nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
A BRIEF HISTORY OF ART WITH SPECIAL REFERENCE TO WEST AFRICA
|
ARNOLD, MARION |
|
2006 |
|
2 |
p. 49-50 |
artikel |
2 |
AFTER SIR JOSHUA: ESSAYS ON BRITISH ART AND CULTURAL HISTORY
|
CHARNOCK, IAN |
|
2006 |
|
2 |
p. 66-67 |
artikel |
3 |
AMERICAN EXPOSURES: PHOTOGRAPHY AND COMMUNITY IN THE TWENTIETH CENTURY BY LOUIS KAPLAN
|
MORRELL, AMISH |
|
2007 |
|
2 |
p. 63-64 |
artikel |
4 |
AMERICA STARTS HERE BY IAN BERRY AND BILL ARNING (EDS)
|
TYSON, JANET STILES |
|
2007 |
|
2 |
p. 26-27 |
artikel |
5 |
ANDRE DERAIN: THE LONDON PAINTINGS
|
ROBBINS, ELEANOR |
|
2006 |
|
2 |
p. 15-16 |
artikel |
6 |
ANSELM KIEFER FÜR CHLEBNIKOV
|
CALLAN, GUY |
|
2006 |
|
2 |
p. 18 |
artikel |
7 |
ANTINOUS: THE FACE OF THE ANTIQUE BY PENELOPE CURTIS AND CAROLINE VOUT
|
BONAVENTURA, PAUL |
|
2007 |
|
2 |
p. 23-24 |
artikel |
8 |
A PRE-RAPHAELITE MARRIAGE THE LIVES AND WORKS OF MARIE SPARTALI STILLMAN AND WILLIAM JAMES STILLMAN BY DAVID B ELLIOTT
|
ARNOLD, MARION |
|
2007 |
|
2 |
p. 39-40 |
artikel |
9 |
ARCHIGRAM: ARCHITECTURE WITHOUT ARCHITECTURE
|
BARNSTONE, DEBORAH ASHER |
|
2006 |
|
2 |
p. 56-57 |
artikel |
10 |
ART CZAR: THE RISE AND FALL OF CLEMENT GREENBERG BY ALICE GOLDFARB MARQUIS
|
WALKER, JOHN A |
|
2007 |
|
2 |
p. 50-52 |
artikel |
11 |
ART, DESIGN AND ARCHITECTURE IN CENTRAL EUROPE 1890–1920 BY ELIZABETH CLEGG
|
COSTANTINI, GIOVANNA |
|
2007 |
|
2 |
p. 56-57 |
artikel |
12 |
ARTISTS' ESTATES: REPUTATIONS IN TRUST
|
KELLER, VICTORIA |
|
2006 |
|
2 |
p. 29-30 |
artikel |
13 |
ART OF THE DIGITAL AGE BY BRUCE WANDS
|
GERE, CHARLIE |
|
2007 |
|
2 |
p. 40-41 |
artikel |
14 |
ART PHOTOGRAPHY NOW
|
DOY, GEN |
|
2006 |
|
2 |
p. 60-61 |
artikel |
15 |
ARTS IN EXILE IN BRITAIN 1933–1945POLITICS AND CULTURAL IDENTITY
|
FREEMAN, JULIAN |
|
2006 |
|
2 |
p. 40-41 |
artikel |
16 |
AT HOME IN RENAISSANCE ITALY ART AND LIFE IN THE ITALIAN HOUSE, 1400–1600 BY MARTA AJMAR-WOLLHEIM AND FLORA DENNIS (EDS)
|
NEHER, GABRIELE |
|
2007 |
|
2 |
p. 25-26 |
artikel |
17 |
A2Z AND MORE SIGNS BY JULIAN ROTHENSTEIN (ED.) TEXTS BY MEL GOODING
|
LAMBIRTH, ANDREW |
|
2007 |
|
2 |
p. 70-71 |
artikel |
18 |
BEN HARTLEY NOTEBOOKS: PIGS MUST EAT ON SUNDAYS
|
LEWIS, ADRIAN |
|
2006 |
|
2 |
p. 46-47 |
artikel |
19 |
Big Pictures
|
LEWIS, ADRIAN |
|
2007 |
|
2 |
p. 6-8 |
artikel |
20 |
Black and Post-Black
|
DOY, GEN |
|
2006 |
|
2 |
p. 9-11 |
artikel |
