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| Titel: |
Post in the 'modern': Greek film music and the work of Nikos Mamangakis |
| Auteur: |
Pulakis Nik |
| Verschenen in: |
Muzikologija |
| Paginering: | Jaargang 2008 (2008) nr. 8 pagina's 77-89 |
| Jaar: |
2008 |
| Inhoud: |
This article is focused on Nikos Mamangakis, one of the most ambiguous art-popular composers in Greece. His compositions for cinema are also quite provocative. Mamangakis' cooperation with Finos Film (the major Greek film production company in post-war era) and, on the contrary, his collaboration with Nikos Perakis (one of the most well-known contemporary film directors) vividly illustrate the transformation of film music from the so-called Old to the New Greek Cinema. Through an overall analysis of two of Mamangakis' most important film scores, I hope to reveal the transition process from a realistic modernist perspective to a postmodern one. A second goal is to present critically the general ideological shift in Greek socio-cultural sphere following the seventies change of polity. This paper underlines the perception of Greek music culture as a special case of Western music, which however holds its very distinct stylistic idioms, cultural practices and ideological functions. |
| Uitgever: |
Serbian Academy of Sciences and Arts - Institute of Musicology (provided by DOAJ) |
| Bronbestand: |
Elektronische Wetenschappelijke Tijdschriften |
Details van artikel 9 van 16 gevonden artikelen
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