| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 2001 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1938
|
LII |
3 |
p. 361-a-361
|
artikel
|
| 2002 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT
|
|
1935
|
LII |
3 |
p. 257-258
|
artikel
|
| 2003 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
LII |
3 |
p. 319-c-319
|
artikel
|
| 2004 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
LII |
3 |
p. 318-a-318
|
artikel
|
| 2005 |
Reviews of Music
|
H.W.S.,
|
|
1941
|
LII |
3 |
p. 294-a-294
|
artikel
|
| 2006 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1941
|
LII |
3 |
p. 297-a-297
|
artikel
|
| 2007 |
Reviews of Music
|
E.B.,
|
|
1941
|
LII |
3 |
p. 294-b-294
|
artikel
|
| 2008 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1941
|
LII |
3 |
p. 297-b-297
|
artikel
|
| 2009 |
Reviews of Music
|
E.B.,
|
|
1941
|
LII |
3 |
p. 293-b-293
|
artikel
|
| 2010 |
REVIEWS OF MUSIC
|
W. G.,
|
|
1942
|
LII |
3 |
p. 261-c-262
|
artikel
|
| 2011 |
REVIEWS OF MUSIC
|
G. D. C.,
|
|
1942
|
LII |
3 |
p. 262-b-263
|
artikel
|
| 2012 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1942
|
LII |
3 |
p. 264-a-264
|
artikel
|
| 2013 |
REVIEWS OF MUSIC
|
M. G.,
|
|
1942
|
LII |
3 |
p. 262-a-262
|
artikel
|
| 2014 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1942
|
LII |
3 |
p. 264-b-264
|
artikel
|
| 2015 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 312-c-313
|
artikel
|
| 2016 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1948
|
LII |
3 |
p. 312-a-312
|
artikel
|
| 2017 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 320-c-320
|
artikel
|
| 2018 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 314-b-314
|
artikel
|
| 2019 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1948
|
LII |
3 |
p. 317-a-317
|
artikel
|
| 2020 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 319-c-319
|
artikel
|
| 2021 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 314-a-314
|
artikel
|
| 2022 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 319-b-319
|
artikel
|
| 2023 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 314-d-314
|
artikel
|
| 2024 |
REVIEWS OF MUSIC
|
I. K,
|
|
1948
|
LII |
3 |
p. 315-a-315
|
artikel
|
| 2025 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1948
|
LII |
3 |
p. 316-d-316
|
artikel
|
| 2026 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1948
|
LII |
3 |
p. 318-b-318
|
artikel
|
| 2027 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 316-a-316
|
artikel
|
| 2028 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 314-c-314
|
artikel
|
| 2029 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 320-d-320
|
artikel
|
| 2030 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 320-a-320
|
artikel
|
| 2031 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 316-c-316
|
artikel
|
| 2032 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 317-c-317
|
artikel
|
| 2033 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 318-c-319
|
artikel
|
| 2034 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 316-b-316
|
artikel
|
| 2035 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 313-a-313
|
artikel
|
| 2036 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 319-d-320
|
artikel
|
| 2037 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 321-b-321
|
artikel
|
| 2038 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 322-a-322
|
artikel
|
| 2039 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1948
|
LII |
3 |
p. 321-a-321
|
artikel
|
| 2040 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1948
|
LII |
3 |
p. 322-b-322
|
artikel
|
| 2041 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1948
|
LII |
3 |
p. 322-c-322
|
artikel
|
| 2042 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 293-293
|
artikel
|
| 2043 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
|
LII |
3 |
p. 284-a-284
|
artikel
|
| 2044 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 287-a-287
|
artikel
|
| 2045 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 292-c-293
|
artikel
|
| 2046 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
|
LII |
3 |
p. 291-b-292
|
artikel
|
| 2047 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 285-286
|
artikel
|
| 2048 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 286-e-287
|
artikel
|
| 2049 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 289-d-289
|
artikel
|
| 2050 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 290-a-290
|
artikel
|
| 2051 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 289-b-289
|
artikel
|
| 2052 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 289-a-289
|
artikel
|
| 2053 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 288-b-288
|
artikel
|
| 2054 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 289-c-289
|
artikel
|
| 2055 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 288-c-289
|
artikel
|
| 2056 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1950
|
LII |
3 |
p. 278-278
|
artikel
|
| 2057 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1950
|
LII |
3 |
p. 277-277
|
artikel
|
| 2058 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1950
|
LII |
3 |
p. 276-276
|
artikel
|
| 2059 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
LII |
3 |
p. 273-b-273
|
artikel
|
| 2060 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1952
|
LII |
3 |
p. 275-275
|
artikel
|
| 2061 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1952
|
LII |
3 |
p. 267-268
|
artikel
|
| 2062 |
REVIEWS OF MUSIC
|
D. A.,
|
|
1953
|
LII |
3 |
p. 272-273
|
artikel
|
| 2063 |
REVIEWS OF MUSIC
|
W. D.,
|
|
1958
|
LII |
3 |
p. 286-b-289
|
artikel
|
| 2064 |
REVIEWS OF MUSIC
|
H. O.,
|
|
1958
|
LII |
3 |
p. 321-322
|
artikel
|
| 2065 |
REVIEWS OF MUSIC
|
D. W. S.,
|
|
1958
|
LII |
3 |
p. 314-b-315
|
artikel
|
| 2066 |
REVIEWS OF MUSIC
|
R. T.,
|
|
1958
|
LII |
3 |
p. 320-321
|
artikel
|
| 2067 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1958
|
LII |
3 |
p. 315-316
|
artikel
|
| 2068 |
REVIEWS OF MUSIC
|
H. O.,
|
|
1958
|
LII |
3 |
p. 317-318
|
artikel
|
| 2069 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
|
LII |
3 |
p. 258-259
|
artikel
|
| 2070 |
REVIEWS OF MUSIC
|
P. A. T.,
|
|
1954
|
LII |
3 |
p. 262-a-262
|
artikel
|
| 2071 |
REVIEWS OF MUSIC
|
P. A. T.,
|
|
1954
|
LII |
3 |
p. 262-b-263
|
artikel
|
| 2072 |
REVIEWS OF MUSIC
|
P. A. T.,
|
|
1954
|
LII |
3 |
p. 261-b-262
|
artikel
|
| 2073 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
|
LII |
3 |
p. 259-260
|
artikel
|
| 2074 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
|
LII |
3 |
p. 267-a-267
|
artikel
|
| 2075 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1954
|
LII |
3 |
p. 266-267
|
artikel
|
| 2076 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
|
LII |
3 |
p. 267-b-268
|
artikel
|
| 2077 |
REVIEWS OF MUSIC
|
I. K,
|
|
1954
|
LII |
3 |
p. 264-265
|
artikel
|
| 2078 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
|
LII |
3 |
p. 265-266
|
artikel
|
| 2079 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1955
|
LII |
3 |
p. 303-304
|
artikel
|
| 2080 |
REVIEWS OF MUSIC
|
M. J. E. B.,
|
|
1955
|
LII |
3 |
p. 298-301
|
artikel
|
| 2081 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1957
|
LII |
3 |
p. 300-a-300
|
artikel
|
| 2082 |
REVIEWS OF MUSIC
|
D. W. S.,
|
|
1957
|
LII |
3 |
p. 304-a-304
|
artikel
|
| 2083 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1957
|
LII |
3 |
p. 299-299
|
artikel
|
| 2084 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1957
|
LII |
3 |
p. 310-a-310
|
artikel
|
| 2085 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1957
|
LII |
3 |
p. 308-309
|
artikel
|
| 2086 |
REVIEWS OF MUSIC
|
J. S. W.,
|
|
1957
|
LII |
3 |
p. 307-308
|
artikel
|
| 2087 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1957
|
LII |
3 |
p. 310-b-311
|
artikel
|
| 2088 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1957
|
LII |
3 |
p. 304-b-305
|
artikel
|
| 2089 |
REVIEWS OF MUSIC
|
D. W. S.,
|
|
1956
|
LII |
3 |
p. 305-a-305
|
artikel
|
| 2090 |
REVIEWS OF MUSIC
|
T. D.,
|
|
1956
|
LII |
3 |
p. 302-305
|
artikel
|
| 2091 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1966
|
LII |
3 |
p. 279-a-279
|
artikel
|
| 2092 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1966
|
LII |
3 |
p. 284-a-284
|
artikel
|
| 2093 |
REVIEWS OF MUSIC
|
D. L.,
|
|
1966
|
LII |
3 |
p. 286-288
|
artikel
|
| 2094 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1966
|
LII |
3 |
p. 280-281
|
artikel
|
| 2095 |
REVIEWS OF MUSIC
|
CLAYTON, ALFRED
|
|
1985
|
LII |
3 |
p. 304-a-304
|
artikel
|
| 2096 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1986
|
LII |
3 |
p. 330-331
|
artikel
|
| 2097 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1987
|
LII |
3 |
p. 306-308
|
artikel
|
| 2098 |
REVIEWS OF MUSIC
|
CHARLTON, DAVID
|
|
1987
|
LII |
3 |
p. 300-301
|
artikel
|
| 2099 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1987
|
LII |
3 |
p. 308-b-309
|
artikel
|
| 2100 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1987
|
LII |
3 |
p. 305-b-306
|
artikel
|
| 2101 |
REVIEWS OF MUSIC
|
JOHNSTONE, H. DLACK
|
|
1987
|
LII |
3 |
p. 301-303
|
artikel
|
| 2102 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1989
|
LII |
3 |
p. 443-444
|
artikel
|
| 2103 |
REVIEWS OF MUSIC
|
EVANS, PETER
|
|
1991
|
LII |
3 |
p. 498-499
|
artikel
|
| 2104 |
REVIEWS OF MUSIC
|
PINTO, DAVID
|
|
1992
|
LII |
3 |
p. 497-497
|
artikel
|
| 2105 |
REVIEWS OF MUSIC
|
PETER BROWN, A.
