|
Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
Alle afleveringen van het bijbehorende jaargang
Alle artikelen van de bijbehorende aflevering
409 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | Activities |
1976 |
XXI | 1 |
p. 101-113 |
artikel |
||
| 2 | Aeolian harps |
HUNT, EDGAR |
1975 |
XXI | 1 |
p. 79-f-79 |
artikel |
|
| 3 | A flÙte allemande in C and D by Jacob Denner of Nuremberg |
von Huene, Friedrich |
1995 |
XXI | 1 |
p. 102-113 |
artikel |
|
| 4 | A guide to Bach's clavier music |
Ledbetter, David |
1994 |
XXI | 1 |
p. 137-139 |
artikel |
|
| 5 | A Life of Mozart singing |
Elisabeth, Söderström |
1992 |
XXI | 1 |
p. 139-141 |
artikel |
|
| 6 | A new edition of MGG |
Fallows, David |
1995 |
XXI | 1 |
p. 151-152 |
artikel |
|
| 7 | Another Froberger |
SCHOTT, HOWARD |
1987 |
XXI | 1 |
p. 140-d-141 |
artikel |
|
| 8 | An outstanding guide |
LANCE, EVELYN |
1973 |
XXI | 1 |
p. 161-a-161 |
artikel |
|
| 9 | AN 18th-century view of the harpsichord |
LIBIN, LAURENCE |
1976 |
XXI | 1 |
p. 16-18 |
artikel |
|
| 10 | A personal testament |
STEWART, MADEAU |
1974 |
XXI | 1 |
p. 45-b-45 |
artikel |
|
| 11 | Apology |
1975 |
XXI | 1 |
p. 79-c-79 |
artikel |
||
| 12 | A Postscript to ‘Two More Dufay Songs Reconstructed’ |
FALLOWS, DAVID |
1976 |
XXI | 1 |
p. 99-100 |
artikel |
|
| 13 | Approaches to plainchant |
Zon, Bennett |
1995 |
XXI | 1 |
p. 161-165 |
artikel |
|
| 14 | Architecture and music in Zadar, Yugoslavia |
1976 |
XXI | 1 |
p. 89-90 |
artikel |
||
| 15 | Archives, iconography and evidence |
BOWERS, ROGER |
1983 |
XXI | 1 |
p. 147-b-148 |
artikel |
|
| 16 | A reply to Margaret Bent |
Page, Christopher |
1994 |
XXI | 1 |
p. 127-134 |
artikel |
|
| 17 | Aston Magna |
NAGLE, SIGRID |
1983 |
XXI | 1 |
p. 151-a-151 |
artikel |
|
| 18 | A 17th-century English Keyboard |
Cooper, Barry |
1995 |
XXI | 1 |
p. 158-160 |
artikel |
|
| 19 | Authenticity |
BROWN, HOWARD MAYER |
1976 |
XXI | 1 |
p. 79-a-79 |
artikel |
|
| 20 | Authenticity |
SEGERMAN, EPH |
1976 |
XXI | 1 |
p. 77-79 |
artikel |
|
| 21 | Authenticity |
PARKINSON, ANDREW |
1976 |
XXI | 1 |
p. 75-b-77 |
artikel |
|
| 22 | Authenticity |
SOHL, NORM |
1976 |
XXI | 1 |
p. 79-b-81 |
artikel |
|
| 23 | Authenticity |
BEASLEY, J. D. |
1976 |
XXI | 1 |
p. 81-81 |
artikel |
|
| 24 | A woodwind compendium |
Boydell, Barra |
1995 |
XXI | 1 |
p. 152-154 |
artikel |
|
| 25 | A Zenti harpsichord rediscovered |
Wraight, Denzil |
1991 |
XXI | 1 |
p. 99-102 |
artikel |
|
| 26 | Bach concertos |
Humphreys, David |
1995 |
XXI | 1 |
p. 171-172 |
artikel |
|
| 27 | Bach's temperament |
VEROLI, CLAUDIO DI |
1980 |
XXI | 1 |
p. 129-a-129 |
artikel |
|
| 28 | Bach's temperament |
KELLNER, HERBERT ANTON |
1981 |
XXI | 1 |
p. 141-c-142 |
artikel |
|
| 29 | Baroque Investigations |
Alm, Irene |
1995 |
XXI | 1 |
p. 183-184 |
artikel |
|
| 30 | Beethoven's Violin Concerto: the first period-instrument recording |
Newbould, Brian |
1994 |
XXI | 1 |
p. 164-166 |
artikel |
|
| 31 | Belgian folk instruments |
WARREN, G. C. |
1976 |
XXI | 1 |
p. 87-b-87 |
artikel |
|
| 32 | Biblical instruments: a note |
PAGE, CHRISTOPHER |
1978 |
XXI | 1 |
p. 133-b-134 |
artikel |
|
| 33 | book reviews |
T.J.M., |
1973 |
XXI | 1 |
p. 113-a-113 |
artikel |
|
| 34 | Book reviews |
BATE, PHILIP |
1976 |
XXI | 1 |
p. 61-63 |
artikel |
|
| 35 | Book reviews |
SCHOTT, HOWARD |
1976 |
XXI | 1 |
p. 63-67 |
artikel |
|
| 36 | Book reviews |
BROWN, HOWARD MAYER |
1976 |
XXI | 1 |
p. 67-67 |
artikel |
|
| 37 | Book reviews |
THOMAS, BERNARD |
1976 |
XXI | 1 |
p. 59-61 |
artikel |
|
| 38 | Book reviews |
SCHOTT, HOWARD |
1976 |
XXI | 1 |
p. 55-59 |
artikel |
|
| 39 | BOOKS |
CALDWELL, JOHN |
1982 |
XXI | 1 |
p. 76-81 |
artikel |
|
| 40 | Books |
TURNER, JOHN |
1979 |
XXI | 1 |
p. 123-125 |
artikel |
|
| 41 | Books |
SMITH, PETER |
1979 |
XXI | 1 |
p. 125-a-125 |
artikel |
|
| 42 | Books |
T, JM |
1979 |
XXI | 1 |
p. 125-b-125 |
artikel |
|
| 43 | Books |
D.F, |
1979 |
XXI | 1 |
p. 127-b-128 |
artikel |
|
| 44 | Books |
D. F., |
1979 |
XXI | 1 |
p. 125-c-127 |
artikel |
|
| 45 | Books |
FALLOWS, DAVID |
1979 |
XXI | 1 |
p. 119-121 |
artikel |
|
| 46 | Books |
TYLER, JAMES |
1979 |
XXI | 1 |
p. 121-123 |
artikel |
|
| 47 | Books |
SADIE, JULIE ANNE |
1983 |
XXI | 1 |
p. 102-105 |
artikel |
|
| 48 | BOOKS |
Page, Christopher |
1985 |
XXI | 1 |
p. 82-85 |
artikel |
|
| 49 | BOOKS |
Fallows, David |
1985 |
XXI | 1 |
p. 91-a-91 |
artikel |
|
| 50 | BOOKS |
Page, christopher |
1991 |
XXI | 1 |
p. 107-108 |
artikel |
|
| 51 | BOOKS |
Pryer, Anthony |
1987 |
XXI | 1 |
p. 79-82 |
artikel |
|
| 52 | BOOKS |
Meconi, Honey |
1990 |
XXI | 1 |
p. 137-138 |
artikel |
|
| 53 | BOOKS |
Harwood, Ian |
1990 |
XXI | 1 |
p. 133-137 |
artikel |
|
| 54 | Books |
BROWN, HOWARD MAYER |