21 |
CITIES OF THE WORLD: A HISTORY IN MAPS
|
CHARNOCK, IAN |
|
2006 |
|
2 |
p. 64 |
artikel |
22 |
CONRAD ATKINSON LANDESCAPES BY CONRAD ATKINSON, RICHARD CORK & ANTONY HUDEK
|
WALKER, JOHN A |
|
2007 |
|
2 |
p. 41-42 |
artikel |
23 |
Contemporary Art in the Middle East: New Perspectives
|
NOYES PLATT, SUSAN |
|
2007 |
|
2 |
p. 9-10 |
artikel |
24 |
COURBET AND THE MODERN LANDSCAPE BY MARY MORTON AND CHARLOTTE EYERMAN
|
LAMBIRTH, ANDREW |
|
2007 |
|
2 |
p. 29-30 |
artikel |
25 |
CR ASHBEE: ARCHITECT, DESIGNER, ROMANTIC SOCIALIST
|
COMPTON, ANN |
|
2006 |
|
2 |
p. 36-38 |
artikel |
26 |
CUTS: TEXTS 1959–2004
|
APPLIN, JO |
|
2006 |
|
2 |
p. 35-36 |
artikel |
27 |
Deceptive Allegories
|
RAWLINSON, MARK |
|
2006 |
|
2 |
p. 12-14 |
artikel |
28 |
DEGAS, SICKERT AND TOULOUSE-LAUTREC LONDON AND PARIS 1870–1910
|
FREEMAN, JULIAN |
|
2006 |
|
2 |
p. 19-20 |
artikel |
29 |
DE LA WARR PAVILION THE MODERNIST MASTERPIECE BY ALASTAIR FAIRLEY, FOREWORD BY RICHARD ROGERS
|
FREEMAN, JULIAN |
|
2007 |
|
2 |
p. 57-58 |
artikel |
30 |
DE LÁSZLÓ IN HOLLAND: DUTCH MASTERPIECES BY PHILIP ALEXIUS DE LÁSZLÓ (1869–1937) BY TONKO GREVER AND ANNEMIEKE HEUFT WITH SANDRA DE LÁSZLÓ
|
SOMERVILLE, ROSA |
|
2007 |
|
2 |
p. 28 |
artikel |
31 |
DESIGNART
|
FREEMAN, JULIAN |
|
2006 |
|
2 |
p. 57-58 |
artikel |
32 |
Domenico Tiepolo (1727–1804) A New Testament
|
Bostock, Sophie |
|
2007 |
|
2 |
p. 31-32 |
artikel |
33 |
DONATELLO AMONG THE BLACKSHIRTS. HISTORY AND MODERNITY IN THE VISUAL CULTURE OF FASCIST ITALY
|
NEHER, GABRIELE |
|
2006 |
|
2 |
p. 66 |
artikel |
34 |
EARLY NETHERLANDISH PAINTINGS: REDISCOVERY, RECEPTION, AND RESEARCH
|
SILVER, LARRY |
|
2006 |
|
2 |
p. 62 |
artikel |
35 |
Editorial
|
WARD, SUE |
|
2006 |
|
2 |
p. 2 |
artikel |
36 |
Editorial
|
WARD, SUE |
|
2007 |
|
2 |
p. 2 |
artikel |
37 |
E MCKNIGHT KAUFFER: A DESIGNER AND HIS PUBLIC
|
DRURY, SARAH |
|
2006 |
|
2 |
p. 59-60 |
artikel |
38 |
ENGLISH ACCENTS: INTERACTIONS WITH BRITISH ART C 1776–1855
|
ANDREW, PATRICIA R |
|
2006 |
|
2 |
p. 26-27 |
artikel |
39 |
FRANK BRANGWYN 1867–1956 BY LIBBY HORNER AND GILLIAN NAYLOR (EDS)
|
MCKEVER, ROSALIND |
|
2007 |
|
2 |
p. 33-34 |
artikel |
40 |
FROM FILIPPO LIPPI TO PIERO DELLA FRANCESCA: FRA CARNEVALE AND THE MAKING OF A RENAISSANCE MASTER
|
TARR, ROGER |
|
2006 |
|
2 |
p. 28-29 |
artikel |
41 |
GAUGUIN AND THE ORIGINS OF SYMBOLISM
|
TYSON, JANET STILES |
|
2006 |
|
2 |
