| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A BRIEF HISTORY OF ART WITH SPECIAL REFERENCE TO WEST AFRICA
|
ARNOLD, MARION
|
|
2006
|
|
2 |
p. 49-50
|
artikel
|
| 2 |
AFTER SIR JOSHUA: ESSAYS ON BRITISH ART AND CULTURAL HISTORY
|
CHARNOCK, IAN
|
|
2006
|
|
2 |
p. 66-67
|
artikel
|
| 3 |
AMERICAN EXPOSURES: PHOTOGRAPHY AND COMMUNITY IN THE TWENTIETH CENTURY BY LOUIS KAPLAN
|
MORRELL, AMISH
|
|
2007
|
|
2 |
p. 63-64
|
artikel
|
| 4 |
AMERICA STARTS HERE BY IAN BERRY AND BILL ARNING (EDS)
|
TYSON, JANET STILES
|
|
2007
|
|
2 |
p. 26-27
|
artikel
|
| 5 |
ANDRE DERAIN: THE LONDON PAINTINGS
|
ROBBINS, ELEANOR
|
|
2006
|
|
2 |
p. 15-16
|
artikel
|
| 6 |
ANSELM KIEFER FÜR CHLEBNIKOV
|
CALLAN, GUY
|
|
2006
|
|
2 |
p. 18
|
artikel
|
| 7 |
ANTINOUS: THE FACE OF THE ANTIQUE BY PENELOPE CURTIS AND CAROLINE VOUT
|
BONAVENTURA, PAUL
|
|
2007
|
|
2 |
p. 23-24
|
artikel
|
| 8 |
A PRE-RAPHAELITE MARRIAGE THE LIVES AND WORKS OF MARIE SPARTALI STILLMAN AND WILLIAM JAMES STILLMAN BY DAVID B ELLIOTT
|
ARNOLD, MARION
|
|
2007
|
|
2 |
p. 39-40
|
artikel
|
| 9 |
ARCHIGRAM: ARCHITECTURE WITHOUT ARCHITECTURE
|
BARNSTONE, DEBORAH ASHER
|
|
2006
|
|
2 |
p. 56-57
|
artikel
|
| 10 |
ART CZAR: THE RISE AND FALL OF CLEMENT GREENBERG BY ALICE GOLDFARB MARQUIS
|
WALKER, JOHN A
|
|
2007
|
|
2 |
p. 50-52
|
artikel
|
| 11 |
ART, DESIGN AND ARCHITECTURE IN CENTRAL EUROPE 1890–1920 BY ELIZABETH CLEGG
|
COSTANTINI, GIOVANNA
|
|
2007
|
|
2 |
p. 56-57
|
artikel
|
| 12 |
ARTISTS' ESTATES: REPUTATIONS IN TRUST
|
KELLER, VICTORIA
|
|
2006
|
|
2 |
p. 29-30
|
artikel
|
| 13 |
ART OF THE DIGITAL AGE BY BRUCE WANDS
|
GERE, CHARLIE
|
|
2007
|
|
2 |
p. 40-41
|
artikel
|
| 14 |
ART PHOTOGRAPHY NOW
|
DOY, GEN
|
|
2006
|
|
2 |
p. 60-61
|
artikel
|
| 15 |
ARTS IN EXILE IN BRITAIN 1933–1945POLITICS AND CULTURAL IDENTITY
|
FREEMAN, JULIAN
|
|
2006
|
|
2 |
p. 40-41
|
artikel
|
| 16 |
AT HOME IN RENAISSANCE ITALY ART AND LIFE IN THE ITALIAN HOUSE, 1400–1600 BY MARTA AJMAR-WOLLHEIM AND FLORA DENNIS (EDS)
|
NEHER, GABRIELE
|
|
2007
|
|
2 |
p. 25-26
|
