| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
A sonar, interactive dance and music system
|
Miley, T.
|
|
1996
|
32 |
1 |
p. 97-107
11 p.
|
artikel
|
| 2 |
Computation and semiotic practice as compositional process
|
Choi, I.
|
|
1996
|
32 |
1 |
p. 17-35
19 p.
|
artikel
|
| 3 |
DMIX: A multifaceted environment for composing and performing computer music
|
Oppenheim, D.V.
|
|
1996
|
32 |
1 |
p. 117-135
19 p.
|
artikel
|
| 4 |
Editorial Board
|
|
|
1996
|
32 |
1 |
p. iii-v
nvt p.
|
artikel
|
| 5 |
Granular synthesis composition with StochGran and Max
|
Helmuth, M.
|
|
1996
|
32 |
1 |
p. 57-74
18 p.
|
artikel
|
| 6 |
Integrating performance, live electronics, and interactive video
|
Pengilly, S.
|
|
1996
|
32 |
1 |
p. 75-77
3 p.
|
artikel
|
| 7 |
Intelligent musical instrument systems
|
Farrett, P.W.
|
|
1996
|
32 |
1 |
p. 37-48
12 p.
|
artikel
|
| 8 |
Interactive electroacoustic performance transactional composition
|
Scott, C.L.
|
|
1996
|
32 |
1 |
p. 79-83
5 p.
|
artikel
|
| 9 |
Knowledge technology and the arts: A personal view
|
Laske, O.
|
|
1996
|
32 |
1 |
p. 85-88
4 p.
|
artikel
|
| 10 |
“Legacy: San Lazaro” the integration of composition, performance, and computer programming
|
Leonard III, N.
|
|
1996
|
32 |
1 |
p. 89-92
4 p.
|
artikel
|
| 11 |
MAX as an overall control mechanism for multidiscipline installation art
|
Bestor, C.
|
|
1996
|
32 |
1 |
p. 11-16
6 p.
|
artikel
|
| 12 |
Music and animation tool kit: Modules for computer multimedia composition
|
Roth, R.
|
|
1996
|
32 |
1 |
p. 137-144
8 p.
|
artikel
|
| 13 |
Preface
|
Witten, M.
|
|
1996
|
32 |
1 |
p. xiii-
1 p.
|
artikel
|
| 14 |
Real time transformation of musical material with fractal algorithms
|
Nelson, G.L.
|
|
1996
|
32 |
1 |
p. 109-116
8 p.
|
artikel
|
| 15 |
Robot choreography: An artistic-scientific connection
|
Apostolos, M.K.
|
|
1996
|
32 |
1 |
p. 1-4
4 p.
|
artikel
|
| 16 |
Software for the Mathews Stanford radio drum
|
Logemann, G.W.
|
|
1996
|
32 |
1 |
p. 93-96
4 p.
|
artikel
|
| 17 |
The Composers Toolbox, a Lisp-based precomposition environment: General system overview and an introduction to the package's new krayola MIDI paint module
|
Skrien, D.
|
|
1996
|
32 |
1 |
p. 49-55
7 p.
|
artikel
|
| 18 |
The sounds of science: II. Listening to dynamical systems—Towards a musical exploration of complexity
|
Witten, M.
|
|
1996
|
32 |
1 |
p. 145-173
29 p.
|
artikel
|
| 19 |
The virtual instrument paradigm: An alternative approach to interactive computer music
|
Beck, S.D.
|
|
1996
|
32 |
1 |
p. 5-10
6 p.
|
artikel
|
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