p. 21-22 |
artikel |
42 |
GEORG JENSEN JEWELRY
|
KELLER, VICTORIA |
|
2006 |
|
2 |
p. 22-24 |
artikel |
43 |
GRANT WOOD'S STUDIOBIRTHPLACE OF AMERICAN GOTHIC
|
BACH, ANN L E |
|
2006 |
|
2 |
p. 45-46 |
artikel |
44 |
HANS BELLMER BY MICHAEL SEMFF AND ANTHONY SPIRA (EDS) AND PIERRE KLOSSOWSKI BY ANTHONY SPIRA AND SARAH WILSON (EDS)
|
CALLAN, GUY |
|
2007 |
|
2 |
p. 22-23 |
artikel |
45 |
HENNA NADEEM: A PICTURE BOOK OF BRITAIN DESIGNED BY LOUP
|
LANE, GUY |
|
2007 |
|
2 |
p. 64-66 |
artikel |
46 |
HISTORY'S BEAUTIES: WOMEN AND THE NATIONAL PORTRAIT GALLERY, 1856–1900 BY LARA PERRY
|
BORZELLO, FRANCES |
|
2007 |
|
2 |
p. 35-36 |
artikel |
47 |
How to Build Renaissance Venice
|
NEHER, GABRIELE |
|
2007 |
|
2 |
p. 11-13 |
artikel |
48 |
ICONS AND POWER: THE MOTHER OF GOD IN BYZANTIUM BY BISSERA V PENTCHEVA
|
MARTIN, SUSAN |
|
2007 |
|
2 |
p. 47 |
artikel |
49 |
Illustrated Histories
|
LANE, GUY |
|
2007 |
|
2 |
p. 61-63 |
artikel |
50 |
INSTALLATION ARTA CRITICAL HISTORY
|
CARRUTHERS, VICKI |
|
2006 |
|
2 |
p. 41-42 |
artikel |
51 |
INTERACTION OF COLOUR BY JOSEF ALBERS AND FORMULATION: ARTICULATION BY T G ROSENTHAL
|
DEZINE, ANN BACH |
|
2007 |
|
2 |
p. 44-45 |
artikel |
52 |
INTERNATIONAL ART GALLERIES: POST-WAR TO POST-MILLENNIUM, A NARRATIVE CHRONOLOGY OF THE DEALERS, ARTISTS AND SPACES THAT HAVE DEFINED MODERN ART
|
WALKER, JOHN A |
|
2006 |
|
2 |
p. 38-39 |
artikel |
53 |
JAPANESE POPULAR PRINTS: FROM VOTIVE SLIPS TO PLAYING CARDS BY REBECCA SALTER
|
LAMBIRTH, ANDREW |
|
2007 |
|
2 |
p. 69-70 |
artikel |
54 |
JOSEF HOFFMANN: INTERIORS, 1902–1913 BY CHRISTIAN WITT-DÖRRING, EDITOR
|
KELLER, VICTORIA |
|
2007 |
|
2 |
p. 21-22 |
artikel |
55 |
KIENHOLZ
|
WHITELEY, GILLIAN |
|
2006 |
|
2 |
p. 20-21 |
artikel |
56 |
LANDSCAPE AND FILM BY MARTIN LEFEBRE (ED.) AND WRITING HISTORY IN FILM BY WILLIAM GUYNN
|
ALFREY, CLAIRE |
|
2007 |
|
2 |
p. 66 |
artikel |
57 |
LEONARDO AND THE MONA LISA STORY: THE HISTORY OF A PAINTING TOLD IN PICTURES BY DONALD SASSOON AND MONA LISA: INSIDE THE PAINTING BY JEAN-PIERRE MOHEN, MICHEL MENU, AND BRUNO MOTTIN
|
LEZOTTE, ANNETTE |
|
2007 |
|
2 |
p. 45-47 |
artikel |
58 |
LEONARDO DA VINCI, MICHELANGELO, AND THE RENAISSANCE IN FLORENCE
|
NEHER, GABRIELE |
|
2006 |
|
2 |
p. 16 |
artikel |
59 |
LUCIAN FREUD 1996–2005
|
RADFORD, ROBERT |
|
2006 |
|
2 |
p. 32-33 |
artikel |
60 |
LUCKNOW: CITY OF ILLUSION BY ROSIE LLEWELLYN-JONES (ED.)
