|
Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
Alle afleveringen van het bijbehorende jaargang
Alle artikelen van de bijbehorende aflevering
334 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | A CARLYLE FOR OUR TIMES |
BAKER, WILLIAM |
1989 |
I | 3 |
p. 254-263 |
artikel |
|
| 2 | A COMMENT ON ESSAYS IN CRITICISM |
SMITH, CONSTANCE I. |
1957 |
I | 3 |
p. 345-346 |
artikel |
|
| 3 | ‘A COOKING EGG’ I |
TILLYARD, E. M. W. |
1953 |
I | 3 |
p. 345-347 |
artikel |
|
| 4 | ‘A COOKING EGG’ II |
CUNNINGHAM, GILBERT F. |
1953 |
I | 3 |
p. 347-350 |
artikel |
|
| 5 | ‘A COOKING EGG’ III |
STINTON, T. C. W. |
1953 |
I | 3 |
p. 350-353 |
artikel |
|
| 6 | ‘A COOKING EGG’ IV |
DREW, ELIZABETH |
1953 |
I | 3 |
p. 353-a-353 |
artikel |
|
| 7 | ‘A COOKING EGG’ V |
BATESON, F. W. |
1953 |
I | 3 |
p. 353-b-357 |
artikel |
|
| 8 | Against Appropriation |
SINFIELD, ALAN |
1981 |
I | 3 |
p. 181-195 |
artikel |
|
| 9 | A LESSON FROM THE MASTER? |
TRICKETT, RACHEL |
1974 |
I | 3 |
p. 306-311 |
artikel |
|
| 10 | Alexander Pope1 |
AUDEN, W. H. |
1951 |
I | 3 |
p. 208-224 |
artikel |
|
| 11 | All too Short a Date: Internal Evidence in Shakespeare's Sonnets |
NOSWORTHY, J. M. |
1952 |
I | 3 |
p. 311-324 |
artikel |
|
| 12 | ALLUSION IN THE WEST LAND |
BERRY, FRANCIS |
1970 |
I | 3 |
p. 380-382 |
artikel |
|
| 13 | ALLUSION IN THE WEST LAND |
BERGONZI, BERNARD |
1970 |
I | 3 |
p. 382-385 |
artikel |
|
| 14 | ‘A MODE OF THINKING CONGENIAL TO HIS NATURE’ |
KERMODE, FRANK |
1958 |
I | 3 |
p. 298-303 |
artikel |
|
| 15 | AN ALTERED AUDEN |
RODWAY, A. E. |
1958 |
I | 3 |
p. 303-319 |
artikel |
|
| 16 | AN ASPECT OF LITERARY PORTRAITURE |
SPARSHOTT, F. E. |
1965 |
I | 3 |
p. 359-360 |
artikel |
|
| 17 | An End to Writing about Swift |
W. SAMS, HENRY |
1974 |
I | 3 |
p. 275-285 |
artikel |
|
| 18 | An Essay on Pastoral |
LERNER, LAURENCE |
1970 |
I | 3 |
p. 275-297 |
artikel |
|
| 19 | A NEW CRITIC ON SPENSER |
FOWLER, ALASTAIR |
1960 |
I | 3 |
p. 334-341 |
artikel |
|
| 20 | A New Interpretation of The Waste Land |
PETER, JOHN |
1952 |
I | 3 |
p. 242-266 |
artikel |
|
| 21 | A NOTE ON FANNY PRICE |
BRADBROOK, M. C. |
1955 |
I | 3 |
p. 289-292 |
artikel |
|
| 22 | A NOTE ON TWO HOPKINS SONNETS |
GOMME, ANDOR |
1964 |
I | 3 |
p. 327-331 |
artikel |
|
| 23 | A QUESTION OF SPELLING |
BATESON, F. W. |
1956 |
I | 3 |
p. 363-363 |
artikel |
|
| 24 | A QUESTION OF SPELLING |
PITTOCK, MALCOLM |
1956 |
I | 3 |
p. 361-363 |
artikel |
|
| 25 | A reading of Wuthering Heights |
DAVIES, CECIL W. |
1968 |
I | 3 |
p. 254-272 |
artikel |
|
| 26 | Argument II. Literature and Linguistics |
FOWLER, ROGER |
1967 |
I | 3 |
p. 322-347 |
artikel |
|
| 27 | ARNOLD AND THE CLASSICS |
ROUSSEAU, G. S. |
1966 |
I | 3 |
p. 340-346 |
artikel |
|
| 28 | ARNOLDIAN EXPLICATION |
CURGENVEN, J. P. |
1960 |
I | 3 |
p. 345-348 |
artikel |
|
| 29 | ARS MEMORATIVA |
MOLINA, DAVID NEWTON-DE |
1970 |
I | 3 |
p. 353-359 |
artikel |
|
| 30 | ARTS OF MEMORY |
CLINGHIAM, GREG |
1993 |
I | 3 |
p. 253-257 |
artikel |
|
| 31 | A SORT OF ANSWER IV |
BATESON, F. W. |
1962 |
I | 3 |
p. 347-351 |
artikel |
|
| 32 | Atavism and Anticipation in Shakespeare's Style |
SCHANZER, ERNEST |
1957 |
I | 3 |
p. 242-256 |
artikel |
|
| 33 | A TERRIBLE ALGEBRA |
LIDOFF, JOAN |
1982 |
I | 3 |
p. 286-297 |
artikel |
|
| 34 | A Theatre of the Future: The Aeneid and The Tempest |
PITCHER, JOHN |
1984 |
I | 3 |
p. 193-215 |
artikel |
|
| 35 | AUDEN ENTIRE |
WHITEHEAD, JOHN |
1989 |
I | 3 |
p. 263-269 |
artikel |
|
| 36 | AUDEN'S LAST POEMS |
BATESON, F. W. |
1975 |
I | 3 |
p. 383-390 |
artikel |
|
| 37 | AUSTENIANA |
BUTLER, MARILYN |
1965 |
I | 3 |
p. 337-341 |
artikel |
|
| 38 | Awakened Perceptions in Daniel Deronda |
ZIM, RIVKAH |
1986 |
I | 3 |
p. 210-234 |
artikel |
|
| 39 | A WORD IN SEASON FROM THE UNIVERSITY OF ADELAIDE'S ENGLISH DEPARTMENT |
DAVIES, M. BRYN |
1956 |
I | 3 |
p. 364-a-364 |
artikel |
|
| 40 | A WORD IN SEASON FROM THE UNIVERSITY OF ADELAIDE'S ENGLISH DEPARTMENT |
F. W. B, |
1956 |
I | 3 |
p. 364-b-365 |
artikel |
|
| 41 | A WORLD NOWHERE |
GOLDMAN, ARNOLD |