|
|
1992
|
LII |
3 |
p. 499-501
|
artikel
|
| 2106 |
REVIEWS OF MUSIC
|
IRVING, JOHN
|
|
1993
|
LII |
3 |
p. 474-476
|
artikel
|
| 2107 |
REVIEWS OF MUSIC
|
O'REGAN, NOEL
|
|
1993
|
LII |
3 |
p. 483-484
|
artikel
|
| 2108 |
REVIEWS OF MUSIC
|
DUBOWY, NORBERT
|
|
1993
|
LII |
3 |
p. 479-481
|
artikel
|
| 2109 |
REVIEWS OF MUSIC
|
SPITZER, MICHAEL
|
|
1993
|
LII |
3 |
p. 482-483
|
artikel
|
| 2110 |
REVIEWS OF MUSIC
|
MCVEIGH, SIMON
|
|
1993
|
LII |
3 |
p. 472-474
|
artikel
|
| 2111 |
REVIEWS OF MUSIC
|
DICKINSON, PETER
|
|
1995
|
LII |
3 |
p. 472-475
|
artikel
|
| 2112 |
REVIEWS OF MUSIC
|
CAZEAUX, ISABELLE
|
|
1995
|
LII |
3 |
p. 471-472
|
artikel
|
| 2113 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1962
|
LII |
3 |
p. 289-a-289
|
artikel
|
| 2114 |
REVIEWS OF MUSIC
|
BANFIELD, STEPHEN
|
|
1977
|
LII |
3 |
p. 357-358
|
artikel
|
| 2115 |
REVIEWS OF MUSIC
|
ROBINSON, MICHAEL F.
|
|
1977
|
LII |
3 |
p. 365-367
|
artikel
|
| 2116 |
REVIEWS OF MUSIC
|
CALDWELL, JOHN
|
|
1977
|
LII |
3 |
p. 372-b-373
|
artikel
|
| 2117 |
REVIEWS OF MUSIC
|
JONES, PETER WARD
|
|
1977
|
LII |
3 |
p. 371-371
|
artikel
|
| 2118 |
REVIEWS OF MUSIC
|
WULSTAN, DAVID
|
|
1977
|
LII |
3 |
p. 373-375
|
artikel
|
| 2119 |
REVIEWS OF MUSIC
|
BRINDLE, REGINALD SMITH
|
|
1977
|
LII |
3 |
p. 378-b-379
|
artikel
|
| 2120 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1977
|
LII |
3 |
p. 367-369
|
artikel
|
| 2121 |
REVIEWS OF MUSIC
|
WULSTAN, DAVID
|
|
1977
|
LII |
3 |
p. 369-371
|
artikel
|
| 2122 |
REVIEWS OF MUSIC
|
DENNISON, PETER
|
|
1977
|
LII |
3 |
p. 362-365
|
artikel
|
| 2123 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1977
|
LII |
3 |
p. 380-381
|
artikel
|
| 2124 |
REVIEWS OF MUSIC
|
JEFFERY, BRIAN
|
|
1978
|
LII |
3 |
p. 370-371
|
artikel
|
| 2125 |
REVIEWS OF MUSIC
|
CASKEN, JOHN
|
|
1978
|
LII |
3 |
p. 379-380
|
artikel
|
| 2126 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1978
|
LII |
3 |
p. 380-381
|
artikel
|
| 2127 |
REVIEWS OF MUSIC
|
SAMSON, JIM
|
|
1978
|
LII |
3 |
p. 383-384
|
artikel
|
| 2128 |
REVIEWS OF MUSIC
|
BEST, TERENCE
|
|
1978
|
LII |
3 |
p. 367-369
|
artikel
|
| 2129 |
REVIEWS OF MUSIC
|
WILLIAMSON, JOHN
|
|
1978
|
LII |
3 |
p. 369-370
|
artikel
|
| 2130 |
REVIEWS OF MUSIC
|
ROSE, BERNARD
|
|
1978
|
LII |
3 |
p. 374-376
|
artikel
|
| 2131 |
REVIEWS OF MUSIC
|
ROE, STEPHEN
|
|
1979
|
LII |
3 |
p. 372-a-372
|
artikel
|
| 2132 |
REVIEWS OF MUSIC
|
FISKE, ROGER
|
|
1979
|
LII |
3 |
p. 370-371
|
artikel
|
| 2133 |
REVIEWS OF MUSIC
|
BROWN, HOWARD MAYER
|
|
1979
|
LII |
3 |
p. 373-375
|
artikel
|
| 2134 |
REVIEWS OF MUSIC
|
DALTON, JAMES
|
|
1979
|
LII |
3 |
p. 378-378
|
artikel
|
| 2135 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1979
|
LII |
3 |
p. 375-376
|
artikel
|
| 2136 |
REVIEWS OF MUSIC
|
STEELE, JOHN
|
|
1979
|
LII |
3 |
p. 376-377
|
artikel
|
| 2137 |
REVIEWS OF MUSIC
|
ROCHE, JEROME
|
|
1979
|
LII |
3 |
p. 369-369
|
artikel
|
| 2138 |
REVIEWS OF MUSIC
|
SPENCER, ROBERT
|
|
1984
|
LII |
3 |
p. 308-a-308
|
artikel
|
| 2139 |
REVIEWS OF MUSIC
|
BEST, TERENCE
|
|
1984
|
LII |
3 |
p. 314-315
|
artikel
|
| 2140 |
REVIEWS OF MUSIC
|
SPENCER, ROBERT
|
|
1984
|
LII |
3 |
p. 317-318
|
artikel
|
| 2141 |
REVIEWS OF MUSIC
|
NEIGHBOUR, OLIVER
|
|
1984
|
LII |
3 |
p. 309-313
|
artikel
|
| 2142 |
REVIEWS OF MUSIC
|
MILSOM, JOHN
|
|
1985
|
LII |
3 |
p. 299-301
|
artikel
|
| 2143 |
REVIEWS OF MUSIC
|
EVERETT, PAUL
|
|
1985
|
LII |
3 |
p. 295-297
|
artikel
|
| 2144 |
REVIEWS OF MUSIC
|
JONES, PETER WARD
|
|
1985
|
LII |
3 |
p. 293-294
|
artikel
|
| 2145 |
REVIEWS OF MUSIC
|
DEAN, WINTON
|
|
1985
|
LII |
3 |
p. 297-299
|
artikel
|
| 2146 |
REVIEWS OF MUSIC
|
EMMERSON, SIMON
|
|
1985
|
LII |
3 |
p. 304-b-306
|
artikel
|
| 2147 |
REVIEWS OF MUSIC
|
WOLLENBERG, SUSAN
|
|
1985
|
LII |
3 |
p. 294-295
|
artikel
|
| 2148 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1985
|
LII |
3 |
p. 303-304
|
artikel
|
| 2149 |
REVIEWS OF MUSIC
|
FERGUSON, HOWARD
|
|
1989
|
LII |
3 |
p. 444-a-444
|
artikel
|
| 2150 |
REVIEWS OF MUSIC
|
GATENS, WILLIAM J.
|
|
1989
|
LII |
3 |
p. 444-b-446
|
artikel
|
| 2151 |
REVIEWS OF MUSIC
|
BRAY, TREVOR
|
|
1989
|
LII |
3 |
p. 458-459
|
artikel
|
| 2152 |
REVIEWS OF MUSIC
|
WHITTALL, ARNOLD
|
|
1989
|
LII |
3 |
p. 459-460
|
artikel
|
| 2153 |
REVIEWS OF MUSIC
|
MCKAY, ELIZABETH NORMAN
|
|
1989
|
LII |
3 |
p. 452-454
|
artikel
|
| 2154 |
REVIEWS OF MUSIC
|
HARPER, JOHN
|
|
1990
|
LII |
3 |
p. 448-450
|
artikel
|
| 2155 |
REVIEWS OF MUSIC
|
ROCHE, JEROME
|
|
1990
|
LII |
3 |
p. 450-451
|
artikel
|
| 2156 |
REVIEWS OF MUSIC
|
CLARKE, DAVID
|
|
1990
|
LII |
3 |
p. 468-470
|
artikel
|
| 2157 |
REVIEWS OF MUSIC
|
LEECH-WILKINSON, DANIEL
|
|
1990
|
LII |
3 |
p. 460-461
|
artikel
|
| 2158 |
REVIEWS OF MUSIC
|
CARVER, ANTHONY F.
|
|
1990
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LII |
3 |
p. 454-455
|
artikel
|
| 2159 |
REVIEWS OF MUSIC
|
NEIGHBOUR, OLIVER
|
|
1990
|
LII |
3 |
p. 466-468
|
artikel
|
| 2160 |
REVIEWS OF MUSIC
|
KONII, YUKI
|
|
1990
|
LII |
3 |
p. 451-453
|
artikel
|
| 2161 |
REVIEWS OF MUSIC
|
BEECHEY, GWILYM
|
|
1990
|
LII |
3 |
p. 455-457
|
artikel
|
| 2162 |
REVIEWS OF MUSIC
|
JONES, RICHARD
|
|
1990
|
LII |
3 |
p. 453-454
|
artikel
|
| 2163 |
REVIEWS OF MUSIC
|
CHARTERIS, RICHARD
|
|
1990
|
LII |
3 |
p. 461-466
|
artikel
|
| 2164 |
REVIEWS OF MUSIC
|
BENHAM, HUGH
|
|
1995
|
LII |
3 |
p. 475-476
|
artikel
|
| 2165 |
REVIEWS OF MUSIC
|
DOBBINS, FRANK
|
|
1995
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LII |
3 |
p. 470-471
|
artikel
|
| 2166 |
REVIEWS OF MUSIC
|
WALLS, PETER
|
|
1995
|
LII |
3 |
p. 467-470
|
artikel
|
| 2167 |
REVIEWS OF MUSIC
|
WAKELIN, EMMA
|
|
1995
|
LII |
3 |
p. 476-479
|
artikel
|
| 2168 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1971
|
LII |
3 |
p. 334-b-335
|
artikel
|
| 2169 |
REVIEWS OF MUSIC
|
M. J. E. B.,
|
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1972
|
LII |
3 |
p. 345-347
|
artikel
|
| 2170 |
REVIEWS OF MUSIC
|
J. H.,
|
|
1965
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LII |
3 |
p. 257-258
|
artikel
|
| 2171 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1967
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LII |
3 |
p. 299-b-300
|
artikel
|
| 2172 |
REVIEWS OF MUSIC
|
C. H.,
|
|
1967
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LII |
3 |
p. 301-302
|
artikel
|
| 2173 |
REVIEWS OF MUSIC
|
BONAVIA, F.