|
SHAW, GRAHAM |
|
2007 |
|
2 |
p. 59-60 |
artikel |
61 |
LUXURY ARTS OF THE RENAISSANCE
|
NEHER, GABRIELE |
|
2006 |
|
2 |
p. 67 |
artikel |
62 |
LYNN CHADWICK SCULPTOR BY DENNIS FARR AND ÉVA CHADWICK AND CELEBRATING MOORE WORKS FROM THE COLLECTION OF THE HENRY MOORE FOUNDATION BY SELECTED BY DAVID MITCHINSON
|
DAVIES, VERONICA |
|
2007 |
|
2 |
p. 67 |
artikel |
63 |
Made in Hong Kong
|
LOH, MARIA |
|
2006 |
|
2 |
p. 3-5 |
artikel |
64 |
MARXISM AND THE HISTORY OF ART: FROM WILLIAM MORRIS TO THE NEW LEFT BY ANDREW HEMINGWAY (ED.)
|
DOY, GEN |
|
2007 |
|
2 |
p. 43-44 |
artikel |
65 |
MAX ERNST: LIFE AND WORK, AN AUTOBIOGRAPHICAL COLLAGE BY WERNER SPIES, EDITOR
|
DAVIS, AUGUST JORDAN |
|
2007 |
|
2 |
p. 38-39 |
artikel |
66 |
Museum Publishing: International Challenges Guide us to New Perspectives
|
BOGMAN, SUZANNE |
|
2006 |
|
2 |
p. 51-52 |
artikel |
67 |
My Way of Seeing and Feeling
|
BENTKOWSKA-KAFEL, ANNA |
|
2007 |
|
2 |
p. 16-17 |
artikel |
68 |
NANCY LANCASTER: ENGLISH COUNTRY HOUSE STYLE
|
CAMPBELL, KATIE |
|
2006 |
|
2 |
p. 55-56 |
artikel |
69 |
NEW ART FROM LONDON BY CHRIS TOWNSEND
|
WALKER, JOHN A |
|
2007 |
|
2 |
p. 36-37 |
artikel |
70 |
New Museums, Real Challenges
|
MATTHEWS, HENRY |
|
2007 |
|
2 |
p. 3-5 |
artikel |
71 |
NICOLAS LANCRET: DANCE BEFORE A FOUNTAIN BY MARY TAVERNER HOLMES AND MARK LEONARD
|
CARR, SOPHIE |
|
2007 |
|
2 |
p. 18-19 |
artikel |
72 |
PASSIONATE SIGNALS
|
DAVIS, AUGUST JORDAN |
|
2006 |
|
2 |
p. 42-43 |
artikel |
73 |
PATRICK CAULFIELD: PAINTINGS
|
DAVIES, PETER |
|
2006 |
|
2 |
p. 63 |
artikel |
74 |
PETER LANYON: MODERNISM AND THE LAND BY ANDREW CAUSEY
|
PURNELL, ROBERT |
|
2007 |
|
2 |
p. 37-38 |
artikel |
75 |
Post-1968 Reckonings
|
ADAMSON, NATALIE |
|
2007 |
|
2 |
p. 14-15 |
artikel |
76 |
RADICALS AND REALISTS IN THE JAPANESE NONVERBAL ARTS: THE AVANT-GARDE REJECTION OF MODERNISM BY THOMAS R H HAVENS
|
BUNCH, CRAIG |
|
2007 |
|
2 |
p. 52-53 |
artikel |
77 |
RAPHAEL & THE BEAUTIFUL BANKER: THE STORY BEHIND THE BINDO ALTOVITI PORTRAIT
|
BAGGS, BOB |
|
2006 |
