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Tijdschrift beschrijving
Alle jaargangen van het bijbehorende tijdschrift
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468 gevonden resultaten
| nr | titel | auteur | tijdschrift | jaar | jaarg. | afl. | pagina('s) | type |
| 1 | A Case of double standards? Instrumental pitch in England c1600 |
HARWOOD, IAN |
1981 |
XVII | 4 |
p. 470-485 |
artikel |
|
| 2 | ‘A criterium of Good Musick’: the Gresham songbook in facsimile |
Burden, Michael |
1995 |
XVII | 4 |
p. 703-705 |
artikel |
|
| 3 | Activities |
1974 |
XVII | 4 |
p. 261-b-263 |
artikel |
||
| 4 | ‘A flowing harmony’: music on the Thames in Restoration London |
Wood, Julia K. |
1995 |
XVII | 4 |
p. 553-584 |
artikel |
|
| 5 | A Knot of harp strings |
HADAWAY, ROBERT |
1983 |
XVII | 4 |
p. 574-575 |
artikel |
|
| 6 | ANALYSIS AND THE PERFORMER: Introduction |
Webster, James |
1991 |
XVII | 4 |
p. 591-592 |
artikel |
|
| 7 | AN OCCASIONAL SERIES OF COMMENTARIES ON EARLY MUSIC ON RADIO: Baroque instruments |
ROMANO, NEL |
1976 |
XVII | 4 |
p. 511-514 |
artikel |
|
| 8 | Another keyboard canzona by Giovanni Gabrieli? |
Charteris, Richard |
1987 |
XVII | 4 |
p. 480-486 |
artikel |
|
| 9 | Another look at the viol |
HADAWAY, ROBERT |
1978 |
XVII | 4 |
p. 530-539 |
artikel |
|
| 10 | Another musical Medici coat of arms |
Jean, Lionnet |
1987 |
XVII | 4 |
p. 520-522 |
artikel |
|
| 11 | Antonio Veracini in context: new perspectives from documents, analysis and style |
Hill, John Walter |
1990 |
XVII | 4 |
p. 545-562 |
artikel |
|
| 12 | A postscript to Amat |
HALL, MONICA |
1978 |
XVII | 4 |
p. 631-b-631 |
artikel |
|
| 13 | A rediscovered portrayal of Rameau and Castor et Pollux |
Libin, Laurence |
1983 |
XVII | 4 |
p. 510-514 |
artikel |
|
| 14 | At the Paris Opéra in 1747 |
Zaslaw, Neal |
1983 |
XVII | 4 |
p. 515-516 |
artikel |
|
| 15 | Authenticity |
WILLETTS, CARL |
1975 |
XVII | 4 |
p. 419-e-419 |
artikel |
|
| 16 | Authenticity in Bach |
WHITTAKER, JAMES V. |
1977 |
XVII | 4 |
p. 599-a-599 |
artikel |
|
| 17 | Authenticity in interpretion |
Burstyn, Shai |
1995 |
XVII | 4 |
p. 721-723 |
artikel |
|
| 18 | Bach, and Werckmeister |
Barnes, John |
1980 |
XVII | 4 |
p. 513-a-513 |
artikel |
|
| 19 | Bach's Orchestre |
Rifkin, Joshua |
1986 |
XVII | 4 |
p. 566-568 |
artikel |
|
| 20 | Bass viol sources of The Division-Violin |
DOOD, GORDON |
1983 |
XVII | 4 |
p. 577-b-579 |
artikel |
|
| 21 | BOOKS |
STEVENS, DENIS |
1983 |
XVII | 4 |
p. 533-535 |
artikel |
|
| 22 | BOOKS |
KING, ALEC HYATT |
1983 |
XVII | 4 |
p. 535-537 |
artikel |
|
| 23 | Books |
King, Alec Hyatt |
1982 |
XVII | 4 |
p. 535-537 |
artikel |
|
| 24 | Books |
FALLOWS, DAVID |
1979 |
XVII | 4 |
p. 535-539 |
artikel |
|
| 25 | Books |
ANDERSON, NICHOLAS |
1979 |
XVII | 4 |
p. 533-535 |
artikel |
|
| 26 | Books |
SELFRIDGE-FIELD, ELEANOR |
1979 |
XVII | 4 |
p. 531-533 |
artikel |
|
| 27 | Books |
BOWERS, ROGER |
1979 |
XVII | 4 |
p. 529-531 |
artikel |
|
| 28 | Books |
THOMSON, J.M. |
1979 |
XVII | 4 |
p. 539-a-539 |
artikel |
|
| 29 | Books |
THOMSON, J.M. |
1979 |
XVII | 4 |
p. 539-b-541 |
artikel |
|
| 30 | Books |
WESS, JOAN |
1979 |
XVII | 4 |
p. 541-a-541 |
artikel |
|
| 31 | Books |
DF, |
1979 |
XVII | 4 |
p. 541-b-541 |
artikel |
|
| 32 | BOOKS |
RANKIN, SUSAN |
1984 |
XVII | 4 |
p. 537-a-537-a |
artikel |
|
| 33 | BOOKS |
LENNEBERG, HANS |
1984 |
XVII | 4 |
p. 539-541 |
artikel |
|
| 34 | BOOKS |
Harran, Don |
1986 |
XVII | 4 |
p. 587-b-589 |
artikel |
|
| 35 | BOOKS |
Brainard, Paul |
1986 |
XVII | 4 |
p. 587-a-587 |
artikel |
|
| 36 | Books |
FOLLOWS, DAVID |
1976 |
XVII | 4 |
p. 475-a-475 |
artikel |
|
| 37 | Books |
FOLLOWS, DAVID |
1976 |
XVII | 4 |
p. 475-b-477 |
artikel |
|
| 38 | BOOKS |
Cooper, Barry |
1991 |
XVII | 4 |
p. 643-648 |
artikel |
|
| 39 | BOOKS |
Montagu, Jeremy |
1991 |
XVII | 4 |
p. 636-642 |
artikel |
|
| 40 | BOOKS |
Stevens, Denis |
1987 |
XVII | 4 |
p. 537-538 |
artikel |
|
| 41 | BOOKS |
GOODMAN, ROY |
1987 |
XVII | 4 |
p. 531-533 |
artikel |
|
| 42 | BOOKS |
Smith, Richard Langham |
1987 |
XVII | 4 |
p. 533-536 |
artikel |
|
| 43 | BOOKS |
Price, Curtis |
1989 |
XVII | 4 |
p. 575-577 |
artikel |
|
| 44 | BOOKS |
Leech-Wilkinson, Daniel |
1988 |
XVII | 4 |
p. 573-575 |
artikel |
|
| 45 | BOOKS |
ROCHE, ELIZABETH |
1984 |
XVII | 4 |
p. 547-550 |
artikel |
|
| 46 | BOOKS |
WILKINSON, DANIEL LEECH |
1984 |
XVII | 4 |
p. 535-536 |
artikel |
|
| 47 | BOOKS |
D. F., |
1977 |
XVII | 4 |
p. 567-568 |
artikel |
|
| 48 | Books |
TALBOT, MICHAEL |
1980 |
XVII | 4 |
p. 533-535 |
artikel |
|
| 49 | Books |
MONTAGU, JEREMY |
1980 |
XVII | 4 |
p. 527-528 |
artikel |
|
| 50 | Books |
MONTAGU, JEREMY |
1980 |
XVII | 4 |
p. 536-b-536 |
artikel |
|
| 51 | Books |
RASTALL, RICHARD |
1980 |
XVII | 4 |
p. 531-533 |
artikel |
|
| 52 | Books |
CORAL, LENORE |
1980 |
XVII | 4 |
p. 536-a-536 |
artikel |
|
| 53 | Books |
FALLOWS, DAVID |
1981 |
XVII | 4 |
p. 543-544 |
artikel |
|
| 54 | Books |
SELFRIDGE-FIELD, ELEANOR |
1981 |
XVII | 4 |
p. 539-543 |
artikel |
|
| 55 | Books |
SCHOTT, HOWARD |
1981 |
XVII | 4 |
p. 538-539 |
artikel |
|
| 56 | BOOKS |
Burrows, Donald |
1991 |
XVII | 4 |
p. 635-636 |
artikel |
|
| 57 | BOOKS |
Donington, Robert |
1988 |
XVII | 4 |
p. 571-574 |
artikel |
|
| 58 | BOOKS |
Boorman, Stanley |
1990 |
XVII | 4 |
p. 641-645 |
artikel |
|
| 59 | BOOKS |
Sole, Elizabeth |
1990 |
XVII | 4 |
p. 649-650 |
artikel |
|
| 60 | Books |
Schott, Howard |
1993 |
XVII | 4 |
p. 634-636 |
artikel |
|
| 61 | Books |
Sadie, Julie Anne |
1993 |
