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Tijdschrift beschrijving
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221 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | ‘A COOKING EGG’: FINAL SCRAMBLE II |
BATESON, F. W. |
1954 |
VII | 1 |
p. 106-108 |
artikel |
|
| 2 | A CRITICAL TECHNOCRAT |
RODWAY, A. E. |
1955 |
VII | 1 |
p. 55-63 |
artikel |
|
| 3 | A FRUITFUL SENSE OF INCONGRUITY? |
COOMBES, H. |
1962 |
VII | 1 |
p. 91-95 |
artikel |
|
| 4 | All's Well That Ends Well: Shakespeare's Play of Endings |
DONALDSON, IAN |
1977 |
VII | 1 |
p. 34-55 |
artikel |
|
| 5 | ALLUSION IN THE WASTE LAND: A REPLY |
MYERS, WILLIAM |
1970 |
VII | 1 |
p. 120-122 |
artikel |
|
| 6 | A NEW POEM BY WORDSWORTH? |
WORDSWORTH, JONATHAN |
1966 |
VII | 1 |
p. 122-123 |
artikel |
|
| 7 | A NOTE ON AN EARLY POEM OF HOPKINS |
DAWSON, S. W. |
1968 |
VII | 1 |
p. 100-104 |
artikel |
|
| 8 | A Note on Little Gidding |
RICKS, CHRISTOPHER |
1975 |
VII | 1 |
p. 145-168 |
artikel |
|
| 9 | A NOTE ON ‘PERSUASIVE DEFINITIONS’ |
STEINMANN, MARTIN JR. |
1956 |
VII | 1 |
p. 113-116 |
artikel |
|
| 10 | A NOTE ON ‘PERSUASIVE DEFINITIONS’ |
ARMSTRONG, J. H. SCOBELL |
1956 |
VII | 1 |
p. 111-113 |
artikel |
|
| 11 | A NOTE ON ‘PERSUASIVE DEFINITIONS’ |
BATESON, F. W. |
1956 |
VII | 1 |
p. 116-116 |
artikel |
|
| 12 | A Note on the ‘Family Reunion’ |
MURRY, J. MIDDLETON |
1951 |
VII | 1 |
p. 67-73 |
artikel |
|
| 13 | ANSWERS TO COMMENTS |
EMPSON, WILLIAM |
1953 |
VII | 1 |
p. 114-120 |
artikel |
|
| 14 | Antecedents: A Homage and Valediction |
TOMLINSON, CHARLES |
1960 |
VII | 1 |
p. 80-85 |
artikel |
|
| 15 | Arnold's ‘Oracles’ |
FORBES, GEORGE |
1973 |
VII | 1 |
p. 41-56 |
artikel |
|
| 16 | Arthur Hugh Clough: The Shorter Poems |
DALGUSH, DORIS N. |
1952 |
VII | 1 |
p. 38-53 |
artikel |
|
| 17 | A SELF-PLAGIARISM BY THOMAS HARDY |
SNHLL, REGINALD |
1952 |
VII | 1 |
p. 114-115 |
artikel |
|
| 18 | Aspects of Dryden's Imagery |
JEFFERSON, D. W. |
1954 |
VII | 1 |
p. 20-41 |
artikel |
|
| 19 | Auden and the Aesthetics of Detection |
PASCOE, DAVID |
1993 |
VII | 1 |
p. 33-58 |
artikel |
|
| 20 | BASTARD OR BARSTARD? |
MAXWELL, J. C. |
1968 |
VII | 1 |
p. 112-112 |
artikel |
|
| 21 | BEOWULF |
AMIS, KINGSLEY |
1954 |
VII | 1 |
p. 85-a-85 |
artikel |
|
| 22 | BLAKE'S SYMBOLS |
LEADER, ZACHARY |
1979 |
VII | 1 |
p. 81-88 |
artikel |
|
| 23 | BODY LANGUAGE |
WILLIAMSON, KARINA |
1994 |
VII | 1 |
p. 52-60 |
artikel |
|
| 24 | BOOK REVIEWS |
GEZARI, JANET |
1993 |
VII | 1 |
p. 67-75 |
artikel |
|
| 25 | Book Reviews |
WIRTH, PETER |
1990 |
VII | 1 |
p. 67-77 |
artikel |
|
| 26 | Book Reviews |
FOAKES, R. A. |
1960 |
VII | 1 |
p. 104-108 |
artikel |
|
| 27 | Book Reviews |
COCKSHUT, A. O. J. |
1967 |
VII | 1 |
p. 107-112 |
artikel |
|
| 28 | Book Reviews |
COCKSHUT, A. O. J. |
1993 |
VII | 1 |
p. 59-66 |
artikel |
|
| 29 | Book Reviews |
JORDAN, ELAINE |
1990 |
VII | 1 |
p. 77-88 |
artikel |
|
| 30 | Book Reviews |
KNOWLES, SEBASTIAN |
1990 |
VII | 1 |
