| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A Bourdieusian and Simmelian analysis of the doomed interpersonal relationships in Eileen Chang’s “Red rose, white rose” and Elfriede Jelinek’s Die Liebhaberinnen
|
Jiang, Xiaohu
|
|
|
48 |
1 |
p. 267-280
|
artikel
|
| 2 |
An experience of in-betweenness: Translation as border writing in Gene Luen Yang’s American Born Chinese
|
Wang, Yuechen
|
|
|
48 |
1 |
p. 161-178
|
artikel
|
| 3 |
Conscious application of creativity dynamics as an approach to the formation and appreciation of literary creativity
|
Karam, Khaled Mostafa
|
|
|
48 |
1 |
p. 313-338
|
artikel
|
| 4 |
Das Bild der arabischen Welt in der deutschen Gegenwartsliteratur als Reflexionsfläche politischer Umbrüche im 21. Jahrhundert
|
Asaad, Hend
|
|
|
48 |
1 |
p. 227-243
|
artikel
|
| 5 |
Ephemeral identities, blurred geographies, and social media in twenty-first-century French fiction: a reading of Licorne by Nora Sandor and Un amour d’espion by Clément Bénech
|
Sapino, Roberta
|
|
|
48 |
1 |
p. 95-111
|
artikel
|
| 6 |
Ephemerality in the digital world: Estonian case studies of digital literature and digital literary heritage projects
|
Viires, Piret
|
|
|
48 |
1 |
p. 39-52
|
artikel
|
| 7 |
Erratum to: Wassily Kandinsky’s The Yellow Sound as a total work of art
|
Cardullo, R. J.
|
|
|
48 |
1 |
p. 433
|
artikel
|
| 8 |
From the margins of the National Centre: two plays by Native American playwright Hanay Geiogamah
|
Čerče, Danica
|
|
|
48 |
1 |
p. 387-401
|
artikel
|
| 9 |
Genre ambiguity and (ephemeral) digital epitexts: co-constructing Michael Chabon’s Moonglow
|
Pignagnoli, Virginia
|
|
|
48 |
1 |
p. 75-93
|
artikel
|
| 10 |
Introduction: Ephemerality in the digital age—creating, preserving, and sharing practices across media
|
Pignagnoli, Virginia
|
|
|
48 |
1 |
p. 1-6
|
artikel
|
| 11 |
Jelena Dimitrijević et Pierre Loti : l’Orient et l’Occident en contact
|
Đurić, Vladimir
|
|
|
48 |
1 |
p. 281-297
|
artikel
|
| 12 |
Landscape/mindscape/langscape: The ephemerality of the digital and of the real in Marlene Creates’s video-poems for ice and snow
|
Concilio, Carmen
|
|
|
48 |
1 |
p. 113-125
|
artikel
|
| 13 |
Landscapes and Taoism in Ezra Pound’s Cantos
|
Su, Kent
|
|
|
48 |
1 |
p. 179-210
|
artikel
|
| 14 |
Post-global and post-digital children’s literature: some users’ legitimation strategies on the Net
|
Pérez, Inés
|
|
|
48 |
1 |
p. 127-141
|
artikel
|
| 15 |
RETRACTED ARTICLE: Wassily Kandinsky’s The Yellow Sound as a total work of art
|
Cardullo, R. J.
|
|
|
48 |
1 |
p. 431
|
artikel
|
| 16 |
Similar archetypes and different narratives: a comparative study of Chinese “Yeh Hsien” and European Cinderella stories
|
Wang, Xiulu
|
|
|
48 |
1 |
p. 245-255
|
artikel
|
| 17 |
The empire as the embodiment of modern intellect: a critical reading of Coetzee’s Waiting for the Barbarians through Levinas
|
Teimouri, Mahdi
|
|
|
48 |
1 |
p. 355-366
|
artikel
|
| 18 |
The ephemerae of digital literature
|
Bootz, Philippe
|
|
|
48 |
1 |
p. 7-22
|
artikel
|
| 19 |
The mushrooms of the Nibelung: how Twitter-paratexts about Friedrich Hebbel’s staging at Rheinisches Landestheater Neuss deal with ephemera
|
Ulrich, Silvia
|
|
|
48 |
1 |
p. 53-74
|
artikel
|
| 20 |
The spatialized narratives in Alain Robbe-Grillet’s “The secret room” and Wang Anyi’s “The public kitchen”
|
Sun, Lu
|
|
|
48 |
1 |
p. 257-266
|
artikel
|
| 21 |
Tracing Huxley’s orientalism: the European ‘Oriental’ background and Jesting Pilate as intellectual travelogue
|
Redondo-Olmedilla, José-Carlos
|
|
|
48 |
1 |
p. 211-226
|
artikel
|
| 22 |
Transmedia principles in impressionism spanning painting, music and literature
|
Novák, Radomil
|
|
|
48 |
1 |
p. 299-312
|
artikel
|
| 23 |
Une Étude critique de Madame la présidente de Fatou Fanny-Cissé
|
Iloh, Ngozi Obiajulum
|
|
|
48 |
1 |
p. 403-414
|
artikel
|
| 24 |
Universality, heterogeneity, and worlding: meanings of comparison in Chinese comparative literature
|
Zhuang, Peina
|
|
|
48 |
1 |
p. 339-354
|
artikel
|
| 25 |
Various voices in dialect and the frequency issue in the Chinese translations of Tess of the d’Urbervilles
|
Yu, Jing
|
|
|
48 |
1 |
p. 415-429
|
artikel
|
| 26 |
Virtual museums: interpreting and recreating digital cultural content
|
Bovcon, Narvika
|
|
|
48 |
1 |
p. 23-38
|
artikel
|
| 27 |
“Writing as enlightenment”: Don DeLillo’s Buddhism and postsecular writing
|
Yuan, Jie
|
|
|
48 |
1 |
p. 367-385
|
artikel
|
| 28 |
Writing the history of “you”: second-person narration and the plight of the Nubian in Idris Ali’s Below the poverty line
|
DiMeo, David F.
|
|
|
48 |
1 |
p. 143-159
|
artikel
|
Tijdschrift beschrijving