1968 |
I | 3 |
p. 322-328 |
artikel |
|
| 42 | BANQUO AND EDGAR—CHARACTER OR FUNCTION? |
BATESON, F. W. |
1957 |
I | 3 |
p. 324-325 |
artikel |
|
| 43 | ‘BARE RUINED CHOIRS’1 |
EMPSON, WILLIAM |
1953 |
I | 3 |
p. 357-358 |
artikel |
|
| 44 | ‘BARE RUINED CHOIRS’1 |
EMPSON, WILLIAM |
1953 |
I | 3 |
p. 362-363 |
artikel |
|
| 45 | BETWEEN ARNOLD AND ELIOT |
ROBSON, W. W. |
1987 |
I | 3 |
p. 249-257 |
artikel |
|
| 46 | BEYOND IRONY |
ENRIGHT, D. J. |
1959 |
I | 3 |
p. 300-309 |
artikel |
|
| 47 | BOOK REVIEWERS AS BUSINESS MACHINES |
STIRLING, BRENTS |
1959 |
I | 3 |
p. 334-335 |
artikel |
|
| 48 | Book Reviews |
CLINGHAM, G. J. |
1986 |
I | 3 |
p. 255-263 |
artikel |
|
| 49 | Book Reviews |
HAWLEY, JUDITH |
1990 |
I | 3 |
p. 244-250 |
artikel |
|
| 50 | Book Reviews |
JORDAN, ELAINE |
1986 |
I | 3 |
p. 268-275 |
artikel |
|
| 51 | Book Reviews |
NEWLYN, LUCY |
1986 |
I | 3 |
p. 263-268 |
artikel |
|
| 52 | Browning Rethinks Romanticism |
WOOLFORD, JOHN |
1993 |
I | 3 |
p. 211-227 |
artikel |
|
| 53 | Browning's Paired Poems |
KARLIN, DANIEL |
1981 |
I | 3 |
p. 210-227 |
artikel |
|
| 54 | CARNIVAL AND COURT |
BRIGGS, JULIA |
1987 |
I | 3 |
p. 234-242 |
artikel |
|
| 55 | Chaucer's Complaint of Venus and the ‘Curiosite’ of Graunson |
SCATTERGOOD, JOHN |
1994 |
I | 3 |
p. 171-189 |
artikel |
|
| 56 | Chaucer's Game in the Pardoner's Tale |
DILLON, JANETTE |
1991 |
I | 3 |
p. 208-221 |
artikel |
|
| 57 | COLIN WILSON DIDN'T MISQUOTE |
WILLIAMS, RAYMOND |
1957 |
I | 3 |
p. 346-348 |
artikel |
|
| 58 | Comment by the Advisory Editor |
F. W. B, |
1975 |
I | 3 |
p. 392-393 |
artikel |
|
| 59 | Contributions to a Dictionary of Critical |
BATESON, F. W. |
1951 |
I | 3 |
p. 302-312 |
artikel |
|
| 60 | Correspondence |
WATT, IAN |
1951 |
I | 3 |
p. 313-b-313 |
artikel |
|
| 61 | Correspondence |
Lewis, C. S. |
1951 |
I | 3 |
p. 313-a-313 |
artikel |
|
| 62 | COULD CHAUCER SPELL? |
SCHMIDT, A. V. C. |
1975 |
I | 3 |
p. 391-392 |
artikel |
|
| 63 | COURTIER AND PRIEST |
BURDEN, DENNIS H. |
1989 |
I | 3 |
p. 247-254 |
artikel |
|
| 64 | COURTLY LOVE |
SCHMIDT, A. V. C. |
1967 |
I | 3 |
p. 348-356 |
artikel |
|
| 65 | COY MISTRESSES |
CAREY, JOHN |
1965 |
I | 3 |
p. 332-337 |
artikel |
|
| 66 | CRITICAL OPINION |
HOLLAND, PETER |
1986 |
I | 3 |
p. 193-209 |
artikel |
|
| 67 | CRITICAL OPINION |
SMALL, IAN |
1990 |
I | 3 |
p. 185-197 |
artikel |
|
| 68 | CRITICISM FOR CRITICISM'S SAKE II |
BATESON, F. W. |
1954 |
I | 3 |
p. 337-339 |
artikel |
|
| 69 | CRITICISM: PRACTICAL AND IMPRACTICAL |
MUIR, KENNETH |
1958 |
I | 3 |
p. 340-345 |
artikel |
|
| 70 | CROCE AND ART FOR ART'S SAKE |
WIMSATT, W. K. JR |
1956 |
I | 3 |
p. 358-b-361 |
artikel |
|
| 71 | CROCE AND ART FOR ART'S SAKE |
MAXWELL, J. C. |
1956 |
I | 3 |
p. 358-a-358 |
artikel |
|
| 72 | DE-AND RE-SCOTTICISING |
EMSLIE, MACDONALD |
1962 |
I | 3 |
p. 308-314 |
artikel |
|
| 73 | Deconstruction: a deconstruction |
FARLEY-HILLS, DAVID |
1992 |
I | 3 |
p. 173-195 |
artikel |
|
| 74 | D. H. Lawrence on Mother-Love |
DRAPER, R. P. |
1958 |
I | 3 |
p. 285-289 |
artikel |
|
| 75 | DISCOURSES IN AMERICA |
PRITCHARD, WILLIAM H. |
1968 |
I | 3 |
p. 336-347 |
artikel |
|
| 76 | Dobell, Balder, and Post-Romanticism |
PITTOCK, MALCOLM |
1992 |
I | 3 |
p. 221-242 |
artikel |
|
| 77 | DOMINANT IDEOLOGY |
SCHMIDT, A. V. C. |
1983 |
I | 3 |
p. 238-246 |
artikel |
|
| 78 | DUNBAR MORALIZED |
PIRIE, DAVID |
1967 |
I | 3 |
p. 356-362 |
artikel |
|
| 79 | Dying in Donne's ‘The Good Morrow’ |
PRITCHARD, R. E. |
1985 |
I | 3 |
p. 213-222 |
artikel |
|
| 80 | EARLY TUDOR ‘ MOMENTS’ |
JONES, EMRYS |
1960 |
I | 3 |
p. 329-334 |
artikel |
|
| 81 | EDITING NOW |
Wu, DUNCAN |
1992 |
I | 3 |
p. 251-256 |
artikel |
|
| 82 | EDITING THEN |
WALSH, MARCUS |
1992 |
I | 3 |
p. 243-251 |
artikel |
|
| 83 | Editorial Commentary |
WILLIAMS, RAYMOND |
1954 |
I | 3 |
p. 341-344 |
artikel |
|
| 84 | Editorial Notes |
Bateson, F. W. |
1952 |
I | 3 |
p. 224-224 |
artikel |
|
| 85 | Elders and Betters |
DAVIE, DONALD |
1955 |
I | 3 |
p. 242-242 |
artikel |
|
| 86 | ELIOT, LANGUAGE, SOCIETY |