XVII | 4 |
p. 636-637 |
artikel |
|
| 62 | BOOKS |
STEWART, MADEAU |
1983 |
XVII | 4 |
p. 537-541 |
artikel |
|
| 63 | BOOKS |
POULTON, DIANA |
1984 |
XVII | 4 |
p. 537-b-539 |
artikel |
|
| 64 | Books |
MACONIE, ROBIN |
1976 |
XVII | 4 |
p. 477-a-477 |
artikel |
|
| 65 | Books |
SCHOTT, HOWARD |
1976 |
XVII | 4 |
p. 477-b-477 |
artikel |
|
| 66 | BOOKS |
SEGERMAN, EPHRAIM |
1977 |
XVII | 4 |
p. 561-563 |
artikel |
|
| 67 | Books |
CHEW, GEOFFREY |
1978 |
XVII | 4 |
p. 595-597 |
artikel |
|
| 68 | Books |
WRIGHT, LAURENCE |
1978 |
XVII | 4 |
p. 599-a-599 |
artikel |
|
| 69 | Books |
ELCOMBE, KEITH |
1978 |
XVII | 4 |
p. 599-b-601 |
artikel |
|
| 70 | Books |
HILEY, DAVID |
1980 |
XVII | 4 |
p. 535-536 |
artikel |
|
| 71 | BOOKS |
Bray, Roger |
1988 |
XVII | 4 |
p. 567-568 |
artikel |
|
| 72 | BOOKS |
Cooper, Barry |
1988 |
XVII | 4 |
p. 568-a-568 |
artikel |
|
| 73 | BOOKS |
Roche, Jerome |
1988 |
XVII | 4 |
p. 568-b-571 |
artikel |
|
| 74 | BOOKS |
Crawford, Tim |
1989 |
XVII | 4 |
p. 569-573 |
artikel |
|
| 75 | BOOKS |
Falconer, Keith |
1990 |
XVII | 4 |
p. 645-649 |
artikel |
|
| 76 | BOOKS |
Sadie, Stanley |
1990 |
XVII | 4 |
p. 633-641 |
artikel |
|
| 77 | BOOKS |
Ledbetter, David |
1990 |
XVII | 4 |
p. 650-652 |
artikel |
|
| 78 | Boxwood listings |
ZADRO, MICHAEL |
1976 |
XVII | 4 |
p. 497-b-497 |
artikel |
|
| 79 | Briefly noted |
FALLOWS, DAVID |
1989 |
XVII | 4 |
p. 577-580 |
artikel |
|
| 80 | Briefly noted |
FALLOWS, DAVID |
1989 |
XVII | 4 |
p. 590-594 |
artikel |
|
| 81 | Briefly noted: Madrigals |
EVT, |
1984 |
XVII | 4 |
p. 575-581 |
artikel |
|
| 82 | Bruges 1980 |
SCHOTT, HOWARD |
1980 |
XVII | 4 |
p. 521-526 |
artikel |
|
| 83 | Cantatas and Canzonets for Solo Voice |
FORTUNE, NIGEL |
1979 |
XVII | 4 |
p. 547-549 |
artikel |
|
| 84 | Canzonettas and madrigals |
Paget, Laurie |
1995 |
XVII | 4 |
p. 709-711 |
artikel |
|
| 85 | 'Col nobilissimo esercitio della vivuola': Monteverdi's string writing |
Holman, Peter |
1993 |
XVII | 4 |
p. 577-592 |
artikel |
|
| 86 | Competence and incompetence in the papal choir in the age of Palestrina |
Sherr, Richard |
1994 |
XVII | 4 |
p. 606-630 |
artikel |
|
| 87 | Concerts. courses. festivals etc. AN EARLY MUSIC DIRECTORY |
1977 |
XVII | 4 |
p. 602-602 |
artikel |
||
| 88 | Concise errors? |
ABRAHAM, GERALD |
1980 |
XVII | 4 |
p. 575-a-575 |
artikel |
|
| 89 | Concise errors? |
Milner, Anthony |
1980 |
XVII | 4 |
p. 575-b-576 |
artikel |
|
| 90 | Conference: On hearing the motet |
Noone, Michael |
1994 |
XVII | 4 |
p. 709-710 |
artikel |
|
| 91 | Continuo lutes in 17th and 18th-century England |
Sayce, Lynda |
1995 |
XVII | 4 |
p. 666-684 |
artikel |
|
| 92 | CORRESPONDENCE |
1986 |
XVII | 4 |
p. 622-622 |
artikel |
||
| 93 | Correspondence |
STROHM, REINHARD |
1994 |
XVII | 4 |
p. 715-719 |
artikel |
|
| 94 | CORRESPONDENCE |
TISCHLER, HANS |
1993 |
XVII | 4 |
p. 670-671 |
artikel |
|
| 95 | CORRESPONDENCE |
HOLMAN, PETER |
1993 |
XVII | 4 |
p. 671-b-671 |
artikel |
|
| 96 | CORRESPONDENCE |
WAITZMAN, MIMI S. |
1993 |
XVII | 4 |
p. 671-a-671 |
artikel |
|
| 97 | Correspondence and queries |
1974 |
XVII | 4 |
p. 263-265 |
artikel |
||
| 98 | CORRESPONDENCE: Bach's Chorus |
RIFKIN, JOSHUA |
1984 |
XVII | 4 |
p. 591-c-591-c |
artikel |
|
| 99 | CORRESPONDENCE: More wealth of music |
PARKINSON, JOHN A. |
1984 |
XVII | 4 |
p. 591-b-591-b |
artikel |
|
| 100 | CORRESPONDENCE: The Baroque flute |
HASSI, ERIC C. |
1984 |
XVII | 4 |
p. 591-a-591-a |
artikel |
|
| 101 | CORRESPONDENCE: The Baroque flute |
HIGBEE, DALE |
1984 |
XVII | 4 |
p. 589-590 |
artikel |
|
| 102 | CORRESPONDENCE: The Baroque flute |
LASZEWSKKI, RONALD M. |
1984 |
XVII | 4 |
p. 587-589 |
artikel |
|
| 103 | CORRESPONDENCE: The harp for Lawes |
RING, LAYTON |
1987 |
XVII | 4 |
p. 589-591 |
artikel |
|
| 104 | C. P. E. Bach and the tradition of Passion music in Hamburg |
Clark, Stephen L |
1988 |
XVII | 4 |
p. 533-541 |
artikel |
|
| 105 | Dove House Editions |
HOLMAN, PETER |
1984 |
XVII | 4 |
p. 557-560 |
artikel |
|
| 106 | Drum rhythms for dances |
MORROW, MICHAEL |
1977 |
XVII | 4 |
p. 599-c-603 |
artikel |
|
| 107 | ‘Dueil angoisseus’ and ‘Dulongesux’ |
KEMP, WALTER H. |
1979 |
XVII | 4 |
p. 520-522 |
artikel |
|
| 108 | EDITORIAL |
KENYON, NICHOLAS |
1989 |
XVII | 4 |
p. 482-484 |
artikel |
|
| 109 | Editorial |
DIXON, GRAHAM |
1994 |
XVII | 4 |
p. 549-550 |
artikel |
|
| 110 | Editorial |
BURDEN, MICHAEL |
1995 |
XVII | 4 |
p. 549-549 |
artikel |
|
| 111 | Eighteenth-century French chamber music for vielle |
Green, Robert A. |
1987 |
XVII | 4 |
p. 469-479 |
artikel |
|
| 112 | English Church Music c 1660–1700: PART 1 |
VAN TASSEL, ERIC |
1978 |
XVII | 4 |
p. 572-578 |
artikel |
|
| 113 | English Madrigals |
ALLSOP, PETER |
1979 |
XVII | 4 |
p. 573-a-573 |
artikel |
|
| 114 | European Instruments Catalogue |
van der Meer, John Henry |
1981 |
XVII | 4 |
p. 520-521 |
artikel |
|
| 115 | EVENTS |
SCHOTT, HOWARD |
1991 |
XVII | 4 |
p. 683-684 |
artikel |
|
| 116 | Events |
THOMSON, J. M. |
1991 |
XVII | 4 |
p. 581-583 |
artikel |
|
| 117 | EVENTS |
KENYON, NICHOLAS |
1991 |
XVII | 4 |
p. 684-686 |
artikel |
|
| 118 | EVENTS |
Schott, Howard |
1993 |
XVII | 4 |
p. 665-669 |
artikel |
|
| 119 | EVENTS:Baroque conference |
MURATA, MARGARET |
1990 |
XVII | 4 |
p. 687-688 |
artikel |
|
| 120 | EVENTS: Bate Collection summer schools |
SCHOTT, HOWARD |
1986 |
XVII | 4 |
p. 620-621 |
artikel |
|
| 121 | EVENTS: Boston Early Music Festival |
SCHOTT, HOWARD |
1987 |
XVII | 4 |
p. 585-587 |
artikel |
|
