|
Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
Alle afleveringen van het bijbehorende jaargang
Alle artikelen van de bijbehorende aflevering
508 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | A Baroque primer |
Elcombe, Keith |
1994 |
XXII | 3 |
p. 499-502 |
artikel |
|
| 2 | Acknowledgement |
1977 |
XXII | 3 |
p. 435-c-435 |
artikel |
||
| 3 | A counterblast on English trumpets |
Pinnock, Andrew |
1991 |
XXII | 3 |
p. 437-443 |
artikel |
|
| 4 | A curious instrument with a five-octave compass |
Meer, John Henry van der |
1986 |
XXII | 3 |
p. 397-402 |
artikel |
|
| 5 | Adriano Banchieri |
Davey, Laura |
1990 |
XXII | 3 |
p. 491-a-491 |
artikel |
|
| 6 | A great bass dilemma |
HUDSON, CHARLES J. MD |
1976 |
XXII | 3 |
p. 367-b-367 |
artikel |
|
| 7 | A keyboard miscellany |
Kitchen, John |
1995 |
XXII | 3 |
p. 520-522 |
artikel |
|
| 8 | A knot of harp strings |
BUCKLEY, ANN |
1983 |
XXII | 3 |
p. 419-c-421 |
artikel |
|
| 9 | Alternatim hymn settings |
WIGAN, CANON BERNARD |
1982 |
XXII | 3 |
p. 419-b-421 |
artikel |
|
| 10 | A lute book ghost laid |
SPENCER, ROBERT |
1978 |
XXII | 3 |
p. 485-a-485 |
artikel |
|
| 11 | Amat's ‘Guitarra Española’ |
KING, A. H. |
1976 |
XXII | 3 |
p. 369-b-369 |
artikel |
|
| 12 | American instrument research and performance |
BELLINGHAM, BRUCE |
1975 |
XXII | 3 |
p. 323-326 |
artikel |
|
| 13 | ‘And Now About the Cauldron Sing’: music and the supernatural on the Restoration stage |
Plank, Steven E. |
1990 |
XXII | 3 |
p. 393-407 |
artikel |
|
| 14 | An 18th-century singer's commission of ‘baggage’ arias |
Freeman, Daniel E. |
1992 |
XXII | 3 |
p. 427-433 |
artikel |
|
| 15 | Arnold Dolmetsch |
DONINGTON, ROBERT |
1975 |
XXII | 3 |
p. 236-239 |
artikel |
|
| 16 | A Sweet servitude: A musician's life at the Court of Mille de Guise |
Ranum, Patricia |
1987 |
XXII | 3 |
p. 347-360 |
artikel |
|
| 17 | A tale of five cities revisited |
Parrott, Andrew |
1981 |
XXII | 3 |
p. 342-343 |
artikel |
|
| 18 | A Trio in C major for recorder, violin and continuo by J.S. Bach? |
Marissen, Michael |
1985 |
XXII | 3 |
p. 384-390 |
artikel |
|
| 19 | ‘At the mynde of Nycholas Ludford’ |
Skinner, David |
1994 |
XXII | 3 |
p. 393-415 |
artikel |
|
| 20 | Auckland's instruments exhibition |
THOMSON, J. M. |
1986 |
XXII | 3 |
p. 462-463 |
artikel |
|
| 21 | Bach's temperament |
KELLNER, HERBERT ANTON |
1983 |
XXII | 3 |
p. 421-421 |
artikel |
|
| 22 | Baroque oboe makers |
HAYNES, BRUCE |
1976 |
XXII | 3 |
p. 347-a-347 |
artikel |
|
| 23 | Bartolomeo Cristofori A list and historical survey of his instruments |
Montanari, Giuliana |
1991 |
XXII | 3 |
p. 383-398 |
artikel |
|
| 24 | Blockages |
McCANN, LT.-COL. J.R. |
1974 |
XXII | 3 |
p. 203-e-204 |
artikel |
|
| 25 | book-review |
Brown, Howard Mayer |
1987 |
XXII | 3 |
p. 397-401 |
artikel |
|
| 26 | Book reviews |
THOMSON, J. M. |
1974 |
XXII | 3 |
p. 191-a-191 |
artikel |
|
| 27 | Book reviews |
JMT, |
1974 |
XXII | 3 |
p. 191-b-191 |
artikel |
|
| 28 | Book reviews |
JMT, |
1975 |
XXII | 3 |
p. 273-b-274 |
artikel |
|
| 29 | Books |
RANKIN, SUSAN |
1982 |
XXII | 3 |
p. 375-377 |
artikel |
|
| 30 | Books |
LUCKETT, RICHARD |
1983 |
XXII | 3 |
p. 377-a-377 |
artikel |
|
| 31 | Books |
McGEGAN, NICHOLAS |
1983 |
XXII | 3 |
p. 373-375 |
artikel |
|
| 32 | Books |
FALLOWS, DAVID |
1978 |
XXII | 3 |
p. 447-449 |
artikel |
|
| 33 | Books |
D. F., |
1978 |
XXII | 3 |
p. 455-a-455 |
artikel |
|
| 34 | Books |
BOYD, MALCOLM |
1983 |
XXII | 3 |
p. 365-367 |
artikel |
|
| 35 | Books |
VAN TASSEL, ERIC |
1983 |
XXII | 3 |
p. 377b-380 |
artikel |
|
| 36 | BOOKS |
ROCHE, JEROME |
1984 |
XXII | 3 |
p. 381-383 |
artikel |
|
| 37 | BOOKS |
FALLOWS, DAVID |
1984 |
XXII | 3 |
p. 397-a-397-a |
artikel |
|
| 38 | BOOKS |
Williams, Peter |
1985 |
XXII | 3 |
p. 419-421 |
artikel |
|
| 39 | BOOKS |
Fallows, David |
1986 |
XXII | 3 |
p. 415-417 |
artikel |
|
| 40 | BOOKS |
Cooper, Barry |
1987 |
XXII | 3 |
p. 401-403 |
artikel |
|
| 41 | BOOKS |
Page, Christopher |
1987 |
XXII | 3 |
p. 391-393 |
artikel |
|
| 42 | BOOKS |
Harr, James |
1986 |
XXII | 3 |
p. 420-422 |
artikel |
|
| 43 | BOOKS |
Talbot, Michael |
1986 |
XXII | 3 |
p. 424-426 |
artikel |
|
| 44 | BOOKS |
JMT, |
1976 |
XXII | 3 |
p. 323-a-323 |
artikel |
|
| 45 | BOOKS |
JMT, |
1976 |
XXII | 3 |
p. 321-a-321 |
artikel |
|
| 46 | BOOKS |
JMT, |
1976 |
XXII | 3 |
p. 321-b-323 |
artikel |
|
| 47 | Books |
D.F., |
1978 |
XXII | 3 |
p. 455-b-457 |
artikel |
|
| 48 | Books |
LINDLEY, MARK |
1978 |
XXII | 3 |
p. 453-a-453 |
artikel |
|
| 49 | Books |
JMT, |
1979 |
XXII | 3 |
p. 409-b-411 |
artikel |
|
| 50 | Books |
FANNING, DAVID |
1980 |
XXII | 3 |
p. 393-a-393 |
artikel |
|
| 51 | Books |
DF, |
1980 |
XXII | 3 |
p. 393-b-394 |
artikel |
|
| 52 | BOOKS |
Voss, Angela |
1991 |
XXII | 3 |
p. 451-454 |
artikel |
|
| 53 | BOOKS |
Falconer, Keith |
1991 |
XXII | 3 |
p. 450-451 |
artikel |
|
| 54 | BOOKS |
Page, Chirstopher |
1991 |
XXII | 3 |
p. 445-446 |
artikel |
|
| 55 | BOOKS |
Kirkman, Andrew |
1991 |
XXII | 3 |
p. 446-450 |
artikel |
|
| 56 | BOOKS |
Donington, Robert |
1988 |
XXII | 3 |
p. 423-427 |
artikel |
|
| 57 | BOOKS |
Burrows, Donald |
1989 |
XXII | 3 |
p. 413-b-415 |
artikel |
|
| 58 | BOOKS |
Selfridge-Field, Eleanor |
1989 |
XXII | 3 |
p. 413-a-413 |
artikel |
|
| 59 | BOOKS |
Haggh, Barbara |
1990 |
XXII | 3 |
p. 457-463 |
artikel |
|
| 60 | BOOKS |
Fallows, David |
1990 |
XXII | 3 |
p. 453-457 |
artikel |
|
| 61 | BOOKS |
Dixon, Graham |
1992 |
XXII | 3 |
p. 477-480 |
artikel |
|
| 62 | BOOKS |
Holman, Peter |
1992 |
XXII | 3 |
p. 475-477 |
artikel |
|
| 63 | BOOKS |
Wegman, Rob C. |
1992 |
XXII | 3 |
p. 481-483 |
artikel |
|
| 64 | BOOKS |
Loeschmann, Horst B. |
1986 |
XXII | 3 |
p. 418-419 |
artikel |
|
| 65 | BOOKS |
Carter, Tim |
1986 |
XXII | 3 |
p. 422-424 |
artikel |
|
| 66 | BOOKS |
1976 |
XXII | 3 |
p. 323-c-324 |
artikel |
||
| 67 | BOOKS |
BROWN, HOWARD MAYER |
1977 |
XXII | 3 |
p. 403-405 |
artikel |
