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Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
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283 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | ABSTRACT AND CONCRETE IMAGERY I |
GRAY, JAMES |
1954 |
X | 2 |
p. 198-206 |
artikel |
|
| 2 | ABSTRACT AND CONCRETE IMAGERY II |
BATESON, F. W. |
1954 |
X | 2 |
p. 206-211 |
artikel |
|
| 3 | ABSTRACT AND CONCRETE IMAGERY III |
GRAY, JAMES |
1954 |
X | 2 |
p. 211-212 |
artikel |
|
| 4 | Action and Soliloquy in Macbeth |
TOMLINSON, T. B. |
1958 |
X | 2 |
p. 147-155 |
artikel |
|
| 5 | Actresses, Statues and Speculation in Daniel Deronda |
MARSHALL, GAIL |
1994 |
X | 2 |
p. 117-139 |
artikel |
|
| 6 | A FAILURE OF NERVE |
WAIN, M. |
1957 |
X | 2 |
p. 193-195 |
artikel |
|
| 7 | ‘A FORM OF IMITATION WITHOUT A NAME’ |
WEST, PAUL |
1958 |
X | 2 |
p. 207-213 |
artikel |
|
| 8 | AGAINST HUMANISM |
LERNER, LAURENCE |
1990 |
X | 2 |
p. 156-164 |
artikel |
|
| 9 | AMERICAN MILTONISTS AND ENGLISH REVIEWERS |
KERMODE, FRANK |
1957 |
X | 2 |
p. 196-207 |
artikel |
|
| 10 | A MIDDLE ENGLISH CLASSIC |
WOOLF, ROSEMARY |
1961 |
X | 2 |
p. 210-212 |
artikel |
|
| 11 | AN EPILOGUE TO ‘THE PRELUDE’ |
MUIR, KENNETH |
1956 |
X | 2 |
p. 245-247 |
artikel |
|
| 12 | A New Interpretation of The Waste Land (1952) |
PETER, JOHN |
1968 |
X | 2 |
p. 140-175 |
artikel |
|
| 13 | AN IMPORTANT BOOK |
HOGGART, RICHARD |
1959 |
X | 2 |
p. 171-179 |
artikel |
|
| 14 | A NOTE ON MR. R-T G-S AND MR. J-N P-N |
BEAUMONT, ISABEL |
1957 |
X | 2 |
p. 229-229 |
artikel |
|
| 15 | Another New Poem by Wordsworth |
DAVIES, HUGH SYKES |
1965 |
X | 2 |
p. 135-161 |
artikel |
|
| 16 | ANTINOMIAN |
SMITH, NIGEL |
1994 |
X | 2 |
p. 147-155 |
artikel |
|
| 17 | A Philosopher Looks at Kafka |
WAISMANN, F. |
1953 |
X | 2 |
p. 177-190 |
artikel |
|
| 18 | A QUESTION OF STYLE |
LOGAN, STEPHEN |
1981 |
X | 2 |
p. 169-176 |
artikel |
|
| 19 | Argument: I.Dr.Zhivago's Poems |
BAYLEY, JOHN |
1966 |
X | 2 |
p. 212-219 |
artikel |
|
| 20 | ARS LONGA, VITA BREVIS |
MANZALAOUI, MAHMOUD |
1962 |
X | 2 |
p. 221-224 |
artikel |
|
| 21 | A TABLE OF GREEN FIELDS |
URE, PETER |
1957 |
X | 2 |
p. 223-224 |
artikel |
|
| 22 | A TABLE OF GREEN FIELDS |
BATESON, F. W. |
1957 |
X | 2 |
p. 225-226 |
artikel |
|
| 23 | A TABLE OF GREEN FIELDS |
HULME, HILDA M. |
1957 |
X | 2 |
p. 222-223 |
artikel |
|
| 24 | ‘BARE RUINED CHOIRS’ I |
WHEELER, CHARLES B. |
1954 |
X | 2 |
p. 224-226 |
artikel |
|
| 25 | ‘BARE RUINED CHOIRS’ II |
BATESON, F. W. |
1954 |
X | 2 |
p. 226-226 |
artikel |
|
| 26 | BASSTARDS AND BARSTARDS |
EMPSON, WILLIAM |
1968 |
X | 2 |
p. 236-237 |
artikel |
|
| 27 | Beauty and the Victorian Body |
BIRCH, DINAH |
1994 |
X | 2 |
p. 102-116 |
artikel |
|
| 28 | Benlowes and His Times |
HILL, CHRISTOPHER |
1953 |
X | 2 |
p. 143-151 |
artikel |
|
| 29 | BLAKE'S DESIGNS |
STEVENSON, W. H. |
1989 |
X | 2 |
p. 161-168 |
artikel |
|
| 30 | Blake's ‘The Fly’ |
KIRSCHBAUM, LEO |
1961 |
X | 2 |
p. 162-163 |
artikel |
|
| 31 | Blake's ‘The Fly’ |
KIRSCHBAUM, LEO |
1961 |
X | 2 |
p. 154-162 |
artikel |
|
| 32 | BLOOM ON ‘THE TRIUMPH OF LIFE’ |
ALLOTT, KENNETH |
1960 |
X | 2 |
p. 222-228 |
artikel |
|
| 33 | Book Reviews |
HODGE, R. I. V. |
1978 |
X | 2 |
p. 158-165 |
artikel |
|
| 34 | Book Reviews |
FROST, WILLIAM |
1987 |
X | 2 |
p. 158-165 |
artikel |
|
| 35 | Book Reviews |
SHELLEY, ANDREW |
1988 |
X | 2 |
p. 156-161 |
artikel |
|
| 36 | Book Reviews |
NEILL, EDWARD |
1988 |
X | 2 |
p. 162-166 |
artikel |
|