| 122 | EVENTS: Tage Alter Musik in Regensburg |
HILEY, DAVID |
1987 |
XVII | 4 |
p. 587-588 |
artikel |
|
| 123 | Fairest IsleTM—land of the scholar-kings |
Pinnock, Andrew |
1995 |
XVII | 4 |
p. 651-666 |
artikel |
|
| 124 | Fatal ambition: Lully's Phaëton rides again |
Sadler, Graham |
1994 |
XVII | 4 |
p. 692-694 |
artikel |
|
| 125 | Festivals at Bari and Mantua |
Fabris, Dinko |
1995 |
XVII | 4 |
p. 724-726 |
artikel |
|
| 126 | First steps on the dulcimer |
Kettlewell, David |
1974 |
XVII | 4 |
p. 247-253 |
artikel |
|
| 127 | Florentine continuo c1600 |
SPENCER, ROBERT |
1983 |
XVII | 4 |
p. 575-577 |
artikel |
|
| 128 | Francisco Pérez Mirabal's harpsichords and the early Spanish Piano |
de Pascual, Beryl Kenyon |
1987 |
XVII | 4 |
p. 503-514 |
artikel |
|
| 129 | French Baroque recitative as an expression of tragic declamation |
Rosow, Lois |
1983 |
XVII | 4 |
p. 468-479 |
artikel |
|
| 130 | Frescobaldi, Froberger and the art of fantasy |
Barker, Naomi Joy |
1994 |
XVII | 4 |
p. 691-692 |
artikel |
|
| 131 | From Barnard to Purcell: the copying activities of Stephen Bing |
Boyer, Sarah |
1995 |
XVII | 4 |
p. 620-650 |
artikel |
|
| 132 | From fortepiano to pianoforte |
Toller, Nicholas |
1994 |
XVII | 4 |
p. 707-708 |
artikel |
|
| 133 | From Jacobean to Restoration |
Morehen, John |
1994 |
XVII | 4 |
p. 685-687 |
artikel |
|
| 134 | Galpin Society symposium |
McGowan, Keith |
1994 |
XVII | 4 |
p. 710-711 |
artikel |
|
| 135 | Giovanni Gualberto Magli |
CARTER, TIM |
1983 |
XVII | 4 |
p. 577-a-577 |
artikel |
|
| 136 | Guild of luthiers |
BATTERSHELL, FREDERICK |
1975 |
XVII | 4 |
p. 419-c-419 |
artikel |
|
| 137 | Handel sonatas |
LASOCKI, DAVID |
1982 |
XVII | 4 |
p. 575-a-576 |
artikel |
|
| 138 | Harpsichord decoration |
GERMANN, SHERIDAN |
1991 |
XVII | 4 |
p. 579-c-579 |
artikel |
|
| 139 | Howard Mayer Brown replies: |
1976 |
XVII | 4 |
p. 497-a-497 |
artikel |
||
| 140 | ‘Ich bin die erste Sängerin’ Vocal profiles of two Mozart sopranos |
Gidwitz, Patricia Lewy |
1991 |
XVII | 4 |
p. 565-579 |
artikel |
|
| 141 | Ieorg Wier an early sixteenth-century crumhorn maker |
BOYDELL, BARRA |
1979 |
XVII | 4 |
p. 511-519 |
artikel |
|
| 142 | Il Corago and the staging of early opera: four chapters from an anonymous treatise circa 1630 |
Savage, Roger |
1989 |
XVII | 4 |
p. 495-514 |
artikel |
|
| 143 | Improvized ornamentation in a Handel aria with obbligato wind accompaniment |
Spitzer, John |
1988 |
XVII | 4 |
p. 514-522 |
artikel |
|
| 144 | Information on instruments in Florentine Carnival songs |
McGee, Timothy J. |
1982 |
XVII | 4 |
p. 452-461 |
artikel |
|
| 145 | Ingegneri rediscovered |
O'Regan, Noel |
1995 |
XVII | 4 |
p. 708-709 |
artikel |
|
| 146 | Instrumental iconography |
KIRNBAUER, MARTIN |
1995 |
XVII | 4 |
p. 734-b-735 |
artikel |
|
| 147 | Instrumental iconography |
KIRNBAUER, MARTIN |
1995 |
XVII | 4 |
p. 734-a-735 |
artikel |
|
| 148 | Instruments |
MONTAGU, JEREMY |
1989 |
XVII | 4 |
p. 565-568 |
artikel |
|
| 149 | Instruments |
MONTAGU, JEREMY |
1984 |
XVII | 4 |
p. 531-534 |
artikel |
|
| 150 | Instruments |
MONTAGU, JEREMY |
1991 |
XVII | 4 |
p. 629-634 |
artikel |
|
| 151 | Instruments |
Montagu, Jeremy |
1993 |
XVII | 4 |
p. 661-664 |
artikel |
|
| 152 | Instruments and the Faenza Codex |
McGee, Timothy J. |
1986 |
XVII | 4 |
p. 480-490 |
artikel |
|
| 153 | Interpreting Mozart |
Tassel, Eric Van |
1984 |
XVII | 4 |
p. 521-522 |
artikel |
|
| 154 | Ioannes and Andreas Ruckers: A quatercentenary celebration |
O'BRIEN, G. GRANT |
1979 |
XVII | 4 |
p. 453-466 |
artikel |
|
| 155 | Italian oratorio and the Baroque Orchestra |
Selfridge-Field, Eleanor |
1988 |
XVII | 4 |
p. 506-513 |
artikel |
|
| 156 | Jerome Roche, 1942–94 |
Fallows, David |
1994 |
XVII | 4 |
p. 713-714 |
artikel |
|
| 157 | John Dryden on lute playing |
WALLS, KATHRYN |
1976 |
XVII | 4 |
p. 491-a-491 |
artikel |
|
| 158 | John sheppard's Masses |
SANDON, NICK |
1977 |
XVII | 4 |
p. 595-597 |
artikel |
|
| 159 | Keyboard issue |
LEONHARDT, GUSTAV |
1979 |
XVII | 4 |
p. 452-452 |
artikel |
|
| 160 | KIRCHHEIM 1976 |
THOMSON, J. M. |
1976 |
XVII | 4 |
p. 465-b-466 |
artikel |
|
| 161 | Late Beethoven and early pianos |
Bilson, Malcolm |
1982 |
XVII | 4 |
p. 517-518 |
artikel |
|
| 162 | Les arts nobles |
Coeyman, Barbara |
1995 |
XVII | 4 |
p. 699-702 |
artikel |
|
| 163 | Les Petits marteaux de M. Rameau |
Fuller, David |
1983 |
XVII | 4 |
p. 516-517 |
artikel |
|
| 164 | Lincolnshire fiddlers |
MONTAGU, JEREMY |
1976 |
XVII | 4 |
p. 497-c-497 |
artikel |
|
| 165 | London Salerooms |
WELLS, GRAHAM |
1979 |
XVII | 4 |
p. 524-528 |
artikel |
|
| 166 | London salerooms |
WELLS, GRAHAM |
1975 |
XVII | 4 |
p. 368-369 |
artikel |
|
| 167 | London Salerooms |
WELLS, GRAHAM |
1976 |
XVII | 4 |
p. 465-a-465 |
artikel |
|
| 168 | London salerooms report |
WELLS, GRAHAM |
1974 |
XVII | 4 |
p. 261-a-261 |
artikel |
|
| 169 | London Salesrooms |
WELLS, GRAHAM |
1978 |
XVII | 4 |
p. 582-586 |
artikel |
|
| 170 | Louis Couperin's organ works revealed |
Farr, Stephen |
1995 |
XVII | 4 |
p. 711-712 |
artikel |
|
| 171 | Lowlands visitors |
BELLINGHAM, BRUCE |
1977 |
XVII | 4 |
p. 605-b-607 |
artikel |
|
| 172 | Lute duo |
KRELH, WOLFGANG |
1975 |
XVII | 4 |
p. 419-d-419 |
artikel |
|
| 173 | Lute tablatures |
HARMON, ROGER |
1978 |
XVII | 4 |
p. 633-b-633 |
artikel |
|
| 174 | Lute tablatures |
BROWN, W. L. |
1978 |
XVII | 4 |
p. 633-c-636 |
artikel |
|
| 175 | Making early keyboards |
BRAGA, J |
1975 |
XVII | 4 |
p. 419-a-419 |
artikel |
|
| 176 | Manuscript music in Purcell's London |