artikel
|
| 17 |
A2Z AND MORE SIGNS BY JULIAN ROTHENSTEIN (ED.) TEXTS BY MEL GOODING
|
LAMBIRTH, ANDREW
|
|
2007
|
|
2 |
p. 70-71
|
artikel
|
| 18 |
BEN HARTLEY NOTEBOOKS: PIGS MUST EAT ON SUNDAYS
|
LEWIS, ADRIAN
|
|
2006
|
|
2 |
p. 46-47
|
artikel
|
| 19 |
Big Pictures
|
LEWIS, ADRIAN
|
|
2007
|
|
2 |
p. 6-8
|
artikel
|
| 20 |
Black and Post-Black
|
DOY, GEN
|
|
2006
|
|
2 |
p. 9-11
|
artikel
|
| 21 |
CITIES OF THE WORLD: A HISTORY IN MAPS
|
CHARNOCK, IAN
|
|
2006
|
|
2 |
p. 64
|
artikel
|
| 22 |
CONRAD ATKINSON LANDESCAPES BY CONRAD ATKINSON, RICHARD CORK & ANTONY HUDEK
|
WALKER, JOHN A
|
|
2007
|
|
2 |
p. 41-42
|
artikel
|
| 23 |
Contemporary Art in the Middle East: New Perspectives
|
NOYES PLATT, SUSAN
|
|
2007
|
|
2 |
p. 9-10
|
artikel
|
| 24 |
COURBET AND THE MODERN LANDSCAPE BY MARY MORTON AND CHARLOTTE EYERMAN
|
LAMBIRTH, ANDREW
|
|
2007
|
|
2 |
p. 29-30
|
artikel
|
| 25 |
CR ASHBEE: ARCHITECT, DESIGNER, ROMANTIC SOCIALIST
|
COMPTON, ANN
|
|
2006
|
|
2 |
p. 36-38
|
artikel
|
| 26 |
CUTS: TEXTS 1959–2004
|
APPLIN, JO
|
|
2006
|
|
2 |
p. 35-36
|
artikel
|
| 27 |
Deceptive Allegories
|
RAWLINSON, MARK
|
|
2006
|
|
2 |
p. 12-14
|
artikel
|
| 28 |
DEGAS, SICKERT AND TOULOUSE-LAUTREC LONDON AND PARIS 1870–1910
|
FREEMAN, JULIAN
|
|
2006
|
|
2 |
p. 19-20
|
artikel
|
| 29 |
DE LA WARR PAVILION THE MODERNIST MASTERPIECE BY ALASTAIR FAIRLEY, FOREWORD BY RICHARD ROGERS
|
FREEMAN, JULIAN
|
|
2007
|
|
2 |
p. 57-58
|
artikel
|
| 30 |
DE LÁSZLÓ IN HOLLAND: DUTCH MASTERPIECES BY PHILIP ALEXIUS DE LÁSZLÓ (1869–1937) BY TONKO GREVER AND ANNEMIEKE HEUFT WITH SANDRA DE LÁSZLÓ
|
SOMERVILLE, ROSA
|
|
2007
|
|
2 |
p. 28
|
artikel
|
| 31 |
DESIGNART
|
FREEMAN, JULIAN
|
|
2006
|
|
2 |
p. 57-58
|
artikel
|
| 32 |
Domenico Tiepolo (1727–1804) A New Testament
|
Bostock, Sophie
|
|
2007
|
|
2 |
p. 31-32
|
artikel
|
| 33 |
DONATELLO AMONG THE BLACKSHIRTS. HISTORY AND MODERNITY IN THE VISUAL CULTURE OF FASCIST ITALY
|
NEHER, GABRIELE
|
|
2006
|
|
2 |
p. 66
|
artikel
|
| 34 |
EARLY NETHERLANDISH PAINTINGS: REDISCOVERY, RECEPTION, AND RESEARCH