1978 |
XXI | 1 |
p. 109-a-109 |
artikel |
|
| 55 | Books |
D.F., |
1978 |
XXI | 1 |
p. 111-b-112 |
artikel |
|
| 56 | Books |
RASTALL, RICHARD |
1978 |
XXI | 1 |
p. 109-b-111 |
artikel |
|
| 57 | BOOKS |
Curtis, Gareth |
1989 |
XXI | 1 |
p. 92-94 |
artikel |
|
| 58 | BOOKS |
Fallows, David |
1989 |
XXI | 1 |
p. 89-90 |
artikel |
|
| 59 | BOOKS |
Wood, Bruce |
1990 |
XXI | 1 |
p. 125-129 |
artikel |
|
| 60 | BOOKS |
Caldwell, John |
1990 |
XXI | 1 |
p. 119-121 |
artikel |
|
| 61 | BOOKS |
Segerman, Ephraim |
1985 |
XXI | 1 |
p. 91-b-93 |
artikel |
|
| 62 | Books |
D.F., |
1978 |
XXI | 1 |
p. 111-a-111 |
artikel |
|
| 63 | BOOKS |
Holman, Peter |
1988 |
XXI | 1 |
p. 105-109 |
artikel |
|
| 64 | BOOKS |
Kirkby, Emma |
1988 |
XXI | 1 |
p. 109-110 |
artikel |
|
| 65 | BOOKS |
Macy, Laura |
1989 |
XXI | 1 |
p. 99-102 |
artikel |
|
| 66 | BOOKS |
Bujic, Bojan |
1990 |
XXI | 1 |
p. 121-125 |
artikel |
|
| 67 | BOOKS |
Dixon, Graham |
1990 |
XXI | 1 |
p. 129-133 |
artikel |
|
| 68 | BOOKS |
Rifkin, Joshua |
1992 |
XXI | 1 |
p. 153-154 |
artikel |
|
| 69 | BOOKS |
Bartlett, Clifford |
1992 |
XXI | 1 |
p. 159-162 |
artikel |
|
| 70 | BOOKS |
Wegman, Rob C. |
1992 |
XXI | 1 |
p. 152-153 |
artikel |
|
| 71 | BOOKS |
Preece, Isobel |
1992 |
XXI | 1 |
p. 151-152 |
artikel |
|
| 72 | BOOKS |
Cross, Eric |
1992 |
XXI | 1 |
p. 157-159 |
artikel |
|
| 73 | BOOKS |
Carter, Tim |
1992 |
XXI | 1 |
p. 154-157 |
artikel |
|
| 74 | Bruges |
PLEASANTS, VIRGINIA |
1984 |
XXI | 1 |
p. 159-b-159 |
artikel |
|
| 75 | Buzzers on lutes and fiddles |
MONTAGU, JEREMY |
1976 |
XXI | 1 |
p. 85-a-85 |
artikel |
|
| 76 | Canzonettas |
Wakelin, Emma |
1994 |
XXI | 1 |
p. 145-148 |
artikel |
|
| 77 | Cavalli's Eritrea at Wexford |
PLEASANTS, HENRY |
1976 |
XXI | 1 |
p. 120-122 |
artikel |
|
| 78 | Chamber music by Haydn, Mozart and Reicha |
Wood, Caroline |
1994 |
XXI | 1 |
p. 162-164 |
artikel |
|
| 79 | Chanson Chamber music |
SUSATO, TYLMAN |
1974 |
XXI | 1 |
p. 39-a-39 |
artikel |
|
| 80 | Choosing brass instruments |
MONTAGU, JEREMY |
1976 |
XXI | 1 |
p. 35-38 |
artikel |
|
| 81 | Christ Church MSS |
BRAY, ROGER |
1982 |
XXI | 1 |
p. 127-a-127 |
artikel |
|
| 82 | Chromatic tabor pipe |
MONTAGU, JEREMY |
1981 |
XXI | 1 |
p. 141c-141 |
artikel |
|
| 83 | Church bands and Thomas Hardy |
Woods, R.G |
1982 |
XXI | 1 |
p. 67-70 |
artikel |
|
| 84 | Claren |
STILLER, ANDREW |
1979 |
XXI | 1 |
p. 138-b-139 |
artikel |
|
| 85 | Claren |
SELFRIDGE-FIELD, ELEANOR |
1979 |
XXI | 1 |
p. 139-140 |
artikel |
|
| 86 | Clear and practical edition |
DODD, GORDON |
1973 |
XXI | 1 |
p. 163-b-165 |
artikel |
|
| 87 | Complacent viols? |
HALLIFAX, PETER VJ. |
1975 |
XXI | 1 |
p. 77-a-77 |
artikel |
|
| 88 | Concert in a house: Musical iconography and musical thought |
LEPPERT, RICHARD D. |
1979 |
XXI | 1 |
p. 3-17 |
artikel |
|
| 89 | Contacts and exchanges |
1973 |
XXI | 1 |
p. 168-b-168 |
artikel |
||
| 90 | Corelli |
DONINGTON, ROBERT |
1983 |
XXI | 1 |
p. 147-a-147 |
artikel |
|
| 91 | CORRESPONDENCE |
Pont, Graham |
1987 |
XXI | 1 |
p. 141-b-141 |
artikel |
|
| 92 | CORRESPONDENCE |
Fallows, David |
1987 |
XXI | 1 |
p. 140-c-140 |
artikel |
|
| 93 | CORRESPONDENCE |
Wulstan, David |
1987 |
XXI | 1 |
p. 141-c-141 |
artikel |
|
| 94 | CORRESPONDENCE |
FERGUSON, HOWARD |
1989 |
XXI | 1 |
p. 140-a-140 |
artikel |
|
| 95 | CORRESPONDENCE |
TARUSKIN, RICHARD |
1989 |
XXI | 1 |
p. 143-143 |
artikel |
|
| 96 | CORRESPONDENCE |
COOPER, BARRY |
1989 |
XXI | 1 |
p. 140-b-140 |
artikel |
|
| 97 | CORRESPONDENCE |
MAUNDER, RICHARD |
1989 |
XXI | 1 |
p. 139-140 |
artikel |
|
| 98 | CORRESPONDENCE |
DONINGTON, ROBERT |
1989 |
XXI | 1 |
p. 140-c-143 |
artikel |
|
| 99 | Correspondence |
HUMPHREYS, DAVID |
1994 |
XXI | 1 |
p. 191-191 |
artikel |
|
| 100 | Correspondence |
SAWKINS, LIONEL |
1994 |
XXI | 1 |
p. 186-a-186 |
artikel |
|
| 101 | Correspondence |
LASOCKI, DAVID |
1994 |
XXI | 1 |
p. 186-b-187 |
artikel |
|
| 102 | Correspondence |
MONTAGU, JEREMY |
1994 |
XXI | 1 |
p. 187-189 |
artikel |
|
| 103 | Correspondence |
MONTAGU, JEREMY |
1994 |
XXI | 1 |
p. 189-189 |
artikel |
|
| 104 | Correspondence |
STEVENS, DENIS |
1994 |
XXI | 1 |
p. 185-186 |
artikel |
|
| 105 | Correspondence and queries |
1973 |
XXI | 1 |
p. 247-249 |
artikel |
||
| 106 | Correspondence and queries |
1973 |
XXI | 1 |
p. 168-a-168 |
artikel |
||
| 107 | Corrigenda |
1995 |
XXI | 1 |
p. 191-s-196 |
artikel |
||
| 108 | Critical woolliness |
WALLS, PETER |
1973 |
XXI | 1 |
p. 245-b-246 |
artikel |
|
| 109 | Crumhorns |
STROTHER, DAVID H. |
1976 |
XXI | 1 |
p. 87-a-87 |
artikel |
|
| 110 | CRUMHORN SOUNDS |
BALMER, JIM |
1974 |
XXI | 1 |
p. 51-a-51 |
artikel |
|
| 111 | Crumhorn sounds |
MOECK, DR HERMAN |
1975 |
XXI | 1 |
p. 79-g-79 |
artikel |
|
