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Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
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365 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | ABOUT MUCH ADO |
DRAFFAN, ROBERT A. |
1970 |
I | 4 |
p. 488-492 |
artikel |
|
| 2 | ‘A COOKING EGG’: THREE POSTSCRIPTS |
1953 |
I | 4 |
p. 476-477 |
artikel |
||
| 3 | ACTION AND SOLILOQUY IN MACBETH |
DAVIES, CECIL W. |
1958 |
I | 4 |
p. 451-453 |
artikel |
|
| 4 | ADVENTURE IN ENGLISH |
ROBERTS, MARK |
1956 |
I | 4 |
p. 450-459 |
artikel |
|
| 5 | A Journey to The Western Isles Reconsidered |
KAUL, R. K. |
1963 |
I | 4 |
p. 341-350 |
artikel |
|
| 6 | A LEGACY |
WINDEATT, BARRY |
1984 |
I | 4 |
p. 339-343 |
artikel |
|
| 7 | Allusion and Innuendo in MacFlecknoe |
WILDING, MICHAEL |
1968 |
I | 4 |
p. 355-370 |
artikel |
|
| 8 | ALLUSION IN THE WASTE LAND |
MCLAUCHLAN, JULIET |
1968 |
I | 4 |
p. 454-460 |
artikel |
|
| 9 | AMBIVALENT ALLUSIONS |
ROE, NICHOLAS |
1993 |
I | 4 |
p. 334-340 |
artikel |
|
| 10 | A Medieval Poem and its Secularized Derivati“ve |
BERRY, FRANCIS |
1955 |
I | 4 |
p. 299-314 |
artikel |
|
| 11 | AMERICAN PATCHWORK |
LYONS, BRENDA FOGLIO |
1992 |
I | 4 |
p. 338-344 |
artikel |
|
| 12 | A MODERN ALLEGORIST |
COLLINS, H.P |
1954 |
I | 4 |
p. 463-466 |
artikel |
|
| 13 | ANCIENT AND MODERN |
WILLIAMSON, KARINA |
1995 |
I | 4 |
p. 347-355 |
artikel |
|
| 14 | A NEW LOOK AT DONNE? |
RAWLINSON, DAVID |
1954 |
I | 4 |
p. 458-462 |
artikel |
|
| 15 | A NOTE ON SPELT FROM SIBYL'S LEAVES |
DOHERTY, FRANCIS |
1964 |
I | 4 |
p. 428-432 |
artikel |
|
| 16 | ANOTHER NEW POEM BY WORDSWORTH |
STORCH, R. F. |
1965 |
I | 4 |
p. 473-476 |
artikel |
|
| 17 | ANOTHER PART OF THE WOOD |
CRUTTWELL, PATRICK |
1955 |
I | 4 |
p. 382-390 |
artikel |
|
| 18 | Anticipation and Retrospect inMuch Ado About Nothing |
EDWARDS, GAVIN |
1991 |
I | 4 |
p. 277-290 |
artikel |
|
| 19 | A POINT ON THE CULTURAL GRAPH |
AMIS, KINGSLEY |
1955 |
I | 4 |
p. 394-397 |
artikel |
|
| 20 | APOLOGY TO A PUBLISHER |
FWB, |
1960 |
I | 4 |
p. 493-b-493 |
artikel |
|
| 21 | A Prelude to The Prelude |
MORGAN, EDWIN |
1955 |
I | 4 |
p. 341-353 |
artikel |
|
| 22 | A ROME OF MY OWN |
PITT, H. G. |
1991 |
I | 4 |
p. 346-354 |
artikel |
|
| 23 | Art and The Portrait of the Artist |
JACK, JANE H. |
1955 |
I | 4 |
p. 354-364 |
artikel |
|
| 24 | A SCOTS POET |
FLETCHER, IAN |
1962 |
I | 4 |
p. 435-441 |
artikel |
|
| 25 | A SURPLUS OF SIGNIFIER |
TAPLIN, OLIVER |
1976 |
I | 4 |
p. 339-346 |
artikel |
|
| 26 | ATAVISM AND ANTICIPATION IN SHAKESPEARE'S STYLE |
TILLYARD, E. M. W. |
1957 |
I | 4 |
p. 454-454 |
artikel |
|
| 27 | ATAVISM AND ANTICIPATION IN SHAKESPEARE'S STYLE |
HUNTER, G. K. |
1957 |
I | 4 |
p. 450-453 |
artikel |
|
| 28 | ATAVISM AND ANTICIPATION IN SHAKESPEARE'S STYLE |
FOAKES, R. A. |
1957 |
I | 4 |
p. 455-457 |
artikel |
|
| 29 | Auden and All The Conspirators |
WHITEHEAD, JOHN |
1986 |
I | 4 |
p. 335-341 |
artikel |
|
| 30 | AUDEN IS GOOD |
ELLIOT, ALISTAIR |
1965 |
I | 4 |
p. 462-470 |
artikel |
|
| 31 | AUTHORITARIAN |
HEWITT, DOUGLAS |
1964 |
I | 4 |
p. 416-424 |
artikel |
|
| 32 | Authorization in Middlemarch |
HAVELY, CICELY PALSER |
1990 |
I | 4 |
p. 303-321 |
artikel |
|
| 33 | A WORD FOR ‘THE FOX’ |
COOMBES, H. |
1959 |
I | 4 |
p. 451-453 |
artikel |
|
| 34 | BACK TO HIS BOOK THEN |
PETTIGREW, JOHN |
1972 |
I | 4 |
p. 436-441 |
artikel |
|
| 35 | Balzac Today1 |
CURTIUS, ERNST ROBERT |
1951 |
I | 4 |
p. 356-375 |
artikel |
|
| 36 | BANQUO AND EDGAR |
URE, PETER |
1957 |
I | 4 |
p. 457-459 |
artikel |
|
| 37 | Bats and Tea-Trays: A Note on Nonsense1 |
SEWELL, ELIZABETH |
1951 |
I | 4 |
p. 376-386 |
artikel |
|
| 38 | Baudelaire: an Epitaph |
TOMLINSON, CHARLES |
1956 |
I | 4 |
p. 446-b-447 |
artikel |
|
| 39 | BIRDS, DOES, AND MANLINESS IN ‘THEY FLE FROM ME’ |
MORRIS, HARRY |
1960 |
I | 4 |
p. 484-492 |
artikel |
|
| 40 | Book Reviews |
JONES, EMRYS |
1963 |
I | 4 |
p. 386-392 |
artikel |
|
| 41 | Book Reviews |
NEILL, EDWARD |
1986 |
I | 4 |
p. 355-361 |
artikel |
|
| 42 | Book Reviews |
COCKSHUT, A. O. J. |
1986 |
I | 4 |
p. 342-346 |
artikel |
|
| 43 | Book Reviews |
BRADSHAW, DAVID |
1986 |
I | 4 |
p. 352-355 |
artikel |
|
| 44 | Book Reviews |
HUNTER, G. K. |
1959 |
I | 4 |
p. 406-411 |
artikel |
|
| 45 | Book Reviews |
HASLÖV, ELAINE |
1966 |
I | 4 |
p. 466-472 |
artikel |
|
| 46 | Book Reviews |
VENDLER, HELEN HENNESSY |
1966 |
I | 4 |
p. 457-463 |
artikel |
|
| 47 | Book Reviews |
SMITH, NIGEL |
1991 |
I | 4 |
p. 324-331 |
artikel |
|
| 48 | Book Reviews |