DODSWORTH, MARTIN |
1973 |
I | 3 |
p. 310-321 |
artikel |
|
| 87 | ELIOT REFINED |
DONALDSON, GEORGE |
1971 |
I | 3 |
p. 308-311 |
artikel |
|
| 88 | ELIZABETHAN COMEDY |
MUIR, KENNETH |
1956 |
I | 3 |
p. 338-343 |
artikel |
|
| 89 | Emily Dickinson and the Poetry of Hypothesis |
GIBSON, ANDREW |
1983 |
I | 3 |
p. 220-237 |
artikel |
|
| 90 | English in Crisis? |
SMALL, IAN |
1989 |
I | 3 |
p. 185-195 |
artikel |
|
| 91 | English in the University: III. Language and Literature |
BREWER, D. S. |
1961 |
I | 3 |
p. 243-255 |
artikel |
|
| 92 | ENG. LIT. AND THE EVANGELICALS |
VINCENT, JOHN |
1980 |
I | 3 |
p. 274-280 |
artikel |
|
| 93 | ‘FAIR(Y) ANNIE'S WEDDING’: A Note on Wuthering Heights |
WILCOCKSON, COLIN |
1983 |
I | 3 |
p. 259-261 |
artikel |
|
| 94 | Fictions of Eighteenth Century Authorship |
GRIFFIN, DUSTIN |
1993 |
I | 3 |
p. 181-194 |
artikel |
|
| 95 | Filling the Unforgiving Minute: Modernizing SHAKE-SPEARES SONNETS (1609) |
DUNCAN-JONES, KATHERINE |
1995 |
I | 3 |
p. 199-207 |
artikel |
|
| 96 | Four Quartets? |
BEBBINGTON, W.G. |
1989 |
I | 3 |
p. 234-241 |
artikel |
|
| 97 | From ‘Autumn’ to Autumn in Keats's Ode |
CREASER, JOHN |
1988 |
I | 3 |
p. 190-214 |
artikel |
|
| 98 | FURTHER SCEPTICISM |
CSENGERI, KAREN |
1990 |
I | 3 |
p. 263-270 |
artikel |
|
| 99 | GEOFFREY HILL'S ‘CHRISTIAN YEAR’ |
OXLEY, BRIAN |
1979 |
I | 3 |
p. 285-292 |
artikel |
|
| 100 | Gide's Earliest Quest: Les Nourritures Terrestres |
FOWLIE, WALLACE |
1952 |
I | 3 |
p. 285-294 |
artikel |
|
| 101 | Godwin, Burke, and Caleb Williams |
BUTLER, MARILYN |
1982 |
I | 3 |
p. 237-257 |
artikel |
|
| 102 | Godwin's Novels |
FURBANK, P. N. |
1955 |
I | 3 |
p. 214-228 |
artikel |
|
| 103 | GREEK TRAGEDY AND THE SHAKESPEARIAN EXAMPLE |
CARNE-ROSS, D.S. |
1988 |
I | 3 |
p. 237-245 |
artikel |
|
| 104 | Heart of Darkness: Marlow's ‘Spectral Moonshine’ |
STEPHENS, R. C. |
1968 |
I | 3 |
p. 273-284 |
artikel |
|
| 105 | HERBERT AND COLLAPSE |
ZIM, RIVKAH |
1985 |
I | 3 |
p. 269-276 |
artikel |
|
| 106 | HORATIANS |
HAYNES, KENNETH |
1994 |
I | 3 |
p. 243-248 |
artikel |
|
| 107 | HOW THE FRENCH DO IT |
STRICKLAND, GEOFFREY |
1972 |
I | 3 |
p. 320-326 |
artikel |
|
| 108 | HYDRA-HEADED WOES |
DAVIS, DEREK RUSSELL |
1987 |
I | 3 |
p. 242-249 |
artikel |
|
| 109 | I. A. Richards and the Fortunes of Critical Theory |
BUTLER, CHRISTOPHER |
1980 |
I | 3 |
p. 191-204 |
artikel |
|
| 110 | I. A. Richards, T. S. Eliot,and the Poetry of Belief |
CONSTABLE, JOHN |
1990 |
I | 3 |
p. 222-243 |
artikel |
|
| 111 | IBSEN REVISITED |
COLLINS, H. P. |
1965 |
I | 3 |
p. 342-347 |
artikel |
|
| 112 | IDENTITY AND THE SELF |
MCKIE, MICHAEL |
1981 |
I | 3 |
p. 263-270 |
artikel |
|
| 113 | ‘I Have a Smack of Hamlet’: Coleridge and Shakespeare's Characters |
HARDY, BARBARA |
1958 |
I | 3 |
p. 238-255 |
artikel |
|
| 114 | IMAGINATION AND FANCY |
POTTS, L. J. |
1952 |
I | 3 |
p. 345-347 |
artikel |
|
| 115 | IMAGINATION AND FANCY |
HARDY, BARBARA |
1952 |
I | 3 |
p. 347-349 |
artikel |
|
| 116 | Imitation and Invention: the Use of Borrowed Material in Dylan Thomas's Prose |
DAVIES, WALFORD |
1968 |
I | 3 |
p. 275-295 |
artikel |
|
| 117 | ‘IMMEDIACY OF PRESENTATION’ AND ‘PRACTICAL CRITICISM’ |
ROBERTS, MARK |
1959 |
I | 3 |
p. 337-338 |
artikel |
|
| 118 | IN DEFENCE OF MAUBERLEY |
REISS, CHRISTOPHER |
1966 |
I | 3 |
p. 351-355 |
artikel |
|
| 119 | IN DEFENCE OF THE TRIBUNES |
MUIR, KINNETH |
1954 |
I | 3 |
p. 331-333 |
artikel |
|
| 120 | Inferring Gender in Donne's Songs and Sonets |
BLAIR, DAVID |
1995 |
I | 3 |
p. 230-249 |
artikel |
|
| 121 | INTERPRETATION |
BATESON, F. W. |
1968 |
I | 3 |
p. 337-342 |
artikel |
|
| 122 | James Smith and Chaucer |
DELASANTA, RODNEY |
1972 |
I | 3 |
p. 221-225 |
artikel |
|
| 123 | JOHNSON ON SCOTLAND |
MEIER, T. K. |
1968 |
I | 3 |
p. 349-352 |
artikel |
|
| 124 | JOYCE AND JEWISHNESS |
BAKER, WILLIAM |
1990 |
I | 3 |
p. 256-263 |
artikel |
|
| 125 | KATHERINE MANSFIELD'S ‘THE FLY’ I |
JOLLY, R. A. |
1962 |
I | 3 |
p. 335-338 |
artikel |
|
| 126 | KATHERINE MANSFIELD'S ‘THE FLY’ II |
COPLAND, R. A. |
1962 |
I | 3 |
