|
Journal description
All volumes of the corresponding journal
All issues of the corresponding volume
All articles of the corresponding issues
412 results found
| no | title | author | magazine | year | volume | issue | page(s) | type |
| 1 | A census of monk musicians at El Escorial during the reigns of Philip II and Philip III |
Noone, Michael |
1994 |
XXII | 2 |
p. 221-238 |
article |
|
| 2 | Activities |
1975 |
XXII | 2 |
p. 191-b-198 |
article |
||
| 3 | A French Baroque miscellany |
Robinson, Lucy |
1994 |
XXII | 2 |
p. 349-352 |
article |
|
| 4 | A gentler Arnold Dolmetsch |
GOBLE, ELIZABETH |
1976 |
XXII | 2 |
p. 227-a-227 |
article |
|
| 5 | A harpsichord from Sorrento |
Libin, Laurence |
1989 |
XXII | 2 |
p. 216-220 |
article |
|
| 6 | Alternatim practice in 17th-century Spain:the integration of organ versets and plainchant in psalms and canticles |
Nelson, Bernadette |
1994 |
XXII | 2 |
p. 239-260 |
article |
|
| 7 | A memorable Mozart weekend |
Schott, Howard |
1995 |
XXII | 2 |
p. 349-b-351 |
article |
|
| 8 | Amsterdam Instrument Conferences |
Gill, Donald |
1976 |
XXII | 2 |
p. 237-a-237 |
article |
|
| 9 | Analysing early music |
Fallows, David |
1994 |
XXII | 2 |
p. 321-322 |
article |
|
| 10 | An Early Music Group in Dorset |
1974 |
XXII | 2 |
p. 141-c-142 |
article |
||
| 11 | An interpreter's approach to Mozart |
Lateiner, Jacob |
1992 |
XXII | 2 |
p. 245-253 |
article |
|
| 12 | An introduction to automatic instruments |
Fuller, David |
1983 |
XXII | 2 |
p. 164-166 |
article |
|
| 13 | A note on bass viol sources of The Division-Violin |
Margaret C, Gilmore |
1983 |
XXII | 2 |
p. 223-b-226 |
article |
|
| 14 | Another mass by Hugh Aston? |
Sandon, Nick |
1981 |
XXII | 2 |
p. 184-191 |
article |
|
| 15 | A portable microfilm viewer |
HOLMAN, PETER |
1976 |
XXII | 2 |
p. 235-a-235 |
article |
|
| 16 | A setting of ‘Astrophil and Stella’ by Morley |
HEADLAM WELLS, ROBIN |
1978 |
XXII | 2 |
p. 230-232 |
article |
|
| 17 | Aspects of early opera |
Harr, James |
1994 |
XXII | 2 |
p. 322-324 |
article |
|
| 18 | A 12th-century street musican |
PAGE, CHRISTOPHER |
1978 |
XXII | 2 |
p. 309-a-309 |
article |
|
| 19 | Authenticity and showmanship in Corelli's Op.5 |
Donington, Robert |
1982 |
XXII | 2 |
p. 225-230 |
article |
|
| 20 | Autographs of Alfonso Ferrabosco I-III |
Charteris, Richard |
1982 |
XXII | 2 |
p. 208-212 |
article |
|
| 21 | ‘A very good designe’: music from 17th-century England |
Burden, Michael |
1994 |
XXII | 2 |
p. 345-348 |
article |
|
| 22 | Bach |
RALPH, LEAVIS |
1981 |
XXII | 2 |
p. 283-c-284 |
article |
|
| 23 | Bach's début at Leipzig:Observations on the genesis of Cantatas 75 and 76 |
Crist, Stephen A |
1985 |
XXII | 2 |
p. 212-226 |
article |
|
| 24 | Bagpipe Makers and Bending Crumhorns |
LUTGERINK, MARIUS |
1974 |
XXII | 2 |
p. 141-a-141 |
article |
|
| 25 | Baroque Flute Discography |
HIGBEE, DALE |
1979 |
XXII | 2 |
p. 250-253 |
article |
|
| 26 | Baroque organs in Paris |
LAWRENCE, ARTHUR |
1976 |
XXII | 2 |
p. 233-b-233 |
article |
|
| 27 | Bassano and the orchestra of St Mark's |
FIELD, ELEANOR SELFRIDGE |
1976 |
XXII | 2 |
p. 153-158 |
article |
|
| 28 | Blow anthems |
Morgan, Deiniol |
1994 |
XXII | 2 |
p. 330-331 |
article |
|
| 29 | Blowing a trumpet |
BOWLES, EDMUND A |
1990 |
XXII | 2 |
p. 350-b-351 |
article |
|
| 30 | Book-reviews |
SCHOTT, HOWARD |
1975 |
XXII | 2 |
p. 151-b-153 |
article |
|
| 31 | Book-reviews |
PARROTT, ANDREW |
1975 |
XXII | 2 |
p. 151-a-151 |
article |
|
| 32 | Book-reviews |
ROOLEY, ANTHONY |
1975 |
XXII | 2 |
p. 157-a-157 |
article |
|
| 33 | Book-reviews |
JMT, |
1975 |
XXII | 2 |
p. 157-b-157 |
article |
|
| 34 | Books |
FALLOWS, DAVID |
1982 |
XXII | 2 |
p. 243-245 |
article |
|
| 35 | Books |
STEVENS, DENIS |
1982 |
XXII | 2 |
p. 239-243 |
article |
|
| 36 | BOOKS |
MONTAGU, JEREMY |
1983 |
XXII | 2 |
p. 239-241 |
article |
|
| 37 | Books |
DF, |
1980 |
XXII | 2 |
p. 237-c-238 |
article |
|
| 38 | Books |
JMT, |
1980 |
XXII | 2 |
p. 237-a-237 |
article |
|
| 39 | Books |
JMT, |
1980 |
XXII | 2 |
p. 237-b-237 |
article |
|
| 40 | Books |
Hillier, Paul |
1991 |
XXII | 2 |
p. 281-285 |
article |
|
| 41 | Books |
Elcombe, Keith |
1991 |
XXII | 2 |
p. 285-287 |
article |
|
| 42 | Books |
Milsom, John |
1991 |
XXII | 2 |
p. 288-290 |
article |
|
| 43 | BOOKS |
Wells, Robin Headlam |
1987 |
XXII | 2 |
p. 251-251 |
article |
|
| 44 | BOOKS |
Timms, Colin |
1987 |
XXII | 2 |
p. 255-255 |
article |
|
| 45 | BOOKS |
Curtis, Gareth |
1987 |
XXII | 2 |
p. 259-259 |
article |
|
| 46 | BOOKS |
Dixon, Graham |
1987 |
XXII | 2 |
p. 257-257 |
article |
|
| 47 | BOOKS |
Dixon, Graham |
1987 |
XXII | 2 |
p. 261-261 |
article |
|
| 48 | BOOKS |
Graham, Sadler |
1987 |
XXII | 2 |
p. 263-263 |
article |
|
| 49 | BOOKS |
Dean, Jeffrey |
1990 |
XXII | 2 |