| 112 | Dance rhythms in Mozart's arias: Dancing the gavotte |
HILTON, WENDY |
1992 |
XXI | 1 |
p. 147-a-147 |
artikel |
|
| 113 | Dance rhythms in Mozart's arias: Dancing the minuet |
HILTON, WENDY |
1992 |
XXI | 1 |
p. 144-145 |
artikel |
|
| 114 | Dance rhythms in Mozart's arias: Mozart and the dance |
ALLANBROOK, WYE J. |
1992 |
XXI | 1 |
p. 142-144 |
artikel |
|
| 115 | Dance rhythms in Mozart's arias: The gavotte in Mozart's arias |
ALLANBROOK, WYE J. |
1992 |
XXI | 1 |
p. 147-b-150 |
artikel |
|
| 116 | Dance rhythms in Mozart's arias: The minuet in Mozart's arias |
ALLANBROOK, WYE J. |
1992 |
XXI | 1 |
p. 145-147 |
artikel |
|
| 117 | Dido and Aeneas: questions of style and evidence |
Price, Curtis |
1994 |
XXI | 1 |
p. 115-126 |
artikel |
|
| 118 | DIMENSIONS OF EARLY INSTRUMENTS |
BURGESS, DON |
1974 |
XXI | 1 |
p. 51-e-51 |
artikel |
|
| 119 | Domenico Scarlatti and Spanish folk music |
CLARK, JANE |
1976 |
XXI | 1 |
p. 19-21 |
artikel |
|
| 120 | Durham |
1982 |
XXI | 1 |
p. 142-b-142 |
artikel |
||
| 121 | Early Music |
Thomson, J. M. |
1973 |
XXI | 1 |
p. 193-194 |
artikel |
|
| 122 | Early music and the critic |
BARTLETT, CLIFFORD |
1983 |
XXI | 1 |
p. 149-a-149 |
artikel |
|
| 123 | Early music for harpsichord—1 |
SCHOTT, HOWARD |
1976 |
XXI | 1 |
p. 27-30 |
artikel |
|
| 124 | Early music in St Petersburg |
Holman, Tricia |
1994 |
XXI | 1 |
p. 175-179 |
artikel |
|
| 125 | EARLY MUSIC THROUGHOUT EUROPE ‘The present state of music in Northern Europe, in particular the Netherlands’ |
LEONHARDT, MARIE |
1976 |
XXI | 1 |
p. 50-52 |
artikel |
|
| 126 | EARLY PERCUSSION & SHAWMS FOR SOHO FUNERALS |
MONTAGU, JEREMY |
1974 |
XXI | 1 |
p. 51-c-51 |
artikel |
|
| 127 | Early violins: problems and issues |
Libin, Laurence |
1991 |
XXI | 1 |
p. 5-8 |
artikel |
|
| 128 | Editing Gilles |
DIXON, GRAHAM |
1987 |
XXI | 1 |
p. 141-d-141 |
artikel |
|
| 129 | Editorial |
ROOLEY, ANTHONY |
1994 |
XXI | 1 |
p. 5-a-5 |
artikel |
|
| 130 | Editorial |
KNIGHTON, TESS |
1994 |
XXI | 1 |
p. 5-b-5 |
artikel |
|
| 131 | Editorial practices |
HIGHAM, CONSTANCE |
1977 |
XXI | 1 |
p. 113-c-113 |
artikel |
|
| 132 | Editorial practices |
JOHN, GOODRACE |
1977 |
XXI | 1 |
p. 113-a-113 |
artikel |
|
| 133 | Editorial practices |
ABBOTT, DJILDA |
1977 |
XXI | 1 |
p. 113-b-113 |
artikel |
|
| 134 | Editorial practices |
SCHOTT, HOWARD |
1977 |
XXI | 1 |
p. 113-d-120 |
artikel |
|
| 135 | Elizabethan lute music |
Morrongiello, Christopher |
1995 |
XXI | 1 |
p. 155-157 |
artikel |
|
| 136 | Engagements wanted |
SUZANNE, PHILIPPE |
1975 |
XXI | 1 |
p. 79-h-82 |
artikel |
|
| 137 | Engaging guitar pot-pourri |
FORD, CHARLES |
1973 |
XXI | 1 |
p. 245-a-245 |
artikel |
|
| 138 | English Church Music c 1660-1700 .2 |
VAN TASSEL, ERIC |
1979 |
XXI | 1 |
p. 85-88 |
artikel |
|
| 139 | EVENTS |
Rees, Owen |
1991 |
XXI | 1 |
p. 157-159 |
artikel |
|
| 140 | EVENTS |
BROWN, HOWARD MAYER |
1989 |
XXI | 1 |
p. 135-136 |
artikel |
|
| 141 | Events |
SCHOTT, HOWARD |
1990 |
XXI | 1 |
p. 171-175 |
artikel |
|
| 142 | EVENTS |
KNIGHTON, TESS |
1989 |
XXI | 1 |
p. 133-135 |
artikel |
|
| 143 | EVENTS: Bruges 1986 |
WARD, CHRIS |
1987 |
XXI | 1 |
p. 142-143 |
artikel |
|
| 144 | EVENTS: Certaldo |
CURTIS, LIANE |
1985 |
XXI | 1 |
p. 158-b-159 |
artikel |
|
| 145 | EVENTS: Data on makers |
1987 |
XXI | 1 |
p. 143-a-143 |
artikel |
||
| 146 | EVENTS: Erratum |
1987 |
XXI | 1 |
p. 143-c-143 |
artikel |
||
| 147 | EVENTS: Handel Discography |
1987 |
XXI | 1 |
p. 143-b-143 |
artikel |
||
| 148 | Exhibition at Bruges and RCM—summer 1975 |
RAWSON, JOHN |
1976 |
XXI | 1 |
p. 95-97 |
artikel |
|
| 149 | Family origins |
HALLIDAY, J.MARTIN |
1975 |
XXI | 1 |
p. 79-a-79 |
artikel |
|
| 150 | Fantasias, suites and songs |
Woodfield, Ian |
1995 |
XXI | 1 |
p. 166-170 |
artikel |
|
| 151 | Flasolet |
HUNT, EDGAR |
1979 |
XXI | 1 |
p. 140-a-140 |
artikel |
|
| 152 | Flemish keyboards |
JAMES, ALLEN |
1991 |
XXI | 1 |
p. 155-156 |
artikel |
|
| 153 | Florentine continuo cl600 |
HILL, JOHN WALTER |
1984 |
XXI | 1 |
p. 153-a-153 |
artikel |
|
| 154 | Florentine continuo cl600 |
Spencer, Robert |
1984 |
XXI | 1 |
p. 153-b-154 |
artikel |
|
| 155 | French harpsichord playing in the 17th century: after Le Gallois |
FULLER, DAVID |
1976 |
XXI | 1 |
p. 22-26 |
artikel |
|
| 156 | French overdotting |
SCHEIBERT, BEVERLY |
1987 |
XXI | 1 |
p. 141-a-141 |
artikel |
|
| 157 | Geneviève Thibault, Madame H. de Chambure an appreciation |
JENKINS, JEAN |
1976 |
XXI | 1 |
p. 39-40 |
artikel |
|
| 158 | Glass harmonica wanted |
CLEEVE, MONTAGUE |
1975 |
XXI | 1 |
p. 79-d-79 |
artikel |
|
| 159 | Guide to Bach's cantata texts |
BROWN, HOWARD MAYER |
1974 |
XXI | 1 |
p. 45-c-48 |
artikel |
|
| 160 | Haarlem |
1982 |
XXI | 1 |
p. 142-c-143 |
artikel |
||
| 161 | Highlight on bows |