|
|
1934
|
LII |
3 |
p. 280-280
|
artikel
|
| 2174 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT
|
|
1934
|
LII |
3 |
p. 278-279
|
artikel
|
| 2175 |
REVIEWS OF MUSIC
|
GODDARD, SCOTT
|
|
1934
|
LII |
3 |
p. 279-280
|
artikel
|
| 2176 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
LII |
3 |
p. 317-a-317
|
artikel
|
| 2177 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
|
LII |
3 |
p. 320-b-320
|
artikel
|
| 2178 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
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LII |
3 |
p. 319-e-319
|
artikel
|
| 2179 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1937
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LII |
3 |
p. 320-d-320
|
artikel
|
| 2180 |
REVIEWS OF MUSIC
|
S. G.,
|
|
1937
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LII |
3 |
p. 320-c-320
|
artikel
|
| 2181 |
REVIEWS OF MUSIC
|
E. L.,
|
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1946
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3 |
p. 200-202
|
artikel
|
| 2182 |
REVIEWS OF MUSIC
|
K. A.,
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|
1947
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LII |
3 |
p. 283-a-283
|
artikel
|
| 2183 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
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LII |
3 |
p. 282-a-282
|
artikel
|
| 2184 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
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LII |
3 |
p. 283-b-284
|
artikel
|
| 2185 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
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LII |
3 |
p. 282-b-282
|
artikel
|
| 2186 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
|
LII |
3 |
p. 282-c-282
|
artikel
|
| 2187 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 284-b-284
|
artikel
|
| 2188 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
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LII |
3 |
p. 292-a-292
|
artikel
|
| 2189 |
REVIEWS OF MUSIC
|
K. A.,
|
|
1947
|
LII |
3 |
p. 292-d-293
|
artikel
|
| 2190 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 291-a-292
|
artikel
|
| 2191 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1947
|
LII |
3 |
p. 292-b-293
|
artikel
|
| 2192 |
REVIEWS OF MUSIC
|
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|
1966
|
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3 |
p. 286-a-286
|
artikel
|
| 2193 |
REVIEWS OF MUSIC
|
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|
1949
|
LII |
3 |
p. 286-b-286
|
artikel
|
| 2194 |
REVIEWS OF MUSIC
|
|
|
1949
|
LII |
3 |
p. 286-c-286
|
artikel
|
| 2195 |
REVIEWS OF MUSIC
|
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|
1949
|
LII |
3 |
p. 286-d-286
|
artikel
|
| 2196 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
LII |
3 |
p. 271-b-272
|
artikel
|
| 2197 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
LII |
3 |
p. 273-c-273
|
artikel
|
| 2198 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1952
|
LII |
3 |
p. 271-a-271
|
artikel
|
| 2199 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1952
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LII |
3 |
p. 266-267
|
artikel
|
| 2200 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1952
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LII |
3 |
p. 274-275
|
artikel
|
| 2201 |
REVIEWS OF MUSIC
|
E. J.,
|
|
1952
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LII |
3 |
p. 268-269
|
artikel
|
| 2202 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1952
|
LII |
3 |
p. 273-a-273
|
artikel
|
| 2203 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1953
|
LII |
3 |
p. 266-271
|
artikel
|
| 2204 |
REVIEWS OF MUSIC
|
N. F.,
|
|
1958
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LII |
3 |
p. 314-a-314
|
artikel
|
| 2205 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1958
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LII |
3 |
p. 316-317
|
artikel
|
| 2206 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1954
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LII |
3 |
p. 270-271
|
artikel
|
| 2207 |
REVIEWS OF MUSIC
|
B. W. G. R.,
|
|
1954
|
LII |
3 |
p. 268-269
|
artikel
|
| 2208 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
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LII |
3 |
p. 187-e-187
|
artikel
|
| 2209 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 188-e-188
|
artikel
|
| 2210 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 187-d-187
|
artikel
|
| 2211 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 188-f-188
|
artikel
|
| 2212 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 185-a-185
|
artikel
|
| 2213 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 185-b-185
|
artikel
|
| 2214 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 188-a-188
|
artikel
|
| 2215 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 185-c-186
|
artikel
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| 2216 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 187-a-187
|
artikel
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| 2217 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 184-d-184
|
artikel
|
| 2218 |
REVIEWS OF MUSIC
|
E. L.,
|
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1943
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LII |
3 |
p. 186-a-186
|
artikel
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| 2219 |
REVIEWS OF MUSIC
|
E. L.,
|
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1943
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LII |
3 |
p. 189-b-189
|
artikel
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| 2220 |
REVIEWS OF MUSIC
|
P. J. P.,
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|
1956
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LII |
3 |
p. 310-a-310
|
artikel
|
| 2221 |
REVIEWS OF MUSIC
|
P. J. P.,
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1956
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3 |
p. 306-b-307
|
artikel
|
| 2222 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1956
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LII |
3 |
p. 311-b-313
|
artikel
|
| 2223 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1956
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LII |
3 |
p. 309-b-310
|
artikel
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| 2224 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1956
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LII |
3 |
p. 309-a-309
|
artikel
|
| 2225 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1956
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LII |
3 |
p. 310-b-311
|
artikel
|
| 2226 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1956
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LII |
3 |
p. 305-b-306
|
artikel
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| 2227 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1956
|
LII |
3 |
p. 307-a-307
|
artikel
|
| 2228 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1956
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LII |
3 |
p. 311-a-311
|
artikel
|
| 2229 |
REVIEWS OF MUSIC
|
I. K.,
|
|
1956
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LII |
3 |
p. 306-a-306
|
artikel
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| 2230 |
REVIEWS OF MUSIC
|
J. A. W.,
|
|
1961
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LII |
3 |
p. 289-b-290
|
artikel
|
| 2231 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 184-b-184
|
artikel
|
| 2232 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 188-g-188
|
artikel
|
| 2233 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 188-c-188
|
artikel
|
| 2234 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 187-c-187
|
artikel
|
| 2235 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 186-b-186
|
artikel
|
| 2236 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 184-f-185
|
artikel
|
| 2237 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 184-e-184
|
artikel
|
| 2238 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 188-d-188
|
artikel
|
| 2239 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 187-f-187
|
artikel
|
| 2240 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 184-a-184
|
artikel
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| 2241 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 186-d-187
|
artikel
|
| 2242 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 184-c-184
|
artikel
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| 2243 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 187-g-187
|
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|
| 2244 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 186-c-186
|
artikel
|
| 2245 |
REVIEWS OF MUSIC
|
E. R.,
|
|
1943
|
LII |
3 |
p. 187-b-187
|
artikel
|
| 2246 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 188-b-188
|
artikel
|
| 2247 |
REVIEWS OF MUSIC
|
E. L.,
|
|
1943
|
LII |
3 |
p. 188-h-189
|
artikel
|
| 2248 |
REVIEWS OF MUSIC
|
E. B.,
|
|
1943
|
LII |
3 |
p. 189-a-189
|
artikel
|
| 2249 |
REVIEWS OF MUSIC
|
P. J. P.,
|
|
1956
|
LII |
3 |
p. 308-a-308
|
artikel
|
| 2250 |
REVIEWS OF MUSIC
|
C. M.,
|
|
1956
|
LII |
3 |
p. 313-313
|
artikel
|
| 2251 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1935
|
LII |
3 |
p. 260-262
|
artikel
|
| 2252 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1935
|
LII |
3 |
p. 262-265
|
artikel
|
| 2253 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1935
|
LII |
3 |
p. 259-260
|
artikel
|
| 2254 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
LII |
3 |
p. 321-a-321
|
artikel
|
| 2255 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
LII |
3 |
p. 328-329
|
artikel
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| 2256 |
REVIEWS OF PERIODICALS
|
G. A.,
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|
1937
|
LII |
3 |
p. 327-328
|
artikel
|
| 2257 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1928
|
LII |
3 |
p. 284-287
|
artikel
|
| 2258 |
REVIEWS OF PERIODICALS
|
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|
1931
|
LII |
3 |
p. 310-312
|
artikel
|
| 2259 |
REVIEWS OF PERIODICALS
|
SC. G.,
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|
1932
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LII |
3 |
p. 349-351
|
artikel
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| 2260 |
REVIEWS OF PERIODICALS
|
Sc. G,
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|
1929
|
LII |
3 |
p. 313-316
|
artikel
|
| 2261 |
REVIEWS OF PERIODICALS
|
Sc. G,
|
|
1929
|
LII |
3 |
p. 316-316
|
artikel
|
| 2262 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1933
|
LII |
3 |
p. 297-300
|
artikel
|
| 2263 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
LII |
3 |
p. 364-365
|
artikel
|
| 2264 |
REVIEWS OF PERIODICALS
|
G. A,
|
|
1938
|
LII |
3 |
p. 363-a-363
|
artikel
|
| 2265 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
LII |
3 |
p. 363-b-364
|
artikel
|
| 2266 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
LII |
3 |
p. 365-366
|
artikel
|
| 2267 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1938
|
LII |
3 |
p. 366-367
|
artikel
|
| 2268 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1938
|
LII |
3 |
p. 367-367
|
artikel
|
| 2269 |
REVIEWS OF PERIODICALS
|
Sc. G,
|
|
1927
|
LII |
3 |
p. 381-384
|
artikel
|
| 2270 |
REVIEWS OF PERIODICALS
|
Sc. G.,
|
|
1930
|
LII |
3 |
p. 306-307
|
artikel
|
| 2271 |
REVIEWS OF PERIODICALS
|
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|
1949
|
LII |
3 |
p. 292-296
|
artikel
|
| 2272 |
REVIEWS OF PERIODICALS
|
ABRAHAM, GERALD
|
|
1934
|
LII |
3 |
p. 281-282
|
artikel
|
| 2273 |
REVIEWS OF PERIODICALS
|
GODDARD, SCOTT
|
|
1934
|
LII |
3 |
p. 282-284
|
artikel
|
| 2274 |
REVIEWS OF PERIODICALS
|
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|
1936
|
LII |
3 |
p. 277-281
|
artikel
|
| 2275 |
REVIEWS OF PERIODICALS
|
G. A.,
|
|
1937
|
LII |
3 |
p. 322-b-322
|
artikel
|
| 2276 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
LII |
3 |
p. 324-a-324
|
artikel
|
| 2277 |
REVIEWS OF PERIODICALS
|
E. B.,
|
|
1937
|
LII |
3 |
p. 322-a-322
|
artikel
|
| 2278 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
LII |
3 |
p. 323-a-323
|
artikel
|
| 2279 |
REVIEWS OF PERIODICALS
|
E. B.,
|
|
1937
|
LII |
3 |
p. 321-b-322
|
artikel
|
| 2280 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
LII |
3 |
p. 325-327
|
artikel
|
| 2281 |
REVIEWS OF PERIODICALS
|
S. G.,
|
|
1937
|
LII |
3 |
p. 323-b-323
|
artikel
|
| 2282 |
REVIEWS OF PERIODICALS
|
R. C.,
|
|
1937
|
LII |
3 |
p. 324-b-325
|
artikel
|
| 2283 |
REVIEWS OF REVIEWS
|
RUSS, MICHAEL
|
|
1992
|
LII |
3 |
p. 450-454
|
artikel
|
| 2284 |
REVIWES OF BOOKS
|
R. C.,
|
|
1952
|
LII |
3 |
p. 252-253
|
artikel
|
| 2285 |
RICHARD CAPELL IN EGYPT
|
WILLNER, GERHARD
|
|
1955
|
LII |
3 |
p. 224-225
|
artikel
|
| 2286 |
RIMSKY-KORSAKOV'S GOGOL OPERAS
|
ABRAHAM, GERALD E. H.