|
SILVER, LARRY
|
|
2006
|
|
2 |
p. 62
|
artikel
|
| 35 |
Editorial
|
WARD, SUE
|
|
2006
|
|
2 |
p. 2
|
artikel
|
| 36 |
Editorial
|
WARD, SUE
|
|
2007
|
|
2 |
p. 2
|
artikel
|
| 37 |
E MCKNIGHT KAUFFER: A DESIGNER AND HIS PUBLIC
|
DRURY, SARAH
|
|
2006
|
|
2 |
p. 59-60
|
artikel
|
| 38 |
ENGLISH ACCENTS: INTERACTIONS WITH BRITISH ART C 1776–1855
|
ANDREW, PATRICIA R
|
|
2006
|
|
2 |
p. 26-27
|
artikel
|
| 39 |
FRANK BRANGWYN 1867–1956 BY LIBBY HORNER AND GILLIAN NAYLOR (EDS)
|
MCKEVER, ROSALIND
|
|
2007
|
|
2 |
p. 33-34
|
artikel
|
| 40 |
FROM FILIPPO LIPPI TO PIERO DELLA FRANCESCA: FRA CARNEVALE AND THE MAKING OF A RENAISSANCE MASTER
|
TARR, ROGER
|
|
2006
|
|
2 |
p. 28-29
|
artikel
|
| 41 |
GAUGUIN AND THE ORIGINS OF SYMBOLISM
|
TYSON, JANET STILES
|
|
2006
|
|
2 |
p. 21-22
|
artikel
|
| 42 |
GEORG JENSEN JEWELRY
|
KELLER, VICTORIA
|
|
2006
|
|
2 |
p. 22-24
|
artikel
|
| 43 |
GRANT WOOD'S STUDIOBIRTHPLACE OF AMERICAN GOTHIC
|
BACH, ANN L E
|
|
2006
|
|
2 |
p. 45-46
|
artikel
|
| 44 |
HANS BELLMER BY MICHAEL SEMFF AND ANTHONY SPIRA (EDS) AND PIERRE KLOSSOWSKI BY ANTHONY SPIRA AND SARAH WILSON (EDS)
|
CALLAN, GUY
|
|
2007
|
|
2 |
p. 22-23
|
artikel
|
| 45 |
HENNA NADEEM: A PICTURE BOOK OF BRITAIN DESIGNED BY LOUP
|
LANE, GUY
|
|
2007
|
|
2 |
p. 64-66
|
artikel
|
| 46 |
HISTORY'S BEAUTIES: WOMEN AND THE NATIONAL PORTRAIT GALLERY, 1856–1900 BY LARA PERRY
|
BORZELLO, FRANCES
|
|
2007
|
|
2 |
p. 35-36
|
artikel
|
| 47 |
How to Build Renaissance Venice
|
NEHER, GABRIELE
|
|
2007
|
|
2 |
p. 11-13
|
artikel
|
| 48 |
ICONS AND POWER: THE MOTHER OF GOD IN BYZANTIUM BY BISSERA V PENTCHEVA
|
MARTIN, SUSAN
|
|
2007
|
|
2 |
p. 47
|
artikel
|
| 49 |
Illustrated Histories
|
LANE, GUY
|
|
2007
|
|
2 |
p. 61-63
|
artikel
|
| 50 |
INSTALLATION ARTA CRITICAL HISTORY
|
CARRUTHERS, VICKI
|
|
2006
|
|
2 |
p. 41-42
|
artikel
|
| 51 |
INTERACTION OF COLOUR BY JOSEF ALBERS AND FORMULATION: ARTICULATION BY T G ROSENTHAL
|
DEZINE, ANN BACH
|
|
2007
|
|
2 |
p. 44-45
|
artikel
|
| 52 |