STEWART, MADEAU |
1973 |
XXI | 1 |
p. 246-a-246 |
artikel |
|
| 162 | Historical excavation versus personal imagination |
Woodley, Ronald |
1994 |
XXI | 1 |
p. 139-142 |
artikel |
|
| 163 | How did the viola da gamba sound? |
RUTLEDGE, JOHN |
1979 |
XXI | 1 |
p. 59-69 |
artikel |
|
| 164 | Iberian Renaissance |
Kreitner, Kenneth |
1994 |
XXI | 1 |
p. 157-158 |
artikel |
|
| 165 | Il modo di far la fantasia: An appreciation of Luzzaschi's instrumental style |
NEWCOMB, ANTHONY |
1979 |
XXI | 1 |
p. 34-38 |
artikel |
|
| 166 | Indispensable third edition |
BAINES, ANTHONY |
1973 |
XXI | 1 |
p. 113-b-115 |
artikel |
|
| 167 | In pursuit of a dun-coloured horse |
Blackburn, Bonnie J. |
1995 |
XXI | 1 |
p. 184-187 |
artikel |
|
| 168 | ‘In seculum viellatoris’ |
McALPINE, FIONA |
1975 |
XXI | 1 |
p. 79-b-79 |
artikel |
|
| 169 | Instrumentation restoration |
MONTAGU, JEREMY |
1975 |
XXI | 1 |
p. 75-b-76 |
artikel |
|
| 170 | Instrument restoration |
ZADRO, MICHAEL |
1976 |
XXI | 1 |
p. 83-85 |
artikel |
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| 171 | Instruments at auction |
Montagu, Jeremy |
1995 |
XXI | 1 |
p. 175-182 |
artikel |
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| 172 | Interpreting style: a tribute to: Howard Ferguson |
SCHOTT, HOWARD |
1979 |
XXI | 1 |
p. 70-78 |
artikel |
|
| 173 | Introduction |
Zaslaw, Neal |
1992 |
XXI | 1 |
p. 5-6 |
artikel |
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| 174 | Introductory guitar transcriptions: LUTE MUSIC OF THE RENAISSANCE |
BROWN, HOWARD MAYER |
1974 |
XXI | 1 |
p. 37-b-38 |
artikel |
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| 175 | Japan |
ARIMURA, YUSKE |
1984 |
XXI | 1 |
p. 159-a-159 |
artikel |
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| 176 | J. S. Bach's Well-tempered Clavier A new Approach · 1 |
Williams, Peter |
1991 |
XXI | 1 |
p. 46-52 |
artikel |
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| 177 | Juan Bautista Pla and José Pla – two neglected obow virtuosi of the 18th century |
Pascual, Beryl Kenyon de |
1990 |
XXI | 1 |
p. 109-112 |
artikel |
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| 178 | KILN-DRIED TIMBER |
GRUBB, FRANCIS |
1974 |
XXI | 1 |
p. 51-d-51 |
artikel |
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| 179 | ‘La voce è grata assai, ma…’: Monteverdi on singing |
Wistreich, Richard |
1994 |
XXI | 1 |
p. 7-20 |
artikel |
|
| 180 | Leclair—‘an excess of good taste’ |
Robinson, Lucy |
1995 |
XXI | 1 |
p. 172-174 |
artikel |
|
| 181 | London Pro Musica Editions-2 |
SMITHERS, DON L. |
1975 |
XXI | 1 |
p. 98-b-101 |
artikel |
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| 182 | London salerooms |
WELLS, GRAHAM |
1976 |
XXI | 1 |
p. 53-54 |
artikel |
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| 183 | Lute dehydration |
SCHOTT, HOWARD |
1976 |
XXI | 1 |
p. 87-d-87 |
artikel |
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| 184 | Making reeds for the baroque oboe—1 |
HAYNES, BRUCE |
1976 |
XXI | 1 |
p. 31-34 |
artikel |
|
| 185 | Manchester |
RANKIN, SUSAN |
1983 |
XXI | 1 |
p. 149-b-151 |
artikel |
|
| 186 | Manuscript and printed music at auction in London, 1991–3 |
Searle, Arthur |
1994 |
XXI | 1 |
p. 167-174 |
artikel |
|
| 187 | Manuscript vandalism |
FALCONER, DAVID |
1979 |
XXI | 1 |
p. 141-b-142 |
artikel |
|
| 188 | 7/8 meters |
YOUNG, J. B. |
1975 |
XXI | 1 |
p. 77-c-77 |
artikel |
|
| 189 | Mid-17th century ‘concertato’ Mass |
ROCHE, JEROME |
1973 |
XXI | 1 |
p. 117-a-117 |
artikel |
|
| 190 | Mixed choir, strings and continuo |
LANCE, EVELYN |
1973 |
XXI | 1 |
p. 117-b-118 |
artikel |
|
| 191 | Monteverdi and his contemporaries |
Kurtzman, Jeffrey G. |
1994 |
XXI | 1 |
p. 149-153 |
artikel |
|
| 192 | Monteverdian encounters |
Carter, Tim |
1994 |
XXI | 1 |
p. 181-184 |
artikel |
|
| 193 | Monteverdi's ‘Mass of Thanksgiving’ revisited |
Kurtzman, Jeffrey G. |
1994 |
XXI | 1 |
p. 63-86 |
artikel |
|
| 194 | Morley |
THORPE DAVIE, CEDRIC |
1982 |
XXI | 1 |
p. 127-b-127 |
artikel |
|
| 195 | Mozart and the flute |
Bowers, Jane |
1992 |
XXI | 1 |
p. 31-42 |
artikel |
|
| 196 | Mozart and the oboe |
Haynes, Bruce |
1992 |
XXI | 1 |
p. 43-63 |
artikel |
|
| 197 | Mozart on the modern stage |
Porter, Andrew |
1992 |
XXI | 1 |
p. 133-138 |
artikel |
|
| 198 | Mozart's Salzburg orchestras |
Eisen, Cliff |
1992 |
XXI | 1 |
p. 89-104 |
artikel |
|
| 199 | Mozart's tempo indications |
Marty, Jean-Pierre |
1992 |
XXI | 1 |
p. 141-142 |
artikel |
|
| 200 | Music |
COOPER, BARRY |
1983 |
XXI | 1 |
p. 113-116 |
artikel |
|
| 201 | Music |
MASON, BARRY |
1979 |
XXI | 1 |
p. 131-a-131 |
artikel |
|
| 202 | MUSIC |
Copper, Barry |
1990 |
XXI | 1 |
p. 147-150 |
artikel |
|
| 203 | Music |
SMITH, PETER |