p. 293-295 |
article |
|
| 50 | BOOKS |
Carter, Tim |
1990 |
XXII | 2 |
p. 292-295 |
article |
|
| 51 | BOOKS |
Sherr, Richard |
1990 |
XXII | 2 |
p. 289-291 |
article |
|
| 52 | BOOKS |
Williams, Jonathan H |
1990 |
XXII | 2 |
p. 297-299 |
article |
|
| 53 | Books |
DOBBINS, FRANK |
1978 |
XXII | 2 |
p. 287-b-291 |
article |
|
| 54 | Books |
VAN TASSEL, ERIC |
1978 |
XXII | 2 |
p. 287a-287 |
article |
|
| 55 | Books |
ANNE SADIE, JULIE |
1979 |
XXII | 2 |
p. 259-b-261 |
article |
|
| 56 | Books |
BLEZZARD, JUDITH |
1979 |
XXII | 2 |
p. 257-259 |
article |
|
| 57 | Books |
F, D. |
1979 |
XXII | 2 |
p. 265-b-266 |
article |
|
| 58 | Books |
JOHNSON, DAVID |
1979 |
XXII | 2 |
p. 265-a-265 |
article |
|
| 59 | Books |
JOHNSON, DAVID |
1979 |
XXII | 2 |
p. 263-b-263 |
article |
|
| 60 | BOOKS |
Harwood, Ian |
1987 |
XXII | 2 |
p. 253-253 |
article |
|
| 61 | BOOKS |
Stevens, Denis |
1988 |
XXII | 2 |
p. 271-a-271 |
article |
|
| 62 | BOOKS |
Stevens, Denis |
1988 |
XXII | 2 |
p. 273-275 |
article |
|
| 63 | BOOKS |
Cooper, Barry |
1988 |
XXII | 2 |
p. 271-b-273 |
article |
|
| 64 | BOOKS |
Mabbett, Margaret |
1988 |
XXII | 2 |
p. 265-271 |
article |
|
| 65 | BOOKS |
Crawford, Tim |
1988 |
XXII | 2 |
p. 275-278 |
article |
|
| 66 | BOOKS |
Wood, Bruce |
1989 |
XXII | 2 |
p. 235-245 |
article |
|
| 67 | BOOKS |
FALLOWS, DAVID |
1989 |
XXII | 2 |
p. 251-b-254 |
article |
|
| 68 | BOOKS |
Rankin, Susan |
1989 |
XXII | 2 |
p. 247-248 |
article |
|
| 69 | BOOKS |
Holman, Peter |
1990 |
XXII | 2 |
p. 295-297 |
article |
|
| 70 | BOOKS |
Haar, James |
1992 |
XXII | 2 |
p. 331-335 |
article |
|
| 71 | BOOKS |
Fallows, David |
1992 |
XXII | 2 |
p. 335-336 |
article |
|
| 72 | BOOKS |
Clark, Jane |
1985 |
XXII | 2 |
p. 283-a-283 |
article |
|
| 73 | BOOKS |
Curtis, Gareth R. K. |
1985 |
XXII | 2 |
p. 283-b-284 |
article |
|
| 74 | BOOKS |
Thomson, J.M. |
1985 |
XXII | 2 |
p. 289-292 |
article |
|
| 75 | BOOKS |
Fenlon, Iain |
1986 |
XXII | 2 |
p. 263-265 |
article |
|
| 76 | Books |
JMT, |
1976 |
XXII | 2 |
p. 205-b-207 |
article |
|
| 77 | Books |
JMT, |
1976 |
XXII | 2 |
p. 205-a-205 |
article |
|
| 78 | BOOKS |
MONTAGU, JEREMY |
1977 |
XXII | 2 |
p. 219-223 |
article |
|
| 79 | Books |
MONTAGU, JEREMY |
1979 |
XXII | 2 |
p. 259-a-259 |
article |
|
| 80 | Books |
BOORMAN, STANLEY |
1979 |
XXII | 2 |
p. 263-a-263 |
article |
|
| 81 | BOOKS |
MAYER BROWN, HOWARD |
1981 |
XXII | 2 |
p. 244-247 |
article |
|
| 82 | Books |
Falconer, Keith |
1991 |
XXII | 2 |
p. 287-288 |
article |
|
| 83 | BOOKS |
Walls, Peter |
1988 |
XXII | 2 |
p. 261-265 |
article |
|
| 84 | BOOKS |
Elcombe, Keith |
1989 |
XXII | 2 |
p. 251-a-251 |
article |
|
| 85 | BOOKS |
Rastall, Richard |
1992 |
XXII | 2 |
p. 329-331 |
article |
|
| 86 | BOOKS |
Talbot, Michael |
1992 |
XXII | 2 |
p. 327-329 |
article |
|
| 87 | BOOKS |
Rifkin, Joshua |
1992 |
XXII | 2 |
p. 336-338 |
article |
|
| 88 | Briefly Noted |
1985 |
XXII | 2 |
p. 291-292 |
article |
||
| 89 | Byrd Edition Gradualia |
Morehen, John |
1994 |
XXII | 2 |
p. 329-330 |
article |
|
| 90 | Choosing brass instruments |
BATE, PHILIP |
1976 |
XXII | 2 |
p. 233-c-235 |
article |
|
| 91 | Classical and Romantic chamber music for strings |
George, Alan |
1995 |
XXII | 2 |
p. 341-348 |
article |
|
| 92 | Conference: Music in Spain during the 18th century |
Torrente, Álvaro |
1994 |
XXII | 2 |
p. 361-362 |
article |
|
| 93 | Continuo realizations in a Playford songbook |
HOLMAN, PETER |
1978 |
XXII | 2 |
p. 268-270 |
article |
|
| 94 | CORRESPONDENCE |
DONINGTON, ROBERT |
1986 |
XXII | 2 |
p. 317-a-317 |
article |
|
| 95 | CORRESPONDENCE |
BILSON, MALCOLM |
1991 |
XXII | 2 |
p. 317-319 |
article |
|
| 96 | CORRESPONDENCE |
LUCKETT, RICHARD DR |
1986 |
XXII | 2 |
p. 317-b-319 |
article |
|
| 97 | Correspondence |
CLARK, JANE |
1974 |
XXII | 2 |
p. 139-a-139 |
article |
|
| 98 | Correspondence and queries |
HANCHET, JOHN F. |
1976 |
XXII | 2 |
p. 223-c-225 |
article |
|
| 99 | Correspondence and queries |
POULTON, DIANA |
1976 |
XXII | 2 |
p. 227-b-227 |
article |
|
| 100 | Correspondence and queries |
NEWTON, GEORGE |
1976 |
XXII | 2 |
p. 229-b-231 |
article |
|
| 101 | Correspondence and queries |
MOWBRAY-SILVER, MICHAEL |
1976 |
XXII | 2 |
p. 229-c-231 |
article |
|
| 102 | CORRESPONDENCE: Beyond temperament |
RICE, ALBERT R |
1992 |
XXII | 2 |
p. 367-367 |
article |
|
| 103 | Crumhorns |
MOECK, DR HERMAN |
1975 |
XXII | 2 |
p. 185-a-185 |
article |
|
| 104 | Crumhorns |
LEONARD, DOUGLAS A. |
1975 |
XXII | 2 |
p. 185-b-187 |
article |
|
| 105 | Crwth stringing and tuning |
SCHAEFER, ANDRE |
1976 |
XXII | 2 |
p. 237-d-237 |
article |
|
| 106 | Dance symbolism |
STEWART, MADEAU |
1978 |
XXII | 2 |
p. 309-b-309 |
article |
|
| 107 | David Jacques Way, harpsichord maker, 1918–94 |
Kosofsky, Scott-Martin |
