nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
How Monet became a millionaire: the importance of the artist’s account books
|
Kelly, Simon |
|
|
47 |
3 |
p. 437-460 |
artikel |
2 |
Measuring nepotism and sexism in artistic recognition: the awarding of medals at the Paris Salon, 1850–1880
|
de Beyssat, Claire Dupin |
|
|
47 |
3 |
p. 407-436 |
artikel |
3 |
Residual variance and asset pricing in the art market
|
Mei, Jianping |
|
|
47 |
3 |
p. 513-545 |
artikel |
4 |
Risky business? A review of Jonathan Nelson & Richard Zeckhauser’s Risk in Renaissance Art: Production, Purchase and Reception
|
Piano, Ennio E. |
|
|
47 |
3 |
p. 547-554 |
artikel |
5 |
The economics of art history
|
Etro, Federico G. |
|
|
47 |
3 |
p. 355-358 |
artikel |
6 |
The rise and fall and rise again of the contemporary art market
|
Jensen, Robert |
|
|
47 |
3 |
p. 461-488 |
artikel |
7 |
Two old masters and a young genius: the creativity of Francis Bacon, Lucian Freud, and Jean-Michel Basquiat
|
Galenson, David W. |
|
|
47 |
3 |
p. 489-511 |
artikel |
8 |
Valuing European tapestry: from riches to rags
|
Radermecker, Anne-Sophie V. |
|
|
47 |
3 |
p. 359-406 |
artikel |