| 37 | Book Reviews |
SMITH, NIGEL |
1988 |
X | 2 |
p. 167-173 |
artikel |
|
| 38 | Book Reviews |
LONSDALE, ROGER |
1967 |
X | 2 |
p. 213-221 |
artikel |
|
| 39 | Book Reviews |
HARVEY, W. J. |
1967 |
X | 2 |
p. 231-237 |
artikel |
|
| 40 | Book Reviews |
ALLEN, MARIJANE |
1967 |
X | 2 |
p. 207-213 |
artikel |
|
| 41 | Book Reviews |
TERRY, RICHARD |
1986 |
X | 2 |
p. 160-165 |
artikel |
|
| 42 | Browning — A Potential Revolutionary |
BOULTON, J. A. |
1953 |
X | 2 |
p. 165-176 |
artikel |
|
| 43 | Browning's Amphibian: Don Juan At Home |
DE RYALS, CLYDE L. |
1968 |
X | 2 |
p. 210-217 |
artikel |
|
| 44 | Browning, Shelley and ‘On Worming Dogs’ |
HAWLIN, STEFAN |
1990 |
X | 2 |
p. 136-155 |
artikel |
|
| 45 | CAVALIER CLASSICISM |
HILL, CHRISTOPHER |
1970 |
X | 2 |
p. 243-251 |
artikel |
|
| 46 | C. DAY LEWIS: THE ROAD FROM MUSBURY |
WHITEHEAD, JOHN |
1981 |
X | 2 |
p. 162-168 |
artikel |
|
| 47 | CHAUCER TAPED |
GREEN, EUGENE |
1989 |
X | 2 |
p. 156-161 |
artikel |
|
| 48 | CLOSE READING WAS NOT ENOUGH |
GARDNER, STANLEY |
1958 |
X | 2 |
p. 187-194 |
artikel |
|
| 49 | CLOSE READING WAS NOT ENOUGH |
BAYLEY, JOHN |
1958 |
X | 2 |
p. 195-199 |
artikel |
|
| 50 | Coleridge's Formal Criticism of Shakespeare's Plays |
BADAWI, M. M. |
1960 |
X | 2 |
p. 148-162 |
artikel |
|
| 51 | Coming to Terms |
RODWAY, ALLAN |
1964 |
X | 2 |
p. 109-125 |
artikel |
|
| 52 | Consulting the Oracle |
WOOD, MICHAEL |
1993 |
X | 2 |
p. 93-111 |
artikel |
|
| 53 | Contributions to a Dictionary of Critical Terms : Imagination and Fancy |
WATSON, GEORGE G. |
1953 |
X | 2 |
p. 201-214 |
artikel |
|
| 54 | CORRECTIONS |
DOVER, K. J. |
1983 |
X | 2 |
p. 174-a-174 |
artikel |
|
| 55 | CORRECTIONS |
ROBINSON, PETER |
1983 |
X | 2 |
p. 174-b-174 |
artikel |
|
| 56 | CORRESPONDENCE |
Shapiro, I. A. |
1951 |
X | 2 |
p. 192-192 |
artikel |
|
| 57 | Criticism into Drama 1888–19501 |
WILLIAMS, RAYMOND |
1951 |
X | 2 |
p. 120-138 |
artikel |
|
| 58 | DAMNED GOOD TO STEAL FROM |
BATESON, F. W. |
1955 |
X | 2 |
p. 168-174 |
artikel |
|
| 59 | DEATH BY ALLUSION? |
FRENCH, A. L. |
1970 |
X | 2 |
p. 269-271 |
artikel |
|
| 60 | Death on the Nile: Fantasy and the Literature of Tourism 1840–1860 |
BARRELL, JOHN |
1991 |
X | 2 |
p. 97-127 |
artikel |
|
| 61 | Decorum and Terror: Homage to Goethe and Hart Crane |
VIERECK, PETER |
1956 |
X | 2 |
p. 202-204 |
artikel |
|
| 62 | DE DESCRIPTIONE TEMPORUM |
LEWIS, C. S. |
1956 |
X | 2 |
p. 247-247 |
artikel |
|
| 63 | Depth and Surface in Our Mutual Friend |
GRIBBLE, JENNIFER |
1975 |
X | 2 |
p. 197-214 |
artikel |
|
| 64 | De Quincey and the Cursed Crocodile |
LINDOP, GREVEL |
1995 |
X | 2 |
p. 121-140 |
artikel |
|
| 65 | DICKENSIANS |
WILLIAMSON, C.F. |
1966 |
X | 2 |
p. 228-237 |
artikel |
|
| 66 | DICKENS'S IRONMASTER AGAIN AGAIN |
SMITH, ANNE G. M. |
1972 |
X | 2 |
p. 218-220 |
artikel |
|
| 67 | DING DONG |
DODSWORTH, MARTIN |
1964 |
X | 2 |
p. 215-216 |
artikel |
|
| 68 | DING DONG |
MALLOCH, A. E. |
1964 |
X | 2 |
p. 214-215 |
artikel |
|
| 69 | DISAGREEMENT OVER CHAUCER |
BURROW, JOHN |
1960 |
X | 2 |
p. 202-207 |
artikel |
|
| 70 | DISCONTENTS |
JULIAN, ROBERT |
1992 |
X | 2 |
p. 167-172 |
artikel |
|
| 71 | Dissociation of Sensibility |
BATESON, F. W. |
1952 |
X | 2 |
p. 213-214 |
artikel |
|
| 72 | DISTINCTIONS |
RICKS, CHRISTOPHER |
1970 |
X | 2 |
p. 259-264 |
artikel |
|
| 73 | Divine Providence and the Structure of Paradise Lost |
WATSON, J. R. |
1964 |
X | 2 |
p. 148-155 |
artikel |
|
| 74 | DOUBLE SORROWS |
BURROW, J. A. |
1991 |
