| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
California Forgets. Luna Remembers: Sensing contemporary Native American realities in James Luna’s performance Native Stories: For Fun, Profit & Guilt
|
Armand, Claudine
|
|
2017
|
44 |
1 |
p. 115-129
|
artikel
|
| 2 |
Contemporary Native American realities: in search of literary and cultural sovereignty
|
Runtić, Sanja
|
|
2017
|
44 |
1 |
p. 83-87
|
artikel
|
| 3 |
Digital Literatures circulation: testing post-Bourdieu theories
|
Sanz, Amelia
|
|
2017
|
44 |
1 |
p. 15-25
|
artikel
|
| 4 |
Editorial to: Reading wide, writing wide in the digital age
|
Ubieto, Miriam Llamas
|
|
2017
|
44 |
1 |
p. 1-3
|
artikel
|
| 5 |
Ethnic identity in Thomas King’s Green Grass, Running Water
|
Petrović, Jovana
|
|
2017
|
44 |
1 |
p. 147-160
|
artikel
|
| 6 |
Fact versus fiction in Rudy Wiebe’s “Where is the Voice Coming from”
|
Kaličanin, Milena
|
|
2017
|
44 |
1 |
p. 169-176
|
artikel
|
| 7 |
Gambling as a literary subject in Frank Hardy’s work
|
Čerče, Danica
|
|
2016
|
44 |
1 |
p. 257-270
|
artikel
|
| 8 |
GIS and telescopic reading: between spatial and digital humanities
|
Unamuno, Enrique Santos
|
|
2017
|
44 |
1 |
p. 65-81
|
artikel
|
| 9 |
Healing and recuperation in Louise Erdrich’s story “The Bingo Van”
|
Matović, Tijana
|
|
2017
|
44 |
1 |
p. 161-168
|
artikel
|
| 10 |
NO LOGO! Visual sovereignty and the Washington Redsk*ns debate
|
Runtić, Sanja
|
|
2017
|
44 |
1 |
p. 99-113
|
artikel
|
| 11 |
Part-time identities and full-time narration as an absolution in Alexie’s The Absolutely True Diary of a Part-Time Indian
|
Garić, Vanja Vukićević
|
|
2017
|
44 |
1 |
p. 189-198
|
artikel
|
| 12 |
Poetic fingerprints: digital literature’s countercultural and metamedial integration of vision and touch
|
Marques, Diogo
|
|
2017
|
44 |
1 |
p. 55-64
|
artikel
|
| 13 |
Postdigital synchronicity and syntopy: the manipulation of universal codes, and the fully automated avantgarde
|
Sierra-Paredes, Germán
|
|
2017
|
44 |
1 |
p. 27-39
|
artikel
|
| 14 |
Postnational homelands: Migration and memory in two novels of Taiwan
|
Goodwin, Mary
|
|
2016
|
44 |
1 |
p. 229-243
|
artikel
|
| 15 |
Street names in Patrick Modiano’s work: La Place de l’étoile and the case of rue Lauriston
|
Grenaudier-Klijn, France
|
|
2017
|
44 |
1 |
p. 217-227
|
artikel
|
| 16 |
The authoring software tool in digital literature as a vector of the global imaginary
|
Farge, Odile
|
|
2017
|
44 |
1 |
p. 5-14
|
artikel
|
| 17 |
The devil’s language of Marilyn Dumont
|
Lopičić, Vesna
|
|
2017
|
44 |
1 |
p. 177-188
|
artikel
|
| 18 |
The over-consumption of Native American imagery and the ongoing results for contemporary reality
|
Green, Daniel W.
|
|
2017
|
44 |
1 |
p. 89-98
|
artikel
|
| 19 |
To Ojibwe country and back: Books and Islands in Ojibwe Country by Louise Erdrich
|
Krivokapić, Marija
|
|
2017
|
44 |
1 |
p. 131-145
|
artikel
|
| 20 |
Violence, dandyism and the literary self-portraiture of Quentin Crisp
|
Harrison, Bill
|
|
2016
|
44 |
1 |
p. 199-215
|
artikel
|
| 21 |
What matters for women: discovering Irish women through Maeve Binchy’s “All That Matters”
|
Chang, Tsung Chi
|
|
2017
|
44 |
1 |
p. 245-256
|
artikel
|
| 22 |
Writing–reading devices: intermediations
|
Marques da Silva, Ana
|
|
2017
|
44 |
1 |
p. 41-54
|
artikel
|
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