INTERNATIONAL ART GALLERIES: POST-WAR TO POST-MILLENNIUM, A NARRATIVE CHRONOLOGY OF THE DEALERS, ARTISTS AND SPACES THAT HAVE DEFINED MODERN ART
|
WALKER, JOHN A
|
|
2006
|
|
2 |
p. 38-39
|
artikel
|
| 53 |
JAPANESE POPULAR PRINTS: FROM VOTIVE SLIPS TO PLAYING CARDS BY REBECCA SALTER
|
LAMBIRTH, ANDREW
|
|
2007
|
|
2 |
p. 69-70
|
artikel
|
| 54 |
JOSEF HOFFMANN: INTERIORS, 1902–1913 BY CHRISTIAN WITT-DÖRRING, EDITOR
|
KELLER, VICTORIA
|
|
2007
|
|
2 |
p. 21-22
|
artikel
|
| 55 |
KIENHOLZ
|
WHITELEY, GILLIAN
|
|
2006
|
|
2 |
p. 20-21
|
artikel
|
| 56 |
LANDSCAPE AND FILM BY MARTIN LEFEBRE (ED.) AND WRITING HISTORY IN FILM BY WILLIAM GUYNN
|
ALFREY, CLAIRE
|
|
2007
|
|
2 |
p. 66
|
artikel
|
| 57 |
LEONARDO AND THE MONA LISA STORY: THE HISTORY OF A PAINTING TOLD IN PICTURES BY DONALD SASSOON AND MONA LISA: INSIDE THE PAINTING BY JEAN-PIERRE MOHEN, MICHEL MENU, AND BRUNO MOTTIN
|
LEZOTTE, ANNETTE
|
|
2007
|
|
2 |
p. 45-47
|
artikel
|
| 58 |
LEONARDO DA VINCI, MICHELANGELO, AND THE RENAISSANCE IN FLORENCE
|
NEHER, GABRIELE
|
|
2006
|
|
2 |
p. 16
|
artikel
|
| 59 |
LUCIAN FREUD 1996–2005
|
RADFORD, ROBERT
|
|
2006
|
|
2 |
p. 32-33
|
artikel
|
| 60 |
LUCKNOW: CITY OF ILLUSION BY ROSIE LLEWELLYN-JONES (ED.)
|
SHAW, GRAHAM
|
|
2007
|
|
2 |
p. 59-60
|
artikel
|
| 61 |
LUXURY ARTS OF THE RENAISSANCE
|
NEHER, GABRIELE
|
|
2006
|
|
2 |
p. 67
|
artikel
|
| 62 |
LYNN CHADWICK SCULPTOR BY DENNIS FARR AND ÉVA CHADWICK AND CELEBRATING MOORE WORKS FROM THE COLLECTION OF THE HENRY MOORE FOUNDATION BY SELECTED BY DAVID MITCHINSON
|
DAVIES, VERONICA
|
|
2007
|
|
2 |
p. 67
|
artikel
|
| 63 |
Made in Hong Kong
|
LOH, MARIA
|
|
2006
|
|
2 |
p. 3-5
|
artikel
|
| 64 |
MARXISM AND THE HISTORY OF ART: FROM WILLIAM MORRIS TO THE NEW LEFT BY ANDREW HEMINGWAY (ED.)
|
DOY, GEN
|
|
2007
|
|
2 |
p. 43-44
|
artikel
|
| 65 |
MAX ERNST: LIFE AND WORK, AN AUTOBIOGRAPHICAL COLLAGE BY WERNER SPIES, EDITOR
|
DAVIS, AUGUST JORDAN
|
|
2007
|
|
2 |
p. 38-39
|
artikel
|
| 66 |
Museum Publishing: International Challenges Guide us to New Perspectives
|
BOGMAN, SUZANNE
|
|