p. 338-341 |
artikel |
|
| 127 | KATHERINE MANSFIELD'S ‘THE FLY’ III |
GREENWOOD, E. B. |
1962 |
I | 3 |
p. 341-347 |
artikel |
|
| 128 | King Lear: The Final Lines |
SHAW, JOHN |
1966 |
I | 3 |
p. 261-267 |
artikel |
|
| 129 | LADY CHATTERLEY FOR THE LAST TIME |
PETER, JOHN |
1963 |
I | 3 |
p. 301-302 |
artikel |
|
| 130 | LADY CHATTERLEY FOR THE LAST TIME |
SPARROW, JOHN |
1963 |
I | 3 |
p. 303-303 |
artikel |
|
| 131 | Lamb and Restoration Comedy |
PARK, ROY |
1979 |
I | 3 |
p. 225-243 |
artikel |
|
| 132 | Language and Character in Defoe's Roxana |
ZIMMERMAN, EVERETT |
1971 |
I | 3 |
p. 227-235 |
artikel |
|
| 133 | LANGUAGE AND PROPHECY |
JARRETT– KERR, MARTIN |
1960 |
I | 3 |
p. 356-358 |
artikel |
|
| 134 | Lawrence and Dr. Leavis: The Case of St. Mawr |
LIDDELL, ROBERT |
1954 |
I | 3 |
p. 321-327 |
artikel |
|
| 135 | Lawrence and Gerald Crich |
GILL, STEPHEN |
1977 |
I | 3 |
p. 231-247 |
artikel |
|
| 136 | Lawrence and the Scholars |
LITTLEWOOD, J. C. F. |
1983 |
I | 3 |
p. 175-186 |
artikel |
|
| 137 | LAWRENCE'S CRITICISM |
KLINGOPULOS, G. D. |
1957 |
I | 3 |
p. 294-303 |
artikel |
|
| 138 | LAYERING |
BRADBURY, NICOLA |
1990 |
I | 3 |
p. 250-256 |
artikel |
|
| 139 | LIBERTARIAN MARVELL |
STOCKER, MARGARITA |
1984 |
I | 3 |
p. 248-253 |
artikel |
|
| 140 | Libertine and Préecieux Elements in Restoration Comedy |
CECIL, C. D. |
1959 |
I | 3 |
p. 239-253 |
artikel |
|
| 141 | LIFE INTO TEXT |
DONALDSON, IAN |
1991 |
I | 3 |
p. 253-261 |
artikel |
|
| 142 | LITERATURE AND/OR BELIEF: A PROGRESS REPORT |
STEIN, WALTER |
1956 |
I | 3 |
p. 344-347 |
artikel |
|
| 143 | LITERATURE AND PHILOSOPHY |
MEIDNER, OLGA MCDONALD |
1970 |
I | 3 |
p. 385-390 |
artikel |
|
| 144 | Literature and Politics II: Tocqueville on the Literature of Democracies |
WEST, PAUL |
1962 |
I | 3 |
p. 254-272 |
artikel |
|
| 145 | ‘LONELINESS’ IN THE MERCHANT OF VENICE |
DESHPANDE, M.G |
1961 |
I | 3 |
p. 368-369 |
artikel |
|
| 146 | MacNeice's Critic Jailed in the Mind |
HUFSTADER, JONATHAN |
1994 |
I | 3 |
p. 190-212 |
artikel |
|
| 147 | Matthew Arnold's ‘Great Critical Effort’ |
CARNALL, GEOFFREY |
1958 |
I | 3 |
p. 256-268 |
artikel |
|
| 148 | MAUBERLEY: A REJOINDER |
FRENCH, A. L. |
1966 |
I | 3 |
p. 356-359 |
artikel |
|
| 149 | MEANS TO ENDS IN THE NOVEL |
ROBERTS, MARK |
1962 |
I | 3 |
p. 322-334 |
artikel |
|
| 150 | Moll Flanders and Manon Lescaut |
RODWAY, A. E. |
1953 |
I | 3 |
p. 303-320 |
artikel |
|
| 151 | MONK OR SCOP? |
BURROW, J. A. |
1971 |
I | 3 |
p. 280-288 |
artikel |
|
| 152 | MORE ON ‘LANG. & LIT’ |
HAAS, W. |
1958 |
I | 3 |
p. 325-327 |
artikel |
|
| 153 | MORE ON ‘LANG. & LIT’ |
SALMON, VIVIAN |
1958 |
I | 3 |
p. 327-334 |
artikel |
|
| 154 | Moving Bodies in Hardy and Beckett |
BENSON, MICHAEL |
1984 |
I | 3 |
p. 229-243 |
artikel |
|
| 155 | Mr. Empson's Complex Words |
SLEIGHT, RICHARD |
1952 |
I | 3 |
p. 325-337 |
artikel |
|
| 156 | Mr Gradgrind's Facts |
JEFFERSON, D. W. |
1985 |
I | 3 |
p. 197-212 |
artikel |
|
| 157 | ‘Mrs Bathurst’ Again |
BAYLEY, JOHN |
1988 |
I | 3 |
p. 233-236 |
artikel |
|
| 158 | MR. TRODD AND SCRUTINY |
JACKSON, G. R. |
1964 |
I | 3 |
p. 335-337 |
artikel |
|
| 159 | MR. WILKINSON ON COMUS |
RANS, GEOFFREY |
1960 |
I | 3 |
p. 364-369 |
artikel |
|
| 160 | NEGOTIATIONS |
KIRKHAM, MICHAEL |
1967 |
I | 3 |
p. 367-374 |
artikel |
|
| 161 | NEW CRITIC, OLD POEMS |
SMITH, SHAWN |
1993 |
I | 3 |
p. 247-252 |
artikel |
|
| 162 | NEWER BEARINGS? |
GREGOR, IAN |
1961 |
I | 3 |
p. 347-353 |
artikel |
|
| 163 | NEW LINES AND MR. TOMLINSON |
DAVIE, DONALD |
1957 |
I | 3 |
p. 343-344 |
artikel |
|
| 164 | NIGHTSHADE BLOSSOM |
HILL, A. G. |
1961 |
I | 3 |
p. 353-358 |
artikel |
|
| 165 | Nineteen Theses on Literature |
SHATTUCK, ROGER |
1995 |
I | 3 |
p. 193-198 |
artikel |
|
| 166 | NO JUBILATION |
PILLING, JOHN |
1979 |
I | 3 |
p. 279-285 |
artikel |
|
| 167 | Notes |
BATESON, F. W. |
1967 |
I | 3 |
p. 334-347 |
artikel |
|
| 168 | Notes on the Metre of Auden's ‘The Age of Anxiety’ |
BROOKE-ROSE, CHRISTINE |
1963 |
I | 3 |
p. 253-264 |
artikel |
|
| 169 | OFF THE ASSEMBLY LINE |