TOMLINSON, CHARLES |
1971 |
I | 4 |
p. 404-409 |
artikel |
|
| 49 | Book Reviews |
BRADBURY, NICOLA |
1986 |
I | 4 |
p. 347-352 |
artikel |
|
| 50 | Book Reviews |
BATESON, F. W. |
1955 |
I | 4 |
p. 397-398 |
artikel |
|
| 51 | ‘BOTH GOD AND FAKE’ |
NASSAR, EUGENE PAUL |
1968 |
I | 4 |
p. 448-453 |
artikel |
|
| 52 | BRICKBATS AND MORTARS |
PASCOE, DAVID |
1990 |
I | 4 |
p. 347-358 |
artikel |
|
| 53 | Browning's Don Juan |
MELCHIORI, BARBARA |
1966 |
I | 4 |
p. 416-440 |
artikel |
|
| 54 | BROWNING'S ‘DUCHESS’ |
NITCHIE, ELIZABETH |
1953 |
I | 4 |
p. 475-476 |
artikel |
|
| 55 | BUT YES |
RICKS, CHRISTOPHER |
1976 |
I | 4 |
p. 363-370 |
artikel |
|
| 56 | BYRON'S MARRIAGE |
KNIGHT, G. WILSON |
1958 |
I | 4 |
p. 453-456 |
artikel |
|
| 57 | Clarissa Harlowe and her Times |
HILL, CHRISTOPHER |
1955 |
I | 4 |
p. 315-340 |
artikel |
|
| 58 | CLASSICAL - TRAGICAL |
POOLE, ADRIAN |
1993 |
I | 4 |
p. 330-334 |
artikel |
|
| 59 | Classicism in Keats's Chapman Sonnet |
WILLS, GARRY |
1967 |
I | 4 |
p. 456-460 |
artikel |
|
| 60 | CLOUGH'S LETTERS |
ALLOTT, KENNETH |
1958 |
I | 4 |
p. 438-446 |
artikel |
|
| 61 | Communication and the Victorian Poet |
AMIS, KINGSLEY |
1954 |
I | 4 |
p. 386-399 |
artikel |
|
| 62 | CONFUSED ILLUMINATIONS |
BLYTH, CHARLES |
1974 |
I | 4 |
p. 391-398 |
artikel |
|
| 63 | CONTRE MICHEL, OR, THE ATOMIST AS CONTEXTUALIST |
STACK, RICHARD |
1965 |
I | 4 |
p. 471-473 |
artikel |
|
| 64 | Contributions to a Dictionary of Critical Terms. ‘Egoism’ and ‘Egotism’ |
STEWER, F. GEORGE |
1952 |
I | 4 |
p. 444-452 |
artikel |
|
| 65 | COWLEY |
RAWLINSON, DAVID |
1964 |
I | 4 |
p. 426-a-426 |
artikel |
|
| 66 | Cowley and the Current Status of Metaphysical Poetry |
RAWLINSON, DAVID |
1963 |
I | 4 |
p. 323-340 |
artikel |
|
| 67 | Crabbe's So-Called Realism |
EDWARDS, GAVIN |
1987 |
I | 4 |
p. 303-320 |
artikel |
|
| 68 | CRITICAL OPINION |
SMALL, IAN |
1986 |
I | 4 |
p. 281-293 |
artikel |
|
| 69 | CRITICISM AND THE PUBLIC |
GIFFORD, HENRY |
1953 |
I | 4 |
p. 463-468 |
artikel |
|
| 70 | CRITICISM AND THE PUBLIC II |
BATESON, F. W. |
1953 |
I | 4 |
p. 468-470 |
artikel |
|
| 71 | C.S LEWIS, DARKELY |
BARKER, NICOLAS |
1990 |
I | 4 |
p. 358-367 |
artikel |
|
| 72 | C. S. LEWIS'S INAUGURAL |
MAUD, RALPH |
1955 |
I | 4 |
p. 390-393 |
artikel |
|
| 73 | CULTURE AND SOCIETY |
WILLIAMS, RAYMOND |
1959 |
I | 4 |
p. 432-437 |
artikel |
|
| 74 | CULTURE AND SOCIETY |
GREGOR, IAN |
1959 |
I | 4 |
p. 425-430 |
artikel |
|
| 75 | Death and Modernity in Dombey and Son |
TAMBLING, JEREMY |
1993 |
I | 4 |
p. 308-329 |
artikel |
|
| 76 | DECONSTRUCTING POUND |
NASSAR, EUGENE PAUL |
1988 |
I | 4 |
p. 351-357 |
artikel |
|
| 77 | De Quincey's Anarchic Moments |
WHALE, JOHN C. |
1983 |
I | 4 |
p. 273-293 |
artikel |
|
| 78 | DEUX MONDES |
JULIAN, ROBERT |
1995 |
I | 4 |
p. 370-375 |
artikel |
|
| 79 | Disraeli's ‘View of Life’ in the Novels |
HOLLOWAY, JOHN |
1952 |
I | 4 |
p. 413-433 |
artikel |
|
| 80 | DISSENT |
ADEY, LIONEL |
1978 |
I | 4 |
p. 321-329 |
artikel |
|
| 81 | Donne's Challenge to the Prosodists |
BRADSHAW, GRAHAM |
1982 |
I | 4 |
p. 338-360 |
artikel |
|
| 82 | Double-Entendre in The Miller's Tale |
NEUSS, PAULA |
1974 |
I | 4 |
p. 325-340 |
artikel |
|
| 83 | DRAMATIC CONVENTION IN THE FIRST SCENE OF THE TEMPEST |
MCLAUCHLAN, JULIET |
1971 |
I | 4 |
p. 424-426 |
artikel |
|
| 84 | DRYDEN'S APPARENT SCEPTICISM |
HUME, ROBERT D. |
1970 |
I | 4 |
p. 492-495 |
artikel |
|
| 85 | DRYDEN'S APPARENT SCEPTICISM |
MINER, EARL |
1971 |
I | 4 |
p. 410-411 |
artikel |
|
| 86 | Dryden's Conversion and Dryden's Chaucer |
FROAST, WILLIAM |
1988 |
I | 4 |
p. 278-294 |
artikel |
|
| 87 | Dunciad Redivivus |
PRESTON, JOHN |
1956 |
I | 4 |
p. 448-449 |
artikel |
|
| 88 | Dylan Thomas's Poetry |
MAUD, R. N. |
1954 |
I | 4 |
p. 411-420 |
artikel |
|
| 89 | EDITING FORSTER |
STALLYBRASS, OLIVER |
1976 |
I | 4 |
p. 373-376 |
artikel |
|
| 90 | Editorial Announcement |
S.W., |
1993 |
I | 4 |
p. 352-352 |
artikel |
|
| 91 | Editorial Commentary |
BATESON, F. W. |
1955 |
I | 4 |
p. 427-434 |
artikel |
|
| 92 | Editorial Commentary I |
BATESON, F. W. |
1954 |
I | 4 |
p. 432-440 |
artikel |
|
| 93 | Editorial Notes: Kulchur and Culture in America |
HARVEY, W. J. |
1960 |
I | 4 |
p. 441-450 |
artikel |
|
| 94 | EDITORIAL POSTSCRIPT |
F.W.B., |
1962 |
I | 4 |
p. 421-423 |
artikel |
|
| 95 | EDITORIAL POSTSCRIPT |
F. W. B., |
1966 |
I | 4 |
p. 464-465 |
artikel |
|
| 96 | Elements of D. H. Lawrence's Prose Style |
DATALLER, ROGER |
1953 |
I | 4 |
p. 413-424 |
artikel |
|
| 97 | ELIOT FACTS |
