2084 |
REVIEWS OF MUSIC
|
J. D. B., |
|
1967 |
XIII |
2 |
p. 175-178 |
artikel |
2085 |
REVIEWS OF MUSIC
|
J. A. W., |
|
1967 |
XIII |
2 |
p. 168-169 |
artikel |
2086 |
REVIEWS OF MUSIC
|
B. W. G. R., |
|
1967 |
XIII |
2 |
p. 186-187 |
artikel |
2087 |
REVIEWS OF MUSIC
|
D. L., |
|
1967 |
XIII |
2 |
p. 170-a-170 |
artikel |
2088 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT |
|
1935 |
XIII |
2 |
p. 161-162 |
artikel |
2089 |
REVIEWS OF MUSIC
|
E. R., |
|
1937 |
XIII |
2 |
p. 216-a-216 |
artikel |
2090 |
REVIEWS OF MUSIC
|
E. R., |
|
1937 |
XIII |
2 |
p. 217-a-217 |
artikel |
2091 |
REVIEWS OF MUSIC
|
E. R., |
|
1937 |
XIII |
2 |
p. 218-b-218 |
artikel |
2092 |
REVIEWS OF MUSIC
|
F. H., |
|
1937 |
XIII |
2 |
p. 221-a-221 |
artikel |
2093 |
REVIEWS OF MUSIC
|
S. G., |
|
1937 |
XIII |
2 |
p. 219-c-219 |
artikel |
2094 |
REVIEWS OF MUSIC
|
T. D. H. S., |
|
1937 |
XIII |
2 |
p. 220-c-220 |
artikel |
2095 |
REVIEWS OF MUSIC
|
E. R., |
|
1937 |
XIII |
2 |
p. 220-b-220 |
artikel |
2096 |
REVIEWS OF MUSIC
|
G. A., |
|
1937 |
XIII |
2 |
p. 221-b-221 |
artikel |
2097 |
REVIEWS OF MUSIC
|
F. H., |
|
1937 |
XIII |
2 |
p. 220-d-220 |
artikel |
2098 |
REVIEWS OF MUSIC
|
E. L., |
|
1944 |
XIII |
2 |
p. 123-a-123 |
artikel |
2099 |
REVIEWS OF MUSIC
|
E.L., |
|
1945 |
XIII |
2 |
p. 119-e-120 |
artikel |
2100 |
REVIEWS OF MUSIC
|
E.L., |
|
1945 |
XIII |
2 |
p. 119-b-119 |
artikel |
2101 |
REVIEWS OF MUSIC
|
E.L., |
|
1945 |
XIII |
2 |
p. 120-a-120 |
artikel |
2102 |
REVIEWS OF MUSIC
|
E.L., |
|
1945 |
XIII |
2 |
p. 120-b-120 |
artikel |
2103 |
REVIEWS OF MUSIC
|
E.L., |
|
1945 |
XIII |
2 |
p. 119-a-119 |
artikel |
2104 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 195-c-195 |
artikel |
2105 |
REVIEWS OF MUSIC
|
E. L., |
|
1947 |
XIII |
2 |
p. 195-d-195 |
artikel |
2106 |
REVIEWS OF MUSIC
|
E. L., |
|
1947 |
XIII |
2 |
p. 196-b-196 |
artikel |
2107 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 199-b-199 |
artikel |
2108 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 197-c-197 |
artikel |
2109 |
REVIEWS OF MUSIC
|
E. L., |
|
1947 |
XIII |
2 |
p. 195-a-195 |
artikel |
2110 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 197-a-197 |
artikel |
2111 |
REVIEWS OF MUSIC
|
E. L., |
|
1947 |
XIII |
2 |
p. 197-b-197 |
artikel |
2112 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 196-a-196 |
artikel |
2113 |
REVIEWS OF MUSIC
|
I. K., |
|
1947 |
XIII |
2 |
p. 195-b-195 |
artikel |
2114 |
REVIEWS OF MUSIC
|
I. K., |
|
1951 |
XIII |
2 |
p. 187-a-187 |
artikel |
2115 |
REVIEWS OF MUSIC
|
I. K., |
|
1951 |
XIII |
2 |
p. 193-b-194 |
artikel |
2116 |
REVIEWS OF MUSIC
|
I. K., |
|
1951 |
XIII |
2 |
p. 188-b-189 |
artikel |
2117 |
REVIEWS OF MUSIC
|
E. J., |
|
1951 |
XIII |
2 |
p. 190-191 |
artikel |
2118 |
REVIEWS OF MUSIC
|
I. K., |
|
1951 |
XIII |
2 |
p. 188-a-188 |
artikel |
2119 |
REVIEWS OF MUSIC
|
I. K., |
|
1951 |
XIII |
2 |
p. 194-a-194 |
artikel |
2120 |
REVIEWS OF MUSIC
|
D. W. S., |
|
1958 |
XIII |
2 |
p. 195-b-197 |
artikel |
2121 |
REVIEWS OF MUSIC
|
E. B., |
|
1956 |
XIII |
2 |
p. 200-201 |
artikel |
2122 |
REVIEWS OF MUSUC
|
A. H., |
|
1964 |
XIII |
2 |
p. 200-b-202 |
artikel |
2123 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GBKALD |
|
1936 |
XIII |
2 |
p. 177-b-178 |
artikel |
2124 |
REVIEWS OF PERIODICALS
|
GODDABD, SCOTT |
|
1936 |
XIII |
2 |
p. 181-b-183 |
artikel |
2125 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD |
|
1936 |
XIII |
2 |
p. 176-177 |
artikel |
2126 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1937 |
XIII |
2 |
p. 222-a-222 |
artikel |
2127 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1937 |
XIII |
2 |
p. 224-a-224 |
artikel |
2128 |
REVIEWS OF PERIODICALS
|
S.G., |
|
1939 |
XIII |
2 |
p. 228-229 |
artikel |
2129 |
REVIEWS OF PERIODICALS
|
G.A., |
|
1939 |
XIII |
2 |
p. 229-230 |
artikel |
2130 |
REVIEWS OF PERIODICALS
|
G.A., |
|
1939 |
XIII |
2 |
p. 223-a-223 |
artikel |
2131 |
REVIEWS OF PERIODICALS
|
|
|
1939 |
XIII |
2 |
p. 222-b-222 |
artikel |
2132 |
REVIEWS OF PERIODICALS
|
A. H. F. S., |
|
1928 |
XIII |
2 |
p. 182-b-182 |
artikel |
2133 |
REVIEWS OF PERIODICALS
|
J. B. T., |
|
1928 |
XIII |
2 |
p. 183-a-183 |
artikel |
2134 |
REVIEWS OF PERIODICALS
|
Sc. G., |
|
1928 |
XIII |
2 |
p. 185-b-186 |
artikel |
2135 |
REVIEWS OF PERIODICALS
|
|
|
1929 |
XIII |
2 |
p. 213-216 |
artikel |
2136 |
REVIEWS OF PERIODICALS
|
J.B.T., |
|
1929 |
XIII |
2 |
p. 211-213 |
artikel |
2137 |
REVIEWS OF PERIODICALS
|
SC. G., |
|
1931 |
XIII |
2 |
p. 215-216 |
artikel |
2138 |
REVIEWS OF PERIODICALS
|
SC. G., |
|
1932 |
XIII |
2 |
p. 245-247 |
artikel |
2139 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1938 |
XIII |
2 |
p. 236-a-236 |
artikel |
2140 |
Reviews of Periodicals
|
S. G., |
|
1938 |
XIII |
2 |
p. 236-b-237 |
artikel |
2141 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1938 |
XIII |
2 |
p. 237-a-237 |
artikel |
2142 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1938 |
XIII |
2 |
p. 238-a-238 |
artikel |
2143 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1938 |
XIII |
2 |
p. 238-b-239 |
artikel |
2144 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1938 |
XIII |
2 |
p. 241-241 |
artikel |
2145 |
REVIEWS OF PERIODICALS
|
|
|
1939 |
XIII |
2 |
p. 220-a-220 |
artikel |