|
| 68 | Books |
CURTIS, GARETH R K |
1978 |
XXII | 3 |
p. 453a-455 |
artikel |
|
| 69 | Books |
FALLOWS, DAVID |
1979 |
XXII | 3 |
p. 409-a-409 |
artikel |
|
| 70 | Books |
Segerman, Ephraim |
1980 |
XXII | 3 |
p. 387-388 |
artikel |
|
| 71 | Books |
DONINGTON, ROBERT |
1980 |
XXII | 3 |
p. 388-391 |
artikel |
|
| 72 | BOOKS |
Edwards, Warwick |
1987 |
XXII | 3 |
p. 393-397 |
artikel |
|
| 73 | BOOKS |
Carter, Tim |
1988 |
XXII | 3 |
p. 417-419 |
artikel |
|
| 74 | BOOKS |
Cooper, Barry |
1988 |
XXII | 3 |
p. 427-432 |
artikel |
|
| 75 | BOOKS |
Ledbetter, David |
1988 |
XXII | 3 |
p. 419-422 |
artikel |
|
| 76 | BOOKS |
Talbot, Michael |
1990 |
XXII | 3 |
p. 467-473 |
artikel |
|
| 77 | BOOKS |
Chadd, David |
1992 |
XXII | 3 |
p. 480-481 |
artikel |
|
| 78 | BOOKS |
Forney, Kristine K. |
1992 |
XXII | 3 |
p. 483-485 |
artikel |
|
| 79 | BOOKS |
Barlow, Jeremy |
1992 |
XXII | 3 |
p. 485-488 |
artikel |
|
| 80 | BOOKS:Book notes |
1976 |
XXII | 3 |
p. 323-b-323 |
artikel |
||
| 81 | Books reviews |
SAUNDERS, GORDON |
1975 |
XXII | 3 |
p. 271-a-271 |
artikel |
|
| 82 | Books reviews |
LANGLEY, ROBIN |
1975 |
XXII | 3 |
p. 273-a-273 |
artikel |
|
| 83 | Books reviews |
DONINGTON, ROBERT |
1975 |
XXII | 3 |
p. 271-b-273 |
artikel |
|
| 84 | Boston Early Music Festival and Exhibition 1995 |
Schott, Howard |
1995 |
XXII | 3 |
p. 527-530 |
artikel |
|
| 85 | Briefly noted |
F, D |
1984 |
XXII | 3 |
p. 397-b-400 |
artikel |
|
| 86 | Briefly noted |
Fallows, David |
1987 |
XXII | 3 |
p. 403-408 |
artikel |
|
| 87 | Briefly Noted |
DF, |
1986 |
XXII | 3 |
p. 440-442 |
artikel |
|
| 88 | Calligraphy and Music |
LEIGH MILNER, MARGOT |
1987 |
XXII | 3 |
p. 437-440 |
artikel |
|
| 89 | Cambridge Festival |
Moses, Antoinette |
1982 |
XXII | 3 |
p. 423-a-423 |
artikel |
|
| 90 | Cartoonist's licence |
LT.G.COOPER, R.N., |
1976 |
XXII | 3 |
p. 367-d-368 |
artikel |
|
| 91 | Castor et Pollux |
SADLER, GRAHAM |
1981 |
XXII | 3 |
p. 419-b-419 |
artikel |
|
| 92 | Catalogue supplemented |
1987 |
XXII | 3 |
p. 441-441 |
artikel |
||
| 93 | CETRAM |
PETROBELLI, PIERLUIGI |
1981 |
XXII | 3 |
p. 421-a-421 |
artikel |
|
| 94 | Classical clarinet technique: documentary approaches |
Charlton, David |
1988 |
XXII | 3 |
p. 396-406 |
artikel |
|
| 95 | Claudio Monteverdi |
Kurtzman, Jeffrey |
1989 |
XXII | 3 |
p. 429-438 |
artikel |
|
| 96 | Claudio Monteverdi |
Carter, Tim |
1990 |
XXII | 3 |
p. 491-b-493 |
artikel |
|
| 97 | Clavichord reseach |
WELDON, DAVID |
1987 |
XXII | 3 |
p. 443-a-443 |
artikel |
|
| 98 | Copies v. originals |
BURNETT, RICHARD |
1985 |
XXII | 3 |
p. 470-b-471 |
artikel |
|
| 99 | Correction |
1977 |
XXII | 3 |
p. 435-d-440 |
artikel |
||
| 100 | Correction |
1994 |
XXII | 3 |
p. 510-s-510 |
artikel |
||
| 101 | Corrections and credit |
1976 |
XXII | 3 |
p. 345-345 |
artikel |
||
| 102 | CORRESPONDENCE |
Veroli, Claudio Di |
1991 |
XXII | 3 |
p. 492-493 |
artikel |
|
| 103 | Correspondence |
FITZPATRICK, HORACE |
1976 |
XXII | 3 |
p. 347-b-355 |
artikel |
|
| 104 | Correspondence |
JONES, JIM |
1980 |
XXII | 3 |
p. 430-c-430 |
artikel |
|
| 105 | CORRESPONDENCE |
LATCHAM, MICHAEL |
1992 |
XXII | 3 |
p. 527-b-527 |
artikel |
|
| 106 | Correspondence |
CARR, DALE C. |
1994 |
XXII | 3 |
p. 542-a-542 |
artikel |
|
| 107 | Correspondence |
Montagu, Jeremy |
1994 |
XXII | 3 |
p. 542-b-543 |
artikel |
|
| 108 | CORRESPONDENCE: Bach's Chorus |
BOYD, MALCOLM |
1984 |
XXII | 3 |
p. 431-b-431-b |
artikel |
|
| 109 | CORRESPONDENCE: Clarinet reed position |
Hoeprich, T. Eric |
1984 |
XXII | 3 |
p. 431-a-431-a |
artikel |
|
| 110 | CORRESPONDENCE: Handel's changes |
DEAN, WINTON |
1988 |
XXII | 3 |
p. 479-a-479 |
artikel |
|
| 111 | Crumhorn sound |
BALMER, JIM |
1975 |
XXII | 3 |
p. 299-b-300 |
artikel |
|
| 112 | David Reichenberg |
1987 |
XXII | 3 |
p. 442-442 |
artikel |
||
| 113 | Défense de la basse de viole |
Robinson, Lucy |
1995 |
XXII | 3 |
p. 518-520 |
artikel |
|
| 114 | Diana poulton replies: |
Poulton, Diano |
1976 |
XXII | 3 |
p. 365-b-365 |
artikel |
|
| 115 | Discs and dates |
COHEN, JOEL |
1982 |
XXII | 3 |
p. 419-a-419 |
artikel |
|
| 116 | Djilda Abbott and Eph Segerman reply: |
1976 |
XXII | 3 |
p. 365-d-367 |
artikel |
||
| 117 | Documents from El Escorial |
Noone, Michael |
1995 |
XXII | 3 |
p. 499-501 |
artikel |
|
| 118 | Dotting… |
NEUMANN, FREDERICK |
1981 |
XXII | 3 |
p. 416-c-416 |
artikel |
|
| 119 | Download's lachrymal airs |
PINTO, DAVID |
1992 |
XXII | 3 |
p. 525-a-525 |
artikel |
|
| 120 | Drum rhythms for dances |
TAYLOR, PATRICK |
1977 |
XXII | 3 |
p. 431-a-431 |
artikel |
|
| 121 | Early keyboards |
PLEASEANTS, VIRGINIA |
1992 |
XXII | 3 |
p. 524-524 |
artikel |
|
| 122 | Early Music and ‘The Fairly Queen’ |
BALMER, J.L. |
1974 |
XXII | 3 |
p. 203-c-203 |
artikel |
|
| 123 | Early music for harpsichord 2: The 17th-century Italy, France, England and Germany |
SCHOTT, HOWARD |
1976 |
XXII | 3 |
p. 281-283 |
artikel |
|
| 124 | Early music on the Internet |
Greig, Donald |
1995 |
XXII | 3 |
p. 532-534 |
artikel |
|
| 125 | Early music recordings |
KAHN, DONALD |
1976 |
XXII | 3 |
p. 363-d-363 |
artikel |
|
| 126 | Early Music supplements |
CUNNINGHAM, CAROLINE |
1977 |
XXII | 3 |
p. 433-a-433 |
artikel |
|
| 127 | Edger Hunt replies: |
Hunt, Edger |
1976 |
XXII | 3 |
p. 367-c-365 |
artikel |
|
| 128 | Editing Marenzio |
FENLON, IAIN |
1979 |
XXII | 3 |
p. 433-a-433 |
artikel |
|
| 129 | Editorial |
KENYON, NICHOLAS |
1990 |
XXII | 3 |
p. 354-354 |
artikel |
|
| 130 | Editorial |
KNIGHTON, TESS |
1994 |
XXII | 3 |
p. 372-372 |
artikel |
|
| 131 | Editorial |
KNIGHTON, TESS |
1995 |
XXII | 3 |
p. 373-373 |
artikel |
|
| 132 | English trumpets—a response |
Holman, Peter |
1991 |
XXII | 3 |
p. 443-444 |
artikel |
|
| 133 | Erratum |
1987 |
XXII | 3 |
p. 447-s-447 |
artikel |
||
| 134 | Erratum |
1989 |
XXII | 3 |
p. 479-s-479-s |
artikel |
||
| 135 | Erratum |
1988 |
XXII | 3 |
p. 479-d-479 |
artikel |
||
