nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
1 |
Absurd dialogue and speech acts — Beckett's “En attendant Godot’
|
Corfariu, Manuela |
|
1984 |
13 |
1-2 |
p. 119-133 15 p. |
artikel |
2 |
Communication and the game of theatre
|
Davey, Lynda A. |
|
1984 |
13 |
1-2 |
p. 5-15 11 p. |
artikel |
3 |
Editorial Board
|
|
|
1984 |
13 |
1-2 |
p. IFC- 1 p. |
artikel |
4 |
Entropy and prediction in the study of theatre
|
Dinu, Mihai |
|
1984 |
13 |
1-2 |
p. 57-70 14 p. |
artikel |
5 |
Functioning of words
|
Nadin, Mihai |
|
1984 |
13 |
1-2 |
p. 17-46 30 p. |
artikel |
6 |
Introduction to the ‘The formal study of drama’
|
Marcus, Solomon |
|
1984 |
13 |
1-2 |
p. 1-4 4 p. |
artikel |
7 |
Is the stage-audience relationship a form of dialogue?
|
Popovici, Vasile |
|
1984 |
13 |
1-2 |
p. 111-118 8 p. |
artikel |
8 |
Linear and tabular in a semiotic reading of the dramatic communication
|
Rovenţa-Frumuşani, Daniela |
|
1984 |
13 |
1-2 |
p. 71-81 11 p. |
artikel |
9 |
Poetic means in investigating drama
|
Oprea, Magdalena |
|
1984 |
13 |
1-2 |
p. 149-169 21 p. |
artikel |
10 |
Theatre and reflexivity
|
VodǎCǎpuşan, Maria |
|
1984 |
13 |
1-2 |
p. 101-109 9 p. |
artikel |
11 |
The dramatic syllables and hyper-syllables of Menander's ‘Samia’ and Plautus' ‘Mercator’
|
Hubka, Karel |
|
1984 |
13 |
1-2 |
p. 83-100 18 p. |
artikel |
12 |
The monologue as dramatic sign
|
Teodorescu-Brînzeu, Pia |
|
1984 |
13 |
1-2 |
p. 135-148 14 p. |
artikel |
13 |
The verbal zero-sign in theatre
|
Teodorescu-Brînzeu, Pia |
|
1984 |
13 |
1-2 |
p. 47-56 10 p. |
artikel |