p. 88-94 |
artikel |
|
| 31 | Bosworth Eve |
JONES, EMRYS |
1975 |
VII | 1 |
p. 38-54 |
artikel |
|
| 32 | Browning's Poetry of Intimacy |
KARLIN, DANIEL |
1989 |
VII | 1 |
p. 47-64 |
artikel |
|
| 33 | ‘CATHARSIS’: AN EXCISION FROM THE DICTIONARY OF CRITICAL TERMS |
HILL, D. M. |
1958 |
VII | 1 |
p. 113-119 |
artikel |
|
| 34 | Chaucer, Boethius and Recent Trends in Criticism: A Lecture Delivered at the University of Bristol |
SMITH, JAMES |
1972 |
VII | 1 |
p. 4-32 |
artikel |
|
| 35 | CHRISTIANITY AND CRITICISM |
KERMODE, FRANK |
1955 |
VII | 1 |
p. 52-55 |
artikel |
|
| 36 | Christopher Fry's Theatre of Words |
DONOGHUE, DENIS |
1959 |
VII | 1 |
p. 37-49 |
artikel |
|
| 37 | Clarissa and the Puritan Tradition |
HARVEY, A. D. |
1978 |
VII | 1 |
p. 38-51 |
artikel |
|
| 38 | Clarissa's Moral in The Rape of the Lock |
VARNEY, ANDREW |
1993 |
VII | 1 |
p. 17-32 |
artikel |
|
| 39 | COMMENT BY THE ADVISORY EDITOR |
F.W.B., |
1976 |
VII | 1 |
p. 49-49 |
artikel |
|
| 40 | Contributions to a Dictionary of Critical Terms |
F.W.B., |
1951 |
VII | 1 |
p. 89-93 |
artikel |
|
| 41 | CORRIGENDA |
AZIZ, M. |
1968 |
VII | 1 |
p. 105-s-105 |
artikel |
|
| 42 | Cowper's Equivocations |
DAWSON, P. M. S. |
1983 |
VII | 1 |
p. 19-35 |
artikel |
|
| 43 | DECENT THINGS |
JORDAN, ELAINE |
1978 |
VII | 1 |
p. 60-66 |
artikel |
|
| 44 | DONNE AND DANIEL |
SAUNDERS, J. W. |
1953 |
VII | 1 |
p. 109-b-114 |
artikel |
|
| 45 | Dorset Hardy |
STRONG, L. A. G. |
1951 |
VII | 1 |
p. 42-50 |
artikel |
|
| 46 | DRYDEN'S APPARENT SCEPTICISM |
EMPSON, WILLIAM |
1971 |
VII | 1 |
p. 111-115 |
artikel |
|
| 47 | EARLY BUT ENGLISH |
SCHMIDT, A. V. C. |
1972 |
VII | 1 |
p. 92-98 |
artikel |
|
| 48 | Editorial Commentary |
BATESON, F. W. |
1956 |
VII | 1 |
p. 126-129 |
artikel |
|
| 49 | Editorial Commentary |
BATESON, F. W. |
1955 |
VII | 1 |
p. 91-95 |
artikel |
|
| 50 | Editorial Commentary: The First Ten Years |
BATESON, F. W. |
1961 |
VII | 1 |
p. 80-83 |
artikel |
|
| 51 | EDITORIAL NOTE |
S.W., |
1973 |
VII | 1 |
p. 108-108 |
artikel |
|
| 52 | EDITORIAL POSTSCRIPT |
F.W.B., |
1968 |
VII | 1 |
p. 15-17 |
artikel |
|
| 53 | Elementary, My dear Hotson! |
BATESON, F. W. |
1951 |
VII | 1 |
p. 81-88 |
artikel |
|
| 54 | Eliot and the Dialect of the Tribe |
SCHMIDT, A. V. C. |
1983 |
VII | 1 |
p. 36-48 |
artikel |
|
| 55 | English in the University: IV. The Use of Comparative Literature |
GIFFORD, HENRY |
1962 |
VII | 1 |
p. 67-74 |
artikel |
|
| 56 | ENGLISH IN THE UNIVERSITY: LANGUAGE AND LITERATURE |
PIRKHOFER, ANTON M. |
1962 |
VII | 1 |
p. 104-106 |
artikel |
|
| 57 | ERRATA |
WATT, IAN |
1961 |
VII | 1 |
p. 118-s-119 |
artikel |
|
| 58 | FAILING TO FAIL |
ELLMANN, MAUD |
1995 |
VII | 1 |
p. 84-92 |
artikel |
|
| 59 | Favoured Sons; The Moral World of Angus Wilson |
COCKSHUT, A. O. J. |
1959 |
VII | 1 |
p. 50-60 |
artikel |
|
| 60 | Fine Manners, Liberal Speech:A Note on the Public Poetry of W. B. Yeats |
MARTIN, GRAHAM |
1961 |
VII | 1 |
p. 40-59 |
artikel |
|