| 136 | Esteban Daza: a gentleman musician in Renaissance Spain |
Griffiths, John |
1995 |
XXII | 3 |
p. 437-449 |
artikel |
|
| 137 | EVENTS |
TALBOT, MICHAEL |
1991 |
XXII | 3 |
p. 494-495 |
artikel |
|
| 138 | EVENTS |
PINNOCK, ANDREW |
1992 |
XXII | 3 |
p. 523-523 |
artikel |
|
| 139 | EVENTS |
NOONE, MICHAEL |
1992 |
XXII | 3 |
p. 522-522 |
artikel |
|
| 140 | Extant historical gambas |
TOURIN, PETER |
1976 |
XXII | 3 |
p. 361-b-363 |
artikel |
|
| 141 | Facing the music |
BRETT, PHILIP |
1982 |
XXII | 3 |
p. 347-350 |
artikel |
|
| 142 | Fanshave settings |
DAVIDSON, PETER |
1980 |
XXII | 3 |
p. 430-b-430 |
artikel |
|
| 143 | Farinelli revisited |
Heartz, Daniel |
1990 |
XXII | 3 |
p. 430-448 |
artikel |
|
| 144 | Folding harpsichords |
Libin, Laurence |
1987 |
XXII | 3 |
p. 378-383 |
artikel |
|
| 145 | Folies d'Espagne |
YOUNG, J.B. |
1977 |
XXII | 3 |
p. 433-b-433 |
artikel |
|
| 146 | French overdotting |
SCHEIBERT, BEVERLY |
1987 |
XXII | 3 |
p. 443-b-445 |
artikel |
|
| 147 | Further thought on early Tudor pitch |
Bowers, Roger |
1980 |
XXII | 3 |
p. 368-375 |
artikel |
|
| 148 | Giovanni Ferrini and his harpsichord ‘a penne e a martelletti’ |
Tagliiavini, Luigi Ferdinando |
1991 |
XXII | 3 |
p. 399-408 |
artikel |
|
| 149 | Giovanni Girolamo Savoldo's Portrait of a Man with a Recorder |
Colin Slim, H. |
1985 |
XXII | 3 |
p. 398-406 |
artikel |
|
| 150 | Glorious uncertainty |
Wulstan, David |
1986 |
XXII | 3 |
p. 406-409 |
artikel |
|
| 151 | Grass roots early music |
WHONE, J.F. |
1975 |
XXII | 3 |
p. 313-a-313 |
artikel |
|
| 152 | Grimarest's Traité du Récitatif: Glimpses of performance practise in Lully's operas |
Tunley, David |
1987 |
XXII | 3 |
p. 361-364 |
artikel |
|
| 153 | Guillaume de Machaut |
Bowers, Roger |
1990 |
XXII | 3 |
p. 489-491 |
artikel |
|
| 154 | Handel's Appoggiaturas: a tradition destroyed |
Roche, Elizabeth |
1985 |
XXII | 3 |
p. 408-412 |
artikel |
|
| 155 | Handel's overtures for harpsichord or organ: An unrecognized genre |
pont, Graham |
1983 |
XXII | 3 |
p. 309-322 |
artikel |
|
| 156 | Handel, the Dead March and a newly identified trombone movement |
Burrows, Donald |
1990 |
XXII | 3 |
p. 408-416 |
artikel |
|
| 157 | Hand-stopping technique on the horn |
MONTAGU, JEREMY |
1977 |
XXII | 3 |
p. 425-c-427 |
artikel |
|
| 158 | Hardel and Duphly |
Sadie, Julie Anne |
1994 |
XXII | 3 |
p. 509-512 |
artikel |
|
| 159 | Harpsichord preludes |
SNELLING, LAVINIA |
1976 |
XXII | 3 |
p. 363-a-363 |
artikel |
|
| 160 | Haydn in London |
ZEMANOVÄ, MIRKA |
1982 |
XXII | 3 |
p. 422-a-422 |
artikel |
|
| 161 | Haydn on record .1 |
Robbins Landon, H. C. |
1982 |
XXII | 3 |
p. 351-364 |
artikel |
|
| 162 | Haydn the elect |
THOMSON, J. M. |
1983 |
XXII | 3 |
p. 422-422 |
artikel |
|
| 163 | Henry Purcell |
Wood, Bruce |
1990 |
XXII | 3 |
p. 496-502 |
artikel |
|
| 164 | Henry Purcell |
Price, Curtis |
1990 |
XXII | 3 |
p. 493-496 |
artikel |
|
| 165 | Hirsch Centenary Exhibition |
KING, ALEC HYATT |
1981 |
XXII | 3 |
p. 419-a-419 |
artikel |
|
| 166 | Historical dance society |
DAYE, ANNE (Mrs) |
1976 |
XXII | 3 |
p. 367-a-367 |
artikel |
|
| 167 | ICONOGRAPHY: Farinelli and Metastasio: Rival twins of public favour |
Heartz, Daniel |
1984 |
XXII | 3 |
p. 358-368 |
artikel |
|
| 168 | ICONOGRAPHY: Musicians in 18th-century Venice |
Stevens, Denis |
1992 |
XXII | 3 |
p. 403-408 |
artikel |
|
| 169 | Identification of old pictures |
UTA, |
1977 |
XXII | 3 |
p. 429-431 |
artikel |
|
| 170 | Imagery, musical confrontation and cultural difference in early 18th-century London |
Leppert, Richard |
1986 |
XXII | 3 |
p. 323-345 |
artikel |
|
| 171 | Inequality |
BABITZ, SOL |
1976 |
XXII | 3 |
p. 365-a-365 |
artikel |
|
| 172 | Instrumental music in Lerma, c.1608 |
Kirk, Douglas |
1995 |
XXII | 3 |
p. 393-409 |
artikel |
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| 173 | Instrumental music in the early 16th-century Mass: new evidence |
Korrick, Leslie |
1990 |
XXII | 3 |
p. 359-370 |
artikel |
|
| 174 | Instruments |
MONTAGU, JEREMY |
1992 |
XXII | 3 |
p. 471-474 |
artikel |
|
| 175 | Instruments at auction |
Montagu, Jeremy |
1995 |
XXII | 3 |
p. 535-537 |
artikel |
|
| 176 | Instruments of the Middle Ages and Renaissance: in memoriam David Munrow |
BROWN, HOWARD MAYER |
1976 |
XXII | 3 |
p. 288-293 |
artikel |
|
| 177 | Interpreting Iberian keyboard music |
Nelson, Bernadette |
1995 |
XXII | 3 |
p. 507-509 |
artikel |
|
| 178 | Islamic instruments |
GODWIN, JOSCELYN |
1976 |
XXII | 3 |
p. 363-b-363 |
artikel |
|
| 179 | Itinerancy to residency: professional careers and performance practices in 15th-century sacred music |
Haggh, Barbara |
1989 |
XXII | 3 |
p. 359-367 |
artikel |
|
| 180 | James Tyler replies: |
Tyler, James |
1976 |
XXII | 3 |
p. 369-c-369 |
artikel |
|
| 181 | Joint flute playing |
WELLS, GRAHAM |
1976 |
XXII | 3 |
p. 369-d-370 |
artikel |
|
| 182 | J. S. Bach's Well-tempered Clavieer: A new approach · 2 |
Williams, Peter |
1983 |
XXII | 3 |
p. 332-339 |
artikel |
|
| 183 | J. S. Bach: two choral masterpieces |
Boyd, Malcolm |
1994 |
XXII | 3 |
p. 525-526 |
artikel |
|
| 184 | Langwill redivivus |
Boydell, Barra |
1994 |
XXII | 3 |
p. 497-499 |
artikel |
|
| 185 | Late 19th-century viol revivals |
Rutledge, John B. |
1991 |
XXII | 3 |
p. 409-418 |
artikel |
|
| 186 | ‘Le célèbre Berteau’ |
Adas, Jane |
1989 |
XXII | 3 |
p. 368-382 |
artikel |
|
| 187 | Liverpool |
WESS, JOAN |
1982 |
XXII | 3 |
p. 422-b-423 |
artikel |
|
| 188 | London Salerooms |
WELLS, GRAHAM |
1979 |
XXII | 3 |
p. 396-398 |
artikel |
|
| 189 | Lully's first opera: A rediscovered poster for Les fêtes de l'Amour et de Bacchus |
La Gorce, Jérôme de |
1987 |
XXII | 3 |
p. 308-314 |
artikel |
|
| 190 | Lute bridges and frets |
DOWNING, JOHN |
1976 |
XXII | 3 |
p. 365-c-365 |
artikel |
|
| 191 | Lute music form 17th-century Strasbourg |
Crawford, Tim |
1995 |
XXII | 3 |
p. 513-516 |
artikel |
|
| 192 | Madeleine Inglehearne replies |
STILLER, ANDREW |