|
|
1931
|
LII |
3 |
p. 242-252
|
artikel
|
| 2287 |
ROBERT SIMPSON SOCIETY ARCHIVES
|
PIKE, LIONEL
|
|
1984
|
LII |
3 |
p. 325-b-325
|
artikel
|
| 2288 |
Roger Hellyer replies
|
Hellyer, Roger
|
|
1990
|
LII |
3 |
p. 477-a-477
|
artikel
|
| 2289 |
ROSÉ AND THE VIENNA PHILHARMONIC
|
BOULT, ADRIAN SIR
|
|
1951
|
LII |
3 |
p. 256-257
|
artikel
|
| 2290 |
ROUSSEAU AND CHERUBINO
|
LIVERMORE, ANN
|
|
1962
|
LII |
3 |
p. 218-223
|
artikel
|
| 2291 |
ROUSSEAU'S CONCEPTION OF MUSIC
|
TAYLOR, ERIC
|
|
1949
|
LII |
3 |
p. 231-242
|
artikel
|
| 2292 |
ROUSSEL AND RAVEL
|
LOCKSPEISER, EDWARD
|
|
1938
|
LII |
3 |
p. 245-250
|
artikel
|
| 2293 |
RUBBRA'S VIOLA CONCERTO
|
KEYS, IVOR
|
|
1954
|
LII |
3 |
p. 204-205
|
artikel
|
| 2294 |
RUSSIAN LITURGICAL MUSIC AND ITS RELATION TO TWENTIETH-CENTURY IDEALS
|
SWAN, ALFRED J.
|
|
1958
|
LII |
3 |
p. 265-274
|
artikel
|
| 2295 |
SATIE AT SEA, AND THE MYSTERY OF LA ‘BELLE CUBAINE’
|
ORLEDGE, ROBERT
|
|
1990
|
LII |
3 |
p. 361-373
|
artikel
|
| 2296 |
SCHILLER AND ITALIAN OPERA
|
KEYS, A. C.
|
|
1960
|
LII |
3 |
p. 223-237
|
artikel
|
| 2297 |
SCHOENBERG AND BRAHMS'S Op. 25
|
JACOB, GORDON
|
|
1951
|
LII |
3 |
p. 252-255
|
artikel
|
| 2298 |
SCHOOL MUSIC
|
D. W.,
|
|
1965
|
LII |
3 |
p. 287-b-287
|
artikel
|
| 2299 |
SCHOOL SONGS
|
BUTCHER, A. V.
|
|
1951
|
LII |
3 |
p. 258-266
|
artikel
|
| 2300 |
SCHUBERT AND THE BIEDERMEIER: THE AESTHETICS OF JOHANN MAYRHOFER'S ‘HELIOPOLIS’
|
GRAMIT, DAVID
|
|
1993
|
LII |
3 |
p. 355-382
|
artikel
|
| 2301 |
SCHUBERT: INSTRUMENTAL DERIVATIVES IN THE SONGS
|
BROWN, MAURICE J. E.
|
|
1947
|
LII |
3 |
p. 207-213
|
artikel
|
| 2302 |
SCHUBERT'S ‘EINSAMKEIT’ AND HASLINGER'S ‘WEITERREISE’
|
SCHROEDER, DAVID P.
|
|
1990
|
LII |
3 |
p. 352-360
|
artikel
|
| 2303 |
SCHUBERT'S ‘NEBENSONNEN’
|
VAN DIJK, J. H. W.
|
|
1956
|
LII |
3 |
p. 314-314
|
artikel
|
| 2304 |
SCHUBERT'S SETTINGS OF THE ‘SALVE REGINA’
|
BROWN, MAURICE J. E.
|
|
1956
|
LII |
3 |
p. 234-249
|
artikel
|
| 2305 |
SCHUBERT: THE COLLECTED WORKS
|
DEUTSCH, OTTO ERICH
|
|
1951
|
LII |
3 |
p. 226-234
|
artikel
|
| 2306 |
SCHUMANN AND JEAN PAUL
|
JACOBS, ROBERT L.
|
|
1949
|
LII |
3 |
p. 250-258
|
artikel
|
| 2307 |
SEVENTEENTH-CENTURY CHAMBER MUSIC MANUSCRIPTS AT DURHAM
|
EVANS, PETER
|
|
1955
|
LII |
3 |
p. 205-223
|
artikel
|
| 2308 |
SEVENTEENTH-CENTURY DUTCH EDITIONS OF ENGLISH INSTRUMENTAL MUSIC
|
RASCH, RUDI A.
|
|
1972
|
LII |
3 |
p. 270-273
|
artikel
|
| 2309 |
SEVEN TWENTIETH-CENTURY ENGLISH COMPOSERS
|
KENNEDY, MICHAEL
|
|
1990
|
LII |
3 |
p. 433-434
|
artikel
|
| 2310 |
SHALIAPIN'S PRECURSORS
|
MONTAGU-NATHAN, M.
|
|
1952
|
LII |
3 |
p. 232-238
|
artikel
|
| 2311 |
SHUDI AND THE “VENETIAN SWELL”
|
HALFPENNY, ERIC
|
|
1946
|
LII |
3 |
p. 180-184
|
artikel
|
| 2312 |
SIBELIUS'S DEBT TO RENAISSANCE POLYPHONY
|
PIKE, LIONEL
|
|
1974
|
LII |
3 |
p. 317-326
|
artikel
|
| 2313 |
SIMONE MAYR AND HIS ‘L’AMOR CONIUGALE’
|
GARNER, MOSCO
|
|
1971
|
LII |
3 |
p. 239-258
|
artikel
|
| 2314 |
SIMONE MOLINARO'S LUTE-BOOK OF 1599
|
DART, THURSTON
|
|
1947
|
LII |
3 |
p. 258-261
|
artikel
|
| 2315 |
SIMPLICITY versus RESTRAINT IN MUSIC
|
MACKENZIE, MALCOLM
|
|
1924
|
LII |
3 |
p. 270-271
|
artikel
|
| 2316 |
SINGING IN LATIN
|
COULTHARD, F.
|
|
1951
|
LII |
3 |
p. 303-a-303
|
artikel
|
| 2317 |
SINGING IN LATIN
|
JAGGARD, GEOFFREY
|
|
1951
|
LII |
3 |
p. 302-b-303
|
artikel
|
| 2318 |
SINGING IN LATIN
|
SCARFE, H. GRANT
|
|
1951
|
LII |
3 |
p. 303-b-303
|
artikel
|
| 2319 |
SIR HENRY FANSHAWE AND TWO SETS OF EARLY SEVENTEENTH-CENTURY PART-BOOKS AT CHRIST CHURCH, OXFORD
|
APLIN, JOHN
|
|
1976
|
LII |
3 |
p. 343-b-344
|
artikel
|
| 2320 |
SIR MICHAEL HICKES (1543–1612): A STUDY IN MUSICAL PATRONAGE
|
HULSE, LYNN
|
|
1985
|
LII |
3 |
p. 220-227
|
artikel
|
| 2321 |
SIR THOMAS WYATT'S SONGS
|
MUMFORD, IVY L.
|
|
1958
|
LII |
3 |
p. 262-264
|
artikel
|
| 2322 |
SOLO CANTATAS
|
J. A. W.,
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|
1970
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LII |
3 |
p. 345-345
|
artikel
|
| 2323 |
SOLO SONGS
|
I. K.,
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|
1968
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LII |
3 |
p. 301-c-302
|
artikel
|
| 2324 |
SOLO SONGS
|
I. K.,
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|
1968
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LII |
3 |
p. 302-a-302
|
artikel
|
| 2325 |
SOLO SONGS
|
J. A. W.,
|
|
1964
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LII |
3 |
p. 306-307
|
artikel
|
| 2326 |
SOLO SONGS
|
A. H.,
|
|
1962
|
LII |
3 |
p. 290-b-292
|
artikel
|
| 2327 |
SOLO SONGS
|
N. C.,
|
|
1972
|
LII |
3 |
p. 349-350
|
artikel
|
| 2328 |
SOLO SONGS
|
T. H.,
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|
1973
|
LII |
3 |
p. 380-381
|
artikel
|
| 2329 |
SOLO SONGS
|
EDITOR,
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|
1974
|
LII |
3 |
p. 376-a-376
|
artikel
|
| 2330 |
SOLO SONGS
|
I. K.,
|
|
1961
|
LII |
3 |
p. 294-b-294
|
artikel
|
| 2331 |
SOLO SONGS AND DUETS
|
E. R.,
|
|
1963
|
LII |
3 |
p. 312-b-313
|
artikel
|
| 2332 |
SOME ASPECTS OF THE ARIA
|
GODEFROY, J. V. L.