Thompson, Robert |
1995 |
XVII | 4 |
p. 605-620 |
artikel |
|
| 177 | Manuscripts and printed books |
SEARLE, ARTHUR |
1984 |
XVII | 4 |
p. 529-531 |
artikel |
|
| 178 | Manuscripts and printed books |
SEARLE, ARTHUR |
1990 |
XVII | 4 |
p. 629-632 |
artikel |
|
| 179 | Margot Leigh Milner (1911–95) |
Thomson, J. M. |
1995 |
XVII | 4 |
p. 727-730 |
artikel |
|
| 180 | Mary Magdalene, musician and dancer |
COLIN SLIM, H. |
1980 |
XVII | 4 |
p. 460-473 |
artikel |
|
| 181 | Monteverdiana 1993 |
Stevens, Denis |
1993 |
XVII | 4 |
p. 565-575 |
artikel |
|
| 182 | Morality and music: a study of a Flemish transformation scene of the later 16th century |
Hyatt King, Alec |
1988 |
XVII | 4 |
p. 553-558 |
artikel |
|
| 183 | MOZART AND HIS SINGERS: Mozart's Belmonte |
Bauman, Thomas |
1991 |
XVII | 4 |
p. 557-564 |
artikel |
|
| 184 | Mozart performance in the 19th century |
Barth, George |
1991 |
XVII | 4 |
p. 538-556 |
artikel |
|
| 185 | Mozart's first thoughts: the two versions of the Sonata in D major, K284 |
Somfai, László |
1991 |
XVII | 4 |
p. 601-614 |
artikel |
|
| 186 | Mozart's Italian buffo singers |
Campana, Alessandra |
1991 |
XVII | 4 |
p. 580-584 |
artikel |
|
| 187 | ‘Mrs Crawley's Couchet’ reconsidered |
GERMANN, SHERIDAN |
1979 |
XVII | 4 |
p. 473-481 |
artikel |
|
| 188 | Music |
ROCHE, ELIZABETH |
1982 |
XVII | 4 |
p. 547-a-547 |
artikel |
|
| 189 | Music |
CARVER, ANTHONY F. |
1982 |
XVII | 4 |
p. 553-557 |
artikel |
|
| 190 | Music |
CARVER, ANTHONY F. |
1982 |
XVII | 4 |
p. 551-c-553 |
artikel |
|
| 191 | Music |
SANDON, NICK |
1979 |
XVII | 4 |
p. 545-547 |
artikel |
|
| 192 | Music |
WESS, JOAN |
1982 |
XVII | 4 |
p. 547-b-551 |
artikel |
|
| 193 | Music |
SPENCER, ROBERT |
1982 |
XVII | 4 |
p. 551-b-551 |
artikel |
|
| 194 | Music |
WESS, JOAN |
1982 |
XVII | 4 |
p. 551-a-551 |
artikel |
|
| 195 | MUSIC |
SADLER, GRAHAM |
1983 |
XVII | 4 |
p. 547-549 |
artikel |
|
| 196 | MUSIC |
Cooper, Barry |
1986 |
XVII | 4 |
p. 599-602 |
artikel |
|
| 197 | MUSIC |
Smith, Richard Langham |
1986 |
XVII | 4 |
p. 597-599 |
artikel |
|
| 198 | Music |
MONOSOFF, SONYA |
1980 |
XVII | 4 |
p. 556-558 |
artikel |
|
| 199 | MUSIC |
Talbot, Michael |
1991 |
XVII | 4 |
p. 653-654 |
artikel |
|
| 200 | MUSIC |
Smith, Richard Langham |
1991 |
XVII | 4 |
p. 655-660 |
artikel |
|
| 201 | MUSIC |
Richard, Luckett |
1987 |
XVII | 4 |
p. 539-541 |
artikel |
|
| 202 | MUSIC |
Butt, John |
1987 |
XVII | 4 |
p. 545-b-549 |
artikel |
|
| 203 | MUSIC |
Mabbett, Margaret |
1987 |
XVII | 4 |
p. 543-545 |
artikel |
|
| 204 | MUSIC |
Morehen, John |
1989 |
XVII | 4 |
p. 581-584 |
artikel |
|
| 205 | MUSIC |
CLAPTON, NICHOLAS |
1984 |
XVII | 4 |
p. 555-a-555-a |
artikel |
|
| 206 | MUSIC |
EDWARDS, WARWICK |
1977 |
XVII | 4 |
p. 569-573 |
artikel |
|
| 207 | Music |
WESS, JOAN |
1980 |
XVII | 4 |
p. 553-556 |
artikel |
|
| 208 | Music |
SPENCER, ROBERT |
1980 |
XVII | 4 |
p. 549-551 |
artikel |
|
| 209 | Music |
HAAR, JAMES |
1980 |
XVII | 4 |
p. 538-541 |
artikel |
|
| 210 | Music |
SADIE, JULIE ANNE |
1991 |
XVII | 4 |
p. 551-555 |
artikel |
|
| 211 | MUSIC |
Mabbett, Margaret |
1991 |
XVII | 4 |
p. 651-653 |
artikel |
|
| 212 | MUSIC |
Morehen, John |
1991 |
XVII | 4 |
p. 649-651 |
artikel |
|
| 213 | MUSIC |
Ledbetter, David |
1988 |
XVII | 4 |
p. 581-583 |
artikel |
|
| 214 | MUSIC |
Wegman, Rob C. |
1989 |
XVII | 4 |
p. 584-589 |
artikel |
|
| 215 | MUSIC |
MILSOM, JOHN |
1984 |
XVII | 4 |
p. 555-b-557 |
artikel |
|
| 216 | Music |
DONINGTON, ROBERT |
1975 |
XVII | 4 |
p. 411-b-413 |
artikel |
|
| 217 | Music |
RASTALL, RICHARD |
1975 |
XVII | 4 |
p. 411-a-411 |
artikel |
|
| 218 | Music |
TILNEY, COLIN |
1976 |
XVII | 4 |
p. 481-483 |
artikel |
|
| 219 | MUSIC |
BRAY, ROGER |
1977 |
XVII | 4 |
p. 573-575 |
artikel |
|
| 220 | Music |
BOYDELL, BARRA |
1980 |
XVII | 4 |
p. 548-549 |
artikel |
|
| 221 | Music |
PHILLIPS, PETER |
1980 |
XVII | 4 |
p. 542-544 |
artikel |
|
| 222 | MUSIC |
Macy, Laura W. |
1987 |
XVII | 4 |
p. 542-543 |
artikel |
|
| 223 | MUSIC |
Butt, John |
1987 |
XVII | 4 |
p. 545-a-545 |
artikel |
|
| 224 | MUSIC |
Bartlett, Clifford |
1988 |
XVII | 4 |
p. 583-585 |
artikel |
|
| 225 | MUSIC |
Thompson, Ruby Reid |
1988 |
XVII | 4 |
p. 579-581 |
artikel |
|
| 226 | MUSIC |
Roche, Jerome |
1988 |
XVII | 4 |
p. 577-579 |
artikel |
|
| 227 | MUSIC |
Fallows, David |
1988 |
XVII | 4 |
p. 575-577 |
artikel |
|
| 228 | MUSIC |
Cooper, Barry |
1988 |
XVII | 4 |
p. 585-586 |
artikel |
|
| 229 | MUSIC |
Cholij, Irena |
1990 |
XVII | 4 |
p. 655-657 |
artikel |
|
| 230 | MUSIC |
Fallows, David |
1990 |
XVII | 4 |
p. 657-660 |
artikel |
|
| 231 | MUSIC |
page, Christopher |
1990 |
XVII | 4 |
p. 654-655 |
artikel |
|
| 232 | Music |
Edwards, Warwick |
1993 |
XVII | 4 |
p. 641-642 |
artikel |
|
| 233 | Music |
Sandon, Nick |
1993 |
XVII | 4 |
p. 639-641 |
artikel |
|
| 234 | Musica da Camera |
ELCOMBE, KEITH |
1979 |
XVII | 4 |
p. 543-545 |
artikel |
|
| 235 | Musical instruments |
WELLS, GRAHAM |
1983 |
XVII | 4 |
p. 525-528 |
artikel |
|
| 236 | Musical instruments at Isola Bella |
Libin, Laurence |
1990 |
XVII | 4 |
p. 617-628 |
artikel |
|
| 237 | Musicology and make-believe? |
Bagby, Benjamin |
1986 |
XVII | 4 |
p. 557-562 |
artikel |
|
| 238 | MUSIC: Other editions |
FALLOWS, DAVID |
1987 |
XVII | 4 |
p. 549-550 |
artikel |
|
| 239 | Music reviews |
HARRIS, COLETTE |
1974 |
XVII | 4 |
p. 259-a-259 |
artikel |
|
| 240 | Music reviews |
ARNOLD, DENIS |
1974 |
XVII | 4 |
p. 259-b-260 |
artikel |
|
| 241 | Music reviews |