2146 |
REVIEWS OF PERIODICALS
|
G.A., |
|
1939 |
XIII |
2 |
p. 226-a-226 |
artikel |
2147 |
REVIEWS OF PERIODICALS
|
S.G., |
|
1939 |
XIII |
2 |
p. 224-a-224 |
artikel |
2148 |
REVIEWS OF PERIODICALS
|
R.C., |
|
1939 |
XIII |
2 |
p. 224-b-226 |
artikel |
2149 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1939 |
XIII |
2 |
p. 222-a-222 |
artikel |
2150 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1939 |
XIII |
2 |
p. 220-c-222 |
artikel |
2151 |
REVIEWS OF PERIODICALS
|
R.C., |
|
1939 |
XIII |
2 |
p. 223-b-224 |
artikel |
2152 |
REVIEWS OF PERIODICALS
|
R.C., |
|
1939 |
XIII |
2 |
p. 226-b-227 |
artikel |
2153 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1939 |
XIII |
2 |
p. 220-b-220 |
artikel |
2154 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1938 |
XIII |
2 |
p. 240-241 |
artikel |
2155 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1938 |
XIII |
2 |
p. 239-b-240 |
artikel |
2156 |
REVIEWS OF PERIODICALS
|
Sc. G., |
|
1928 |
XIII |
2 |
p. 182-a-182 |
artikel |
2157 |
REVIEWS OF PERIODICALS
|
Sc. G., |
|
1928 |
XIII |
2 |
p. 182-c-183 |
artikel |
2158 |
REVIEWS OF PERIODICALS
|
Sc. G., |
|
1928 |
XIII |
2 |
p. 183-b-185 |
artikel |
2159 |
REVIEWS OF PERIODICALS
|
J. B. T., |
|
1928 |
XIII |
2 |
p. 185-a-185 |
artikel |
2160 |
REVIEWS OF PERIODICALS
|
Sc. G., |
|
1930 |
XIII |
2 |
p. 201-203 |
artikel |
2161 |
Reviews of Periodicals
|
R. C., |
|
1938 |
XIII |
2 |
p. 237-b-238 |
artikel |
2162 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1938 |
XIII |
2 |
p. 239-a-239 |
artikel |
2163 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT |
|
1934 |
XIII |
2 |
p. 192-194 |
artikel |
2164 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT |
|
1935 |
XIII |
2 |
p. 167-167 |
artikel |
2165 |
REVIEWS OF PERIODICALS
|
E.B., |
|
1939 |
XIII |
2 |
p. 227-228 |
artikel |
2166 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD |
|
1934 |
XIII |
2 |
p. 194-195 |
artikel |
2167 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD |
|
1935 |
XIII |
2 |
p. 163-164 |
artikel |
2168 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT |
|
1935 |
XIII |
2 |
p. 164-b-167 |
artikel |
2169 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD |
|
1936 |
XIII |
2 |
p. 181-a-181 |
artikel |
2170 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD |
|
1936 |
XIII |
2 |
p. 178-b-181 |
artikel |
2171 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD |
|
1936 |
XIII |
2 |
p. 175-a-175 |
artikel |
2172 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GBKALD |
|
1936 |
XIII |
2 |
p. 177-a-177 |
artikel |
2173 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD |
|
1936 |
XIII |
2 |
p. 178-a-178 |
artikel |
2174 |
REVIEWS OF PERIODICALS
|
ABRAHAM, QBBALD |
|
1936 |
XIII |
2 |
p. 175-b-176 |
artikel |
2175 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1937 |
XIII |
2 |
p. 222-c-223 |
artikel |
2176 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1937 |
XIII |
2 |
p. 225-a-225 |
artikel |
2177 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1937 |
XIII |
2 |
p. 225-b-226 |
artikel |
2178 |
REVIEWS OF PERIODICALS
|
G. A., |
|
1937 |
XIII |
2 |
p. 222-b-222 |
artikel |
2179 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1937 |
XIII |
2 |
p. 224-b-225 |
artikel |
2180 |
REVIEWS OF PERIODICALS
|
S. G., |
|
1937 |
XIII |
2 |
p. 223-a-223 |
artikel |
2181 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1937 |
XIII |
2 |
p. 223-b-224 |
artikel |
2182 |
REVIEWS OF PERIODICALS
|
R. C., |
|
1947 |
XIII |
2 |
p. 201-205 |
artikel |
2183 |
REVIEWS OP BOOKS
|
|
|
1975 |
XIII |
2 |
p. 202-204 |
artikel |
2184 |
RICHARD WAGNER
|
SABOR, RUDOLPH |
|
1973 |
XIII |
2 |
p. 257-a-257 |
artikel |
2185 |
R. J. S. STEVENS (1757–1837) AND HIS CONTEMPORARIES
|
TREND, J. B |
|
1933 |
XIII |
2 |
p. 128-137 |
artikel |
2186 |
ROBERT BROWNING, THE POET-MUSICIAN
|
MENDL, R. W. S. |
|
1961 |
XIII |
2 |
p. 142-150 |
artikel |
2187 |
ROBERT JOHNSON AND THE COURT MASQUE
|
CUTTS, JOHN P. |
|
1960 |
XIII |
2 |
p. 111-126 |
artikel |
2188 |
ROBERT JOHNSON: KING'S MUSICIAN IN HIS MAJESTY'S PUBLIC ENTERTAINMENT
|
CUTTS, JOHN P. |
|
1955 |
XIII |
2 |
p. 110-125 |
artikel |
2189 |
R. O. MORRIS: AN APPRECIATION
|
RUBBRA, EDMUND |
|
1949 |
XIII |
2 |
p. 107-108 |
artikel |
2190 |
ROSSINI'S OVERTURE TO ‘WILLIAM TELL’
|
KIRBY, PERCIVAL R. |
|
1952 |
XIII |
2 |
p. 132-140 |
artikel |
2191 |
SACRED CONTRAFACTA OF MONTEVERDI MADRIGALS AND CARDINAL BORROMEO'S MILAN
|
RORKE, MARGARET ANN |
|
1984 |
XIII |
2 |
p. 168-175 |
artikel |
2192 |
SAINT-SAËNS AND JULIETTE ADAM: AN UNPUBLISHED LETTER
|
MCALLISTER, ELAINE S. |
|
1969 |
XIII |
2 |
p. 296-300 |
artikel |
2193 |
SAMUEL WESLEY
|
MAYHEW, JOHN |
|
1966 |
XIII |
2 |
p. 186-a-186 |
artikel |
2194 |
SATIE AND THE ‘GYMNOPÉDIE’
|
JENSEN, ERIC FREDERICK |
|
1994 |
XIII |
2 |
p. 236-240 |
artikel |
2195 |
SAXOPHONE AND PIANO
|
R. L., |
|
1964 |
XIII |
2 |
p. 197-b-197 |
artikel |
2196 |
SCHOOL CERTIFICATE MUSIC
|
SIMPSON, KENNETH |
|
1947 |
XIII |
2 |
p. 108-114 |
artikel |
2197 |
SCHORR AND WHITEHILL
|
FORSTER, FRANCIS |
|
1954 |
XIII |
2 |
p. 181-b-183 |
artikel |
2198 |
SCHUBERT
|
GURNEY, IVOR |
|
1925 |
XIII |
2 |
p. 174-174 |
artikel |
2199 |
SCHUBERT AND SOME FOLKSONGS
|
BROWN, MAURICE J. E. |