2006
|
|
2 |
p. 51-52
|
artikel
|
| 67 |
My Way of Seeing and Feeling
|
BENTKOWSKA-KAFEL, ANNA
|
|
2007
|
|
2 |
p. 16-17
|
artikel
|
| 68 |
NANCY LANCASTER: ENGLISH COUNTRY HOUSE STYLE
|
CAMPBELL, KATIE
|
|
2006
|
|
2 |
p. 55-56
|
artikel
|
| 69 |
NEW ART FROM LONDON BY CHRIS TOWNSEND
|
WALKER, JOHN A
|
|
2007
|
|
2 |
p. 36-37
|
artikel
|
| 70 |
New Museums, Real Challenges
|
MATTHEWS, HENRY
|
|
2007
|
|
2 |
p. 3-5
|
artikel
|
| 71 |
NICOLAS LANCRET: DANCE BEFORE A FOUNTAIN BY MARY TAVERNER HOLMES AND MARK LEONARD
|
CARR, SOPHIE
|
|
2007
|
|
2 |
p. 18-19
|
artikel
|
| 72 |
PASSIONATE SIGNALS
|
DAVIS, AUGUST JORDAN
|
|
2006
|
|
2 |
p. 42-43
|
artikel
|
| 73 |
PATRICK CAULFIELD: PAINTINGS
|
DAVIES, PETER
|
|
2006
|
|
2 |
p. 63
|
artikel
|
| 74 |
PETER LANYON: MODERNISM AND THE LAND BY ANDREW CAUSEY
|
PURNELL, ROBERT
|
|
2007
|
|
2 |
p. 37-38
|
artikel
|
| 75 |
Post-1968 Reckonings
|
ADAMSON, NATALIE
|
|
2007
|
|
2 |
p. 14-15
|
artikel
|
| 76 |
RADICALS AND REALISTS IN THE JAPANESE NONVERBAL ARTS: THE AVANT-GARDE REJECTION OF MODERNISM BY THOMAS R H HAVENS
|
BUNCH, CRAIG
|
|
2007
|
|
2 |
p. 52-53
|
artikel
|
| 77 |
RAPHAEL & THE BEAUTIFUL BANKER: THE STORY BEHIND THE BINDO ALTOVITI PORTRAIT
|
BAGGS, BOB
|
|
2006
|
|
2 |
p. 30-32
|
artikel
|
| 78 |
READING ABSTRACT EXPRESSIONISM: CONTEXT AND CRITIQUE
|
BUNCH, CRAIG
|
|
2006
|
|
2 |
p. 45
|
artikel
|
| 79 |
RECONSIDERING BARNETT NEWMAN
|
SHIPWAY, ALAN
|
|
2006
|
|
2 |
p. 65-66
|
artikel
|
| 80 |
Renaissance Consumerism
|
HOLLINGSWORTH, MARY
|
|
2006
|
|
2 |
p. 6-8
|
artikel
|
| 81 |
RICHARD POUSETTE-DART: THE NEW YORK SCHOOL AND BEYOND BY SAM HUNTER AND JOANNE M KUEBLER (EDS)
|
MCKEVER, ROSALIND
|
|
2007
|
|
2 |
p. 71
|
artikel
|
| 82 |
RUBENS AND BRUEGHEL: A WORKING FRIENDSHIP BY ANNE T WOLLETT AND ARIANE VAN SUCHTELEN
|
HOWARTH, DAVID
|
|
2007
|
|
2 |
p. 28-29
|
artikel
|
| 83 |
SACRED DISTANCE. REPRESENTING THE VIRGIN BY ROSEMARY MUIR WRIGHT
|
WARR, CORDELIA
|
|
2007
|
|
2 |
p. 50
|
artikel
|
| 84 |
SCULPTURE AND PSYCHOANALYSIS BY BRANDON TAYLOR (ED.)