HARRIS, COLETTE |
1974 |
XVII | 4 |
p. 257-259 |
artikel |
|
| 242 | Neapolitan repertories 1460-90: Three recent editions |
FALLOWS, DAVID |
1980 |
XVII | 4 |
p. 493-502 |
artikel |
|
| 243 | Newly found works of C. P. E. Bach |
Wade, Rachel W. |
1988 |
XVII | 4 |
p. 523-532 |
artikel |
|
| 244 | New Sources for Rameau's Pigmalion and other works |
Sawkins, Lionel |
1983 |
XVII | 4 |
p. 490-496 |
artikel |
|
| 245 | Nuremburg Conference on restoration |
MONTAGU, JEREMY |
1974 |
XVII | 4 |
p. 265-268 |
artikel |
|
| 246 | OBITUARIES: Imogen Holst (1907–1984) |
THOMSON, J. M. |
1984 |
XVII | 4 |
p. 583-585 |
artikel |
|
| 247 | OBITUARY |
THOMSON, J. M. |
1991 |
XVII | 4 |
p. 687-687 |
artikel |
|
| 248 | OBITUARY |
THOMSON, J M |
1990 |
XVII | 4 |
p. 686-686 |
artikel |
|
| 249 | OBITUARY: Robert Donington (1907–1990) |
ANNE SADIE, JULIE |
1990 |
XVII | 4 |
p. 684-686 |
artikel |
|
| 250 | Obrecht's life and Masses |
Urquhart, Peter |
1995 |
XVII | 4 |
p. 697-699 |
artikel |
|
| 251 | On a continuo organ part attributed to Palestrina |
Barbieri, Patrizio |
1994 |
XVII | 4 |
p. 587-605 |
artikel |
|
| 252 | On holding the violin |
MEDLAM, CHARLES |
1979 |
XVII | 4 |
p. 561-b-563 |
artikel |
|
| 253 | On the absence of keyboard continuo in Haydn's symphonies |
Webster, James |
1990 |
XVII | 4 |
p. 599-608 |
artikel |
|
| 254 | On the sound of early 16th-century lutes |
ABBOTT, DJILDA |
1975 |
XVII | 4 |
p. 417-a-417 |
artikel |
|
| 255 | Palestrina, a musician and composer in the market-place |
O'Regan, Noel |
1994 |
XVII | 4 |
p. 551-572 |
artikel |
|
| 256 | Partitas for harpsichord and wind sextet, Serenata for wind octet and compositions for glass harmonica |
ZEMANOVÁ, MIRKA |
1979 |
XVII | 4 |
p. 575-576 |
artikel |
|
| 257 | Paul Steinitz |
ANDERSON, NICHOLAS |
1988 |
XVII | 4 |
p. 621-623 |
artikel |
|
| 258 | PERFORMERS, SOURCES AND EDITIONS: Performance and ‘authenticity’ |
Lockwood, Lewis |
1991 |
XVII | 4 |
p. 501-512 |
artikel |
|
| 259 | Performing C. P. E. Bach: some open questions |
Schulenberg, David |
1988 |
XVII | 4 |
p. 542-552 |
artikel |
|
| 260 | Performing Rameau's cantatas |
Cyr, Mary |
1983 |
XVII | 4 |
p. 480-489 |
artikel |
|
| 261 | Peter Phillips replies |
Phillips, Peter |
1979 |
XVII | 4 |
p. 563-c-563 |
artikel |
|
| 262 | Playing the early piano |
Badura-Skoda, Paul |
1984 |
XVII | 4 |
p. 477-480 |
artikel |
|
| 263 | Popular early music |
URIDGE, MICHAEL |
1980 |
XVII | 4 |
p. 575-c-576 |
artikel |
|
| 264 | Popular Music from the time of Henry VIII: Songs for a Tudor King |
SANDON, NICK |
1979 |
XVII | 4 |
p. 573b-575 |
artikel |
|
| 265 | Possente spirto: on taming the power of music |
Carter, Tim |
1993 |
XVII | 4 |
p. 517-524 |
artikel |
|
| 266 | Prince Arthur (1486-1502), a carol and a cantus firmus |
Benham, Hugh |
1987 |
XVII | 4 |
p. 463-468 |
artikel |
|
| 267 | Professional dedication |
Pullin, Gordon |
1980 |
XVII | 4 |
p. 513b-516 |
artikel |
|
| 268 | Professor John M. Ward replies: |
1976 |
XVII | 4 |
p. 489-a-489 |
artikel |
||
| 269 | Prologue: Daphne transformed |
Savage, Roger |
1989 |
XVII | 4 |
p. 485-494 |
artikel |
|
| 270 | Purcell: sacred music |
Wood, Bruce |
1995 |
XVII | 4 |
p. 705-708 |
artikel |
|
| 271 | Purcell's organ at Westminister Abbey: a note on the cover illustration |
GWYNN, DOMINIC |
1995 |
XVII | 4 |
p. 550-552 |
artikel |
|
| 272 | Purcell's sacred music on record—I |
Van Tassel, Eric |
1995 |
XVII | 4 |
p. 685-694 |
artikel |
|
| 273 | Pure Bach |
Ledbetter, David |
1994 |
XVII | 4 |
p. 699-700 |
artikel |
|
| 274 | Quarterly checklist–22 |
WILLSHER, PETER |
1977 |
XVII | 4 |
p. 587-594 |
artikel |
|
| 275 | Rameau's American dancers |
Savage, Roger |
1983 |
XVII | 4 |
p. 441-452 |
artikel |
|
| 276 | Rameau's Platée Burlesque or grotesque? |
Anderson, Nicholas |
1983 |
XVII | 4 |
p. 505-509 |
artikel |
|
| 277 | Reconsidering Palestrina |
Phillips, Peter |
1994 |
XVII | 4 |
p. 574-586 |
artikel |
|
| 278 | Recorder music galore |
BERGMANN, WALTER |
1977 |
XVII | 4 |
p. 575-579 |
artikel |
|
| 279 | Recorder players |
LLOYD, S A |
1975 |
XVII | 4 |
p. 419-b-419 |
artikel |
|
| 280 | Recordings |
LEECH-WILKINSON, DANIEL |
1982 |
XVII | 4 |
p. 557-559 |
artikel |
|
| 281 | Recordings |
RIMMER, JOAN |
1982 |
XVII | 4 |
p. 570-571 |
artikel |
|
| 282 | Recordings |
EVT, |
1982 |
XVII | 4 |
p. 571-571 |
artikel |
|
| 283 | Recordings |
PETTITT, STEPHEN |
1982 |
XVII | 4 |
p. 569-b-570 |
artikel |
|
| 284 | Recordings |
SADLER, GRAHAM |
1982 |
XVII | 4 |
p. 567-a-567 |
artikel |
|
| 285 | Recordings |
WILBY, PHILIP |
1982 |
XVII | 4 |
p. 569-a-569 |
artikel |
|
| 286 | Recordings |
MILSOM, JOHN |
1991 |
XVII | 4 |
p. 567-568 |
artikel |
|
| 287 | Recordings |
PETTITT, STEPHEN |
1982 |
XVII | 4 |
p. 567-b-569 |
artikel |
|
| 288 | Recordings |
MILSOM, JOHN |
1983 |
XVII | 4 |
p. 559-b-561 |
artikel |
|
| 289 | Recordings |
STERNFELD, F. W. |
1983 |
XVII | 4 |
p. 559-a-559 |
artikel |
|
| 290 | RECORDINGS |
SAMS, ERIC |
1984 |
XVII | 4 |
p. 573-b-573-b |
artikel |
|
| 291 | RECORDINGS |
TASSEL, ERIC VAN |
1984 |
XVII | 4 |
p. 574-575 |
artikel |
|
| 292 | RECORDINGS |
Wood, Caroline |
1986 |
XVII | 4 |
p. 609-b-611 |
artikel |
|
| 293 | RECORDINGS |
Humphreys, David |
1986 |
XVII | 4 |
p. 609-a-609 |
artikel |
|
| 294 | Recordings |
TYLER, JAMES |
1991 |
XVII | 4 |
p. 559-562 |
artikel |
|
| 295 | Recordings |
ALLSOP, PETER |
1991 |
XVII | 4 |
p. 568-569 |
artikel |
|
| 296 | RECORDINGS |
Drabkin, William |
1991 |
XVII | 4 |
p. 677-b-682 |
artikel |
|
| 297 | RECORDINGS |