CHILDS, DONALD J. |
1989 |
I | 4 |
p. 348-352 |
artikel |
|
| 98 | ELIOT IN THE THEATRE |
GASKELL, RONALD |
1968 |
I | 4 |
p. 449-453 |
artikel |
|
| 99 | ENGLAND, MY ENGLAND |
FLAY, M. J. |
1994 |
I | 4 |
p. 352-360 |
artikel |
|
| 100 | ENGLISH BOOKS ABOUT FRENCH LITERATURE |
CHADWICK, C. |
1960 |
I | 4 |
p. 493-a-493 |
artikel |
|
| 101 | ENGLISH OUGHT TO BE KEPT DOWN |
GIFFORD, HENRY |
1954 |
I | 4 |
p. 466-470 |
artikel |
|
| 102 | ERNESTFUL MARTERE |
BLYTH, CHARLES |
1992 |
I | 4 |
p. 320-329 |
artikel |
|
| 103 | ERRATUM |
1991 |
I | 4 |
p. 362-s-362 |
artikel |
||
| 104 | EXCELLENCE WITHOUT GREATNESS |
COOMBES, H. |
1957 |
I | 4 |
p. 444-449 |
artikel |
|
| 105 | FANCY FREE |
WHITEHEAD, JHON |
1992 |
I | 4 |
p. 334-338 |
artikel |
|
| 106 | Fantasy and Language in The Cloud of Unknowing |
BURROW, J. A. |
1977 |
I | 4 |
p. 283-298 |
artikel |
|
| 107 | FATAL CLEOPATRA |
RICHARDS, BERNARD |
1985 |
I | 4 |
p. 357-364 |
artikel |
|
| 108 | FEMININE QUEST |
GREGSON, IAN |
1982 |
I | 4 |
p. 381-384 |
artikel |
|
| 109 | FICTION AND THE WRITING PUBLIC |
WILLIAMS, RAYMOND |
1957 |
I | 4 |
p. 422-428 |
artikel |
|
| 110 | Filming James |
BRADBURY, NICOLA |
1979 |
I | 4 |
p. 293-301 |
artikel |
|
| 111 | Finding a Part for Parolles |
ELLIS, DAVID |
1989 |
I | 4 |
p. 289-304 |
artikel |
|
| 112 | FIRST BLIGHTS |
RIEGER, JAMES |
1964 |
I | 4 |
p. 401-409 |
artikel |
|
| 113 | Flecknoe and Mac Flecknoe |
HAMMOND, PAUL |
1985 |
I | 4 |
p. 315-329 |
artikel |
|
| 114 | For an Anthology of Pose |
1956 |
I | 4 |
p. 449-449 |
artikel |
||
| 115 | Formalist Games and Real Life |
BAYLEY, JOHN |
1981 |
I | 4 |
p. 271-281 |
artikel |
|
| 116 | FROM THE SUBLIME TO THE SEMINAR |
PEARSON, GABRIEL |
1987 |
I | 4 |
p. 345-352 |
artikel |
|
| 117 | FURTHER THOUGHTS ON A TALE OF A TUB |
DREW, PHILIP |
1971 |
I | 4 |
p. 417-418 |
artikel |
|
| 118 | GAY'S HORSES |
ROWSON, C. J. |
1964 |
I | 4 |
p. 426-b-427 |
artikel |
|
| 119 | GEORGE GISSING |
COLIN, WOOD |
1958 |
I | 4 |
p. 419-b-419 |
artikel |
|
| 120 | GESTURE AS LANGUAGE |
DAY, AlDAN |
1989 |
I | 4 |
p. 326-332 |
artikel |
|
| 121 | Had Morris Gone Soft in the Head? |
CURRIE, ROBERT |
1979 |
I | 4 |
p. 341-356 |
artikel |
|
| 122 | HEAVEN LIES |
SOLOMON, GERALD |
1978 |
I | 4 |
p. 350-352 |
artikel |
|
| 123 | Henry James, War and Witchcraft |
POOLE, ADRIAN |
1991 |
I | 4 |
p. 291-307 |
artikel |
|
| 124 | HENRYSON REINTERPRETED |
HARTH, SYDNEY |
1961 |
I | 4 |
p. 471-480 |
artikel |
|
| 125 | ‘Hidden Affinities’ in Daniel Deronda |
POOLE, ADRIAN |
1983 |
I | 4 |
p. 294-311 |
artikel |
|
| 126 | HILL AS CRITIC |
LOGAN, WILLIAM |
1987 |
I | 4 |
p. 329-338 |
artikel |
|
| 127 | Hope and Fear in Johnson |
HARDY, JOHN |
1976 |
I | 4 |
p. 285-299 |
artikel |
|
| 128 | HOW TO TEACH READING |
BATESON, F. W. |
1957 |
I | 4 |
p. 468-470 |
artikel |
|
| 129 | HOW TO TEACH READING |
PITTOCK, MALCOLM |
1957 |
I | 4 |
p. 462-465 |
artikel |
|
| 130 | HOW TO TEACH READING |
HAYMAN, RONALD |
1957 |
I | 4 |
p. 465-468 |
artikel |
|
| 131 | HUMANISM HISTORICIZED |
AERS, DAVID |
1988 |
I | 4 |
p. 325-334 |
artikel |
|
| 132 | IDEOLOGY |
WOMERSLEY, DAVID |
1991 |
I | 4 |
p. 339-346 |
artikel |
|
| 133 | I. LATE AUGUSTAN |
ALLOTT, KENNETH |
1957 |
I | 4 |
p. 416-416 |
artikel |
|
| 134 | Imagination and Moral Theme in E. M. Forster's The Longest Journey |
HARVEY, JOHN |
1956 |
I | 4 |
p. 418-433 |
artikel |
|
| 135 | IN DEFENCE OF ROB ROY |
GORDON, ROBERT C. |
1968 |
I | 4 |
p. 470-475 |
artikel |
|
| 136 | INOPPORTUNE |
WOMERSELEY, DAVID |
1994 |
I | 4 |
p. 339-346 |
artikel |
|
| 137 | INSTANT CRITICISM |
ROBERTS, MARK |
1963 |
I | 4 |
p. 403-415 |
artikel |
|
| 138 | INTO THE OPEN |
JONES, EMRYS |
1983 |
I | 4 |
p. 339-348 |
artikel |
|
| 139 | Jacques Riviére, 1886–1925 |
GREENWOOD, E. B. |
1960 |
I | 4 |
p. 422-433 |
artikel |
|
| 140 | James and his Sources:The Spoils of Poynton |
RICHARDS, BERNARD |
1979 |
I | 4 |
p. 302-322 |
artikel |
|
| 141 | JAMESIAN AMBIGUITY |
HIRST, MICHAEL |
1979 |
I | 4 |
p. 369-374 |
artikel |
|
| 142 | James's Medal: Options in The Wings of the Dove |
HUTCHINSON, STUART |
1977 |
I | 4 |
p. 315-335 |
artikel |
|
| 143 | JAMES SMITH: AN OBITUARY APPRECIATION |
BATESON, F. W. |
1972 |
I | 4 |
p. 447-448 |
artikel |
|
| 144 | JOHNSON |
GREENE, D. J. |
1964 |
I | 4 |
p. 427-428 |
artikel |
|
| 145 | JOHNSONIAN CRITICS |
GREENE, D.J. |
1960 |
I | 4 |
p. 476-480 |
artikel |
|
| 146 | JOHNSON'S ‘FALLING HOUSES’ |
SHERBO, ARTHUR |
1976 |
I | 4 |
p. 376-378 |
artikel |
|
| 147 | JOHNSON'S ‘FALLING HOUSES’ |
