no |
title |
author |
magazine |
year |
volume |
issue |
page(s) |
type |
1 |
ADDRESSING THE GLOBAL PHENOMENON OF A DOLL'S HOUSE: AN INTERCULTURAL INTERVENTION
|
Holledge, Julie |
|
2008 |
|
1 |
p. 13-28 |
article |
2 |
Advocacy and Ambivalence in Ibsen's Drama
|
Templeton, Joan |
|
2007 |
|
1 |
p. 43-60 |
article |
3 |
'After the first death, there is no other': Ibsen's Brand and Kierkegaard's Fear and Trembling
|
Theoharis, Theoharis C. |
|
2000 |
|
1 |
p. 9-29 |
article |
4 |
A Jungian reading of Ibsen's the lady from the sea
|
Ozdemir, Erinc |
|
2002 |
|
1 |
p. 34-53 |
article |
5 |
Allegory, Capital, Modernity: Peer Gynt and Ibsen's Modern Breakthrough
|
Lisi, Leonardo F. |
|
2008 |
|
1 |
p. 43-68 |
article |
6 |
Arrival scenes. Henrik Ibsen's John Gabriel Borkman and the tradition of modern European drama.
|
Heitmann, Annegret |
|
2006 |
|
1 |
p. 22-43 |
article |
7 |
BEATE ROSMER AND BERTHA ROCHESTER
|
Smidt, Kristian |
|
2008 |
|
1 |
p. 79-81 |
article |
8 |
Between desire and ethics.
|
Nylander, Lars |
|
2005 |
|
1 |
p. 105-110 |
article |
9 |
Contemporary political relevance of Ibsen's Brand - the case of Islamic fundamentalism
|
Nilu, Kamaluddin |
|
2007 |
|
1 |
p. 105-121 |
article |
10 |
Contributors
|
|
|
2000 |
|
1 |
p. 111-112 |
article |
11 |
Contributors
|
|
|
2002 |
|
1 |
p. 83-84 |
article |
12 |
CREDIT AND CREDIBILITY: THE IMPACT OF MODERN BANKING INSTITUTIONS ON A DOLL'S HOUSE
|
Evans, Michael |
|
2008 |
|
1 |
p. 29-42 |
article |
13 |
Editorial board
|
|
|
2000 |
|
1 |
p. 1 |
article |
14 |
Editorial board
|
|
|
2002 |
|
1 |
p. 1 |
article |
15 |
Editors' introduction
|
Durbach, Errol |
|
2004 |
|
1 |
p. 2-3 |
article |
16 |
Editor's note
|
|
|
2000 |
|
1 |
p. 110 |
article |
17 |
EPILOGICAL MELANCHOLY
|
Levy, Jette Lundbo |
|
2003 |
|
1 |
p. 113-122 |
article |
18 |
Exchange in A Doll's House and in The Lady from the Sea - Barter, Gift, and Sacrifice
|
Johansen, Jørgen Dines |
|
2007 |
|
1 |
p. 22-42 |
article |
19 |
Falling for the sphinx: The Heritage of the Oedipus Myth in Henrik Ibsen's The Master Builder
|
Delbruck, Hansgerd |
|
2000 |
|
1 |
p. 30-53 |
article |
20 |
Female interpreters of Ibsen on Broadway, 1896-1947: Minnie Maddern Fiske, Alla Nazimova & Eva Le Gallienne
|
Arthur, Thomas |
|
2000 |
|
1 |
p. 54-67 |
article |
21 |
Hedda and HjØrdis: Saga and scandal in Hedda Gabler and The Vikings at Helgeland
|
Kaplan, Merrill |
|
2004 |
|
1 |
p. 18-29 |
article |
22 |
Henrik Ibsen and Denmark
|
Wiingaard, Jytte |
|
2002 |
|
1 |
p. 9-33 |
article |
23 |
HOW IBSEN FOUND HIS HEDDA GABLER
|
Nilsen, Håvard |
|
2003 |
|
1 |
p. 7-31 |
article |
24 |
Ibsen and British Women's Drama
|
Cameron, Rebecca S. |
|
2004 |
|
1 |
p. 92-102 |
article |
25 |
IBSEN AND CHINESE 'PROBLEM DRAMA'
|
He, Chengzhou |
|
2003 |
|
1 |
p. 54-70 |
article |
26 |
Ibsen and the Nightmare of History
|
Eagleton, Terry |
|
2008 |
|
1 |
p. 4-12 |
article |
27 |
Ibsen interpreted as an Allegory of Systems Theory
|
Tjønneland, Eivind |
|
2007 |
|
1 |
p. 122-128 |
article |
28 |
Ibsen's Ghosts - A Play for All Theatre Concepts?