Bartlett, Clifford |
1987 |
XVII | 4 |
p. 557-558 |
artikel |
|
| 298 | RECORDINGS |
Kitchen, John |
1987 |
XVII | 4 |
p. 571-573 |
artikel |
|
| 299 | RECORDINGS |
Elcombe, Keith |
1987 |
XVII | 4 |
p. 573-a-573 |
artikel |
|
| 300 | RECORDINGS |
Wood, Bruce |
1987 |
XVII | 4 |
p. 563-b-566 |
artikel |
|
| 301 | RECORDINGS |
Goodall, Jonathan |
1987 |
XVII | 4 |
p. 563-a-563 |
artikel |
|
| 302 | RECORDINGS |
Rastall, Richard |
1987 |
XVII | 4 |
p. 555-557 |
artikel |
|
| 303 | RECORDINGS |
Wood, Bruce |
1987 |
XVII | 4 |
p. 566-571 |
artikel |
|
| 304 | RECORDINGS |
Butt, John |
1987 |
XVII | 4 |
p. 573-b-577 |
artikel |
|
| 305 | RECORDINGS |
Mobbs, Kenneth |
1987 |
XVII | 4 |
p. 581-b-583 |
artikel |
|
| 306 | RECORDINGS |
Rushton, Julian |
1989 |
XVII | 4 |
p. 618-a-618 |
artikel |
|
| 307 | RECORDINGS |
Zaslaw, Neal |
1989 |
XVII | 4 |
p. 613-617 |
artikel |
|
| 308 | RECORDINGS |
Knighton, Tess |
1989 |
XVII | 4 |
p. 599-601 |
artikel |
|
| 309 | RECORDINGS |
Mabbett, Margaret |
1989 |
XVII | 4 |
p. 601-607 |
artikel |
|
| 310 | RECORDINGS |
Sadler, Graham |
1989 |
XVII | 4 |
p. 607-609 |
artikel |
|
| 311 | RECORDINGS |
Charlton, David |
1989 |
XVII | 4 |
p. 618-b-621 |
artikel |
|
| 312 | RECORDINGS |
Rushton, Julian |
1989 |
XVII | 4 |
p. 621-623 |
artikel |
|
| 313 | RECORDINGS |
Cross, Eric |
1993 |
XVII | 4 |
p. 655-657 |
artikel |
|
| 314 | Recordings |
ANDERSON, NICHOLAS |
1983 |
XVII | 4 |
p. 565-b-567 |
artikel |
|
| 315 | Recordings |
SADLER, GRAHAM |
1983 |
XVII | 4 |
p. 565-a-565 |
artikel |
|
| 316 | Recordings |
FALLLOWS, DAVID |
1983 |
XVII | 4 |
p. 557-558 |
artikel |
|
| 317 | RECORDINGS |
TASSEL, ERIC VAN |
1984 |
XVII | 4 |
p. 569-a-569-a |
artikel |
|
| 318 | Recordings |
SAMSON, JIM |
1980 |
XVII | 4 |
p. 573-574 |
artikel |
|
| 319 | Recordings |
ALISOP, PETER |
1980 |
XVII | 4 |
p. 566-571 |
artikel |
|
| 320 | Recordings |
ALISOP, PETER |
1980 |
XVII | 4 |
p. 565-566 |
artikel |
|
| 321 | Recordings |
McGEGAN, NICHOLAS |
1991 |
XVII | 4 |
p. 569-570 |
artikel |
|
| 322 | Recordings |
MITCHELL, R. J. |
1991 |
XVII | 4 |
p. 565-567 |
artikel |
|
| 323 | RECORDINGS |
Wilson, Christopher R. |
1991 |
XVII | 4 |
p. 673-677 |
artikel |
|
| 324 | RECORDINGS |
Rushton, Julian |
1991 |
XVII | 4 |
p. 661-665 |
artikel |
|
| 325 | RECORDINGS |
Mateer, David |
1991 |
XVII | 4 |
p. 667-673 |
artikel |
|
| 326 | RECORDINGS |
Newbould, Brian |
1991 |
XVII | 4 |
p. 677-a-677 |
artikel |
|
| 327 | RECORDINGS |
Everist, Mark |
1991 |
XVII | 4 |
p. 665-666 |
artikel |
|
| 328 | RECORDINGS |
Drabkin, William |
1988 |
XVII | 4 |
p. 613-620 |
artikel |
|
| 329 | RECORDINGS |
Brown, Alan |
1988 |
XVII | 4 |
p. 599-601 |
artikel |
|
| 330 | RECORDINGS |
Kitchen, John |
1988 |
XVII | 4 |
p. 611-613 |
artikel |
|
| 331 | RECORDINGS |
Knighton, Tess |
1988 |
XVII | 4 |
p. 601-603 |
artikel |
|
| 332 | RECORDINGS |
Sawkins, Lionel |
1988 |
XVII | 4 |
p. 593-b-599 |
artikel |
|
| 333 | RECORDINGS |
Beeks, Graydon |
1989 |
XVII | 4 |
p. 595-599 |
artikel |
|
| 334 | RECORDINGS |
Carver, Anthony F. |
1990 |
XVII | 4 |
p. 661-662 |
artikel |
|
| 335 | RECORDINGS |
Rastall, Richard |
1990 |
XVII | 4 |
p. 663-665 |
artikel |
|
| 336 | RECORDINGS |
Moody, Ivan |
1990 |
XVII | 4 |
p. 662-663 |
artikel |
|
| 337 | RECORDINGS |
Burrows, Donald |
1990 |
XVII | 4 |
p. 679-681 |
artikel |
|
| 338 | RECORDINGS |
Sadler, Graham |
1990 |
XVII | 4 |
p. 671-b-673 |
artikel |
|
| 339 | RECORDINGS |
ROCHE, ELIZABETH |
1984 |
XVII | 4 |
p. 573-a-573-a |
artikel |
|
| 340 | RECORDINGS |
ROCHE, ELIZABETH |
1984 |
XVII | 4 |
p. 569-b-570 |
artikel |
|
| 341 | RECORDINGS |
SMITH, MIKE |
1984 |
XVII | 4 |
p. 570-573 |
artikel |
|
| 342 | RECORDINGS |
Hiley, David |
1986 |
XVII | 4 |
p. 603-605 |
artikel |
|
| 343 | Recordings |
COOPER, BARRY |
1980 |
XVII | 4 |
p. 571-572 |
artikel |
|
| 344 | Recordings |
HARWOOD, IAN |
1991 |
XVII | 4 |
p. 562-565 |
artikel |
|
| 345 | Recordings |
TASSEL, VAN ERIC |
1991 |
XVII | 4 |
p. 570-571 |
artikel |
|
| 346 | Recordings |
CAREW, DEREK |
1991 |
XVII | 4 |
p. 574-578 |
artikel |
|
| 347 | RECORDINGS |
Bray, Roger |
1987 |
XVII | 4 |
p. 561-563 |
artikel |
|
| 348 | RECORDINGS |
Harwood, Ian |
1987 |
XVII | 4 |
p. 558-561 |
artikel |
|
| 349 | RECORDINGS |
Moody, Ivan |
1987 |
XVII | 4 |
p. 551-555 |
artikel |
|
| 350 | RECORDINGS |
Rushton, Julian |
1987 |
XVII | 4 |
p. 581-a-581 |
artikel |
|
| 351 | RECORDINGS |
Sadler, Graham |
1987 |
XVII | 4 |
p. 577-580 |
artikel |
|
| 352 | RECORDINGS |
Woodfield, Ian |
1988 |
XVII | 4 |
p. 593-a-593 |
artikel |
|
| 353 | RECORDINGS |
Bergsagel, John |
1988 |
XVII | 4 |
p. 607-611 |
artikel |
|
| 354 | RECORDINGS |
Mateer, David |
1988 |
XVII | 4 |
p. 603-607 |
artikel |
|
| 355 | RECORDINGS |
Anderson, Nicholas |
1988 |
XVII | 4 |
p. 587-593 |
artikel |
|
| 356 | RECORDINGS |
Burrows, Donald |
1989 |
XVII | 4 |
p. 617-618 |
artikel |
|
| 357 | RECORDINGS |
Bartlett, Clifford |
1989 |
XVII | 4 |
p. 609-613 |
artikel |
|
| 358 | RECORDINGS |
Wood, Caroline |
1990 |
XVII | 4 |
p. 668-a-668 |
artikel |
|
| 359 | RECORDINGS |
Morehen, John |
1990 |
XVII | 4 |
p. 665-666 |
artikel |
|
| 360 | RECORDINGS |
D S Field, Christopher |
1990 |
XVII | 4 |
p. 666-668 |
artikel |
|
| 361 | RECORDINGS |
Crawford, Tim |
1990 |
XVII | 4 |
p. 668-b-671 |
artikel |
|
| 362 | RECORDINGS |
Newbould, Brain |
1990 |
XVII | 4 |
p. 682-683 |
artikel |
|
| 363 | RECORDINGS |
Harrison, Bernard |
1990 |
XVII | 4 |
p. 681-682 |
artikel |
|
| 364 | RECORDINGS |
Kitchen, John |
1990 |
XVII | 4 |
p. 676-679 |