|
2 |
p. 30-32 |
artikel |
78 |
READING ABSTRACT EXPRESSIONISM: CONTEXT AND CRITIQUE
|
BUNCH, CRAIG |
|
2006 |
|
2 |
p. 45 |
artikel |
79 |
RECONSIDERING BARNETT NEWMAN
|
SHIPWAY, ALAN |
|
2006 |
|
2 |
p. 65-66 |
artikel |
80 |
Renaissance Consumerism
|
HOLLINGSWORTH, MARY |
|
2006 |
|
2 |
p. 6-8 |
artikel |
81 |
RICHARD POUSETTE-DART: THE NEW YORK SCHOOL AND BEYOND BY SAM HUNTER AND JOANNE M KUEBLER (EDS)
|
MCKEVER, ROSALIND |
|
2007 |
|
2 |
p. 71 |
artikel |
82 |
RUBENS AND BRUEGHEL: A WORKING FRIENDSHIP BY ANNE T WOLLETT AND ARIANE VAN SUCHTELEN
|
HOWARTH, DAVID |
|
2007 |
|
2 |
p. 28-29 |
artikel |
83 |
SACRED DISTANCE. REPRESENTING THE VIRGIN BY ROSEMARY MUIR WRIGHT
|
WARR, CORDELIA |
|
2007 |
|
2 |
p. 50 |
artikel |
84 |
SCULPTURE AND PSYCHOANALYSIS BY BRANDON TAYLOR (ED.)
|
WILLIAMSON, BETH |
|
2007 |
|
2 |
p. 47-49 |
artikel |
85 |
SOUTHWOLD. AN EARTHLY PARADISE BY GEOFFREY C MUNN FSA
|
SOMERVILLE, ROSA |
|
2007 |
|
2 |
p. 42-43 |
artikel |
86 |
THE AESTHETICS OF RUINS
|
ANDREW, PATRICIA |
|
2006 |
|
2 |
p. 47-49 |
artikel |
87 |
THE AGE OF SINAN: ARCHITECTURAL CULTURE IN THE OTTOMAN EMPIRE
|
MATTHEWS, HENRY |
|
2006 |
|
2 |
p. 53-55 |
artikel |
88 |
THE ARMORED HORSE IN EUROPE 1480–1620
|
WOOD, STEPHEN |
|
2006 |
|
2 |
p. 24-25 |
artikel |
89 |
The Art Book Spring 2006 Bestseller Lists
|
|
|
2006 |
|
2 |
p. 68 |
artikel |
90 |
The Art Book Spring 2007 Bestseller Lists
|
|
|
2007 |
|
2 |
p. 72 |
artikel |
91 |
THE ARTEMISIA FILES: ARTEMISIA GENTILESCHI FOR FEMINISTS AND OTHER THINKING PEOPLE
|
BYRNE, LOUIS |
|
2006 |
|
2 |
p. 33-35 |
artikel |
92 |
THE ART OF COLONIAL LATIN AMERICA
|
PALMER, RODNEY |
|
2006 |
|
2 |
p. 63-64 |
artikel |
93 |
THE ART OF WONDER: A HISTORY OF SEEING BY JULIAN SPALDING
|
BENTKOWSKA-KAFEL, ANNA |
|
2007 |
|
2 |
p. 34-35 |
artikel |
94 |
THE DIARY OF FRIDA KAHLO: AN INTIMATE SELF-PORTRAIT INTRODUCTION BY CARLOS FUENTES; ESSAYS AND COMMENTARY BY SARAH M LOWE
|
AITON, M CAMPBELL |
|
2007 |
|
2 |
p. 68 |
artikel |
95 |
THE ENGLISH GRAND TOUR: ARTISTS AND ADMIRERS OF ENGLAND'S HISTORIC SITES BY JULIUS BRYANT