1977 |
XXII | 3 |
p. 431-b-433 |
artikel |
|
| 193 | Magnano clavichord symposium |
Adlam, Derek |
1994 |
XXII | 3 |
p. 533-a-533 |
artikel |
|
| 194 | Marais' bow strokes |
DRAKE, JULIAN |
1979 |
XXII | 3 |
p. 433-b-433 |
artikel |
|
| 195 | Marais' bow strokes |
Hsu, John |
1979 |
XXII | 3 |
p. 433-c-433 |
artikel |
|
| 196 | Maximilian I's instruments |
STERN, CLAUDIO D |
1975 |
XXII | 3 |
p. 297-a-297 |
artikel |
|
| 197 | Medieval fiddles |
REMNANT, MARY |
1977 |
XXII | 3 |
p. 425-a-425 |
artikel |
|
| 198 | Messiah and Progress in Victorian England |
Smither, Howard E. |
1985 |
XXII | 3 |
p. 339-348 |
artikel |
|
| 199 | 7/8 metres |
KETTLEWELL, DAVID |
1974 |
XXII | 3 |
p. 203-a-203 |
artikel |
|
| 200 | 5/4 metres |
MONTAGU, JEREMY |
1975 |
XXII | 3 |
p. 297-c-298 |
artikel |
|
| 201 | Mexico, home of the first musical instrument workshops in America |
GUZMÁN-BRAVO, JOSÉ-ANTONIO |
1978 |
XXII | 3 |
p. 350-355 |
artikel |
|
| 202 | Michael Morrow, 1929–94 |
Thomson, J. M. |
1994 |
XXII | 3 |
p. 537-540 |
artikel |
|
| 203 | Michael Prynne: a tribute |
GILL, DONALD |
1979 |
XXII | 3 |
p. 386-390 |
artikel |
|
| 204 | Monteverdi circles |
Carter, Tim |
1994 |
XXII | 3 |
p. 513-514 |
artikel |
|
| 205 | Monteverdi's Vespers of 1610: ‘della Beata Vergine’? |
Dixon, Graham |
1987 |
XXII | 3 |
p. 386-390 |
artikel |
|
| 206 | More about the measures |
Mullally, Robert |
1994 |
XXII | 3 |
p. 417-440 |
artikel |
|
| 207 | More faces than Proteus: Lully's Ballet des muses |
Anthony, James R. |
1987 |
XXII | 3 |
p. 336-346 |
artikel |
|
| 208 | More on the basset clarinet |
LAWSON, COLIN |
1988 |
XXII | 3 |
p. 479-b-479 |
artikel |
|
| 209 | More on triplets and inequality |
Fuller, David |
1987 |
XXII | 3 |
p. 384-385 |
artikel |
|
| 210 | Mozart's Requiem |
Jones, Tim |
1995 |
XXII | 3 |
p. 502-506 |
artikel |
|
| 211 | Mozart's Requiem |
MAUNDER, RICHARD |
1987 |
XXII | 3 |
p. 446-a-446 |
artikel |
|
| 212 | Music |
SPENCER, ROBERT |
1982 |
XXII | 3 |
p. 383-385 |
artikel |
|
| 213 | Music |
NEIGHBOUR, OLIVER |
1982 |
XXII | 3 |
p. 378-379 |
artikel |
|
| 214 | Music |
ROCHE, ELIZABETH |
1983 |
XXII | 3 |
p. 389-391 |
artikel |
|
| 215 | Music |
WESS, JOAN |
1983 |
XXII | 3 |
p. 395-b-397 |
artikel |
|
| 216 | Music |
WIBBERLEY, ROGER |
1983 |
XXII | 3 |
p. 391-395 |
artikel |
|
| 217 | Music |
COOPER, BARRY |
1983 |
XXII | 3 |
p. 383-385 |
artikel |
|
| 218 | Music |
ARNOLD, DENIS |
1978 |
XXII | 3 |
p. 459-463 |
artikel |
|
| 219 | Music |
HOLMAN, PETER |
1978 |
XXII | 3 |
p. 464-466 |
artikel |
|
| 220 | Music |
SCHOTI, HOWARD |
1978 |
XXII | 3 |
p. 473-475 |
artikel |
|
| 221 | Music |
O'REGAN, NOEL |
1983 |
XXII | 3 |
p. 395-a-395 |
artikel |
|
| 222 | MUSIC |
Doe, Paul |
1986 |
XXII | 3 |
p. 429-431 |
artikel |
|
| 223 | Music |
SAGE, JACK |
1976 |
XXII | 3 |
p. 341-b-345 |
artikel |
|
| 224 | Music |
BROWN, HOWARD MAYER |
1976 |
XXII | 3 |
p. 339-341 |
artikel |
|
| 225 | MUSIC |
BROWN, HOWARD MAYER |
1977 |
XXII | 3 |
p. 413-b-415 |
artikel |
|
| 226 | MUSIC |
WESS, JOAN |
1977 |
XXII | 3 |
p. 421-b-423 |
artikel |
|
| 227 | MUSIC |
STEELE, JOHN |
1977 |
XXII | 3 |
p. 421-a-421 |
artikel |
|
| 228 | MUSIC |
BROWN, HOWARD MAYER |
1977 |
XXII | 3 |
p. 413-a-413 |
artikel |
|
| 229 | MUSIC |
Mabbett, Margaret |
1991 |
XXII | 3 |
p. 456-458 |
artikel |
|
| 230 | MUSIC |
MILSOM, JOHN |
1984 |
XXII | 3 |
p. 407-408 |
artikel |
|
| 231 | Music |
BERCMANN, WALTER |
1976 |
XXII | 3 |
p. 337-a-337 |
artikel |
|
| 232 | Music |
1976 |
XXII | 3 |
p. 329-b-331 |
artikel |
||
| 233 | MUSIC |
SCHOTT, HOWARD |
1977 |
XXII | 3 |
p. 415-417 |
artikel |
|
| 234 | MUSIC |
FENLON, IAIN |
1977 |
XXII | 3 |
p. 419-421 |
artikel |
|
| 235 | Music |
SCHOTI, HOWARD |
1978 |
XXII | 3 |
p. 471-b-473 |
artikel |
|
| 236 | Music |
CARVER, ANTHONY F. |
1979 |
XXII | 3 |
p. 429-b-429 |
artikel |
|
| 237 | Music |
DODD, GORDON |
1979 |
XXII | 3 |
p. 423-425 |
artikel |
|
| 238 | Music |
SCHOTT, HOWARD |
1980 |
XXII | 3 |
p. 405-406 |
artikel |
|
| 239 | Music |
HILEY, DAVID |
1980 |
XXII | 3 |
p. 401-b-403 |
artikel |
|
| 240 | Music |
ARNOLD, DENIS |
1980 |
XXII | 3 |
p. 395-397 |
artikel |
|
| 241 | Music |
COOPER, BARRY |
1981 |
XXII | 3 |
p. 375-b-377 |
artikel |
|
| 242 | Music |
CARVER, ANTHONY F. |
1981 |
XXII | 3 |
p. 375-a-375 |
artikel |
|
| 243 | MUSIC |
Laurence, Cummings |
1991 |
XXII | 3 |
p. 460-464 |
artikel |
|
| 244 | MUSIC |
Leech-Wilkinson, Daniel |
1988 |
XXII | 3 |
p. 433-437 |
artikel |
|
| 245 | MUSIC |
Dixon, Graham |
1988 |
XXII | 3 |
p. 447-449 |
artikel |
|
| 246 | MUSIC |
Butt, John |
1988 |
XXII | 3 |
p. 449-454 |
artikel |
|
| 247 | MUSIC |
Fallows, David |
1989 |
XXII | 3 |
p. 421-424 |
artikel |
|
| 248 | Music |
Fallows, David |
1990 |
XXII | 3 |
p. 478-480 |
artikel |
|
| 249 | Music |
Craig-McFeely, Julia |
1990 |
XXII | 3 |
p. 480-482 |
artikel |
|
| 250 | Music |
Talbot, Michael |
1990 |
XXII | 3 |
p. 473-477 |
artikel |
|
| 251 | MUSIC |
Blezzard, Judith |
1992 |
XXII | 3 |
p. 492-493 |
artikel |
|
| 252 | MUSIC |
Kirkman, Andrew |
1992 |
XXII | 3 |
p. 493-496 |
artikel |
|
| 253 | MUSIC |
Stembridge, Christopher |
1985 |
XXII | 3 |
p. 433-438 |
artikel |
|
| 254 | MUSIC |
Greer, David |
1986 |
XXII | 3 |
p. 436-437 |
artikel |
|
| 255 | Music |
1976 |
XXII | 3 |
p. 329-a-329 |
artikel |
||
| 256 | Music |
FALLOWS, DAVID |
1976 |
XXII | 3 |
p. 331-b-335 |
artikel |
|
| 257 | Music |
POULTON, DIANA |
1976 |
XXII | 3 |
p. 331-a-331 |
artikel |
|
| 258 | Music |
SCHOTT, HOWARD |
1976 |
XXII | 3 |
p. 341-a-341 |
artikel |
|
| 259 | Music |
BERCMANN, WALTER |
1976 |
XXII | 3 |
p. 337-b-339 |
artikel |
|
| 260 | MUSIC |
CARVER, ANTHONY F |
1977 |
XXII | 3 |
p. 409-411 |
artikel |
|
| 261 | Music |
SANDON, NICK |
1978 |
XXII | 3 |
p. 471-a-471 |
artikel |
|
| 262 | Music |
CARVER, ANTHONY F. |
1979 |
XXII | 3 |
p. 429-a-429 |
artikel |
|
| 263 | Music |
POULTON, DIANA |
1980 |
XXII | 3 |
p. 407-a-407 |
artikel |
|
| 264 | Music |
