nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Books
|
TURNER, JOHN |
|
1979 |
7 |
1 |
p. 123-125 |
artikel |
2 |
Books
|
SMITH, PETER |
|
1979 |
7 |
1 |
p. 125-a-125 |
artikel |
3 |
Books
|
T, JM |
|
1979 |
7 |
1 |
p. 125-b-125 |
artikel |
4 |
Books
|
D.F, |
|
1979 |
7 |
1 |
p. 127-b-128 |
artikel |
5 |
Books
|
D. F., |
|
1979 |
7 |
1 |
p. 125-c-127 |
artikel |
6 |
Books
|
FALLOWS, DAVID |
|
1979 |
7 |
1 |
p. 119-121 |
artikel |
7 |
Books
|
TYLER, JAMES |
|
1979 |
7 |
1 |
p. 121-123 |
artikel |
8 |
Claren
|
STILLER, ANDREW |
|
1979 |
7 |
1 |
p. 138-b-139 |
artikel |
9 |
Claren
|
SELFRIDGE-FIELD, ELEANOR |
|
1979 |
7 |
1 |
p. 139-140 |
artikel |
10 |
Concert in a house: Musical iconography and musical thought
|
LEPPERT, RICHARD D. |
|
1979 |
7 |
1 |
p. 3-17 |
artikel |
11 |
English Church Music c 1660-1700 .2
|
VAN TASSEL, ERIC |
|
1979 |
7 |
1 |
p. 85-88 |
artikel |
12 |
Flasolet
|
HUNT, EDGAR |
|
1979 |
7 |
1 |
p. 140-a-140 |
artikel |
13 |
How did the viola da gamba sound?
|
RUTLEDGE, JOHN |
|
1979 |
7 |
1 |
p. 59-69 |
artikel |
14 |
Il modo di far la fantasia: An appreciation of Luzzaschi's instrumental style
|
NEWCOMB, ANTHONY |
|
1979 |
7 |
1 |
p. 34-38 |
artikel |
15 |
Interpreting style: a tribute to: Howard Ferguson
|
SCHOTT, HOWARD |
|
1979 |
7 |
1 |
p. 70-78 |
artikel |
16 |
Manuscript vandalism
|
FALCONER, DAVID |
|
1979 |
7 |
1 |
p. 141-b-142 |
artikel |
17 |
Music
|
MASON, BARRY |
|
1979 |
7 |
1 |
p. 131-a-131 |
artikel |
18 |
Music
|
SMITH, PETER |
|
1979 |
7 |
1 |
p. 129-131 |
artikel |
19 |
Music
|
POULTON, DIANA |
|
1979 |
7 |
1 |
p. 131-b-134 |
artikel |
20 |
Notes on a mystery: cornamuse and dulzaina
|
FALLOWS, DAVID |
|
1979 |
7 |
1 |
p. 135-a-135 |
artikel |
21 |
Once more: the ‘French overture style’
|
NEWCOMB, FREDERICK |
|
1979 |
7 |
1 |
p. 39-45 |
artikel |
22 |
On Performing the Lo estampies
|
CRANE, FREDERICK |
|
1979 |
7 |
1 |
p. 25-33 |
artikel |
23 |
Paris revisited: describes the flourishing state of French harpsichord making as shown at the 1978 Paris Harpsichord Forum
|
SCHOTT, HOWARD |
|
1979 |
7 |
1 |
p. 103-110 |
artikel |
24 |
Performers' Guide
|
BRAY, ROGER |
|
1979 |
7 |
1 |
p. 111-116 |
artikel |
25 |
Performing Style in Bach Cantatas 3
|
ANDERSON, NICHOLAS |
|
1979 |
7 |
1 |
p. 99-102 |
artikel |
26 |
Rameau's harpsichord transcriptions from Les Indes galantes
|
SADLER, GRAHAM |
|
1979 |
7 |
1 |
p. 18-24 |
artikel |
27 |
Recordings Quarterly checklist
|
WILLSHER, PETER |
|
1979 |
7 |
1 |
p. 143-143 |
artikel |
28 |
Restoration, conservation: repair and maintenance: Some considerations on the care of musical instruments
|
KARP, CARY |
|
1979 |
7 |
1 |
p. 79-84 |
artikel |
29 |
Salmoè and clarinet
|
LAWSON, COLIN |
|
1979 |
7 |
1 |
p. 138-a-138 |
artikel |
30 |
Some thoughts on the performance of concert music
|
BREMNER, R. |
|
1979 |
7 |
1 |
p. 48-57 |
artikel |
31 |
The Compleat Orchestral Musician
|
ZASLAW, ZEAL |
|
1979 |
7 |
1 |
p. 46-47 |
artikel |
32 |
The intermediate clavicytherium
|
van der MEER, J. H. |
|
1979 |
7 |
1 |
p. 140-b-140 |
artikel |
33 |
The slur in figured bass
|
WEALE, JOHN |
|
1979 |
7 |
1 |
p. 141-a-142 |
artikel |
34 |
Trills in Keyboard music
|
MORONEY, DAVITT |
|
1979 |
7 |
1 |
p. 140-c-140 |
artikel |
35 |
Trills in Keyboard music
|
SCHOTT, HOWARD |
|
1979 |
7 |
1 |
p. 140-d-141 |
artikel |
36 |
Underneath the Archives: recalls the early days with J. M. THOMSON
|
STEWART, MADEAU |
|
1979 |
7 |
1 |
p. 89-98 |
artikel |
37 |
Vivaldi's esoteric instruments
|
Van der MEER, J. H. |
|
1979 |
7 |
1 |
p. 135-b-138 |
artikel |