DAVIE, DONALD |
1956 |
I | 3 |
p. 319-325 |
artikel |
|
| 170 | Of Trees and Men: The Unity of Wordsworth's The Thorn |
GÉRARD, ALBERT S. |
1964 |
I | 3 |
p. 237-255 |
artikel |
|
| 171 | ORGANISATIONAL |
NEEDHAM, J. D. |
1970 |
I | 3 |
p. 367-374 |
artikel |
|
| 172 | Ovid Metamorphosed: Donne's Elegy XVI |
BEDFORD, R. D. |
1982 |
I | 3 |
p. 219-236 |
artikel |
|
| 173 | OWL–LIGHT |
DAVIES, WALFORD D. |
1964 |
I | 3 |
p. 318-323 |
artikel |
|
| 174 | PAMELA AND JOSEPH ANDREWS |
BROOKS, DOUGLAS |
1968 |
I | 3 |
p. 348-349 |
artikel |
|
| 175 | PARTICULARS |
CARNALL, GEOFFREY |
1964 |
I | 3 |
p. 310-318 |
artikel |
|
| 176 | PASSPORTS |
BROOKS, TIM |
1982 |
I | 3 |
p. 297-304 |
artikel |
|
| 177 | PERSONAL POETRY AND PERSONAL CRITICISM |
FOWLER, A. D. S. |
1959 |
I | 3 |
p. 315-323 |
artikel |
|
| 178 | Peter Bell the First |
IACOBUS, MARY |
1974 |
I | 3 |
p. 219-242 |
artikel |
|
| 179 | Philip Larkin: After Symbolism |
EVERETT, BARBARA |
1980 |
I | 3 |
p. 227-242 |
artikel |
|
| 180 | PIERS PLOWMAN AND ARTHURIAN ROMANCE |
KRATINS, OJARS |
1963 |
I | 3 |
p. 304-304 |
artikel |
|
| 181 | Pinter's Freudian Homecoming |
ROWE, M. W. |
1991 |
I | 3 |
p. 189-207 |
artikel |
|
| 182 | POETIC LOVE |
KIRKHAM, MICHAEL |
1965 |
I | 3 |
p. 348-352 |
artikel |
|
| 183 | Poetry as the Play of Signifiers |
LERNER, LAURENCE |
1985 |
I | 3 |
p. 238-259 |
artikel |
|
| 184 | Poetry in the Managerial Age I |
SAUNDERS, J. W. |
1954 |
I | 3 |
p. 243-281 |
artikel |
|
| 185 | POETRY OF ADAPTATION |
FOAKES, R. A. |
1961 |
I | 3 |
p. 338-341 |
artikel |
|
| 186 | POPE AND THE MODERNS |
WILLIAMSON, KARINA |
1988 |
I | 3 |
p. 254-258 |
artikel |
|
| 187 | Porphyro's Enemies |
TALBOT, NORMAN |
1988 |
I | 3 |
p. 215-232 |
artikel |
|
| 188 | Pound's Homage to Propertius: The Structure of a Mask1 |
SULLIVAN, J. P. |
1960 |
I | 3 |
p. 239-249 |
artikel |
|
| 189 | POUND'S LATER LIFE |
CHEADLE, MARY PATERSON |
1995 |
I | 3 |
p. 263-271 |
artikel |
|
| 190 | Prophet Without Responsibility |
COHEN, J. M. |
1951 |
I | 3 |
p. 283-297 |
artikel |
|
| 191 | PSALMS |
ADEY, LIONEL |
1988 |
I | 3 |
p. 245-254 |
artikel |
|
| 192 | RECENT BOOKS ON THE NOVEL: A Brief Chronicle |
HARVEY, W. J. |
1965 |
I | 3 |
p. 353-355 |
artikel |
|
| 193 | RECOGNIZED INTELLIGENCE |
HOROWITZ, KARIN |
1983 |
I | 3 |
p. 246-252 |
artikel |
|
| 194 | ‘Reconcil'd Extremes’: Pope's Epistle to Bathurst |
EDWARDS, THOMAS R. Jr. |
1961 |
I | 3 |
p. 290-308 |
artikel |
|
| 195 | Restoration Liberalism |
DAVIES, PAUL C. |
1972 |
I | 3 |
p. 226-238 |
artikel |
|
| 196 | RESTORTION COMEDY AGAIN |
HOLLAND, NORMAN N. |
1957 |
I | 3 |
p. 319-322 |
artikel |
|
| 197 | Return to The Wanderer |
TUCKER, SUSIE I. |
1958 |
I | 3 |
p. 229-237 |
artikel |
|
| 198 | Review Article: If It Were Donne When ’Tis Done… |
ROBERTS, MARK |
1966 |
I | 3 |
p. 309-329 |
artikel |
|
| 199 | Rhyme and Determination in Hopkins and Edward Thomas |
MCDONALD, PETER |
1993 |
I | 3 |
p. 228-246 |
artikel |
|
| 200 | RHYTHM AND MEANING |
FOWLER, A. D. S. |
1956 |
I | 3 |
p. 352-357 |
artikel |
|
| 201 | RHYTHM AND MEANING |
SIMS, D. L. |
1956 |
I | 3 |
p. 347-352 |
artikel |
|
| 202 | Richard's Divided Heritage in King John |
MATCHETT, WILLIAM H. |
1962 |
I | 3 |
p. 231-253 |
artikel |
|
| 203 | RIMBAUD |
HACKETT, C. A. |
1959 |
I | 3 |
p. 336-337 |
artikel |
|
| 204 | Robert Graves and the Decline of Modernism |
ENRIGHT, D. J. |
1961 |
I | 3 |
p. 319-337 |
artikel |
|
| 205 | ROTTEN ARCHITECTURE, WONDERFUL GARGOYLES |
CUNNINGHAM, VALENTINE |
1974 |
I | 3 |
p. 300-306 |
artikel |
|
| 206 | Seamus Heaney: Voices on Helicon |
WATT, R. J. C. |
1994 |
I | 3 |
p. 213-234 |
artikel |
|
| 207 | Second Thoughts: III F. R. Leavis's “How to Teach Reading” |
DAVIE, DONALD |
1957 |
I | 3 |
p. 231-241 |
artikel |
|
| 208 | Second Thoughts: I ‐ T. S. Eliot on Culture |
WILLIAMS, RAYMOND |
1956 |
I | 3 |
p. 302-318 |
artikel |
|
| 209 | SEEING IS BELIEVING |
STRICKLAND, GEOFFREY |
1956 |
I | 3 |
p. 334-338 |
artikel |
|
| 210 | SERVANT OR SON |
ZIMMERMAN, SHARI A. |
1995 |
I | 3 |
p. 250-257 |
artikel |
