| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
1996.4.13.2 An Exhibit Denied: Lobbying the History of ‘Enola Gay’
|
|
|
1996
|
15 |
4 |
p. 433-434
2 p.
|
artikel
|
| 2 |
1996.4.12.1 An Historical Geography of Recreation and Tourism in the Western World 1540–1940
|
|
|
1996
|
15 |
4 |
p. 430-431
2 p.
|
artikel
|
| 3 |
1996.4.18.1 Archaeological Ethics
|
|
|
1996
|
15 |
4 |
p. 435-
1 p.
|
artikel
|
| 4 |
Art Investment and the British Rail Pension Fund
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 406-407
2 p.
|
artikel
|
| 5 |
Author and Subject Index to Volume 15 (1996)
|
|
|
1996
|
15 |
4 |
p. I-V
nvt p.
|
artikel
|
| 6 |
1996.4.23.1 Cultures of Natural History
|
|
|
1996
|
15 |
4 |
p. 435-436
2 p.
|
artikel
|
| 7 |
1996.4.13.1 Economics of the Arts: Selected Essays
|
|
|
1996
|
15 |
4 |
p. 431-433
3 p.
|
artikel
|
| 8 |
Enabling Accountability in Museums
|
Carnegie, Garry D.
|
|
1996
|
15 |
4 |
p. 371-386
16 p.
|
artikel
|
| 9 |
Floodlighting and ‘Sky Glow’
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 427-428
2 p.
|
artikel
|
| 10 |
‘He Who Pays the Piper Calls the Tune’: Sponsorship, Patronage and the Intellectual Independence of Museums
|
|
|
1996
|
15 |
4 |
p. 345-350
6 p.
|
artikel
|
| 11 |
1996.4.11.1 Historical and Philosophical Issues in the Conservation of Cultural Heritage
|
|
|
1996
|
15 |
4 |
p. 429-430
2 p.
|
artikel
|
| 12 |
1996.4.30.2 Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-century Paris
|
|
|
1996
|
15 |
4 |
p. 438-440
3 p.
|
artikel
|
| 13 |
Lawrence, Morant and a Picture Frame from Harewood
|
Gregory, Michael
|
|
1996
|
15 |
4 |
p. 423-426
4 p.
|
artikel
|
| 14 |
1996.4.28.1 Making Histories in Museums
|
|
|
1996
|
15 |
4 |
p. 436-437
2 p.
|
artikel
|
| 15 |
Picturing the screen: The American Museum of the Moving Image
|
Jakovljevic, Branislav
|
|
1996
|
15 |
4 |
p. 351-369
19 p.
|
artikel
|
| 16 |
Piers Gough's New Galleries of Victorian and Earlier 20th Century Portraits in London
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 401-404
4 p.
|
artikel
|
| 17 |
Popular Preferences in Painting
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 404-406
3 p.
|
artikel
|
| 18 |
1996.4.30.3 Prints at the Smithsonian: The Origins of a National Collection
|
|
|
1996
|
15 |
4 |
p. 440-
1 p.
|
artikel
|
| 19 |
1996.4.11.2 Restoration: Is It Acceptable?—British Museum Occasional Paper 99
|
|
|
1996
|
15 |
4 |
p. 430-
1 p.
|
artikel
|
| 20 |
Site museums: Their origins, definition and categorisation
|
Moolman, Hermanus Johannes
|
|
1996
|
15 |
4 |
p. 387-400
14 p.
|
artikel
|
| 21 |
1996.4.14.1 The Art of the Picture Frame: Artists, Patrons and the Framing of Portraits in Britain
|
|
|
1996
|
15 |
4 |
p. 434-435
2 p.
|
artikel
|
| 22 |
The Durban Museums' Conservation Centre
|
Addleson, Jill
|
|
1996
|
15 |
4 |
p. 410-416
7 p.
|
artikel
|
| 23 |
The Exhibition of ‘The Art of the Picture Frame’
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 419-423
5 p.
|
artikel
|
| 24 |
The lighting of ‘Outdoor’ Sculpture in Museums
|
Foster, Peter
|
|
1996
|
15 |
4 |
p. 418-419
2 p.
|
artikel
|
| 25 |
1996.4.30.1 The Museum of Modern Art at MidCentury: Continuity and Change
|
|
|
1996
|
15 |
4 |
p. 437-438
2 p.
|
artikel
|
| 26 |
The open display of textiles as arranged for the ‘William Morris Exhibition’, London, 1996
|
Parry, Linda
|
|
1996
|
15 |
4 |
p. 416-417
2 p.
|
artikel
|
| 27 |
The Threat of ‘Euro-History’
|
Cannon-Brookes, Peter
|
|
1996
|
15 |
4 |
p. 408-409
2 p.
|
artikel
|
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