1979 |
XXI | 1 |
p. 129-131 |
artikel |
|
| 204 | Music |
POULTON, DIANA |
1979 |
XXI | 1 |
p. 131-b-134 |
artikel |
|
| 205 | Music |
EVERIST, MARK E. |
1983 |
XXI | 1 |
p. 117-b-119 |
artikel |
|
| 206 | Music |
SADIE, JULIE ANNE |
1983 |
XXI | 1 |
p. 117-a-117 |
artikel |
|
| 207 | MUSIC |
Wilson, Christopher R. |
1985 |
XXI | 1 |
p. 110-112 |
artikel |
|
| 208 | MUSIC |
Fallows, David |
1986 |
XXI | 1 |
p. 110-111 |
artikel |
|
| 209 | MUSIC |
Fallows, David |
1991 |
XXI | 1 |
p. 119-123 |
artikel |
|
| 210 | MUSIC |
Rankin, Susan |
1991 |
XXI | 1 |
p. 123-123 |
artikel |
|
| 211 | MUSIC |
Cooper, Barry |
1988 |
XXI | 1 |
p. 111-115 |
artikel |
|
| 212 | MUSIC |
Carter, Tim |
1990 |
XXI | 1 |
p. 139-141 |
artikel |
|
| 213 | MUSIC |
Stevens, John |
1990 |
XXI | 1 |
p. 141-143 |
artikel |
|
| 214 | MUSIC |
Deathridge, John |
1990 |
XXI | 1 |
p. 143-145 |
artikel |
|
| 215 | MUSIC |
ARNOLD, DENIS |
1984 |
XXI | 1 |
p. 113-117 |
artikel |
|
| 216 | MUSIC |
LUCKETT, RICHARD |
1984 |
XXI | 1 |
p. 121-124 |
artikel |
|
| 217 | MUSIC |
TALBOT, MICHAEL |
1984 |
XXI | 1 |
p. 119-121 |
artikel |
|
| 218 | Music |
EDWARDS, WARWICK |
1978 |
XXI | 1 |
p. 119-b-121 |
artikel |
|
| 219 | Music |
D.F., |
1978 |
XXI | 1 |
p. 125-a-125 |
artikel |
|
| 220 | MUSIC |
Sadie, Julie Anne |
1992 |
XXI | 1 |
p. 163-166 |
artikel |
|
| 221 | MUSIC |
Bray, Roger |
1992 |
XXI | 1 |
p. 168-a-168 |
artikel |
|
| 222 | MUSIC |
Boyd, Malcolm |
1985 |
XXI | 1 |
p. 112-b-116 |
artikel |
|
| 223 | MUSIC |
Smaczny, Jan |
1985 |
XXI | 1 |
p. 112-a-112 |
artikel |
|
| 224 | Music |
BRAINARD, PAUL |
1978 |
XXI | 1 |
p. 125-b-127 |
artikel |
|
| 225 | Music |
GODWIN, JOSCELYN |
1978 |
XXI | 1 |
p. 119-a-119 |
artikel |
|
| 226 | MUSIC |
MILSOM, JOHN |
1981 |
XXI | 1 |
p. 120-121 |
artikel |
|
| 227 | MUSIC |
Doe, Paul |
1991 |
XXI | 1 |
p. 127-134 |
artikel |
|
| 228 | MUSIC |
Bray, Roger |
1991 |
XXI | 1 |
p. 124-125 |
artikel |
|
| 229 | MUSIC |
Carter, Tim |
1991 |
XXI | 1 |
p. 126-127 |
artikel |
|
| 230 | MUSIC |
Knighton, Tess |
1988 |
XXI | 1 |
p. 115-117 |
artikel |
|
| 231 | MUSIC |
Cyr, Mary |
1989 |
XXI | 1 |
p. 106-113 |
artikel |
|
| 232 | MUSIC |
Sadie, Stanley |
1989 |
XXI | 1 |
p. 103-106 |
artikel |
|
| 233 | MUSIC |
Neighbour, Oliver |
1989 |
XXI | 1 |
p. 113-114 |
artikel |
|
| 234 | MUSIC |
Cooper, Barry |
1992 |
XXI | 1 |
p. 170-174 |
artikel |
|
| 235 | MUSIC |
Smith, Richard Langham |
1992 |
XXI | 1 |
p. 168-b-170 |
artikel |
|
| 236 | MUSIC |
Dobbins, Frank |
1992 |
XXI | 1 |
p. 167-167 |
artikel |
|
| 237 | Musically worthwhile choral music |
BOORMAN, STANLEY |
1973 |
XXI | 1 |
p. 159-161 |
artikel |
|
| 238 | Musick of Sundrie Kindes |
Brown, Howard Mayer |
1976 |
XXI | 1 |
p. 41-43 |
artikel |
|
| 239 | Musicology and make-believe? |
HILEY, DAVID |
1987 |
XXI | 1 |
p. 140-a-140 |
artikel |
|
| 240 | Music reviews |
DONINGTON, ROBERT |
1976 |
XXI | 1 |
p. 73-b-73 |
artikel |
|
| 241 | Music reviews |
DOBBINS, FRANK |
1976 |
XXI | 1 |
p. 69-71 |
artikel |
|
| 242 | Music reviews |
TIMMS, COLIN |
1976 |
XXI | 1 |
p. 71-73 |
artikel |
|
| 243 | Music reviews |
PINNOCK, TREVOR |
1976 |
XXI | 1 |
p. 73-a-73 |
artikel |
|
| 244 | NEMA conference on music and dance |
Inglehearn, Madeleine |
1992 |
XXI | 1 |
p. 191-191 |
artikel |
|
| 245 | NEW GUINEA INSTRUMENTS FOR SALE |
STÖDER, KARL |
1974 |
XXI | 1 |
p. 51-h-51 |
artikel |
|
| 246 | New light on John Dowland's Songs of darkness |
Rooley, Anthony |
1983 |
XXI | 1 |
p. 6-22 |
artikel |
|
| 247 | New light on music at the Tudor and Stuart courts |
Doe, Paul |
1994 |
XXI | 1 |
p. 135-137 |
artikel |
|
| 248 | Notes on a mystery: cornamuse and dulzaina |
FALLOWS, DAVID |
1979 |
XXI | 1 |
p. 135-a-135 |
artikel |
|
| 249 | Not known at this address: more on the dating of Dido |
WOOD, BRUCE |
1995 |
XXI | 1 |
p. 188-190 |
artikel |
|
| 250 | Nuremberg training course for musical instrument restorers |
1976 |
XXI | 1 |
p. 97-99 |
artikel |
||
| 251 | Oberlin |
CAMPBELL, MARGARET |
1983 |
XXI | 1 |
p. 151-b-153 |
artikel |
|
| 252 | Ockeghem edition completed |
Fitch, Fabrice |
1994 |
XXI | 1 |
p. 143-145 |
artikel |
|
| 253 | Ockeghem's Requiem |
Fitch, Fabrice |
1994 |
XXI | 1 |
p. 155-156 |
artikel |
|
| 254 | Once more: the ‘French overture style’ |
NEWCOMB, FREDERICK |
1979 |
XXI | 1 |
p. 39-45 |
artikel |
|
| 255 | On Performing the Lo estampies |
CRANE, FREDERICK |
1979 |
XXI | 1 |
p. 25-33 |
artikel |
|
| 256 | On re-reading Couperin's L'Art de Toucher le Clavecin |
KIRKPATRICK, RALPH |
1976 |
XXI | 1 |
p. 3-11 |
artikel |
|
| 257 | On the reconstruction of a medieval tabor |
MYNETT, ALAN |
1973 |
XXI | 1 |
p. 223-228 |
artikel |
|
| 258 | Oxford |
SANDON, NICK |
1982 |
XXI | 1 |
p. 142-a-142 |
artikel |
|
| 259 | Paris: a survey |
McALPINE, FIONA |