|
1972 |
XIII |
2 |
p. 173-178 |
artikel |
2200 |
SCHUBERT AND THE ROMANTIC PROBLEM (1)
|
KÖLTZSCH, HANS |
|
1939 |
XIII |
2 |
p. 130-137 |
artikel |
2201 |
SCHUBERT AND WOLF
|
STRANGWAYS, A. H. FOX |
|
1942 |
XIII |
2 |
p. 126-134 |
artikel |
2202 |
SCHUBERT'S INCOME
|
DEUTSCH, OTTO ERICH |
|
1955 |
XIII |
2 |
p. 165-166 |
artikel |
2203 |
SCHUBERT'S SONG WORKSHOP
|
PORTER, E. G. |
|
1958 |
XIII |
2 |
p. 143-147 |
artikel |
2204 |
SCHUBERT'S TRIO, OP. 99
|
BROWN, MAURICE J. E. |
|
1953 |
XIII |
2 |
p. 181-182 |
artikel |
2205 |
SCHUBERT'S UNFINISHED SYMPHONY IN D
|
BROWN, MAURICE J. E. |
|
1950 |
XIII |
2 |
p. 101-109 |
artikel |
2206 |
SCHUMANN, LISZT AND THE C MAJOR FANTASIE, OP. 17: A DECLINING RELATIONSHIP
|
WALKER, ALAN |
|
1979 |
XIII |
2 |
p. 156-165 |
artikel |
2207 |
SCHWEITZER ON BACH
|
ASHBY, A. B. |
|
1945 |
XIII |
2 |
p. 102-112 |
artikel |
2208 |
SCRIABIN'S MYSTICAL BELIEFS
|
COOPER, MARTIN |
|
1935 |
XIII |
2 |
p. 110-115 |
artikel |
2209 |
SEMELE’S MIRROR AND POLYPHEMUS’S WHISTLE
|
HICKS, ANTHONY |
|
1984 |
XIII |
2 |
p. 213-216 |
artikel |
2210 |
SERIAL COMPOSITION
|
PERLE, GEORGE |
|
1963 |
XIII |
2 |
p. 204-206 |
artikel |
2211 |
SHAWMS AND WAITS
|
FRERE, A. H. |
|
1923 |
XIII |
2 |
p. 170-177 |
artikel |
2212 |
SHORTER NOTICES
|
|
|
1931 |
XIII |
2 |
p. 210-a-210 |
artikel |
2213 |
SHORTER NOTICES
|
|
|
1931 |
XIII |
2 |
p. 211-a-211 |
artikel |
2214 |
SHORTER NOTICES
|
|
|
1931 |
XIII |
2 |
p. 210-b-211 |
artikel |
2215 |
SIBELIUS'S SECOND SYMPHONY
|
GODDARD, SCOTT |
|
1931 |
XIII |
2 |
p. 156-163 |
artikel |
2216 |
SIGHT-SINGING
|
D. L., |
|
1964 |
XIII |
2 |
p. 198-198 |
artikel |
2217 |
SIR CHARLES STANFORD
|
|
|
1921 |
XIII |
2 |
p. 94-95 |
artikel |
2218 |
SIR HUGH ALLEN (1869–1946)
|
WESTRUP, J. A. |
|
1946 |
XIII |
2 |
p. 65-65 |
artikel |
2219 |
SIXTEENTH-CENTURY MUSIC ON RECORDS. I: SACRED MUSIC1
|
NOBLE, JEREMY |
|
1958 |
XIII |
2 |
p. 154-159 |
artikel |
2220 |
SIXTEENTH CENTURY SERVICE MUSIC
|
HUGHES, DOM ANSELM O.S.B. |
|
1924 |
XIII |
2 |
p. 145-154 |
artikel |
2221 |
‘SMALL AS A EUNUCH’: A PROBLEM IN ‘CORIOLANUS’, ACT III SCENE 2
|
CROOKES, DAVID Z. |
|
1986 |
XIII |
2 |
p. 159-161 |
artikel |
2222 |
SMETANA'S SKETCHES FOR ‘DALIBOR’ AND ‘THE SECERT’
|
CLAPHAM, JOHN |
|
1980 |
XIII |
2 |
p. 136-146 |
artikel |
2223 |
SOLO CANTATAS
|
DALTON, JAMES |
|
1974 |
XIII |
2 |
p. 249-b-249 |
artikel |
2224 |
SOLO SONGS
|
J. A. W., |
|
1967 |
XIII |
2 |
p. 201-202 |
artikel |
2225 |
SOLO SONGS
|
E. R., |
|
1964 |
XIII |
2 |
p. 200-a-200 |
artikel |
2226 |
SOLO SONGS
|
C. L. C., |
|
1964 |
XIII |
2 |
p. 199-200 |
artikel |
2227 |
SOLO SONGS
|
E. R., |
|
1964 |
XIII |
2 |
p. 203-a-203 |
artikel |
2228 |
SOLO SONGS
|
T. H., |
|
1973 |
XIII |
2 |
p. 251-252 |
artikel |
2229 |
SOLO SONGS
|
F. W. S., |
|
1963 |
XIII |
2 |
p. 201-b-202 |
artikel |
2230 |
SOME ASPECTS OF BEETHOVEN'S ART FORMS
|
TOVEY, DONALD FRANCIS |
|
1927 |
XIII |
2 |
p. 131-155 |
artikel |
2231 |
SOME ASPECTS OF HINDEMITH'S CHAMBER MUSIC
|
MASON, COLIN |
|
1960 |
XIII |
2 |
p. 150-155 |
artikel |
2232 |
SOME EARLY VENETIAN OPERA PRODUCTIONS
|
WORSTHORNE, SIMON TOWNELEY |
|
1949 |
XIII |
2 |
p. 146-151 |
artikel |
2233 |
SOME ENGLISH CONSORT-GROUPINGS OF THE LATE MIDDLE AGES
|
RASTALL, RICHARD |
|
1974 |
XIII |
2 |
p. 179-202 |
artikel |
2234 |
SOME HANDEL DATES
|
DEUTSCH, O. E. |
|
1944 |
XIII |
2 |
p. 126-126 |
artikel |
2235 |
SOME NOTES ON THE IRISH HARP
|
FARMER, HENRY GEORGE |
|
1943 |
XIII |
2 |
p. 100-107 |
artikel |
2236 |
SOME REFLECTIONS ON VERDI'S ‘SIMONE BOCCANEGRA’
|
KLEIN, JOHN W. |
|
1962 |
XIII |
2 |
p. 115-122 |
artikel |
2237 |
SOME STRAY NOTES ON MOZART
|
|
|
1943 |
XIII |
2 |
p. 110-112 |
artikel |
2238 |
SOME THOUGHTS ON ELGAR (1857–1934)
|
MITCHELL, DONALD |
|
1957 |
XIII |
2 |
p. 113-123 |
artikel |
2239 |
SONG IN A SINGLE LINE
|
BEDFORD, HERBERT |
|
1924 |
XIII |
2 |
p. 109-120 |
artikel |
2240 |
SOUND AND SENTIMENT: THE FUNCTION OF MUSIC IN THE GOTHIC NOVEL
|
NOSKE, FRITS |
|
1981 |
XIII |
2 |
p. 162-175 |
artikel |
2241 |
SOURCES FOR OXFORD HANDEL PERFORMANCES IN THE FIRST HALF OF THE EIGHTEENTH CENTURY
|
BURROWS, DONALD |
|
1980 |
XIII |
2 |
p. 177-185 |
artikel |
2242 |
SPANISH SACRED MUSIC
|
CALDWELL, JOHN |
|
1980 |
XIII |
2 |
p. 229-230 |
artikel |
2243 |
SPANISH SACRED MUSIC
|
WHITTALL, ARNOLD |
|
1980 |
XIII |
2 |
p. 232-233 |
artikel |
2244 |
SPEECH-SONG AND THE SINGER
|
KELSEY, FRANKLYN |
|
1955 |
XIII |
2 |
p. 146-154 |
artikel |
2245 |
SPURIOUS PERGOLESI
|
WALKER, FRANK |
|
1953 |
XIII |
2 |
p. 183-a-183 |
artikel |
2246 |
STANFORD'S SONGS
|
GREENE, HARRY PLUNKET |
|
1921 |
XIII |
2 |
p. 96-106 |
artikel |
2247 |
STOCKHAUSEN AND MUSICAL TIME
|
PERLE, GEORGE |
|
1960 |
XIII |
2 |
p. 204-b-205 |
artikel |
2248 |
STRAUSS, ZWEIG AND GREGOR: UNPUBLISHED LETTERS
|
BIRKIN, KENNETH W. |
|
1975 |
XIII |
2 |
p. 180-195 |
artikel |
2249 |
STRAVINSKY AS LITTÉRATEUR
|
DAVIES, LAURENCE |
|
1968 |
XIII |
2 |
p. 135-144 |
artikel |
2250 |
STUART ROYAL “ENTERTAINMENTS”
|
SPINK, IAN |
|
1957 |
XIII |
2 |
p. 210-212 |
artikel |
2251 |
STYLE IN PIANOFORTE CONCERTO WRITING
|
ERLEBACH, BlJPEBT |
|
1936 |
XIII |
2 |
p. 131-139 |
artikel |
2252 |
‘SUMER IS ICUMEN IN’
|
BERGSAGEL, JOHN |
|
1956 |
XIII |
2 |
p. 204-204 |
artikel |
2253 |
SUSANNA OR THE COUNTESS?