X | 2 |
p. 160-166 |
artikel |
|
| 75 | Dunbar and the Language of Poetry |
MORGAN, EDWIN |
1952 |
X | 2 |
p. 138-156 |
artikel |
|
| 76 | DYLAN THOMAS |
EMPSON, WILLIAM |
1963 |
X | 2 |
p. 205-207 |
artikel |
|
| 77 | DYLAN THOMAS ASTRO-NAVIGATED |
MAUD, RALPH N. |
1955 |
X | 2 |
p. 164-168 |
artikel |
|
| 78 | EDITING FORSTER |
STAPE, JOHN H. |
1976 |
X | 2 |
p. 177-181 |
artikel |
|
| 79 | EDITORIAL POSTSCRIPT |
F. W. B., |
1966 |
X | 2 |
p. 226-228 |
artikel |
|
| 80 | ELIMINATING CHANCE |
NUTTALL, A. D. |
1995 |
X | 2 |
p. 172-180 |
artikel |
|
| 81 | ELIOT AMONG THE METAPHTSICALS |
LOGAN, WILLIAM |
1994 |
X | 2 |
p. 162-170 |
artikel |
|
| 82 | ELIOT'S CENTRALITY |
SCHMIDT, A. V. C. |
1993 |
X | 2 |
p. 166-172 |
artikel |
|
| 83 | Embarrassment in The Faerie Queene |
LEGGATT, ALEXANDER |
1988 |
X | 2 |
p. 114-130 |
artikel |
|
| 84 | Engineered Innocence: Blake's ‘The Little Black Boy’ and ‘The Fly’ |
MANLOVE, C. N. |
1977 |
X | 2 |
p. 112-121 |
artikel |
|
| 85 | ENGLISH MUST BE KEPT DOWN |
FOWLER, ALASTAIR |
1962 |
X | 2 |
p. 224-229 |
artikel |
|
| 86 | EPISTOLARY |
BRADBURY, NICOLA |
1993 |
X | 2 |
p. 150-157 |
artikel |
|
| 87 | EPISTOLARY TENNYSON |
DAY, AIDAN |
1983 |
X | 2 |
p. 158-163 |
artikel |
|
| 88 | Exhumations II: Horace Walpole's ‘Thoughts on Comedy’ |
H. W., |
1965 |
X | 2 |
p. 162-170 |
artikel |
|
| 89 | Exhumations V. Shelley on Wordsworth: Two Unpublished Stanzas from ‘Peter Bell the Third’ |
BATESON, F. W. |
1967 |
X | 2 |
p. 125-129 |
artikel |
|
| 90 | FIELDING, WHOSE CONTEMPORARY ? |
RAWSON, C. J. |
1975 |
X | 2 |
p. 272-276 |
artikel |
|
| 91 | FOLK–SONG RESTORED |
RODWAY, ALLAN |
1961 |
X | 2 |
p. 215-219 |
artikel |
|
| 92 | Form in Joyce Cary's Novels |
HARDY, BARBARA |
1954 |
X | 2 |
p. 180-190 |
artikel |
|
| 93 | FORTUNE IN WYATT'S ‘THEY FLEE FROM ME’ |
WHITING, GEORGE W. |
1960 |
X | 2 |
p. 220-222 |
artikel |
|
| 94 | F. W. BATESON MEMORIAL LECTURE |
BURROW, J. A. |
1986 |
X | 2 |
p. 97-119 |
artikel |
|
| 95 | F. W. Bateson, Pope, and Editing |
BARNARD, JOHN |
1979 |
X | 2 |
p. 124-138 |
artikel |
|
| 96 | F. W. Bateson: Scholar, Critic, and Scholar-Critic |
CUNNINGHAM, VALENTINE |
1979 |
X | 2 |
p. 139-155 |
artikel |
|
| 97 | Gabriel Harvey |
MAXWELL, J. C. |
1951 |
X | 2 |
p. 185-188 |
artikel |
|
| 98 | GENREIC |
COYLE, MICHEAL |
1995 |
X | 2 |
p. 180-186 |
artikel |
|
| 99 | George Eliot's Rhetoric of Enthusiasm |
KER, I. T. |
1976 |
X | 2 |
p. 134-155 |
artikel |
|
| 100 | GEORGE ELIOT'S TECHNIQUE |
COCKSHUT, A. O. J. |
1960 |
X | 2 |
p. 211-215 |
artikel |
|
| 101 | Gide's Treatment of Time in La Symphonie Pastorale |
CRUICKSHANK, JOHN |
1957 |
X | 2 |
p. 134-143 |
artikel |
|
| 102 | GISSING |
SEARLE, JENNIFER |
1976 |
X | 2 |
p. 168-177 |
artikel |
|
| 103 | Gurney's ‘Hobby’ |
HILL, GEOFFREY |
1984 |
X | 2 |
p. 97-128 |
artikel |
|
| 104 | HAZLITT ON SWIFT |
HORNE, COLIN J. |
1975 |
X | 2 |
p. 276-277 |
artikel |
|
| 105 | HEIGH FANTASYE |
BLYTH, CHARLES |
1977 |
X | 2 |
p. 162-170 |
artikel |
|
| 106 | Help! |
HARVEY, W. J. |
1966 |
X | 2 |
p. 259-b-260 |
artikel |
|
| 107 | HEMINGWAY AT WORK |
AXTON, MARIE |
1992 |
X | 2 |
p. 152-159 |
artikel |
|
| 108 | Henry Vaguhan's Landscapes Of Military Occupation |
FITTER, CHRIS |
1992 |
X | 2 |
p. 123-147 |
artikel |
|
| 109 | HERE IS NO CONTINUING CITY |
MOLINA, DAVID NEWTON-DE |
1973 |
X | 2 |
p. 179-186 |
artikel |
|
| 110 | Hieronimo, Hamlet and Remembrance |
KERRIGAN, JOHN |
1981 |
X | 2 |
p. 105-126 |
artikel |
|
| 111 | HOUSMAN AND HOUSMANIANA |