| 61 | Fishes in the Trees |
NUTTALL, A. D. |
1974 |
VII | 1 |
p. 20-38 |
artikel |
|
| 62 | Flecknoe's Cabinet and Marvell's Cankered Muse |
MARTIN, CHRISTOPHER |
1990 |
VII | 1 |
p. 54-66 |
artikel |
|
| 63 | FOOTNOTE TO BACON'S ESSAYS |
HORNER, JOYCE |
1956 |
VII | 1 |
p. 75-a-75 |
artikel |
|
| 64 | Frankenstein and the Soul |
WILLIS, MARTIN |
1995 |
VII | 1 |
p. 24-35 |
artikel |
|
| 65 | George Herbert's Sonnet ‘Prayer’: A Stylistic Study |
GREENWOOD, E. B. |
1965 |
VII | 1 |
p. 27-45 |
artikel |
|
| 66 | GEORGE ORWELL |
WILLIAMS, RAYMOND |
1955 |
VII | 1 |
p. 44-52 |
artikel |
|
| 67 | Gerhardie's Chekhovian Debut |
SELL, ROGER D. |
1991 |
VII | 1 |
p. 28-50 |
artikel |
|
| 68 | Graham Greene's Rhetoric |
GRANSDEN, K. W. |
1981 |
VII | 1 |
p. 41-60 |
artikel |
|
| 69 | GREEN, RED, AND WHITE |
ILES, NORMAN |
1959 |
VII | 1 |
p. 73-73 |
artikel |
|
| 70 | ‘HAMLET THE DANE’ AND THE CRITIC'S RISKS |
HUTTAR, CHARLES A. |
1966 |
VII | 1 |
p. 130-131 |
artikel |
|
| 71 | HEAVEN LIES |
STURROCK, JUNE |
1978 |
VII | 1 |
p. 91-b-93 |
artikel |
|
| 72 | Henry IV and the Death of Old Double |
KERRIGAN, JOHN |
1990 |
VII | 1 |
p. 24-53 |
artikel |
|
| 73 | HEROIC CONVENTION AND DR. FAUSTUS |
JENSEN, JAMES |
1971 |
VII | 1 |
p. 101-106 |
artikel |
|
| 74 | II. Scholarship as Humanism |
ERSKINE-HILL, HOWARD |
1979 |
VII | 1 |
p. 33-52 |
artikel |
|
| 75 | IMAGINATION AND COLERIDGE |
WHEELER, K. M. |
1984 |
VII | 1 |
p. 87-95 |
artikel |
|
| 76 | Imagination and Learning in George Eliot, Mill, and Dickens |
PELTASON, TIMOTHY |
1988 |
VII | 1 |
p. 35-54 |
artikel |
|
| 77 | Imagination in The Rape of the Lock |
FAIRER, DAVID |
1979 |
VII | 1 |
p. 53-74 |
artikel |
|
| 78 | IN DEFENCE OF TIMON'S POET |
MUIR, KENNETH |
1953 |
VII | 1 |
p. 120-121 |
artikel |
|
| 79 | INFLUENCE: ANXIETY OR STIMULUS? |
RUSHDY, ASHRAF H. A. |
1987 |
VII | 1 |
p. 67-71 |
artikel |
|
| 80 | ‘INTENTION’ AND BLAKE'S JERUSALEM |
BATESON, F.W. |
1952 |
VII | 1 |
p. 113-114 |
artikel |
|
| 81 | ‘INTENTION’ AND BLAKE'S JERUSALEM |
WAIN, JOHN |
1952 |
VII | 1 |
p. 105-106 |
artikel |
|
| 82 | ‘INTENTION’ AND BLAKE'S JERUSALEM |
BATESON, F. W. |
1952 |
VII | 1 |
p. 106-110 |
artikel |
|
| 83 | ‘INTENTION’ AND BLAKE'S JERUSALEM |
ROBSON, W. W. |
1952 |
VII | 1 |
p. 111-113 |
artikel |
|
| 84 | I. Poems without Contexts |
BURROW, J. A |
1979 |
VII | 1 |
p. 6-32 |
artikel |
|
| 85 | JAGGERS'S CASE |
MAXWELL, J. C. |
1976 |
VII | 1 |
p. 98-98 |
artikel |
|
| 86 | James Joyce and the Development of Interior Monologue |
BICKERTON, DEREK |
1968 |
VII | 1 |
p. 32-46 |
artikel |
|
| 87 | JAMES'S INTENTIONS: THE SPOILS OF POYNTON |
LUCAS, JOHN |
1968 |
VII | 1 |
p. 107-111 |
artikel |
|
| 88 | Johnson's A Journey to the Western Islands: History as Art |
HART, JEFFREY |
1960 |
VII | 1 |
p. 44-59 |
artikel |
|
| 89 | JOINT WORK |
BURNETT, ARCHIE |
1994 |
VII | 1 |
p. 68-74 |
artikel |
|
| 90 | JOYCE'S USE OF CORRESPONDENCES |
RUTHERFORD, ANDREW |
1956 |
VII | 1 |
p. 123-125 |
artikel |