|
HUGHES, ROSEMARY |
|
1954 |
XIII |
2 |
p. 181-a-181 |
artikel |
2254 |
SYMBOLIC VALUES IN THE EARLIEST OPERAS
|
DONINOTON, ROBERT |
|
1984 |
XIII |
2 |
p. 212-212 |
artikel |
2255 |
TATE'S ‘WAYWARD SISTERS’
|
URMSON, J. O. |
|
1981 |
XIII |
2 |
p. 245-a-245 |
artikel |
2256 |
TAVERNER'S ‘WESTERN WIND’ MASS
|
CALDWELL, JOHN |
|
1963 |
XIII |
2 |
p. 208-209 |
artikel |
2257 |
TCHAIKOVSKY: SOME CENTENNIAL REFLECTIONS
|
ABRAHAM, GERALD |
|
1940 |
XIII |
2 |
p. 110-119 |
artikel |
2258 |
TCHAIKOVSKY: THE LAST CHAPTER
|
ORLOVA, ALEXANDRA |
|
1981 |
XIII |
2 |
p. 125-145 |
artikel |
2259 |
TEMPO RUBATO
|
FIELDEN, THOMAS |
|
1953 |
XIII |
2 |
p. 150-152 |
artikel |
2260 |
‘17TH CENTURY KEYBOARD MUSIC’
|
GUSTAFSON, BRUCE |
|
1991 |
XIII |
2 |
p. 353-353 |
artikel |
2261 |
‘17TH CENTURY KEYBOARD MUSIC’
|
SILBIGER, ALEXANDER |
|
1991 |
XIII |
2 |
p. 351-353 |
artikel |
2262 |
THE “ABBÉ” LISZT
|
ROBERTSON, ALEC |
|
1954 |
XIII |
2 |
p. 184-a-184 |
artikel |
2263 |
THE ADAGIO FOR CLARINET AND STRINGS BY WAGNER/BAERMANN
|
NEWHILL, JOHN P. |
|
1974 |
XIII |
2 |
p. 167-171 |
artikel |
2264 |
THE AMERICAN OPERA
|
SAUNDERS, WILLIAM |
|
1932 |
XIII |
2 |
p. 147-155 |
artikel |
2265 |
THE ANONYMOUS MUSIC TREATISE OF 1279: WHY ST. EMMERAM?
|
YUDKIN, JEREMY |
|
1991 |
XIII |
2 |
p. 177-196 |
artikel |
2266 |
THE APPOGGIATURA
|
AHFS, |
|
1924 |
XIII |
2 |
p. 121-122 |
artikel |
2267 |
THE A PRIORI THEORIST AND MUSIC
|
LLOYD, LL. S. |
|
1945 |
XIII |
2 |
p. 97-102 |
artikel |
2268 |
THE BABYLONIAN MUSICAL NOTATION AND THE HURRIAN MELODIC TEXTS
|
WEST, M. L. |
|
1994 |
XIII |
2 |
p. 161-179 |
artikel |
2269 |
THE BEETHOVEN QUARTETS AS A PLAYER SEES THEM
|
CLARKE, REBECCA |
|
1927 |
XIII |
2 |
p. 178-190 |
artikel |
2270 |
THE BEGGAR'S OPERA, THE BURLESQUE, AND ITALIAN OPERA
|
BEBGEB, ARTHUR V. |
|
1936 |
XIII |
2 |
p. 93-105 |
artikel |
2271 |
THE BEGINNINGS OF CLARINET LITERATURE
|
GRADENWITZ, PETBB |
|
1936 |
XIII |
2 |
p. 145-150 |
artikel |
2272 |
THE CARVER CHOIR-BOOK
|
STEVENS, DENIS |
|
1961 |
XIII |
2 |
p. 196-a-196 |
artikel |
2273 |
THE CASE OF RAMEAU
|
GIRDLESTONE, C. M. |
|
1943 |
XIII |
2 |
p. 122-124 |
artikel |
2274 |
THE CHORAL FANTASIA
|
DENT, EDWARD J. |
|
1927 |
XIII |
2 |
p. 111-121 |
artikel |
2275 |
THE CHRONOLOGY OF JOHN BLOW'S COURT ODES
|
MCGUINNESS, ROSAMOND |
|
1965 |
XIII |
2 |
p. 102-121 |
artikel |
2276 |
THE CIMBALOM
|
LEACH, JOHN |
|
1972 |
XIII |
2 |
p. 134-142 |
artikel |
2277 |
THE CLAIMS OF TONIC SOLFA
|
WHYBROW, STANLEY |
|
1925 |
XIII |
2 |
p. 161-163 |
artikel |
2278 |
THE CLAIMS OF TONIC SOLFA
|
TROTTER, T. H. YORKE |
|
1925 |
XIII |
2 |
p. 163-171 |
artikel |
2279 |
THE COMPLEAT GENTLEMAN'S MUSIC
|
HANKEY, SUSAN |
|
1981 |
XIII |
2 |
p. 146-154 |
artikel |
2280 |
THE CONCERTO ALLEGRO IN THE EARLY EIGHTEENTH CENTURY
|
TALBOT, MICHAEL |
|
1971 |
XIII |
2 |
p. 159-172 |
artikel |
2281 |
THE CONCERTO: CONTEST OR CO-OPERATION ?
|
MCVEAGH, DIANA |
|
1947 |
XIII |
2 |
p. 115-120 |
artikel |
2282 |
THE CRISIS OF FORM
|
LOURIE, ARTHUR |
|
1933 |
XIII |
2 |
p. 95-103 |
artikel |
2283 |
THE DANTE SEXCENTENARY OF 1865
|
WHITING, MARY BRADFORD |
|
1921 |
XIII |
2 |
p. 172-182 |
artikel |
2284 |
THE DAVIES SISTERS, J. C. BACH AND THE GLASS HARMONICA
|
MATTHEWS, BETTY |
|
1975 |
XIII |
2 |
p. 150-169 |
artikel |
2285 |
‘THE DEMONIC IN MOZART’
|
MYERS, ROLLO H. |
|
1956 |
XIII |
2 |
p. 202-203 |
artikel |
2286 |
THE DRAMA BEHIND ELGAR'S MUSIC
|
DICKINSON, A. E. F. |
|
1942 |
XIII |
2 |
p. 116-125 |
artikel |
2287 |
THE EAR
|
|
|
1925 |
XIII |
2 |
p. 137-145 |
artikel |
2288 |
THE EARLIEST PIANOFORTE MUSIC
|
HARDING, ROSAMOND |
|
1932 |
XIII |
2 |
p. 195-199 |
artikel |
2289 |
THE EASTERN MODAL INFLUENCE
|
STOLL, DENNIS |
|
1941 |
XIII |
2 |
p. 135-138 |
artikel |
2290 |
THE EASTER SEPULCHRE DRAMA
|
CALDWELL, JOHN |
|
1977 |
XIII |
2 |
p. 259-a-259 |
artikel |
2291 |
THE ELIZABETHAN MADRIGAL AND ‘MUSICA TRANSALPINA’
|
EINSTEIN, ALFRED |
|
1944 |
XIII |
2 |
p. 66-77 |
artikel |
2292 |
THE ENGLISH CULT OF DOMENICO SCARLATTI
|
NEWTON, RICHARD |
|
1939 |
XIII |
2 |
p. 138-156 |
artikel |
2293 |
THE ESCHEQUIER VIRGINAL: AN ENGLISH INVENTION
|
FLOOD, W. H. GRATTAN |
|
1925 |
XIII |
2 |
p. 151-153 |
artikel |
2294 |
THE EVOLUTION OF THE FIRST MOVEMENT OF BEETHOVEN'S ‘WALDSTEIN’ SONATA
|
COOPER, BARRY |
|
1977 |
XIII |
2 |
p. 170-191 |
artikel |
2295 |
THE FIFTEENTH CONGRESS OF THE INTERNATIONAL MUSICOLOGICAL SOCIETY
|
CUESTA, ISMAEL FERNANDEZ DE LA |
|
1991 |
XIII |
2 |
p. 355-355 |
artikel |
2296 |
THE FINAL WORKS OF CLAUDE DEBUSSY or PIERROT FÂCHÉ AVEC LA LUNE
|
MELLERS, W. H. |
|
1939 |
XIII |
2 |
p. 168-176 |
artikel |
2297 |
THE FINANCIAL PROBLEM OF NATIONAL OPERA
|
MANNERS, CHARLES |