NISBET, R. G. M. |
1968 |
X | 2 |
p. 232-239 |
artikel |
|
| 112 | Housman and Larkin: Romantic into Parnassian? |
BAYLEY, JOHN |
1991 |
X | 2 |
p. 147-159 |
artikel |
|
| 113 | HOW IT IS |
WALL, STEPHEN |
1966 |
X | 2 |
p. 245-252 |
artikel |
|
| 114 | HULME ROUGH-HEWN |
BRUN, P. LE |
1962 |
X | 2 |
p. 189-198 |
artikel |
|
| 115 | IN AID OF JANE AUSTEN |
WATSON, GEORGE |
1983 |
X | 2 |
p. 153-158 |
artikel |
|
| 116 | INFORMATION V. PERSUASION: A NOTE ON CRITICAL METHOD |
COLLIE, M. J. |
1956 |
X | 2 |
p. 241-245 |
artikel |
|
| 117 | In Memoriam 1955 |
LERNER, LAURENCE D. |
1955 |
X | 2 |
p. 152-152 |
artikel |
|
| 118 | Intention |
GANG, T. M. |
1957 |
X | 2 |
p. 175-186 |
artikel |
|
| 119 | John Gay: A Satirist's Progress |
SPACKS, PATRICIA MEYER |
1964 |
X | 2 |
p. 156-170 |
artikel |
|
| 120 | JOHN MARSTON, POET |
CAREY, JOHN |
1962 |
X | 2 |
p. 214-216 |
artikel |
|
| 121 | JOHNSON AND SHAKESPEARE |
MCLAVERTY, JAMES |
1990 |
X | 2 |
p. 164-170 |
artikel |
|
| 122 | Keats and the Genius of Parody |
BAYLEY, JOHN |
1993 |
X | 2 |
p. 112-122 |
artikel |
|
| 123 | Knife, Falk and Sexual Selection |
O'HANLON, REDMOND |
1981 |
X | 2 |
p. 127-141 |
artikel |
|
| 124 | LADY CHATTERLEY AGAIN |
SPARROW, JOHN |
1963 |
X | 2 |
p. 202-205 |
artikel |
|
| 125 | Landor and Poetic Diction |
DAVIE, DONALD A. |
1952 |
X | 2 |
p. 218-219 |
artikel |
|
| 126 | LANDOR AND POETIC DICTION |
HARVEY, W. J. |
1952 |
X | 2 |
p. 214-218 |
artikel |
|
| 127 | Langland's Literal Allegory |
QUILLIGAN, MAUREEN |
1978 |
X | 2 |
p. 95-111 |
artikel |
|
| 128 | LANGUAGE FOR ITS OWN SAKE |
BALL, C. J. E. |
1966 |
X | 2 |
p. 220-226 |
artikel |
|
| 129 | LAST THOUGHTS |
BRYDEN, MARY |
1995 |
X | 2 |
p. 186-191 |
artikel |
|
| 130 | LOSS OF FAITH |
KER, IAN |
1992 |
X | 2 |
p. 148-152 |
artikel |
|
| 131 | Love and Gossip: or, How Moral is Literature? |
LERNER, LAURENCE |
1964 |
X | 2 |
p. 126-147 |
artikel |
|
| 132 | Macbeth and the Barren Sceptre |
WINTLE, SARAH |
1991 |
X | 2 |
p. 128-146 |
artikel |
|
| 133 | MACNEICE AS A WHOLE |
O'DONOGHUE, BERNARD |
1993 |
X | 2 |
p. 172-180 |
artikel |
|
| 134 | MADNESS OR METHOD |
SISKA, PAMELA |
1991 |
X | 2 |
p. 172-179 |
artikel |
|
| 135 | MAGNIFICENCE FOR THE MODERN READER |
SCATTERGOOD, V. J. |
1981 |
X | 2 |
p. 145-149 |
artikel |
|
| 136 | Marvell's Impossible Love |
GREENWOOD, E. B. |
1977 |
X | 2 |
p. 100-111 |
artikel |
|
| 137 | Marvell's Rowers |
HARDMAN, C. B. |
1977 |
X | 2 |
p. 93-99 |
artikel |
|
| 138 | MEASURE FOR MEASURE: ‘VAIN PITY’ AND ‘COMPELLED SINS’ |
MAXWELL, J. C. |
1966 |
X | 2 |
p. 253-255 |
artikel |
|
| 139 | MEMORABILIA |
BUTERFIELD, ARDIS |
1993 |
X | 2 |
p. 144-149 |
artikel |
|
| 140 | Memorial Lecture |
Bateson, F. W. |
1979 |
X | 2 |
p. 107-107 |
artikel |
|
| 141 | Metaphor and the Unitary World: Coleridge and Henry Vaughan |
KIRKHAM, MICHEAL |
1987 |
X | 2 |
p. 121-134 |
artikel |
|
| 142 | METAPHYSICAL POETRY |
FLETCHER, IAN |
1961 |
X | 2 |
p. 203-210 |
artikel |
|
| 143 | Milton and the Nightingale |
KERRIGAN, JOHN |
1992 |
X | 2 |
p. 107-122 |
artikel |
|
| 144 | MISS BORROFF ON ‘SNOW’ |
COLLINS, P. A. W. |
1959 |
X | 2 |
p. 209-211 |
artikel |
|
| 145 | Modernism and What Happened To It |
KENNER, HUGH |
1987 |
X | 2 |
p. 97-109 |
artikel |
|
| 146 | MR. CRAGG TO MR. ROBERTS |
CRAGG, R. C. |
1954 |
X | 2 |
p. 231-236 |
artikel |
|
| 147 | ‘Mr. Eliot's Sunday Morning Service’ |
SCHANZER, ERNEST |
1955 |
X | 2 |
p. 153-158 |
artikel |
|
| 148 | MR. MAUD ON DYLAN THOMAS |
DAWSON, S. W. |
1955 |
X | 2 |