|
ANDREW, PATRICIA |
|
2007 |
|
2 |
p. 68 |
artikel |
96 |
THE GARDENS OF THE NATIONAL TRUST FOR SCOTLAND
|
CAMPBELL, KATIE |
|
2006 |
|
2 |
p. 58-59 |
artikel |
97 |
The Global Publication of Asian Art: The Role of the Museums
|
NEWLAND, JOSEPH N |
|
2007 |
|
2 |
p. 54-55 |
artikel |
98 |
THE GUIDE TO THE ART OF ROCKEFELLER CENTER BY CHRISTINE ROUSSEL
|
KELLER, VICTORIA |
|
2007 |
|
2 |
p. 70-71 |
artikel |
99 |
THE HARVARD FIVE IN NEW CANAAN BY WILLIAM D EARLS
|
ROBBINS, ELEANOR |
|
2007 |
|
2 |
p. 58-59 |
artikel |
100 |
THE MARVEL OF MAPS. ART, CARTOGRAPHY AND POLITICS IN RENAISSANCE ITALY
|
NEHER, GABRIELE |
|
2006 |
|
2 |
p. 64-65 |
artikel |
101 |
THE NAKED TRUTH: KLIMT, SCHIELE, KOKOSCHKA AND OTHER SCANDALS
|
OSMOND, JONATHAN |
|
2006 |
|
2 |
p. 17-18 |
artikel |
102 |
THE OXFORD COMPANION TO THE GARDEN BY PATRICK TAYLOR (ED.) AND A PHILOSOPHY OF GARDENS BY DAVID E COOPER
|
CAMPBELL, KATIE |
|
2007 |
|
2 |
p. 60-61 |
artikel |
103 |
THE SCOTTISH GARDENER BY SUKI URQUHART
|
CAMPBELL, KATIE |
|
2007 |
|
2 |
p. 67-68 |
artikel |
104 |
THE SCULPTURE OF WILLIAM TURNBULL
|
DAVIES, VERONICA |
|
2006 |
|
2 |
p. 67 |
artikel |
105 |
THE SPOONER COLLECTION OF BRITISH WATERCOLOURS AT THE COURTAULD INSTITUTE GALLERY
|
SOMERVILLE, STEPHEN |
|
2006 |
|
2 |
p. 25 |
artikel |
106 |
THE WOOD ENGRAVINGS OF AGNES MILLER PARKER BY IAN ROGERSON
|
ANDREW, PATRICIA |
|
2007 |
|
2 |
p. 69 |
artikel |
107 |
TITIAN AND TRAGIC PAINTING
|
HOWARTH, DAVID |
|
2006 |
|
2 |
p. 39-40 |
artikel |
108 |
TRACEY EMIN BY NEAL BROWN
|
WALKER, JOHN A |
|
2007 |
|
2 |
p. 49-50 |
artikel |
109 |
UYLENBURGH & SON: ART AND COMMERCE FROM REMBRANDT TO DE LAIRESSE 1625–1675 BY FRISO LAMMERTSE AND JAAP VAN DER VEEN
|
SILVER, LARRY |
|
2007 |
|
2 |
p. 27-28 |
artikel |
110 |
VELAZQUEZ BY DAWSON W CARR ET AL. AND VELAZQUEZ BY LEAH KARIBIAN
|
CHARNOCK, IAN |
|
2007 |
|
2 |
p. 19-21 |
artikel |
111 |
WALKING THROUGH LE CORBUSIER: A TOUR OF HIS MASTERWORKS
|
CAMPBELL, KATIE |
|
2006 |
|
2 |
p. 60 |
artikel |