DF, |
1980 |
XXII | 3 |
p. 407-b-407 |
artikel |
|
| 265 | Music |
MONOSOFF, SONYA |
1980 |
XXII | 3 |
p. 401-a-401 |
artikel |
|
| 266 | Music |
BARRA, BOYDELL |
1980 |
XXII | 3 |
p. 406-407 |
artikel |
|
| 267 | MUSIC |
Roche, Elizabeth |
1991 |
XXII | 3 |
p. 458-460 |
artikel |
|
| 268 | MUSIC |
Roche, Jerome |
1991 |
XXII | 3 |
p. 455-456 |
artikel |
|
| 269 | MUSIC |
Fallows, David |
1988 |
XXII | 3 |
p. 437-441 |
artikel |
|
| 270 | MUSIC |
Neighbour, Oliver |
1988 |
XXII | 3 |
p. 441-446 |
artikel |
|
| 271 | Music |
Kirkman, Andrew |
1990 |
XXII | 3 |
p. 477-478 |
artikel |
|
| 272 | MUSIC |
Leech-Wilkinson, Daniel |
1992 |
XXII | 3 |
p. 489-491 |
artikel |
|
| 273 | MUSIC |
Fallows, David |
1992 |
XXII | 3 |
p. 491-492 |
artikel |
|
| 274 | Musical Ketchup? |
HILEY, DAVID |
1987 |
XXII | 3 |
p. 447-b-447 |
artikel |
|
| 275 | Music and ceremony during Charles V's 1519 visit to Barcelona |
Ros-Fábregas, Emilios |
1995 |
XXII | 3 |
p. 374-392 |
artikel |
|
| 276 | Music from the Peterhouse Partbooks |
Skinner, David |
1995 |
XXII | 3 |
p. 509-510 |
artikel |
|
| 277 | Music in the Renaissance |
HAAR, JAMES |
1977 |
XXII | 3 |
p. 397-401 |
artikel |
|
| 278 | Music Reviews |
BOORMAN, STANLEY |
1974 |
XXII | 3 |
p. 191-c-193 |
artikel |
|
| 279 | Music reviews |
SCHOTT, HOWARD |
1974 |
XXII | 3 |
p. 197-b-199 |
artikel |
|
| 280 | Music reviews |
Lance, EVELYN |
1974 |
XXII | 3 |
p. 197-a-197 |
artikel |
|
| 281 | Music reviews |
1975 |
XXII | 3 |
p. 287-b-288 |
artikel |
||
| 282 | Music reviews |
ARNOLD, DENIS |
1975 |
XXII | 3 |
p. 285-b-287 |
artikel |
|
| 283 | Music reviews |
1975 |
XXII | 3 |
p. 287-a-288 |
artikel |
||
| 284 | Music reviews |
ARNOLD, DENIS |
1975 |
XXII | 3 |
p. 285-a-285 |
artikel |
|
| 285 | Music reviews |
LANCE, EVELYN |
1974 |
XXII | 3 |
p. 195-a-195 |
artikel |
|
| 286 | Music reviews |
ARNOLD, DENIS |
1974 |
XXII | 3 |
p. 195-b-197 |
artikel |
|
| 287 | Naples or Barcelona |
ATLAS, ALLAN W |
1987 |
XXII | 3 |
p. 446-b-447 |
artikel |
|
| 288 | Naples or Barcelona |
Knighton, Dr. Tess |
1987 |
XXII | 3 |
p. 447-a-447 |
artikel |
|
| 289 | New Archive of Early Music Recordings |
1990 |
XXII | 3 |
p. 506-510 |
artikel |
||
| 290 | New documents on the Bassano family |
Ongaro, Giulio M. |
1992 |
XXII | 3 |
p. 409-416 |
artikel |
|
| 291 | New light on Nicholas Ludford |
SKINNER, DAVID |
1995 |
XXII | 3 |
p. 542-544 |
artikel |
|
| 292 | New light on Ockeghem's Missa ‘Mi-mi’ |
Miyazaki, Haruyo |
1985 |
XXII | 3 |
p. 367-375 |
artikel |
|
| 293 | Newly discovered manuscript parts and annotations in a copy of Giovanni Gabrieli's Symphoniae sacrae (1615) |
Charteris, Richard |
1995 |
XXII | 3 |
p. 487-498 |
artikel |
|
| 294 | North on Overdotting |
PONT, GRAHAM |
1988 |
XXII | 3 |
p. 479-c-479 |
artikel |
|
| 295 | Notre-Dame repertory |
Fallows, David |
1994 |
XXII | 3 |
p. 503-505 |
artikel |
|
| 296 | OBSERVATION: A newly discovered 17th-century bassoon by Haka |
Waterhouse, William |
1988 |
XXII | 3 |
p. 407-410 |
artikel |
|
| 297 | OBSERVATIONS: Practorius's pitch |
Myers, Herbert W. |
1984 |
XXII | 3 |
p. 369-371 |
artikel |
|
| 298 | OBSERVATIONS: The Faenza Codex: music for organ or for lute duet? |
Eberlein, Roland |
1992 |
XXII | 3 |
p. 461-466 |
artikel |
|
| 299 | Once again, the Faenza Codex: A reply to Roland Eberlein |
McGee, Timothy J. |
1992 |
XXII | 3 |
p. 466-470 |
artikel |
|
| 300 | On the periphery of Classical musical canons |
Harrison, Bernard |
1994 |
XXII | 3 |
p. 530-532 |
artikel |
|
| 301 | Our cartoonist repents |
KINDRED, ROBERT J. |
1976 |
XXII | 3 |
p. 369-a-369 |
artikel |
|
| 302 | Pandolfi Mealli and others |
Bartlett, Clifford |
1994 |
XXII | 3 |
p. 521-522 |
artikel |
|
| 303 | Peñalosa's hymn O lux beata Trinitas—a contrafactum? |
Turner, Bruno |
1995 |
XXII | 3 |
p. 485-486 |
artikel |
|
| 304 | Perfecting the perfect instrument: Fray Juan Bermudo on the tuning and temperament of the vihuela de mano |
Freis, Wolfgang |
1995 |
XXII | 3 |
p. 421-436 |
artikel |
|
| 305 | PERFORMING MATTERS: Going beyond the limits: experiments with vocalization in the French chanson, 1340–1440 |
Page, Christopher |
1992 |
XXII | 3 |
p. 447-460 |
artikel |
|
| 306 | Playing from original notation |
BOE, JOHN |
1974 |
XXII | 3 |
p. 199-201 |
artikel |
|
| 307 | Playing in consonances: A Spanish Renaissance technique of chordal improvisation |
Roig-Francolĺ, Miguel A. |
1995 |
XXII | 3 |
p. 461-471 |
artikel |
|
| 308 | ‘Poetry born for music’: recent recordings of French chansons |
Dobbins, Frank |
1995 |
XXII | 3 |
p. 517-518 |
artikel |
|
| 309 | Preserving historical instruments |
BARCLAY, R. L. |
1994 |
XXII | 3 |
p. 541-b-542 |
artikel |
|
| 310 | Preserving historical instruments |
LEECH-WILKINSON, DANIEL |
1994 |
XXII | 3 |
p. 541-a-541 |
artikel |
|
| 311 | Pérotin |
Everist, Mark |
1990 |
XXII | 3 |
p. 486-488 |
artikel |
|
| 312 | Publications |
1977 |
XXII | 3 |
p. 405-a-405 |
artikel |
||
| 313 | Purcell conference |
Dillon, Emma |
1994 |
XXII | 3 |
p. 533-b-536 |
artikel |
|
| 314 | Recorder playing in England |
SELFRIDGE-FIELD, ELEANOR |
1982 |
XXII | 3 |
p. 417-a-417 |
artikel |
|
| 315 | Recorder playing in England |
CHISHOLM, DUNCAN |
1982 |
XXII | 3 |
p. 417-b-419 |
artikel |
|
| 316 | Recorder voicing |
HUBBARD, FRANK |
1974 |
XXII | 3 |
p. 201-b-203 |
artikel |
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| 317 | Recordings |
CALDWELL, JOHN |
1983 |
XXII | 3 |
p. 409-b-409 |
artikel |
|
| 318 | Recordings |
ABRAM, RICHARD |
1983 |
XXII | 3 |
p. 413-b-415 |
artikel |
|
| 319 | Recordings |
VAN TASSEL, ERIC |
1983 |
XXII | 3 |
p. 415-417 |
artikel |
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| 320 | Recordings |
LEECH-WILKINSON, DANIEL |
1982 |
XXII | 3 |
p. 401-a-401 |
artikel |
|
| 321 | Recordings |
SMITH, MIKE |
1982 |
XXII | 3 |
p. 401-b-405 |
artikel |
|
| 322 | Recordings |
ALLSOP, PETER |
1982 |
XXII | 3 |
p. 409-411 |
artikel |