p. 187-189 |
artikel |
|
| 149 | NEW CRITICS AND NEW LINES |
CONQUEST, ROBERT |
1958 |
X | 2 |
p. 225-227 |
artikel |
|
| 150 | NEW PROSODISTS FOR OLD? |
HAWKES, TERENCE |
1966 |
X | 2 |
p. 258-258 |
artikel |
|
| 151 | NO ADMITTANCE ON BUSINESS |
STANNARD, MARTIN |
1976 |
X | 2 |
p. 182-188 |
artikel |
|
| 152 | OMEGA |
MAXWELL, J. C. |
1964 |
X | 2 |
p. 219-a-219 |
artikel |
|
| 153 | OMEGA |
W.J.H., |
1964 |
X | 2 |
p. 219-b-219 |
artikel |
|
| 154 | On Dover Beach |
PITMAN, RUTH |
1973 |
X | 2 |
p. 109-136 |
artikel |
|
| 155 | On William Collins' ‘Ode to Evening’ |
BROWN, MERLE E. |
1961 |
X | 2 |
p. 136-153 |
artikel |
|
| 156 | Opening Performance: Closing Texts? |
TAPLIN, OLIVER |
1995 |
X | 2 |
p. 93-120 |
artikel |
|
| 157 | Organs of Critical Opinion: III Reviewing in the London Magazine and some other Monthlies |
ROBERTS, MARK |
1957 |
X | 2 |
p. 144-162 |
artikel |
|
| 158 | Organs of Critical Opinion: I. The Review of English Studies |
BATESON, F. W. |
1956 |
X | 2 |
p. 190-201 |
artikel |
|
| 159 | Past Intentions and Present Meanings |
HIRSCH, E. D. Jr. |
1983 |
X | 2 |
p. 79-98 |
artikel |
|
| 160 | PATER AND ARNOLD |
KENNETH, ALLOTT |
1952 |
X | 2 |
p. 219-221 |
artikel |
|
| 161 | PERENNIAL PHILOSOPHISTRY |
STEVENSON, W. H. |
1970 |
X | 2 |
p. 251-259 |
artikel |
|
| 162 | PERSEVERING WITH THE ‘METAPHYSICALS’ |
KERMODE, FRANK |
1956 |
X | 2 |
p. 205-214 |
artikel |
|
| 163 | Personification |
DAVIE, DONALD |
1981 |
X | 2 |
p. 91-104 |
artikel |
|
| 164 | PIERS PLOWMAN |
GUPTA, JASODHARA SEN |
1963 |
X | 2 |
p. 201-202 |
artikel |
|
| 165 | Poetic Truth: Three Interpretations |
TODOROV, TZVETAN |
1988 |
X | 2 |
p. 95-113 |
artikel |
|
| 166 | POOR FORD |
SAUNDERS, MAX |
1983 |
X | 2 |
p. 163-173 |
artikel |
|
| 167 | POST REVOLUTIONARY |
GARIS, ROBERT |
1964 |
X | 2 |
p. 197-208 |
artikel |
|
| 168 | PRAISEWORTHY |
DONALDSON, IAN |
1983 |
X | 2 |
p. 148-153 |
artikel |
|
| 169 | Purposive Imitation: A Skirmish with. Literary Theory |
FRENCH, A. L. |
1972 |
X | 2 |
p. 109-130 |
artikel |
|
| 170 | Radical Prose in 17th Century England: From Marprelate to the Levellers |
HILL, CHRISTOPHER |
1982 |
X | 2 |
p. 95-118 |
artikel |
|
| 171 | Repression in Mrs Dalloway's London |
TAMBLING, JEREMY |
1989 |
X | 2 |
p. 137-155 |
artikel |
|
| 172 | RETURN TO ABYSSINIA |
DONALDSON, IAN |
1964 |
X | 2 |
p. 210-214 |
artikel |
|
| 173 | RICHARD II, A REJOINDER |
FRENCH, A. L. |
1968 |
X | 2 |
p. 229-233 |
artikel |
|
| 174 | RICHARD II, OR ‘TO FIND OUT RIGHT WITH WRONG’ |
URE, PETER |
1968 |
X | 2 |
p. 225-229 |
artikel |
|
| 175 | Robinson Crusoe as a Myth |
WATT, IAN |
1951 |
X | 2 |
p. 95-119 |
artikel |
|
| 176 | RUSKIN TODAY |
GROSSKURTH, PHYLLIS |
1966 |
X | 2 |
p. 237-244 |
artikel |
|
| 177 | SATIRE AND SENSE |
GRIFFIN, DUSTIN |
1995 |
X | 2 |
p. 158-166 |
artikel |
|
| 178 | SCIENCE FICTION |
BENTLEY, W. E. |
1962 |
X | 2 |
p. 203-207 |
artikel |
|
| 179 | Second Thoughts: C. S. Lewis on Chaucer's Troilus |
SHARROCK, ROGER |
1958 |
X | 2 |
p. 123-137 |
artikel |
|
| 180 | SEE, AND BELIEVE |
DAVIE, DONALD |
1959 |
X | 2 |
p. 188-195 |
artikel |
|
| 181 | Sex and the Sonnet |
MATTHEWS, G. M. |
1952 |
X | 2 |
p. 119-137 |
artikel |
|
| 182 | Shakespeare and the Use of Disguise in Elizabethan Drama |
BRADBROOK, M. C. |
1952 |
X | 2 |
p. 159-168 |
artikel |
|
| 183 | Shakespeare's Narrative: Acts of Memory |
HARDY, BARBARA |
1989 |
X | 2 |
p. 93-115 |
artikel |
|
| 184 | SILENT MARGINS |
FREDEMAN, WILLIAM E. |
1993 |
X | 2 |
p. 157-165 |