|
|
1936
|
LII |
3 |
p. 200-209
|
artikel
|
| 2333 |
SOME DEVELOPMENTS IN EARLY KEYBOARD STUDIES
|
WILLIAMS, PETER
|
|
1971
|
LII |
3 |
p. 272-286
|
artikel
|
| 2334 |
SOME EXOTIC ELEMENTS OF PLAINSONG
|
WELLESZ, EGON
|
|
1923
|
LII |
3 |
p. 275-281
|
artikel
|
| 2335 |
SOME MODERN TENDENCIES IN NOTATION
|
COLE, HUGO
|
|
1952
|
LII |
3 |
p. 243-249
|
artikel
|
| 2336 |
SOME NEW BEETHOVEN LETTERS
|
SCHOFIELD, B.
|
|
1939
|
LII |
3 |
p. 235-241
|
artikel
|
| 2337 |
SOME NOTES ON MAURICE RAVEL'S BALLET “DAPHNIS ET CHLOE”—I
|
GODDARD, SCOTT
|
|
1926
|
LII |
3 |
p. 209-220
|
artikel
|
| 2338 |
SOME NOTES ON THE EARLY FIFTEENTH-CENTURY CONTRATENOR
|
HUGHES, ANDREW
|
|
1969
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LII |
3 |
p. 376-387
|
artikel
|
| 2339 |
SOME NOTES ON THE SONGS OF PETER WARLOCK
|
COCKSHOTT, GERALD
|
|
1940
|
LII |
3 |
p. 246-258
|
artikel
|
| 2340 |
SOME OBSERVATIONS ON BIRD MUSIC
|
MARSDEN, W. MURRAY
|
|
1927
|
LII |
3 |
p. 339-344
|
artikel
|
| 2341 |
SOME OLD-FASHIONED MUSIC
|
LOCKWOOD, ELISABETH M.
|
|
1931
|
LII |
3 |
p. 262-270
|
artikel
|
| 2342 |
SOME REFLECTION UPON NOTATION AND PROPORTION IN MONTEVERDI'S MASS AND VESPERS
OF 1610
|
BOWERS, ROGER
|
|
1992
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LII |
3 |
p. 347-398
|
artikel
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| 2343 |
SOME STRAY NOTES ON MOZART
|
LOEWENBERG, ALFRED
|
|
1942
|
LII |
3 |
p. 255-256
|
artikel
|
| 2344 |
SOME STRAY NOTES ON MOZART
|
LOEWENBERG, ALFRED
|
|
1943
|
LII |
3 |
p. 164-168
|
artikel
|
| 2345 |
SOME THOUGHTS ON OPERA LIBRETTO
|
CHILD, HAROLD
|
|
1921
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LII |
3 |
p. 244-253
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artikel
|
| 2346 |
SONGS FROM THE VIENNESE POPULAR THEATRE
|
BRANSCOMBE, PETER
|
|
1978
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LII |
3 |
p. 377-379
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artikel
|
| 2347 |
SONG-TRANSLATION
|
STRANGWAYS, A. H. FOX
|
|
1921
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LII |
3 |
p. 211-224
|
artikel
|
| 2348 |
SONG-TRANSLATIONS
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|
|
1921
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LII |
3 |
p. 190-210
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artikel
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| 2349 |
SONG TRANSLATIONS
|
F. S. W.,
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1922
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LII |
3 |
p. 301-309
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artikel
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| 2350 |
SPONTINI CATALOGUE
|
MINGO, FRANCO
|
|
1985
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LII |
3 |
p. 307-b-307
|
artikel
|
| 2351 |
‘SÜSSERTÖNENDES KLAVIER’: TRIBUTES TO THE EARLY PIANO IN POETRY AND SONG
|
SMEED, J. W.
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|
1985
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LII |
3 |
p. 228-240
|
artikel
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| 2352 |
STANLEY ROBERT MARCHANT (1883–1949) ERNEST WALKER (1870–1949)
|
WESTRUP, J. A
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|
1949
|
LII |
3 |
p. 201-203
|
artikel
|
| 2353 |
STANLEY, SMITH AND ‘TERAMINTA’
|
WILLIAMS, A. GLYN
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|
1979
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LII |
3 |
p. 312-315
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artikel
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| 2354 |
STATIONERS' HALL REGISTRY
|
MOON, J. R.
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1976
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3 |
p. 344-a-344
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artikel
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| 2355 |
ST. EDWARD THE CONFESSOR
|
ANDERSON, GORDON A.
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1970
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LII |
3 |
p. 350-a-350
|
artikel
|
| 2356 |
STEFAN ZWEIG AS LIBRETTIST AND RICHARD STRAUSS—I
|
MATHIS, ALFRED
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|
1944
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LII |
3 |
p. 163-176
|
artikel
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| 2357 |
STENDHAL AND MOZART
|
HARTHAN, JOHN P.
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|
1946
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LII |
3 |
p. 174-179
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artikel
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| 2358 |
STIMULUS AND FORM IN BRITTEN'S WORK
|
BROWN, DAVID
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|
1958
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LII |
3 |
p. 218-226
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artikel
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| 2359 |
STRAUSS AND SOME CLASSICAL SYMPHONIES
|
WURMSER, LEO
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1964
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LII |
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p. 233-238
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artikel
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| 2360 |
STRAVINSKY AND THE ‘NRF’ (1910–20)
|
BANCROFT, DAVID
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|
1972
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LII |
3 |
p. 274-283
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artikel
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| 2361 |
STRAVINSKY AND THE ‘NRF’ (1920–29)
|
BANCROFT, DAVID
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1974
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LII |
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p. 261-271
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| 2362 |
STRAVINSKY'S DEVELOPMENT: A JUNGIAN APPROACH
|
MIDDLETON, RICHARD
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|
1973
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LII |
3 |
p. 289-301
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artikel
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| 2363 |
STRING CHAMBER MUSIC
|
WATSON, J. ARTHUR
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|
1929
|
LII |
3 |
p. 292-298
|
artikel
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| 2364 |
‘STUDIEN ZUR GESCHICHTE DES MILITARMARSCHES’
|
HOFER, ACHIM
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1990
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LII |
3 |
p. 476-477
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‘SVMER IS ICUMEN IN’
|
WIBBERLEY, ROGER
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1984
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LII |
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p. 322-323
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| 2366 |
SYMBOLIC—CLASSIC—ROMANTIC
|
STRANGWAYS, A. H. FOX
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|
1938
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LII |
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p. 251-254
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| 2367 |
TALES FROM THE VIENNA BACKWOODS
|
WEISS, PIERO
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1963
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LII |
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p. 315-a-315
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| 2368 |
TCHAIKOVSKY AND TOLSTOY
|
GARDEN, EDWARD
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|
1974
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LII |
3 |
p. 307-316
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artikel
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| 2369 |
‘TCHAIKOVSKY'S MUSICAL STYLE’
|
ZAJACZKOWSKI, HENRY
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|
1990
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LII |
3 |
p. 474-476
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artikel
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| 2370 |
TEMPO VARIATION: WITH EXAMPLES FROM ELGAR
|
TURNER, E. O.
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|
1938
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LII |
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p. 308-323
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artikel
|
| 2371 |
THE ABADE ANTONIO DA COSTA
|
LIVERMORE, ANN
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|
1945
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LII |
3 |
p. 162-171
|
artikel
|
| 2372 |
THE ARTIST AND HIS FELLOWS
|
MASON, DANIEL GREGORY
|
|
1926
|
LII |
3 |
p. 246-257
|
artikel
|
| 2373 |
THEATRE MUSIC
|
F. W. S.,
|
|
1960
|
LII |
3 |
p. 300-303
|
artikel
|
| 2374 |
THE AUTOGRAPHS AND EARLY COPIES OF ‘MESSIAH’: SOME FURTHER THOUGHTS
|
BURROWS, DONALD
|
|
1985
|
LII |
3 |
p. 201-218
|
artikel
|
| 2375 |
THE BACKGROUND OF SEA SHANTIES
|
WHATES, HAROLD
|
|
1937
|
LII |
3 |
p. 259-264
|
artikel
|
| 2376 |
THE BI-CENTENARY OF ‘RULE BRITANNIA’
|
DIBDIN, EDWARD RIMBAULT
|
|
1940
|
LII |
3 |
p. 275-290
|
artikel
|
| 2377 |
THE CANTATAS OF JOHN STANLEY (1713–86)
|
FROST, TONY
|
|
1972
|
LII |
3 |
p. 284-292
|
artikel
|
| 2378 |
THE ‘CANTIONES SACRAE’ OF HEINRICH SCHÜTZ RE–EXAMINED
|
BRAY, ROGER
|
|
1971
|
LII |
3 |
p. 299-305
|
artikel
|
| 2379 |
THE CARL PHILIPP EMANUEL BACH EDITION
|
WADE, RACHEL W.
|
|
1992
|
LII |
3 |
p. 510-510
|
artikel
|
| 2380 |
THE CHORAL WRITING IN THE MISSA SOLENNIS
|
WHITTAKER, W. G.
|
|
1927
|
LII |
3 |
p. 295-305
|
artikel
|
| 2381 |
”THE CLASSICAL PERFECTION OF CHOPIN“
|
WHITE, TERENCE
|
|
1943
|
LII |
3 |
p. 169-171
|
artikel
|
| 2382 |
THE CONCERT
|
HEWETT, R. P.
|
|
1946
|
LII |
3 |
p. 131-134
|
artikel
|
| 2383 |
‘THE CONSUL’
|
BENJAMIN, ARTHUR
|
|
1951
|
LII |
3 |
p. 247-251
|
artikel
|
| 2384 |
THE CRAFTSMANSHIP OF BACH'S CHORAL MUSIC
|
DICKINSON, A. E. F.
|
|
1939
|
LII |
3 |
p. 266-277
|
artikel
|
| 2385 |
THE DARTMOUTH MAGNIFICAT
|
DART, THURSTON
|
|
1958
|
LII |
3 |
p. 209-217
|
artikel
|
| 2386 |
THE DATE AND PROVENANCE OF THE FORREST-HEYTHER COLLECTION OF TUDOR MASSES
|
BERGSAGEL, JOHN D.