1994 |
XXII | 2 |
p. 363-364 |
article |
|
| 108 | Difficulties of learning the viol |
WRIGHT, SALLY |
1974 |
XXII | 2 |
p. 129-b-131 |
article |
|
| 109 | Discography of early music, UK |
CROUCHER, TREVOR |
1980 |
XXII | 2 |
p. 269-d-269 |
article |
|
| 110 | Divers styles dans I'Eloquence |
Kitchen, John |
1995 |
XXII | 2 |
p. 334-335 |
article |
|
| 111 | Domenico Scarlatti and the Florentine Piano |
Sutherland, David |
1995 |
XXII | 2 |
p. 243-257 |
article |
|
| 112 | Dots and strokes—a controversy |
MONTGOMERY, DAVID |
1995 |
XXII | 2 |
p. 363-364 |
article |
|
| 113 | Dots and strokes—a controversy |
MAUNDER, RICHARD |
1995 |
XXII | 2 |
p. 362-363 |
article |
|
| 114 | Dots and strokes—a controversy |
NEUMANN, FREDERICK |
1995 |
XXII | 2 |
p. 361-362 |
article |
|
| 115 | Double-dotting and ultra-dotting |
FULLER, DAVID |
1978 |
XXII | 2 |
p. 309-d-310 |
article |
|
| 116 | Double-dotting and ultra-dotting |
LEAVIS, RALPH |
1978 |
XXII | 2 |
p. 309-c-309 |
article |
|
| 117 | Dr Moeck and John Hanchet |
MOECK, DR HERMANN |
1976 |
XXII | 2 |
p. 223-b-223 |
article |
|
| 118 | Early Music Centre |
1982 |
XXII | 2 |
p. 295-a-295 |
article |
||
| 119 | Early turnings weekend in Devon |
SMITH, RICHARD LANGHAM |
1977 |
XXII | 2 |
p. 273-a-273 |
article |
|
| 120 | Early vocal practices |
WILLIAM, |
1982 |
XXII | 2 |
p. 294-a-294 |
article |
|
| 121 | Echtheit angezweifelt: Style and authenticity in two suites attributed to Bach |
Hill, Robert |
1985 |
XXII | 2 |
p. 248-255 |
article |
|
| 122 | Ensemble Project Ars Nova |
Leech-Wilkinson, Daniel |
1994 |
XXII | 2 |
p. 337-340 |
article |
|
| 123 | Essays on Monteverdi |
1981 |
XXII | 2 |
p. 283-b-283 |
article |
||
| 124 | Essays on Monteverdi |
KURTZMAN, JEFFREY |
1981 |
XXII | 2 |
p. 283-a-283 |
article |
|
| 125 | EVENTS |
VERMEULEN, ERNST |
1986 |
XXII | 2 |
p. 313-314 |
article |
|
| 126 | Execution and expression in the Sonata in E flat, K282 |
Bilson, Malcolm |
1992 |
XXII | 2 |
p. 237-244 |
article |
|
| 127 | Flute Maker |
FRANK, JAAP |
1974 |
XXII | 2 |
p. 141-b-141 |
article |
|
| 128 | Frank Llewelyn Harrison (1905–1987) |
Caldwell, John |
1988 |
XXII | 2 |
p. 317-318 |
article |
|
| 129 | French Baroque |
Smith, Richard Langham |
1994 |
XXII | 2 |
p. 333-334 |
article |
|
| 130 | ‘Gallimaufry’ at Covent Garden Purcell's The Fairy-Queen in 1946 |
Burden, Michael |
1995 |
XXII | 2 |
p. 268-286 |
article |
|
| 131 | German Baroque instrumental music |
Jones, Richard D. P. |
1995 |
XXII | 2 |
p. 335-337 |
article |
|
| 132 | German musicians and their instruments A 14th-century account by Konrad of Megenberg |
Page, Christopher |
1982 |
XXII | 2 |
p. 192-200 |
article |
|
| 133 | ‘Great learning, fine scholarship, impeccable taste’ A fiftieth anniversary tribute to Sir Richard Terry (1865–1938) |
Roche, Elizabeth |
1988 |
XXII | 2 |
p. 231-238 |
article |
|
| 134 | GRETT AND SOLOMPNE SINGING: Instruments in English church music before the Civil War |
PARROTT, ANDREW |
1978 |
XXII | 2 |
p. 182-187 |
article |
|
| 135 | Guidance in instrument making |
MONK, CHRISTOPHER |
1974 |
XXII | 2 |
p. 127-b-127 |
article |
|
| 136 | Haydn's tempos in The Creation |
Temperley, Nicholas |
1991 |
XXII | 2 |
p. 235-246 |
article |
|
| 137 | High standards at the London College of Furniture |
JMT, |
1975 |
XXII | 2 |
p. 191-a-191 |
article |
|
| 138 | Historical performance, metronome marks and tempo in Beethoven's symphonies |
Brown, Clive |
1991 |
XXII | 2 |
p. 247-260 |
article |
|
| 139 | Historic organs in Italy, Denmark and Switzerland |
Caldwell, John |
1994 |
XXII | 2 |
p. 341-344 |
article |
|
| 140 | Improvised embellishments in Mozart's keyboard music |
Levin, Robert D. |
1992 |
XXII | 2 |
p. 221-236 |
article |
|
| 141 | Innsbruck Radio Prize |
SAYERS, CHRIS |
1982 |
XXII | 2 |
p. 292-a-292 |
article |
|
| 142 | In pursuit of new music: augmenting the recorder repertory |
Ritter, Marie |
1995 |
XXII | 2 |
p. 331-334 |
article |
|
| 143 | Instrument conference at Tropenmuseum, Amsterdam |
KJELDSBERG, P. A. |
1976 |
XXII | 2 |
p. 239-a-239 |
article |
|
| 144 | Instruments |
MONTAGU, JEREMY |
1984 |
XXII | 2 |
p. 235-240 |
article |
|
| 145 | Instruments |
MONTAGU, JEREMY |
1987 |
XXII | 2 |
p. 247-249 |
article |
|
| 146 | Instruments |
MONTAGU, JEREMY |
1989 |
XXII | 2 |
p. 226-234 |
article |
|
| 147 | Instruments |
MONTAGU, JEREMY |
1988 |
XXII | 2 |
p. 255-260 |
article |
|
| 148 | International Baroque Violin Symposium Utrecht 30 August-2 September 1989 |
PETER, WALLS |
1990 |
XXII | 2 |
p. 347-349 |
article |
|
| 149 | Jan Dismas Zelenka |
CHESSER, RICHARD |
1984 |
XXII | 2 |
p. 283-a-283 |
article |
|
| 150 | Jane Clark replies: |
SCHOTT, HOWARD |
1974 |
XXII | 2 |
p. 137-b-139 |
article |
|
| 151 | Josquin's Misericordias Domini and Louis XI |
Macey, Patrick |