|
| 211 | SEX AND SEXISM |
HALLIDAY, MARK |
1979 |
I | 3 |
p. 269-279 |
artikel |
|
| 212 | SHAKESPEARE IN THE THEATRE |
KNOWLAND, A. S. |
1957 |
I | 3 |
p. 325-330 |
artikel |
|
| 213 | SHELLEY AND SHAKESPEARE |
TAYLOR, E. M. M. |
1953 |
I | 3 |
p. 367-368 |
artikel |
|
| 214 | SHELLEY AT WORK |
MATTHEWS, G. M. |
1958 |
I | 3 |
p. 338-a-338 |
artikel |
|
| 215 | SHELLEY AT WORK |
BLUNDEN, EDMUND |
1958 |
I | 3 |
p. 336-337 |
artikel |
|
| 216 | SHELLEY AT WORK |
DAVIN, D. M. |
1958 |
I | 3 |
p. 338-b-339 |
artikel |
|
| 217 | SHELLEY'S GRASP UPON THE ACTUAL |
MATTHEWS, G. M. |
1954 |
I | 3 |
p. 328-331 |
artikel |
|
| 218 | Shelley's Language of Dissent |
CRONIN, RICHARD |
1977 |
I | 3 |
p. 203-215 |
artikel |
|
| 219 | ‘SIR GAWAIN’ |
SAMSON, ANNE |
1968 |
I | 3 |
p. 343-347 |
artikel |
|
| 220 | SNOW |
DAWSON, S. W. |
1954 |
I | 3 |
p. 339-340 |
artikel |
|
| 221 | Sons and Lovers: The Price of Betrayal |
PITTOCK, MALCOLM |
1986 |
I | 3 |
p. 235-254 |
artikel |
|
| 222 | ST. MAWR |
SMITH, CONSTANCE I. |
1955 |
I | 3 |
p. 292-293 |
artikel |
|
| 223 | Sue the Obscure |
JACOBUS, MARY |
1975 |
I | 3 |
p. 304-328 |
artikel |
|
| 224 | Swift and the Beggars |
NOKES, DAVID |
1976 |
I | 3 |
p. 218-235 |
artikel |
|
| 225 | Symbol and Image in the Later Work of Henry James |
ALLOTT, MIRIAM |
1953 |
I | 3 |
p. 321-336 |
artikel |
|
| 226 | Synge's Playboy: Morality and the Hero |
PODHORETZ, NORMAN |
1953 |
I | 3 |
p. 337-344 |
artikel |
|
| 227 | ‘Tables Turned’: The Plain Dealer |
DONALDSON, IAN |
1967 |
I | 3 |
p. 304-321 |
artikel |
|
| 228 | TED HUGHES AND VIOLENCE |
HAINSWORTH, J. D. |
1965 |
I | 3 |
p. 356-359 |
artikel |
|
| 229 | Tennyson and Picturesque Poetry |
McLUHAN, H. M. |
1951 |
I | 3 |
p. 262-282 |
artikel |
|
| 230 | Tennyson's ‘Tears’: Idle, Idol, Idyl |
HILTON, NELSON |
1985 |
I | 3 |
p. 223-237 |
artikel |
|
| 231 | TEXTUAL CRITICISM AND ITS PROBLEMS |
MCLAUCHLAN, JULIET |
1967 |
I | 3 |
p. 398-406 |
artikel |
|
| 232 | Thackeray and Marriage |
LERNER, LAURENCE |
1975 |
I | 3 |
p. 279-303 |
artikel |
|
| 233 | THE ANTIPODES |
BARTON, ANNE |
1972 |
I | 3 |
p. 296-303 |
artikel |
|
| 234 | THE ART OF THE ENEMY |
CRAIG, ALEC |
1957 |
I | 3 |
p. 340-341 |
artikel |
|
| 235 | THE ART OF THE ENEMY |
PITT, VALERIE |
1957 |
I | 3 |
p. 330-335 |
artikel |
|
| 236 | THE ART OF THE ENEMY |
SPACKS, PATRICIA MEYER |
1957 |
I | 3 |
p. 335-339 |
artikel |
|
| 237 | THE ART OF THE ENEMY |
COCKSHUT, A. O. J. |
1957 |
I | 3 |
p. 339-340 |
artikel |
|
| 238 | THE ART OF THE ENEMY |
CONQUEST, ROBERT |
1957 |
I | 3 |
p. 341-343 |
artikel |
|
| 239 | THE ASTONISHING ‘OBJECTIVE CORRELATIVE’ |
WATTS, WATTS |
1973 |
I | 3 |
p. 328-331 |
artikel |
|
| 240 | THE ATTACK ON LEAVIS |
COULSON, PETER |
1963 |
I | 3 |
p. 305-b-305 |
artikel |
|
| 241 | THE ATTACK ON LEAVIS |
KERMODE, FRANK |
1963 |
I | 3 |
p. 305-a-305 |
artikel |
|
| 242 | THE AUTHENTIC CADENCE |
WHITEHEAD, JOHN |
1968 |
I | 3 |
p. 329-336 |
artikel |
|
| 243 | ‘THE BLESSED DAMOZEL’ AT PENKILL |
FRANKLIN, COLIN |
1964 |
I | 3 |
p. 331-335 |
artikel |
|
| 244 | THE CASE OF THE MISAPPLIED PARADIGM |
TAUBER, ALFRED I. |
1993 |
I | 3 |
p. 258-265 |
artikel |
|
| 245 | The Complexity of Henryson's The Testament of Cresseid |
PITTOCK, MALCOLM |
1990 |
I | 3 |
p. 198-221 |
artikel |
|
| 246 | The Contempt of Literature |
ALLEN, LOUIS |
1955 |
I | 3 |
p. 229-241 |
artikel |
|
| 247 | The Critical Forum ‘EMILY-COLOURED PRIMULAS’ |
NOKES, GEOFFREY |
1952 |
I | 3 |
p. 338-342 |
artikel |
|
| 248 | The Critical Forum ‘EMILY-COLOURED PRIMULAS’ |
AMIS, KINGSLEY |
1952 |
I | 3 |
p. 342-347 |
artikel |
|
| 249 | THE CRITICAL TRADITION |
LE BRUN, P. |
1959 |
I | 3 |
p. 323-333 |
artikel |
|
| 250 | The Critics and Our Mutual Friend |
HOBSBAUM, PHILIP |
1963 |
I | 3 |
p. 231-240 |
artikel |
|
| 251 | The Family Reunion: A reply to Mr. Murry |
FLOERSHEIMER, STEPHEN |
1951 |
I | 3 |
p. 298-301 |
artikel |
|
| 252 | The Fatal Cleopatra: Shakespeare and the Pun |
MAHOOD, M. M. |
1951 |
I | 3 |
p. 193-207 |
artikel |
|
| 253 | THE FEMININE CONDITION |
BUTLER, MARILYN |