|
| 91 | Katherine Mansfield's ‘The Fly’: A Critical Exercise |
BATESON, F. W. |
1962 |
VII | 1 |
p. 39-53 |
artikel |
|
| 92 | KEATS AGAIN |
DAWSON, S. W. |
1960 |
VII | 1 |
p. 100-103 |
artikel |
|
| 93 | Keats's Lisping Sedition |
ROE, NICHOLAS |
1992 |
VII | 1 |
p. 36-55 |
artikel |
|
| 94 | ‘Knowing The Dead…’ for Pete Laver 1947–83l |
KERRIGAN, JOHN |
1987 |
VII | 1 |
p. 11-42 |
artikel |
|
| 95 | LADY CHATTERLEY AGAIN |
EMPSON, WILLIAM |
1963 |
VII | 1 |
p. 101-104 |
artikel |
|
| 96 | L'ECRITURE FEMININE |
TURNER, KATHERINE |
1995 |
VII | 1 |
p. 75-83 |
artikel |
|
| 97 | LESS GRAND TOURS |
KOWALEWSKI, MICHAEL |
1992 |
VII | 1 |
p. 62-70 |
artikel |
|
| 98 | LITERATURE AND/OR BELIEF |
ENRIGHT, D. J. |
1957 |
VII | 1 |
p. 112-113 |
artikel |
|
| 99 | Literature and/or Belief: A Progress Report |
ENRIGHT, D. J. |
1956 |
VII | 1 |
p. 60-69 |
artikel |
|
| 100 | Literature and Politics I. Tom Paine and The Vulgar Style |
BOULTON, JAMES T. |
1962 |
VII | 1 |
p. 18-33 |
artikel |
|
| 101 | Locke and Sterne, or Can Philosophy Influence Literature ? |
MASKELL, DUKE |
1973 |
VII | 1 |
p. 22-40 |
artikel |
|
| 102 | LUCK IN AUDEN |
MOORE, GERALD |
1957 |
VII | 1 |
p. 103-108 |
artikel |
|
| 103 | Measure for Measure and the Protestant Ethic |
RAYMOND, SOUTHALL |
1961 |
VII | 1 |
p. 10-33 |
artikel |
|
| 104 | MEDIEVAL POETRY AND ITS BACKGROUND |
EMSLIE, McD. |
1959 |
VII | 1 |
p. 74-82 |
artikel |
|
| 105 | Memorability as a Critical Criterion |
RICHARDS, BERNARD |
1976 |
VII | 1 |
p. 42-49 |
artikel |
|
| 106 | METAPHOR AND SYMBOL IN THE SIXTEENTH CENTURY: A COMMENT |
BREWER, D. S. |
1954 |
VII | 1 |
p. 108-111 |
artikel |
|
| 107 | MILTON AND WOMEN |
LEONARD, JOHN |
1989 |
VII | 1 |
p. 72-84 |
artikel |
|
| 108 | MORALISMS |
FRENCH, A. L. |
1978 |
VII | 1 |
p. 91-a-91 |
artikel |
|
| 109 | MR. BROWNING AND GEORGE ELIOT |
HARDY, BARBARA |
1956 |
VII | 1 |
p. 121-123 |
artikel |
|
| 110 | MR. HOLZKNECHT ON RAWSON ON SWIFT |
RAWSON, C. J. |
1971 |
VII | 1 |
p. 115-116 |
artikel |
|
| 111 | MR. LIDDELL AND DR. LEAVIS |
CRAIG, DAVID |
1955 |
VII | 1 |
p. 64-68 |
artikel |
|
| 112 | MR. R. A. SAYCE ON MEANING |
EVANS, ELLIS |
1958 |
VII | 1 |
p. 111-113 |
artikel |
|
| 113 | MR. STEPHENS ON ‘HEART OF DARKNESS’ |
MAXWELL, J. C. |
1970 |
VII | 1 |
p. 118-119 |
artikel |
|
| 114 | Much Ado About Nothing: The Contents of Jonson's Forrest |
BATES, CATHERINE |
1992 |
VII | 1 |
p. 24-35 |
artikel |
|
| 115 | On the Craftsmanship of War and Peace |
HAGAN, JOHN |
1963 |
VII | 1 |
p. 17-49 |
artikel |
|
| 116 | ON THE ENDING OF PINCHER MARTIN |
BABB, HOWARD |
1964 |
VII | 1 |
p. 106-108 |
artikel |
|
| 117 | Order and Cruelty: A Reading of Swift (with some comments on Pope and Johnson) |
RAWSON, CLAUDE |
1970 |
VII | 1 |
p. 24-56 |
artikel |
|
| 118 | OTHELLO IN THE CRITICAL WAR |
HUNTER, G. K. |
1958 |
VII | 1 |
p. 106-110 |
artikel |
|
| 119 | OWEN AND HIS MOTHER |
PITT, H. G. |
1976 |
VII | 1 |
p. 73-83 |
artikel |
|
| 120 | PASTORAL AND MISPRISION |