1991 |
XXII | 2 |
p. 163-177 |
article |
|
| 152 | Josquin's Missa Pange Lingua a note on Agnus Dei III |
Sherr, Richard |
1990 |
XXII | 2 |
p. 271-276 |
article |
|
| 153 | J. S. Bach and left-hand-right-hand distribution |
HOLLICK, DOUGLAS |
1995 |
XXII | 2 |
p. 365-366 |
article |
|
| 154 | J. S. Bach and left-hand-right-hand distribution |
WILLIAMS, PETER |
1995 |
XXII | 2 |
p. 366-a-366 |
article |
|
| 155 | Lassus Celebration |
WEARING, CLIVE |
1982 |
XXII | 2 |
p. 291-a-291 |
article |
|
| 156 | Lassus Celebration |
KEYTE, HUGH |
1982 |
XXII | 2 |
p. 291-b-292 |
article |
|
| 157 | Lassus Magnificat settings |
Fitch, Fabrice |
1995 |
XXII | 2 |
p. 316-318 |
article |
|
| 158 | Latin polyphony by Robert Parsons |
Rees, Owen |
1995 |
XXII | 2 |
p. 322-325 |
article |
|
| 159 | Liturgical music in medieval England |
Haggh, Barbara |
1994 |
XXII | 2 |
p. 325-328 |
article |
|
| 160 | London |
BARTLETT, CLIFFORD |
1983 |
XXII | 2 |
p. 293-a-293 |
article |
|
| 161 | London Salerooms |
WELLS, GRAHAM |
1975 |
XXII | 2 |
p. 140-142 |
article |
|
| 162 | London Salerooms |
WELLS, GRAHAM |
1979 |
XXII | 2 |
p. 254-256 |
article |
|
| 163 | Ludford, Sheppard, Fayxfax |
SKINNER, DAVID |
1995 |
XXII | 2 |
p. 366-c-368 |
article |
|
| 164 | Ludford, Sheppard, Fayxfax |
TURBET, RICHARD |
1995 |
XXII | 2 |
p. 366-b-366 |
article |
|
| 165 | Lute facsimiles |
Spencer, Robert |
1994 |
XXII | 2 |
p. 335-336 |
article |
|
| 166 | ‘Main divers acors’: Some instrument collections of the Ars Nova period |
GODWIN, JOSCELYN |
1977 |
XXII | 2 |
p. 148-159 |
article |
|
| 167 | Manuscript and printed music |
Searle, Arthur |
1995 |
XXII | 2 |
p. 355-360 |
article |
|
| 168 | Manuscripts and printed books |
SEARLE, ARTHUR |
1985 |
XXII | 2 |
p. 267-268 |
article |
|
| 169 | Manuscripts and printed music |
SEARLE, ARTHUR |
1991 |
XXII | 2 |
p. 269-274 |
article |
|
| 170 | Manuscripts and printed music |
SEARLE, ARTHUR |
1987 |
XXII | 2 |
p. 243-245 |
article |
|
| 171 | Manuscripts and printed music |
SEARLE, ARTHUR |
1988 |
XXII | 2 |
p. 251-254 |
article |
|
| 172 | Manuscripts and printed music |
SEARLE, ARTHUR |
1990 |
XXII | 2 |
p. 283-287 |
article |
|
| 173 | Manuscripts and printed music |
1989 |
XXII | 2 |
p. 221-226 |
article |
||
| 174 | Matthew Locke |
Wood, Bruce |
1991 |
XXII | 2 |
p. 299-303 |
article |
|
| 175 | Medieval fiddles, etc. |
REMNANT, MARY |
1977 |
XXII | 2 |
p. 255-a-255 |
article |
|
| 176 | Monteverdi Vespers: three new editions |
McCreesh, Paul |
1995 |
XXII | 2 |
p. 325-328 |
article |
|
| 177 | More dotting? |
FULLER, DAVID |
1979 |
XXII | 2 |
p. 279-a-279 |
article |
|
| 178 | Mozart as early music: a Romantic antidote |
Dreyfus, Laurence |
1992 |
XXII | 2 |
p. 297-310 |
article |
|
| 179 | Mozart's orchestral music on record |
Glover, Jane |
1992 |
XXII | 2 |
p. 267-274 |
article |
|
| 180 | Mozart's pedal piano |
Maunder, Richard |
1995 |
XXII | 2 |
p. 287-297 |
article |
|
| 181 | Music |
ARNOLD, DENIS |
1982 |
XXII | 2 |
p. 253-255 |
article |
|
| 182 | MUSIC |
WULSTAN, DAVID |
1983 |
XXII | 2 |
p. 252-253 |
article |
|
| 183 | MUSIC |
COOPER, BARRY |
1983 |
XXII | 2 |
p. 250-251 |
article |
|
| 184 | Music |
CARTER, TIM |
1983 |
XXII | 2 |
p. 249-250 |
article |
|
| 185 | Music |
FALLOWS, DAVID |
1983 |
XXII | 2 |
p. 245-249 |
article |
|
| 186 | Music |
TURNER, JOHN |
1980 |
XXII | 2 |
p. 245-b-246 |
article |
|
| 187 | Music |
SCHOTT, HOWARD |
1980 |
XXII | 2 |
p. 246-b-248 |
article |
|
| 188 | Music |
ROBINSON, LUCY |
1980 |
XXII | 2 |
p. 246-a-246 |
article |
|
| 189 | Music |
Crawford, Tim |
1991 |
XXII | 2 |
p. 293-296 |
article |
|
| 190 | Music |
Craig-McFeely, Julia |
1991 |
XXII | 2 |
p. 296-298 |
article |
|
| 191 | MUSIC |
Milsom, John |
1987 |
XXII | 2 |
p. 269-271 |
article |
|
| 192 | MUSIC |
Blezzard, Judith |
1987 |
XXII | 2 |
p. 271-272 |
article |
|
| 193 | MUSIC |
Smith, Richard Langham |
1988 |
XXII | 2 |
p. 283-b-286 |
article |
|
| 194 | MUSIC |
Stevens, Denis |
1989 |
XXII | 2 |
p. 257-a-257 |
article |
|
| 195 | MUSIC |
Crawford, Tim |
1989 |
XXII | 2 |
p. 263-266 |
article |
|
| 196 | MUSIC |
Knighton, Tess |
1990 |
XXII | 2 |
p. 306-309 |
article |
|
| 197 | MUSIC |
Cooper, Barry |
1990 |
XXII | 2 |
p. 303-305 |
article |
|
| 198 | MUSIC |
Curtis, Liane |
1990 |
XXII | 2 |
p. 305-306 |
article |
|
| 199 | MUSIC |
Smith, Richard Langham |
1990 |
XXII | 2 |
p. 310-313 |
article |
|
| 200 | Music |
ROCHE, JEROME |
1979 |
XXII | 2 |
p. 273-b-275 |
article |
|
| 201 | Music |
BOYDELL, BARRA |
1980 |
XXII | 2 |
p. 245-a-245 |
article |
|
| 202 | Music |
CURTIS, GARETH R. K. |
1980 |
XXII | 2 |
p. 239-241 |
article |
|
| 203 | Music |
GILMORE, PEGGY |
1981 |
XXII | 2 |
p. 263-b-264 |
article |
|
| 204 | MUSIC |
Bernstein, Lawrence F. |
1987 |
XXII | 2 |
p. 265-269 |
