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Details van artikel 9 van 19 gevonden artikelen
| Titel: |
Modernism and tradition and the traditions of modernism |
| Auteur: |
Kros Džonatan |
| Verschenen in: |
Muzikologija |
| Paginering: | Jaargang 2006 (2006) nr. 6 pagina's 19-42 |
| Jaar: |
2006 |
| Inhoud: |
Conventionally, the story of musical modernism has been told in terms of a catastrophic break with the (tonal) past and the search for entirely new techniques and modes of expression suitable to a new age. The resulting notion of a single, linear, modernist mainstream (predicated on the basis of a Schoenbergian model of musical progress) has served to conceal a more subtle relationship between past and present. Increasingly, it is being recognized that there exist many modernisms and their various identities are forged from a continual renegotiation between past and present, between tradition(s) and the avant-garde. This is especially relevant when attempting to discuss the reception of modernism outside central Europe, where the adoption of (Germanic) avant-garde attitudes was often interpreted as being "unpatriotic". The case of Great Britain is examined in detail: Harrison Birtwistle’s opera The Mask of Orpheus (1973–83) forms the focus for a wider discussion of modernism within the context of late/post-modern thought. |
| Uitgever: |
Serbian Academy of Sciences and Arts - Institute of Musicology (provided by DOAJ) |
| Bronbestand: |
Elektronische Wetenschappelijke Tijdschriften |
Details van artikel 9 van 19 gevonden artikelen
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