| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Contingent Valuation of a Cultural Public Good and Policy Design: TheCase of ``Napoli Musei Aperti''
|
Walter Santagata
|
|
2000
|
24 |
3 |
p. 181-204
24 p.
|
artikel
|
| 2 |
Contingent Valuation of a Cultural Public Good and Policy Design: The Case of ``Napoli Musei Aperti''
|
Santagata, Walter
|
|
2000
|
24 |
3 |
p. 181-204
|
artikel
|
| 3 |
Corporate Support for Artistic and Cultural Activities: What Determinesthe Distribution of Corporate Giving?
|
Mark S. LeClair
|
|
2000
|
24 |
3 |
p. 225-241
17 p.
|
artikel
|
| 4 |
Corporate Support for Artistic and Cultural Activities: What Determines the Distribution of Corporate Giving?
|
LeClair, Mark S.
|
|
2000
|
24 |
3 |
p. 225-241
|
artikel
|
| 5 |
J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.),Preserving the Built Heritage: Tools for Implementation
|
Peter Johnson
|
|
2000
|
24 |
3 |
p. 260-262
3 p.
|
artikel
|
| 6 |
J. Mark Schuster with John de Monchaux and Charles A. Riley II (eds.), Preserving the Built Heritage: Tools for Implementation
|
Johnson, Peter
|
|
2000
|
24 |
3 |
p. 260-262
|
artikel
|
| 7 |
Sir Alan Peacock (ed.), Does The Past Have a Future? The PoliticalEconomy of Heritage; Michael Hutter and Ilde Rizzo (eds.), EconomicPerspectives on Cultural Heritage
|
Rosemary Clarke
|
|
2000
|
24 |
3 |
p. 257-260
4 p.
|
artikel
|
| 8 |
Sir Alan Peacock (ed.), Does The Past Have a Future? The Political Economy of Heritage; Michael Hutter and Ilde Rizzo (eds.), Economic Perspectives on Cultural Heritage
|
Clarke, Rosemary
|
|
2000
|
24 |
3 |
p. 257-260
|
artikel
|
| 9 |
Steven J. Ross, Working-Class Hollywood: Silent Film andthe Shaping of Class inAmerica
|
Sheila J. Petty
|
|
2000
|
24 |
3 |
p. 262-265
4 p.
|
artikel
|
| 10 |
Steven J. Ross, Working-Class Hollywood: Silent Film and the Shaping of Class in America
|
Petty, Sheila J.
|
|
2000
|
24 |
3 |
p. 262-265
|
artikel
|
| 11 |
Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification
|
John O'Hagan
|
|
2000
|
24 |
3 |
p. 205-224
20 p.
|
artikel
|
| 12 |
Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification
|
O'Hagan, John
|
|
2000
|
24 |
3 |
p. 205-224
|
artikel
|
| 13 |
Win, Place or Show: Gauging the Economic Success of the Renoir and BarnesArt Exhibits
|
Dick Stanley
|
|
2000
|
24 |
3 |
p. 243-255
13 p.
|
artikel
|
| 14 |
Win, Place or Show: Gauging the Economic Success of the Renoir and Barnes Art Exhibits
|
Stanley, Dick
|
|
2000
|
24 |
3 |
p. 243-255
|
artikel
|
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