no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
1 |
AI Literature: the disenchantment of word and the enchantment of code
|
Tao, Feng |
|
|
51 |
2 |
p. 737-755 |
article |
2 |
“Apotheosis of Poesy”: The blue flower as a Romantic theory of the novel
|
Qin, Guibing |
|
|
51 |
2 |
p. 665-689 |
article |
3 |
Chinese farewell poetics in Ezra Pound’s “Taking Leave of a Friend”
|
Su, Kent |
|
|
51 |
2 |
p. 551-560 |
article |
4 |
Correction to: Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction
|
Karam, Khaled Mostafa |
|
|
51 |
2 |
p. 735 |
article |
5 |
Critical realism and romanticism: Kálmán Mikszáth in China
|
Li, Zhenling |
|
|
51 |
2 |
p. 465-483 |
article |
6 |
Distressing sons, anxious fathers and worries about the empire in Charles Dickens’s Dombey and Son
|
Chen, Houliang |
|
|
51 |
2 |
p. 597-608 |
article |
7 |
Electronic literary creation: dialogues through cultural recycling
|
Gómez, Laura Sánchez |
|
|
51 |
2 |
p. 561-578 |
article |
8 |
From Bildungsroman to historical fiction: the genre variation of the translation of Bronze and Sunflower
|
Cui, Zihan |
|
|
51 |
2 |
p. 625-642 |
article |
9 |
From itinerary to map, with “urban villagers” in the Romanian novel. A literary cartography
|
Bako, Alina |
|
|
51 |
2 |
p. 485-498 |
article |
10 |
Future present: cli-fi’s representational challenge
|
Estok, Simon C. |
|
|
51 |
2 |
p. 437-448 |
article |
11 |
« La France est mon sort et ma destinée » : l’œuvre de l’écrivain, journaliste et traducteur André Adorján
|
Tüskés, Anna |
|
|
51 |
2 |
p. 507-518 |
article |
12 |
Les temporalités dans l’adaptation de L’Etranger par Visconti
|
Coppola, Antoine |
|
|
51 |
2 |
p. 393-408 |
article |
13 |
Narratorless narratives
|
Hajdu, Péter |
|
|
51 |
2 |
p. 451-464 |
article |
14 |
Negotiating identity in the face of the canon: Murray Carlin and Derek Walcott’s use of metadrama in Shakespeare adaptations
|
Pak, Sunghee |
|
|
51 |
2 |
p. 531-550 |
article |
15 |
Neohelicon 50: editorial
|
Hajdu, Péter |
|
|
51 |
2 |
p. 449-450 |
article |
16 |
Norse burial practices and medieval fear of revenants in the myth of Ragnarök
|
Tozzi, Arturo |
|
|
51 |
2 |
p. 519-530 |
article |
17 |
On ceremonial paintings by the Yao people (瑤族)and their acculturation from Taoist Shuilu paintings (道教水陆画)
|
Chen, Shan |
|
|
51 |
2 |
p. 579-595 |
article |
18 |
Past present: Coal and Hard Times
|
Yιlmaz, Z. Gizem |
|
|
51 |
2 |
p. 419-427 |
article |
19 |
Representing stream of consciousness in comics: definition and categorization
|
Lian, Xu |
|
|
51 |
2 |
p. 691-706 |
article |
20 |
Schema and adaptation: a cognitive comparative study of nostalgic themes in the works of Edith Wharton and Eileen Chang
|
Zhu, Yushuang |
|
|
51 |
2 |
p. 643-664 |
article |
21 |
Tense present tense: Nathaniel Rich’s ambivalent temporal rut in Odds against tomorrow
|
Jung, Narie |
|
|
51 |
2 |
p. 429-436 |
article |
22 |
Tethered to the present: time and eco-crises
|
Estok, Simon C. |
|
|
51 |
2 |
p. 383-392 |
article |
23 |
The English-language literary translations of Mihály Babits
|
Kelevéz, Ágnes |
|
|
51 |
2 |
p. 609-623 |
article |
24 |
The pause button on ecophobia: reflections on Pilgrim at Tinker Creek, fifty years in
|
Estok, Simon C. |
|
|
51 |
2 |
p. 499-505 |
article |
25 |
Time and humanity: anthropocene narratives in Liu Cixin’s The Wandering Earth
|
Cao, Yina |
|
|
51 |
2 |
p. 409-417 |
article |
26 |
Unnatural narrative: A cognitive analysis of parallel and circular structures in flash fiction
|
Karam, Khaled Mostafa |
|
|
51 |
2 |
p. 707-733 |
article |