| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
“Blessed be the tie that binds”: community and spirituality among Sacred Harp singers
|
Clawson, Laura
|
|
2004
|
32 |
3-4 |
p. 311-324
14 p.
|
artikel
|
| 2 |
Consolidating the music scenes perspective
|
Bennett, Andy
|
|
2004
|
32 |
3-4 |
p. 223-234
12 p.
|
artikel
|
| 3 |
Historical perspectives in music sociology
|
DeNora, Tia
|
|
2004
|
32 |
3-4 |
p. 211-221
11 p.
|
artikel
|
| 4 |
Incumbents, innovation, and competence: the emergence of recorded jazz, 1920 to 1929
|
Phillips, Damon J.
|
|
2004
|
32 |
3-4 |
p. 281-295
15 p.
|
artikel
|
| 5 |
Making music sociology: an introduction
|
Peterson, Richard A.
|
|
2004
|
32 |
3-4 |
p. 195-196
2 p.
|
artikel
|
| 6 |
Meaning and membership: samples in rap music, 1979–1995
|
Lena, Jennifer C.
|
|
2004
|
32 |
3-4 |
p. 297-310
14 p.
|
artikel
|
| 7 |
Musical boundaries: intersections of form and content
|
Sonnett, John
|
|
2004
|
32 |
3-4 |
p. 247-264
18 p.
|
artikel
|
| 8 |
Opportunities for ethnography in the sociology of music
|
Grazian, David
|
|
2004
|
32 |
3-4 |
p. 197-210
14 p.
|
artikel
|
| 9 |
Predicting cultural output diversity in the radio industry, 1989–2002
|
Lee, Steve S.
|
|
2004
|
32 |
3-4 |
p. 325-342
18 p.
|
artikel
|
| 10 |
Production perspectives in the sociology of music
|
Dowd, Timothy J.
|
|
2004
|
32 |
3-4 |
p. 235-246
12 p.
|
artikel
|
| 11 |
“Race records” and “hillbilly music”: institutional origins of racial categories in the American commercial recording industry
|
Roy, William G.
|
|
2004
|
32 |
3-4 |
p. 265-279
15 p.
|
artikel
|
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