|
|
1963
|
LII |
3 |
p. 240-248
|
artikel
|
| 2387 |
THE DATE OF DEATH OF PIERRE DE MANCHICOURT
|
DART, THURSTON
|
|
1964
|
LII |
3 |
p. 310-b-311
|
artikel
|
| 2388 |
THE DEAD PAST
|
HOWES, FRANK
|
|
1941
|
LII |
3 |
p. 252-260
|
artikel
|
| 2389 |
THE ‘DIALOGO DELLA MUSICA’ OF MESSER ANTONIO FRANCESCO DONI
|
EINSTEIN, ALFRED
|
|
1934
|
LII |
3 |
p. 244-253
|
artikel
|
| 2390 |
THE EAGER HEART
|
R. C.,
|
|
1949
|
LII |
3 |
p. 230-230
|
artikel
|
| 2391 |
THE EARLY CYCLIC MASS AS AN EXPRESSION OF ROYAL AND PAPAL SUPREMACY
|
CHEW, GEOFFREY
|
|
1972
|
LII |
3 |
p. 254-269
|
artikel
|
| 2392 |
THE ENGLISH-ITALIAN OPERA COMPANIES 1732–3
|
LORD, PHILLIP
|
|
1964
|
LII |
3 |
p. 239-251
|
artikel
|
| 2393 |
THE FIRST ENGLISH ‘BASSO CONTINUO’ PUBLICATION
|
PIKE, LIONEL
|
|
1973
|
LII |
3 |
p. 326-334
|
artikel
|
| 2394 |
THE FIRST MOTET WITH ENGLISH WORDS
|
BUKOFZER, MANFRED
|
|
1936
|
LII |
3 |
p. 225-233
|
artikel
|
| 2395 |
THE FOA AND GIORDANO COLLECTIONS, TURIN
|
TALBOT, MICHAEL
|
|
1990
|
LII |
3 |
p. 473-a-473
|
artikel
|
| 2396 |
THE FOLK MUSIC OF PORTUGAL I
|
GALLOP, RODNEY
|
|
1933
|
LII |
3 |
p. 222-230
|
artikel
|
| 2397 |
THE FUNDAMENTAL QUALITIES OF FOLK MUSIC
|
MARK, JEFFREY
|
|
1929
|
LII |
3 |
p. 287-291
|
artikel
|
| 2398 |
THE ‘GROSSE FUGE’: AN ANALYSIS
|
GREW, SYDNEY
|
|
1931
|
LII |
3 |
p. 253-261
|
artikel
|
| 2399 |
THE GROUND-BASS IN THE ENGLISH COURT ODE
|
MCGUINNESS, ROSAMOND
|
|
1970
|
LII |
3 |
p. 265-278
|
artikel
|
| 2400 |
THE HABSBURG EMPERORS AS MUSICIANS
|
SOMERSET, H. V. F.
|
|
1949
|
LII |
3 |
p. 204-215
|
artikel
|
| 2401 |
THE HALF-HEARING HABIT
|
BELL, ROBERT
|
|
1939
|
LII |
3 |
p. 304-308
|
artikel
|
| 2402 |
THE HANDEL PORTRAIT AT ST. GILES
|
MATTHEWS, BETTY
|
|
1963
|
LII |
3 |
p. 316-b-317
|
artikel
|
| 2403 |
THE HARPSICHORD
|
CHAPLIN, NELLIE
|
|
1922
|
LII |
3 |
p. 269-273
|
artikel
|
| 2404 |
THE HISTORY OF ‘BERTHE’—A COMEDY OF ERRORS
|
CARROLL, CHARLES MICHAEL
|
|
1963
|
LII |
3 |
p. 228-239
|
artikel
|
| 2405 |
THE IDENTITY OF WILLIAM GREGORY
|
RILEY, JAMES
|
|
1967
|
LII |
3 |
p. 236-246
|
artikel
|
| 2406 |
THE IDIOM AND DEVELOPMENT IN SCHOENBERG'S QUARTETS
|
GRADENWITZ, PETER
|
|
1945
|
LII |
3 |
p. 123-142
|
artikel
|
| 2407 |
THE INFLUENCE OF BERLIOZ ON RICHARD WAGNER
|
ABRAHAM, GERALD E. H.
|
|
1924
|
LII |
3 |
p. 239-246
|
artikel
|
| 2408 |
THE INFLUENCE OF FRENCH CLASSICAL DRAMA ON MOZART'S ‘LA CLEMENZA DI TITO’
|
MOBERLY, R. B.
|
|
1974
|
LII |
3 |
p. 286-298
|
artikel
|
| 2409 |
THE INFLUENCE OF MUSIC IN THE WORKS OF JOHN MARSTON
|
O'NEILL, DAVID G.
|
|
1972
|
LII |
3 |
p. 293-308
|
artikel
|
| 2410 |
THE INSTRUMENTAL SONATAS OF THE LOEILLETS
|
SKEMPTON, ALEC
|
|
1962
|
LII |
3 |
p. 206-217
|
artikel
|
| 2411 |
THE INTERPRETATION OF PLAINCHANT
|
WELLESZ, EGON
|
|
1964
|
LII |
3 |
p. 310-a-310
|
artikel
|
| 2412 |
THE INTROSPECTIVE LISTENER
|
MEDLEY, ANNE
|
|
1943
|
LII |
3 |
p. 171-177
|
artikel
|
| 2413 |
THE JOY OF PACE IN MUSIC
|
NEWMAN, ERNEST
|
|
1922
|
LII |
3 |
p. 255-259
|
artikel
|
| 2414 |
THE KEYBOARD SUITE IN ENGLAND BEFORE THE RESTORATION
|
COOPER, B. A. R.
|
|
1972
|
LII |
3 |
p. 309-319
|
artikel
|
| 2415 |
‘THE LOST TRADITION’
|
ROTHSCHILD, FRITZ
|
|
1954
|
LII |
3 |
p. 272-276
|
artikel
|
| 2416 |
THE ‘MAGIC FLUTE’ OF PETER WINTER
|
LEAVIS, RALPH
|
|
1934
|
LII |
3 |
p. 323-324
|
artikel
|
| 2417 |
THE ‘MAVRAS’ OF PUSHKIN, KOCHNO AND STRAVINSKY
|
CAMPBELL, STUART
|
|
1977
|
LII |
3 |
p. 304-317
|
artikel
|
| 2418 |
THE MEANING OF BEETHOVEN
|
WOOD, RALPH W.
|
|
1934
|
LII |
3 |
p. 209-221
|
artikel
|
| 2419 |
THE MINOR COMPOSERS
|
BLOM, ERIC
|
|
1927
|
LII |
3 |
p. 306-316
|
artikel
|
| 2420 |
THE MONTEVERDIAN SUCCESSION AT ST. MARK'S
|
ARNOLD, DENIS
|
|
1961
|
LII |
3 |
p. 205-211
|
artikel
|
| 2421 |
THE MUSICAL COMPETITION FESTIVAL: PROGRESS AND PROBLEMS
|
GRACE, HARVEY
|
|
1930
|
LII |
3 |
p. 267-276
|
artikel
|
| 2422 |
THE MUSICAL FORM OF THE MADRIGAL
|
DENT, EDWARD J.
|
|
1930
|
LII |
3 |
p. 230-240
|
artikel
|
| 2423 |
THE MUSICAL PRESS
|
GATTY, NICHOLAS
|
|
1930
|
LII |
3 |
p. 255-256
|
artikel
|
| 2424 |
THE MUSICAL PRESS
|
HOLLAND, DOROTHY M.
|
|
1930
|
LII |
3 |
p. 256-257
|
artikel
|
| 2425 |
THE MUSICAL PRESS
|
|
|
1930
|
LII |
3 |
p. 263-266
|
artikel
|
| 2426 |
THE MUSICAL PRESS
|
FACHIRI, ADILA
|
|
1930
|
LII |
3 |
p. 257-263
|
artikel
|
| 2427 |
THE MUSICAL RECEPTIVITY OF THE MAN IN THE STREET
|
SABANEEV, LEONID
|
|
1928
|
LII |
3 |
p. 226-239
|
artikel
|
| 2428 |
THE MUSIC FOR UNACCOMPANIED BASS VIOL
|
HUGHES, CHARLES W.
|
|
1944
|
LII |
3 |
p. 149-163
|
artikel
|
| 2429 |
THE MUSIC OF CONSTANT LAMBERT
|
MCGRADY, RICHARD
|
|
1970
|
LII |
3 |
p. 242-258
|
artikel
|
| 2430 |
THE NATIONAL ELEMENT IN EARLY RUSSIAN OPERA, 1779–1800
|
SEAMAN, GERALD
|
|
1961
|
LII |
3 |
p. 252-262
|
artikel
|
| 2431 |
THE NEW BERLIOZ EDITION
|
|
|
1965
|
LII |
3 |
p. 290-291
|
artikel
|
| 2432 |
THE NEW HAYDN EDITION
|
REDLICH, H. F.
|
|
1950
|
LII |
3 |
p. 220-225
|
artikel
|
| 2433 |
THE NOMENCLATURE OF OPERA–I
|
DENT, EDWARD J.
|
|
1944
|
LII |
3 |
p. 132-140
|
artikel
|
| 2434 |
THE PERFORMANCE OF GIOVANNI GABRIELI'S VOCAL WORKS: INDICATIONS IN THE EARLY SOURCES
|
CHARTERIS, RICHARD
|
|
1990
|
LII |
3 |
p. 336-351
|
artikel
|
| 2435 |
THE PHILOSOPHER AND THE ARTIST
|
HOWES, FRANK
|
|
1930
|
LII |
3 |
p. 241-254
|
artikel
|
| 2436 |
THE PLAYER-PIANO
|
GREW, SYDNEY
|
|
1925
|
LII |
3 |
p. 236-247
|
artikel
|
| 2437 |
THE PRINCE REGENT'S BAND
|
CARSE, ADAM
|
|
1946
|
LII |
3 |
p. 147-155
|
artikel
|
| 2438 |
THE PROBLEM OF BUSONI
|
MELLERS, W. H.