DONALDSON, IAN |
1976 |
I | 4 |
p. 378-378 |
artikel |
|
| 148 | JOYEUX QUICUM ULYSSE… |
CROSS, GUSTAV |
1958 |
I | 4 |
p. 420-420 |
artikel |
|
| 149 | Keats and Edward Thomas |
BURROW, JOHN |
1957 |
I | 4 |
p. 404-415 |
artikel |
|
| 150 | LADY CHATTERLEY AGAIN |
PETER, JOHN |
1962 |
I | 4 |
p. 445-447 |
artikel |
|
| 151 | Lady Susan and the Single Effect |
GARD, ROGER |
1989 |
I | 4 |
p. 305-325 |
artikel |
|
| 152 | Langland's Structural Imagery |
SCHMIDT, A. V. C. |
1980 |
I | 4 |
p. 311-325 |
artikel |
|
| 153 | LANGUAGE AND LITERATURE |
GREENWOOD, E. B. |
1968 |
I | 4 |
p. 477-478 |
artikel |
|
| 154 | Larkin and the Exemplary Owen |
SWINDEN, PATRICK |
1994 |
I | 4 |
p. 315-332 |
artikel |
|
| 155 | Larkin's Stammer |
TRENGOVE-JONES, TIM |
1990 |
I | 4 |
p. 322-338 |
artikel |
|
| 156 | Lawrence, Joyce and Powys |
KNIGHT, G.WILSON |
1961 |
I | 4 |
p. 403-417 |
artikel |
|
| 157 | Lawrence's Sons and Loversversus Garnett's |
BARON, HELEN |
1992 |
I | 4 |
p. 265-278 |
artikel |
|
| 158 | LEADEN SHOES |
HORNE, PHILIP |
1983 |
I | 4 |
p. 353-363 |
artikel |
|
| 159 | Leaking Relativism |
LEVIN, RICHARD |
1988 |
I | 4 |
p. 267-277 |
artikel |
|
| 160 | LEAR'S ‘POOR FOOL’ AND DICKENS |
FLEISSNER, ROBERT F. |
1964 |
I | 4 |
p. 425-425 |
artikel |
|
| 161 | Lights, ho!(I) |
GURR, ANDREW |
1984 |
I | 4 |
p. 271-277 |
artikel |
|
| 162 | Lights, ho!(II) |
BROWN, KEITH |
1984 |
I | 4 |
p. 283-284 |
artikel |
|
| 163 | Lights, ho!(II) |
ORRELL, JOHN |
1984 |
I | 4 |
p. 278-282 |
artikel |
|
| 164 | LINES FOR AN ASSISTANT LECTURER |
HOBSBAUM, PHILIP |
1960 |
I | 4 |
p. 436-436 |
artikel |
|
| 165 | Literary Interpretation and the Subjective Correlative: An Illustration from Wyatt |
BOYD, JOHN DOUGLAS |
1971 |
I | 4 |
p. 327-346 |
artikel |
|
| 166 | LITERARY LANGUAGE |
FOWLER, ROGER |
1971 |
I | 4 |
p. 398-404 |
artikel |
|
| 167 | LITERATURE AND LANGUAGE |
STEDMOND, JOHN |
1957 |
I | 4 |
p. 475-477 |
artikel |
|
| 168 | LITTLE ENGLAND |
DAVIE, DONALD |
1972 |
I | 4 |
p. 429-436 |
artikel |
|
| 169 | ‘LONELINESS’ IN THE MERCHANT OF VENICE |
TILLYARD, E. M. W. |
1961 |
I | 4 |
p. 487-488 |
artikel |
|
| 170 | LOVE IN THE SIXTEENTH CENTURY |
GARDNER, STANLEY |
1973 |
I | 4 |
p. 435-b-440 |
artikel |
|
| 171 | Love's Labour's Lost and the Circling Seasons |
KERRIGAN, JOHN |
1978 |
I | 4 |
p. 269-287 |
artikel |
|
| 172 | LUNULAR PARAPHRASE |
TERADA, REI |
1992 |
I | 4 |
p. 329-334 |
artikel |
|
| 173 | MacNeice's Pale Panther: An exercise in dream logic |
McKINNON, WILLIAM T. |
1973 |
I | 4 |
p. 388-398 |
artikel |
|
| 174 | MAKE IT NEW |
PETER, JOHN |
1977 |
I | 4 |
p. 336-348 |
artikel |
|
| 175 | Male Critics and Feminist Criticism |
RUTHVEN, K. K. |
1983 |
I | 4 |
p. 263-272 |
artikel |
|
| 176 | Mansfield Park: Jane Austen's Bleak House |
DRAFFAN, ROBERT A. |
1968 |
I | 4 |
p. 371-384 |
artikel |
|
| 177 | Marius the Epicurean |
OSBOURN, R. V. |
1951 |
I | 4 |
p. 387-403 |
artikel |
|
| 178 | Marvell's Effortless Superiority |
CREASER, JOHN |
1970 |
I | 4 |
p. 403-423 |
artikel |
|
| 179 | MARVELL'S IMPOSSIBLE LOVE |
TURNER, JAMES |
1977 |
I | 4 |
p. 375-377 |
artikel |
|
| 180 | MARVELL'S IMPOSSIBLE LOVE |
LOVE, HAROLD |
1977 |
I | 4 |
p. 374-375 |
artikel |
|
| 181 | Marvell's Warlike Studies |
TURNER, JAMES |
1978 |
I | 4 |
p. 288-301 |
artikel |
|
| 182 | MEANING AND TONE |
CHADWICK, C. |
1963 |
I | 4 |
p. 432-435 |
artikel |
|
| 183 | MEMORABILIA |
HARRÉ, ROM |
1967 |
I | 4 |
p. 473-478 |
artikel |
|
| 184 | ‘Men's Words’ and Hardy's Women |
POOLE, ADRIAN |
1981 |
I | 4 |
p. 328-345 |
artikel |
|
| 185 | Metaphor and Rhetoric in Newman's Apologia |
MENDEL, SYDNEY |
1973 |
I | 4 |
p. 357-371 |
artikel |
|
| 186 | Milton and Arnold |
BROADBENT, J. B. |
1956 |
I | 4 |
p. 404-417 |
artikel |
|
| 187 | MISREADINGS OF ‘THE FLY’ |
GRANT, JOHN E. |
1961 |
I | 4 |
p. 481-487 |
artikel |
|
| 188 | Moral Ambiguity and the Renaissance Art of Eloquence |
SKINNER, QUENTIN |
1994 |
I | 4 |
p. 267-292 |
artikel |
|
| 189 | More Fair than Black: Light and Dark in Othello |
HEILMAN, ROBERT B. |
1951 |
I | 4 |
p. 315-335 |
artikel |
|
| 190 | MORE ON ‘THE FLY’ I |
GREENWOOD, E. B. |
1962 |
I | 4 |
p. 448-450 |
artikel |
|
| 191 | MORE ON ‘THE FLY’ II |
BATESON, F. W. |
1962 |
I | 4 |
p. 451-452 |
artikel |
|
| 192 | MR. ELIOT'S CHINESE WALL |
HOLBROOK, DAVID |
1955 |
I | 4 |
p. 418-426 |
artikel |
|
| 193 | MR. EMPSON AND THE FIRE SERMON |
EMPSON, WILLIAM |
1956 |
I | 4 |
p. 481-482 |
artikel |
|
| 194 | Mrs Dalloway and the Female Vagrant |
SCHRÖDER, LEENA KORE |
1995 |
I | 4 |