JENKYNS, RICHARD |
1989 |
VII | 1 |
p. 65-72 |
artikel |
|
| 121 | PLACING CLARE |
DAVIE, DONALD |
1995 |
VII | 1 |
p. 63-69 |
artikel |
|
| 122 | Poetry and ‘Impersonality’: Some Discriminations |
JARRETT-KERR, MARTIN |
1980 |
VII | 1 |
p. 42-57 |
artikel |
|
| 123 | Poetry and Paradise: A Study in Thematics |
GREENWOOD, E. B. |
1967 |
VII | 1 |
p. 6-25 |
artikel |
|
| 124 | Poetry and Plain Language: The Verse of C. M. Doughty |
HOLLOWAY, JOHN |
1954 |
VII | 1 |
p. 58-70 |
artikel |
|
| 125 | Politics in The Hind and the Panther |
MYERS, WILLIAM |
1968 |
VII | 1 |
p. 19-34 |
artikel |
|
| 126 | POLLUTION AND COMUS |
LEAHY, WILLIAM |
1961 |
VII | 1 |
p. 111-111 |
artikel |
|
| 127 | Polygamy in Paradise Lost |
RUDRUM, ALAN |
1970 |
VII | 1 |
p. 18-23 |
artikel |
|
| 128 | Pope and the Polite |
WOODMAN, TOM |
1978 |
VII | 1 |
p. 19-37 |
artikel |
|
| 129 | POPFICTION |
HARRIS, ROY |
1992 |
VII | 1 |
p. 75-84 |
artikel |
|
| 130 | PRACTICAL CRITICISM |
MUIR, KENNETH |
1959 |
VII | 1 |
p. 106-106 |
artikel |
|
| 131 | PRACTICAL CRITICISM |
ROBERTS, MARK |
1959 |
VII | 1 |
p. 103-106 |
artikel |
|
| 132 | Prison-bound: Dickens and Foucault |
TAMBLING, JEREMY |
1986 |
VII | 1 |
p. 11-31 |
artikel |
|
| 133 | PROSE AND POETRY AND MACK |
JAMES, G. INGLI |
1960 |
VII | 1 |
p. 114-115 |
artikel |
|
| 134 | PROSE AND POETRY AND MACK |
BATESON, F. W. |
1960 |
VII | 1 |
p. 115-116 |
artikel |
|
| 135 | READING SHELLEY I |
MILGATE, W. |
1954 |
VII | 1 |
p. 87-93 |
artikel |
|
| 136 | READING SHELLEY IV |
HOUSTON, RALPH |
1954 |
VII | 1 |
p. 99-a-99 |
artikel |
|
| 137 | READING SHELLEY V |
PITT, VALERIE |
1954 |
VII | 1 |
p. 99-b-103 |
artikel |
|
| 138 | Renaissance Numerology: Acrostics or Criticism? |
RÖSTVIG, MAREN-SOFIE |
1966 |
VII | 1 |
p. 6-21 |
artikel |
|
| 139 | Reservations about Mauriac |
DAVIES, R. T. |
1959 |
VII | 1 |
p. 22-36 |
artikel |
|
| 140 | Robert Graves |
HAYMAN, RONALD |
1955 |
VII | 1 |
p. 32-43 |
artikel |
|
| 141 | Rudyard Kipling in The Waste Land |
CRAWFORD, ROBERT |
1986 |
VII | 1 |
p. 32-46 |
artikel |
|
| 142 | SAUVE QUI PEUT |
BERTHOFF, W. B. |
1956 |
VII | 1 |
p. 76-a-76 |
artikel |
|
| 143 | Sceptical Literary Historicism: A Fictional Analogue in Jorge Luis Borges |
NEWTON-DE-MOLINA, DAVID |
1971 |
VII | 1 |
p. 57-73 |
artikel |
|
| 144 | SEASONAL DISCRIMINATION |
DONALDSON, IAN |
1965 |
VII | 1 |
p. 111-118 |
artikel |
|
| 145 | Shakespearean Comedy and Northrop Frye |
BERRY, RALPH |
1972 |
VII | 1 |
p. 33-40 |
artikel |
|
| 146 | SHAKESPEARE AND THEOLOGY |
MILWARD, PETER S. J. |
1966 |
VII | 1 |
p. 118-122 |
artikel |
|
| 147 | Shakespeare's Delayed Reactions |
HAPGOOD, ROBERT |
1963 |
VII | 1 |
p. 9-16 |
artikel |
|
| 148 | SHAKESPEARE'S ENGHLISH HISTORIES |
BURDEN, D. H. |
1960 |
VII | 1 |
p. 86-94 |
artikel |
|
| 149 | Shelley and the Principle of Association |
HOUSTON, RALPH |
1953 |
VII | 1 |
p. 45-59 |
artikel |
|
| 150 | SOME NOTES ON RECENT AMERICAN NOVELS |
BETSKY, SEYMOUR |
1956 |