|
1926 |
XIII |
2 |
p. 93-105 |
artikel |
2298 |
THE FIRST ENGLISH CHANSON ON THE CONTINENT
|
BUKOFZER, MANFRED |
|
1938 |
XIII |
2 |
p. 119-131 |
artikel |
2299 |
THE FIRST ENGLISH SONGS
|
TREND, J. B. |
|
1928 |
XIII |
2 |
p. 111-128 |
artikel |
2300 |
THE FIRST PRINTED OPERA LIBRETTO
|
STERNFELD, F. W. |
|
1978 |
XIII |
2 |
p. 121-138 |
artikel |
2301 |
THE FIRST SETTING OF CONGREVE'S ‘SEMELE’
|
LINCOLN, STODDARD |
|
1963 |
XIII |
2 |
p. 103-117 |
artikel |
2302 |
THE FUTURE OF THE ENGLISH SONG
|
GREENE, HARRY PLUNKET |
|
1920 |
XIII |
2 |
p. 123-134 |
artikel |
2303 |
THE GENESIS OF BARTÓK'S VIOLA CONCERTO
|
DALTON, DAVID |
|
1976 |
XIII |
2 |
p. 117-129 |
artikel |
2304 |
THE GENESIS OF BERLIOZ'S ‘LA DAMNATION DE FAUST’
|
RUSHTON, JULIAN |
|
1975 |
XIII |
2 |
p. 129-146 |
artikel |
2305 |
THE GIGANTIC IMAGE
|
DE LA MARE, WALTER |
|
1923 |
XIII |
2 |
p. 105-106 |
artikel |
2306 |
THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93
|
MOREHEN, JOHN |
|
1981 |
XIII |
2 |
p. 189-196 |
artikel |
2307 |
THE ‘GROSSE FUGE’
|
GREW, SYDNEY |
|
1931 |
XIII |
2 |
p. 140-147 |
artikel |
2308 |
THE GROUND-BASS IN THE ENGLISH COURT ODE
|
MCGUINNESS, ROSAMOND |
|
1970 |
XIII |
2 |
p. 118-140 |
artikel |
2309 |
THE GYMEL, THE EARLIEST FORM OF ENGLISH POLYPHONY
|
BUKOFZER, MANFRED |
|
1935 |
XIII |
2 |
p. 77-84 |
artikel |
2310 |
THE HANDEL PORTRAIT AT ST. GILES
|
ROBBINS, EDUARD R. |
|
1963 |
XIII |
2 |
p. 206-b-207 |
artikel |
2311 |
THE HANDWRITING OF JOHN WARD
|
PAYNE, IAN |
|
1984 |
XIII |
2 |
p. 176-188 |
artikel |
2312 |
THE HARPSICHORD
|
DONINGTON, ROBERT |
|
1951 |
XIII |
2 |
p. 201-202 |
artikel |
2313 |
THE HAYDN SOCIETY
|
LANDON, H. C. ROBBINS |
|
1951 |
XIII |
2 |
p. 199-200 |
artikel |
2314 |
THE HEROIC IN ART*
|
DRINKWATER, JOHN |
|
1921 |
XIII |
2 |
p. 168-171 |
artikel |
2315 |
THE HISTORY OF ’ PRINCE IGOR ’
|
ABRAHAM, GERALD |
|
1935 |
XIII |
2 |
p. 85-95 |
artikel |
2316 |
THE HORN
|
KNOTT, HANDEL |
|
1951 |
XIII |
2 |
p. 200-201 |
artikel |
2317 |
THE HYBRID CRITIC
|
DEMMERY, MORTON |
|
1956 |
XIII |
2 |
p. 128-140 |
artikel |
2318 |
THE INFLUENCE OF MUSIC IN THE WORKS OF JOHN MARSTON
|
O'NEILL, DAVID G. |
|
1972 |
XIII |
2 |
p. 122-133 |
artikel |
2319 |
‘THE INTERPRETATION OF EARLY MUSIC’
|
DONINGTON, ROBERT |
|
1964 |
XIII |
2 |
p. 205-205 |
artikel |
2320 |
THE INTERPRETATION OF PLAINCHANT
|
MURRAY, A. GREGORY |
|
1964 |
XIII |
2 |
p. 206-207 |
artikel |
2321 |
THE ITALIAN MADRIGAL
|
REDLICH, HANS F. |
|
1951 |
XIII |
2 |
p. 154-156 |
artikel |
2322 |
THE JONSONIAN MASQUE
|
HOLMAN, PETER |
|
1974 |
XIII |
2 |
p. 250-252 |
artikel |
2323 |
THE JOY OF DANCING
|
NEVINSON, HENRY W. |
|
1931 |
XIII |
2 |
p. 109-115 |
artikel |
2324 |
THE LEARNED DOCTOR BUSBY
|
SPENCE, K. G. F. |
|
1956 |
XIII |
2 |
p. 141-153 |
artikel |
2325 |
THE LETTER AND THE SPIRIT
|
WILLIAMS, R. VAUGHAN |
|
1920 |
XIII |
2 |
p. 87-93 |
artikel |
2326 |
THE LONDON AUTOGRAPH OF ‘THE 48’
|
GODMAN, STANLEY |
|
1953 |
XIII |
2 |
p. 182-b-182 |
artikel |
2327 |
THE LONDON AUTOGRAPH OF ‘THE FORTY-EIGHT’
|
EMERY, WALTER |
|
1953 |
XIII |
2 |
p. 106-123 |
artikel |
2328 |
THE LYRIC IMPULSE
|
SEDGWICK, W. B. |
|
1924 |
XIII |
2 |
p. 97-102 |
artikel |
2329 |
THE ‘MACBETH’ MUSIC
|
FISKE, ROGER |
|
1964 |
XIII |
2 |
p. 114-125 |
artikel |
2330 |
THE MADRIGAL
|
BIADENE, LEANDRO |
|
1948 |
XIII |
2 |
p. 121-128 |
artikel |
2331 |
THE MANCHESTER ALTUS PARTBOOK MS 340 Cr 71
|
BOYER, SARAH |
|
1991 |
XIII |
2 |
p. 197-213 |
artikel |
2332 |
THE MAY SONG IN FLANDERS
|
SABBE, HERMAN |
|
1948 |
XIII |
2 |
p. 146-152 |
artikel |
2333 |
THE MORLEY-SHAKESPEARE MYTH
|
GORDON, PHILIP |
|
1947 |
XIII |
2 |
p. 121-125 |
artikel |
2334 |
“THE MOST EXTRAORDINARY CREATURE IN EUROPE”
|
SILBURN, MURIEL |
|
1922 |
XIII |
2 |
p. 200-205 |
artikel |
2335 |
THE MUSICAL ANTECEDENTS OF BEETHOVEN'S STYLE
|
TOVEY, DONALD LATE SIR |
|
1944 |
XIII |
2 |
p. 63-66 |
artikel |
2336 |
THE MUSICAL COMPETITION FESTIVAL
|
LAWRENCE, T. B. |
|
1931 |
XIII |
2 |
p. 199-200 |
artikel |
2337 |
THE MUSICAL COMPETITION FESTIVAL
|
GRACE, HARVEY |
|
1931 |
XIII |
2 |
p. 200-201 |
artikel |
2338 |
‘THE MUSICAL LIBRARY’
|
ORGA, ATES |
|
1965 |
XIII |
2 |
p. 193-193 |
artikel |
2339 |
THE MUSICAL PRESS IN ENGLAND TO-DAY
|
FOSS, HUBERT J. |
|
1930 |
XIII |
2 |
p. 128-140 |
artikel |
2340 |
THE MUSIC AND TONE-SYSTEMS OF ANCIENT GREECE
|
SHIRLAW, MATTHEW |
|
1951 |
XIII |
2 |
p. 131-139 |
artikel |
2341 |
THE MUSIC OF DITTERSDORF
|
SOUPER, FRANCES O. |
|
1930 |
XIII |
2 |
p. 141-145 |
artikel |
2342 |
THE MUSIC OF PHYLLIS TATE
|
CARNER, MOSCO |
|
1954 |
XIII |
2 |
p. 128-133 |
artikel |
2343 |
THE MUSIC OF RECOGNITION: OPERATIC ENGLIGHTENMENT IN ‘THE MAGIC FLUTE’
