| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
And the Band Played Waltzing Matilda: Australian Picture Books (1999–2016) and the First World War
|
Kerby, Martin Charles
|
|
2017
|
50 |
2 |
p. 91-109
|
artikel
|
| 2 |
Beyond the Characters and the Reader? Digital Discussions on Intersectionality in The Murderer’s Ape
|
Palo, Annbritt
|
|
2017
|
50 |
2 |
p. 125-141
|
artikel
|
| 3 |
Envisaging “Our” Nation: Politicized Affects in Minority Language Literature
|
Kokkola, Lydia
|
|
2017
|
50 |
2 |
p. 142-159
|
artikel
|
| 4 |
“Put it Right”: Matilda as Author in Matilda the Musical
|
Palkovich, Einat Natalie
|
|
2017
|
50 |
2 |
p. 210-222
|
artikel
|
| 5 |
Red Letter Childhoods: “The Translator’s Invisibility,” “The Hidden Adult,” & The “Foreignizing” Nonsense of Dr. Seuss
|
Tulloch, Bonnie J.
|
|
2019
|
50 |
2 |
p. 160-177
|
artikel
|
| 6 |
“Swimming Against the Tide”: Disability Represented Through Fish Symbolism in (and on) Middle Grade and Young Adult Novels
|
Brown, Megan R.
|
|
2017
|
50 |
2 |
p. 193-209
|
artikel
|
| 7 |
The Elucidatory Uses of Wittgenstein’s Scale of Nonsense in Lewis Carroll’s Wonderland Narratives
|
Süner, Ahmet
|
|
2017
|
50 |
2 |
p. 178-192
|
artikel
|
| 8 |
“You Are My [Camp]fire”: Tradition and Structure in Maggie Thrash’s Graphic Memoir Honor Girl
|
Stamper, Christine N.
|
|
2017
|
50 |
2 |
p. 110-124
|
artikel
|
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