1981 |
I | 3 |
p. 246-249 |
artikel |
|
| 254 | The First Paragraph of The Ambassadors: An Explication |
WATT, IAN |
1960 |
I | 3 |
p. 250-274 |
artikel |
|
| 255 | THE FRANKLIN'S TALE: A PALIMPSEST READING |
COLMER, DOROTHY |
1970 |
I | 3 |
p. 375-380 |
artikel |
|
| 256 | The Gods in King Lear |
WHITEHEAD, FRANK |
1992 |
I | 3 |
p. 196-220 |
artikel |
|
| 257 | ‘The Greatest Since Gait’: Lewis Grassic Gibbon |
WAGNER, GEOFFREY |
1952 |
I | 3 |
p. 295-310 |
artikel |
|
| 258 | The Idea of a Cultural Lexicon |
SKINNER, QUENTIN |
1979 |
I | 3 |
p. 205-224 |
artikel |
|
| 259 | The Idea of Culture |
WILLIAMS, RAYMOND |
1953 |
I | 3 |
p. 239-266 |
artikel |
|
| 260 | The Integrity of Eliot |
SCHMIDT, A. V. C. |
1991 |
I | 3 |
p. 222-239 |
artikel |
|
| 261 | The Ironic Mode: A Comparison of Jonathan Wild and The Beggar's Opera |
PRESTON, JOHN |
1966 |
I | 3 |
p. 268-280 |
artikel |
|
| 262 | The Jinnee in the Well-Wrought Urn |
ONG, WALTER J. S. J. |
1954 |
I | 3 |
p. 309-320 |
artikel |
|
| 263 | The Language of Poetry: Materiality and Meaning |
ATTRIDGE, DEREK |
1981 |
I | 3 |
p. 228-245 |
artikel |
|
| 264 | THE LAST HEIRS OF DICKENS |
BERGONZI, BERNARD |
1962 |
I | 3 |
p. 314-321 |
artikel |
|
| 265 | The Legacy of Fenimore Cooper |
DAVIE, DONALD |
1959 |
I | 3 |
p. 222-238 |
artikel |
|
| 266 | THE LEWIS QUESTION |
CONSTABLE, JOHN |
1993 |
I | 3 |
p. 265-271 |
artikel |
|
| 267 | The Limitations of Stylistics |
BARRY, PETER |
1988 |
I | 3 |
p. 175-189 |
artikel |
|
| 268 | THE LITERARY WORLD |
LIGHTFOOT, MARTIN |
1970 |
I | 3 |
p. 359-367 |
artikel |
|
| 269 | The Literature of Patronage, 1580–1630 |
THOMSON, PATRICIA |
1952 |
I | 3 |
p. 267-284 |
artikel |
|
| 270 | The Lost Childhood of Lear’s Fool |
McEWAN, NEIL |
1976 |
I | 3 |
p. 209-217 |
artikel |
|
| 271 | Thel's Dilemma |
EVEREST, K. D. |
1987 |
I | 3 |
p. 193-208 |
artikel |
|
| 272 | The Malcontent and ‘ Dreams, Visions, Fantasies’ |
WHARTON, T. F. |
1974 |
I | 3 |
p. 261-274 |
artikel |
|
| 273 | ‘The Man who was Through with the World’ |
Lawrence, D. H. |
1959 |
I | 3 |
p. 213-221 |
artikel |
|
| 274 | Themes and Patterns in Shakespeare’s Sonnets |
WILLIAMSON, C. F. |
1976 |
I | 3 |
p. 191-208 |
artikel |
|
| 275 | The Miltonic Simile |
LERNER, L. D. |
1954 |
I | 3 |
p. 297-308 |
artikel |
|
| 276 | The Modern and the Postmodern as History |
CONNOR, STEVEN |
1987 |
I | 3 |
p. 181-192 |
artikel |
|
| 277 | THE NATURAL MAN |
HARDY, BARBARA |
1959 |
I | 3 |
p. 309-315 |
artikel |
|
| 278 | THE NEAR AND THE FAR |
GIFFORD, HENRY |
1972 |
I | 3 |
p. 313-320 |
artikel |
|
| 279 | THE NEW CRITICISM: A CAVEAT |
CROMPTON, DONALD W. |
1960 |
I | 3 |
p. 359-364 |
artikel |
|
| 280 | The Nightmare of Caleb Williams |
HARVEY, A. D. |
1976 |
I | 3 |
p. 236-249 |
artikel |
|
| 281 | The Novelist as Moralist and the Moralist as Critic |
MAY, DERWENT |
1960 |
I | 3 |
p. 320-328 |
artikel |
|
| 282 | The Object of Literary Criticism |
EDGLEY, R. |
1964 |
I | 3 |
p. 221-236 |
artikel |
|
| 283 | THE OHIO BROWNING |
KING, ROMA A. Jr. |
1974 |
I | 3 |
p. 317-319 |
artikel |
|
| 284 | The Palace of Art and Tennyson's Cambridge |
CRONIN, RICHARD |
1993 |
I | 3 |
p. 195-210 |
artikel |
|
| 285 | The Poetry of Edwin Muir |
GRICE, FRED |
1955 |
I | 3 |
p. 243-252 |
artikel |
|
| 286 | THE POLITICS OF NOSTROMO |
VIDAN, IVO |
1967 |
I | 3 |
p. 392-398 |
artikel |
|
| 287 | THE RECRIMINATING FEMALE |
BROWNING, I. R. |
1955 |
I | 3 |
p. 265-274 |
artikel |
|
| 288 | The Revised OED: An Appeal |
1994 |
I | 3 |
p. 265-266 |
artikel |
||
| 289 | THE RIGHT GOOD FROM A BOOK |
JORDAN, ELAINE |
1994 |
I | 3 |
p. 249-258 |
artikel |
|
| 290 | The Road from Penshurst: Wordsworth, Ben Jonson and Coleridge in 1802 |
BARTON, ANNE |
1987 |
I | 3 |
p. 209-233 |
artikel |
|
| 291 | THESE BE YOUR GODS, O ISRAEL! |
COTTON, JOHN |
1955 |
I | 3 |
p. 296-297 |
artikel |
|
| 292 | THESE BE YOUR GODS, O ISRAEL! |
F. W. B, |
1955 |
I | 3 |
p. 297-298 |
artikel |
|
| 293 | THESE BE YOUR GODS, O ISRAEL! |
DAVIES, C. W. |
1955 |
I | 3 |
p. 293-296 |
artikel |
|
| 294 | The Secret Agent Reconsidered |