1976 |
XXI | 1 |
p. 91-94 |
artikel |
|
| 260 | Paris revisited: describes the flourishing state of French harpsichord making as shown at the 1978 Paris Harpsichord Forum |
SCHOTT, HOWARD |
1979 |
XXI | 1 |
p. 103-110 |
artikel |
|
| 261 | Performers' Guide |
BRAY, ROGER |
1979 |
XXI | 1 |
p. 111-116 |
artikel |
|
| 262 | Performing Style in Bach Cantatas 3 |
ANDERSON, NICHOLAS |
1979 |
XXI | 1 |
p. 99-102 |
artikel |
|
| 263 | Pierre de la Rue Mass |
DOBBINS, FRANK |
1973 |
XXI | 1 |
p. 163-a-163 |
artikel |
|
| 264 | Pioneer harpsichord study revised |
CLARK, JANE |
1974 |
XXI | 1 |
p. 39-b-41 |
artikel |
|
| 265 | Pioneering in Pamparato |
LINDLEY, MARK |
1977 |
XXI | 1 |
p. 125-b-125 |
artikel |
|
| 266 | Plea for ivory bank |
HUENE, FRIEDRICH VON |
1975 |
XXI | 1 |
p. 79-e-79 |
artikel |
|
| 267 | Practical Vivaldi church music |
ARNOLD, DENIS |
1974 |
XXI | 1 |
p. 37-a-37 |
artikel |
|
| 268 | Purcell's Sonatas |
TILMOUTH, MICHAEL |
1985 |
XXI | 1 |
p. 154b-155 |
artikel |
|
| 269 | Quantz and the Sonata in E, major for flute and cembalo, BWV1031 |
Swack, Jeanne |
1995 |
XXI | 1 |
p. 31-53 |
artikel |
|
| 270 | Quarterly check list 5 |
Smith, Judy |
1973 |
XXI | 1 |
p. 169-172 |
artikel |
|
| 271 | Rameau's harpsichord transcriptions from Les Indes galantes |
SADLER, GRAHAM |
1979 |
XXI | 1 |
p. 18-24 |
artikel |
|
| 272 | Reading Ligatures from their ground state |
GODT, IRVING |
1976 |
XXI | 1 |
p. 44-46 |
artikel |
|
| 273 | Recorders: hand-made and machine-made |
Moeck, Hermann |
1982 |
XXI | 1 |
p. 10-13 |
artikel |
|
| 274 | RECORDER VOICING |
HUENE, FRIEDRICH VON |
1974 |
XXI | 1 |
p. 49-a-49 |
artikel |
|
| 275 | RECORDER VOICING |
LORETTO, ALEC V. |
1974 |
XXI | 1 |
p. 49-b-51 |
artikel |
|
| 276 | Recorder voicing |
ALEC V, LORETTO |
1975 |
XXI | 1 |
p. 77-b-77 |
artikel |
|
| 277 | Recordings |
LEECH-WILKINSON, DANIEL |
1982 |
XXI | 1 |
p. 121-122 |
artikel |
|
| 278 | Recordings |
ZASLAW, NEAL |
1983 |
XXI | 1 |
p. 125-b-132 |
artikel |
|
| 279 | Recordings |
BOLLEY, RICHARD |
1983 |
XXI | 1 |
p. 139-b-139 |
artikel |
|
| 280 | Recordings |
BRANSCOMBE, PETER |
1983 |
XXI | 1 |
p. 139-a-139 |
artikel |
|
| 281 | RECORDINGS |
Milsom, John |
1985 |
XXI | 1 |
p. 143-a-143 |
artikel |
|
| 282 | Recordings |
TYLER, JAMES |
1980 |
XXI | 1 |
p. 124-b-124 |
artikel |
|
| 283 | RECORDINGS |
Boyd, Malcolm |
1991 |
XXI | 1 |
p. 145-149 |
artikel |
|
| 284 | RECORDINGS |
Leech-Wilkinson, Daniel |
1991 |
XXI | 1 |
p. 135-136 |
artikel |
|
| 285 | RECORDINGS |
Deathridge, John |
1991 |
XXI | 1 |
p. 149-152 |
artikel |
|
| 286 | RECORDINGS |
Mabbett, Margeret |
1991 |
XXI | 1 |
p. 141-142 |
artikel |
|
| 287 | RECORDINGS |
Curtis, Gareth |
1987 |
XXI | 1 |
p. 121-125 |
artikel |
|
| 288 | RECORDINGS |
Carter, Tim |
1987 |
XXI | 1 |
p. 125-127 |
artikel |
|
| 289 | RECORDINGS |
Curtis, Gareth |
1988 |
XXI | 1 |
p. 127-131 |
artikel |
|
| 290 | RECORDINGS |
Smaczny, Jan |
1988 |
XXI | 1 |
p. 137-139 |
artikel |
|
| 291 | RECORDINGS |
Leech-Wilkinson, Daniel |
1988 |
XXI | 1 |
p. 123-125 |
artikel |
|
| 292 | RECORDINGS |
Price, Curtis |
1988 |
XXI | 1 |
p. 140-141 |
artikel |
|
| 293 | RECORDINGS |
Caldwell, John |
1988 |
XXI | 1 |
p. 125-127 |
artikel |
|
| 294 | Recordings |
Sadler, Graham |
1990 |
XXI | 1 |
p. 159-b-166 |
artikel |
|
| 295 | Recordings |
Vivaldi, Antonio |
1990 |
XXI | 1 |
p. 155-a-155 |
artikel |
|
| 296 | Recordings |
Rameau, Jean-Phillippe |
1990 |
XXI | 1 |
p. 159-a-159 |
artikel |
|
| 297 | Recordings |
Talbot, Michael |
1990 |
XXI | 1 |
p. 155-b-155 |
artikel |
|
| 298 | Recordings |
Harrison, Bernard |
1990 |
XXI | 1 |
p. 167-170 |
artikel |
|
| 299 | RECORDINGS |
KING, ALEC HYATT |
1984 |
XXI | 1 |
p. 141-a-141 |
artikel |
|
| 300 | RECORDINGS |
WOODFIELD, IAN |
1984 |
XXI | 1 |
p. 141-b-143 |
artikel |
|
| 301 | RECORDINGS |
HILEY, DAVID |
1981 |
XXI | 1 |
p. 134-a-134 |
artikel |
|
| 302 | RECORDINGS |
O'Regan, Noel |
1991 |
XXI | 1 |
p. 136-138 |
artikel |
|
| 303 | RECORDINGS |
Price, Curtis |
1987 |
XXI | 1 |
p. 115-118 |
artikel |
|
| 304 | RECORDINGS |
Holman, Peter |
1987 |
XXI | 1 |
p. 127-131 |
artikel |
|
| 305 | RECORDINGS |
Roberts, Rosemary |
1987 |
XXI | 1 |
p. 135-136 |
artikel |
|
| 306 | RECORDINGS |
Talbot, Michael |
1987 |
XXI | 1 |
p. 137-139 |
artikel |
|
| 307 | RECORDINGS |
Cross, Eric |
1987 |
XXI | 1 |
p. 136-137 |
artikel |
|
| 308 | RECORDINGS |
Caldwell, John |
1987 |
XXI | 1 |
p. 131-135 |
artikel |
|
| 309 | Recordings |
Moddy, Ivan |
1990 |
XXI | 1 |
p. 152-155 |
artikel |
|
| 310 | Recordings |
Leech-Wilkinson, Daniel |
1990 |
XXI | 1 |
p. 151-152 |
artikel |
|
| 311 | RECORDINGS |
Kitchen, John |
1992 |
XXI | 1 |
p. 180-184 |
artikel |
|
| 312 | RECORDINGS |
Jones, Richard |
1992 |
XXI | 1 |
p. 187-188 |