|
WALDOFF, JESSICA |
|
1994 |
XIII |
2 |
p. 214-235 |
artikel |
2344 |
THE MYSTERY OF ELCHE
|
TREND, J. B. |
|
1920 |
XIII |
2 |
p. 145-157 |
artikel |
2345 |
THE MYSTERY OF THE SIBYL CASSANDRA
|
TREND, J. B. |
|
1929 |
XIII |
2 |
p. 124-140 |
artikel |
2346 |
THE MYTH OF EQUAL-STEPPED SCALES IN PRIMITIVE MUSIC
|
LLOYD, LL. S. |
|
1946 |
XIII |
2 |
p. 73-79 |
artikel |
2347 |
THE NATURE OF MEDIEVAL MUSIC
|
BEDBROOK, G. S. |
|
1945 |
XIII |
2 |
p. 78-88 |
artikel |
2348 |
THE NATURE OF THE SINGING VOICE
|
KELSEY, FRANKLYN |
|
1951 |
XIII |
2 |
p. 140-146 |
artikel |
2349 |
“THE NOVELLO SCHOOL”
|
|
|
1954 |
XIII |
2 |
p. 184-c-184 |
artikel |
2350 |
THE OCCUPATIONAL MALADIES OF MUSICIANS
|
SEAR, H. G. |
|
1942 |
XIII |
2 |
p. 172-192 |
artikel |
2351 |
THE OLD VIC AND SADLER'S WELLS
|
ROWE, R. P. P. |
|
1932 |
XIII |
2 |
p. 141-146 |
artikel |
2352 |
THE ORGAN PARTS TO HANDEL'S ‘ALEXANDER'S FEAST’
|
COOPER, BARRY |
|
1978 |
XIII |
2 |
p. 159-179 |
artikel |
2353 |
THE ORIGIN OF THE IN NOMINE
|
DONINGTON, ROBERT |
|
1949 |
XIII |
2 |
p. 101-106 |
artikel |
2354 |
THE PARIS CONSERVATOIRE CONTEST SOLOS FOR BASSOON
|
FLETCHER, KRISTINE KLOPFENSTEIN |
|
1990 |
XIII |
2 |
p. 306-b-307 |
artikel |
2355 |
THE PERSONAL NOTE IN MUSICAL CRITICISM
|
RORKE, J. D. M. |
|
1922 |
XIII |
2 |
p. 171-178 |
artikel |
2356 |
THE PHILIDOR MANUSCRIPTS
|
FELLOWES, E. H. |
|
1931 |
XIII |
2 |
p. 116-129 |
artikel |
2357 |
THE PIANO AS AN ORCHESTRAL INSTRUMENT
|
WOOD, RALPH W. |
|
1934 |
XIII |
2 |
p. 139-146 |
artikel |
2358 |
THE PIANOFORTE CONCERTOS
|
DAVIES, FANNY |
|
1927 |
XIII |
2 |
p. 224-226 |
artikel |
2359 |
THE PIANOFORTE SONATAS: SOME TEXTUAL PROBLEMS
|
WALKER, ERNEST |
|
1927 |
XIII |
2 |
p. 211-217 |
artikel |
2360 |
THE PIANOFORTE WORKS OF CHABRIER
|
ROBERTS, W. WRIGHT |
|
1923 |
XIII |
2 |
p. 133-143 |
artikel |
2361 |
THE PITCH OF EARLY TUDOR ORGAN MUSIC
|
CALDWELL, JOHN |
|
1970 |
XIII |
2 |
p. 156-163 |
artikel |
2362 |
THE PLOT OF ‘THE MAGIC FLUTE’
|
DENT, EDWARD J. |
|
1954 |
XIII |
2 |
p. 175-181 |
artikel |
2363 |
THE PRESENT NEGLECT OF BACH
|
DICKINSON, A. E. F. |
|
1929 |
XIII |
2 |
p. 189-196 |
artikel |
2364 |
THE PROCESS OF COMPOSITION OF THE LIBRETTO OF BRITTEN'S ‘GLORIANA’
|
ALEXANDER, PETER F. |
|
1986 |
XIII |
2 |
p. 147-158 |
artikel |
2365 |
THE PROM. AUDIENCE
|
WOOD, RALPH W. |
|
1930 |
XIII |
2 |
p. 177-181 |
artikel |
2366 |
THE PROVENANCE AND DATE OF THE CAIUS AND LAMBETH CHOIR-BOOKS
|
CHEW, GEOFFREY |
|
1970 |
XIII |
2 |
p. 107-117 |
artikel |
2367 |
THE PURCELL FANTASIES AND THEIR INFLUENCE ON MODERN MUSIC
|
MANGEOT, ANDRE |
|
1926 |
XIII |
2 |
p. 143-149 |
artikel |
2368 |
THE 1754 REVIVAL OF HANDEL'S ‘ADMETO’
|
SMITH, WILLIAM C. |
|
1970 |
XIII |
2 |
p. 141-149 |
artikel |
2369 |
THE ROYAL MUSIC
|
YOUNG, PERCY |
|
1937 |
XIII |
2 |
p. 119-127 |
artikel |
2370 |
THE RÖSLER-ROSETTI PROBLEM
|
HELLYER, ROGER |
|
1977 |
XIII |
2 |
p. 259-c-259 |
artikel |
2371 |
THE RÖSLER-ROSETTI PROBLEM: A CONFUSION OF PSEUDONYM AND MISTAKEN IDENTITY
|
MURRAY, STERLING E. |
|
1976 |
XIII |
2 |
p. 130-143 |
artikel |
2372 |
THE SCHOENBERG CONCEPT
|
TAYLOR, NOEL HEATH |
|
1939 |
XIII |
2 |
p. 183-188 |
artikel |
2373 |
THE SECOND FOUNTAINS FRAGMENT: A POSTSCRIPT
|
STEVENS, DENIS |
|
1958 |
XIII |
2 |
p. 148-153 |
artikel |
2374 |
THE SECRET OF THE ITALIAN VIOLIN MAKERS
|
JAROSY, ALBERT |
|
1935 |
XIII |
2 |
p. 116-123 |
artikel |
2375 |
THESE WERE SINGERS
|
SANDS, MOLLIE |
|
1944 |
XIII |
2 |
p. 103-109 |
artikel |
2376 |
THE SIGNIFICANCE OF BEETHOVEN'S “THIRD PERIOD”
|
McEWEN, JOHN B. |
|
1927 |
XIII |
2 |
p. 156-162 |
artikel |
2377 |
THE SONGS
|
FORD, WALTER |
|
1927 |
XIII |
2 |
p. 228-233 |
artikel |
2378 |
THE SONGS OF JOHN DANYEL
|
JUDD, PBBCY |
|
1936 |
XIII |
2 |
p. 118-123 |
artikel |
2379 |
THE ‘STERNDALE BENNETT’ MANUSCRIPT SCORE OF ‘MESSIAH’
|
SHAW, WATKINS |
|
1963 |
XIII |
2 |
p. 118-122 |
artikel |
2380 |
THE ÆSTHETICS OF PLAINSONG
|
PHILLIPS, C. HENRY |
|
1934 |
XIII |
2 |
p. 128-138 |
artikel |
2381 |
THE STRING QUARTET
|
TERTIS, LIONEL |
|
1950 |
XIII |
2 |
p. 148-150 |
artikel |
2382 |
THE SUMERIAN HARP OF UR, c. 3500 B.C
|
GALPIN, F. W. |
|
1929 |
XIII |
2 |
p. 108-123 |
artikel |
2383 |
THE SYMPHONIES OF BRAHMS
|
DEAS, JAMES |
|
1933 |
XIII |
2 |
p. 112-116 |
artikel |
2384 |
THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND
|
HAMESSLEY, LYDIA |
|
1992 |
XIII |
2 |
p. 177-221 |
artikel |
2385 |
THE TEXT OF BEETHOVEN'S OP. 61
|
TYSON, ALAN |
|
1962 |
XIII |
2 |
p. 104-114 |
artikel |
2386 |
THE TEXT OF TCHAIKOVSKY'S B MINOR CONCERTO
|
FRISKIN, JAMES |
|
1969 |
XIII |
2 |
p. 246-251 |
artikel |
2387 |
THE TEXTUAL FUNCTION OF THE REFRAIN CENTO IN A THIRTEENTH-CENTURY FRENCH MOTET