article |
|
| 205 | MUSIC |
Rankin, Susan |
1987 |
XXII | 2 |
p. 272-276 |
article |
|
| 206 | MUSIC |
Hodge, Brian |
1988 |
XXII | 2 |
p. 283-a-283 |
article |
|
| 207 | MUSIC |
Milsom, John |
1989 |
XXII | 2 |
p. 255-257 |
article |
|
| 208 | Music |
Burrows, Donald |
1992 |
XXII | 2 |
p. 339-341 |
article |
|
| 209 | Music |
McCreesh, Paul |
1992 |
XXII | 2 |
p. 347-347 |
article |
|
| 210 | Music |
Blackburn, Bonnie J. |
1992 |
XXII | 2 |
p. 341-344 |
article |
|
| 211 | MUSIC |
Phillips, Peter |
1985 |
XXII | 2 |
p. 308-310 |
article |
|
| 212 | MUSIC |
Knighton, Tess |
1985 |
XXII | 2 |
p. 303-b-307 |
article |
|
| 213 | MUSIC |
Webber, Geoffrey |
1985 |
XXII | 2 |
p. 303-a-303 |
article |
|
| 214 | MUSIC |
Bartlett, Clifford |
1985 |
XXII | 2 |
p. 293-297 |
article |
|
| 215 | MUSIC |
SCHOTT, HOWARD |
1977 |
XXII | 2 |
p. 244-a-244 |
article |
|
| 216 | MUSIC |
BROWN, HOWARD MAYER |
1977 |
XXII | 2 |
p. 243-a-243 |
article |
|
| 217 | MUSIC |
STEELE, JOHN |
1977 |
XXII | 2 |
p. 243-b-244 |
article |
|
| 218 | MUSIC |
SCHOTT, HOWARD |
1977 |
XXII | 2 |
p. 244-b-247 |
article |
|
| 219 | Music |
SANDON, NICK |
1979 |
XXII | 2 |
p. 273-a-273 |
article |
|
| 220 | Music |
ROCHE, ELIZABETH |
1979 |
XXII | 2 |
p. 275-278 |
article |
|
| 221 | Music |
STEELE, JOHN |
1981 |
XXII | 2 |
p. 264-266 |
article |
|
| 222 | Music |
MONOSOFF, SONYA |
1981 |
XXII | 2 |
p. 263-a-263 |
article |
|
| 223 | Music |
FALLOWS, DAVID |
1981 |
XXII | 2 |
p. 266-267 |
article |
|
| 224 | Music |
Burden, Michael |
1991 |
XXII | 2 |
p. 292-293 |
article |
|
| 225 | Music |
Cooper, Barry |
1991 |
XXII | 2 |
p. 291-292 |
article |
|
| 226 | MUSIC |
Roche, Elizabeth |
1988 |
XXII | 2 |
p. 281-283 |
article |
|
| 227 | MUSIC |
Milsom, John |
1988 |
XXII | 2 |
p. 279-281 |
article |
|
| 228 | MUSIC |
Rooley, Anthony |
1989 |
XXII | 2 |
p. 261-263 |
article |
|
| 229 | MUSIC |
Morehen, John |
1989 |
XXII | 2 |
p. 257-b-261 |
article |
|
| 230 | Music |
Fallows, David |
1992 |
XXII | 2 |
p. 348-349 |
article |
|
| 231 | Music |
Brooks, Jeanice |
1992 |
XXII | 2 |
p. 349-352 |
article |
|
| 232 | Musical Instruments |
MONTAGU, JEREMY |
1990 |
XXII | 2 |
p. 277-283 |
article |
|
| 233 | Musical instruments |
MONTAGU, JEREMY |
1991 |
XXII | 2 |
p. 274-280 |
article |
|
| 234 | Music for virginals and other instruments |
Brown, Alan |
1995 |
XXII | 2 |
p. 329-330 |
article |
|
| 235 | Musicke a sister to Poetrie Rhetorical artifice in the passionate airs of John Dowland |
Toft, Robert |
1984 |
XXII | 2 |
p. 190-199 |
article |
|
| 236 | Music reviews |
SIMPSON, ADRIENNE |
1975 |
XXII | 2 |
p. 165-a-165 |
article |
|
| 237 | Music reviews |
STEELE, JOHN |
1975 |
XXII | 2 |
p. 169-b-170 |
article |
|
| 238 | Music reviews |
HARWOOD, IAN |
1975 |
XXII | 2 |
p. 165-b-169 |
article |
|
| 239 | Music reviews |
HARWOOD, IAN |
1975 |
XXII | 2 |
p. 159-b-161 |
article |
|
| 240 | Music reviews |
ARNOLD, DENIS |
1975 |
XXII | 2 |
p. 169-a-169 |
article |
|
| 241 | Music reviews: The Boethius Press |
SIMPSON, ADRIENNE |
1975 |
XXII | 2 |
p. 159-a-159 |
article |
|
| 242 | NEMA |
BARTLETT, CLIFFORD |
1983 |
XXII | 2 |
p. 293-b-294 |
article |
|
| 243 | New dances for the Ball: The Annual Collections of France and England in the 18th century |
Brainard, Ingrid |
1986 |
XXII | 2 |
p. 164-174 |
article |
|
| 244 | Newly identified holograph manuscripts from late-Renaissance Portugal |
Ress, Owen |
1994 |
XXII | 2 |
p. 261-278 |
article |
|
| 245 | New York |
BROWN, HOWARD MAYER |
1982 |
XXII | 2 |
p. 289-290 |
article |
|
| 246 | New Zealand |
EASTING, ROBERT |
1983 |
XXII | 2 |
p. 289-291 |
article |
|
| 247 | Obituary |
DONINGTON, ROBERT |
1982 |
XXII | 2 |
p. 295-b-295 |
article |
|
| 248 | Obituary |
1976 |
XXII | 2 |
p. 223-a-223 |
article |
||
| 249 | Obrecht and chant traditions |
BLOXAM, M. JENNIFER |
1994 |
XXII | 2 |
p. 367-367 |
article |
|
| 250 | Patronage, style and structure in the music attributed to Turlough Carolan |
Rimmer, Joan |
1987 |
XXII | 2 |
p. 164-174 |
article |
|
| 251 | Peñalosa on record |
Kreitner, Kenneth |
1994 |
XXII | 2 |
p. 309-320 |
article |
|
| 252 | Peter Whale, harpsichord maker |
Martin, Nicholas |
1994 |
XXII | 2 |
p. 364-364 |
article |
|
| 253 | Pro Musica Antiqua Brussels |
HUMBERTSON, ROBERT R. |
1976 |
XXII | 2 |
p. 237-b-237 |
article |
|
| 254 | Proportion in Monteverdi |
KURTZMAN, JEFFREY |
1995 |
XXII | 2 |
p. 364-b-365 |
article |
|
| 255 | Proportion in Monteverdi |
BOWERS, ROGER |
1995 |
XXII | 2 |
p. 364-a-364 |
article |
|
| 256 | Quatercentenary conferences in Palestrina and Duisburg |
O'Regan, Noel |
1995 |
XXII | 2 |
p. 351-354 |
article |
|
| 257 | Rameau, rare to well-done |
Sadler, Graham |
1994 |
XXII | 2 |
p. 353-356 |
article |
|
| 258 | Realized continuo accompaniments from Florence c 1600 |