|
|
1937
|
LII |
3 |
p. 240-247
|
artikel
|
| 2439 |
THE PROBLEM OF ‘TERAMINTA’
|
SANDS, MOLLIE
|
|
1952
|
LII |
3 |
p. 217-222
|
artikel
|
| 2440 |
THE PUBLIC SCHOOL, AND BEFORE IT
|
SOMERVELL, ARTHUR
|
|
1922
|
LII |
3 |
p. 279-286
|
artikel
|
| 2441 |
THE RALTON TRAMBOON
|
WEEKS, WILLIAM
|
|
1922
|
LII |
3 |
p. 294-300
|
artikel
|
| 2442 |
THERAPEUTIC QUALITIES OF MUSIC
|
GARDNER, B. BELLAMY
|
|
1944
|
LII |
3 |
p. 181-186
|
artikel
|
| 2443 |
THE RECITATIVES OF THE ST. MATTHEW PASSION
|
WILSON, STEUART
|
|
1935
|
LII |
3 |
p. 208-225
|
artikel
|
| 2444 |
THE RECOGNITION OF THE SUBLIME
|
BENNETT, VICTOR
|
|
1955
|
LII |
3 |
p. 259-265
|
artikel
|
| 2445 |
THE REHABILITATION OF METASTASIO
|
MONELLE, RAYMOND
|
|
1976
|
LII |
3 |
p. 268-291
|
artikel
|
| 2446 |
THE RELATION BETWEEN SOUND AND COLOUR
|
SABANEEV, LEONID
|
|
1929
|
LII |
3 |
p. 266-277
|
artikel
|
| 2447 |
THE RIDDLE OF THE VOICE
|
KELSEY, FRANKLYN
|
|
1948
|
LII |
3 |
p. 238-248
|
artikel
|
| 2448 |
THE ROLE OF MUSIC IN LITURGICAL DRAMA: A REVALUATION
|
WALLACE, ROBIN
|
|
1984
|
LII |
3 |
p. 219-228
|
artikel
|
| 2449 |
THE ROYAL SOCIETY OF MUSICIANS IN THE EIGHTEENTH CENTURY
|
DRUMMOND, PIPPA
|
|
1978
|
LII |
3 |
p. 268-289
|
artikel
|
| 2450 |
THE SENSATION OF LOUDNESS
|
LLOYD, LL. S.
|
|
1953
|
LII |
3 |
p. 243-250
|
artikel
|
| 2451 |
THE SHAKESPEARE BERLIOZ SAW
|
ELLIOTT, JOHN R. JR.
|
|
1976
|
LII |
3 |
p. 292-308
|
artikel
|
| 2452 |
THE SIXTH SYMPHONY OF SIBELIUS
|
ELLIOT, J. H.
|
|
1936
|
LII |
3 |
p. 234-236
|
artikel
|
| 2453 |
THE SONG OF THE BLACKBIRD
|
WOOD, GLADYS PAGE
|
|
1927
|
LII |
3 |
p. 345-349
|
artikel
|
| 2454 |
THE SOURCES OF ‘ALEXANDER'S FEAST'
|
COOPER, BARRY
|
|
1984
|
LII |
3 |
p. 324-a-324
|
artikel
|
| 2455 |
THE SOURCES OF BEETHOVEN'S FIFTH SYMPHONY
|
CARSE, ADAM
|
|
1948
|
LII |
3 |
p. 249-262
|
artikel
|
| 2456 |
THE SOUTHWELL MINSTER TENOR PART-BOOK IN THE LIBRARY OF ST. MICHAEL'S COLLEGE, TENBURY (MS. 1382)
|
MOREHEN, JOHN
|
|
1969
|
LII |
3 |
p. 352-364
|
artikel
|
| 2457 |
THE SPANISH DRAMATISTS AND THEIR USE OF MUSIC
|
LIVERMORE, ANN
|
|
1944
|
LII |
3 |
p. 140-149
|
artikel
|
| 2458 |
THE SPIRIT OF MUSIC
|
WILSON, KATHARINE M.
|
|
1929
|
LII |
3 |
p. 222-226
|
artikel
|
| 2459 |
THE SPURIOUS ‘BACH’ ‘LUCASPASSION’
|
TERRY, C. SANFORD
|
|
1933
|
LII |
3 |
p. 207-221
|
artikel
|
| 2460 |
THE STRIKE-NOTES OF CHURCH BELLS
|
LLOYD, LL. S.
|
|
1954
|
LII |
3 |
p. 227-232
|
artikel
|
| 2461 |
THE STUDIES OF J. B. CRAMER AND HIS PREDECESSORS
|
BROCKLEHURST, J. BRIAN
|
|
1958
|
LII |
3 |
p. 256-261
|
artikel
|
| 2462 |
THE STYLES AND CHRONOLOGY OF THOMAS MORLEY'S MOTETS
|
BROWN, DAVID
|
|
1960
|
LII |
3 |
p. 216-222
|
artikel
|
| 2463 |
THE SUBSCRIBERS TO MOZART'S PRIVATE CONCERTS
|
DEUTSCH, OTTO ERICH
|
|
1941
|
LII |
3 |
p. 225-234
|
artikel
|
| 2464 |
THE SYMBOLISTS AND DEBUSSY
|
PHILLIPS, C. HENRY
|
|
1932
|
LII |
3 |
p. 298-311
|
artikel
|
| 2465 |
THE TAIHEG, THE PIRA AND OTHER CURIOSITIES OF BENEDETTO VINACCESI'S ‘SUONATE DA CAMERA A TRE’, OP. 1
|
TALBOT, MICHAEL
|
|
1994
|
LII |
3 |
p. 344-364
|
artikel
|
| 2466 |
THE TEXT OF BEETHOVEN'S LETTERS
|
ANDERSON, EMILY
|
|
1953
|
LII |
3 |
p. 212-223
|
artikel
|
| 2467 |
THE TEXTURE OF MODERN MUSIC.—II
|
DYSON, GEORGE
|
|
1923
|
LII |
3 |
p. 203-218
|
artikel
|
| 2468 |
THE THEORETICIAN
|
SCHOLES, PERCY A.
|
|
1945
|
LII |
3 |
p. 184-a-184
|
artikel
|
| 2469 |
THE TONALITY OF ENGLISH AND GAELIC FOLKSONG
|
REICHENBACH, HERMAN
|
|
1938
|
LII |
3 |
p. 268-279
|
artikel
|
| 2470 |
THE TRAGEDY OF MEYERBEER—1791–1864
|
SMITH, A. E. BRENT
|
|
1925
|
LII |
3 |
p. 248-255
|
artikel
|
| 2471 |
THE TRULY MODERN IN MUSIC
|
BLOM, ERIC
|
|
1923
|
LII |
3 |
p. 231-235
|
artikel
|
| 2472 |
THE TWO ENDINGS OF FAURE'S ‘SOIR’
|
ORLEDGE, ROBERT
|
|
1979
|
LII |
3 |
p. 316-322
|
artikel
|
| 2473 |
THE UNKNOWN MUSSORGSKY
|
CALVOCORESSI, M.-D.
|
|
1922
|
LII |
3 |
p. 237-244
|
artikel
|
| 2474 |
THE VENETIAN ‘FIGLIE DEL CORO’
|
CONSTABLE, M. V.
|
|
1984
|
LII |
3 |
p. 324-b-324
|
artikel
|
| 2475 |
THE ‘VERISMO’ OF RUGGERO LEONCAVALLO: A SOURCE STUDY OF ‘PAGLIACCI’
|
SANSONE, MATTEO
|
|
1989
|
LII |
3 |
p. 342-362
|
artikel
|
| 2476 |
THE VIENNA HOFOPER
|
KLEIN, HERMAN
|
|
1933
|
LII |
3 |
p. 239-246
|
artikel
|
| 2477 |
THE VIENNESE KEYBOARD TRIO IN THE 1780s: SOCIOLOGICAL BACKGROUND AND CONTEMPORARY RECEPTION
|
KOMLÓS, KATALIN
|
|
1987
|
LII |
3 |
p. 222-234
|
artikel
|
| 2478 |
THE VIOLIN MUSIC OF HANDEL AND BACH
|
SCOTT, MARION M.
|
|
1935
|
LII |
3 |
p. 188-199
|
artikel
|
| 2479 |
THE WESTRUP PRIZE
|
|
|
1992
|
LII |
3 |
p. 508-508
|
artikel
|
| 2480 |
THE WESTRUP PRIZE
|
|
|
1994
|
LII |
3 |
p. 501a-501
|
artikel
|
| 2481 |
THE WESTRUP PRIZE
|
|
|
1991
|
LII |
3 |
p. 515-a-515
|
artikel
|
| 2482 |
THE WESTRUP PRIZE
|
|
|
1995
|
LII |
3 |
p. 483-a-483
|
artikel
|
| 2483 |
THE WORKMANSHIP OF BACH
|
SMITH, ALEXANDER BRENT
|
|
1922
|
LII |
3 |
p. 229-236
|
artikel
|
| 2484 |
THE WORLD'S SWEET INN
|
SMITH, A. E. BRENT
|
|
1929
|
LII |
3 |
p. 227-234
|
artikel
|
| 2485 |
THE WRITINGS OF ERIK SATIE
|
|
|
1976
|
LII |
3 |
p. 344-b-344
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artikel
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| 2486 |
THIS PALE SPRING
|
GODLEY, ELIZABETH
|
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1954
|
LII |
3 |
p. 219-219
|
artikel
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| 2487 |
THOMAS ROSEINGRAVE
|
BUTCHER, VERNON
|
|
1938
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LII |
3 |
p. 280-294
|
artikel
|
| 2488 |
THOMAS TOMKINS'S CANONIC ADDITIONS TO THOMAS MORLEY'S ‘A PLAINE AND EASIE INTRODUCTION TO PRACTICALL MUSICKE’
|
COLLINS, DENIS
|
|
1995
|
LII |
3 |
p. 345-355
|
artikel
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| 2489 |
THURSTON DART
|
LEWIS, ANTHONY
|
|
1971
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LII |
3 |
p. 236-238
|
artikel
|
| 2490 |
TIPPETT IN AND OUT OF ‘THOSE TWENTIETH CENTURY BLUES’: THE CONTEXT AND SIGNIFICANCE OF AN AUTOBIOGRAPHY
|
CLARKE, DAVID
|
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1993
|
LII |
3 |
p. 399-411
|
artikel
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| 2491 |
TO A PIANIST
|
FORSYTH, CECIL
|
|
1924
|
LII |
3 |
p. 285-285
|
artikel
|
| 2492 |
TO BIND OR NOT TO BIND
|
|
|
1963
|
LII |
3 |
p. 314-b-314
|
artikel
|
| 2493 |
TO BIND OR NOT TO BIND
|
STEVENS, DENIS
|
|
1963
|
LII |
3 |
p. 314-a-314
|
artikel
|
| 2494 |
TOMKINS AND FARNABY
|
NEWMAN, JOEL
|
|
1960
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LII |
3 |
p. 305-b-306
|
artikel
|
| 2495 |
TONAL ORGANIZATION IN ‘BUFFO’ FINALES AND THE ACT II FINALE OF ‘LE NOZZE DI FIGARO’
|
PLATOFF, JOHN
|
|
1991
|
LII |
3 |
p. 387-403
|
artikel
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| 2496 |
TOPICALITY AND THE UNIVERSAL: THE STRANGE CASE OF WEILL'S ‘DIE BÜRGSCHAFT’
|
DREW, DAVID
|
|
1958
|
LII |
3 |
p. 242-255
|
artikel
|
| 2497 |
TOSCANINI AND CATALANI—A UNIQUE FRIENDSHIP
|
KLEIN, JOHN W.
|
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1967
|
LII |
3 |
p. 213-228
|
artikel
|
| 2498 |
To the Editor of MUSIC AND LETTERS
|
MORGAN-BROWNE, H. P.
|
|
1927
|
LII |
3 |
p. 367-367
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artikel
|
| 2499 |
To the Editor of MUSIC AND LETTERS
|
FORSYTH, CECIL
|
|
1927
|
LII |
3 |
p. 366b-367
|
artikel
|
| 2500 |
To the Editor of MUSIC AND LETTERS
|
TOVEY, DONALD FRANCIS
|
|
1927
|
LII |
3 |
p. 366-a-366
|
artikel
|
| 2501 |
To the Editor of ‘Music & Letters’
|
NELSON, MALCOLM A.