|
EVANS, BEVERLY J |
|
1990 |
XIII |
2 |
p. 187-197 |
artikel |
2388 |
THE TEXTURE OF MODERN MUSIC
|
DYSON, GEORGE |
|
1923 |
XIII |
2 |
p. 107-118 |
artikel |
2389 |
THE THEORY OF MUSICAL EXPRESSION
|
BENNETT, VICTOR |
|
1936 |
XIII |
2 |
p. 106-117 |
artikel |
2390 |
THE THERESE GROB COLLECTION OF SONGS BY SCHUBERT
|
BROWN, MAURICE J. E. |
|
1968 |
XIII |
2 |
p. 122-134 |
artikel |
2391 |
THE TIME AND THE PLACE
|
CAPELL, RICHARD |
|
1926 |
XIII |
2 |
p. 150-156 |
artikel |
2392 |
THE TRANSMISSION OF ENGLISH MASS CYCLES IN THE MID TO LATE FIFTEENTH CENTURY: A CASE STUDY IN CONTEXT
|
KIRKMAN, ANDREW |
|
1994 |
XIII |
2 |
p. 180-199 |
artikel |
2393 |
THE TREMOLO
|
KELSEY, FRANKLYN |
|
1951 |
XIII |
2 |
p. 203-b-204 |
artikel |
2394 |
THE USE OF MUSIC IN THE PLAYS OF MARSTON
|
INGRAM, R. W. |
|
1956 |
XIII |
2 |
p. 154-164 |
artikel |
2395 |
THE VIOL CONSORT ORGAN BOOK
|
DODD, GORDON |
|
1972 |
XIII |
2 |
p. 233-a-233 |
artikel |
2396 |
THE VIOLIN CONCERTO
|
BONAVIA, F. |
|
1927 |
XIII |
2 |
p. 198-200 |
artikel |
2397 |
THE VIOLIN SONATAS
|
D'ARANYI, JELLY |
|
1927 |
XIII |
2 |
p. 191-197 |
artikel |
2398 |
THE VIOLONCELLO
|
SUGGIA, GUILHERMINA |
|
1920 |
XIII |
2 |
p. 104-110 |
artikel |
2399 |
THE VISUAL ELEMENT IN MUSIC
|
STRANGWAYS, A. H. FOX |
|
1943 |
XIII |
2 |
p. 124-124 |
artikel |
2400 |
THE WALSINGHAM CONSORT BOOKS
|
EDWARDS, WARWICK |
|
1974 |
XIII |
2 |
p. 209-214 |
artikel |
2401 |
THE WESTRUP PRIZE
|
|
|
1987 |
XIII |
2 |
p. 111-b-111 |
artikel |
2402 |
THE WESTRUP PRIZE
|
|
|
1989 |
XIII |
2 |
p. 313-313 |
artikel |
2403 |
THE WIND MUSIC OF J. C. BACH
|
SADIE, STANLEY |
|
1956 |
XIII |
2 |
p. 107-117 |
artikel |
2404 |
THE WIRELESS TRANSMISSION OF MUSIC
|
MOORE, H. R. RIVERS |
|
1923 |
XIII |
2 |
p. 158-161 |
artikel |
2405 |
THE WORKS OF ROBERT FAYRFAX
|
HUGHES, DOM ANSELM O.S.B. |
|
1949 |
XIII |
2 |
p. 118-120 |
artikel |
2406 |
THOMAS CHILCOT AND HIS MUSIC
|
BEECHEY, GWILYM |
|
1973 |
XIII |
2 |
p. 179-196 |
artikel |
2407 |
THOMAS HARDY AS MUSICIAN
|
EVA GREW, MARY |
|
1940 |
XIII |
2 |
p. 120-142 |
artikel |
2408 |
THOMAS HARDY MUSIC: WITH A BIBLIOGRAPHY
|
WEBER, CARL J. |
|
1940 |
XIII |
2 |
p. 172-178 |
artikel |
2409 |
THOMAS SIMPSON
|
COXON, CAROLYN |
|
1964 |
XIII |
2 |
p. 207-208 |
artikel |
2410 |
THOMAS TALLIS(1)
|
COLLINS, H. B. |
|
1929 |
XIII |
2 |
p. 152-166 |
artikel |
2411 |
THOMAS WEELKES
|
BROWN, DAVID |
|
1973 |
XIII |
2 |
p. 254-255 |
artikel |
2412 |
THOMAS WEELKES'S BORROWINGS FROM SALAMONE ROSSI
|
COHEN, JUDITH |
|
1985 |
XIII |
2 |
p. 110-117 |
artikel |
2413 |
THOMAS WOOD: 1892–1950
|
COGHILL, NEVILL |
|
1951 |
XIII |
2 |
p. 128-130 |
artikel |
2414 |
THREE RUSSIAN PIANO CONCERTOS
|
GARDEN, EDWARD |
|
1979 |
XIII |
2 |
p. 166-179 |
artikel |
2415 |
‘TINCTOLOGY’?
|
ARTHUR, JOHN |
|
1994 |
XIII |
2 |
p. 330a-330 |
artikel |
2416 |
To the Editor, ‘Music & Letters’
|
HIRSCH, PAUL |
|
1940 |
XIII |
2 |
p. 204-a-204 |
artikel |
2417 |
To the Editor, ‘Music & Letters’
|
NEWTON, RICHARD |
|
1940 |
XIII |
2 |
p. 204-b-205 |
artikel |
2418 |
To the Editor ‘Music & Letters’
|
BUKOFZER, MANFRED F. |
|
1940 |
XIII |
2 |
p. 202-203 |
artikel |
2419 |
To the Editor, ‘Music & Letters’
|
DE PAOLI, DOMENICO |
|
1940 |
XIII |
2 |
p. 205-206 |
artikel |
2420 |
To the Editor of ‘Music & Letters’
|
|
|
1968 |
XIII |
2 |
p. 191-199 |
artikel |
2421 |
To the Editors of ‘Music & Letters’
|
WALKER, ARTHUR D. |
|
1977 |
XIII |
2 |
p. 258-a-258 |
artikel |
2422 |
TRADITION AND CONVENTION IN JOHN BLOW'S HARMONY
|
SHAW, HAROLD WATKINS |
|
1949 |
XIII |
2 |
p. 136-145 |
artikel |
2423 |
TRIO SONATAS
|
HIGGINBOTTOM, EDWARD |
|
1977 |
XIII |
2 |
p. 252-a-252 |
artikel |
2424 |
TURNER AND MUSIC
|
LIVERMORE, ANN LAPRAIK |
|
1957 |
XIII |
2 |
p. 170-179 |
artikel |
2425 |
TURPYN'S BOOK OF LUTE-SONGS
|
OBOUSSIER, PHILIPPE |
|
1953 |
XIII |
2 |
p. 145-149 |
artikel |
2426 |
TWENTIETH-CENTURY PAINTING: THE APPROACH THROUGH MUSIC
|
ASHWORTH, ALEC HARGREAVES |
|
1939 |
XIII |
2 |
p. 115-129 |
artikel |
2427 |
TWO DESCENDANTS OF JOSQUIN'S ‘HERCULES’ MASS
|
JACKSON, PHILIP T. |
|
1978 |
XIII |
2 |
p. 188-205 |
artikel |
2428 |
TWO GEORGIAN CLASSICS: ARNE AND STEVENS
|
CUDWORTH, CHARLES |
|
1964 |
XIII |
2 |
p. 146-153 |
artikel |
2429 |
TWO PIANOS
|
M. T., |
|
1965 |
XIII |
2 |
p. 185-189 |
artikel |
2430 |
TWO PIANOS
|
P. F. W., |
|
1971 |
XIII |
2 |
p. 225-a-225 |
artikel |
2431 |
TWO PIANOS
|
A. H., |
|
1964 |
XIII |
2 |
p. 196-a-196 |
artikel |
2432 |
TWO PLANOS
|
C. M., |
|
1961 |
XIII |
2 |
p. 188-188 |
artikel |
2433 |
TWO PLEAS FOR A FRENCH, FRENCH MUSIC
|
BANCROFT, DAVID |
|
1967 |
XIII |
2 |
p. 109-119 |
artikel |
2434 |
