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The representation of the crusades in the songs attributed to Thibaud, Count Palatine of Champagne 1 This article is a revised version of a paper presented at the 32nd International Congress of Medieval Studies (Kalamazoo), May 1997, where it profited from the criticisms of the commentator, Professor James Powell of Syracuse University, and from those of other scholars in attendance. My thoughts on the subject of the paper have also benefitted profoundly from conversations with my friend, Professor Susan Einbinder of Hebrew Union College. I wish to thank her, a literary scholar, for graciously sharing her erudition and sensitive readings of Thibaud's poems with a historian. 1 |
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