artikel |
|
| 313 | RECORDINGS |
Turnbull, Michael |
1985 |
XXI | 1 |
p. 127-131 |
artikel |
|
| 314 | RECORDINGS |
NS, |
1980 |
XXI | 1 |
p. 124-c-128 |
artikel |
|
| 315 | Recordings |
ALLSOP, PETER |
1980 |
XXI | 1 |
p. 124-a-124 |
artikel |
|
| 316 | RECORDINGS |
WRICHT, LAURENCE |
1981 |
XXI | 1 |
p. 134b-137 |
artikel |
|
| 317 | RECORDINGS |
Hammond, Frederick |
1991 |
XXI | 1 |
p. 138-141 |
artikel |
|
| 318 | RECORDINGS |
Rees, Owen |
1991 |
XXI | 1 |
p. 142-145 |
artikel |
|
| 319 | RECORDINGS |
Roche, Jerome |
1988 |
XXI | 1 |
p. 135-b-137 |
artikel |
|
| 320 | RECORDINGS |
Mateer, David |
1988 |
XXI | 1 |
p. 135-a-135 |
artikel |
|
| 321 | RECORDINGS |
Knighton, Tess |
1988 |
XXI | 1 |
p. 131-135 |
artikel |
|
| 322 | RECORDINGS |
Burrows, Donald |
1988 |
XXI | 1 |
p. 142-142 |
artikel |
|
| 323 | RECORDINGS |
Cooper, Barry |
1988 |
XXI | 1 |
p. 143-143 |
artikel |
|
| 324 | RECORDINGS |
Keyte, Hugh |
1988 |
XXI | 1 |
p. 139-140 |
artikel |
|
| 325 | RECORDINGS |
Parsons, James |
1989 |
XXI | 1 |
p. 121-a-121 |
artikel |
|
| 326 | RECORDINGS |
Newbould, Brian |
1989 |
XXI | 1 |
p. 115-116 |
artikel |
|
| 327 | RECORDINGS |
Lawson, Colin |
1989 |
XXI | 1 |
p. 121-b-125 |
artikel |
|
| 328 | RECORDINGS |
Burrows, Donald |
1992 |
XXI | 1 |
p. 184-187 |
artikel |
|
| 329 | RECORDINGS |
Davison, Nigel |
1992 |
XXI | 1 |
p. 176-179 |
artikel |
|
| 330 | RECORDINGS |
Rastall, Richard |
1992 |
XXI | 1 |
p. 175-176 |
artikel |
|
| 331 | RECORDINGS |
Mabbett, Margaret |
1992 |
XXI | 1 |
p. 179-180 |
artikel |
|
| 332 | RECORDINGS |
Dickinson, Peter |
1992 |
XXI | 1 |
p. 188-190 |
artikel |
|
| 333 | Recordingsfran |
Hammond, Frederick |
1985 |
XXI | 1 |
p. 143-b-145 |
artikel |
|
| 334 | Recordings– quarterly check list 6 |
Smith, Jink |
1973 |
XXI | 1 |
p. 249-254 |
artikel |
|
| 335 | Recordings Quarterly checklist |
WILLSHER, PETER |
1979 |
XXI | 1 |
p. 143-143 |
artikel |
|
| 336 | Recordings–quarterly check list 15 |
SMITH, JUDY |
1976 |
XXI | 1 |
p. 113-119 |
artikel |
|
| 337 | Renaissance and baroque guitar |
GODWIN, SHELAGH |
1976 |
XXI | 1 |
p. 85-b-85 |
artikel |
|
| 338 | Renaissance viols |
THORBY, PHILIP |
1978 |
XXI | 1 |
p. 129-c-130 |
artikel |
|
| 339 | Research and results |
LEECH-WILKINSON, DANIEL |
1981 |
XXI | 1 |
p. 141a-141 |
artikel |
|
| 340 | Restoration, conservation: repair and maintenance: Some considerations on the care of musical instruments |
KARP, CARY |
1979 |
XXI | 1 |
p. 79-84 |
artikel |
|
| 341 | Russian proverbs |
SCHOTT, HOWARD |
1976 |
XXI | 1 |
p. 87-c-87 |
artikel |
|
| 342 | Sacred Baroque |
Elcombe, Keith |
1994 |
XXI | 1 |
p. 159-160 |
artikel |
|
| 343 | Sacred Renaissance polyphony |
Fitch, Fabrice |
1995 |
XXI | 1 |
p. 165-166 |
artikel |
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| 344 | Salmoè and clarinet |
LAWSON, COLIN |
1979 |
XXI | 1 |
p. 138-a-138 |
artikel |
|
| 345 | Santiago de Murcia |
HALL, MONICA |
1983 |
XXI | 1 |
p. 145-a-145 |
artikel |
|
| 346 | Santiago de Murzia |
HALL, MONICA |
1982 |
XXI | 1 |
p. 125-a-125 |
artikel |
|
| 347 | Scientific documentation |
STEWART, MADEAU |
1973 |
XXI | 1 |
p. 112-b-113 |
artikel |
|
| 348 | Shawm technique |
WILLETTS, CARL |
1978 |
XXI | 1 |
p. 129-b-129 |
artikel |
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| 349 | Shawm technique |
SEIBERG, ANA |
1978 |
XXI | 1 |
p. 129-a-129 |
artikel |
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| 350 | Sheppard |
SANDON, NICK |
1982 |
XXI | 1 |
p. 127-c-128 |
artikel |
|
| 351 | Short notices |
EVT, |
1983 |
XXI | 1 |
p. 139-c-144 |
artikel |
|
| 352 | Short Notices |
SADLER, GRAHAM |
1989 |
XXI | 1 |
p. 125-131 |
artikel |
|
| 353 | SINGING EARLY MUSIC |
RAMM, ANDREA VON |
1976 |
XXI | 1 |
p. 12-15 |
artikel |
|
| 354 | SMALL SQUARE PIANOS |
ROTH, ANDREAS H. |
1974 |
XXI | 1 |
p. 51-b-51 |
artikel |
|
| 355 | Soler's complete harpsichord works |
Boyd, Malcolm |
1994 |
XXI | 1 |
p. 161-162 |
artikel |
|
| 356 | Some thoughts on the performance of concert music |
BREMNER, R. |
1979 |
XXI | 1 |
p. 48-57 |
artikel |
|
| 357 | Sounding the trumpet |
MONTAGU, JEREMY |
1991 |
XXI | 1 |
p. 153-155 |
artikel |
|
| 358 | Sprightly and Cheerful Musick |
WARD, JOHN M. |
1985 |
XXI | 1 |
p. 154a-154 |
artikel |
|
| 359 | 21st Annual Conference on Medieval and Renaissance Music |
Kreitner, Kenneth |
1994 |
XXI | 1 |
p. 179-180 |
artikel |
|
| 360 | Stimulating catalogue |
MAYER BROWN, HOWARD |
1973 |
XXI | 1 |
p. 239-241 |
artikel |
|
| 361 | Suggestive cross currents |
STEWART, MADEAU |
1973 |
XXI | 1 |
p. 167-167 |
artikel |
|
| 362 | The art of courtly love |
MUNROW, DAVID |
1973 |
XXI | 1 |
p. 195-200 |
artikel |
|
| 363 | The Art of the Musical Instrument Maker |
FORD, CHARLES |
1973 |
XXI | 1 |
p. 246-b-246 |
artikel |