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| 323 | Recordings |
ROCHE, JEROME |
1982 |
XXII | 3 |
p. 411-416 |
artikel |
|
| 324 | Recordings |
HILEY, DAVID |
1983 |
XXII | 3 |
p. 401-403 |
artikel |
|
| 325 | Recordings |
CARTER, TIM |
1983 |
XXII | 3 |
p. 399-401 |
artikel |
|
| 326 | Recordings |
CALDWELL, JOHN |
1983 |
XXII | 3 |
p. 409-a-409 |
artikel |
|
| 327 | Recordings |
CAROLAN, LUCY |
1983 |
XXII | 3 |
p. 409-c-411 |
artikel |
|
| 328 | Recordings |
THOMSON, J. M. |
1983 |
XXII | 3 |
p. 413-a-413 |
artikel |
|
| 329 | Recordings |
VAN TASSEL, ERIC |
1982 |
XXII | 3 |
p. 405-b-409 |
artikel |
|
| 330 | Recordings |
ANDREWES, RICHARD |
1982 |
XXII | 3 |
p. 405-a-405 |
artikel |
|
| 331 | Recordings |
ROBERTS, ROSEMARY |
1983 |
XXII | 3 |
p. 405-407 |
artikel |
|
| 332 | RECORDINGS |
Talbot, Michael |
1986 |
XXII | 3 |
p. 446-447 |
artikel |
|
| 333 | RECORDINGS |
Price, Curtis |
1986 |
XXII | 3 |
p. 450-454 |
artikel |
|
| 334 | RECORDINGS |
Sadler, Graham |
1991 |
XXII | 3 |
p. 465-468 |
artikel |
|
| 335 | RECORDINGS |
Bartlett, Clifford |
1991 |
XXII | 3 |
p. 474-476 |
artikel |
|
| 336 | RECORDINGS |
Burrows, Donald |
1991 |
XXII | 3 |
p. 486-488 |
artikel |
|
| 337 | RECORDINGS |
Whenham, John |
1987 |
XXII | 3 |
p. 411-414 |
artikel |
|
| 338 | RECORDINGS |
Tess, Knighton |
1987 |
XXII | 3 |
p. 421-422 |
artikel |
|
| 339 | RECORDINGS |
Field, Christopher D S |
1987 |
XXII | 3 |
p. 422-423 |
artikel |
|
| 340 | RECORDINGS |
Cooper, Barry |
1987 |
XXII | 3 |
p. 429-431 |
artikel |
|
| 341 | RECORDINGS |
Newbould, brain |
1987 |
XXII | 3 |
p. 435-436 |
artikel |
|
| 342 | RECORDINGS |
Wood, Bruce |
1989 |
XXII | 3 |
p. 456-462 |
artikel |
|
| 343 | RECORDINGS |
Price, Curtis |
1989 |
XXII | 3 |
p. 455-b-455 |
artikel |
|
| 344 | RECORDINGS |
Carter, Tim |
1989 |
XXII | 3 |
p. 462-464 |
artikel |
|
| 345 | RECORDINGS |
Burrows, Donald |
1989 |
XXII | 3 |
p. 466-468 |
artikel |
|
| 346 | RECORDINGS |
Humphreys, David |
1989 |
XXII | 3 |
p. 468-470 |
artikel |
|
| 347 | RECORDINGS |
Boyd, Malcolm |
1989 |
XXII | 3 |
p. 472-474 |
artikel |
|
| 348 | RECORDINGS |
BURROWS, DONALD |
1984 |
XXII | 3 |
p. 426-428 |
artikel |
|
| 349 | RECORDINGS |
TASSEL, ERIC VAN |
1984 |
XXII | 3 |
p. 419-b-423 |
artikel |
|
| 350 | RECORDINGS |
TASSEL, ERIC VAN |
1984 |
XXII | 3 |
p. 419-a-419-a |
artikel |
|
| 351 | RECORDINGS |
CURTIS, GARETH R.K. |
1984 |
XXII | 3 |
p. 415-417 |
artikel |
|
| 352 | RECORDINGS |
Allenson, Stephen |
1986 |
XXII | 3 |
p. 454-457 |
artikel |
|
| 353 | Recordings |
1977 |
XXII | 3 |
p. 405-b-406 |
artikel |
||
| 354 | Recordings |
WRIGHT, LAURENCE |
1980 |
XXII | 3 |
p. 408-411 |
artikel |
|
| 355 | Recordings |
TYLER, JAMES |
1980 |
XXII | 3 |
p. 414-415 |
artikel |
|
| 356 | Recordings |
ROCHE, JEROME |
1980 |
XXII | 3 |
p. 411-412 |
artikel |
|
| 357 | Recordings |
RICHARD, ABRAM |
1980 |
XXII | 3 |
p. 419-421 |
artikel |
|
| 358 | Recordings |
MILSOM, JOHN |
1981 |
XXII | 3 |
p. 391-b-393 |
artikel |
|
| 359 | Recordings |
EDWARDS, WARWICK |
1981 |
XXII | 3 |
p. 393-393 |
artikel |
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| 360 | Recordings |
HARWOOD, IAN |
1981 |
XXII | 3 |
p. 394-a-394 |
artikel |
|
| 361 | Recordings |
CALDWELL, JOHN |
1981 |
XXII | 3 |
p. 411-414 |
artikel |
|
| 362 | Recordings |
WILLSHER, PETER |
1981 |
XXII | 3 |
p. 408-a-408 |
artikel |
|
| 363 | Recordings |
McGEGAN, NICHOLAS |
1981 |
XXII | 3 |
p. 400-403 |
artikel |
|
| 364 | RECORDINGS |
Crawford, Tim |
1991 |
XXII | 3 |
p. 482-486 |
artikel |
|
| 365 | RECORDINGS |
Wood, Caroline |
1991 |
XXII | 3 |
p. 489-489 |
artikel |
|
| 366 | RECORDINGS |
Carter, Tim |
1991 |
XXII | 3 |
p. 472-473 |
artikel |
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| 367 | RECORDINGS |
Curits, Gareth |
1991 |
XXII | 3 |
p. 468-a-468 |
artikel |
|
| 368 | RECORDINGS |
Burrows, Donald |
1988 |
XXII | 3 |
p. 472-474 |
artikel |
|
| 369 | RECORDINGS |
Woodfield, Ian |
1988 |
XXII | 3 |
p. 459-460 |
artikel |
|
| 370 | RECORDINGS |
Dixon, Graham |
1988 |
XXII | 3 |
p. 469-471 |
artikel |
|
| 371 | RECORDINGS |
Bartlett, Clifford |
1988 |
XXII | 3 |
p. 466-469 |
artikel |
|
| 372 | RECORDINGS |
Lawson, Colin |
1988 |
XXII | 3 |
p. 476-477 |
artikel |
|
| 373 | RECORDINGS |
Caldwell, John |
1988 |
XXII | 3 |
p. 463-466 |
artikel |
|
| 374 | RECORDINGS |
Holman, Peter |
1989 |
XXII | 3 |
p. 451-455 |
artikel |
|
| 375 | RECORDINGS |
Mateer, David |
1989 |
XXII | 3 |
p. 442-450 |
artikel |
|
| 376 | RECORDINGS |
1989 |
XXII | 3 |
p. 438-442 |
artikel |
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| 377 | RECORDINGS |
Caldwell, John |
1992 |
XXII | 3 |
p. 509-511 |
artikel |
|
| 378 | RECORDINGS |
Oboussier, Philippe |
1992 |
XXII | 3 |
p. 511-512 |
artikel |
|
| 379 | RECORDINGS |
Rees, Owen |
1992 |
XXII | 3 |
p. 499-501 |
artikel |
|
| 380 | RECORDINGS |
Robinson, Lucy |
1992 |
XXII | 3 |
p. 512-513 |
artikel |
|
| 381 | RECORDINGS |
Kitchen, John |
1992 |
XXII | 3 |
p. 513-515 |
artikel |
|
| 382 | RECORDINGS |
Burrows, Donald |
1992 |
XXII | 3 |
p. 518-520 |
artikel |
|
| 383 | RECORDINGS |
Knighton, Tess |
1985 |
XXII | 3 |
p. 455-459 |
artikel |
|
| 384 | RECORDINGS |
Burrows, Donald |
1986 |
XXII | 3 |
p. 457-458 |
artikel |
|
| 385 | Recordings |
1977 |
XXII | 3 |
p. 435-b-435 |
artikel |
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| 386 | Recordings |
ROBINSON, LUCY |
1980 |
XXII | 3 |
p. 415-417 |
artikel |
|
| 387 | Recordings |
SANDON, NICK |
1980 |
XXII | 3 |
p. 421-427 |
artikel |
|
| 388 | Recordings |
ROCHE, JEROME |
1981 |
XXII | 3 |
p. 391-a-391 |
artikel |
|
| 389 | Recordings |
HARWOOD, IAN |
1981 |
XXII | 3 |
p. 394-b-399 |
artikel |
|
| 390 | Recordings |
ZEMAMPVÁ, MIRKA |
1981 |
XXII | 3 |
p. 408-b-411 |
artikel |
|
| 391 | RECORDINGS |
Harrison, Bernard |
1991 |
XXII | 3 |
p. 488-489 |
artikel |
|
| 392 | RECORDINGS |
Sawkins, Lionel |
1991 |
XXII | 3 |
p. 476-480 |
artikel |
|
| 393 | RECORDINGS |