VII | 1 |
p. 102-110 |
artikel |
|
| 151 | SOUTHERN LITERATURE DIVERSIFIED |
FELTON, SHARON |
1992 |
VII | 1 |
p. 70-75 |
artikel |
|
| 152 | SPEECH AND PROSE IN WORDSWORTH'S PREFACE |
SHARROCK, ROGER |
1957 |
VII | 1 |
p. 108-111 |
artikel |
|
| 153 | STANLEY'S KNACK |
CAREY, JOHN |
1963 |
VII | 1 |
p. 79-80 |
artikel |
|
| 154 | STRATFORD 1956 |
MUIR, KENNETH |
1957 |
VII | 1 |
p. 113-118 |
artikel |
|
| 155 | STUART CYMBELINE |
JONES, EMRYS |
1961 |
VII | 1 |
p. 84-99 |
artikel |
|
| 156 | SURPRISED BY JOY. DR.JOHNSON AT RANELAGH1 |
DAVIE, DONALD |
1954 |
VII | 1 |
p. 85-b-86 |
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| 157 | SURPRISED BY LOVEJOY |
ROBERTS, MARK |
1965 |
VII | 1 |
p. 118-130 |
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| 158 | ‘Sylvia's Lovers’ and Legality |
EAGLETON, TERRY |
1976 |
VII | 1 |
p. 17-27 |
artikel |
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| 159 | Teaching English in the Universities |
TILLOTSON, GEOFFREY |
1951 |
VII | 1 |
p. 74-80 |
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| 160 | TED HUGHES AND VIOLENCE |
RAWSON, C. J. |
1966 |
VII | 1 |
p. 124-129 |
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| 161 | THE ALTERNATIVE TO SCRUTINY |
BATESON, F. W. |
1964 |
VII | 1 |
p. 10-20 |
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| 162 | The Art of the Enemy |
CONQUEST, ROBERT |
1957 |
VII | 1 |
p. 42-55 |
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| 163 | THE ATTACK ON LEAVIS |
COULSON, PETER |
1963 |
VII | 1 |
p. 107-112 |
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| 164 | The Beast in Nirad Chaudhuri's Garden |
SABIN, MARGERY |
1994 |
VII | 1 |
p. 26-48 |
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| 165 | THE CAMBRIDGE WOMEN IN LOVE AGAIN |
ROSS, CHARLES L. |
1990 |
VII | 1 |
p. 95-97 |
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| 166 | The Critical Forum |
GODSHALK, WILLIAM LEIGH |
1967 |
VII | 1 |
p. 121-124 |
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| 167 | The Critical Forum |
BATESON, F. W. |
1962 |
VII | 1 |
p. 107-108 |
artikel |
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| 168 | The Critical Forum |
BREWER, D. S. |
1962 |
VII | 1 |
p. 109-110 |
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| 169 | THE DEAD PHOENIX |
MATCHETT, WILLIAM H. |
1966 |
VII | 1 |
p. 132-a-132 |
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| 170 | The Disputed Lines in The Fall of Hyperion |
WICKER, BRIAN |
1957 |
VII | 1 |
p. 28-41 |
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| 171 | THE END OF IDEOLOGY |
HILL, CHRISTOPHER |
1968 |
VII | 1 |
p. 78-84 |
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| 172 | THE FAMILY REUNION |
SCRIMGEOUR, C. A. |
1963 |
VII | 1 |
p. 104-106 |
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| 173 | THE FRANKLIN'S TALE |
KEARNEY, ANTHONY |
1971 |
VII | 1 |
p. 109-111 |