Hill, John Walter |
1983 |
XXII | 2 |
p. 194-208 |
article |
|
| 259 | Recordings |
EVERIST, MARK E. |
1982 |
XXII | 2 |
p. 281-a-281 |
article |
|
| 260 | Recordings |
TYLER, JAMES |
1982 |
XXII | 2 |
p. 283-a-283 |
article |
|
| 261 | Recordings |
SANDON, NICK |
1982 |
XXII | 2 |
p. 281-b-283 |
article |
|
| 262 | Recordings |
MlLSOM, JOHN |
1982 |
XXII | 2 |
p. 283b-284 |
article |
|
| 263 | Recordings |
CALDWELL, JOHN |
1982 |
XXII | 2 |
p. 261-265 |
article |
|
| 264 | Recordings |
MILSOM, JOHN |
1982 |
XXII | 2 |
p. 279-281 |
article |
|
| 265 | Recordings |
SADLER, GRAHAM |
1983 |
XXII | 2 |
p. 273-b-275 |
article |
|
| 266 | Recordings |
TASSEL, ERIC VAN |
1983 |
XXII | 2 |
p. 267-271 |
article |
|
| 267 | Recordings |
TASSEL, ERIC VAN |
1983 |
XXII | 2 |
p. 273-a-273 |
article |
|
| 268 | RECORDINGS |
Caldwell, John |
1986 |
XXII | 2 |
p. 301-b-303 |
article |
|
| 269 | RECORDINGS |
Caldwell, John |
1986 |
XXII | 2 |
p. 301-a-301 |
article |
|
| 270 | Recordings |
ABRAM, RICHARD |
1980 |
XXII | 2 |
p. 261-c-262 |
article |
|
| 271 | Recordings |
CALDWELL, JOHN |
1980 |
XXII | 2 |
p. 261-a-261 |
article |
|
| 272 | Recordings |
CHISHOLM, DUNCAN |
1981 |
XXII | 2 |
p. 269-271 |
article |
|
| 273 | RECORDINGS |
Carter, Tim |
1991 |
XXII | 2 |
p. 312-313 |
article |
|
| 274 | RECORDINGS |
Rees, Owen |
1991 |
XXII | 2 |
p. 303-b-306 |
article |
|
| 275 | RECORDINGS |
Rushton, Julian |
1987 |
XXII | 2 |
p. 297-b-298 |
article |
|
| 276 | RECORDINGS |
Crawford, Tim |
1987 |
XXII | 2 |
p. 293-296 |
article |
|
| 277 | RECORDINGS |
Roche, Jerome |
1987 |
XXII | 2 |
p. 286-a-286 |
article |
|
| 278 | RECORDINGS |
Brown, Howard Mayer |
1987 |
XXII | 2 |
p. 277-281 |
article |
|
| 279 | RECORDINGS |
Wood, Bruce |
1987 |
XXII | 2 |
p. 286-b-293 |
article |
|
| 280 | RECORDINGS |
Sadler, Graham |
1987 |
XXII | 2 |
p. 297-a-297 |
article |
|
| 281 | RECORDINGS |
Moody, Ivan |
1987 |
XXII | 2 |
p. 284-285 |
article |
|
| 282 | RECORDINGS |
Meconi, Honey |
1990 |
XXII | 2 |
p. 315-316 |
article |
|
| 283 | RECORDINGS |
Roche, Jerome |
1990 |
XXII | 2 |
p. 322-325 |
article |
|
| 284 | RECORDINGS |
Elcombe, Keith |
1990 |
XXII | 2 |
p. 325-326 |
article |
|
| 285 | RECORDINGS |
Lowe, C Jane |
1990 |
XXII | 2 |
p. 334-338 |
article |
|
| 286 | RECORDINGS |
Cooper, Barry |
1990 |
XXII | 2 |
p. 332-b-334 |
article |
|
| 287 | RECORDINGS |
Boyd, Malcolm |
1990 |
XXII | 2 |
p. 332-a-332 |
article |
|
| 288 | RECORDINGS |
Crawford, Tim |
1990 |
XXII | 2 |
p. 321-322 |
article |
|
| 289 | RECORDINGS |
Roche, Elizabeth |
1990 |
XXII | 2 |
p. 326-326 |
article |
|
| 290 | RECORDINGS |
CAROLAN, LUCK |
1984 |
XXII | 2 |
p. 279-a-279 |
article |
|
| 291 | RECORDINGS |
CAROLAN, LUCY |
1984 |
XXII | 2 |
p. 279-b-281 |
article |
|
| 292 | RECORDINGS |
ANDERSON, NICHOLAS |
1984 |
XXII | 2 |
p. 281-283 |
article |
|
| 293 | RECORDINGS |
Lawson, Colin |
1986 |
XXII | 2 |
p. 309-310 |
article |
|
| 294 | Recordings |
TYAS, SHAUN M. |
1981 |
XXII | 2 |
p. 273-a-273 |
article |
|
| 295 | Recordings |
CARVER, ANTHONY F. |
1981 |
XXII | 2 |
p. 274-b-274 |
article |
|
| 296 | Recordings |
BARRY, COOPER |
1981 |
XXII | 2 |
p. 276-277 |
article |
|
| 297 | Recordings |
CARVER, ANTHONY F. |
1981 |
XXII | 2 |
p. 273-b-274 |
article |
|
| 298 | RECORDINGS |
Daw, Stephen |
1987 |
XXII | 2 |
p. 298-301 |
article |
|
| 299 | RECORDINGS |
Cross, Eric |
1987 |
XXII | 2 |
p. 279-281 |
article |
|
| 300 | RECORDINGS |
Field, Christopher D.S. |
1987 |
XXII | 2 |
p. 285-286 |
article |
|
| 301 | RECORDINGS |
Talbot, Michael |
1988 |
XXII | 2 |
p. 297-300 |
article |
|
| 302 | RECORDINGS |
Elcombe, Keith |
1988 |
XXII | 2 |
p. 303-305 |
article |
|
| 303 | RECORDINGS |
Lockwood, Lewis |
1988 |
XXII | 2 |
p. 287-289 |
article |
|
| 304 | RECORDINGS |
Butt, John |
1988 |
XXII | 2 |
p. 306-309 |
article |
|
| 305 | RECORDINGS |
Talbot, Michael |
1988 |
XXII | 2 |
p. 300-303 |
article |
|
| 306 | RECORDINGS |
Curtis, Gareth |
1988 |
XXII | 2 |
p. 289-291 |
article |
|
| 307 | RECORDINGS |
Pinnock, Andrew |
1989 |
XXII | 2 |
p. 295-301 |
article |
|
| 308 | RECORDINGS |
Wood, Bruce |
1989 |
XXII | 2 |
p. 293-295 |
article |
|
| 309 | RECORDINGS |
Boyd, Malcolm |
1989 |
XXII | 2 |
p. 267-274 |
article |
|
| 310 | RECORDINGS |
Carter, Tim |
1989 |
XXII | 2 |
p. 287-289 |
article |
|
| 311 | RECORDINGS |
Mabbett, Margaret |
1989 |
XXII | 2 |
p. 289-290 |
article |
|
| 312 | RECORDINGS |
Field, Christopher D S |
1989 |
XXII | 2 |
p. 282-287 |
article |
|
| 313 | RECORDINGS |
Hiley, David |
1989 |
XXII | 2 |
p. 274-276 |
article |
|
| 314 | RECORDINGS |
Bowers, Roger |
1989 |
XXII | 2 |
p. 276-282 |
article |
|
| 315 | RECORDINGS |
Sadler, Graham |
1989 |
XXII | 2 |
p. 290-293 |
article |
|
| 316 | RECORDINGS |
Rusthton, Julian |
1989 |
XXII | 2 |
p. 302-302 |
article |