artikel |
|
| 365 | RECORDINGS |
Cross, Eric |
1990 |
XVII | 4 |
p. 674-676 |
artikel |
|
| 366 | RECORDINGS |
Talbot, Michael |
1990 |
XVII | 4 |
p. 671-a-671 |
artikel |
|
| 367 | RECORDINGS |
Fitch, Fabrice |
1993 |
XVII | 4 |
p. 643-645 |
artikel |
|
| 368 | RECORDINGS |
Talbot, Michael |
1993 |
XVII | 4 |
p. 654-655 |
artikel |
|
| 369 | RECORDINGS |
King, Richard G. |
1993 |
XVII | 4 |
p. 652-654 |
artikel |
|
| 370 | Recordings: Quarterly check list-18 |
SMITH, JUDY |
1976 |
XVII | 4 |
p. 503-509 |
artikel |
|
| 371 | Reflections on Christopher Page's Relections |
Bent, Margaret |
1993 |
XVII | 4 |
p. 625-633 |
artikel |
|
| 372 | Reviews and revisions |
FERGUSON, HOWARD |
1983 |
XVII | 4 |
p. 579-b-580 |
artikel |
|
| 373 | Robert Spencer replies: |
1976 |
XVII | 4 |
p. 497-e-498 |
artikel |
||
| 374 | Roses |
STEWART, MADEAU |
1991 |
XVII | 4 |
p. 579-a-579 |
artikel |
|
| 375 | SALEROOMS |
1982 |
XVII | 4 |
p. 525-532 |
artikel |
||
| 376 | SALEROOMS |
MONTAGU, JEREMY |
1987 |
XVII | 4 |
p. 523-530 |
artikel |
|
| 377 | SALEROOMS |
SEARLE, ARTHUR |
1988 |
XVII | 4 |
p. 559-562 |
artikel |
|
| 378 | SALEROOMS: Instruments |
MONTAGU, JEREMY |
1986 |
XVII | 4 |
p. 571-576 |
artikel |
|
| 379 | Santiago de Murcia |
RUSSELL, GRAIG H. |
1982 |
XVII | 4 |
p. 575-b-576 |
artikel |
|
| 380 | SCHLOSS BREITENEICH AUSTRIA: EIGHTH ANNUAL COURSES FOR WINDS 1977 |
RORETZ, BARONESS MARIA |
1976 |
XVII | 4 |
p. 484-484 |
artikel |
|
| 381 | Schutz conference |
HENRY, DERRICK |
1986 |
XVII | 4 |
p. 619-620 |
artikel |
|
| 382 | Signs of the times: a look at late 18th-century gesturing |
Soloman, Nicholas |
1989 |
XVII | 4 |
p. 551-564 |
artikel |
|
| 383 | Sonatas, vols 3 and 4 (K104-205) |
SCHOTT, HOWARD |
1979 |
XVII | 4 |
p. 551-553 |
artikel |
|
| 384 | Stefan Zweig Collection |
SEARLE, ARTHUR |
1986 |
XVII | 4 |
p. 616-618 |
artikel |
|
| 385 | Storage climates for musical instruments |
Karp, Cary |
1982 |
XVII | 4 |
p. 469-476 |
artikel |
|
| 386 | Style and the performer |
BABITZ, SOL |
1976 |
XVII | 4 |
p. 491-b-493 |
artikel |
|
| 387 | Subjectivity and objectivity in Mozart performance |
Kinderman, William |
1991 |
XVII | 4 |
p. 593-600 |
artikel |
|
| 388 | Suites pour deux clavecins |
COOPER, BARRY |
1979 |
XVII | 4 |
p. 569-571 |
artikel |
|
| 389 | Susanna's hat |
Heartz, Daniel |
1991 |
XVII | 4 |
p. 585-590 |
artikel |
|
| 390 | Swedish iconography |
TK, |
1994 |
XVII | 4 |
p. 688-690 |
artikel |
|
| 391 | Telemann: master of the ‘German style’ |
Ritter, Marie |
1994 |
XVII | 4 |
p. 696-698 |
artikel |
|
| 392 | Temperament |
BARNES, JOHN |
1991 |
XVII | 4 |
p. 579-b-579 |
artikel |
|
| 393 | Tempered extravagance: 17th century keyboard collections |
Barker, Naomi Joy |
1995 |
XVII | 4 |
p. 713-714 |
artikel |
|
| 394 | 20th-century analysis and Mozart performance |
Schachter, Carl |
1991 |
XVII | 4 |
p. 620-628 |
artikel |
|
| 395 | 18th-century performances on record |
Ord-Hume, Arthur W. J. G. |
1994 |
XVII | 4 |
p. 700-704 |
artikel |
|
| 396 | The Ancient Greeks |
BRODERSEN, KAI |
1977 |
XVII | 4 |
p. 599-b-599 |
artikel |
|
| 397 | The basset clarinet revived |
Lawson, Colin |
1987 |
XVII | 4 |
p. 487-502 |
artikel |
|
| 398 | The British Clavichord Society |
Pleasants, Virginia |
1994 |
XVII | 4 |
p. 711-712 |
artikel |
|
| 399 | The Broadwood Heritage |
CALDWELL, JOHN |
1979 |
XVII | 4 |
p. 567-b-569 |
artikel |
|
| 400 | The Brussels double harp |
Grijp, L. P. |
1980 |
XVII | 4 |
p. 509-a-509 |
artikel |
|
| 401 | The Brussels double harp |
Hadaway, Robert |
1980 |
XVII | 4 |
p. 509-b-511 |
artikel |
|
| 402 | The clarinet and chalumeau revisited |
Rice, Albert R. |
1986 |
XVII | 4 |
p. 552-556 |
artikel |
|
| 403 | The Classical keyboard concerto: Some thoughts on authentic performance |
Ferguson, Faye |
1984 |
XVII | 4 |
p. 437-446 |
artikel |
|
| 404 | The Consort music of Orlando Gibbons |
BAINES, FRANCIS |
1978 |
XVII | 4 |
p. 540-543 |
artikel |
|
| 405 | The Earl of Bute's machine organ |
MALLOCH, WILLIAM |
1983 |
XVII | 4 |
p. 579-a-579 |
artikel |
|
| 406 | The Early Music Gazette |
Kenyon, Nicholas |
1978 |
XVII | 4 |
p. 641-s-641 |
artikel |
|
| 407 | The early piano in Britain reconsidered |
Cole, Warwick Henry |
1986 |
XVII | 4 |
p. 563-566 |
artikel |
|
| 408 | The enigmatic canons of Juan del Vado (c.1625-1691) |
Robledo, Luis |
1987 |
XVII | 4 |
p. 515-519 |
artikel |
|
| 409 | ‘The Fairy Queen’: revived |
CORZIER, ERIC |
1977 |
XVII | 4 |
p. 605-a-605 |
artikel |
|
| 410 | The ‘ffantazia manner’ |
Robinson, Lucy |
1995 |
XVII | 4 |
p. 723-724 |
artikel |
|
| 411 | The First complete edition of Marenzio |
STEELE, JOHN |
1978 |
XVII | 4 |
p. 629-a-629 |
artikel |
|
| 412 | The Guadalupe angel musicians |
de Pascual, Beryl Kenyon |
1986 |
XVII | 4 |
p. 541-544 |
artikel |
|
| 413 | The influence of the Italian violin school in 17th-century England |
Walls, Peter |
1990 |
XVII | 4 |
p. 575-587 |
artikel |
|
| 414 | The instrumentation of Handel's early Italian works |
Joachim Marx, Hans |
1988 |
XVII | 4 |
p. 496-505 |
artikel |
|
| 415 | The Italian violin school in the 17th century |
Zaslaw, Neal |
1990 |
XVII | 4 |
p. 515-518 |
artikel |
|
| 416 | The louisquatorzien oboe band |
Burgess, Geoffrey |
1995 |
XVII | 4 |
p. 714-716 |
artikel |
|
| 417 | The lute worldwide 2: Argentina |
HUSEBY, GERARDO V |
1975 |
XVII | 4 |
p. 387-a-387 |
artikel |
|
| 418 | The lute worldwide 2: Switzerland |
REIDEMEISTER, PETER |
1975 |
XVII | 4 |
p. 387-b-389 |
artikel |
|
| 419 | The medieval sequence: a foretaste of heavenly song |