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| 174 | The Hero's Guilt: The Case of Great Expectations |
MOYNAHAN, JULIAN |
1960 |
VII | 1 |
p. 60-79 |
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|
| 175 | The Historical Double: Waverley, Sylvia's Lovers, The Trumpet-Major |
RIGNALL, J. M. |
1984 |
VII | 1 |
p. 14-32 |
artikel |
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| 176 | The Importance of Empson (II): The Criticism |
NORRIS, CHRISTOPHER |
1985 |
VII | 1 |
p. 25-44 |
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| 177 | THE MATTER OF METRE |
BATESON, F. W. |
1964 |
VII | 1 |
p. 104-106 |
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| 178 | THE MATTER OF METRE |
RIDLAND, J. M. |
1964 |
VII | 1 |
p. 102-104 |
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| 179 | The Merchant's Tale |
PITTOCK, MALCOLM |
1967 |
VII | 1 |
p. 26-40 |
artikel |
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| 180 | THE MORAL OF SHELLEY AT WORK |
WAIN, JOHN |
1958 |
VII | 1 |
p. 120-121 |
artikel |
|
| 181 | The Mystery of Poe's Poetry |
BELGION, MONTGOMERY |
1951 |
VII | 1 |
p. 51-66 |
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| 182 | THE NATURE OF FICTION |
WEST, PAUL |
1963 |
VII | 1 |
p. 95-100 |
artikel |
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| 183 | THEOLOGY AND THE INDIVIDUAL TALENT |
PITT, VALERIE |
1958 |
VII | 1 |
p. 103-106 |
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| 184 | THE OPTIMISTIC REVOLUTION |
PITTOCK, MALCOLM |
1962 |
VII | 1 |
p. 82-91 |
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| 185 | The Personality of Sir Thomas Wyatt |
SOUTHALL, RAYMOND |
1964 |
VII | 1 |
p. 43-64 |
artikel |
|
| 186 | The Pill and the Cherries: Sidney and the Neo-Classical Tradition |
ROBERTS, MARK |
1966 |
VII | 1 |
p. 22-31 |
artikel |
|
| 187 | The Plot of Emma |
HARVEY, W. J. |
1967 |
VII | 1 |
p. 48-63 |
artikel |
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| 188 | The Poet in John Gower |
FISON, PETER |
1958 |
VII | 1 |
p. 16-26 |
artikel |
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| 189 | The Poet-Scholar |
DAVIE, DONALD |
1955 |
VII | 1 |
p. 43-43 |
artikel |
|
| 190 | The Prisoner of The Prisoner of zenda Anthony Hope and the Novel of Society |
PUTT, S. GORLEY |
1956 |
VII | 1 |
p. 38-59 |
artikel |
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| 191 | THE PRODUCTIVITY OF POETS |
DAVIS, DEREK RUSSELL |
1992 |
VII | 1 |
p. 56-62 |
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| 192 | The Psychology of Tragic Pleasure1 |
MORRELL, ROY |
1956 |
VII | 1 |
p. 22-37 |
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|
| 193 | THERE LIES THE SCENE |
WILDERS, JOHN |
1973 |
VII | 1 |
p. 76-79 |
artikel |
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| 194 | THE RHETORIC OF EMPIRE |
SABIN, MARGERY |
1993 |
VII | 1 |
p. 75-84 |
artikel |
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| 195 | THE SACRED TEXT |
GRIFFIN, JULIA |
1995 |
VII | 1 |
p. 57-63 |