artikel |
|
| 185 | Similes of Unlikeness in Paradise Lost |
BEDFORD, R. D. |
1975 |
X | 2 |
p. 179-196 |
artikel |
|
| 186 | Sixteenth-Century Poetry and the Common Reader. The Case of Thomas Sackville |
DAVIE, DONALD |
1954 |
X | 2 |
p. 117-127 |
artikel |
|
| 187 | ‘SNOW’: AN ANSWER TO MR. CRAGG |
ROBERTS, M. A. M. |
1954 |
X | 2 |
p. 227-231 |
artikel |
|
| 188 | Social Security in Literary Criticism |
COLLIE, M. J. |
1959 |
X | 2 |
p. 151-158 |
artikel |
|
| 189 | Soiled Fairy: The Water-Babies in its Time |
CUNNINGHAM, VALENTINE |
1985 |
X | 2 |
p. 121-148 |
artikel |
|
| 190 | Some Non-Medieval Qualities of Piers Plowman |
WOOLF, ROSEMARY |
1962 |
X | 2 |
p. 111-125 |
artikel |
|
| 191 | SPEAKING TO LAWYERS |
RODENSKY, LISA A. |
1992 |
X | 2 |
p. 159-167 |
artikel |
|
| 192 | SPEARS ON AUDEN |
HARDEY, BARBARA |
1965 |
X | 2 |
p. 230-238 |
artikel |
|
| 193 | SPENSER AND RENAISSANCE ICONOGRAPHY |
FOWLER, ALASTAIR |
1961 |
X | 2 |
p. 235-238 |
artikel |
|
| 194 | STAGE-CENTERED CRITICISM |
MILLS, HOWARD |
1978 |
X | 2 |
p. 165-173 |
artikel |
|
| 195 | Stetson in The Waste Land |
CHILDS, DONALD J. |
1988 |
X | 2 |
p. 131-148 |
artikel |
|
| 196 | STILUS, AN IRON IMPLEMENT |
BATESON, F. W. |
1970 |
X | 2 |
p. 264-268 |
artikel |
|
| 197 | STOP PRESS |
MACGREGOR-HASTIE, ROY |
1962 |
X | 2 |
p. 229-230 |
artikel |
|
| 198 | SUBMERGED METAPHOR IN POPE |
WILLIAMS, AUBREY |
1959 |
X | 2 |
p. 197-201 |
artikel |
|
| 199 | Symbol and Implication: Notes Apropos of a Dictum of Coleridge's |
PETER, JOHN |
1954 |
X | 2 |
p. 145-167 |
artikel |
|
| 200 | Taking Liberties with English Libretti |
PASCOE, DAVID |
1994 |
X | 2 |
p. 81-101 |
artikel |
|
| 201 | TEXTUAL CRITICISM AND ITS PROBLEMS |
MAXWELL, J. C. |
1968 |
X | 2 |
p. 237-239 |
artikel |
|
| 202 | THACKERAY AND HIS NARRATOR |
JAMES, DAVID L. |
1976 |
X | 2 |
p. 189-190 |
artikel |
|
| 203 | The Analysis of Poetic Texts: Owen's ‘Futility’ and Davie's ‘The Garden Party’ |
BATESON, F. W. |
1979 |
X | 2 |
p. 156-164 |
artikel |
|
| 204 | THEATRICAL SOURCES |
DOBSON, MICHAEL |
1991 |
X | 2 |
p. 166-172 |
artikel |
|
| 205 | The Autobiographical Novel and The Autobiography |
PASCAL, ROY |
1959 |
X | 2 |
p. 134-150 |
artikel |
|
| 206 | The ‘Bisynesse’ of Love in Chaucer's Drawn-Songs |
SCATTERGOOD, JOHN |
1987 |
X | 2 |
p. 110-120 |
artikel |
|
| 207 | THE BROWNINGS |
KOLB, JACK |
1987 |
X | 2 |
p. 165-169 |
artikel |
|
| 208 | THE BROWNINGS |
HAWKINS, HARRIETT |
1987 |
X | 2 |
p. 170-178 |
artikel |
|
| 209 | THE CAMBRIDGE WOMEN IN LOVE |
WORTHEN, JOHN |
1989 |
X | 2 |
p. 176-184 |
artikel |
|
| 210 | The Comedy of Generation |
ARTHOS, JOHN |
1955 |
X | 2 |
p. 97-117 |
artikel |
|
| 211 | The Critical Forum |
BELLRINGER, ALAN W. |
1967 |
X | 2 |
p. 238-243 |
artikel |
|
| 212 | The Critical Forum |
GREENWOOD, E. B. |
1967 |
X | 2 |
p. 256-257 |
artikel |
|
| 213 | The critical Forum |
MAXWELL, J. C. |
1967 |
X | 2 |
p. 257-258 |
artikel |
|
| 214 | The Critical Forum |
DREW, PHILIP |
1967 |
X | 2 |
p. 244-255 |
artikel |
|
| 215 | The Critical Forum |
F.W.B., |
1970 |
X | 2 |
p. 271-a-271 |
artikel |
|
| 216 | The Critical Forum ‘DISSOCIATION OF SENSIBILITY’ |
THOMPSON, ERIC |
1952 |
X | 2 |
p. 207-213 |
artikel |
|
| 217 | The Curious Elf |
AMIS, KINGSLEY |
1951 |
X | 2 |
p. 189-192 |
artikel |
|
| 218 | ‘The Darkling Thrush’ and the Habit of Singing |
LOCK, CHARLES |
1986 |
X | 2 |
p. 120-141 |
artikel |
|
| 219 | The Duchess of Malfi: Styles of Ceremony |
CALDERWOOD, JAMES L. |
1962 |
X | 2 |
p. 133-147 |