|
| 364 | The 1976 Berlin Bachfest |
PROCTER, M. |
1977 |
XXI | 1 |
p. 125-a-125 |
artikel |
|
| 365 | The birth of the orchestra in Rome—an iconographic study |
John, Spitzer |
1991 |
XXI | 1 |
p. 9-28 |
artikel |
|
| 366 | The case of the flutes in Holbein's The ambassadors |
Rasmussen, Mary |
1995 |
XXI | 1 |
p. 114-123 |
artikel |
|
| 367 | The Compleat Orchestral Musician |
ZASLAW, ZEAL |
1979 |
XXI | 1 |
p. 46-47 |
artikel |
|
| 368 | The crumhorn: historical sources |
WELLS, MARCUS |
1973 |
XXI | 1 |
p. 139-141 |
artikel |
|
| 369 | ‘The day has still to come when Mozart on a Steinway will be regarded… as necessarily a kind of transcription’ |
Kite, Christopher |
1985 |
XXI | 1 |
p. 54-56 |
artikel |
|
| 370 | The dynamics of viol making |
Hill, Keith R. |
1980 |
XXI | 1 |
p. 77-a-77 |
artikel |
|
| 371 | The editorial transmission of C.P.E. Bach's music |
Helm, E. Eugene |
1989 |
XXI | 1 |
p. 33-42 |
artikel |
|
| 372 | The five-octave compass in 18th-century Spanish harpsichords |
Kenyon de Pascual, Beryl |
1987 |
XXI | 1 |
p. 74-75 |
artikel |
|
| 373 | The hurdy-gurdy |
PALMER, SUSANN |
1982 |
XXI | 1 |
p. 125-b-127 |
artikel |
|
| 374 | The intermediate clavicytherium |
van der MEER, J. H. |
1979 |
XXI | 1 |
p. 140-b-140 |
artikel |
|
| 375 | The ‘Kreutzer’ Sonata as dialogue |
Jander, Owen |
1988 |
XXI | 1 |
p. 34-49 |
artikel |
|
| 376 | The orchestra in Beethoven's Vienna |
Brown, Clive |
1988 |
XXI | 1 |
p. 4-20 |
artikel |
|
| 377 | The pardessus de viole |
ROSE, ADRIAN P. |
1983 |
XXI | 1 |
p. 145-b-145 |
artikel |
|
| 378 | The principles of L'Affilard |
Schwandt, Erich |
1980 |
XXI | 1 |
p. 77-b-79 |
artikel |
|
| 379 | The register of early music |
1973 |
XXI | 1 |
p. 173-177 |
artikel |
||
| 380 | The register of early music |
1973 |
XXI | 1 |
p. 120-a-120 |
artikel |
||
| 381 | The register of early music |
1973 |
XXI | 1 |
p. 255-257 |
artikel |
||
| 382 | ‘There was not one lady who failed to shed a tear’ |
Cusick, Suzanne G. |
1994 |
XXI | 1 |
p. 21-44 |
artikel |
|
| 383 | The Shakespeare-Purcell Fairy Queen: A Defence and Recommendation |
SAVAGE, ROGER |
1973 |
XXI | 1 |
p. 201-222 |
artikel |
|
| 384 | The slur in figured bass |
WEALE, JOHN |
1979 |
XXI | 1 |
p. 141-a-142 |
artikel |
|
| 385 | The string tremolo in the 17th century |
Carter, Stewart |
1991 |
XXI | 1 |
p. 43-60 |
artikel |
|
| 386 | Third London exhibition of early musical instruments |
SCHOTT, HOWARD |
1978 |
XXI | 1 |
p. 133-a-133 |
artikel |
|
| 387 | Towards an authoritative study |
LANGLEY, ROBIN |
1973 |
XXI | 1 |
p. 112-a-112 |
artikel |
|
| 388 | Trent's new acquisition |
WARD, TOM R |
1986 |
XXI | 1 |
p. 158-a-158 |
artikel |
|
| 389 | Trills in Keyboard music |
MORONEY, DAVITT |
1979 |
XXI | 1 |
p. 140-c-140 |
artikel |
|
| 390 | Trills in Keyboard music |
SCHOTT, HOWARD |
1979 |
XXI | 1 |
p. 140-d-141 |
artikel |
|
| 391 | Two Bach Passions |
Humphreys, David |
1994 |
XXI | 1 |
p. 160-161 |
artikel |
|
| 392 | Underneath the Archives: recalls the early days with J. M. THOMSON |
STEWART, MADEAU |
1979 |
XXI | 1 |
p. 89-98 |
artikel |
|
| 393 | Vanity, melancholy and patronage |
BROWN, HOWARD MAYER |
1974 |
XXI | 1 |
p. 45-a-45 |
artikel |
|
| 394 | Venetian problem |
GLIXON, JONATHAN E |
1987 |
XXI | 1 |
p. 140-b-140 |
artikel |
|
| 395 | Victoria conference at Avila |
Noone, Michael |
1994 |
XXI | 1 |
p. 180-181 |
artikel |
|
| 396 | Vila Real, Portugal |
CAMPBELL, MARGARET |
1986 |
XXI | 1 |
p. 158-b-159 |
artikel |
|
| 397 | Viol fronts |
CATCH, JOHN R. |
1983 |
XXI | 1 |
p. 145-c-147 |
artikel |
|
| 398 | Violin intonation: a historical survey |
Barbieri, Patrizio |
1991 |
XXI | 1 |
p. 69-90 |
artikel |
|
| 399 | Vivaldi for recorders |
SIMPSON, ADRIENNE |
1973 |
XXI | 1 |
p. 161-b-161 |
artikel |
|
| 400 | Vivaldi's esoteric instruments |
Van der MEER, J. H. |
1979 |
XXI | 1 |
p. 135-b-138 |
artikel |
|
| 401 | WALTHAM ABBEY,ESSEX |
PAGE, ROBERT C. |
1974 |
XXI | 1 |
p. 51-g-51 |
artikel |
|
| 402 | Wellington |
EASTING, ROBERT |
1985 |
XXI | 1 |
p. 158-a-158 |
artikel |
|
| 403 | WHAT IS RIdIM? |
1974 |
XXI | 1 |
p. 51i-54 |
artikel |
||
| 404 | When is a cornett not a cornett? |
de WAAL, Ph. |
1976 |
XXI | 1 |
p. 85-c-87 |
artikel |
|
| 405 | When is an appoggiatura not an appoggiatura? |
DONINGTON, ROBERT |
1975 |
XXI | 1 |
p. 75-a-75 |
artikel |
|
| 406 | Where the wind blows |
Monk's, Christopher |
1973 |
XXI | 1 |
p. 233-239 |
artikel |
|
| 407 | Where the wind blows |
MONK, CHRISTOPHER |
1976 |
XXI | 1 |
p. 47-49 |
artikel |
|
| 408 | Worcester Fragments |
Losseff, Nicky |
1994 |
XXI | 1 |
p. 154-155 |
artikel |
|
| 409 | Zadar Festival 1976 |
ARMSTRONG, CLIFFORD |
1977 |
XXI | 1 |
p. 125-c-127 |
artikel |
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