artikel |
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| 196 | The Sinking Island and the Dying Author: R. W. Chambers Fifty Years On |
BURROW, J. A. |
1990 |
VII | 1 |
p. 1-23 |
artikel |
|
| 197 | The Structure of “All's Welln That Ends Well” |
NAGARAJAN, S. |
1960 |
VII | 1 |
p. 24-31 |
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|
| 198 | THE TABLE OF GREEN FIELDS |
SCHANZER, ERNEST |
1956 |
VII | 1 |
p. 119-121 |
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|
| 199 | THE TABLE OF GREEN FIELDS |
HULME, HILDA M. |
1956 |
VII | 1 |
p. 117-119 |
artikel |
|
| 200 | The Three Provincialities (1922) |
ELIOT, T. S. |
1951 |
VII | 1 |
p. 38-41 |
artikel |
|
| 201 | The Turn of the Screw: Jamesian Gothic |
MACKENZIE, MANFRED |
1962 |
VII | 1 |
p. 34-38 |
artikel |
|
| 202 | THE UNCOLLECTED LETTERS OF D. H. LAWRENCE |
COOMBES, H. |
1963 |
VII | 1 |
p. 81-85 |
artikel |
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| 203 | THE VERIFICATION OF POETIC MEANING II |
ADLER, ALFRED |
1953 |
VII | 1 |
p. 109-a-109 |
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| 204 | The War's and Fortune's Son |
CRUTTWELL, PATRICK |
1952 |
VII | 1 |
p. 24-37 |
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|
| 205 | Trollope, Balzac, and the Reappearing Character |
WALL, STEPHEN |
1975 |
VII | 1 |
p. 123-144 |
artikel |
|
| 206 | Trollope, Satire, and The Way We Live Now |
WALL, STEPHEN |
1987 |
VII | 1 |
p. 43-61 |
artikel |
|
| 207 | TUDOR SANCTUARIES |
BURROW, COLIN |
1991 |
VII | 1 |
p. 51-61 |
artikel |
|
| 208 | Walter Scott, J. G. Farrell, and Fictions of Empire |
RIGNALL, J. M. |
1991 |
VII | 1 |
p. 11-27 |
artikel |
|
| 209 | WAR AND PEACE II |
BINYON, TIMOTHY |
1968 |
VII | 1 |
p. 104-104 |
artikel |
|
| 210 | Was Hobbes an Ogre? |
PINTO, V. DE S. |
1957 |
VII | 1 |
p. 22-27 |
artikel |
|
| 211 | Waugh’s A Handful of Dust: Right Things in Wrong Places |
SLATER, ANN PASTERNAK |
1982 |
VII | 1 |
p. 48-68 |
artikel |
|
| 212 | WHAT IS FANNY HILL? |
SLEPIAN, B. |
1964 |
VII | 1 |
p. 65-75 |
artikel |
|
| 213 | WHAT IS ‘PARADISE LOST’ REALLY ABOUT? |
MORGAN, EDWIN |
1956 |
VII | 1 |
p. 76-b-77 |
artikel |
|
| 214 | WILFRED OWEN'S ‘GREATER LOVE’ |
FREEMAN, ROSEMARY |
1966 |
VII | 1 |
p. 132-b-133 |
artikel |
|
| 215 | Wordsworth and Helvellyn's Womb |
WU, DUNCAN |
1994 |
VII | 1 |
p. 6-25 |
artikel |
|
| 216 | Wordsworth's Solitary Reaper |
JAMES, G. INGLI |
1965 |
VII | 1 |
p. 65-76 |
artikel |
|
| 217 | World Without Order: Some Thoughts on the Poetry of Swift |
ENGLAND, A. B. |
1966 |
VII | 1 |
p. 32-43 |
artikel |
|
| 218 | YES AND NO |
EMPSON, WILLIAM |
1955 |
VII | 1 |
p. 88-90 |
artikel |
|
| 219 | YOU MUST BE JOKING |
ROBERTS, MARK |
1976 |
VII | 1 |
p. 83-90 |
artikel |
|
| 220 | YOUNG CHESTERFIELD'S ADVICE TO HIS FATHER |
TOMLINSON, CHARLES |
1956 |
VII | 1 |
p. 75-b-76 |
artikel |
|
| 221 | Yvor Winters: Counter-Romantic |
ROBSON, W. W. |
1975 |
VII | 1 |
p. 169-177 |
artikel |
221 gevonden resultaten