artikel |
|
| 220 | THE EMPEROR'S CLOTHES (AGAIN) OR, IS CRITICISM POSSIBLE? (AGAIN) |
MICHEL, LAURENCE |
1965 |
X | 2 |
p. 239-243 |
artikel |
|
| 221 | The Enactment Fallacy |
BARRY, PETER |
1980 |
X | 2 |
p. 95-104 |
artikel |
|
| 222 | THE ENGLISH AUGUSTANS |
FARLEY-HILLS, DAVID |
1968 |
X | 2 |
p. 226-232 |
artikel |
|
| 223 | THE FRENCH NOVEL SCRUTINISED |
ALLOTT, MIRIAM |
1960 |
X | 2 |
p. 195-202 |
artikel |
|
| 224 | The Gawain-Poet; A General Appreciation of Four Poems |
BREWER, D. S. |
1967 |
X | 2 |
p. 130-142 |
artikel |
|
| 225 | THE GREATNESS OF SHAW |
MUIR, KENNETH |
1957 |
X | 2 |
p. 217-221 |
artikel |
|
| 226 | THE HARDY VARIORUM |
LOCK, CHARLES |
1981 |
X | 2 |
p. 178-179 |
artikel |
|
| 227 | ‘THE HEART OF MIDLOTHIAN: ITS RELIGIOUS BASIS’ |
CRAIG, DAVID |
1958 |
X | 2 |
p. 217-225 |
artikel |
|
| 228 | THE HISTORY OF PENDENNIS |
MAXWELL, J. C. |
1965 |
X | 2 |
p. 245-245 |
artikel |
|
| 229 | The Inaction of Troilus and Cressida |
EVERETT, BARBARA |
1982 |
X | 2 |
p. 119-139 |
artikel |
|
| 230 | THE INCORRUPTIBLE GUARDIAN |
GIFFORD, HENRY |
1956 |
X | 2 |
p. 224-232 |
artikel |
|
| 231 | THE JINNEE IN THE WELL-WROUGHT URN |
ONG, WALTER J. S.J. |
1955 |
X | 2 |
p. 195-195 |
artikel |
|
| 232 | THE JOURNEYWORK OF THE MAGUS |
GOLDMAN, ARNOLD M. |
1962 |
X | 2 |
p. 198-203 |
artikel |
|
| 233 | ‘The Language of the House’ in The Wings of the Dove |
HEYNS, MICHIEL |
1989 |
X | 2 |
p. 116-136 |
artikel |
|
| 234 | The Literary Theories of F. W. Bateson |
WELLEK, RENÉ |
1979 |
X | 2 |
p. 112-123 |
artikel |
|
| 235 | THE LOST WORLD OF MARIA EDGEWORTH |
PRESTON, JOHN |
1974 |
X | 2 |
p. 198-207 |
artikel |
|
| 236 | THE MACHIAVEL AND THE MOOR |
JONES, ELDRED D. |
1960 |
X | 2 |
p. 234-238 |
artikel |
|
| 237 | THE MACHIAVEL AND THE MOOR |
SULLIVAN, J. P. |
1960 |
X | 2 |
p. 231-234 |
artikel |
|
| 238 | The Major Theme of Wordsworth's 1800 Preface |
OWEN, W. J. B. |
1956 |
X | 2 |
p. 144-159 |
artikel |
|
| 239 | THE MIDDLEBROW MUSE |
TOMLINSON, CHARLES |
1957 |
X | 2 |
p. 208-217 |
artikel |
|
| 240 | THE MODEL UNIVERSE |
BURROW, JOHN |
1965 |
X | 2 |
p. 207-211 |
artikel |
|
| 241 | THE MODE OF THE NOVEL II |
JAMES, G. INGLI |
1959 |
X | 2 |
p. 206-209 |
artikel |
|
| 242 | The Morality of Revenge: Tourneur's Critics |
TOMLINSON, T. B. |
1960 |
X | 2 |
p. 134-147 |
artikel |
|
| 243 | ‘The Nymph Complaining for the Death of Her Fawn’: A Brief Allegory |
HARTMAN, GEOFFREY H. |
1968 |
X | 2 |
p. 113-135 |
artikel |
|
| 244 | THE PARLEMENT OF FOULES |
BREWER, D. S. |
1956 |
X | 2 |
p. 248-248 |
artikel |
|
| 245 | The Parthian Dart: Endings and Epilogues in Fiction |
ROGERS, PAT |
1992 |
X | 2 |
p. 85-106 |
artikel |
|
| 246 | The Poet in Retirement |
ENRIGHT, D. J. |
1955 |
X | 2 |
p. 151-151 |
artikel |
|
| 247 | THE POLITICS OF NOSTROMO |
WILDING, MICHAEL |
1968 |
X | 2 |
p. 234-236 |
artikel |
|
| 248 | THE ‘POOR FOOL’ |
GARD, ROGER |
1964 |
X | 2 |
p. 209-209 |
artikel |
|
| 249 | THE PRESUPPOSITIONS OF TRAGEDY |
LEECH, CLIFFORD |
1955 |
X | 2 |
p. 178-181 |
artikel |
|
| 250 | The Reader's Wager: Lots, Sorts, and Futures |
BEER, GILLIAN |
1990 |
X | 2 |
p. 99-123 |
artikel |
|
| 251 | The Revenger's Tragedy Reconsidered |
PETER, JOHN |
1956 |
X | 2 |
p. 131-143 |
artikel |
|
| 252 | THE ROMANTIC ENERGY |
EDGLEY, ROY |
1975 |
X | 2 |
p. 261-271 |
artikel |
|
| 253 | THE SCEPTICAL DANE: A NOTE ON CAY DOLLERUP'S DOUBTS ABOUT THEOBJECTIVITY OF CRITICISM |
GREENWOOD, E. B. |
1970 |
X | 2 |
p. 271-b-274 |
artikel |
|
