This article explores the historical commemoration, the Alarde of the Spanish-Basque town of Hondarribia, re-enacted for almost 400 years. It is a social account of the past portrayed through a history of local militarism and a history of commemorative performance. Since 1996, controversy has divided local inhabitants concerning wider female-inclusion in the male-dominated event, separating the town into factions, traditionalists (asserting traditions remain the same) and feminists (advocating broader female involvement). Theoretical concerns include examining traditions and their gradual transformations over time, rather than as episodic change; that interpreting the past can be competitive over rights of belonging; that history may be influenced by different agencies of gender, kin ties, memory, politics, and social experience; that people do not purposefully ignore the passage of time but may be protecting communal harmony; that commemorative rites are more than embodied performances; and that history can be a multiple, contested, and lived experience.
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