| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Afterword
|
D’haen, Theo
|
|
2019
|
46 |
1 |
p. 125-130
|
artikel
|
| 2 |
Ancient Greek tragedy in China: focusing on Medea adapted and performed in Chinese Hebei clapper opera
|
Chen, Rongnyu
|
|
2018
|
46 |
1 |
p. 115-123
|
artikel
|
| 3 |
At the crossroads between the elite and the masses cults: Pushkin’s Middle Path in Russian culture
|
Zagidullina, Marina
|
|
2018
|
46 |
1 |
p. 183-197
|
artikel
|
| 4 |
“Before all else I’m a human being”: Ibsen and the rise of modern Chinese drama in the 1920s
|
He, Chengzhou
|
|
2018
|
46 |
1 |
p. 37-51
|
artikel
|
| 5 |
Bertolt Brecht’s theatrical concept of alienation effect and the Chinese application and transformation
|
He, Weihua
|
|
2018
|
46 |
1 |
p. 53-67
|
artikel
|
| 6 |
Borges and Ge Fei: Transfiguring the poetics of atemporal labyrinth
|
Cai, Yongchun
|
|
2019
|
46 |
1 |
p. 303-329
|
artikel
|
| 7 |
Censorship and literary translation in Turkey: translating obscenity after The Soft Machine and Snuff court cases
|
Aktener, Ilgın
|
|
2019
|
46 |
1 |
p. 347-367
|
artikel
|
| 8 |
Contracting love versus courtly love: Jans Enikel’s “Friedrich von Auchenfurt,” the anonymous Mauritius von Craûn, and Dietrich von der Gletze’s “Der Borte”
|
Classen, Albrecht
|
|
2019
|
46 |
1 |
p. 159-181
|
artikel
|
| 9 |
Der Weg in den Untergang in Christian Schüles Das Ende unserer Tage (2012) und in Muhammad Rabies Otared (2015)
|
Asaad, Hend
|
|
2019
|
46 |
1 |
p. 331-345
|
artikel
|
| 10 |
Fear of fear itself: diseased others in the American imagination
|
Jung, Yeonsik
|
|
2018
|
46 |
1 |
p. 213-225
|
artikel
|
| 11 |
Race and politics in the twentieth-century Black American play: Lorraine Hansberry’s A Raisin in the Sun
|
Čerče, Danica
|
|
2018
|
46 |
1 |
p. 227-239
|
artikel
|
| 12 |
Said and the world: typos, mistranslations and neoplatonism
|
Valente, Simão
|
|
2019
|
46 |
1 |
p. 131-144
|
artikel
|
| 13 |
Satire, humor and ecological thought
|
Zekavat, Massih
|
|
2019
|
46 |
1 |
p. 369-386
|
artikel
|
| 14 |
Shakespeare and Tang Xianzu: their significance to the formation of world drama
|
Liu, Hao
|
|
2019
|
46 |
1 |
p. 21-36
|
artikel
|
| 15 |
Sweeney Agonistes in noh mask: T. S. Eliot, Japanese noh, and the fragments of world drama
|
Preston, Carrie J.
|
|
2018
|
46 |
1 |
p. 97-113
|
artikel
|
| 16 |
The experimental drama of Gao Xingjian inspired by avant-garde theatre
|
Song, Binghui
|
|
2019
|
46 |
1 |
p. 69-79
|
artikel
|
| 17 |
The literary critic as translator: a case study on translation and the translator’s literary poetics
|
Bai, Liping
|
|
2018
|
46 |
1 |
p. 241-259
|
artikel
|
| 18 |
Toward tribalography: rewriting the three sisters’ story in Shell Shaker
|
Liu, Yu
|
|
2018
|
46 |
1 |
p. 199-212
|
artikel
|
| 19 |
Translating foregrounding in literary and non-literary texts, foregrounding translator’s conscious and unconscious thought
|
Xu, Susan Yun
|
|
2019
|
46 |
1 |
p. 261-283
|
artikel
|
| 20 |
W. H. Auden’s anti-Japanese war: “Sonnets from China” and its historical context
|
Zhang, Jian
|
|
2018
|
46 |
1 |
p. 145-158
|
artikel
|
| 21 |
When dreams become nightmares: a comparative study of Enemies, a love story and The reader
|
Zhang, Xiaohong
|
|
2018
|
46 |
1 |
p. 285-301
|
artikel
|
| 22 |
World drama
|
Hajdu, Péter
|
|
2019
|
46 |
1 |
p. 1-6
|
artikel
|
| 23 |
World drama and modern Chinese drama in its broad context
|
Wang, Ning
|
|
2019
|
46 |
1 |
p. 7-20
|
artikel
|
| 24 |
Yeats’s noh and world drama: foreign form in tandem with local materials
|
Kim, Youngmin
|
|
2018
|
46 |
1 |
p. 81-96
|
artikel
|
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