nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Alternatim hymn settings
|
WIGAN, CANON BERNARD |
|
1982 |
10 |
3 |
p. 419-b-421 |
artikel |
2 |
Books
|
RANKIN, SUSAN |
|
1982 |
10 |
3 |
p. 375-377 |
artikel |
3 |
Cambridge Festival
|
Moses, Antoinette |
|
1982 |
10 |
3 |
p. 423-a-423 |
artikel |
4 |
Discs and dates
|
COHEN, JOEL |
|
1982 |
10 |
3 |
p. 419-a-419 |
artikel |
5 |
Facing the music
|
BRETT, PHILIP |
|
1982 |
10 |
3 |
p. 347-350 |
artikel |
6 |
Haydn in London
|
ZEMANOVĂ„, MIRKA |
|
1982 |
10 |
3 |
p. 422-a-422 |
artikel |
7 |
Haydn on record .1
|
Robbins Landon, H. C. |
|
1982 |
10 |
3 |
p. 351-364 |
artikel |
8 |
Liverpool
|
WESS, JOAN |
|
1982 |
10 |
3 |
p. 422-b-423 |
artikel |
9 |
Music
|
SPENCER, ROBERT |
|
1982 |
10 |
3 |
p. 383-385 |
artikel |
10 |
Music
|
NEIGHBOUR, OLIVER |
|
1982 |
10 |
3 |
p. 378-379 |
artikel |
11 |
Recorder playing in England
|
SELFRIDGE-FIELD, ELEANOR |
|
1982 |
10 |
3 |
p. 417-a-417 |
artikel |
12 |
Recorder playing in England
|
CHISHOLM, DUNCAN |
|
1982 |
10 |
3 |
p. 417-b-419 |
artikel |
13 |
Recordings
|
LEECH-WILKINSON, DANIEL |
|
1982 |
10 |
3 |
p. 401-a-401 |
artikel |
14 |
Recordings
|
SMITH, MIKE |
|
1982 |
10 |
3 |
p. 401-b-405 |
artikel |
15 |
Recordings
|
ALLSOP, PETER |
|
1982 |
10 |
3 |
p. 409-411 |
artikel |
16 |
Recordings
|
ROCHE, JEROME |
|
1982 |
10 |
3 |
p. 411-416 |
artikel |
17 |
Recordings
|
VAN TASSEL, ERIC |
|
1982 |
10 |
3 |
p. 405-b-409 |
artikel |
18 |
Recordings
|
ANDREWES, RICHARD |
|
1982 |
10 |
3 |
p. 405-a-405 |
artikel |
19 |
The pardessus de viole and its literature
|
Green, Robert A. |
|
1982 |
10 |
3 |
p. 301-308 |
artikel |
20 |
The performance of plainchant: Some preliminary observations of the new era
|
Brunner, Lance W. |
|
1982 |
10 |
3 |
p. 317-328 |
artikel |
21 |
Viol construction in 17th-century England: An alternative way of making fronts
|
Kessler, Dietrich M. |
|
1982 |
10 |
3 |
p. 340-346 |
artikel |
22 |
Washington, Missouri
|
Matheson, William |
|
1982 |
10 |
3 |
p. 423-b-423 |
artikel |