|
| 317 | RECORDINGS |
Lockwood, Lewis |
1989 |
XXII | 2 |
p. 301-302 |
article |
|
| 318 | RECORDINGS |
Plommer, Evan |
1990 |
XXII | 2 |
p. 316-321 |
article |
|
| 319 | RECORDINGS |
Burgess, Geoffrey |
1990 |
XXII | 2 |
p. 329-332 |
article |
|
| 320 | RECORDINGS |
Sadler, Graham |
1992 |
XXII | 2 |
p. 353-355 |
article |
|
| 321 | RECORDINGS |
Burrows, Donald |
1992 |
XXII | 2 |
p. 363-a-363 |
article |
|
| 322 | RECORDINGS |
Bartlett, Clifford |
1985 |
XXII | 2 |
p. 315-317 |
article |
|
| 323 | RECORDINGS |
Anderson, Nicholas |
1985 |
XXII | 2 |
p. 323-325 |
article |
|
| 324 | RECORDINGS |
Van Tassel, Eric |
1985 |
XXII | 2 |
p. 326-328 |
article |
|
| 325 | RECORDINGS |
Stowell, Robin |
1985 |
XXII | 2 |
p. 322-323 |
article |
|
| 326 | RECORDINGS |
Rastall, Richard |
1986 |
XXII | 2 |
p. 298-299 |
article |
|
| 327 | RECORDINGS |
Boyd, Malcolm |
1986 |
XXII | 2 |
p. 305-307 |
article |
|
| 328 | Recordings |
CALDWELL, JOHN |
1980 |
XXII | 2 |
p. 261-b-261 |
article |
|
| 329 | Recordings |
SIMPSON, ADRIENNE |
1981 |
XXII | 2 |
p. 274-a-274 |
article |
|
| 330 | RECORDINGS |
Crawford, Tim |
1991 |
XXII | 2 |
p. 308-311 |
article |
|
| 331 | RECORDINGS |
Cross, Eric |
1991 |
XXII | 2 |
p. 313-316 |
article |
|
| 332 | RECORDINGS |
Morehen, John |
1991 |
XXII | 2 |
p. 306-308 |
article |
|
| 333 | RECORDINGS |
Davey, Laura |
1991 |
XXII | 2 |
p. 311-312 |
article |
|
| 334 | RECORDINGS |
Roche, Jerome |
1988 |
XXII | 2 |
p. 295-297 |
article |
|
| 335 | RECORDINGS |
Newbould, Brian |
1988 |
XXII | 2 |
p. 311-312 |
article |
|
| 336 | RECORDINGS |
Roche, Elizabeth |
1988 |
XXII | 2 |
p. 305-306 |
article |
|
| 337 | RECORDINGS |
Chew, Geoffrey |
1988 |
XXII | 2 |
p. 309-311 |
article |
|
| 338 | RECORDINGS |
Crawford, Tim |
1988 |
XXII | 2 |
p. 293-295 |
article |
|
| 339 | RECORDINGS |
Cross, Eric |
1992 |
XXII | 2 |
p. 359-361 |
article |
|
| 340 | RECORDINGS |
Field, Christopher D. S. |
1992 |
XXII | 2 |
p. 355-b-358 |
article |
|
| 341 | RECORDINGS |
Curtis, Gareth |
1992 |
XXII | 2 |
p. 355-a-355 |
article |
|
| 342 | RECORDINGS |
Burrows, Donald |
1992 |
XXII | 2 |
p. 363-b-366 |
article |
|
| 343 | RECORDINGS: Europaische Lautenmusik vol. 1 FRANKREICH 17. JAHRHUNDERT |
Plommer, Evan |
1992 |
XXII | 2 |
p. 358-359 |
article |
|
| 344 | RECORDINGS: Johannes Brahms |
Newbould, Brian |
1992 |
XXII | 2 |
p. 366-366 |
article |
|
| 345 | RECORDINGS: Johann Sebastian Bach |
Humphreys, David |
1992 |
XXII | 2 |
p. 361-362 |
article |
|
| 346 | Renaissance theatre |
NEWTON, STELLA MARY |
1978 |
XXII | 2 |
p. 310-c-310 |
article |
|
| 347 | Repeat problems in keyboard settings of canzoni alla francese |
Judd, Robert |
1989 |
XXII | 2 |
p. 198-215 |
article |
|
| 348 | Re-quilling a harpsichord |
BOND, IAN |
1975 |
XXII | 2 |
p. 189-a-189 |
article |
|
| 349 | Restoration and the Brussels Museum |
MEEU`S, NICOLAS |
1975 |
XXII | 2 |
p. 189-b-191 |
article |
|
| 350 | Revision of Russell |
SCHOTT, HOWARD |
1974 |
XXII | 2 |
p. 137-a-137 |
article |
|
| 351 | Sacred Bach, echt and unecht |
Boyd, Malcolm |
1995 |
XXII | 2 |
p. 338-340 |
article |
|
| 352 | Salerooms: Instruments |
WELLS, GRAHAM |
1983 |
XXII | 2 |
p. 229-234 |
article |
|
| 353 | San Marco conference |
Bettley, John |
1995 |
XXII | 2 |
p. 349-a-349 |
article |
|
| 354 | Shaken not stirred |
CHURGIN, BATHIA |
1990 |
XXII | 2 |
p. 350-a-350 |
article |
|
| 355 | Short notices |
1986 |
XXII | 2 |
p. 310-312 |
article |
||
| 356 | Short notices |
SADLER, GRAHAM |
1987 |
XXII | 2 |
p. 301-303 |
article |
|
| 357 | Short Notices |
SADLER, GRAHAM |
1988 |
XXII | 2 |
p. 312-316 |
article |
|
| 358 | Singing early music |
NEWTON, GEORGE |
1976 |
XXII | 2 |
p. 229-a-229 |
article |
|
| 359 | ‘Singin’ in the rain': yet more on dating Dido |
WOOD, BRUCE |
1994 |
XXII | 2 |
p. 365-367 |
article |
|
| 360 | Sir Richard Terry and 16th-Century polyphony |
Day, Timothy |
1994 |
XXII | 2 |
p. 296-308 |
article |
|
| 361 | Small accidentals |
MOREHEN, JOHN |
1980 |
XXII | 2 |
p. 269-c-269 |
article |
|
| 362 | Some aspects of the notation and performance of Germansong around 1400 |
WELKER, LORENZ |
1990 |
XXII | 2 |
p. 235-252 |
article |
|
| 363 | Songs and instrumental music for vihuela, guitar and lute |
Spring, Matthew |
1995 |
XXII | 2 |
p. 330-331 |
article |
|
| 364 | Spanish church music: an exhibition and a new edition |
TK, |
1994 |
XXII | 2 |
p. 332-332 |
article |
|
| 365 | Spectacle in Milan: Cesare Negri's torch dances |
Jones, Pamela |
1986 |
XXII | 2 |
p. 182-198 |
article |
|
| 366 | Strads under scrutiny |
BROWN, HOWARD MAYER |
1974 |
XXII | 2 |
p. 127-a-127 |
article |
|
| 367 | Stringing the baroque guitar |
STRIZICH, ROBERT |
1976 |
XXII | 2 |
p. 235-d-237 |
article |
|
| 368 | Textual symmetries and the origins of Heinrich Schiitz's Musikalische Exequien |