p. 324-346 |
artikel |
|
| 195 | MRS. GASKELL NOW |
COOMBES, H. |
1966 |
I | 4 |
p. 473-479 |
artikel |
|
| 196 | MR. STEPHENS ON ‘HEART OF DARKNESS’ |
MAXWELL, J. C. |
1968 |
I | 4 |
p. 461-462 |
artikel |
|
| 197 | MR. STEPHENS ON ‘HEART OF DARKNESS’ |
STEPHENS, R. C. |
1968 |
I | 4 |
p. 463-466 |
artikel |
|
| 198 | MY GOD MAN THERE'S BEARS ON IT |
EMPSON, WILLIAM |
1972 |
I | 4 |
p. 417-429 |
artikel |
|
| 199 | MYTHS AND MORALS |
EMERSON, SHEILA |
1989 |
I | 4 |
p. 332-339 |
artikel |
|
| 200 | Natural Love in The Parlement of Foules |
EMSLIE, MACDONALD |
1955 |
I | 4 |
p. 413-418 |
artikel |
|
| 201 | Natural Love in The Parlement of Foules |
BREWER, D. S. |
1955 |
I | 4 |
p. 407-413 |
artikel |
|
| 202 | NATURAL LOVE IN THE PARLEMENT OF FOULES |
CLARK, CECILY |
1955 |
I | 4 |
p. 405-407 |
artikel |
|
| 203 | NEITHER PLENITUDE NOR VACANCY |
BLYTH, CHARLES |
1987 |
I | 4 |
p. 321-329 |
artikel |
|
| 204 | NETWORK OF ALLUSION |
LEE, HERMIONE |
1976 |
I | 4 |
p. 355-363 |
artikel |
|
| 205 | NEW FORTUNES |
HORSFORD, HOWARD C. |
1967 |
I | 4 |
p. 478-487 |
artikel |
|
| 206 | NINE WAYS OF LOOKING AT A POEM |
GIFFORD, HENRY |
1958 |
I | 4 |
p. 421-421 |
artikel |
|
| 207 | North and South: A Reassessment |
CHAPPLE, J. A. V. |
1967 |
I | 4 |
p. 461-472 |
artikel |
|
| 208 | NOTES ON MRS. GASKELL'S NARRATIVE TECHNIQUE |
MCVEAGH, J. |
1968 |
I | 4 |
p. 461-470 |
artikel |
|
| 209 | NOT JUST NORTH OF BOSTON |
GASKELL, RONALD |
1979 |
I | 4 |
p. 375-380 |
artikel |
|
| 210 | NOVELISTS TESTIFYING |
COCKSHUT, A. O. J. |
1960 |
I | 4 |
p. 473-475 |
artikel |
|
| 211 | Novels and those ‘Necessary Evils’: Annotating the Brontës |
JACK, IAN |
1982 |
I | 4 |
p. 321-337 |
artikel |
|
| 212 | Old Pip:The Ending of Great Expectations |
FRENCH, A. L. |
1979 |
I | 4 |
p. 357-360 |
artikel |
|
| 213 | On Reading an Eighteenth-Century Page |
HAYMAN, JOHN G. |
1962 |
I | 4 |
p. 388-401 |
artikel |
|
| 214 | ON STYLE AND OTHER GAPS |
PAYNE, MICHAEL |
1970 |
I | 4 |
p. 500-501 |
artikel |
|
| 215 | Organs of Critical Opinion. II. Reviewing in The New Statesman and The Spectator |
HAYMAN, RONALD |
1956 |
I | 4 |
p. 434-445 |
artikel |
|
| 216 | PAMELA AND JOSEPH ANDREWS |
KEARNEY, ANTHONY |
1968 |
I | 4 |
p. 479-480 |
artikel |
|
| 217 | Parallelism and the Poets' Secret: Eighteenth-Century Commentary on Paradise Lost |
KEENER, FREDERICK M. |
1987 |
I | 4 |
p. 281-302 |
artikel |
|
| 218 | Parody as a Literary Form: George Herbert and Wilfred Owen |
FREEMAN, ROSEMARY |
1963 |
I | 4 |
p. 307-322 |
artikel |
|
| 219 | PERSUASION I |
SOUTHAM, BRIAN |
1966 |
I | 4 |
p. 480-480 |
artikel |
|
| 220 | PERSUASION II |
GOMME, ANDOR |
1966 |
I | 4 |
p. 481-481 |
artikel |
|
| 221 | POE'S POEMS |
PETER, JOHN |
1958 |
I | 4 |
p. 419-a-419 |
artikel |
|
| 222 | POETRY AND THE POSITIVISTS |
GIBBON, F. P. |
1957 |
I | 4 |
p. 472-b-473 |
artikel |
|
| 223 | POETRY AND THE POSITIVISTS |
GANG, T. M. |
1957 |
I | 4 |
p. 473-474 |
artikel |
|
| 224 | POETRY AND THE POSITIVISTS |
BATESON, F. W. |
1957 |
I | 4 |
p. 474-475 |
artikel |
|
| 225 | Point of View in The Man of Mode |
BARNARD, JOHN |
1984 |
I | 4 |
p. 285-308 |
artikel |
|
| 226 | Poison Gas and The Poetry of War |
SPEAR, HILDA D. |
1991 |
I | 4 |
p. 308-322 |
artikel |
|
| 227 | POPE, RAYMOND WILLIAMS, AND THE MAN OF ROSS |
NEWEY, VINCENT |
1977 |
I | 4 |
p. 368-373 |
artikel |
|
| 228 | POPE'S CITADEL |
PITMAN, RUTH |
1970 |
I | 4 |
p. 472-479 |
artikel |
|
| 229 | Pope's Imitation of Boileau in Arbuthnot |
MENGEL, ELIAS F. |
1988 |
I | 4 |
p. 295-307 |
artikel |
|
| 230 | POWYSIANA |
COOMBES, H. |
1968 |
I | 4 |
p. 453-456 |
artikel |
|
| 231 | Price and Value in Sir Gawain and the Green Knight |
MANN, JILL |
1986 |
I | 4 |
p. 294-318 |
artikel |
|
| 232 | Primordial Auden |
COOK, F. W. |
1962 |
I | 4 |
p. 402-412 |
artikel |
|
| 233 | PRONOUNS IN POETRY |
FINKENSTAEDT, THOMAS |
1958 |
I | 4 |
p. 456-457 |
artikel |
|
| 234 | PUN AND METAPHOR AND POPE |
BLUESTONE, MAX |
1959 |
I | 4 |
p. 440-443 |
artikel |
|
| 235 | PUN AND METAPHOR AND POPE |
BATESON, F. W. |
1959 |
I | 4 |
p. 437-439 |
artikel |
|
| 236 | Putting Words to Wonders |
ROBINSON, KEN |
1992 |
I | 4 |
p. 299-319 |
artikel |
|
| 237 | PUZZLING EPIPHANIES |
KAUFMANN, R. J. |
1963 |
I | 4 |
p. 392-403 |
artikel |
|
| 238 | Racine and the Elizabethans |
LERNER, LAURENCE |
1962 |
I | 4 |
p. 353-369 |
artikel |
|
| 239 | RADICAL SELVES |
O'NEILL, MICHAEL |
1988 |
I | 4 |
p. 334-342 |
artikel |
|
| 240 | Reading Boswell's London Journal |
LERNER, L. D. |
1956 |
I | 4 |
p. 447-448 |
artikel |