|
WILLIAMSON, BETH
|
|
2007
|
|
2 |
p. 47-49
|
artikel
|
| 85 |
SOUTHWOLD. AN EARTHLY PARADISE BY GEOFFREY C MUNN FSA
|
SOMERVILLE, ROSA
|
|
2007
|
|
2 |
p. 42-43
|
artikel
|
| 86 |
THE AESTHETICS OF RUINS
|
ANDREW, PATRICIA
|
|
2006
|
|
2 |
p. 47-49
|
artikel
|
| 87 |
THE AGE OF SINAN: ARCHITECTURAL CULTURE IN THE OTTOMAN EMPIRE
|
MATTHEWS, HENRY
|
|
2006
|
|
2 |
p. 53-55
|
artikel
|
| 88 |
THE ARMORED HORSE IN EUROPE 1480–1620
|
WOOD, STEPHEN
|
|
2006
|
|
2 |
p. 24-25
|
artikel
|
| 89 |
The Art Book Spring 2006 Bestseller Lists
|
|
|
2006
|
|
2 |
p. 68
|
artikel
|
| 90 |
The Art Book Spring 2007 Bestseller Lists
|
|
|
2007
|
|
2 |
p. 72
|
artikel
|
| 91 |
THE ARTEMISIA FILES: ARTEMISIA GENTILESCHI FOR FEMINISTS AND OTHER THINKING PEOPLE
|
BYRNE, LOUIS
|
|
2006
|
|
2 |
p. 33-35
|
artikel
|
| 92 |
THE ART OF COLONIAL LATIN AMERICA
|
PALMER, RODNEY
|
|
2006
|
|
2 |
p. 63-64
|
artikel
|
| 93 |
THE ART OF WONDER: A HISTORY OF SEEING BY JULIAN SPALDING
|
BENTKOWSKA-KAFEL, ANNA
|
|
2007
|
|
2 |
p. 34-35
|
artikel
|
| 94 |
THE DIARY OF FRIDA KAHLO: AN INTIMATE SELF-PORTRAIT INTRODUCTION BY CARLOS FUENTES; ESSAYS AND COMMENTARY BY SARAH M LOWE
|
AITON, M CAMPBELL
|
|
2007
|
|
2 |
p. 68
|
artikel
|
| 95 |
THE ENGLISH GRAND TOUR: ARTISTS AND ADMIRERS OF ENGLAND'S HISTORIC SITES BY JULIUS BRYANT
|
ANDREW, PATRICIA
|
|
2007
|
|
2 |
p. 68
|
artikel
|
| 96 |
THE GARDENS OF THE NATIONAL TRUST FOR SCOTLAND
|
CAMPBELL, KATIE
|
|
2006
|
|
2 |
p. 58-59
|
artikel
|
| 97 |
The Global Publication of Asian Art: The Role of the Museums
|
NEWLAND, JOSEPH N
|
|
2007
|
|
2 |
p. 54-55
|
artikel
|
| 98 |
THE GUIDE TO THE ART OF ROCKEFELLER CENTER BY CHRISTINE ROUSSEL
|
KELLER, VICTORIA
|
|
2007
|
|
2 |
p. 70-71
|
artikel
|
| 99 |
THE HARVARD FIVE IN NEW CANAAN BY WILLIAM D EARLS
|
ROBBINS, ELEANOR
|
|
2007
|
|
2 |
p. 58-59
|
artikel
|
| 100 |
THE MARVEL OF MAPS. ART, CARTOGRAPHY AND POLITICS IN RENAISSANCE ITALY
|
NEHER, GABRIELE
|
|
2006
|
|
2 |
p. 64-65
|
artikel
|
| 101 |
THE NAKED TRUTH: KLIMT, SCHIELE, KOKOSCHKA AND OTHER SCANDALS
|
OSMOND, JONATHAN
|
|
2006
|
|
2 |
p. 17-18
|
artikel
|
| 102 |
THE OXFORD COMPANION TO THE GARDEN BY PATRICK TAYLOR (ED.) AND A PHILOSOPHY OF GARDENS BY DAVID E COOPER
|
CAMPBELL, KATIE
|
|
2007
|
|
2 |
p. 60-61
|
artikel
|
| 103 |
THE SCOTTISH GARDENER BY SUKI URQUHART
|
CAMPBELL, KATIE
|
|
2007
|
|
2 |
p. 67-68
|
artikel
|
| 104 |
THE SCULPTURE OF WILLIAM TURNBULL
|
DAVIES, VERONICA
|
|
2006
|
|
2 |
p. 67
|
artikel
|
| 105 |
THE SPOONER COLLECTION OF BRITISH WATERCOLOURS AT THE COURTAULD INSTITUTE GALLERY
|
SOMERVILLE, STEPHEN
|
|
2006
|
|
2 |
p. 25
|
artikel
|
| 106 |
THE WOOD ENGRAVINGS OF AGNES MILLER PARKER BY IAN ROGERSON
|
ANDREW, PATRICIA
|
|
2007
|
|
2 |
p. 69
|
artikel
|
| 107 |
TITIAN AND TRAGIC PAINTING
|
HOWARTH, DAVID
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