Johnston, Gregory S. |
1991 |
XXII | 2 |
p. 213-226 |
article |
|
| 369 | The arts in Devon |
SANDON, NICK |
1978 |
XXII | 2 |
p. 310-d-310 |
article |
|
| 370 | The basse-dance |
CRANE, FREDERICK |
1977 |
XXII | 2 |
p. 253-a-253 |
article |
|
| 371 | The basse-dance |
DOLMETSCH, NATHALIE |
1977 |
XXII | 2 |
p. 253-b-255 |
article |
|
| 372 | The Crumhorn and Wind Tone |
BAKER, SHIRLEY |
1974 |
XXII | 2 |
p. 139-b-141 |
article |
|
| 373 | The double harp in Spain from the 16th to the 18th centuries |
Bordas, Cristina |
1987 |
XXII | 2 |
p. 148-163 |
article |
|
| 374 | The earliest paintings of the clarinet |
Hoeprich, Eric |
1994 |
XXII | 2 |
p. 258-267 |
article |
|
| 375 | The eclectic Telemann |
Cross, Eric |
1994 |
XXII | 2 |
p. 357-360 |
article |
|
| 376 | The Finchcocks Series |
1984 |
XXII | 2 |
p. 283-b-287 |
article |
||
| 377 | The flute world |
THOMSON, J. M. |
1982 |
XXII | 2 |
p. 294-b-295 |
article |
|
| 378 | The French influence in Bach's instrumental music |
Schulze, Hans-Joachim |
1985 |
XXII | 2 |
p. 180-184 |
article |
|
| 379 | The ‘Guitarra Española’ |
HALL, MONICA J. L. |
1976 |
XXII | 2 |
p. 227-c-229 |
article |
|
| 380 | The lute and ivory buttons |
McCOY, S. A. |
1976 |
XXII | 2 |
p. 235-c-235 |
article |
|
| 381 | The Lute Worldwide—3: Switzerland Conservatoire de Musique of Neuchâtel |
PERRET, DENISE |
1976 |
XXII | 2 |
p. 239-b-241 |
article |
|
| 382 | The maner of dauncying |
WARD, JOHN M. |
1976 |
XXII | 2 |
p. 127-142 |
article |
|
| 383 | The Neapolitan mandoline |
TYLER, JAMES |
1977 |
XXII | 2 |
p. 255-b-259 |
article |
|
| 384 | The ‘Nürnbergisch Geigenwerk’ |
ANTON, WOLFGANG |
1976 |
XXII | 2 |
p. 237-c-237 |
article |
|
| 385 | The origin of ‘original’ |
SCHOTT, HOWARD |
1980 |
XXII | 2 |
p. 269-a-269 |
article |
|
| 386 | The performance of Ars Antiqua motets |
Page, Christopher |
1988 |
XXII | 2 |
p. 147-164 |
article |
|
| 387 | The performance of Josquin's L'homme armé Masses |
Sherr, Richard |
1991 |
XXII | 2 |
p. 261-268 |
article |
|
| 388 | The poet and duke |
Little, Patrick |
1983 |
XXII | 2 |
p. 217-222 |
article |
|
| 389 | The Requiem: mirror of Mozart performance history |
Ebisawa, Bin |
1992 |
XXII | 2 |
p. 279-296 |
article |
|
| 390 | The restored Chapter House wall paintings in Westminster Abbey |
Montagu, Jeremy |
1988 |
XXII | 2 |
p. 239-250 |
article |
|
| 391 | The sacking of Zadar |
BETTS, ROBERT B. |
1976 |
XXII | 2 |
p. 237-e-239 |
article |
|
| 392 | The Squarcialupi Codex |
Fallows, David |
1995 |
XXII | 2 |
p. 319-321 |
article |
|
| 393 | The Te Deum in late medieval England |
HARRISON, HELEN |
1979 |
XXII | 2 |
p. 279-b-281 |
article |
|
| 394 | The wedding of Archduke Charles and Maria of Bavaria in 1571 |
LINDELL, ROBERT |
1990 |
XXII | 2 |
p. 253-270 |
article |
|
| 395 | Tradition and authority |
Taruskin, Richard |
1992 |
XXII | 2 |
p. 311-326 |
article |
|
| 396 | Treble viol bows and a filing suggestion |
CLAESSENS, DÉDÉE |
1976 |
XXII | 2 |
p. 235-b-235 |
article |
|
| 397 | Two lute seminars: Rhode Island |
BALLARD-KENNARD, MADELINE |
1977 |
XXII | 2 |
p. 273-b-276 |
article |
|
| 398 | United States of America |
CURRY, DONNA |
1975 |
XXII | 2 |
p. 199-c-205 |
article |
|
| 399 | Unpopular Marenizio? |
BENNETT, KEITH |
1980 |
XXII | 2 |
p. 269-b-269 |
article |
|
| 400 | Venetian Ceremonial Motets |
1981 |
XXII | 2 |
p. 281-b-283 |
article |
||
| 401 | Venetian Ceremonial Motets |
STEVENS, DENIS |
1981 |
XXII | 2 |
p. 281-a-281 |
article |
|
| 402 | Victoria, Soto and the Spanish Archconfraternity of the Resurrection in Rome |
O'Regan, Noel |
1994 |
XXII | 2 |
p. 279-295 |
article |
|
| 403 | Vivaldi contralto arias |
ARNOLD, DENIS |
1974 |
XXII | 2 |
p. 129-a-129 |
article |
|
| 404 | Voice and Lute in Venice in the 16th century |
Crawford, Tim |
1991 |
XXII | 2 |
p. 303-a-303 |
article |
|
| 405 | Walter Bergmann |
TIPPETT, MICHAEL |
1988 |
XXII | 2 |
p. 318-319 |
article |
|
| 406 | Was Mme Raisin also an opera singer? |
Zemanová, Mirka |
1983 |
XXII | 2 |
p. 223-a-223 |
article |
|
| 407 | West Dean |
CHALLEN, CHRISTOPHER |
1982 |
XXII | 2 |
p. 292-b-294 |
article |
|
| 408 | What Bach's choirboys knew |
Ledbetter, David |
1994 |
XXII | 2 |
p. 315-316 |
article |
|
| 409 | What's in a name? Reflections on some works of Guillaume Du Fay |
Planchart, Alejandro Enrique |
1988 |
XXII | 2 |
p. 165-175 |
article |
|
| 410 | Woods used for woodwind |
WOODS, BRAIN |
1976 |
XXII | 2 |
p. 233-a-233 |
article |
|
| 411 | Writing, reading and memorizing: the transmission and resolution of retrograde canons from the 14th and early 15th centuries |
NEWES, VIRGINIA |
1990 |
XXII | 2 |
p. 218-234 |
article |
|
| 412 | 100 years of Mozart recordings |
Hamilton, David |
1992 |
XXII | 2 |
p. 275-278 |
article |
412 results found