| no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
| 1 |
Artistic referencing and emergent standards of peer recognition in Hollywood, 1930–2000
|
Burgdorf, Katharina
|
|
|
103 |
C |
p.
|
article
|
| 2 |
Coping with Covid: Exploring reconfigurations of Flemish news repertoires in the wake of the COVID-19 pandemic
|
Vandenplas, Ruben
|
|
|
103 |
C |
p.
|
article
|
| 3 |
Creating careers in the kingdom of content. The platform-dependence and platform-ambivalence of digital cultural labour in Norway
|
Hylland, Ole Marius
|
|
|
103 |
C |
p.
|
article
|
| 4 |
Editorial Board
|
|
|
|
103 |
C |
p.
|
article
|
| 5 |
Farewell on screen: Uncertainty in parasocial relationships and breakups with fictional media characters✰,✰✰
|
Möri, Michelle
|
|
|
103 |
C |
p.
|
article
|
| 6 |
Fear of the bear? Rewilding, rural agencies and politics in two documentaries in Trentino and the Pyrenees
|
Berti, Carlo
|
|
|
103 |
C |
p.
|
article
|
| 7 |
“Just like friends”: Chinese young adults’ interpretation of parent–child relationships on American TV shows
|
Gao, Yang
|
|
|
103 |
C |
p.
|
article
|
| 8 |
Laughter and civil repair: A stage-audience encounter
|
Lund, Anna
|
|
|
103 |
C |
p.
|
article
|
| 9 |
Seeing is believing: Performing transparency in the informal organic market in China
|
Li, Shumeng
|
|
|
103 |
C |
p.
|
article
|
| 10 |
Socially distanced artistic careers: Professional social interactions in early, established, and late career stages during COVID-19
|
Skaggs, Rachel
|
|
|
103 |
C |
p.
|
article
|
| 11 |
Splendid isolation: Managing time and making culture among novelists during the pandemic
|
Fürst, Henrik
|
|
|
103 |
C |
p.
|
article
|
| 12 |
The bookshelf's ‘magic circle’: An ethnographic study of classificatory encounters in library spaces
|
Quinn, Katherine
|
|
|
103 |
C |
p.
|
article
|
| 13 |
The show must go on(line): Livestreamed concerts and the hyper-ritualisation of genre conventions
|
Vandenberg, Femke
|
|
|
103 |
C |
p.
|
article
|
Journal description