Page, Christopher |
1994 |
XVII | 4 |
p. 679-682 |
artikel |
|
| 420 | The Musical Manuscripts of Guillaume de Machaut |
KEITEL, ELIZABETH |
1977 |
XVII | 4 |
p. 469-472 |
artikel |
|
| 421 | The myth of the chekker |
PAGE, CHRISTOPHER |
1979 |
XVII | 4 |
p. 482-490 |
artikel |
|
| 422 | The Neue Mozart-Ausgabe: a retrospect |
Flothuis, Marius |
1991 |
XVII | 4 |
p. 533-537 |
artikel |
|
| 423 | The New Grove |
MILSOM, JOHN |
1981 |
XVII | 4 |
p. 509-513 |
artikel |
|
| 424 | The old and new Mozart editions |
Eisen, Cliff |
1991 |
XVII | 4 |
p. 513-532 |
artikel |
|
| 425 | Theorbo, archlute and chitarrone |
WRIGHT, LAURENCE |
1976 |
XVII | 4 |
p. 497-d-497 |
artikel |
|
| 426 | The orpharion Symbol of a humanist ideal |
Wells, Headlam Robin |
1982 |
XVII | 4 |
p. 427-440 |
artikel |
|
| 427 | The performance of Palestrina |
Dixon, Graham |
1994 |
XVII | 4 |
p. 666-676 |
artikel |
|
| 428 | The performance of songs in late medival France: A new source |
Page, Christopher |
1982 |
XVII | 4 |
p. 441-451 |
artikel |
|
| 429 | The pianos of Conrad Graf |
Wythe, Deborah |
1984 |
XVII | 4 |
p. 447-460 |
artikel |
|
| 430 | The Practical guitar |
Tyler, James |
1980 |
XVII | 4 |
p. 506-507 |
artikel |
|
| 431 | ‘The praise of it endureth for ever’: the posthumous publication of Palestrina's music |
Roche, Jerome |
1994 |
XVII | 4 |
p. 631-640 |
artikel |
|
| 432 | The renaissance harp: The instrument and its music |
MORROW, MICHAEL |
1979 |
XVII | 4 |
p. 499-510 |
artikel |
|
| 433 | The role of the violin in the resurgence of the Mass in the 17th century |
Schnoebelen, Anne |
1990 |
XVII | 4 |
p. 537-544 |
artikel |
|
| 434 | The Roman repertory for violin before the time of Corelli |
McCrickard, Eleanor |
1990 |
XVII | 4 |
p. 563-574 |
artikel |
|
| 435 | The sackbut in England in the 17th and 18th centuries |
Herbert, Trevor |
1990 |
XVII | 4 |
p. 609-616 |
artikel |
|
| 436 | The singer's view |
Thornton, Barbara |
1984 |
XVII | 4 |
p. 523-524 |
artikel |
|
| 437 | The singer's view |
Nigel, Rogers |
1984 |
XVII | 4 |
p. 524-528 |
artikel |
|
| 438 | The size of church choirs |
TWEEDIE, MICHAEL |
1978 |
XVII | 4 |
p. 631-c-633 |
artikel |
|
| 439 | The trumpet sonata in England |
HOLMAN, PETER |
1976 |
XVII | 4 |
p. 424-429 |
artikel |
|
| 440 | The Universal Voice |
DYER, JOSEPH |
1976 |
XVII | 4 |
p. 489-b-491 |
artikel |
|
| 441 | The use of the bow in French solo viol playing of the 17th and 18th centuries |
HSU, JOHN |
1978 |
XVII | 4 |
p. 526-529 |
artikel |
|
| 442 | The Venetian ospedali |
Macy, Laura |
1994 |
XVII | 4 |
p. 682-684 |
artikel |
|
| 443 | The violin piccolo and other small violins |
Banks, Margaret Downie |
1990 |
XVII | 4 |
p. 588-598 |
artikel |
|
| 444 | Three studies of Purcell |
Thompson, Robert |
1995 |
XVII | 4 |
p. 695-697 |
artikel |
|
| 445 | Tones, modes, clefs and pitch in Roman cyclic Magnificats of the 16th century |
Kurtzman, Jeffrey G. |
1994 |
XVII | 4 |
p. 641-665 |
artikel |
|
| 446 | Topical content in Mozart's keyboard sonatas |
Ratner, Leonard G. |
1991 |
XVII | 4 |
p. 615-619 |
artikel |
|
| 447 | Towards Europe: the achievement of the 15th century |
Planchart, Alejandro Enrique |
1994 |
XVII | 4 |
p. 677-679 |
artikel |
|
| 448 | Towards the grand siècle and beyond: sacred music of the French Baroque |
Sadler, Graham |
1995 |
XVII | 4 |
p. 716-720 |
artikel |
|
| 449 | Transposition in Monteverdi's Vespers of 1610: An ‘aberration’ defended |
Parrott, Andrew |
1984 |
XVII | 4 |
p. 490-516 |
artikel |
|
| 450 | Tribute to Eric Halfpenny |
MONTAGU, JEREMY |
1979 |
XVII | 4 |
p. 523-523 |
artikel |
|
| 451 | Trumpet-like crumhorn tone |
DURICHEN, PAULINE |
1975 |
XVII | 4 |
p. 417-c-418 |
artikel |
|
| 452 | Trumpet-like crumhorn tone |
FURNER, JAMES |
1975 |
XVII | 4 |
p. 417-b-417 |
artikel |
|
| 453 | Tudor Anthems |
FOX, BRUCE |
1979 |
XVII | 4 |
p. 571-53 |
artikel |
|
| 454 | Twenty set models for the Paris Opéra in the time of Rameau |
Gorce, Jérôme de La |
1983 |
XVII | 4 |
p. 429-440 |
artikel |
|
| 455 | Two Jacobean songs |
HOLMAN, PETER |
1978 |
XVII | 4 |
p. 629-b-631 |
artikel |
|
| 456 | Two Jacobean songs: John Harley replies |
1978 |
XVII | 4 |
p. 631-a-631 |
artikel |
||
| 457 | Two more Dufay songs reconstructed |
FALLOWS, DAVID |
1975 |
XVII | 4 |
p. 358-360 |
artikel |
|
| 458 | Two 19th-century symphonies |
Newbould, Brian |
1994 |
XVII | 4 |
p. 704-707 |
artikel |
|
| 459 | Ut re mi fa sol la |
SMART, JASON |
1979 |
XVII | 4 |
p. 563-b-563 |
artikel |
|
| 460 | Vanbrugh's Queen's Theatre in the Haymarket, 1703–9 |
Barlow, Graham F. |
1989 |
XVII | 4 |
p. 515-522 |
artikel |
|
| 461 | Vanitas: on preserving and restoring old instruments |
LATCHAM, MICHAEL |
1995 |
XVII | 4 |
p. 731-734 |
artikel |
|
| 462 | Viol studies |
ROBBINS, ALICE |
1978 |
XVII | 4 |
p. 633-a-633 |
artikel |
|
| 463 | Vocal techniques in Italy in the second half of the 16th century |
Uberti, Mauro |
1991 |
XVII | 4 |
p. 486-498 |
artikel |
|
| 464 | Wanda Landowska: A centenary appraisal |
SCHOTT, HOWARD |
1979 |
XVII | 4 |
p. 467-472 |
artikel |
|
| 465 | ‘Well-tempering’ the clavier: five methods |
BLOOD, WILLIAM |
1979 |
XVII | 4 |
p. 491-498 |
artikel |
|
| 466 | When is an Orchestra not an Orchestra? |
Zaslaw, Neal |
1988 |
XVII | 4 |
p. 483-495 |
artikel |
|
| 467 | WHISPERING HARPSICHORDS |
WAY, DAVID J. President |
1976 |
XVII | 4 |
p. 472-a-472 |
artikel |
|
| 468 | ZUCKERMANN HARPSICHORDS, INC |
LINCOLN, STODDARD |
1976 |
XVII | 4 |
p. 472-b-473 |
artikel |
468 gevonden resultaten