|
| 241 | Realism and the Novel |
WATT, IAN |
1952 |
I | 4 |
p. 376-396 |
artikel |
|
| 242 | Religion and Invention in Robinson Crusoe |
HALEWOOD, WILLIAM H. |
1964 |
I | 4 |
p. 339-351 |
artikel |
|
| 243 | RESCUE OPERATION |
ALLOTT, KENNETH |
1964 |
I | 4 |
p. 409-416 |
artikel |
|
| 244 | Revealers and Concealers |
HORNE, PHILIP |
1993 |
I | 4 |
p. 273-283 |
artikel |
|
| 245 | Review Article: How to Read The Faerie Qucene |
ALPERS, PAUL |
1968 |
I | 4 |
p. 429-443 |
artikel |
|
| 246 | Reviewer's Bane: |
MEIDNER, OLGA McDONALD |
1961 |
I | 4 |
p. 435-447 |
artikel |
|
| 247 | Roger Ascham and Cleanth Brooks: Renaissance and Modern Critical Thought |
STROZIER, ROBERT M. |
1972 |
I | 4 |
p. 396-407 |
artikel |
|
| 248 | ROMANTIC IMPERIALISTS |
TELTSCHER, KATE |
1993 |
I | 4 |
p. 345-351 |
artikel |
|
| 249 | Romeo and Juliet: Comedy into Tragedy |
SNYDER, SUSAN |
1970 |
I | 4 |
p. 391-402 |
artikel |
|
| 250 | Rossetti's Pornography |
SHRIMPTON, NICHOLAS |
1979 |
I | 4 |
p. 323-340 |
artikel |
|
| 251 | RUPERT BROOKE |
SCOTT, NOEL |
1959 |
I | 4 |
p. 390-390 |
artikel |
|
| 252 | Ruskin's ‘Womanly Mind’ |
BIRCH, DINAH |
1988 |
I | 4 |
p. 308-324 |
artikel |
|
| 253 | Scott, Hamlet, and The Bride of Lammermoor |
McCOMBIE, FRANK |
1975 |
I | 4 |
p. 419-436 |
artikel |
|
| 254 | SELF-SUFFICIENT |
SWAAB, PETER |
1995 |
I | 4 |
p. 364-370 |
artikel |
|
| 255 | SERIOUS OR RHETORICLE |
FOWLAR, ALASTAIR |
1990 |
I | 4 |
p. 339-347 |
artikel |
|
| 256 | SEX AND THE SONNET |
SIEGEL, PAUL N. |
1952 |
I | 4 |
p. 465-468 |
artikel |
|
| 257 | Sexual Puns in Astrophil and Stella |
SINFIELD, ALAN |
1974 |
I | 4 |
p. 341-355 |
artikel |
|
| 258 | Shakespeare and the New Historicism |
ROMANY, FRANK |
1989 |
I | 4 |
p. 271-288 |
artikel |
|
| 259 | SHAKESPEARE OR HIS POEMS? |
MARTIN, C. G. |
1955 |
I | 4 |
p. 398-404 |
artikel |
|
| 260 | Shakespeare's Bed-Tricks |
BRIGGS, JULIA |
1994 |
I | 4 |
p. 293-314 |
artikel |
|
| 261 | Shakespeare's Serious Indecency |
DONALDSON, IAN |
1974 |
I | 4 |
p. 363-367 |
artikel |
|
| 262 | SHELLEY COLOURED(AND PLAIN) |
MATTHEWS, G. M. |
1960 |
I | 4 |
p. 462-469 |
artikel |
|
| 263 | SHELLEY TODAY |
FREEMAN, JOHN |
1975 |
I | 4 |
p. 457-464 |
artikel |
|
| 264 | SINCERITY |
TOMLINSON, PETER |
1974 |
I | 4 |
p. 417-422 |
artikel |
|
| 265 | Sir Gawain and The Green Knight: Characterisation by Syntax |
CLARK, CECILY |
1966 |
I | 4 |
p. 361-374 |
artikel |
|
| 266 | SIXTEENTH-CENTURY POETRY AND THE COMMON READER I |
BROADBENT, J. B. |
1954 |
I | 4 |
p. 421-426 |
artikel |
|
| 267 | SIXTEENTH-CENTURY POETRY AND THE COMMON READER II |
DAVIE, DONALD |
1954 |
I | 4 |
p. 426-428 |
artikel |
|
| 268 | SIXTEENTH-CENTURY POETRY AND THE COMMON READER III |
BATESON, F. W. |
1954 |
I | 4 |
p. 428-430 |
artikel |
|
| 269 | Snow, A Philosophical Poem: A Study in Critical Procedure |
CRAGG, R. C. |
1953 |
I | 4 |
p. 425-433 |
artikel |
|
| 270 | SPENSER AND ICONOGRAPHY |
BROWNING, I. R. |
1961 |
I | 4 |
p. 480-481 |
artikel |
|
| 271 | Spenser's Prothalamion: An Interpretation |
BERGER, HARRY |
1965 |
I | 4 |
p. 363-380 |
artikel |
|
| 272 | SPLIT IN WAIN |
PAGE, DAVID |
1958 |
I | 4 |
p. 447-450 |
artikel |
|
| 273 | Statement by Omission: The Case of The Prelude |
RAYAN, KRISHNA |
1967 |
I | 4 |
p. 448-455 |
artikel |
|
| 274 | STENDHAL AND THE ELUSIVE |
CULLER, JONATHAN |
1975 |
I | 4 |
p. 470-476 |
artikel |
|
| 275 | SWIFT AND MR. RAWSON |
HOLZKNECHT, G. K. |
1970 |
I | 4 |
p. 496-497 |
artikel |
|
| 276 | SYMBOL AND IMAGE IN THE LATER WORK OF HENRY JAMES: A CORRECTION |
TILLOTSON, GEOFFREY |
1953 |
I | 4 |
p. 476-s-476 |
artikel |
|
| 277 | Synthesis of Antitheses in the Poetry of T. S. Eliot |
JIRI, LEVY |
1952 |
I | 4 |
p. 434-443 |
artikel |
|
| 278 | ‘TABLE OF GREENE FIELDS’ EXPLAINED |
TUCKEY, JOHN S. |
1956 |
I | 4 |
p. 486-491 |
artikel |
|
| 279 | Tennyson and Hardy's Ghostly Metres |
MATTHEW, CAMPBELL |
1992 |
I | 4 |
p. 279-298 |
artikel |
|
| 280 | TEXTUAL CRITICISM I |
ZOMBERG, PAUL G. |
1968 |
I | 4 |
p. 457-459 |
artikel |
|
| 281 | TEXTUAL CRITICISM II |
MAXWELL, J. C. |
1968 |
I | 4 |
p. 459-460 |
artikel |
|
| 282 | TEXTUAL CRITICISM III |
BATESON, F. W. |
1968 |
I | 4 |
p. 460-460 |
artikel |
|
| 283 | THAT'S WHAT YOU THINK |
PRICE, A. W. |
1994 |
I | 4 |
p. 333-339 |
artikel |
|
| 284 | THE APPARENTLY LESS LOVABLE |
MAUD, RALPH |
1959 |
I | 4 |
p. 388-388 |
artikel |
|
| 285 | THE CAMBRIDGE LAWRENCE |
ROSS, CHARLES L. |
1988 |
I | 4 |
p. 342-351 |
artikel |
|
| 286 | THE COMMON AUSTEN |
KELLER, JILL LENETT |
1993 |
I | 4 |
p. 340-344 |
