| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Apperception on Display: Structural Films and Philosophy
|
Choi, Jinhee
|
|
2006
|
64 |
1 |
p. 165-172
|
artikel
|
| 2 |
Beyond Mere Illustration: How Films Can Be Philosophy
|
Wartenberg, Thomas E.
|
|
2006
|
64 |
1 |
p. 19-32
|
artikel
|
| 3 |
Cinema and Subjectivity in Krzysztof Kieslowski
|
Santilli, Paul C.
|
|
2006
|
64 |
1 |
p. 147-156
|
artikel
|
| 4 |
Contributors
|
|
|
2006
|
64 |
1 |
p. 213-215
|
artikel
|
| 5 |
Eternal Sunshine of the Spotless Mind and the Morality of Memory
|
Grau, Christopher
|
|
2006
|
64 |
1 |
p. 119-133
|
artikel
|
| 6 |
Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat
|
Ince, Katherine
|
|
2006
|
64 |
1 |
p. 157-164
|
artikel
|
| 7 |
On Being Philosophical and Being John Malkovich
|
Shaw, Daniel
|
|
2006
|
64 |
1 |
p. 111-118
|
artikel
|
| 8 |
Philosophizing Through the Moving Image: The Case of Serene Velocity
|
Carroll, Noël
|
|
2006
|
64 |
1 |
p. 173-185
|
artikel
|
| 9 |
Sartre, the Philosophy of Nothingness, and the Modern Melodrama
|
Kovács, András Bálint
|
|
2006
|
64 |
1 |
p. 135-145
|
artikel
|
| 10 |
Spike Lee and the Sympathetic Racist
|
Flory, Dan
|
|
2006
|
64 |
1 |
p. 67-79
|
artikel
|
| 11 |
The Impersonation of Personality: Film as Philosophy in Mission: Impossible
|
Mulhall, Stephen
|
|
2006
|
64 |
1 |
p. 97-110
|
artikel
|
| 12 |
The Substance of Cinema
|
Ponech, Trevor
|
|
2006
|
64 |
1 |
p. 187-198
|
artikel
|
| 13 |
The World Rewound: Peter Forgács's Wittgenstein Tractatus
|
Davis, Whitney
|
|
2006
|
64 |
1 |
p. 199-211
|
artikel
|
| 14 |
Transparency and Twist in Narrative Fiction Film
|
Wilson, George
|
|
2006
|
64 |
1 |
p. 81-95
|
artikel
|
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