| nr |
titel |
auteur |
tijdschrift |
jaar |
jaarg. |
afl. |
pagina('s) |
type |
| 1 |
Asian-Australian cinema, Asian-Australian modernity
|
Yue, Audrey
|
|
2000
|
|
65 |
p. 189-199
|
artikel
|
| 2 |
Beloved
|
Bobis, Merlinda
|
|
2000
|
|
65 |
p. 117-121
|
artikel
|
| 3 |
Comic refuge[e]: The comic persona of Hung Le
|
Joseph, Barbara
|
|
2000
|
|
65 |
p. 145-149
|
artikel
|
| 4 |
Contributors
|
|
|
2000
|
|
65 |
p. 242-245
|
artikel
|
| 5 |
Conversations with Charlie
|
Ta, Binh Duy
|
|
2000
|
|
65 |
p. 88-105
|
artikel
|
| 6 |
'Cricket, with a plot': Nationalism, cricket and diasporic identities
|
Perera, Suvendrini
|
|
2000
|
|
65 |
p. 13-26
|
artikel
|
| 7 |
Editorial board
|
|
|
2000
|
|
65 |
p. 1
|
artikel
|
| 8 |
Folding Chinese boxes: Asian exoticism in Australia
|
Khoo, Olivia
|
|
2000
|
|
65 |
p. 200-208
|
artikel
|
| 9 |
Guddi
|
Nandan, Satendra
|
|
2000
|
|
65 |
p. 110-116
|
artikel
|
| 10 |
'Historical drifters': Self-representations of Chinese late-comers in Australia
|
Yuan-fang, Shen
|
|
2000
|
|
65 |
p. 136-144
|
artikel
|
| 11 |
Hysteria and the hybrid body in Laleen Jayamanne's a song of Ceylon
|
Vigneswaran, Priyadarshini
|
|
2000
|
|
65 |
p. 173-180
|
artikel
|
| 12 |
Line drawing of an Australian grandmother
|
Lo, Miriam Wei Wei
|
|
2000
|
|
65 |
p. 106-109
|
artikel
|
| 13 |
Mona Lisa
|
Leong, Hou
|
|
2000
|
|
65 |
p. 123-126
|
artikel
|
| 14 |
New formations in Asian-Australian cultural politics
|
Lo, Jacqueline
|
|
2000
|
|
65 |
p. 1-12
|
artikel
|
| 15 |
Notes
|
|
|
2000
|
|
65 |
p. 225-241
|
artikel
|
| 16 |
Of training, tokenism and productive misinterpretation: Reflections on the after China project
|
Copeman, Peter
|
|
2000
|
|
65 |
p. 35-43
|
artikel
|
| 17 |
Playing Madame Mao
|
Mei, Lau Siew
|
|
2000
|
|
65 |
p. 85-87
|
artikel
|
| 18 |
Poems: Arrangements, Resonance, Flight ice blood metal, Nails, Sun bathing, Gingko nuts
|
Quan, Andy
|
|
2000
|
|
65 |
p. 75-84
|
artikel
|
| 19 |
'Possible only on paper?' Hybridity as parody in Brian Castro's drift
|
Lo, Miriam Wei Wei
|
|
2000
|
|
65 |
p. 69-74
|
artikel
|
| 20 |
Remembering Chinese. . .
|
Leong, Greg
|
|
2000
|
|
65 |
p. 58-68
|
artikel
|
| 21 |
Reviews
|
Bonnell, Andrew G.
|
|
2000
|
|
65 |
p. 209-224
|
artikel
|
| 22 |
Selling sexotica: Oriental grunge and suburbia in Lillian Ng's swallowing clouds
|
Khoo, Tseen
|
|
2000
|
|
65 |
p. 164-172
|
artikel
|
| 23 |
Sexual identity and cultural identity: A crash course
|
Ayres, Tony
|
|
2000
|
|
65 |
p. 159-163
|
artikel
|
| 24 |
'That's what rice queens study!' white gay desire and representing Asian homosexualities
|
Jackson, Peter A.
|
|
2000
|
|
65 |
p. 181-188
|
artikel
|
| 25 |
The making of an 'Australian' 'self in Simone Lazaroo's the world waiting to be made
|
Wang, Dorothy
|
|
2000
|
|
65 |
p. 44-49
|
artikel
|
| 26 |
The poetics of cultural theory: On hybridity and the new hierarchies
|
Chan, Dean
|
|
2000
|
|
65 |
p. 51-57
|
artikel
|
| 27 |
The transcultural dilemma: Asian Australian artists in the Asia debate
|
Chiu, Melissa
|
|
2000
|
|
65 |
p. 27-34
|
artikel
|
| 28 |
Wild Cathay boys: Chinese bushrangers in Australian history and literature
|
Noonan, Rodney
|
|
2000
|
|
65 |
p. 127-135
|
artikel
|
| 29 |
Your worst nightmare: Hybridised demonology in Asian-Australian women's writing
|
Tucker, Shirley
|
|
2000
|
|
65 |
p. 150-157
|
artikel
|
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