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1968
|
LII |
3 |
p. 304-a-304
|
artikel
|
| 2502 |
To the Editors of ‘Music & Letters’
|
SOLOMON, JON
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|
1984
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LII |
3 |
p. 321-322
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artikel
|
| 2503 |
TREGIAN'S ANTHOLOGY
|
SCHOFIELD, BERTRAM
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1951
|
LII |
3 |
p. 205-216
|
artikel
|
| 2504 |
TROUBADOUR SONGS
|
SMYTHE, BARBARA
|
|
1921
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LII |
3 |
p. 263-273
|
artikel
|
| 2505 |
TRUMPET AND ORCHESTRA
|
BEECHEY, GWILYM
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1974
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3 |
p. 376-b-377
|
artikel
|
| 2506 |
TRUMPET AND PIANO
|
E. R.,
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1962
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LII |
3 |
p. 292-292
|
artikel
|
| 2507 |
‘TWENTIETH-CENTURY MUSIC’
|
MYERS, ROLLO
|
|
1969
|
LII |
3 |
p. 428-a-428
|
artikel
|
| 2508 |
TWO CLARINETS AND ORCHESTRA
|
J. A. C.,
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1970
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3 |
p. 337-338
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artikel
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| 2509 |
TWO CRITIQUES
|
SABANEEV, LEONID
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1927
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3 |
p. 322-328
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| 2510 |
TWO CRITIQUES
|
SABANEEV, LEONID
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1927
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3 |
p. 328-334
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artikel
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| 2511 |
TWO NEW FRENCH OPERAS
|
HANDMAN, DOREL
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1955
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3 |
p. 266-268
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| 2512 |
TWO PIANOS
|
J. A. C.,
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1968
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3 |
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TWO PIANOS
|
R. L.,
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1965
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LII |
3 |
p. 287-a-287
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| 2514 |
TWO PIANOS
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M. W.,
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1970
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3 |
p. 344-a-344
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TWO PIANOS
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P. F. W.,
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1973
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3 |
p. 379-a-379
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| 2516 |
TWO PIANOS
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E. R.,
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1962
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3 |
p. 290-a-290
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| 2517 |
TWO PIANOS AND ORCHESTRA
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M. W.,
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1970
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3 |
p. 344-b-345
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artikel
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| 2518 |
TWO PLEAS FOR A FRENCH, FRENCH, MUSIC
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BANCROFT, DAVID
|
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1967
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LII |
3 |
p. 251-258
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artikel
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| 2519 |
UNACCOMPANIED SONG
|
BEDFORD, HERBERT
|
|
1922
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LII |
3 |
p. 262-267
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artikel
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| 2520 |
UNIVERSITY STUDIES
|
KEYS, IVOR
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1953
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LII |
3 |
p. 274-275
|
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| 2521 |
UNKNOWN BIRTHDAYS OF SOME GEORGIAN MUSICIANS
|
FARMER, HENRY GEORGE
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|
1939
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LII |
3 |
p. 299-303
|
artikel
|
| 2522 |
VANGUARD MUSIC ON THE GRAMOPHONE
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SEARLE, HUMPHREY
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1957
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3 |
p. 265-270
|
artikel
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| 2523 |
VAUGHAN WILLIAMS'S EIGHTH SYMPHONY
|
OTTAWAY, HUGH
|
|
1957
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3 |
p. 213-225
|
artikel
|
| 2524 |
VENETIAN THEATRES: 1637–1700
|
WORSTHORNE, SIMON TOWNELEY
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|
1948
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3 |
p. 263-275
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artikel
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| 2525 |
VERDI'S OPERATIC CHORUSES
|
BROCKT, JOHANNES
|
|
1939
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LII |
3 |
p. 309-312
|
artikel
|
| 2526 |
VILLAGE MUSIC
|
WINDSOR, OWEN
|
|
1933
|
LII |
3 |
p. 258-259
|
artikel
|
| 2527 |
VINCENT NOVELLO'S AUTOGRAPH ALBUM: INVENTORY AND COMMENTARY
|
WESTON, PAMELA
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1994
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3 |
p. 365-380
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| 2528 |
VIOLA AND ORCHESTRA
|
R. L.,
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1965
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3 |
p. 287-c-288
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| 2529 |
VIOLIN AND CONTINUO
|
COCKSHOOT, JOHN
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|
1974
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LII |
3 |
p. 377-378
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artikel
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| 2530 |
VIOLIN AND HARPSICHORD
|
E. R.,
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1963
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LII |
3 |
p. 313-a-313
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| 2531 |
VIOLIN AND ORCHESTRA
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J. A. C.,
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1968
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3 |
p. 302-b-303
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| 2532 |
VIOLIN AND ORCHESTRA
|
E. T.,
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1968
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3 |
p. 303-303
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| 2533 |
VIOLIN AND ORCHESTRA
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I. K.,
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1965
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3 |
p. 288-a-288
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| 2534 |
VIOLIN AND PIANO
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E.P.,
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1967
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3 |
p. 307-a-307
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| 2535 |
VIOLIN AND PIANO
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E. R.,
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1964
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3 |
p. 307-b-308
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| 2536 |
VIOLIN AND PIANO
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E. R.,
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1963
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p. 313-b-313
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| 2537 |
VIOLIN SOLO
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E. R.,
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1964
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3 |
p. 307-a-307
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| 2538 |
VOCAL AND UNVOCAL
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BAIRSTOW, EDWARD G.
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1929
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p. 235-238
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| 2539 |
VOCAL AND UNVOCAL
|
DENT, EDWARD J.
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1929
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p. 239-242
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| 2540 |
VOCAL AND UNVOCAL
|
COLYEB, OWEN
|
|
1929
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3 |
p. 253-255
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| 2541 |
VOCAL DUETS
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D. W.,
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1967
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LII |
3 |
p. 307-b-307
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| 2542 |
VOCAL TRIOS
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T. H.,
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1973
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3 |
p. 381-381
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| 2543 |
VOGAL AND UNVOGAL
|
HAST, H. GREGORY
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1929
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LII |
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p. 250-253
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| 2544 |
VOGAL AND UNVOGAL
|
WALKER, ERNEST
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|
1929
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p. 242-246
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| 2545 |
VOGAL AND UNVOGAL
|
ENGLAND, PAUL
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|
1929
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p. 248-250
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| 2546 |
VOGAL AND UNVOGAL
|
WILSON, STEUART
|
|
1929
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p. 246-247
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artikel
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| 2547 |
WAGNER'S ATTITUDE TO ART
|
HIGHT, G. AINSLIE
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1923
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p. 236-245
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| 2548 |
WAGNER'S FATAL LEGACY
|
SMITH, A. E. BRENT
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1932
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p. 323-328
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| 2549 |
WALFORD DAVIES
|
COLLES, H. C.
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1941
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p. 199-207
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| 2550 |
WARLOCK AND DELIUS—A CATALOGUE
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COPLEY, I. A.
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1968
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WAS MONTEVERDI A TRAITOR?
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GLIXON, JONATHAN
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1991
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WEBER IN PARIS
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MACCORMACK, GILSON
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1928
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p. 240-248
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| 2553 |
WEBERN'S LATER CHAMBER MUSIC
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MASON, COLIN
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1957
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p. 232-237
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| 2554 |
WEELKES'S FATHER
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COLLINS, WALTER
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1964
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p. 313-313
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| 2555 |
WHAT IS SINGING?
|
KELSEY, FRANKLYN
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1949
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p. 216-230
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| 2556 |
WILLIAM BYRD (1543–1623)
|
WESTRUP, J. A.
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1943
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p. 125-130
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| 2557 |
WILLIAM HENRY HADOW
|
FOSS, HUBERT J.
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1937
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p. 236-238
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| 2558 |
WIND ENSEMBLE
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R. L.,
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1965
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p. 288-b-288
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| 2559 |
WIND ENSEMBLE
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P. A. E.,
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1962
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p. 294-a-294
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| 2560 |
WIND ENSEMBLE
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E. R.,
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1962
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p. 294-b-294
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| 2561 |
WIND ENSEMBLE
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HELLYER, ROGER
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1974
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p. 378-379
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| 2562 |
WIND QUINTET
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I. K.,
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1964
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p. 308-a-308
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| 2563 |
WIRELESS TECHNIQUE IN MUSIC
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RAVEN-HART, R.
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1930
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p. 283-288
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| 2564 |
WITH THE BELL-RINGERS
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GREW, EVA MARY
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1930
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p. 289-294
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| 2565 |
WOODWIND ENSEMBLE
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I. K.,
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1964
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p. 308-b-308
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| 2566 |
WORD-SETTING IN THE STROPHIC LIED
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MONELLE, RAYMOND
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1984
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p. 229-236
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| 2567 |
YORK MINSTER MS. M.16 (s) AND CAPTAIN PRENDCOURT
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TILMOUTH, MICHAEL
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1973
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p. 302-307
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