Dixon, Graham |
1991 |
XXII | 3 |
p. 468-b-471 |
artikel |
|
| 394 | RECORDINGS |
Humphreys, David |
1991 |
XXII | 3 |
p. 480-481 |
artikel |
|
| 395 | RECORDINGS |
Sadler, Graham |
1987 |
XXII | 3 |
p. 409-411 |
artikel |
|
| 396 | RECORDINGS |
Daw, Stephen |
1987 |
XXII | 3 |
p. 424-a-424 |
artikel |
|
| 397 | RECORDINGS |
Caldwell, John |
1987 |
XXII | 3 |
p. 427-b-429 |
artikel |
|
| 398 | RECORDINGS |
Boyd, Malcolm |
1987 |
XXII | 3 |
p. 424-b-427 |
artikel |
|
| 399 | RECORDINGS |
Humphreys, David |
1987 |
XXII | 3 |
p. 434-435 |
artikel |
|
| 400 | RECORDINGS |
Caldwell, John |
1987 |
XXII | 3 |
p. 427-a-427 |
artikel |
|
| 401 | RECORDINGS |
Cross, Eric |
1988 |
XXII | 3 |
p. 471-472 |
artikel |
|
| 402 | RECORDINGS |
Woodley, Ronald |
1988 |
XXII | 3 |
p. 455-458 |
artikel |
|
| 403 | RECORDINGS |
Kitchen, John |
1988 |
XXII | 3 |
p. 475-476 |
artikel |
|
| 404 | RECORDINGS |
Carter, Tim |
1988 |
XXII | 3 |
p. 460-463 |
artikel |
|
| 405 | RECORDINGS |
Blow, John |
1989 |
XXII | 3 |
p. 455-a-455 |
artikel |
|
| 406 | RECORDINGS |
Stowell, Robin |
1989 |
XXII | 3 |
p. 470-472 |
artikel |
|
| 407 | RECORDINGS |
Cross, Eric |
1989 |
XXII | 3 |
p. 464-466 |
artikel |
|
| 408 | RECORDINGS |
Carter, Tim |
1992 |
XXII | 3 |
p. 505-507 |
artikel |
|
| 409 | RECORDINGS |
Crawford, Tim |
1992 |
XXII | 3 |
p. 515-518 |
artikel |
|
| 410 | RECORDINGS |
Mateer, David |
1992 |
XXII | 3 |
p. 501-502 |
artikel |
|
| 411 | RECORDINGS |
Woodfield, Ian |
1992 |
XXII | 3 |
p. 507-509 |
artikel |
|
| 412 | RECORDINGS |
Nelson, Bernadette |
1992 |
XXII | 3 |
p. 497-499 |
artikel |
|
| 413 | RECORDINGS |
Carver, Anthony F. |
1992 |
XXII | 3 |
p. 503-505 |
artikel |
|
| 414 | RECORDINGS |
Wood, Caroline |
1992 |
XXII | 3 |
p. 521-521 |
artikel |
|
| 415 | Recordings:Quarterly checklist-21 |
WILLSHER, PETER |
1977 |
XXII | 3 |
p. 449-456 |
artikel |
|
| 416 | Recordings-quarterly check list–13 |
SMITH, JUDY |
1975 |
XXII | 3 |
p. 313-c-325 |
artikel |
|
| 417 | Recordings:quarterly survey |
WILLSHER, PETER |
1978 |
XXII | 3 |
p. 485-b-488 |
artikel |
|
| 418 | Recordings-quaterly check list 9 |
SMITH, JUDY |
1974 |
XXII | 3 |
p. 205-d-210 |
artikel |
|
| 419 | Rediscovering John Jenkins |
PINTO, DAVID |
1978 |
XXII | 3 |
p. 483-a-483 |
artikel |
|
| 420 | Reinterpreting the Capital of the Fourth Tone at St Lazare,Autun |
Setlak-Garrison, Hélène |
1987 |
XXII | 3 |
p. 365-377 |
artikel |
|
| 421 | Releasing the energy in Italian instrumental music: Corelli, Locatelli and Sammartini |
Everett, Paul |
1994 |
XXII | 3 |
p. 523-525 |
artikel |
|
| 422 | Renaissance music emerges in Japan |
HUSEBY, GERADO V. |
1975 |
XXII | 3 |
p. 313-b-313 |
artikel |
|
| 423 | Renaissance vocal music |
Curtis, Gareth |
1994 |
XXII | 3 |
p. 505-508 |
artikel |
|
| 424 | Re-tunable crumhorns |
STERN, CLAUDIO |
1974 |
XXII | 3 |
p. 201-a-201 |
artikel |
|
| 425 | Roman madrigal anthologies |
O'Regan, Noel |
1995 |
XXII | 3 |
p. 512-512 |
artikel |
|
| 426 | Roman polyphony at Tarazona |
Rees, Owen |
1995 |
XXII | 3 |
p. 410-420 |
artikel |
|
| 427 | Royal Musical Association Annual Conference, Cambridge, 6-8 April 1990 |
MABBETT, MARGARET |
1990 |
XXII | 3 |
p. 510-510 |
artikel |
|
| 428 | Saleroom commissions |
Montagu, Jeremy |
1986 |
XXII | 3 |
p. 460-b-460 |
artikel |
|
| 429 | Saleroom commissions |
WELLS, GRAHAM |
1986 |
XXII | 3 |
p. 460-a-460 |
artikel |
|
| 430 | SALEROOMS |
MONTAGU, JEREMY |
1990 |
XXII | 3 |
p. 449-452 |
artikel |
|
| 431 | SALEROOMS: Instruments |
MONTAGU, JEREMY |
1988 |
XXII | 3 |
p. 411-416 |
artikel |
|
| 432 | SALESROOMS: Instruments |
MONTAGU, JEREMY |
1984 |
XXII | 3 |
p. 375-b-380 |
artikel |
|
| 433 | SALESROOMS: Manuscripts and printed music |
SEARLE, ARTHUR |
1984 |
XXII | 3 |
p. 375-a-375-a |
artikel |
|
| 434 | Sammartini Cantatas |
CHURGIN, BATHIA |
1992 |
XXII | 3 |
p. 525-c-526 |
artikel |
|
| 435 | Sammartini Cantatas |
MOBBS, KENNETH |
1992 |
XXII | 3 |
p. 527-a-527 |
artikel |
|
| 436 | Scared music from Rome and Venice |
O'Regan, Noel |
1995 |
XXII | 3 |
p. 511-512 |
artikel |
|
| 437 | Scarlatti facsimiles |
FERGUSON, HOWARD DR |
1976 |
XXII | 3 |
p. 363-c-363 |
artikel |
|
| 438 | Schubert in a new light |
Toller, Nicholas |
1995 |
XXII | 3 |
p. 523-526 |
artikel |
|
| 439 | Scottish cathedral music |
IURBET, RICHARD |
1980 |
XXII | 3 |
p. 430-a-430 |
artikel |
|
| 440 | Serial music in the seventeenth century |
WHITTAKER, JAMES |
1974 |
XXII | 3 |
p. 203-b-203 |
artikel |
|
| 441 | Serpent problems |
LUMSDEN, ALAN |
1975 |
XXII | 3 |
p. 297-b-297 |
artikel |
|
| 442 | Short notices |
SADLER, GRAHAM |
1989 |
XXII | 3 |
p. 475-478 |
artikel |
|
| 443 | Short Notices |
SADIER, GRAHAM |
1990 |
XXII | 3 |
p. 502-510 |
artikel |
|
| 444 | Short Notices |
SADLER, GRAHAM |
1988 |
XXII | 3 |
p. 477-478 |
artikel |
|
| 445 | Six new dances by kellom Tomlinson: a recently discovered manuscript |
Peter, Robert |
1990 |
XXII | 3 |
p. 381-392 |
artikel |
|
| 446 | Slide trumpet madness: fact or fiction? |
Myers, Herbert W. |
1989 |
XXII | 3 |
p. 383-389 |
artikel |
|
| 447 | Sonority in the 18th century, un poco più forte? |
Kroesbergen, Willem |
1994 |
XXII | 3 |
p. 483-496 |
artikel |
|
| 448 | Spanish liturgical hymns: a matter of time |
Turner, Bruno |
1995 |
XXII | 3 |
p. 472-484 |
artikel |
|
| 449 | Spanish pianos |
DE PASCUAL, BERYL KENYON |
1985 |
XXII | 3 |
p. 469-470 |
artikel |
|
| 450 | St Louis |
PARSONS, JAMES |
1983 |
XXII | 3 |
p. 423-424 |
artikel |
|
| 451 | Sumer is icumen in |
SARGENT, BRAIN |
1974 |
XXII | 3 |
p. 205-c-205 |
artikel |
|
| 452 | Swedish sword dances in the 16th and 17th centuries |
Inglehearn, Madeleine |
1986 |
XXII | 3 |
p. 367-372 |
artikel |
|
| 453 | SWEMF |
Sandon, Nick |
1981 |
XXII | 3 |
p. 421-b-421 |
artikel |
|
| 454 | Telemann and the chalumeau |
Lawson, Colin |
1981 |
XXII | 3 |
p. 312-319 |
artikel |
|
| 455 | Temperament and the piano |
JONES, PHILIP P. |
1981 |
XXII | 3 |
p. 416-a-416 |
artikel |