|
Fischer-Lichte, Erika |
|
2007 |
|
1 |
p. 61-83 |
article |
29 |
Ibsen's individualism in Japan: John Gabriel Borkman and Ogai Mori's Seinen (Youth, 1910)
|
Auestad, Reiko Abe |
|
2006 |
|
1 |
p. 44-67 |
article |
30 |
Ibsen's Motherless Women
|
Hartmann, Ellen |
|
2004 |
|
1 |
p. 80-91 |
article |
31 |
IBSEN: THE SIGNIFICANCE OF SWEAR-WORDS
|
Tysdahl, Bjørn |
|
2008 |
|
1 |
p. 69-78 |
article |
32 |
Maintenance proceedings against Henrik Ibsen 1846-1862
|
Dahl, Per Kristian Heggelund |
|
2000 |
|
1 |
p. 81-96 |
article |
33 |
Mother, wife and role model
|
Ørjasæter, Kristin |
|
2005 |
|
1 |
p. 19-47 |
article |
34 |
On a letter from Ibsen and one from Vinje
|
Dahl, Per Kristian Heggelund |
|
2000 |
|
1 |
p. 97-103 |
article |
35 |
Peer Gynt and the dialogic imagination
|
Jan, Sara |
|
2004 |
|
1 |
p. 40-54 |
article |
36 |
Power and Masculinity Atle Kittang: Ibsens Heroisme . Oslo: Gyldendal Norsk Forlag, 2002. 383 pp. ISBN 82-05-30633-8
|
Møller, Lis |
|
2003 |
|
1 |
p. 123-128 |
article |
37 |
Preface
|
Brynhildsvoll, Knut |
|
2002 |
|
1 |
p. 7-8 |
article |
38 |
Preface
|
Brynhildsvoll, Knut |
|
2003 |
|
1 |
p. 3-6 |
article |
39 |
Preface
|
|
|
2008 |
|
1 |
p. 2-3 |
article |
40 |
Preface
|
|
|
2007 |
|
1 |
p. 2-3 |
article |
41 |
Preface
|
Brynhildsvoll, Knut |
|
2004 |
|
1 |
p. 1 |
article |
42 |
Preface
|
Brynhildsvoll, Knut |
|
2005 |
|
1 |
p. 1-3 |
article |
43 |
Preface
|
Brynhildsvoll, Knut |
|
2006 |
|
1 |
p. 1-5 |
article |
44 |
Reading Ibsen's signs: ambivalence on page and stage (plenary address)
|
Ewbank, Inga-Stina |
|
2004 |
|
1 |
p. 4-17 |
article |
45 |
RECONSTRUCTING IBSEN AS AN ARTIST: A THEORETICAL REFLECTION ON THE RECEPTION OF IBSEN IN CHINA
|
Ning, Wang |
|
2003 |
|
1 |
p. 71-85 |
article |
46 |
Review
|
|
|
2006 |
|
1 |
p. 96-103 |
article |
47 |
Review
|
|
|
2006 |
|
1 |
p. 90-95 |
article |
48 |
REVIEW
|
|
|
2008 |
|
1 |
p. 82-86 |
article |
49 |
Reviews
|
Moi, Toril |
|
2000 |
|
1 |
p. 104-107 |
article |
50 |
Reviews
|
Paul, Fritz |
|
2002 |
|
1 |
p. 75-82 |
article |
51 |
Robert Wilson Directs When We Dead Awaken, The Lady From the Sea and Peer Gynt
|
Shevtsova, Maria |
|
2007 |
|
1 |
p. 84-104 |
article |
52 |
“…since I cannot afford to lose or even risk anything”
|
Dietrichson, Jan W. |
|
2006 |
|
1 |