| 254 | THE SCHOOL OF KNIGHT I |
RODWAY, A. E. |
1954 |
X | 2 |
p. 212-217 |
artikel |
|
| 255 | THE SCHOOL OF KNIGHT II |
KNIGHT, G. WILSON |
1954 |
X | 2 |
p. 217-222 |
artikel |
|
| 256 | THE SCHOOL OF KNIGHT III |
F. W. B., |
1954 |
X | 2 |
p. 222-224 |
artikel |
|
| 257 | These Be Your Gods, O Israel!* |
GRAVES, ROBERT |
1955 |
X | 2 |
p. 129-150 |
artikel |
|
| 258 | The State of Criticism: Representations to Fr. Martin Jarrett-Kerr |
LEAVIS, F. R. |
1953 |
X | 2 |
p. 215-233 |
artikel |
|
| 259 | The Stigma of Print |
SAUNDERS, J. W. |
1951 |
X | 2 |
p. 139-164 |
artikel |
|
| 260 | THE STRUCTURE OF COMPLEX VERSE |
RODWAY, A. E. |
1956 |
X | 2 |
p. 232-240 |
artikel |
|
| 261 | THE TEMPORAL MODE: FOUR KINDS OF FICTION |
ALLOTT, MIRIAM |
1958 |
X | 2 |
p. 214-216 |
artikel |
|
| 262 | The Tragedy of Arcite: A Reconsideration of the Knight's Tale |
SCHMIDT, A. V. C. |
1968 |
X | 2 |
p. 107-117 |
artikel |
|
| 263 | The Two ‘Moralities’ of Joseph Conrad |
BANTOCK, G. H. |
1953 |
X | 2 |
p. 125-142 |
artikel |
|
| 264 | The Unsaid in Henry Esmond |
LERNER, LAURENCE |
1995 |
X | 2 |
p. 141-157 |
artikel |
|
| 265 | THE VANITY OF ZEUGMATISING—A CORRECTION |
MICHEL, LAURENCE |
1966 |
X | 2 |
p. 259-a-259 |
artikel |
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| 266 | The White Whale and the Absolute |
OSBOURN, R. V. |
1956 |
X | 2 |
p. 160-170 |
artikel |
|
| 267 | ‘Thou’ and ‘You’ in Shakespeare's Sonnets |
BERRY, FRANCIS |
1958 |
X | 2 |
p. 138-146 |
artikel |
|
| 268 | Timon of Athens |
GOMME, ANDOR |
1959 |
X | 2 |
p. 107-125 |
artikel |
|
| 269 | Timon of Athens and Buddhism |
KNIGHT, G. WILSON |
1980 |
X | 2 |
p. 105-123 |
artikel |
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| 270 | TO MR. KINGSLEY AMIS ON HIS LATE VERSES1 |
LEWIS, C. S. |
1954 |
X | 2 |
p. 190-190 |
artikel |
|
| 271 | TOTAL POE |
BUTTERFIELD, R. W. |
1972 |
X | 2 |
p. 196-206 |
artikel |
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| 272 | TRAVELLERS |
PITE, RALPH |
1994 |
X | 2 |
p. 155-162 |
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| 273 | Ulysses and the Legends |
EDWARDS, PHILIP |
1955 |
X | 2 |
p. 118-128 |
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| 274 | Variation and False Relation in Geoffrey Hill's Tenebrae |
ROBERTS, ANDREW MICHAEL |
1993 |
X | 2 |
p. 123-143 |
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| 275 | Venting Spleen |
GRIFFIN, DUSTIN |
1990 |
X | 2 |
p. 124-135 |
artikel |
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| 276 | VICTORIANA WITH A DIFFERENCE |
HILL, A. G. |
1960 |
X | 2 |
p. 215-219 |
artikel |
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| 277 | VOLPONE |
DONALDSON, IAN |
1972 |
X | 2 |
p. 216-218 |
artikel |
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| 278 | WAR STORIES |
RAWLINSON, MARK |
1990 |
X | 2 |
p. 178-184 |
artikel |
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| 279 | WHEN THOU HAST DONE … |
LENNARD, JOHN |
1994 |
X | 2 |
p. 140-147 |
artikel |
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| 280 | Women Without Men at Cranford |
DODSWORTH, MARTIN |
1963 |
X | 2 |
p. 132-145 |
artikel |
|
| 281 | WORDSWORTH AB EXTRA? |
RZEPKA, CHARLES |
1990 |
X | 2 |
p. 170-177 |
artikel |
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| 282 | Wordsworth and ‘the Art of Lying’ |
SOLOMON, GERALD |
1977 |
X | 2 |
p. 141-156 |
artikel |
|
| 283 | Wordsworth and the Sucking Babe |
GOODMAN, ALICE |
1983 |
X | 2 |
p. 108-125 |
artikel |
283 gevonden resultaten