TILLYARD, E. M. W. |
1961 |
I | 3 |
p. 309-318 |
artikel |
|
| 295 | The Shapeliness of The Tempest |
HOLLAND, PETER |
1995 |
I | 3 |
p. 208-229 |
artikel |
|
| 296 | THE SHAPE OF FUTURE WARS |
SEED, DAVID |
1994 |
I | 3 |
p. 258-264 |
artikel |
|
| 297 | THE SPOILS OF POYNTON: THE ‘FACTS’ |
BELLRINGER, ALAN W. |
1968 |
I | 3 |
p. 357-359 |
artikel |
|
| 298 | THE STATE OF CRITICISM |
JARRETT-KERR, MARTIN C. R. |
1953 |
I | 3 |
p. 363-364 |
artikel |
|
| 299 | THE STATE OF CRITICISM III |
CRUTTWELL, PATRICK |
1953 |
I | 3 |
p. 365-367 |
artikel |
|
| 300 | THE SUBJECTIVE CORRELATIVE |
BOYD, JOHN DOUGLAS |
1972 |
I | 3 |
p. 329-331 |
artikel |
|
| 301 | The Systolic Rythm: The Structure of Coleridge's Conversation Poems |
GÉRARD, A. |
1960 |
I | 3 |
p. 307-319 |
artikel |
|
| 302 | THE TEXT OF THE AMBASSADORS |
MAXWELL, J. C |
1961 |
I | 3 |
p. 370-370 |
artikel |
|
| 303 | THE THEORY IN IT |
CORONEOS, CON |
1988 |
I | 3 |
p. 258-265 |
artikel |
|
| 304 | ‘THE TRIUMPH OF LIFE’ |
MATTHEWS, G. M. |
1968 |
I | 3 |
p. 352-356 |
artikel |
|
| 305 | The Two Voices of Gray |
DOHERTY, F. |
1963 |
I | 3 |
p. 222-230 |
artikel |
|
| 306 | THE UNPOPULARITY OF DISCRIMINATION |
FRENCH, A. L. |
1966 |
I | 3 |
p. 346-350 |
artikel |
|
| 307 | THE YALE RAMBLER1 |
RAWSON, C. J. |
1972 |
I | 3 |
p. 303-312 |
artikel |
|
| 308 | Title and Subject in The Sacred Wood |
HUISMAN, DAVID |
1989 |
I | 3 |
p. 217-233 |
artikel |
|
| 309 | TRANSLATING MITSPEAK |
HARRIS, ROY |
1995 |
I | 3 |
p. 272-279 |
artikel |
|
| 310 | TRAVELOGUES AND NIGHTMARES |
HILL, A. G. |
1960 |
I | 3 |
p. 342-345 |
artikel |
|
| 311 | Tristram Shandy and the Tradition of Learned Wit |
JEFFERSON, D. W. |
1951 |
I | 3 |
p. 225-248 |
artikel |
|
| 312 | T. S. Eliot's Dissociation of Sensibility and the Critics of Metaphysical Poetry |
KUNA, F. M. |
1963 |
I | 3 |
p. 241-252 |
artikel |
|
| 313 | Two Approaches to Dryden |
EMSLIE, MCD. |
1961 |
I | 3 |
p. 264-273 |
artikel |
|
| 314 | ‘Unhelpful Hymen!’: Marianne Moore and Hilda Doolittle |
NEWLIN, MARGARET |
1977 |
I | 3 |
p. 216-230 |
artikel |
|
| 315 | Variation and Inversion in Pope's Epistle to Dr. Arbuthnot |
RUDD, NIALL |
1984 |
I | 3 |
p. 216-228 |
artikel |
|
| 316 | ‘Verse only to the Eye’? Line Endings in Paradise Lost |
BRADFORD, RICHARD |
1983 |
I | 3 |
p. 187-204 |
artikel |
|
| 317 | VERSIONS OF PIETAS |
GRANSDEN, K. W. |
1994 |
I | 3 |
p. 235-243 |
artikel |
|
| 318 | Visions and Revisions |
HARVEY, W. J |
1959 |
I | 3 |
p. 287-299 |
artikel |
|
| 319 | VOLPONE'S MORTIFICATION |
CREASER, JOHN |
1976 |
I | 3 |
p. 277-278 |
artikel |
|
| 320 | Volpone: The Mortifying of The Fox |
CREASER, JOHN |
1975 |
I | 3 |
p. 329-356 |
artikel |
|
| 321 | Wallace Stevens and the King James Bible |
COOK, ELEANOR |
1991 |
I | 3 |
p. 240-252 |
artikel |
|
| 322 | What Kind of Fiction did Hardy write ? |
GREGOR, IAN |
1966 |
I | 3 |
p. 290-308 |
artikel |
|
| 323 | WITHOUT SAYING |
RICKS, CHRISTOPHER |
1983 |
I | 3 |
p. 255-258 |
artikel |
|
| 324 | Wordsworth and Cowper: The Eye Made Quiet |
JONES, MYRDDIN |
1971 |
I | 3 |
p. 236-247 |
artikel |
|
| 325 | Wordsworth and the Naming of Places |
BATE, JONATHAN |
1989 |
I | 3 |
p. 196-216 |
artikel |
|
| 326 | WORDSWORTHIAN |
GILL, STEPHEN |
1967 |
I | 3 |
p. 362-367 |
artikel |
|
| 327 | Wordsworth, Language, and Romanticism |
AARSLEFF, HANS |
1980 |
I | 3 |
p. 215-226 |
artikel |
|
| 328 | WORDSWORTHS |
LOGAN, STEPHEN |
1984 |
I | 3 |
p. 254-262 |
artikel |
|
| 329 | Work in Progress III: Joseph Andrews, Mask and Feast1 |
WRIGHT, ANDREW |
1963 |
I | 3 |
p. 209-221 |
artikel |
|
| 330 | WYATT AND ‘LIBERTY’ |
BATH, MICHAEL |
1973 |
I | 3 |
p. 322-328 |
artikel |
|
| 331 | WYATT AND PETRARCH |
SOUTHALL, RAYMOND |
1964 |
I | 3 |
p. 326-327 |
artikel |
|
| 332 | WYATT AND PETRARCH |
FULLER, JEAN OVERTON |
1964 |
I | 3 |
p. 324-326 |
artikel |
|
| 333 | WYNDHAM LEWIS |
SHARROCK, ROGER |
1955 |
I | 3 |
p. 260-265 |
artikel |
|
| 334 | Yeats as Dramatist: The Player Queen |
NEWTON, NORMAN |
1958 |
I | 3 |
p. 269-284 |
artikel |
334 gevonden resultaten