p. 68-89 |
article |
53 |
The Architecture of Forgetting
|
Sandberg, Mark |
|
2007 |
|
1 |
p. 4-21 |
article |
54 |
The Ethics of Aesthetics: Decadence in Henrik Ibsen's The Wild Duck
|
Veisland, Jørgen |
|
2005 |
|
1 |
p. 48-63 |
article |
55 |
The Greenhouse, the Zoo and the Aquarium: Allegories of inauthenticity in Ibsen's modern drama
|
Aarseth, Asbjørn |
|
2004 |
|
1 |
p. 70-79 |
article |
56 |
THE IBSEN PHENOMENON
|
Johnston, Brian |
|
2006 |
|
1 |
p. 6-21 |
article |
57 |
The international Ibsen bibliography
|
Nordbø, Gunhild |
|
2000 |
|
1 |
p. 108-110 |
article |
58 |
'THE REVELATION OF THINGS UNSEEN': A MYSTERY PLAY TRADITION IN IBSEN'S REALISTIC DRAMA, WITH PARTICULAR REFERENCE TO ROSMERSHOLM
|
Yuriev, Andrey |
|
2003 |
|
1 |
p. 86-112 |
article |
59 |
The role of women in Henrik Ibsen's the pretenders—An analysis of the forces of destruction and healing
|
Hoel, Ane |
|
2000 |
|
1 |
p. 68-80 |
article |
60 |
Three unpublished letters by Henrik Ibsen about the first-performances of 'Et dukkehjem' in Italy
|
Lokrantz, Margherita Giordano |
|
2002 |
|
1 |
p. 59-74 |
article |
61 |
TO BE ONESELF: SATAN'S RUSE
|
Dvergsdal, Alvhild |
|
2003 |
|
1 |
p. 32-53 |
article |
62 |
Tom Eide: Ibsens dialogkunst: Etikk og eksistens i Når vi døde vågner. Oslo: Universitetsforlaget, 2001. 299 pages. ISBN 82-15-00146-7
|
Tysdahl, Bjørn |
|
2004 |
|
1 |
p. 112-117 |
article |
63 |
"To waste one's life": biblical language in Ibsen's dramas of contemporary life
|
Jakobsen, Arnbjørn |
|
2004 |
|
1 |
p. 30-39 |
article |
64 |
"To waste one's life";: biblical language in Ibsen's dramas of contemporary life
|
Jakobsen, Arnbjørn |
|
2004 |
|
1 |
p. 30-39 |
article |
65 |
"Unser Ibsen": Ibsen on the contemporary German stage (plenary address)
|
Carlson, Marvin |
|
2004 |
|
1 |
p. 55-69 |
article |
66 |
"Unser Ibsen";: Ibsen on the contemporary German stage (plenary address)
|
Carlson, Marvin |
|
2004 |
|
1 |
p. 55-69 |
article |
67 |
Viewing the Nude: Body and Existence in Space and Time
|
Østerud, Erik |
|
2005 |
|
1 |
p. 64-104 |
article |
68 |
What Ibsen has meant (plenary address)
|
Bentley, Eric |
|
2004 |
|
1 |
p. 103-111 |
article |
69 |
Yet another honour: Ibsen and the British Scandinavian Society
|
Rem, Tore |
|
2002 |
|
1 |
p. 54-58 |
article |