artikel |
|
| 287 | The Critical Forum |
FURBANK, P. N. |
1972 |
I | 4 |
p. 442-446 |
artikel |
|
| 288 | The Critical Forum IMMEDIACY IN POETRY: A ROMANTIC PLEA |
BAYLEY, JOHN |
1952 |
I | 4 |
p. 453-460 |
artikel |
|
| 289 | The Critical Forum IMMEDIACY IN POETRY: A ROMANTIC PLEA |
BATESON, F. W. |
1952 |
I | 4 |
p. 460-462 |
artikel |
|
| 290 | The Critical Forum IMMEDIACY IN POETRY: A ROMANTIC PLEA |
CECIL, DAVID |
1952 |
I | 4 |
p. 462-465 |
artikel |
|
| 291 | The Eighteenth Century and the Sister Choir |
WILLIAMSOM, KARINA |
1990 |
I | 4 |
p. 271-286 |
artikel |
|
| 292 | THE EXCLUSIVE VOICE |
NORTHAM, J.R. |
1960 |
I | 4 |
p. 469-472 |
artikel |
|
| 293 | ‘The Fair Maid of Ribblesdale’ and the Problem of Parody |
BURTON, T. L. |
1981 |
I | 4 |
p. 282-298 |
artikel |
|
| 294 | ‘THE FALL OF GULLIVER'S MASTER’ |
1970 |
I | 4 |
p. 501-s-501 |
artikel |
||
| 295 | The Force of Caricature |
HOGGART, RICHARD |
1953 |
I | 4 |
p. 447-462 |
artikel |
|
| 296 | ‘THE HEART OF MIDLOTHIAN’: SCOTT AS ARTIST? |
PITTOCK, JOAN H. |
1957 |
I | 4 |
p. 477-479 |
artikel |
|
| 297 | THE INTENTIONAL FALLACY, AGAIN |
EMPSON, WILLIAM |
1973 |
I | 4 |
p. 435-a-435 |
artikel |
|
| 298 | The Ironmaster and the New Acquisitiveness |
BLOUNT, TREVOR |
1965 |
I | 4 |
p. 414-427 |
artikel |
|
| 299 | The Machiavel and The Moor |
LERNER, LAURENCE |
1959 |
I | 4 |
p. 339-360 |
artikel |
|
| 300 | The Man who Mistook his Hat: Stephen Greenblatt and the Anecdote |
LEE, JOHN |
1995 |
I | 4 |
p. 285-300 |
artikel |
|
| 301 | THE MIDDLE BROW MUSE |
TOMLINSON, CHARLES |
1957 |
I | 4 |
p. 460-460 |
artikel |
|
| 302 | The Mode of Existence of the Criticism of Literature: An Argument |
DOLLERUP, CAY |
1968 |
I | 4 |
p. 420-426 |
artikel |
|
| 303 | THE MODE OF THE NOVEL |
ROBERTS, MARK |
1958 |
I | 4 |
p. 428-438 |
artikel |
|
| 304 | The Moment as a Time-Unit in Fiction |
MELCHIORI, GIORGIO |
1953 |
I | 4 |
p. 434-446 |
artikel |
|
| 305 | The Moment of Violence: Ernst Jünger and the Literary Problem of Fact |
HOFFMAN, FREDERICK J. |
1960 |
I | 4 |
p. 405-421 |
artikel |
|
| 306 | The Moral Centre of Little Dorrit |
JEFFERSON, D. W. |
1976 |
I | 4 |
p. 300-317 |
artikel |
|
| 307 | THE OBJECT OF LITERARY CRITICISM |
BATESON, F. W. |
1964 |
I | 4 |
p. 436-437 |
artikel |
|
| 308 | THE ONG WITH THE NUMINOUS PROSE:OR, I HEAR VOICES |
DODSWORTH, MARTIN |
1963 |
I | 4 |
p. 415-424 |
artikel |
|
| 309 | The Patience of The Winter's Tale |
TAYLOR, JOHN |
1973 |
I | 4 |
p. 333-356 |
artikel |
|
| 310 | THE PHILOSOPHY OF DR. FAUSTUS |
NAGARAJAN, S. |
1970 |
I | 4 |
p. 485-487 |
artikel |
|
| 311 | THE PLAIN STYLE |
GALLAGHER, M. P. |
1968 |
I | 4 |
p. 444-448 |
artikel |
|
| 312 | The Political Tragedies of Chapman and Ben Jonson |
BHRTON, K.M |
1952 |
I | 4 |
p. 397-412 |
artikel |
|
| 313 | THE POLITICS OF NOSTROMO |
MCLAUCHLAN, JULIET |
1968 |
I | 4 |
p. 475-477 |
artikel |
|
| 314 | THE POUND PROSE |
MACKILLOP, I. D. |
1978 |
I | 4 |
p. 330-341 |
artikel |
|
| 315 | THE PROUSTIAN METHOD |
SAYCE, R. A. |
1965 |
I | 4 |
p. 458-462 |
artikel |
|
| 316 | The Rest is Silence |
SMITH, NIGEL |
1987 |
I | 4 |
p. 269-280 |
artikel |
|
| 317 | THE REST OF T. E. HULME |
KERMODE, FRANK |
1956 |
I | 4 |
p. 460-465 |
artikel |
|
| 318 | THE REVENGER'S TRAGEDY |
PETER, JOHN |
1956 |
I | 4 |
p. 485-486 |
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| 319 | THE REVENGER'S TRAGEDY |
CRAIK, T. W. |
1956 |
I | 4 |
p. 482-485 |
artikel |
|
| 320 | THE REVIEW OF ENGLISH STUDIES |
BUTT, JOHN |
1956 |
I | 4 |
p. 475-478 |
artikel |
|
| 321 | The ‘Romanticism’ of Pope's Horace |
HUNTER, G. K. |
1960 |
I | 4 |
p. 390-404 |
artikel |
|
| 322 | THE SCHOOL OF KNIGHT |
KNIGHT, G. WILSON |
1954 |
I | 4 |
p. 430-431 |
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|
| 323 | THE SENSE OF SOUND |
HULME, HILDA |
1958 |
I | 4 |
p. 422-428 |
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| 324 | The Senses of Eliot's Salvages |
COOK, ELEANOR |
1984 |
I | 4 |
p. 309-318 |
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| 325 | The Shorter Poems of Walter Savage Landor |
DAVIE, DONALD A. |
1951 |
I | 4 |
p. 345-355 |
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| 326 | THE SOUND OF PERSONIFICATION IN GRAY'S ELEGY |
BERRY, FRANCIS |
1962 |
I | 4 |
p. 442-445 |
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| 327 | The Structure of Dryden's ‘Song for St. Cecilia's Day, 1687’ |
FOWLER, ALASTAIR |
1967 |
I | 4 |
p. 434-447 |
artikel |
|
| 328 | The Structure of Gray's Early Poems |
VERNON, P. F. |
1965 |