TWO UNPUBLISHED MENDELSSOHN CONCERTOS
|
WERNER, ERIC |
|
1955 |
XIII |
2 |
p. 126-138 |
artikel |
2435 |
TWO VIOLINS AND ORCHESTRA
|
E. P., |
|
1967 |
XIII |
2 |
p. 205-a-205 |
artikel |
2436 |
UNANSWERABLE QUESTIONS/QUESTIONABLE ANSWERS
|
NICHOLLS, DAVID |
|
1994 |
XIII |
2 |
p. 246-252 |
artikel |
2437 |
‘UN BALLO IN MASCHERA’
|
DENT, EDWARD J. |
|
1952 |
XIII |
2 |
p. 101-110 |
artikel |
2438 |
VARIATION-FORM
|
HADOW, W. H. |
|
1927 |
XIII |
2 |
p. 126-130 |
artikel |
2439 |
VAUGHAN WILLIAMS'S CHOICE OF WORDS
|
KIMMEL, WILLIAM |
|
1938 |
XIII |
2 |
p. 132-142 |
artikel |
2440 |
VAUGHAN WILLIAMS'S “PASTORAL” SYMPHONY
|
HOWELLS, HERBERT |
|
1922 |
XIII |
2 |
p. 122-132 |
artikel |
2441 |
VERACINI, BENEDETTI AND TARTINI
|
GIANTURCO, CAROLYN |
|
1976 |
XIII |
2 |
p. 227-b-227 |
artikel |
2442 |
VERDI AND HIS CONTEMPORARIES
|
BONAVIA, F. |
|
1923 |
XIII |
2 |
p. 178-183 |
artikel |
2443 |
VERDI'S ‘ALZIRA’ AT NAPLES
|
SCHLITZER, FRANCO |
|
1954 |
XIII |
2 |
p. 125-127 |
artikel |
2444 |
VERDI'S ‘OTELLO’ AND ROSSINI'S
|
KLEIN, JOHN W. |
|
1964 |
XIII |
2 |
p. 130-140 |
artikel |
2445 |
VERGA AND MASCAGNI: THE CRITICS' RESPONSE TO ‘CAVALLERIA RUSTICANA’
|
SANSONE, MATTEO |
|
1990 |
XIII |
2 |
p. 198-214 |
artikel |
2446 |
VIOLA AND ORCHESTRA
|
|
|
1962 |
XIII |
2 |
p. 191-191 |
artikel |
2447 |
VIOLA AND PIANO
|
R. L., |
|
1964 |
XIII |
2 |
p. 203-b-204 |
artikel |
2448 |
VIOLA AND PIANO
|
E. R., |
|
1964 |
XIII |
2 |
p. 204-a-204 |
artikel |
2449 |
VIOLA AND PIANO
|
E. P., |
|
1967 |
XIII |
2 |
p. 203-b-204 |
artikel |
2450 |
VIOLA AND PIANO
|
P. A. E., |
|
1961 |
XIII |
2 |
p. 190-192 |
artikel |
2451 |
VIOLIN AND CELLO
|
R. L., |
|
1964 |
XIII |
2 |
p. 204-c-204 |
artikel |
2452 |
VIOLIN AND HARPSICHORD
|
P. A. E., |
|
1961 |
XIII |
2 |
p. 192-193 |
artikel |
2453 |
VIOLIN AND PIANO
|
M. T, |
|
1971 |
XIII |
2 |
p. 225-b-226 |
artikel |
2454 |
VIOLIN AND PIANO
|
R. L., |
|
1964 |
XIII |
2 |
p. 204-b-204 |
artikel |
2455 |
VIOLIN AND PIANO
|
I. K., |
|
1960 |
XIII |
2 |
p. 201-b-202 |
artikel |
2456 |
VIOLIN AND PIANO
|
A. H., |
|
1963 |
XIII |
2 |
p. 203-a-203 |
artikel |
2457 |
VIOLIN AND PIANO
|
BRAY, TREVOR |
|
1975 |
XIII |
2 |
p. 243-a-243 |
artikel |
2458 |
VIOLIN AND PIANO
|
I. K., |
|
1960 |
XIII |
2 |
p. 202-202 |
artikel |
2459 |
VIOLIN AND PIANO
|
P. A. E., |
|
1961 |
XIII |
2 |
p. 193-194 |
artikel |
2460 |
VIOLIN AND VIOLA
|
M. T., |
|
1973 |
XIII |
2 |
p. 253-a-253 |
artikel |
2461 |
VIOLONCELLO PLAYING
|
SUGGIA, GUILHERMINA |
|
1921 |
XIII |
2 |
p. 130-134 |
artikel |
2462 |
VOCAL DUETS
|
T. H., |
|
1973 |
XIII |
2 |
p. 253-b-253 |
artikel |
2463 |
VOICE AND ORCHESTRA
|
R. J. D., |
|
1961 |
XIII |
2 |
p. 194-a-194 |
artikel |
2464 |
WAGNER AND JUDITH GAUTIER
|
JACOBS, ROBERT L. |
|
1937 |
XIII |
2 |
p. 134-149 |
artikel |
2465 |
WALTER DE LA MARE, THE LISTENER
|
ROBERTS, W. WRIGHT |
|
1935 |
XIII |
2 |
p. 128-136 |
artikel |
2466 |
WALTON'S ‘TROILUS AND CRESSIDA’
|
HUSSEY, DYNELEY |
|
1955 |
XIII |
2 |
p. 139-145 |
artikel |
2467 |
WALT WHITMAN AND THE ENGLISH COMPOSER
|
BUTCHER, A. V. |
|
1947 |
XIII |
2 |
p. 154-167 |
artikel |
2468 |
WASHINGTON IRVING, BARHAM LIVIUS AND WEBER
|
KIRBY, PERCIVAL. R. |
|
1950 |
XIII |
2 |
p. 133-147 |
artikel |
2469 |
WAS SIR WALTER SCOTT MUSICAL?
|
HEDLEY, A. |
|
1936 |
XIII |
2 |
p. 151-153 |
artikel |
2470 |
WEBER'S MOTHER AND HER FAMILY WITH SOME SIDELIGHTS ON MOZART
|
DEUTSCH, O. E. |
|
1944 |
XIII |
2 |
p. 95-97 |
artikel |
2471 |
WHAT BIBLIOGRAPHY CAN DO: MUSIC PRINTING AND THE EARLY MADRIGAL
|
BOORMAN, STANLEY |
|
1991 |
XIII |
2 |
p. 236-258 |
artikel |
2472 |
‘WHAT IF A DAY’
|
ELLIOTT, KENNETH |
|
1963 |
XIII |
2 |
p. 206-a-206 |
artikel |
2473 |
WHICH PSALMS WERE SUNG IN THE TEMPLE?
|
SMITH, J. A |
|
1990 |
XIII |
2 |
p. 167-186 |
artikel |
2474 |
WILHELM VON LENZ
|
NEWMAN, ERNEST |
|
1927 |
XIII |
2 |
p. 268-272 |
artikel |
2475 |
WILLIAM BYRD 1543–1623
|
FELLOWES, E. H. |
|
1923 |
XIII |
2 |
p. 144-148 |
artikel |
2476 |
WIND ENSEMBLE
|
BEECHEY, GWILYM |
|
1975 |
XIII |
2 |
p. 243-b-244 |
artikel |
2477 |
WIND ENSEMBLE
|
J. A. C., |
|
1967 |
XIII |
2 |
p. 205-b-205 |
artikel |
2478 |
WIND ENSEMBLE
|
J. A. W., |
|
1961 |
XIII |
2 |
p. 194-b-194 |
artikel |
2479 |
WIND QUARTET
|
J. A. C., |
|
1972 |
XIII |
2 |
p. 232-232 |
artikel |
2480 |
WOODWIND ENSEMBLE
|
P. A. E., |
|
1963 |
XIII |
2 |
p. 203-b-203 |
artikel |
2481 |
‘WOZZECK’—A SUMMING-UP
|
KLEIN, JOHN W. |
|
1963 |
XIII |
2 |
p. 132-139 |
artikel |
2482 |
YET ANOTHER ‘LEONORE’ OVERTURE?
|
TYSON, ALAN |
|
1977 |
XIII |
2 |
p. 192-203 |
artikel |
2483 |
‘ZAIDE’ IN THE DEVELOPMENT OF MOZART'S OPERATIC LANGUAGE
|
TYLER, LINDA L. |
|
1991 |
XIII |
2 |
p. 214-235 |
artikel |
|