|
| 456 | Tenorlied, Discantlied, Polyphonic lied: Voices and instruments in German secular polyphony of the Renaissance |
Keyl, Stephen |
1992 |
XXII | 3 |
p. 434-446 |
artikel |
|
| 457 | 17th-century English consorts |
Woodfield, Ian |
1994 |
XXII | 3 |
p. 514-520 |
artikel |
|
| 458 | 16th century ensemble viol music |
MORROW, MICHAEL |
1974 |
XXII | 3 |
p. 160-163 |
artikel |
|
| 459 | 18th-century lutes |
Crawford, Tim |
1994 |
XXII | 3 |
p. 527-529 |
artikel |
|
| 460 | 16th-century Venetian wind instrument makers and their clients |
Ongaro, Giulio M. |
1985 |
XXII | 3 |
p. 391-397 |
artikel |
|
| 461 | The ‘48’ |
SIGSWORTH, GUY |
1983 |
XXII | 3 |
p. 419-a-419 |
artikel |
|
| 462 | The ‘48’ |
Williams, Peter |
1983 |
XXII | 3 |
p. 419-b-419 |
artikel |
|
| 463 | The a cappella debate: the denial of the text |
GORMAN, BRAIN |
1995 |
XXII | 3 |
p. 541-542 |
artikel |
|
| 464 | The baroque clarinet in public concerts, 1726–1762 |
Rice, Albert |
1988 |
XXII | 3 |
p. 388-395 |
artikel |
|
| 465 | The bassanelli reconstructed: A radical solution to an enigma |
Foster, Charles |
1992 |
XXII | 3 |
p. 417-426 |
artikel |
|
| 466 | The Brussels harp again |
HAMOEN, D. J. |
1981 |
XXII | 3 |
p. 416-d-417 |
artikel |
|
| 467 | The cornamuse mystery |
BOYDELL, BARRA |
1979 |
XXII | 3 |
p. 431-b-433 |
artikel |
|
| 468 | The cornamuse mystery |
MOECK, HERMAN Dr |
1979 |
XXII | 3 |
p. 431-a-431 |
artikel |
|
| 469 | ‘The dating of Purcell's Dido and Aenas’? |
Walkling, Andrew R. |
1994 |
XXII | 3 |
p. 469-481 |
artikel |
|
| 470 | The double, double, double beat of the thundering drum: the timpani in early music |
Bowels, Edmund A. |
1991 |
XXII | 3 |
p. 419-436 |
artikel |
|
| 471 | The earliest notice of Purcell's Dido and Aeneas |
Goldie, Mark |
1992 |
XXII | 3 |
p. 393-402 |
artikel |
|
| 472 | The French hautboy in England, 1673–1730 |
Lasocki, David |
1988 |
XXII | 3 |
p. 339-358 |
artikel |
|
| 473 | The Guitar and Italian song |
Jensen, Richard d'A |
1985 |
XXII | 3 |
p. 376-383 |
artikel |
|
| 474 | The hapless villancico |
Torrente, Alvaro |
1995 |
XXII | 3 |
p. 501-502 |
artikel |
|
| 475 | The harpsichord-pianoforte |
PALMER, FRANCES |
1985 |
XXII | 3 |
p. 470-a-470 |
artikel |
|
| 476 | The hautboy in London's musical life, 1730–1770 |
Page, Janet K. |
1988 |
XXII | 3 |
p. 359-371 |
artikel |
|
| 477 | The Keyboard tuning rules of the Modern Musick-master |
Evans, Jeffrey |
1983 |
XXII | 3 |
p. 360-364 |
artikel |
|
| 478 | The Lincolnshire bagpipes |
TAGGART, STEPHEN |
1976 |
XXII | 3 |
p. 363-e-365 |
artikel |
|
| 479 | The Mandore |
PUSCH, MANFRED |
1981 |
XXII | 3 |
p. 416-b-416 |
artikel |
|
| 480 | The Mary Rose ‘Shawm’ |
Myers, Herbert W. |
1983 |
XXII | 3 |
p. 358-360 |
artikel |
|
| 481 | The Monteverdi Vespers: Suggested answers to some fundamental questions |
FENLON, IAIN |
1977 |
XXII | 3 |
p. 380-388 |
artikel |
|
| 482 | The Neapolitan mandoline |
COATES, KEVIN |
1977 |
XXII | 3 |
p. 427-429 |
artikel |
|
| 483 | The new edition of Machaut |
BOORMAN, STANLEY |
1978 |
XXII | 3 |
p. 483-b-484 |
artikel |
|
| 484 | The oboe in the Venetian Republic, 1692–1797 |
Bernardini, Alfredo |
1988 |
XXII | 3 |
p. 372-387 |
artikel |
|
| 485 | The pardessus de viole and its literature |
Green, Robert A. |
1982 |
XXII | 3 |
p. 301-308 |
artikel |
|
| 486 | The Passion and Resurrection according to J. S. Bach |
Boyd, Malcolm |
1995 |
XXII | 3 |
p. 522-523 |
artikel |
|
| 487 | The performance of plainchant: Some preliminary observations of the new era |
Brunner, Lance W. |
1982 |
XXII | 3 |
p. 317-328 |
artikel |
|
| 488 | The shakuhachi |
MAYERS, DAN E. M.S., A.I.M.E. |
1975 |
XXII | 3 |
p. 299-a-299 |
artikel |
|
| 489 | The 15th–century balli tunes: a new look |
Sparti, Barbara |
1986 |
XXII | 3 |
p. 346-357 |
artikel |
|
| 490 | The trecento fiddle and its bridges |
Brown, Howard Mayer |
1989 |
XXII | 3 |
p. 309-329 |
artikel |
|
| 491 | The trompette des menestrels in the 15th-century alta capella |
Duffin, Ross W. |
1989 |
XXII | 3 |
p. 397-404 |
artikel |
|
| 492 | The viol in the 19th century |
CATCH, JOHN R |
1992 |
XXII | 3 |
p. 525-b-525 |
artikel |
|
| 493 | The World of the early sackbut player: flat or round? |
McGowan, Keith |
1994 |
XXII | 3 |
p. 441-468 |
artikel |
|
| 494 | Thomas Binkley, 1931–1995 |
Fallows, David |
1995 |
XXII | 3 |
p. 538-540 |
artikel |
|
| 495 | Trees of Jesse |
ARMSTRONG, CLIFFORD |
1977 |
XXII | 3 |
p. 425-b-425 |
artikel |
|
| 496 | Tribute to Edwin Ripin |
BROWN, HOWARD MAYER |
1976 |
XXII | 3 |
p. 374-375 |
artikel |
|
| 497 | Two polyphonic istampite from the 14th century |
Caldwell, john |
1990 |
XXII | 3 |
p. 371-380 |
artikel |
|
| 498 | Two songs by William Corkine |
Greer, David |
1983 |
XXII | 3 |
p. 346-350 |
artikel |
|
| 499 | ‘Unscarr’d by turning times'?: The dating of Purcell's Dido and Aeneas |
Wood, Bruce |
1992 |
XXII | 3 |
p. 373-392 |
artikel |
|
| 500 | Utrecht Lute Symbosium |
CRAWFORD, TIM |
1987 |
XXII | 3 |
p. 440-441 |
artikel |
|
| 501 | Valladolid conference on music and literature |
Torrente, Alvaro |
1995 |
XXII | 3 |
p. 530-532 |
artikel |
|
| 502 | Viol construction in 17th-century England: An alternative way of making fronts |
Kessler, Dietrich M. |
1982 |
XXII | 3 |
p. 340-346 |
artikel |
|
| 503 | Viol nomenclature |
TOURIN, PETER |
1976 |
XXII | 3 |
p. 361-a-361 |
artikel |
|
| 504 | Vivaldi's esoteric instruments |
SELFRIDGE-FIELD, ELEANOR |
1978 |
XXII | 3 |
p. 332-338 |
artikel |
|
| 505 | Washington, Missouri |
Matheson, William |
1982 |
XXII | 3 |
p. 423-b-423 |
artikel |
|
| 506 | What Samuel Pepys heard on 3 February 1661: English trumpet style under later Stuart monarchs |
Downey, Peter |
1990 |
XXII | 3 |
p. 417-429 |
artikel |
|
| 507 | Where the wind blows |
Monk's, Christopher |
1974 |
XXII | 3 |
p. 178-180 |
artikel |
|
| 508 | York Early Music Week 1977 |
KENYON, NICHOLAS |
1977 |
XXII | 3 |
p. 435-a-435 |
artikel |
508 gevonden resultaten