I | 4 |
p. 381-393 |
artikel |
|
| 329 | The Suppressed Metaphor in Pope |
BLUESTONE, MAX |
1958 |
I | 4 |
p. 347-354 |
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|
| 330 | THE TEMPORAL MODE |
HOLLOWAY, JOHN |
1957 |
I | 4 |
p. 470-471 |
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| 331 | THE TEMPORAL MODE |
HARVEY, W. J. |
1957 |
I | 4 |
p. 471-471 |
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| 332 | THE TEMPORAL MODE |
HOLLOWAY, JOHN |
1957 |
I | 4 |
p. 472-a-472 |
artikel |
|
| 333 | The ‘Thing’ in Wyatt's Mind |
FRIEDMAN, DONALD M. |
1966 |
I | 4 |
p. 375-381 |
artikel |
|
| 334 | THE TRUTH OF FICTION |
GIBBON, F. P. |
1960 |
I | 4 |
p. 480-483 |
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|
| 335 | ‘THE TRUTH OF FICTION’ |
RODWAY, ALLAN |
1959 |
I | 4 |
p. 447-449 |
artikel |
|
| 336 | The Two Worlds of ‘Lyridas’ |
LLOYD, MICHAEL |
1961 |
I | 4 |
p. 390-402 |
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|
| 337 | The Ververs |
FIREBAUGH, JOSEPH J. |
1954 |
I | 4 |
p. 400-410 |
artikel |
|
| 338 | THE VOICE OF THE INSIDER |
HEWITT, DOUGLAS |
1989 |
I | 4 |
p. 340-348 |
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| 339 | THE WAR |
McCUE, JIM |
1991 |
I | 4 |
p. 354-362 |
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| 340 | THE WASTE LAND TODAY |
LUCAS, JOHN |
1970 |
I | 4 |
p. 497-500 |
artikel |
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| 341 | The Watching Narrator in Isabella |
PITE, RALPH |
1990 |
I | 4 |
p. 287-302 |
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| 342 | The West Indian Vathek |
KNOX-SHAW, P. H. |
1993 |
I | 4 |
p. 284-307 |
artikel |
|
| 343 | Translation in Arnold's Empedocles |
WALLACE, JEENNIFER |
1995 |
I | 4 |
p. 301-323 |
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| 344 | TRILLING AND CAPABILITY |
CHRISTIANSEN, RUPERT |
1979 |
I | 4 |
p. 380-386 |
artikel |
|
| 345 | TWELFTH–CENTURY BUT CHAUCERIAN |
WOOLF, R. |
1954 |
I | 4 |
p. 448-450 |
artikel |
|
| 346 | ULSTER BULL: THE CASE OF W. R. RODGERS |
AMIS, KINGSLEY |
1953 |
I | 4 |
p. 470-475 |
artikel |
|
| 347 | Underneath the Arches |
ENRIGHT, D. J. |
1956 |
I | 4 |
p. 446-a-446 |
artikel |
|
| 348 | UNITY AND SELF-EXPRESSION IN THE FAERIE QUEENE |
BAYLEY, P. C. |
1956 |
I | 4 |
p. 465-474 |
artikel |
|
| 349 | VENICE PERUSED |
BIRCH, DINAH |
1992 |
I | 4 |
p. 345-351 |
artikel |
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| 350 | VICTORIANA |
GRYLLS, DAVID |
1994 |
I | 4 |
p. 346-352 |
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|
| 351 | VICTORIANS RECONSIDERED |
LANGBAUM, ROBERT |
1970 |
I | 4 |
p. 451-465 |
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|
| 352 | Virginia Woolf and the General Strike |
FLINT, KATE |
1986 |
I | 4 |
p. 319-334 |
artikel |
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| 353 | VISIONS OF DANTE |
GIFFORD, HENRY |
1995 |
I | 4 |
p. 356-364 |
artikel |
|
| 354 | VOLPONE |
PARFITT, GEORGE |
1971 |
I | 4 |
p. 411-412 |
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|
| 355 | War and Peace: The Art of Incoherence |
THALE, JEROME |
1966 |
I | 4 |
p. 398-415 |
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| 356 | WAUGH THE MODERNIST |
O'DONOGHUE, BERNARD |
1987 |
I | 4 |
p. 338-345 |
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|
| 357 | WESSEX APPROACHES |
BURDEN, DENNIS H. |
1977 |
I | 4 |
p. 355-363 |
artikel |
|
| 358 | What a Poem Is: For Instance ‘Snow’ |
BARROFF, MARIE |
1958 |
I | 4 |
p. 393-404 |
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|
| 359 | WHAT CHAUCER REALLY DID |
FERSTER, JUDITH |
1985 |
I | 4 |
p. 345-350 |
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|
| 360 | WILFRED OWEN'S ‘GREATER LOVE’ |
HILL, JAMES J. JR. |
1965 |
I | 4 |
p. 476-477 |
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|
| 361 | Wordsworth's ‘Dependency Sublime’ |
IRWIN, MICHAEL |
1964 |
I | 4 |
p. 352-362 |
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|
| 362 | Wordsworth's Revolt Against Literature |
SHARROCK, ROGER |
1953 |
I | 4 |
p. 396-412 |
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|
| 363 | Work Suspended: Waugh's Climacteric |
STANNARD, MARTIN |
1978 |
I | 4 |
p. 302-320 |
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|
| 364 | Wyatt and ‘Liberty’: A Postscript |
DAALDER, JOOST |
1985 |
I | 4 |
p. 330-336 |
artikel |
|
| 365 | YES, LET'S RETURN TO ABYSSINIA |
MACKENZIE, MANFRED |
1964 |
I | 4 |
p. 433-435 |
artikel |
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