nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
All Astir
|
|
|
2007 |
|
1 |
p. 85-90 |
artikel |
2 |
All Astir
|
Kelley, Wyn |
|
2006 |
|
1 |
p. 101-105 |
artikel |
3 |
“A Squeeze of the Invisible Hand: Materialist Aesthetics and Capitalism in Moby-Dick”
|
Gilmore, Paul |
|
2006 |
|
1 |
p. 124 |
artikel |
4 |
Ben-Ner's Moby Dick and Melville's Mechanism of Projection
|
Wallace, Robert K. |
|
2007 |
|
1 |
p. 43-59 |
artikel |
5 |
Bone
|
Mitchell, Rick |
|
2006 |
|
1 |
p. 85-87 |
artikel |
6 |
BRUCE HARVEYAmerican Geographics: U.S. National Narratives and the Representation of the Non-European World, 1830-1865
|
Baker, Anne |
|
2006 |
|
1 |
p. 96-98 |
artikel |
7 |
Douglass and Melville: Anchored Together in Neighborly Style by ROBERT K. WALLACE
|
Blum, Hester |
|
2007 |
|
1 |
p. 77-81 |
artikel |
8 |
EDGAR A. DRYDENMonumental Melville: The Formation of a Literary Career
|
Wenke, John |
|
2006 |
|
1 |
p. 91-95 |
artikel |
9 |
Five Poems
|
Lababidi, Yahia |
|
2007 |
|
1 |
p. 63-66 |
artikel |
10 |
From Melville to Eddie Murphy: The Disability Con in American Literature and Film
|
Samuels, Ellen |
|
2006 |
|
1 |
p. 61-82 |
artikel |
11 |
From the Mast-Head
|
Bryant, John |
|
2006 |
|
1 |
p. 3-5 |
artikel |
12 |
“From Typee to Clarel: ‘Across the Chasm’”
|
Otter, Samuel |
|
2006 |
|
1 |
p. 125-126 |
artikel |
13 |
‘He's Going to Sound!’: Herman Melville and the Struggle to Legitimize Radio
|
Prchal, Tim |
|
2007 |
|
1 |
p. 96-98 |
artikel |
14 |
Introduction: Melville and Disability
|
Otter, Samuel |
|
2006 |
|
1 |
p. 7-16 |
artikel |
15 |
Ishmael's Recovery: Injury, Illness, and Convalescence in Moby-Dick
|
Ryan, James Emmett |
|
2006 |
|
1 |
p. 17-34 |
artikel |
16 |
Letter to the Editor
|
Shneidman, Edwin |
|
2006 |
|
1 |
p. 121-122 |
artikel |
17 |
Masquerades of Impairment: Charity as a Confidence Game
|
Mitchell, David T. |
|
2006 |
|
1 |
p. 35-60 |
artikel |
18 |
“Melville and the Aesthetics of Freedom”
|
Stauffer, John |
|
2006 |
|
1 |
p. 124-125 |
artikel |
19 |
Melville: His World and Work by ANDREW DELBANCO
|
Otter, Samuel |
|
2007 |
|
1 |
p. 69-76 |
artikel |
20 |
Melville in the Popular Imagination
|
Inge, M. Thomas |
|
2007 |
|
1 |
p. 95-96 |
artikel |
21 |
Melville's Allusions to Religion
|
Coffler, Gail H. |
|
2006 |
|
1 |
p. 107-119 |
artikel |
22 |
“Melville: The Aesthetic Turn”
|
Sanborn, Geoffrey |
|
2006 |
|
1 |
p. 123 |
artikel |
23 |
‘Or the Whale’: Unpopular Melville in the Popular Imagination
|
Hardack, Richard |
|
2007 |
|
1 |
p. 101-102 |
artikel |
24 |
Profiles in Ontological Rebelliousness: The Presence of Moby-Dick References in Heathers
|
Laist, Randy |
|
2007 |
|
1 |
p. 98-99 |
artikel |
25 |
The Epistemology of the Wonder-Closet: Melville, Moby-Dick, and the Marvelous
|
Luck, Chad |
|
2007 |
|
1 |
p. 3-23 |
artikel |
26 |
The Power of Prestige and the Aesthetic of Mightiness: Mastodon's Leviathan and the Popular Image of Moby-Dick
|
Bernardini, Craig |
|
2007 |
|
1 |
p. 99-101 |
artikel |
27 |
Why Melville Matters Now A Transdisciplinary Celebration in Albany, New York
|
Valentis, Mary |
|
2007 |
|
1 |
p. 91-93 |
artikel |
28 |
Wordsworth in Melville's “Cock-A-Doodle-Doo”
|
Bohm, Arnd |
|
2007 |
|
1 |
p. 25-41 |
artikel |